Meurtre d’Awa Cissé : sa patronne jure qu’elle « voulait juste la corriger » - Dakar 221\nAccueil Société Meurtre d’Awa Cissé : sa patronne jure qu’elle « voulait juste la...\nMeurtre d’Awa Cissé : sa patronne jure qu’elle « voulait juste la corriger »\nL’enquête a révélé que son employeuse l’aurait battu à morts après plusieurs coups de bâtons. Sa patronne Ngoné Fall voulait «juste la corriger », selon ses aveux faits entre deux sanglots lors de sa garde à vue. https://googleads.g.doubleclick.net/pagead/ads?lient=ca-pub-6260265065416016&output=html&h=280&slotname=6621753689&adk=2312870075&adf=1274192528&pi=t.ma~as.6621753689&w=770&fwrn=4&fwrnh=100&lmt=1615991564&rafmt=1&psa=1&format=770×280&url=https%3A%2F%2Fwww.dakarbuzz.net%2F%25e2%2580%258bmeurtre-dawa-cisse-sa-patronne-jure-quelle-voulait-juste-la-corriger%2F%3Ffbclid%3DIwAR3LA_35FHtw0twFr-uuZoL9UDHQmMHX8C_Zfm_ei1Z7h8dPnXBEkH9stak&flash=0&fwr=0&rpe=1&resp_fmts=3&wgl=1&dt=1615991563429&bpp=68&bdt=2122&idt=1123&shv=r20210315&cbv=r20190131&ptt=9&saldr=aa&abxe=1&cookie=ID%3De3a1cf9ca91ff702-22298f6ec4ba0002%3AT%3D1615811311%3ART%3D1615811311%3AS%3DALNI_MYSN2IFITeoMoQFzw4jWUo4VpguHg&prev_fmts=770×280&correlator=1731920611034&frm=20&pv=1&ga_vid=1169675571.1615655003&ga_sid=1615991564&ga_hid=1640911093&ga_fc=0&u_tz=0&u_his=1&u_java=0&u_h=768&u_w=1366&u_ah=728&u_aw=1366&u_cd=24&u_nplug=3&u_nmime=4&adx=101&ady=1514&biw=1311&bih=658&scr_x=0&scr_y=0&eid=44737537%2C21068946%2C21065725&oid=3&pvsid=3660926160670183&pem=133&ref=https%3A%2F%2Fl.facebook.com%2F&rx=0&eae=0&fc=896&brdim=0%2C0%2C0%2C0%2C1366%2C0%2C1366%2C728%2C1326%2C658&vis=1&rsz=%7C%7CeEbr%7C&abl=CS&pfx=0&fu=8320&bc=31&ifi=2&uci=a!2&btvi=2&fsb=1&xpc=k73InpfT1M&p=https%3A//www.dakarbuzz.net&dtd=1147\nArticle précédent(Photo) La liste des 26 joueurs convoqués par Aliou Cissé pour faire face au Congo et à l’Eswatini\nArticle suivantMeurtre d’Awa Cissé : sa patronne jure qu’elle « voulait juste la corriger »


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AR2 EE89 AR2 EE8\nAR2 EE9A AR2 EE9B AR2 EE9C AR2 EE9E AR2 EE9H AR2 EE9I AR2 EE9K AR2 EE9M AR2 EE9O AR2 EE9P AR2 EE9T AR2 EE9X AR2 EE9Y AR2 EE9R AR2 EE9U AR2 EE9S AR2 EE90 AR2 EE91 AR2 EE92 AR2 EE93 AR2 EE94 AR2 EE95 AR2 EE96 AR2 EE97 AR2 EE98 AR2 EE99 AR2 EE9\nAR2 EE A AR2 EE B AR2 EE C AR2 EE E AR2 EE H AR2 EE I AR2 EE K AR2 EE M AR2 EE O AR2 EE P AR2 EE T AR2 EE X AR2 EE Y AR2 EE R AR2 EE U AR2 EE S AR2 EE 0 AR2 EE 1 AR2 EE 2 AR2 EE 3 AR2 EE 4 AR2 EE 5 AR2 EE 6 AR2 EE 7 AR2 EE 8 AR2 EE 9 AR2 EE\nAR2-EEAA AR2-EEAB AR2-EEAC AR2-EEAE AR2-EEAH AR2-EEAI AR2-EEAK AR2-EEAM AR2-EEAO AR2-EEAP AR2-EEAT AR2-EEAX AR2-EEAY AR2-EEAR AR2-EEAU AR2-EEAS AR2-EEA0 AR2-EEA1 AR2-EEA2 AR2-EEA3 AR2-EEA4 AR2-EEA5 AR2-EEA6 AR2-EEA7 AR2-EEA8 AR2-EEA9 AR2-EEA\nAR2-EEBA AR2-EEBB AR2-EEBC AR2-EEBE AR2-EEBH AR2-EEBI AR2-EEBK AR2-EEBM AR2-EEBO AR2-EEBP AR2-EEBT AR2-EEBX AR2-EEBY AR2-EEBR AR2-EEBU AR2-EEBS AR2-EEB0 AR2-EEB1 AR2-EEB2 AR2-EEB3 AR2-EEB4 AR2-EEB5 AR2-EEB6 AR2-EEB7 AR2-EEB8 AR2-EEB9 AR2-EEB\nAR2-EECA AR2-EECB AR2-EECC AR2-EECE AR2-EECH AR2-EECI AR2-EECK AR2-EECM AR2-EECO AR2-EECP AR2-EECT AR2-EECX AR2-EECY AR2-EECR AR2-EECU AR2-EECS AR2-EEC0 AR2-EEC1 AR2-EEC2 AR2-EEC3 AR2-EEC4 AR2-EEC5 AR2-EEC6 AR2-EEC7 AR2-EEC8 AR2-EEC9 AR2-EEC\nAR2-EEEA AR2-EEEB AR2-EEEC AR2-EEEE AR2-EEEH AR2-EEEI AR2-EEEK AR2-EEEM AR2-EEEO AR2-EEEP AR2-EEET AR2-EEEX AR2-EEEY AR2-EEER AR2-EEEU AR2-EEES AR2-EEE0 AR2-EEE1 AR2-EEE2 AR2-EEE3 AR2-EEE4 AR2-EEE5 AR2-EEE6 AR2-EEE7 AR2-EEE8 AR2-EEE9 AR2-EEE\nAR2-EEHA AR2-EEHB AR2-EEHC AR2-EEHE AR2-EEHH AR2-EEHI AR2-EEHK AR2-EEHM AR2-EEHO AR2-EEHP AR2-EEHT AR2-EEHX AR2-EEHY AR2-EEHR AR2-EEHU AR2-EEHS AR2-EEH0 AR2-EEH1 AR2-EEH2 AR2-EEH3 AR2-EEH4 AR2-EEH5 AR2-EEH6 AR2-EEH7 AR2-EEH8 AR2-EEH9 AR2-EEH\nAR2-EEIA AR2-EEIB AR2-EEIC AR2-EEIE AR2-EEIH AR2-EEII AR2-EEIK AR2-EEIM AR2-EEIO AR2-EEIP AR2-EEIT AR2-EEIX AR2-EEIY AR2-EEIR AR2-EEIU AR2-EEIS AR2-EEI0 AR2-EEI1 AR2-EEI2 AR2-EEI3 AR2-EEI4 AR2-EEI5 AR2-EEI6 AR2-EEI7 AR2-EEI8 AR2-EEI9 AR2-EEI\nAR2-EEKA AR2-EEKB AR2-EEKC AR2-EEKE AR2-EEKH AR2-EEKI AR2-EEKK AR2-EEKM AR2-EEKO AR2-EEKP AR2-EEKT AR2-EEKX AR2-EEKY AR2-EEKR AR2-EEKU AR2-EEKS AR2-EEK0 AR2-EEK1 AR2-EEK2 AR2-EEK3 AR2-EEK4 AR2-EEK5 AR2-EEK6 AR2-EEK7 AR2-EEK8 AR2-EEK9 AR2-EEK\nAR2-EEMA AR2-EEMB AR2-EEMC AR2-EEME AR2-EEMH AR2-EEMI AR2-EEMK AR2-EEMM AR2-EEMO AR2-EEMP AR2-EEMT AR2-EEMX AR2-EEMY AR2-EEMR AR2-EEMU AR2-EEMS AR2-EEM0 AR2-EEM1 AR2-EEM2 AR2-EEM3 AR2-EEM4 AR2-EEM5 AR2-EEM6 AR2-EEM7 AR2-EEM8 AR2-EEM9 AR2-EEM\nAR2-EEOA AR2-EEOB AR2-EEOC AR2-EEOE AR2-EEOH AR2-EEOI AR2-EEOK AR2-EEOM AR2-EEOO AR2-EEOP AR2-EEOT AR2-EEOX AR2-EEOY AR2-EEOR AR2-EEOU AR2-EEOS AR2-EEO0 AR2-EEO1 AR2-EEO2 AR2-EEO3 AR2-EEO4 AR2-EEO5 AR2-EEO6 AR2-EEO7 AR2-EEO8 AR2-EEO9 AR2-EEO\nAR2-EEPA AR2-EEPB AR2-EEPC AR2-EEPE AR2-EEPH AR2-EEPI AR2-EEPK AR2-EEPM AR2-EEPO AR2-EEPP AR2-EEPT AR2-EEPX AR2-EEPY AR2-EEPR AR2-EEPU AR2-EEPS AR2-EEP0 AR2-EEP1 AR2-EEP2 AR2-EEP3 AR2-EEP4 AR2-EEP5 AR2-EEP6 AR2-EEP7 AR2-EEP8 AR2-EEP9 AR2-EEP\nAR2-EETA AR2-EETB AR2-EETC AR2-EETE AR2-EETH AR2-EETI AR2-EETK AR2-EETM AR2-EETO AR2-EETP AR2-EETT AR2-EETX AR2-EETY AR2-EETR AR2-EETU AR2-EETS AR2-EET0 AR2-EET1 AR2-EET2 AR2-EET3 AR2-EET4 AR2-EET5 AR2-EET6 AR2-EET7 AR2-EET8 AR2-EET9 AR2-EET\nAR2-EEXA AR2-EEXB AR2-EEXC AR2-EEXE AR2-EEXH AR2-EEXI AR2-EEXK AR2-EEXM AR2-EEXO AR2-EEXP AR2-EEXT AR2-EEXX AR2-EEXY AR2-EEXR AR2-EEXU AR2-EEXS AR2-EEX0 AR2-EEX1 AR2-EEX2 AR2-EEX3 AR2-EEX4 AR2-EEX5 AR2-EEX6 AR2-EEX7 AR2-EEX8 AR2-EEX9 AR2-EEX\nAR2-EEYA AR2-EEYB AR2-EEYC AR2-EEYE AR2-EEYH AR2-EEYI AR2-EEYK AR2-EEYM AR2-EEYO AR2-EEYP AR2-EEYT AR2-EEYX AR2-EEYY AR2-EEYR AR2-EEYU AR2-EEYS AR2-EEY0 AR2-EEY1 AR2-EEY2 AR2-EEY3 AR2-EEY4 AR2-EEY5 AR2-EEY6 AR2-EEY7 AR2-EEY8 AR2-EEY9 AR2-EEY\nAR2-EERA AR2-EERB AR2-EERC AR2-EERE AR2-EERH AR2-EERI AR2-EERK AR2-EERM AR2-EERO AR2-EERP AR2-EERT AR2-EERX AR2-EERY AR2-EERR AR2-EERU AR2-EERS AR2-EER0 AR2-EER1 AR2-EER2 AR2-EER3 AR2-EER4 AR2-EER5 AR2-EER6 AR2-EER7 AR2-EER8 AR2-EER9 AR2-EER\nAR2-EEUA AR2-EEUB AR2-EEUC AR2-EEUE AR2-EEUH AR2-EEUI AR2-EEUK AR2-EEUM AR2-EEUO AR2-EEUP AR2-EEUT AR2-EEUX AR2-EEUY AR2-EEUR AR2-EEUU AR2-EEUS AR2-EEU0 AR2-EEU1 AR2-EEU2 AR2-EEU3 AR2-EEU4 AR2-EEU5 AR2-EEU6 AR2-EEU7 AR2-EEU8 AR2-EEU9 AR2-EEU\nAR2-EESA AR2-EESB AR2-EESC AR2-EESE AR2-EESH AR2-EESI AR2-EESK AR2-EESM AR2-EESO AR2-EESP AR2-EEST AR2-EESX AR2-EESY AR2-EESR AR2-EESU AR2-EESS AR2-EES0 AR2-EES1 AR2-EES2 AR2-EES3 AR2-EES4 AR2-EES5 AR2-EES6 AR2-EES7 AR2-EES8 AR2-EES9 AR2-EES\nAR2-EE0A AR2-EE0B AR2-EE0C AR2-EE0E AR2-EE0H AR2-EE0I AR2-EE0K AR2-EE0M AR2-EE0O AR2-EE0P AR2-EE0T AR2-EE0X AR2-EE0Y AR2-EE0R AR2-EE0U AR2-EE0S AR2-EE00 AR2-EE01 AR2-EE02 AR2-EE03 AR2-EE04 AR2-EE05 AR2-EE06 AR2-EE07 AR2-EE08 AR2-EE09 AR2-EE0\nAR2-EE1A AR2-EE1B AR2-EE1C AR2-EE1E AR2-EE1H AR2-EE1I AR2-EE1K AR2-EE1M AR2-EE1O AR2-EE1P AR2-EE1T AR2-EE1X AR2-EE1Y AR2-EE1R AR2-EE1U AR2-EE1S AR2-EE10 AR2-EE11 AR2-EE12 AR2-EE13 AR2-EE14 AR2-EE15 AR2-EE16 AR2-EE17 AR2-EE18 AR2-EE19 AR2-EE1\nAR2-EE2A AR2-EE2B AR2-EE2C AR2-EE2E AR2-EE2H AR2-EE2I AR2-EE2K AR2-EE2M AR2-EE2O AR2-EE2P AR2-EE2T AR2-EE2X AR2-EE2Y AR2-EE2R AR2-EE2U AR2-EE2S AR2-EE20 AR2-EE21 AR2-EE22 AR2-EE23 AR2-EE24 AR2-EE25 AR2-EE26 AR2-EE27 AR2-EE28 AR2-EE29 AR2-EE2\nAR2-EE3A AR2-EE3B AR2-EE3C AR2-EE3E AR2-EE3H AR2-EE3I AR2-EE3K AR2-EE3M AR2-EE3O AR2-EE3P AR2-EE3T AR2-EE3X AR2-EE3Y AR2-EE3R AR2-EE3U AR2-EE3S AR2-EE30 AR2-EE31 AR2-EE32 AR2-EE33 AR2-EE34 AR2-EE35 AR2-EE36 AR2-EE37 AR2-EE38 AR2-EE39 AR2-EE3\nAR2-EE4A AR2-EE4B AR2-EE4C AR2-EE4E AR2-EE4H AR2-EE4I AR2-EE4K AR2-EE4M AR2-EE4O AR2-EE4P AR2-EE4T AR2-EE4X AR2-EE4Y AR2-EE4R AR2-EE4U AR2-EE4S AR2-EE40 AR2-EE41 AR2-EE42 AR2-EE43 AR2-EE44 AR2-EE45 AR2-EE46 AR2-EE47 AR2-EE48 AR2-EE49 AR2-EE4\nAR2-EE5A AR2-EE5B AR2-EE5C AR2-EE5E AR2-EE5H AR2-EE5I AR2-EE5K AR2-EE5M AR2-EE5O AR2-EE5P AR2-EE5T AR2-EE5X AR2-EE5Y AR2-EE5R AR2-EE5U AR2-EE5S AR2-EE50 AR2-EE51 AR2-EE52 AR2-EE53 AR2-EE54 AR2-EE55 AR2-EE56 AR2-EE57 AR2-EE58 AR2-EE59 AR2-EE5\nAR2-EE6A AR2-EE6B AR2-EE6C AR2-EE6E AR2-EE6H AR2-EE6I AR2-EE6K AR2-EE6M AR2-EE6O AR2-EE6P AR2-EE6T AR2-EE6X AR2-EE6Y AR2-EE6R AR2-EE6U AR2-EE6S AR2-EE60 AR2-EE61 AR2-EE62 AR2-EE63 AR2-EE64 AR2-EE65 AR2-EE66 AR2-EE67 AR2-EE68 AR2-EE69 AR2-EE6\nAR2-EE7A AR2-EE7B AR2-EE7C AR2-EE7E AR2-EE7H AR2-EE7I AR2-EE7K AR2-EE7M AR2-EE7O AR2-EE7P AR2-EE7T AR2-EE7X AR2-EE7Y AR2-EE7R AR2-EE7U AR2-EE7S AR2-EE70 AR2-EE71 AR2-EE72 AR2-EE73 AR2-EE74 AR2-EE75 AR2-EE76 AR2-EE77 AR2-EE78 AR2-EE79 AR2-EE7\nAR2-EE8A AR2-EE8B AR2-EE8C AR2-EE8E AR2-EE8H AR2-EE8I AR2-EE8K AR2-EE8M AR2-EE8O AR2-EE8P AR2-EE8T AR2-EE8X AR2-EE8Y AR2-EE8R AR2-EE8U AR2-EE8S AR2-EE80 AR2-EE81 AR2-EE82 AR2-EE83 AR2-EE84 AR2-EE85 AR2-EE86 AR2-EE87 AR2-EE88 AR2-EE89 AR2-EE8\nAR2-EE9A AR2-EE9B AR2-EE9C AR2-EE9E AR2-EE9H AR2-EE9I AR2-EE9K AR2-EE9M AR2-EE9O AR2-EE9P AR2-EE9T AR2-EE9X AR2-EE9Y AR2-EE9R AR2-EE9U AR2-EE9S AR2-EE90 AR2-EE91 AR2-EE92 AR2-EE93 AR2-EE94 AR2-EE95 AR2-EE96 AR2-EE97 AR2-EE98 AR2-EE99 AR2-EE9\nAR2-EE A AR2-EE B AR2-EE C AR2-EE E AR2-EE H AR2-EE I AR2-EE K AR2-EE M AR2-EE O AR2-EE P AR2-EE T AR2-EE X AR2-EE Y AR2-EE R AR2-EE U AR2-EE S AR2-EE 0 AR2-EE 1 AR2-EE 2 AR2-EE 3 AR2-EE 4 AR2-EE 5 AR2-EE 6 AR2-EE 7 AR2-EE 8 AR2-EE 9 AR2-EE


SEC Fundamentals: Deferred Income Tax Expense Benefit — Chỉ báo của admin — TradingView\nstudy("Deferred Income Tax Expense Benefit", shorttitle="Deferred Taxes", precision=1)\nsym = "QUANDL:SEC/" + ticker + "_DEFERREDINCOMETAXEXPENSEBENEFIT_" + (Annual ? "A" : "Q")\nMore great use of quandl data! I can't wait to play with this when my schedule frees up!


12006Einar Diaz0.4 0.5-0.20.0 5.96 26.78-15.85-0.81 22006Sandy Alomar Jr.-2.8-0.20.90.5-0.10.3 -2.29-0.5811.314.19-0.6010.25 32004David Ross-10.8-0.20.3-1.8-1.4-0.40.5-2.49-0.186.53-2.38-2.45-7.4046.78\n52007Mike Lieberthal-7.1-0.90.20.51.3-0.3 -4.25-1.813.901.944.94-26.46 62008Russell Martin9.2-5.51.7-0.85.0-1.5-0.10.60-1.113.83-0.451.99-4.77-0.85\n72006Toby Hall-1.20.00.1-0.41.30.0 -0.97-0.083.78-6.125.974.27 82012Tim Federowicz0.20.00.0 0.0 0.984.903.52 -0.01 92010Brad Ausmus-1.80.10.0-0.4-1.0-0.5 -0.870.220.61-3.95-12.27-7.23 102010Rod Barajas0.73.00.00.80.3 0.465.450.283.151.12 112005Dioner Navarro3.5-1.6-0.10.51.1-1.0 0.75-2.41-0.600.631.20-8.18 122007Russell Martin23.1-2.8-0.83.1-4.5-0.7 1.68-0.53-0.951.61-1.84-4.80 132011A.J. Ellis4.6-0.7-0.50.0-0.60.0 1.53-1.28-1.130.08-1.640.00 142006Dioner Navarro2.4-2.1-0.20.8-1.00.0 1.26-5.24-1.622.50-2.80-0.85 152012A.J. Ellis-0.93.0-2.54.6-0.42.00.1-0.070.92-1.962.65-0.297.570.60\n182008Danny Ardoin-1.5-1.7-0.1-0.80.3 -1.20-5.40-2.46-4.911.63 192011Tim Federowicz-0.80.5-0.40.0-0.1 -1.994.01-3.14-0.50-1.40 202005Jason Phillips-5.9-6.6-1.7-2.1-1.70.2 -0.66-2.32-4.43-1.52-1.171.57 212011Dioner Navarro-1.5-1.2-1.5-0.7-2.9-0.9 -0.34-1.37-4.46-0.96-2.88-3.64 222012Matt Treanor-2.0-2.1-1.00.7-1.90.1 -0.66-3.28-4.541.80-3.322.06 232009Russell Martin-0.7-0.5-6.0-1.6-0.6-0.1 -0.06-0.12-6.08-0.86-0.36-0.27 242004Brent Mayne-3.8-0.4-0.2-0.5-2.30.0 -1.41-1.31-6.11-1.20-4.35-4.18 252008Gary Bennett-2.10.0-0.41.40.1 -4.00-0.13-6.3917.971.14 262009Brad Ausmus0.7-0.4-1.5-0.4-0.30.2 0.26-0.61-6.69-1.39-1.555.32 272004Paul Lo Duca1.02.5-0.3-2.3-1.82.10.10.121.11-6.91-2.15-1.4918.960.80\n282010A.J. Ellis-0.3-1.2-1.62.6-1.0 -0.11-1.32-9.015.61-3.26 292005Paul Bako0.90.6-0.4-0.4-1.5 0.745.13-9.88-4.30-6.23 302007Chad Moeller-0.6 -0.2-0.5-0.3 -3.82 -24.71-7.62-7.98 Custom Leaderboards


ALEKO Inflatable Boats - Walmart.com\nGenerated at Fri, 26 Apr 2019 07:27:08 GMT\nElectrode, Comp-406229923, DC-prod-cdc02, ENV-prod-a, PROF-PROD, VER-18.4.5-rc-1, SHA-1d465de19fada6e2cc82b85d39c4dfa2e170a853, CID-76c9c0e2-5bf-16a588a6ec063c, Generated: Fri, 26 Apr 2019 07:27:08 GMT\n© 2019 Walmart. All Rights Reserved. To ensure we are able to help you as best we can, please include your reference number: Z7AW1UUZ5C\nElectrode, Comp-406229947, DC-prod-cdc02, ENV-prod-a, PROF-PROD, VER-18.4.5-rc-1, SHA-1d465de19fada6e2cc82b85d39c4dfa2e170a853, CID-f48919ea-d6c-16a588a6ec09a1, Generated: Fri, 26 Apr 2019 07:27:08 GMT\nElectrode, Comp-457418084, DC-prod-cdc7, ENV-prod-a, PROF-PROD, VER-8.13.0, SHA-273f945174ca17b8d91df82e33203d5afa611618, CID-703aff20-c96-16a588a6ea0125, Generated: Fri, 26 Apr 2019 07:27:08 GMT


Event Time Announcer - Event has passedEvent in UTC on Wednesday, December 31, 2014 at 11:00:00 AM◢Event Time in UTC, Time Zone11:00 AMUTCWednesday, December 31, 2014Modify EventCurrent time: Sat at 1:29:21 AMConverted Time Washington DC, DC, USA6:00 AMESTWednesday, December 31, 2014Change Your LocationCurrent time: Fri at 9:29:21 PMEvent ActionsCount up since EventAdd to CalendarNew AnnouncementRemember to bookmark this page!Worldwide | Africa | North America | South America | Asia | Australia/PacificThe Event Time Announcer converts the time of your planned event to local times all over the world for easy sharing and linking. Scroll right to see moreSort by: CityCountryTimeEvent Times in Europe Cities shown: Capitals (50)Most Popular (77)Popular (95)Somewhat Popular (558)A CoruñaWed 12:00 NoonGulbeneWed 1:00 PMParisWed 12:00 NoonAachenWed 12:00 NoonGüterslohWed 12:00 NoonParmaWed 12:00 NoonAalborgWed 12:00 NoonGyumriWed 3:00 PMPassauWed 12:00 NoonAalenWed 12:00 NoonHagenWed 12:00 NoonPatrasWed 1:00 PMAarauWed 12:00 NoonHalleWed 12:00 NoonPforzheimWed 12:00 NoonAarhusWed 12:00 NoonHamburgWed 12:00 NoonPiatra NeamțWed 1:00 PMAkureyriWed 11:00 AMHamelnWed 12:00 NoonPiraeusWed 1:00 PMAlbufeiraWed 11:00 AMHammWed 12:00 NoonPisaWed 12:00 NoonÅlesundWed 12:00 NoonHanauWed 12:00 NoonPlauenWed 12:00 NoonAlicanteWed 12:00 NoonHannoverWed 12:00 NoonPlevenWed 1:00 PMAlmeríaWed 12:00 NoonHaugesundWed 12:00 NoonPljevljaWed 12:00 NoonAltdorfWed 12:00 NoonHeidelbergWed 12:00 NoonPloieștiWed 1:00 PMAmsterdamWed 12:00 NoonHeilbronnWed 12:00 NoonPlovdivWed 1:00 PMAndorra La VellaWed 12:00 NoonHelsinkiWed 1:00 PMPlymouthWed 11:00 AMAntwerpWed 12:00 NoonHerfordWed 12:00 NoonPlzenWed 12:00 NoonAppenzellWed 12:00 NoonHerisauWed 12:00 NoonPodgoricaWed 12:00 NoonArgostoliWed 1:00 PMHerneWed 12:00 NoonPoitiersWed 12:00 NoonArkhangelskWed 2:00 PMHerningWed 12:00 NoonPolotskWed 2:00 PMArlonWed 12:00 NoonHertenWed 12:00 NoonPonta DelgadaWed 10:00 AMArnsbergWed 12:00 NoonHildesheimWed 12:00 NoonPopradWed 12:00 NoonAschaffenburgWed 12:00 NoonHöfnWed 11:00 AMPortoWed 11:00 AMAssisiWed 12:00 NoonHradec KrálovéWed 12:00 NoonPotsdamWed 12:00 NoonAstrakhanWed 2:00 PMHuelvaWed 12:00 NoonPoznanWed 12:00 NoonAthensWed 1:00 PMHumennéWed 12:00 NoonPragueWed 12:00 NoonAugsburgWed 12:00 NoonHürthWed 12:00 NoonPrešovWed 12:00 NoonÁvilaWed 12:00 NoonIasiWed 1:00 PMPrijedorWed 12:00 NoonBabruyskWed 2:00 PMIbizaWed 12:00 NoonPristinaWed 12:00 NoonBaden-BadenWed 12:00 NoonIngolstadtWed 12:00 NoonPrizrenWed 12:00 NoonBanja LukaWed 12:00 NoonInnsbruckWed 12:00 NoonPyatigorskWed 2:00 PMBaranovichiWed 2:00 PMIoanninaWed 1:00 PMQuimperWed 12:00 NoonBarcelonaWed 12:00 NoonIráklionWed 1:00 PMRamseyWed 11:00 AMBarysawWed 2:00 PMIserlohnWed 12:00 NoonRatingenWed 12:00 NoonBaselWed 12:00 NoonIstanbulWed 1:00 PMRavensburgWed 12:00 NoonBastiaWed 12:00 NoonIzhevskWed 3:00 PMRecklinghausenWed 12:00 NoonBatumiWed 3:00 PMJaénWed 12:00 NoonRegensburgWed 12:00 NoonBayreuthWed 12:00 NoonJelgavaWed 1:00 PMRethymnoWed 1:00 PMBelfastWed 11:00 AMJenaWed 12:00 NoonReutlingenWed 12:00 NoonBelgradeWed 12:00 NoonJoensuuWed 1:00 PMReykjavikWed 11:00 AMBellinzonaWed 12:00 NoonKaiserslauternWed 12:00 NoonRheineWed 12:00 NoonBelushya GubaWed 2:00 PMKaliningradWed 1:00 PMRigaWed 1:00 PMBenidormWed 12:00 NoonKapanWed 3:00 PMRijekaWed 12:00 NoonBergenWed 12:00 NoonKaposvárWed 12:00 NoonRiminiWed 12:00 NoonBergheimWed 12:00 NoonKasselWed 12:00 NoonRomeWed 12:00 NoonBergisch GladbachWed 12:00 NoonKaunasWed 1:00 PMRosenheimWed 12:00 NoonBerlinWed 12:00 NoonKazanWed 2:00 PMRostockWed 12:00 NoonBernWed 12:00 NoonKecskemétWed 12:00 NoonRotterdamWed 12:00 NoonBielWed 12:00 NoonKeflavíkWed 11:00 AMRovaniemiWed 1:00 PMBielefeldWed 12:00 NoonKemiWed 1:00 PMRyazanWed 2:00 PMBijeljinaWed 12:00 NoonKemptenWed 12:00 NoonSaarbrückenWed 12:00 NoonBirminghamWed 11:00 AMKerpenWed 12:00 NoonSaint Anne, AlderneyWed 11:00 AMBitolaWed 12:00 NoonKharkivWed 1:00 PMSaint HelierWed 11:00 AMBocholtWed 12:00 NoonKhersonWed 1:00 PMSaint-PetersburgWed 2:00 PMBochumWed 12:00 NoonKhmelnytskyiWed 1:00 PMSalernoWed 12:00 NoonBolognaWed 12:00 NoonKielWed 12:00 NoonSalihorskWed 2:00 PMBolzanoWed 12:00 NoonKilkennyWed 11:00 AMSalzburgWed 12:00 NoonBonnWed 12:00 NoonKirunaWed 12:00 NoonSalzgitterWed 12:00 NoonBordeauxWed 12:00 NoonKlagenfurtWed 12:00 NoonSamaraWed 3:00 PMBottropWed 12:00 NoonKlaipėdaWed 1:00 PMSamsunWed 1:00 PMBratislavaWed 12:00 NoonKlaksvíkWed 11:00 AMSan MarinoWed 12:00 NoonBraunschweigWed 12:00 NoonKoblenzWed 12:00 NoonSan Sebastián de La GomeraWed 11:00 AMBrașovWed 1:00 PMKohtla-JärveWed 1:00 PMSandefjordWed 12:00 NoonBregenzWed 12:00 NoonKönizWed 12:00 NoonSandvikaWed 12:00 NoonBremenWed 12:00 NoonKonstanzWed 12:00 NoonSanta Cruz de TenerifeWed 11:00 AMBremerhavenWed 12:00 NoonKorçëWed 12:00 NoonSantanderWed 12:00 NoonBrestWed 2:00 PMKošiceWed 12:00 NoonSarajevoWed 12:00 NoonBrnoWed 12:00 NoonKragujevacWed 12:00 NoonSarnenWed 12:00 NoonBruck an der LeithaWed 12:00 NoonKrakówWed 12:00 NoonSassariWed 12:00 NoonBrusselsWed 12:00 NoonKranjWed 12:00 NoonSchaffhausenWed 12:00 NoonBryanskWed 2:00 PMKrefeldWed 12:00 NoonSchwäbisch GmündWed 12:00 NoonBrăilaWed 1:00 PMKryvyi RihWed 1:00 PMSchweinfurtWed 12:00 NoonBucharestWed 1:00 PMKumanovoWed 12:00 NoonSchwerinWed 12:00 NoonBudapestWed 12:00 NoonKuressaareWed 1:00 PMSchwyzWed 12:00 NoonBurgasWed 1:00 PMKutaisiWed 3:00 PMSérresWed 1:00 PMBursaWed 1:00 PMKyivWed 1:00 PMShkodërWed 12:00 NoonBălțiWed 1:00 PMKyreniaWed 1:00 PMSibiuWed 1:00 PMCadizWed 12:00 NoonL'vivWed 1:00 PMSiegenWed 12:00 NoonCagliariWed 12:00 NoonLangenfeld (Rheinland)Wed 12:00 NoonSimferopolWed 2:00 PMCahulWed 1:00 PMLarnacaWed 1:00 PMSindelfingenWed 12:00 NoonCannesWed 12:00 NoonLarvikWed 12:00 NoonSionWed 12:00 NoonCapriWed 12:00 NoonLas Palmas (ES-Canary)Wed 11:00 AMSisianWed 3:00 PMCardiffWed 11:00 AMLausanneWed 12:00 NoonSkopjeWed 12:00 NoonCascaisWed 11:00 AMLeedsWed 11:00 AMSlavonski BrodWed 12:00 NoonCastrop-RauxelWed 12:00 NoonLeipzigWed 12:00 NoonSligoWed 11:00 AMCazinWed 12:00 NoonLetterkennyWed 11:00 AMSochiWed 2:00 PMCeljeWed 12:00 NoonLeverkusenWed 12:00 NoonSofiaWed 1:00 PMCelleWed 12:00 NoonLiberecWed 12:00 NoonSolingenWed 12:00 NoonCeutaWed 12:00 NoonLiepājaWed 1:00 PMSolothurnWed 12:00 NoonChâlons-en-ChampagneWed 12:00 NoonLiestalWed 12:00 NoonSorrentoWed 12:00 NoonCharleroiWed 12:00 NoonLimassolWed 1:00 PMSpeyerWed 12:00 NoonCheboksaryWed 2:00 PMLimerickWed 11:00 AMSplitWed 12:00 NoonCheltenhamWed 11:00 AMLincolnWed 11:00 AMSt. GallenWed 12:00 NoonChemnitzWed 12:00 NoonLinzWed 12:00 NoonSt. Peter PortWed 11:00 AMChernobylWed 1:00 PMLipetskWed 2:00 PMSt. PöltenWed 12:00 NoonChișinăuWed 1:00 PMLippstadtWed 12:00 NoonStansWed 12:00 NoonChurWed 12:00 NoonLisbonWed 11:00 AMStara ZagoraWed 1:00 PMCluj-NapocaWed 1:00 PMLiverpoolWed 11:00 AMStavangerWed 12:00 NoonCologneWed 12:00 NoonLivnoWed 12:00 NoonStavropolWed 2:00 PMCopenhagenWed 12:00 NoonLjubljanaWed 12:00 NoonStockholmWed 12:00 NoonCórdobaWed 12:00 NoonLódzWed 12:00 NoonStolberg (Rheinland)Wed 12:00 NoonCorkWed 11:00 AMLondonWed 11:00 AMStralsundWed 12:00 NoonCottbusWed 12:00 NoonLondonderryWed 11:00 AMStrasbourgWed 12:00 NoonCraiovaWed 1:00 PMLongyearbyenWed 12:00 NoonStuttgartWed 12:00 NoonCuxhavenWed 12:00 NoonLos Llanos de AridaneWed 11:00 AMSuboticaWed 12:00 NoonDarmstadtWed 12:00 NoonLouresWed 11:00 AMSukhumiWed 2:00 PMDaugavpilsWed 1:00 PMLübeckWed 12:00 NoonSumyWed 1:00 PMDebrecenWed 12:00 NoonLucerneWed 12:00 NoonSyktyvkarWed 2:00 PMDelémontWed 12:00 NoonLüdenscheidWed 12:00 NoonSzczecinWed 12:00 NoonDelmenhorstWed 12:00 NoonLudwigsburgWed 12:00 NoonSzegedWed 12:00 NoonDenizliWed 1:00 PMLudwigshafenWed 12:00 NoonTallinnWed 1:00 PMDessau-RosslauWed 12:00 NoonLuganoWed 12:00 NoonTârgu MureşWed 1:00 PMDetmoldWed 12:00 NoonLuhanskWed 2:00 PMTartuWed 1:00 PMDeutschlandsbergWed 12:00 NoonLünenWed 12:00 NoonTbilisiWed 3:00 PMDifferdangeWed 12:00 NoonLuxembourgWed 12:00 NoonThe HagueWed 12:00 NoonDinslakenWed 12:00 NoonLyonWed 12:00 NoonThessalonikiWed 1:00 PMDiyarbakırWed 1:00 PMMadridWed 12:00 NoonTimișoaraWed 1:00 PMDnipropetrovskWed 1:00 PMMagdeburgWed 12:00 NoonTiranaWed 12:00 NoonDonetskWed 2:00 PMMagnitogorskWed 4:00 PMTiraspolWed 1:00 PMDormagenWed 12:00 NoonMainzWed 12:00 NoonTórshavnWed 11:00 AMDorstenWed 12:00 NoonMakhachkalaWed 2:00 PMToulouseWed 12:00 NoonDortmundWed 12:00 NoonMalatyaWed 1:00 PMTrabzonWed 1:00 PMDouglasWed 11:00 AMMalmöWed 12:00 NoonTrierWed 12:00 NoonDrammenWed 12:00 NoonManchesterWed 11:00 AMTriesteWed 12:00 NoonDroghedaWed 11:00 AMMannheimWed 12:00 NoonTroisdorfWed 12:00 NoonDublinWed 11:00 AMMarburgWed 12:00 NoonTromsøWed 12:00 NoonDuisburgWed 12:00 NoonMariborWed 12:00 NoonTrondheimWed 12:00 NoonDürenWed 12:00 NoonMarlWed 12:00 NoonTskhinvaliWed 2:00 PMDurrësWed 12:00 NoonMarseilleWed 12:00 NoonTübingenWed 12:00 NoonDüsseldorfWed 12:00 NoonMelillaWed 12:00 NoonTulaWed 2:00 PMEdinburghWed 11:00 AMMilanWed 12:00 NoonTurinWed 12:00 NoonEferdingWed 12:00 NoonMindenWed 12:00 NoonTuzlaWed 12:00 NoonEisenstadtWed 12:00 NoonMinskWed 2:00 PMUlmWed 12:00 NoonElbasanWed 12:00 NoonMiskolcWed 12:00 NoonUnnaWed 12:00 NoonElistaWed 2:00 PMModenaWed 12:00 NoonUppsalaWed 12:00 NoonEmdenWed 12:00 NoonMoersWed 12:00 NoonUroševacWed 12:00 NoonErfurtWed 12:00 NoonMogilevWed 2:00 PMUsterWed 12:00 NoonErlangenWed 12:00 NoonMonacoWed 12:00 NoonÚstí nad LabemWed 12:00 NoonErzurumWed 1:00 PMMönchengladbachWed 12:00 NoonUtrechtWed 12:00 NoonEsch-sur-AlzetteWed 12:00 NoonMontreuxWed 12:00 NoonUzhgorodWed 1:00 PMEskişehirWed 1:00 PMMonzaWed 12:00 NoonVaduzWed 12:00 NoonEspooWed 1:00 PMMoscowWed 2:00 PMValladolidWed 12:00 NoonEssenWed 12:00 NoonMostarWed 12:00 NoonVallettaWed 12:00 NoonEsslingenWed 12:00 NoonMülheimWed 12:00 NoonValmieraWed 1:00 PMEttelbruckWed 12:00 NoonMülheim / RuhrWed 12:00 NoonValverdeWed 11:00 AMEuskirchenWed 12:00 NoonMunichWed 12:00 NoonVanadzorWed 3:00 PMFeldbachWed 12:00 NoonMünsterWed 12:00 NoonVarnaWed 1:00 PMFlensburgWed 12:00 NoonMurmanskWed 2:00 PMVatican CityWed 12:00 NoonFrankfurtWed 12:00 NoonNantesWed 12:00 NoonVelbertWed 12:00 NoonFrauenfeldWed 12:00 NoonNaplesWed 12:00 NoonVeniceWed 12:00 NoonFreiburgWed 12:00 NoonNarvaWed 1:00 PMVentspilsWed 1:00 PMFreisingWed 12:00 NoonNæstvedWed 12:00 NoonVeronaWed 12:00 NoonFreistadtWed 12:00 NoonNeubrandenburgWed 12:00 NoonVestmannaeyjarWed 11:00 AMFribourgWed 12:00 NoonNeuchâtelWed 12:00 NoonVidinWed 1:00 PMFriedrichshafenWed 12:00 NoonNeumünsterWed 12:00 NoonViennaWed 12:00 NoonFuldaWed 12:00 NoonNeussWed 12:00 NoonViersenWed 12:00 NoonFürstenfeldWed 12:00 NoonNeustadt an der WeinstraßeWed 12:00 NoonVila Nova de GaiaWed 11:00 AMFürthWed 12:00 NoonNeuwiedWed 12:00 NoonVillachWed 12:00 NoonGalwayWed 11:00 AMNiceWed 12:00 NoonVilniusWed 1:00 PMGarbsenWed 12:00 NoonNicosiaWed 1:00 PMVitebskWed 2:00 PMGavarWed 3:00 PMNikšićWed 12:00 NoonVladimirWed 2:00 PMGdańskWed 12:00 NoonNizhny NovgorodWed 2:00 PMVlorëWed 12:00 NoonGelsenkirchenWed 12:00 NoonNišWed 12:00 NoonWarsawWed 12:00 NoonGenevaWed 12:00 NoonNorderstedtWed 12:00 NoonWaterfordWed 11:00 AMGenoaWed 12:00 NoonNordhornWed 12:00 NoonWeimarWed 12:00 NoonGeraWed 12:00 NoonNovgorodWed 2:00 PMWeselWed 12:00 NoonGhentWed 12:00 NoonNovi SadWed 12:00 NoonWiesbadenWed 12:00 NoonGibraltarWed 12:00 NoonNovo MestoWed 12:00 NoonWinterthurWed 12:00 NoonGiessenWed 12:00 NoonNovorossiyskWed 2:00 PMWismarWed 12:00 NoonGijónWed 12:00 NoonNurembergWed 12:00 NoonWittenWed 12:00 NoonGjirokastërWed 12:00 NoonOberhausenWed 12:00 NoonWoerdenWed 12:00 NoonGladbeckWed 12:00 NoonOdenseWed 12:00 NoonWolfsburgWed 12:00 NoonGlarusWed 12:00 NoonOdesaWed 1:00 PMWormsWed 12:00 NoonGlasgowWed 11:00 AMOffenbachWed 12:00 NoonWroclawWed 12:00 NoonGmündWed 12:00 NoonOffenburgWed 12:00 NoonWuppertalWed 12:00 NoonGomelWed 2:00 PMOhridWed 12:00 NoonWürzburgWed 12:00 NoonGöppingenWed 12:00 NoonOldenburgWed 12:00 NoonXankendiWed 3:00 PMGörlitzWed 12:00 NoonOlomoucWed 12:00 NoonYeghegnadzorWed 3:00 PMGothenburgWed 12:00 NoonOmaghWed 11:00 AMYerevanWed 3:00 PMGöttingenWed 12:00 NoonOradeaWed 1:00 PMYoshkar-OlaWed 2:00 PMGranadaWed 12:00 NoonOsijekWed 12:00 NoonZagrebWed 12:00 NoonGrazWed 12:00 NoonOsloWed 12:00 NoonZaporizhiaWed 1:00 PMGreifswaldWed 12:00 NoonOsnabrückWed 12:00 NoonZenicaWed 12:00 NoonGrevenbroichWed 12:00 NoonOstravaWed 12:00 NoonZugWed 12:00 NoonGrieskirchenWed 12:00 NoonPaderbornWed 12:00 NoonZürichWed 12:00 NoonGrodnoWed 2:00 PMPalermoWed 12:00 NoonZwickauWed 12:00 NoonGroningenWed 12:00 NoonPalma (ES-Majorca)Wed 12:00 NoonŠiauliaiWed 1:00 PMGroznyWed 2:00 PMPamplonaWed 12:00 NoonŽilinaWed 12:00 NoonWed = Wednesday, December 31, 2014 (558 places).UTC (GMT/Zulu)-time: Wednesday, December 31, 2014 at 11:00:00UTC is Coordinated Universal Time, GMT is Greenwich Mean Time.Advertising


Gonca Vuslateri Demi Moore Gibi! - Magazinmatik.com\nQuality dergisinin bu ayki kapak röportajı Gonca Vuslateri oldu.Vuslateri’nin dergi için verdiği pozlar takipçileri tarafından çok beğenildi.Vuslateri bazı takipçileri tarafından ünlü film yıldızı Demi Moore ‘ın gençliğine benzetildi.\nİşte Gonca Vuslateri’nin Quality dergisi röportajı…\ndemi moore gonca vuslateri Quality dergisi


Glenn Winslade Music New, Rare & Used Music - Alibris\nMusic Artist: Glenn Winslade\nAlastair Mitchell (bassoon), Angela Kazimierczuk (soprano), Anne Sofie von Otter (vocals), Anthony Halstead (horn), Anthony Robson (oboe), Anthony Rolfe Johnson (tenor), Cornelius Hauptmann (vocals), Glenn Winslade (vocals), Hillevi Martinpelto (soprano)\nAnton Holzapfel (organ), Barbara Holzl (mezzo-soprano), Gabriele Fontana (soprano), Glenn Winslade (tenor), Robert Holl (bass), Wiener Singverein (choir, chorus), Wiener Symphoniker, Martin Sieghart (conductor)\nGlenn Winslade (tenor), Hanno Muller-Brachmann (bass), Renate Behle (soprano), Yvonne Naef (alto), Berlin Radio Chorus (choir, chorus), SWR Baden-Baden and Freiburg Symphony Orchestra, Michael Gielen (conductor)\nMahler: Symphony No. 8; Schoenberg: Die Jakobsleiter (Jacob's Ladder)\nAlessandra Marc (soprano), Anthony Michaels-Moore (baritone), Christiane Boesiger (soprano), Dagmar Peckova (contralto), Eugenie Grunewald (contralto), Glenn Winslade (tenor), Guy Renard (tenor), Hanno Muller-Brachmann (baritone)\nMahler: Symphonies Nos. 1 & 8\nAngela Maria Blasi (soprano), Catherine Keen (mezzo-soprano), Dresden Philharmonic Children's Chorus, Glenn Winslade (tenor), John Brocheler (baritone), Kurt Rydl (bass), Ofelia Sala (soprano), Reinhild Runkel (mezzo-soprano), Rita Cullis (soprano)\nLehár: The Merry Widow (Highlights, in English)\nAlan Oke (vocals), Eiddwen Harrhy (vocals), Glenn Winslade (vocals), Helen Kucharek (vocals), Ian Comboy (vocals), Janine Roebuck (vocals), Julian Moyle (vocals), Leon Berger (vocals), Mark Curtis (vocals), Paul Parfitt (vocals)\nDiscover the Classics: Heaven and Earth\nCity of London Sinfonia, Cristina Ortiz (piano), English Sinfonia, Felicity Lott (vocals), Glenn Winslade (tenor), Graham Johnson (piano), Jaime Laredo (violin), John Blakely (piano), Lorraine McAslan (violin), Robert Aldwinckle (harpsichord)\nBonaventura Bottone, Elizabeth Ritchie (vocals), Eric Idle (vocals), Glenn Winslade (vocals), Helen Kucharek (vocals), Lillian Watson (vocals), Marilyn Hill Smith (vocals), Neil Jenkins (vocals), Valerie Masterson (vocals)\nAlessandro Carmignani (vocals), Alida Ferrarini (vocals), Alison Buchanan (vocals), Ann-Christine Biel (vocals), Anne-Marie Owens (vocals), Anthony Michaels-Moore (vocals), Aradia Ensemble, Bo Skovhus (vocals), Carl Johan Falkman (vocals)


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Freedom's Lighthouse: Glenn Beck Names His Favorite Members of Congress - Video 2/6/10\nGlenn Beck Names His Favorite Members of Congress - Video 2/6/10\nHere is video of Glenn Beck telling Greta the members of Congress that he admires the most are Michele Bachmann, Jim DeMint, and an unnamed liberal. Beck said he's working with this "unnamed liberal," and even though he doesn't agree with him on any "political issue," they are going to work together to get rid of "liars, cheats, and thieves."\nLabels: Glenn Beck, Greta Van Susteren, Michele Bachmann


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Bitácora Ánima by sofialuengom - Issuu\nBitácora Diseño Estratégico IV\nSofía Luengo, Sofía Loera, Luz Jiménez\n2. Deﬁnición de la Marca 2.1 Creación de naming 2.2 Acorde cromático 2.3 Logotipo 3. Deﬁnición del Producto 3.1 Qué NO debería de ser 3.2 Bocetos iniciales 3.3 Elección de propuesta ﬁnal 4. Proceso Industrial del Producto 4.1 Planos 4.2 Renders 4.3 Cambios realizados 5. Identidad Corporativa 5.1 Creación del manual corportivo\n1. Fase de Investigación 1.1 Investigación inicial 1.2 Investigación previa 1.3 Investigación de campo\nEn l a s i g ui e nte b i t áco ra s e d o cu menta el tra ba j o re al i z ad o y e l p roye c to d i señ a d o d u ra nte la m ate r i a d e D i s e ño Es t raté g i co IV. En l as s i g ui e nte s p ág i nas se d escri be el pro ceso i nve r t i d o p ara l l e g ar al p ro d u cto ﬁn a l, d esd e la i nve s t i g ac i ó n i ni c i al , p as and o po r la d eﬁn i ci ó n d e m arc a y p ro d uc to has t a e l pro d u cto term i n a d o .\n1. Fase de Investigaciรณn\n1.2 Investigación inicial Selección de usurios y entornos\nAl comenza r e s te p roye c to s e no s p i d i ó q ue real izáramo s de m a n e ra i n di v i d ual una l i s t a d e profesiones , u s u a r i os u oﬁ c i o s , al m i s m o t i e m p o que el abora m os u n a l i s ta de e nto r no s y d e personas o gr u p os s oc i a l e s . Con el ﬁn de i de nti ﬁ c a r c u á l e s s o n l o s p ro b l e m as que diferente s u s u a r i o s p u e de n te ne r y e n q ué espacios; con l a ﬁ n a l i da d de re co no ce r d ó nd e s e encuentra la ve rda de ra p ro b l e m át i c a.\nProfesiones, usuarios u oficios\nPersonas, grupos sociales\nAma de casa Velador Limpiaparabrisas Leñador Matemático Filósofo Esc ritor Rep artidor de pi zzas G u ardia de segur i d ad Albañil Conferenc ista Tatuador Contador Psicólogo Bailarín Profesor Doctor Ac tor Maq uillista Dentista Músico Fotógrafo Deportista S acerdote Luc hador G ranjero\nEm b a ra z a d a s Mu s u l m a n es Fra il es Veget a r ia n o s Fres a s Ro c kero s H ip s ter G o d in ez C l avo s H ip p ies Ad u l to s P u b er to s Per s o n a s d e l a 3 ra ed a d B eb és Es t u d ia ntes V ia j a ntes Fo rá n eo s Pa s a j ero s Ho m o s ex u a l es S u rd o s Po l ít ico s N iñ o s Rel igio s o s Da l tó n ico s Per s o n a s co n d is c a p a c id a d\nDo rm itorio B a ñ os C o cin as Pat io L avadero B ib l iotecas P Is t a de baile Qu i rófan o S a l on de en s ayo Es cen arios C in e Es tét ica A ntro B a re s O ﬁ cin as B a n cos As ie ntos de teat ro S a l a de es pera Av ión Aeropu erto Zo na de em barqu e Lago Pa rq u e C afeterías Ma r P l aya\n1. 2 Investigación inicial Investigación “DIY”\nPosteriorme nte i nve s ti ga m o s e l tér m i no “ D I Y ” ( D o I t You rsel f ) , u n té r m i n o q u e da no m b re a to d o movimiento i n s p i ra do e n l a s i d e as d e co ns um o responsabl e , re u ti l i z a c i ó n y de a u to g e s t i ó n. Reu nimos i nfo r m a c i ón a ce rc a d e q ue e m p re s as mexicanas e s ta b a n a p l i c a n do e s te m éto d o p ara desarrol l arlo y a p l i c a r l o e n n u e s t ro p roye c to ﬁ nal . Para ayuda r n os a ate r r i z a r l o s ap re nd i z aj e s o btenidos y a p l i c a r l o s de m a n e ra eﬁ c i e nte al produ cto des gl os a m os u n a s e r i e d e c arac te r í s t i c as de cómo u n di s e ñ o D IY de b e r í a s er :\n1. Sim p le s 2 . A p ila b les 3. Ensa m bl a bl e s 4 . Rá p id os a r ma r 5 . Pocos pa s o s 6 . A p r u e b a d e e r ro re s 7. C onte ner pa r te s s e m i- a r m a d a s 8. Mate r ial e s n e ce s a r i o s inc lu id os 9. Ins t r u cc i o n e s 10 . G ráﬁ co s e s pe c í ﬁ co s 11. Em p a q u e\n1.2 Investigación inicial Investigación “DIY”\nE l D IY no se q u e da s ol o e n m a n u al i d ad e s , t rab aj o s artesanal es , gra c i a s a l i nte r n et, a l o s b l o g s y a l as pl ataformas de i n s p i ra c i ó n , e s te m ov i m i e nto s e ha popu l arizad o y h a co n s e gu i do q ue m uc ha g e nte s e atreva a rea l i z a r s u s p ro p i o s p royec to s . Final mente, con e s ta i nfor m a c i ón i ni c i al , p ud i m o s formar equ i p os de tra b a jo y e l e g i r e l us uar i o p ara comenzar a re a l i z a r l a i nve s ti gac i ó n p rev i a y l a investigación de c a m p o.\n1. 2 Investigaciรณn previa Elecciรณn de usuario USUARIO: Tatuadores\n1. 2 Investigación previa Materiales del usuario Máqui na elec tro m a gnétic as (o de b ov i n a s ) Es u n mec a n i s m o co n u n ci rc ui to e l é c t r i co , compuesto p o r dos b ov i n a s q u e m ueve n l a ag uj a por proceso s de m a gn eti z a c i ón y d e s m ag net i z ac i ó n al abrirse y ce r ra r s e e l c i rc u i to e l éc t r i co . Máqui nas rotativas Consiste en u n m otor q u e t rans fo r m a s u movimiento c i rc u l a r a travé s d e un e j e e n un movimiento ve r ti c a l . Se s u e l e u s ar p ara f unc i o ne s en concreto , ya s e trate de s om b re ar o co l o rar. Máqui nas neum átic as S e trata de u n a m á q u i n a i nve nta d a e l año 2 0 0 0 y qu e funcion a m e di a nte a i re co m p r i m i d o , s i e nd o muy l igeras . E l a i re a p re s i ón m u eve a l a ag uj a.\n1. 2 Investigación previa Materiales del usuario La mayoría ti e n e n a s u di s p o s i c i ó n m uc has m áqu inas, con diferentes c a l ibra ci o n e s y a g u j a s para u n camb i o rá p i do du ra nte e l t rab aj o , s e g ún s e trate de deli n e a r, s o m b re a r o col o re ar. Cada tatuad or ti e n e s u s m á q u i n a s q ue ha c al i b rad o a su manera de tra b a ja r y a s u té cni c a d e t at uar, d e m anera que otro tatu a dor n o p o drí a t rab aj ar co n l as m áqu inas de l p r i m e ro. E l tatu a d o r y s u m ate r i al tienen qu e e s ta r e n co nso na nc ia y a r mo n í a . Todas l as m á q u i n a s de l m u n do n ece s i t an d e a g u j a s ( rou nd) que com p l eta n a l p i n ce l al te r nat i vo . S o n uno de muc h o s fa c tore s q u e dete r m i nan l a ca li d a d de l a image n e n l a p i e l , l a satura ci ó n , l a d eﬁ n i ci ó n y agu deza de co nto rno s, so m bre a d o s y co lo re s .\n1. 2 Investigación previa Materiales del usuario Agujas S m all Round ( 3 , 4 o 5 p u nta s ) . Es ta s ag uj as s e us an para el abora r l í n e a s ﬁ n a s a m ed i anas , d et al l e s pequeños y m e di a n os a s í com o co l o re s a e s c al a pequeña. Ade m á s , s e u s a n p ara m arc ar l o s contornos de l e s té n c i l de col o r gr i s , p ara q ue no s e pierda el dis e ñ o. Large Round. Se u s a p a ra l a e l a b o rac i ó n d e l í ne as medianas o gr u e s a s , i nte n s a s , conto r no s f ue r te s y grandes deta l l e s y tex tu ra s , a s í co m o p ara l a pigmentació n y e l s o m b re a do de pi ez as d e t am año mediano a gra n de . Es i de a l p a ra e l ab o rar é s t as lí neas fuerte s y col o re a r á re a s re d uc i d as , i g ual q ue para l as repre s e nta c i on e s e n co l o r o s o m b re ad o s en zonas deta l l a da s o com p l e ja s d e l d i s e ño .\n1. 2 Investigación previa Materiales del usuario 3 Round : se trata de u n a a gu ja d e t re s p unt as q ue pu eden est a r m á s o m e n os ce ñ i d as . S i e l d i ám et ro es correcto re s u l ta e n u n a s l í n e as m uy p re c i s as , s iendo u sa da ta nto p a ra l í n e as d e co nto r no , detal l es co m o p a ra co l o re a r, a unq ue s o l o p ara piezas de ta m a ñ o m e di o o p e q u e ño . 4 Round : fun c i on a i gu a l q u e l a ro und 3 p e ro p e r m i te contornos de u n n e gro m á s p rofund o , m ás i nte ns o , unos negros q u e s u e l e n co n s e g ui r s e m ás co n l a round 526. 5 Round : pe r m i te l a e l a b ora c i ó n d e l a i m ag e n, d e l col or, del s o m b re a do y de deta l l e s co m o ni ng una otra, no ne ce s i ta n do c a m b i a r l a ag uj a d urante e l proceso.\n1. 2 Investigación previa Materiales del usuario Flats Se trata de u n a s a gu ja s con p u nt a s a li n e a d a s paralelamente, c u atro o s e i s , p a re c i é nd o s e m ás a una pequeña c u c h i l l a q u e co r ta l a p i e l e nvé s d e perforarl a. Sirven para so m brea r y co l o rar p i ez as p e q ue ñas o medianas, pe r m i ti e n do u n a m oderad a e l ab o rac i ó n de detal l es. La simpl e d i s p os i c i ó n ge om étr i ca p aral e l a d e l as pu ntas ésta a gu ja p e r m i te q u e s e us e co n c i e r t a facil idad para tra b a r zo nas ceñida s y a n g o s t a s d e l diseño del tatu a je .\n1. 2 Investigación previa Materiales del usuario Las pu ntas de l a s a gu ja s va n to da s aﬁ l ad as . Pe ro la manera d e aﬁ l ar c a m b i a l a for m a e n l a q ue e l pigmento s e i nye c ta e n l a p i e l . En este senti do h ay do s a gu ja s di fe re nte s : Agujas d e punta l arga . No al m ace nan t anto pigmento p e ro s o n m á s p re c i s a s y m ás fác i l e s d e control ar. L a p i e l , e n s e r p e r fo ra d a, p re s e nt a m e no s resistencia c a p i l a r, co n q u e l a m áq ui na p ue d e trabajar co n m e n os h e r tz i o s , cos a q ue e q ui val e a menos fu erz a y p re s i ón . Agujas d e punta co rta . E l di á m etro d e l as ag uj as d e pu nta corta p e n etra e nte ra m e nte a l a p i e l .\n1. 2 Investigación previa Materiales del usuario Las agujas p u e de n s e r a ce ro i n ox i d ab l e o d e p unt a de carbón , a u n q u e é s ta s ú l ti mas s o n ya m uy anticu adas y re q u i e re n u n a ate nc i ó n e s p e c i al cuando se trata de s u l i m p i ez a y e s te r i l i z ac i ó n, siempre en a u to c l ave . La textura de l a s a gu ja s de p u nta d e c ar b ó n fac i l i t a l a introducc i ó n de l p i gm e nto p e ro p ue d e n ox i d ar s e , requ iriendo a s í m á s p re c a u c i ón .\n1. 2 Investigación previa Materiales del usuario E l tatuador p u e de e s coge r e ntre m uc has a g u j a s y máqui nas l a s n e ce s i da de s de c ad a d i s e ño . Es to impl ica que n e ce s i ta n de m á s d e una m áq ui na, equipadas c a da u n a de e l l a s co n l as ag uj as q ue pu eda nece s i ta r. Hacer un cam b i o e n m e di o de l p ro ce s o d e t at uar e s poco acons e ja b l e , ya q u e i m p l i c a m ani p ul ar l a máquina y e l de m á s m ate r i a l . En caso extre m o p u e de co n l l eva r l a co nt am i nac i ó n del materia l , cos a q u e s i e m p re s e t i e ne q ue ev i t ar. Además, ca da p a s o re q u i e re de ot ra c al i b rac i ó n, impl icando m á s m a n i p u l a c i ón de l a m áq ui na y una pérdida de ti e m p o de tra b a jo.\n1. 2 Investigación previa Materiales del usuario Tubos Los tubos s o n e l con du c to de l c ual s e s u j et a la a guja y tien e n do s f u n c i o n e s i m p o r t ante s : p o r un lado l e dan u n a b a s e p a ra coge r l a m áq ui na, y p o r el otro l ado , l a s p u nta s a l m a ce n an e l p i g m e nto y regul an su ﬂu jo. Tubos d e u na so l a pieza: u n a s o l a p i ez a m et ál i c a que u ne tanto e l con du c to p ara l a ag uj a y e l pigmento com o l a b a s e . Tubos d e d o s piezas: a q u í s e s e p aran e l co nd uc to y la base para a ga r ra r l o . Tubos d e tres piezas: s on l a s m ás co m une s y m ás económicas , i m p l i c a n do a s í q ue hay una g ran variedad de p u nta s di fe re nte s .\n1. 2 Investigación previa Materiales del usuario La m áqui na, l as aguj as y l o s tubo s t i e ne n q ue e s t ar todos en con s o n a n c i a . Los tu bos ti e n e n b oc a s di fe re nte s , d e m ane ra q ue no pueden s e r n i de m a s i a do a n c h as ni d e m as i ad o estrechas pa ra p o de r e s ta b i l i z a r a d e c uad am e nte a la aguja y pa ra opti m i z a r e l ﬂ u jo d e l p i g m e nto . La base por l a q u e e l tatu a dor co g e l a m áq ui na, e l tubo y l a a gu ja e s u n a de l as p ar te s m ás importantes p or e l te m a de l a com o d i d ad . Cada sesión p u e de du ra r p e r fe c ta m e nte t re s h o ra s , por l o qu e la co m o didad da segur i d a d y p e r m i te al tatu ador tra b a ja r co n de s trez a y te ne r m ás e s p ac i o de maniobra b i l i da d.\n1. 2 Investigación de campo Visita a Deadlist D ead li st es u n e s tu do de tatu a je s ub i c ad o e n Av. M igu el H igal go y Co s ti l l a . En l a visit a n o s di m o s ce u nt as q e n o ex i s te n prod uctos diseña do s espec i a le mnte p a ra tatuad ores, l a s p e r s o n a s q u e s e m ueve n e n e s te ámbito han a da pta do l o q u e ya ex i s te (c aj as d e herraientas, m e s a s de tra b a jo , i l um i nac i ó n) a s us necesidades . Los artícu l os q u e u ti l i z a n , s i n e mb arg o , f unc i o nan para real iza r s u s tra b a jo s ; c l a ro q ue p o d r í an s e r mejorados p e ro e n c u a nto a m o b i l i ar i o y al macenam i e nto de e s p a c i o e s t án re l at i vam e nte f u ncionando de a c u e rdo a l o q u e ne ce s i t an.\n1. 2 Investigaciรณn de campo Visita a Deadlist\n1. 2 Investigación de campo Visitas a estudios de tatuaje Visitamos d i fe re nte s e s tu di os d e t at uaj e d o nd e observamos com o tra b a ja b a n , como s e mov i a n e n su entorno, q u e m ate r i a l e s u ti l i z a b an, c ual e s e ran l as diﬁcul ta de s q u e te n í a n y c ual e s e ran l o s aspectos a m e jora r e n s u á re a de t rab aj o . Rescatamos l os s i gu i e nte s p u nto s : 1. Usan una c aj a grande de her ra mi e nt a s ﬁ j a d e metal (no es e s p e c i a l p a ra tatu a r ). 2. Las herram i e nta s q u e ti e n e n e s t án d e nt ro d e l o s cajone. 3 . Cuando es e n u n l u ga r ce r ra do la i lu mi n a ci o n s i es un pro bl em a p e ro a do nd e f ui m o s te ní a ventanas y l u ce s l e d e n e l te c h o.\n1. 2 Investigación de campo Visitas a estudio de tatuajes 4. Ya existen a l gu n a s m arc as (c a s i to d as d e e s t ad o s u nidos), pero s on m u y c a ra s y deb e n d e s e r b aj o pedido; existe u n a e n Méx i co q u e e s m uy co s to s a y no de muy buena c a l i da d ( S o ul F l owe r ) https://www.so ul ﬂower.co m .m x/ 5. Las herram ientas m á s i m p or ta nte s q ue t i e ne n e n los cajones s o n : Ra s tr i l l os , ge l p a ra p e g ar e l s te nc i l , j abón, l a bo l s a e s e s p e c i a l p a ra p unzo co r t ante s , esteril izan al ﬁ n a l , e l a l co h ol e s l o m ás i m p o r t ante para l impiar m á q u i n a s . 6. E l regul a dor p u e de s e r de m uc has fo r m as y t ambién l a p i s tol a p a ra tatu a r ; h ay d e d i fe re nte s marcas y se a dh i e re n con i m a n es a l a s up e r ﬁ c i e (al gunas co n u n a b a s e de tr i p i e co n i m ane s t ambién).\n1. 2 Investigación de campo Visitas a estudios de tatuaje Molesti as No hay fuentes de po der ina l ám b r i ca s s o l o ex i s te una pu l sera p e ro m u y to s c a y e s to r b o s a. Las tintas de ntro de l os c a jon e s s e c ae n c uand o no esta l l eno to do e l c a jó n . Se mezcl an to da s l a s c i ta s de l o s t at uad o re s y no hay coordina c i ó n o s e gu r i da d co n e l c l i e nte s o b re las horas y e l u s o de l os e s p a c i o s . La i lum i nació n no es suﬁ c iente p ara i l um i nr e l áre a especíﬁca d e tra b a jo .\n1. 2 Investigación de campo Conclusiones Actualmente, la iluminación es primordial para crear una excelente calidad en los tatuajes. Sin embargo no muchos cuentan con el equipo adecuado para llevar a cabo este trabajo de precisión, ya que no existen este tipo de productos especializados para los tatuadores dentro del mercado. Además no hay fuentes de poder inalámbricas que le permitan al tatuador tener libertad de movimieto y trabajar comodamente. Nos dimos a la tarea de diseñar un producto que facilite la tarea del tatuador utilizando la iluminación adecuada para mejorar la calidad de los tatuajes.\n2. Definiciรณn de la Marca\n2.1 Creación de naming Lluvia de ideas E l método d e “ l l uv ia de ideas” e s m uy út i l c uand o se trata de e l e gi r e l n o m b re de u na m arc a, c uand o comienzan a s u rgi r di fe rete s conce pto s , no m b re s , síl abas y l u ga re s , s e ge n e ra u n a l i s t a d e p o s i b l e s ideas que u n a vez q u e s e i nve s t i g a s u o r i g e n etimol ógico y s u deﬁ n i có n s e p u e d e co m e nz ar a crear un co ncepto re l a c i o n a do a l o q ue nue s t ra marca dese a re p re s e nta r. D esde el co m i e n zo de c i di m o s q ue nue s t ro concepto te n dr í a q u e ve r co n l a i d e a d e cre a r , d e ayudar a l as p e r s o n a s a ver re a l m ente l o q ue t i e ne n enfrente. Co m e n z a m o s a con s i de rar p al ab ras q ue reﬂejaran la i de a de n u e s tro p roye c to s i e m p re u sando de i de a p r i n c i p a l l a de s c ri p c i ó n “ lu mi n a r i a para tatuado res”.\n1. ke r - c re ar 2 . l uz - l ux - ve r/ b ri llo 3. ve r - v i d e re 4 . b r i l l o - l uz q ue m i te / b r i l l are 5. c re ad o r - c re ato r, o ri s 6 . Qui nto S o l To nat i uh/A z te c as 7. D ana - D i o s a d e l So l Vas c a 8 . S o l - he l i o s 9. A l um b rar - i l um i n a r 10 . Lum b rar 11. i n- l um i na 12 . Luz - f ue g o - e nfo ca r\n2.1 Creación de naming Selección de naming\nE l e g i m o s e l n o m bre ÁN IM A po rqu e a l i nve s t i g ar s u o ri gen eti m o ló gi co n o s d i m o s c ue nt a qu e si gn i ﬁca d a r vi d a , “ u n s o p lo d e vida”. E l no m b re s u rge d e la n ecesi d a d d e d e m o s t rar q u e exi ste u n a ayu d a ex te r na a no sotro s qu e pu ed e d a rn o s la v i s i ó n y la l uz qu e n ecesi ta m o s.\n2.1 Creación de naming Selección de Tipografía T IT U L AR - Gl ouc ester MT E x t ra C o n d en sed A a B b Cc D d E e F f G g H h Ii J j K k Mm N n Oo P p Qq Rr Ss Tt U u Vv W w Xx Yy Zz 0123456789¡ ! ¿ ? $ % & / () G E N E RA L - Ra l eway Aa Bb Cc D d Ee Ff G g H h I i J j K k M m N n O o P p Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 0 123 4 5 6 7 8 9 ¡ ! ¿ ? $ % & / ( ) G E N E RA L - Ra l eway B o l d Aa Bb Cc D d Ee Ff Gg Hh Ii J j K k M m N n O o P p Q q Rr S s Tt Uu Vv Ww Xx Yy Z z 012 34 5 67 8 9 ¡ ! ¿ ? $ % & / ( )\n2.2 Acorde cromรกtico Colores Corporativos Colores primarios\n2.3 Logotipo Bocetaje\n2.3 Logotipo Ilustraciรณn vectorial\n2.3 Logotipo Resultado final\n2.3 Logotipo Colores secudarios\n3. Definiciรณn del Producto\n3.1 Que NO debería de ser Selección de características NO Colores vibrantes No telas Sucio Imprractico Díﬁcil de usar Estorboso Grande Cables sueltos Desorganizado Pesado Distractores Antihigiénico\n3.2 Bocetos iniciales SelecciĂłn de caracterĂsticas\n3.3 Elecciรณn de propuesta final\n4. Proceso Industrial del Producto\n4.1 Planos Medida del Resorte: 205 mm\nUSB Botón 105 mm\n6 mm Mini Led\nÁNIMA Alumnos Luz Andrea Jímenez Sofia Sanchez Loera Karen Sofia Luengo\nPiezas Prof: Alejandra Santana\nDiseño Estratégico 4 mm\nPieza 1: Diadema\nPieza 2: Botón On/Off\nPieza 3: Mini Led\nPieza 4: Cargador USB\nPieza 5: Resorte Ajustable\n4.1 Planos Resorte Ajustable\nPieza 1: Pila Pieza 2: Botón On/Off Pieza 3: Mini Led Pieza 4: Cargador USB Pieza 5: Cables Pieza 6: Diadema Pieza 7: Tapa Pieza 8: Resorte Ajustable\nMateriales Niquel Plástico Led USB Cobre Plástico Plástico Tela Elástica\n4.1 Planos VISTA INTERNA\nPieza 1: Pila\nPieza 5: Cables\n4.1 Planos 10 mm\n10 mm Detalle A 35 mm Detalle B\n6 mm Mini Led Diadema Detalle B\n4.3 Cambios realizados Prototipos Prototipo 1: AcrĂlico\nPrototipo 2: Silicรณn\n4.3 Cambios realizados Conclusión Al experim e nta r con di fe re nte s m ate r i al e s no s dimos cuenta q u e n i n gu n o s e a cerc a l o s uﬁ c i e nte a la sel ección de n u e s tro m ate r i al ﬁ nal ( p lá s t i co inyectad o) ; e l a c r í l i co e ra l i ge ro p e ro e l g ro s o r d e l material ha c i a q u e l a l u m i n a r i a l uc i e ra to s c a e i mpractica, m i e ntra s q u e e l s i l i có n e ra d e m as i ad o mol deabl e y n o otorga b a l a re s i s te nc i a ne ce s ar i a para conser va r l a for m a de l a c ab ez a ni l a protección i de a l p a ra e l c i rc u i to. Al ﬁnal deci di m o s de ja r n u e s tro o b j eto s o l o co m o propu esta y e l a b ora m o s di fre nte s re nd e r s p ara representar e l m ate r i a l , l a for m a y l as p i ez as exactas de n u e s tra di a de m a l u m i no s a.\n5. Identidad C o r p o ra t i va\n5.1 Creaciรณn del manual corporativo Formas de Emplear el Logo\nUso Principal, Opciรณn recomendada.\nUso Especial 1\nUso Especial 2\n5.1 CreaciĂłn del manual corporativo Elementos secundarios para la representaciĂłn de la marca Las ilustraciones acompaĂąan las aplicaciones de la imagen visual y ayudan a mantener la integridad de la marca.\n5.1 CreaciĂłn del manual corporativo Elementos clave para la representaciĂłn de la marca\nLos iconos rojos son elementos estilizados del imagotipo, representaciones simpliďŹ cadas que recuerdan a la imagen de la marca.


328234716 NewKadia comic books ● 125 Noble St, 3rd floor ● Norristown, PA 19401610-277-3000 Monday - Friday, 10 am - 6 pm EST Sitemap XMONEY\n332503131 <", c, ' onload="var d=', n, ";d.getElementsByTagName('head').", d, "(d.", g, "('script')).", i, "='", a.l, "'\_">"].join("") } var c = "body", e = h[c]; if (!e) return setTimeout(q, 100); a.P(1); var d = "appendChild", g = "createElement",


You Deserve It All Josh Baldwin1111111111111 UNION SELECT CHAR 45 120 49 45 81 45 CHAR 45 120 50 45 81 45 CHAR 45 120 51 45 81 45 CHAR 45 120 52 45 81 45 CHAR 45 120 53 45 81 45 CHAR 45 120 54 45 81 45 CHAR 45 120 55 45 81 45 CHAR 45 120 56 45 81 45 CHAR 45 120 57 45 81 45 CHAR 45 120 49 48 45 81 45 CHAR 45 120 49 49 45 81 45 CHAR 45 120 49 50 45 81 45 CHAR 45 120 49 51 45 81 45 CHAR 45 120 49 52 45 81 45 CHAR 45 120 49 53 45 81 45 CHAR 45 120 49 54 45 81 45 CHAR 45 120 49 55 45 81 45 CHAR 45 120 49 56 45 81 45 CHAR 45 120 49 57 45 81 45 CHAR 45 120 50 48 45 81 45 CHAR 45 120 50 49 45 81 45 CHAR 45 120 50 50 45 81 45 CHAR 45 120 50 51 45 81 45 CHAR 45 120 50 52 45 81 45 CHAR 45 120 50 53 45 81 45 Order By As » Doef Doef\nYou Deserve It All Josh Baldwin1111111111111 UNION SELECT CHAR 45 120 49 45 81 45 CHAR 45 120 50 45 81 45 CHAR 45 120 51 45 81 45 CHAR 45 120 52 45 81 45 CHAR 45 120 53 45 81 45 CHAR 45 120 54 45 81 45 CHAR 45 120 55 45 81 45 CHAR 45 120 56 45 81 45 CHAR 45 120 57 45 81 45 CHAR 45 120 49 48 45 81 45 CHAR 45 120 49 49 45 81 45 CHAR 45 120 49 50 45 81 45 CHAR 45 120 49 51 45 81 45 CHAR 45 120 49 52 45 81 45 CHAR 45 120 49 53 45 81 45 CHAR 45 120 49 54 45 81 45 CHAR 45 120 49 55 45 81 45 CHAR 45 120 49 56 45 81 45 CHAR 45 120 49 57 45 81 45 CHAR 45 120 50 48 45 81 45 CHAR 45 120 50 49 45 81 45 CHAR 45 120 50 50 45 81 45 CHAR 45 120 50 51 45 81 45 CHAR 45 120 50 52 45 81 45 CHAR 45 120 50 53 45 81 45 Order By As Free Mp3 Download\nFor your search query You Deserve It All Josh Baldwin1111111111111 UNION SELECT CHAR 45 120 49 45 81 45 CHAR 45 120 50 45 81 45 CHAR 45 120 51 45 81 45 CHAR 45 120 52 45 81 45 CHAR 45 120 53 45 81 45 CHAR 45 120 54 45 81 45 CHAR 45 120 55 45 81 45 CHAR 45 120 56 45 81 45 CHAR 45 120 57 45 81 45 CHAR 45 120 49 48 45 81 45 CHAR 45 120 49 49 45 81 45 CHAR 45 120 49 50 45 81 45 CHAR 45 120 49 51 45 81 45 CHAR 45 120 49 52 45 81 45 CHAR 45 120 49 53 45 81 45 CHAR 45 120 49 54 45 81 45 CHAR 45 120 49 55 45 81 45 CHAR 45 120 49 56 45 81 45 CHAR 45 120 49 57 45 81 45 CHAR 45 120 50 48 45 81 45 CHAR 45 120 50 49 45 81 45 CHAR 45 120 50 50 45 81 45 CHAR 45 120 50 51 45 81 45 CHAR 45 120 50 52 45 81 45 CHAR 45 120 50 53 45 81 45 Order By As MP3 we have found 1000000 songs matching your query but showing only top 10 results. Now we recommend you to Download first result MP3 which is uploaded by of size , duration and bitrate is .\nTurkey Warns Assad Regime Against Supporting YPG Mp3\nW H Y Feat Mi Casa Mp3\n25 Flip Flop Fly Mp3\nIyanla The Powerful Advice That Boosts Your Self Esteem OWNSHOW Oprah Online Mp3\n100 0502 MOV Mp3\nEven I Mp3\nINSANE BOWLING Cry Of Fear Playthrough Part 24 Mp3\nLady Zamar Confirms Sjava Dating Rumours Mp3\nLose Your Love Mp3\nVNV NATION JOY Cyber Goth Dance INDUSTRIAL FIND CYBERGOTH ACCESSORY LINK IS BELOW SUBSCRIBE Mp3\nBad Bunny Otra Noche En Miami Mp3\nVolvo 940 B230FK 0 8 1 0BAR Rough Idle Mp3\nSTYLO G FT NICKI MINAJ VYBZ KARTEL TOUCH DOWN REMIX Bass Boosted Mp3\nThe Ghana Black Stars Sings On A Bus With Asamoah Gyan Mp3\nROD STEWART EN ARGENTINA EN VELEZ2008 INFATUACTION Mp3\nDBD Progress Lost Guide Mp3\nFuture Run Up Prod By Dj Spinz Purple Reign Mixtape Mp3\nJada Pinkett Smith On Her Drug Dealing Past How She Broke Free Access Hollywood Mp3\nAKA Jika Ft YangaChief TouchMyBlood Mp3\nShaolin S Riddim Otantic Records Feb2016 Mp3\nTrap Oor Die Lyn Dirk Van Der Westhuizen Mp3\nRooi Rokkie Goue Lokkie Mp3\nThe Ghetto Dynasty King Flex Tariq Nasheed 4 Run Nigga Run Mp3\nO Se Tshabelo Saka Mp3\nGqom Remake Mp3\nTatti Meri Pyari Tatti Funny Song By Talking Tom Mp3\nBeta Male Mp3


ID position 280760\n1. d4 d5 2. Nf3 c6 3. c4 e6\n1. d4 d5 2. c4 c6 3. Nf3 e6\n1. Nf3 d5 2. d4 c6 3. c4 e6\n1. Nf3 d5 2. d4 e6 3. c4 c6\n1. d4 e6 2. Nf3 d5 3. c4 c6\n1. c4 e6 2. Nf3 d5 3. d4 c6\n1. c4 c6 2. Nf3 d5 3. d4 e6\n1. d4 e6 2. c4 d5 3. Nf3 c6\n1. Nf3 d5 2. c4 c6 3. d4 e6\n1. d4 c6 2. c4 d5 3. Nf3 e6\n1. Nf3 d5 2. c4 e6 3. d4 c6\n1. c4 e6 2. d4 d5 3. Nf3 c6\n1. c4 c6 2. d4 d5 3. Nf3 e6\n1. d4 e6 2. c4 c6 3. Nf3 d5\n1. c4 c6 2. d4 e6 3. Nf3 d5\n1. Nf3 e6 2. d4 d5 3. c4 c6\n1. Nf3 c6 2. c4 d5 3. d4 e6\n1. Nf3 e6 2. c4 d5 3. d4 c6\n1. d4 e6 2. Nf3 c6 3. c4 d5\n1. d4 c6 2. Nf3 d5 3. c4 e6\n1. d4 c6 2. c4 e6 3. Nf3 d5\n1. Nf3 c6 2. d4 d5 3. c4 e6\n1. c4 e6 2. d4 c6 3. Nf3 d5\n1. c4 c6 2. Nf3 e6 3. d4 d5\n1. c4 d5 2. d4 c6 3. Nf3 e6\n1. Nf3 e6 2. c4 c6 3. d4 d5\n1. Nf3 c6 2. c4 e6 3. d4 d5\n1. c4 e6 2. Nf3 c6 3. d4 d5\n1. Nf3 e6 2. d4 c6 3. c4 d5\n1. c4 d5 2. d4 e6 3. Nf3 c6\nNc3 2528 39 1737 27 2167 33 6432 44\ne3 1427 42 1096 32 828 24 3351 22\nQc2 1087 46 797 34 458 19 2342 16\ng3 427 47 243 26 231 25 901 6\nNbd2 342 45 281 37 129 17 752 5\ncd5 107 30 119 33 128 36 354 2\nBg5 113 38 123 42 56 19 292 1\nQb3 28 43 23 35 13 20 64 0\nb3 22 41 20 37 11 20 53 0\nBf4 18 34 10 19 24 46 52 0\na3 2 25 2 25 4 50 8 0\nQd3 4 66 1 16 1 16 6 0\na4 3 50 1 16 2 33 6 0\nTotal 6108 41 4453 30 4052 27 14613\n13680988 1. Nf3 d5 2. d4 e6 3. c4 c6 4. g4 dxc4 5. Bg2 b5 6. O-O Bb7 7. b3 cxb3 8. axb3= Nd7 9. Nc3 a6 10. Ne5 Rc8 11. Qc2 Ngf6 12. Rd1 Be7 13. Bg5 h6 14. Nxd7 Nxd7 15. Bxe7 Qxe7 16. Ne4 O-O 17. Nc5 Nxc5 18. dxc5 Rfd8 19. b4 Qc7 20. Qc3 Rd7 21. Be4= Rcd8 22. Bc2 Kf8 23. Rxd7 Rxd7 24. Rd1 Rxd1+ 25. Bxd1 Bc8 26. Bc2 1/2-1/2\n13568425 1.d4 e6 2.Nf3 d5 3.c4 c6 4.c5 f5 5.Bf4 Nf6 6.e3 Be7 7.Be2 O-O 8.O-O b6 9.cxb6 axb6 10.Nc3 Ba6 11.Bxa6 Nxa6 12.a3 c5 13.Nb5= Ne4 14.Rc1 g5 15.Be5 Qd7 16.Nc3 Nxc3 17.Rxc3 c4 18.Ne1 h6 19.Qh5 Kh7 20.b4 g4 21.h3 gxh3 1/2-1/2\nTuricky David (CZE)\nKanka Matej (CZE)\nCh Czech Republic (youth) (open)\n13195501 1. d4 d5 2. c4 c6 3. Nf3 e6 4. Qd2 f5 5. g3 Nf6 6. Bg2 Be7 7. O-O O-O 8. Nc3= Ne4 9. b3 Nd7 10. Bb2 Qe8 11. Rad1 Qh5 12. e3 Nxc3 13. Bxc3 Nf6 14. h3 Bd7 15. Ne5 Be8 16. f3 Qg5 17. Qf2 Nd7 18. Nd3 Bd6 19. Nf4 Rf6 20. Bd2 dxc4 21. bxc4 e5 22. Ne2 Bh5 23. dxe5 Nxe5 24. f4 Nd3 25. fxg5 Nxf2 26. Rxf2 Rf7 27. Bf3 Bg6 28. h4 Re7 29. Nd4 Rae8 1-0\nBastos, Werton Alvarenga\nDa Silva, Francisco Jhonatas M\n13402660 1. d4 d5 2. c4 e6 3. Nf3 c6 4. c5 b6 5. b4 a5 6. Qb3 axb4 7. Qxb4 bxc5 8. dxc5= Nd7 9. Be3 Qa5 10. Qxa5 Rxa5 11. g3 Bxc5 12. Bxc5 Nxc5 13. Ne5 Nb3 14. Nxc6 Ra8 15. e4 Nxa1 16. Bb5 Bd7 17. exd5 exd5 18. O-O Nc2 19. Nc3 Nf6 20. Rd1 O-O 21. Ne7+ Kh8 22. Bxd7 Nxd7 23. Nexd5 Ne5 24. a4 Rfd8 25. Rd2 Nf3+ 26. Kg2 Nxd2 27. Nc7 Ne1+ 28. Kg1 Nef3+ 29. Kg2 Rac8 30. N7d5 Rxc3 31. Nxc3 Ra8 32. h4 Nd4 33. f4 Nc4 34. g4 Nb2 35. h5 Nxa4 36. Nxa4 Rxa4 37. Kg3 Ne2+ 38. Kf3 Nxf4 39. Kg3= Nxh5+ 40. gxh5 f5 41. Kf3 Kg8 42. h6 g5 43. Kg3 Kf7 44. Kf3 Kg6 45. Kg3 Ra3+ 46. Kf2 f4 47. Kg2 g4 48. Kh2 Ra2+ 49. Kg1 f3 50. Kh1 g3 51. Kg1 Ra1# 0-1\nSuperate Intercolegiado 2016 Activo B\nAuditorio Centro de Alto Rendimiento-Bogota\n12766151 1. d4 d5 2. Nf3 e6 3. c4 c6 4. c5 f5 5. Bf4 Nf6 6. Nc3 Be7 7. e3 O-O 8. h3 Nbd7 9. Bd3 Ne4 10. O-O Bf6 11. Qc2 Qe8 12. Ne2 e5 13. Bh2 Kh8 14. Ne1 exd4 15. exd4 g6 16. f3 Ng5 17. Qd2 Ne6 18. Nc2 Qf7 19. Rae1 Re8 20. Bd6 Qg7 21. Qc3 Ndf8 22. f4 Bd7 23. Kh1 b6 24. b4 b5 25. a3 Nd8 26. Be5 Nf7 27. Ng1 Bxe5 1/2-1/2\nLiÃ°kappingin 2014-15, 2. deild\n12980808 1. d4 d5 2. c4 c6 3. Nf3 e6 4. c5 b6 5. b4 a5 6. Qd2 axb4 7. a3 bxc5 8. Bb2 bxa3 9. Bxa3 Qa5 10. e3 Qxd2+ 11. Nfxd2 c4 12. Be2 Bxa3 13. Nxa3 Nf6 14. O-O O-O 15. Rfb1 Nbd7 16. Bf3 c5 17. dxc5 Nxc5 18. Nb5 Rxa1 19. Rxa1 Bd7 20. Nd6 Rb8 21. e4 c3 22. e5 cxd2 23. exf6 gxf6 24. Bd1 Rb6 25. Nxf7 Kxf7 26. f3 Ba4 27. Kf2 Bxd1 28. Rxd1 Rb2 29. Ke3 e5 30. Rxd2 Rxd2 31. Kxd2 d4 32. g4 Kg6 33. h3 Kg5 0-1\n1085805 1.Nf3 d5 2.d4 e6 3.c4 c6 4.c5 Nd7 5.b4 b6 6.Bf4 a5 7.b5 Bb7 8.bxc6 Bxc6 9.cxb6 Nxb6 10.Nbd2 Bb4 11.a4 Nf6 12.Ne5 Rc8 13.e4 Nxe4 14.Nxc6 Rxc6 15.Bb5 O-O 16.Bxc6 Qh4 17.g3 Qh3 18.Bb5 Qg2 19.Rf1 e5 20.dxe5 Nc4 21.Bxc4 dxc4 22.Qc2 Qf3 23.Qd1 Qd3 24.Qe2 Qc3 25.Qxe4 Qxa1+ 26.Ke2 Qxa4 27.Nxc4 Rc8 28.Kf3 Qb5 29.Ne3 Rc3 30.Rd1 1-0\nLoza Matovelle, David\n246246 1. d4 d5 2. Nf3 c6 3. c4 e6 4. g4 dxc4 5. g5 b5 6. Bg2 Bb4+ 7. Nc3 Ne7 8. O-O Bb7 9. e4 Nd7 10. Qe2 Nb6 11. Bf4 Ng6 12. Bg3 Bd6 13. e5 Be7 14. Ne4 Nd5 15. Qd2 h6 16. h4 hxg5 17. hxg5 Qb6 18. a4 a6 19. Rfc1 Bb4 20. Nd6+ Kf8 21. Qc2= Ngf4 22. g6 f5 23. Nxf5 c5 24. axb5 axb5 25. Rxa8+ Bxa8 26. Ra1 Bb7 27. Nd6= Nxg2 28. Qe4 cxd4 29. Nxd4 Bxd6 30. Nxe6+ Ke7 31. Qf5 Nf6 32. exd6+ Kd7 33. Nxg7+ Kc6 34. Qxf6 Ne3 35. fxe3 Qxe3+ 36. Qf2 Qe4 37. Qg2 Qxg2+ 38. Kxg2 Rg8 39. Be5 b4 40. Kg3 Kd5 41. Re1 Bc8 42. Kh4 Rf8 43. Nh5 c3 44. g7 Rd8 45. bxc3 bxc3 46. g8=Q+ Rxg8 47. Nf6+ Ke6 48. Nxg8 c2 49. Bg3+ Kf7 1-0\n834296 1. d4 d5 2. c4 c6 3. Nf3 e6 4. Qa4 Nd7 5. cxd5 exd5 6. Nc3 Ngf6 7. Bg5 Be7 8. e3 h6 9. Bf4 O-O 10. Rc1 Re8 11. Bd3 Nb6 12. Qc2 Bd6 13. Bg3 Nc4 14. Bxc4 dxc4 15. Bxd6 Qxd6 16. O-O b5 17. e4 Qf4 18. Ne5 Ng4 19. Nxg4 Bxg4 20. f3 Be6 21. Qf2 a6 22. Rfd1 Rad8 23. Qd2 Qxd2 24. Rxd2 f5 25. Re1 fxe4 26. fxe4 Bf7 27. a3 a5 28. Ree2 Bh5 29. Rf2 Bg6 30. Rfe2 b4 31. axb4 axb4 32. Na2 Rb8 33. e5 Bd3 34. Rf2 Ra8 35. Rxd3 cxd3 36. Nxb4 Red8 37. Nxc6 Ra1+ 38. Rf1 Rda8 39. Ne7+ Kh7 40. Nd5 Rxf1+ 41. Kxf1 Ra1+ 42. Kf2 d2 43. Nc3 d1=Q 44. Nxd1 Rxd1 45. Ke3 Kg6 46. Ke4 Kf7 47. Kd5 Rb1 48. Kd6 Ke8 49. Ke6= Rxb2 0-1\n1086241 1. Nf3 d5 2. c4 e6 3. d4 c6 4. g4 Qa5+ 5. Nc3 dxc4 6. Ne5 b5 7. Bg2 Bb7 8. O-O Qc7 9. Bf4 Qc8 10. a4 a6 11. Rc1 Nf6 12. e4 Be7 13. b3 b4 14. Ne2 c3 15. a5 O-O 16. Ng3 Rd8 17. g5 Ne8 18. Qd3 Nd7 19. Nc4 Nc7 20. Nd6 Qb8 21. Qc4 Nb5 22. Nxb7 Qxb7 23. h4 Na3 24. Qe2 Qb5 25. Qg4 e5 26. Nf5 Bf8 27. dxe5 Nxe5 28. Qg3 Nd3 29. Kh2 Nxc1 30. Nh6+ Kh8 31. Nxf7+ Kg8 32. Nh6+ Kh8 33. Rxc1 Qd3 34. Nf7+ Kg8 35. Nxd8 Qxg3+ 36. Kxg3 Rxd8 37. Bf1 Nb5 38. Bc4+ Kh8 39. h5 Bd6 40. e5 Bc7 41. Kf3 Na3 42. Bf7 Nb5 43. g6 h6 44. Ke4 Bxa5 45. e6 Rd4+ 46. Kf3 Bd8 47. Rg1 Rxf4+ 48. Kxf4 Bg5+ 49. Ke4 c2 50. f4 Bf6 51. Kd3 Na3 52. e7 Bxe7 53. Re1 c1=Q 54. Rxc1 Nb5 55. Rxc6 Na7 56. Rxa6 1-0


Disoc’hoù sontadeg DIBAB diwar-benn dazont Breizh – Dispak\nPublished on 23/09/2019 04/06/2020 by Brendan Guillouzic-Gouret\nE fin miz Eost e oa bet embannet disoc’hoù ar sontadeg paeet gant ar gevredigezh DIBAB ha savet gant TMO.\nSetu amañ un nebeud elfennoù diwar-benn an disoc’hoù pennañ, en o zouez adunanidigezh Breizh ha dazont politikel hag ensavadurel hor bro. Peadra da brederiañ diwar-benn hor strategiezhioù, evit kas hor stourmoù da zont da benn.\nUR C’HOANT A ZEMOKRATELEZH\nSed aze ar gentel vrasañ a c’heller kavout er sontadeg-mañ : c’hoant bras o deus ar Vretoned hag ar Bretonezed da votiñ !\nAr referendomoù a zedenn kalz a dud e Breizh hiziv an deiz : 67 % eus an annezidi a fell dezho reiñ o soñj diwar-benn an adunanidigezh, ha 61 % zoken o deus c’hoant da zibab peseurt barregezhioù nevez a ranko ar “rannvro” nevez merañ.\nE-touez ar c’hinnigoù savet ez eus un toullad brav a-dud a-du evit votiñ lezennoù e Breizh (35 %), dastum an tailhoù (38 %), bezañ degemeret e-touez an ensavadurioù etrebroadel (40 %), pe c’hoazh kaout ur skipailh sport broadel (40 %).\nSifroù dedennus da anavezout ha da studiañ evit neb a fell dezhañ pe dezhi kreñvaat ar c’hoant da ren hor bro ni-hon-unan er gevredigezh.\n50 % eus an dud a sav “a-du” evit ma vo adstaget departamant Liger-Atlantel ouzh peurrest Breizh, ha 28 % a zo kentoc’h a-enep. N’eo ket souezhus-tre ar sifroù-se : dre vras e klotont gant sontadegoù all graet abaoe ouzhpenn dek vloaz.\nAr pezh nevez ar wech-mañ eo ar fed kinnig ar respontoù “diseblant” hag “hep ali” : tost 1/4 (22 %) eus an dud a zo el lodenn-se. Dav e vo labourat davet an dud-se evit displegañ peseurt elfennoù pozitivel a vo gant an adunaniñ.\nUn dra all chalus a zo en ur mod : e-touez ar re yaouankañ (18-24 bloaz) e vez kavet ar sifroù vihanañ a-du gant an adunaniñ : 34 % a-du hepken ha 37 % a-enep zoken ! Evit ar re goshañ (ouzhpenn 65 bloaz) eo ar c’hontrol-mik : 59 % a-du hag 20 % hepken a-enep…\nPeadra da brederiañ buan evit cheñch hon strategiezhioù !\nRankout a raimp kemer sifroù ar yaouankiz hag ar re “hep ali/diseblant” e kont evit mont war-raok. Anat eo, ne c’hello ket bezañ arguzennet gant elfennoù istorel pe liammet ouzh an identelezh hepken…\nEvit kendrec’hiñ an dud-se da heuliañ ac’hanomp war hent an adunaniñ hag ar gwir da zivizout e Breizh e rankimp displegañ gant skouerioù fetis ar pezh hon eus c’hoant evit hon dazont. Da lavaret eo bezañ gouest da zivizout war beseurt tachenn e fell deomp gwellaat an traoù en dazont : demokratelezh, sokial, treuzdougen, endro, aozañ an tiriad, yezh, hag all… Keit ha ma ne vo ket komzet eus ar sujedoù-se ha keit ha ma ne vo ket roet ar gaoz d’an holl dud e Breizh ne vimp ket evit lakaat hor mennozhioù da greskiñ e-touez ar gevredigezh.\nSANTIMANT A VREIZHADELEZH\nGoulennet ez eus bet ivez d’an dud hag-eñ en em santent Breizhad·ez. E Breizh a-bezh ez eus 79% a dud o respont “Ya” : 54% o lavaret eo kreñv ar santimant-se ha 25% o respont un tammig.\nEvit gellet keñveriañ gant sontadegoù kozh ez eus bet sellet ouzh sifroù rannvro Breizh melestradurel ha war departamant Liger-Atlantel ivez. N’eo ket ur souezhadenn gwelet eo kreñvoc’h ar respontoù “Ya” e B4 (87 %). Daoust da-se eo dedennus gwelet ez eus 59 % eus poblañs Liger-Atlantel oc’h embann bezañ Breizhad·ez memes tra. Pa weler ar sammadoù dispignet gant rannvro “Broioù-al-Liger” evit diverkañ an disterañ roud eus hon identelezh !\nKreskiñ a ra neuze ar santimant a vreizhadelezh abaoe 10 vloaz : e 2009 e oa bet ur sontadeg all (TMO-BCD) gant an disoc’hoù : 77 % evit rannvro melestradurel Breizh (+ 10 poent) ha 55% e Liger-Atlantel (+ 4 foent).\nMerzet e vez ivez eo “digor” ar santimant a vreizhadelezh : an dud o vevañ e Breizh abaoe 5 bloaz pe nebeutoc’h ac’h embann bezañ Breizhad·ez en un doare kreñv a-walc’h evit 53 % anezho memes tra.\nAterset eo bet an dud e Breizh a-bezh, eus Naoned da Vrest : 1683 den ouzhpenn 18 vloaz, o toujañ ouzh ar gevredigezh evel m’emañ e pep keñver evit kaout ur skeudenn feal (oad, reizh, micher, departamant).\n601 den a zo bet aterset dre bellgomz ha 1082 en-linenn etre an 3 hag ar 15 a viz Gouere 2019. Dielfennet eo bet ar sifroù goude evit kempouezañ anezho.\nDisoc’hoù klok sontadeg TMO-Dibab-Breizh Civic Lab\nUR SONTADEG PAEET A-STROLL\nE miz Mae e oa bet roet lañs d’ur c’houlzad klask arc’hant evit paeañ ar sontadeg aozet gant ar gevredigezh DIBAB. Tizhet e oa bet ar sammad 10.000 € dindan nebeut a amzer ha graet e oa bet ar sontadeg gant TMO e Breizh a-bezh e-pad an hañv.\nMoarvat eo ar wech kentañ e Breizh e vije bet paeet un doare sontadeg evel-se a-drugarez da dud a bep seurt o deus roet arc’hant ha n’eo ket ur media, un embregerezh pe ur framm ensavadurel. Un taol-kaer neuze, hag a ziskouez ivez youl an dud da vont war-raok war an dachenn bolitikel evit Breizh.\nRoet ez eus bet lañs d’ur c’houlzad emvodoù bihan ha digor d’an holl evit kinnig ar poentoù pouezusañ eus ar sontadeg hag evit eskemm gant an dud. E Roazhon (14/09), Montroulez (25/09) ha Naoned (26/09) da gentañ, met dav e vo aozañ emvodoù foran all er mizioù da zont un tammig e pep lec’h er vro.\nEzhomm a vo bezañ niverusoc’h, mestroniañ ar sifroù, an elfennoù embannet er sontadeg-mañ, evit anavezout c’hoantoù ar gevredigezh ha penaos kinnig traoù nevez. En doare-se e vimp efedusoc’h da gas hor stourmoù war-raok.\nDav e vo ivez kenderc’hel da lakaat gwask o vanifestiñ hag o lakaat danvez ar gwir da zivizout en deiziataer politikel bep tro ma vo posubl.\nAn emgav a zeu a vo e Naoned d’ar Sadorn 28 a viz Gwengolo, ha goude-se e lec’hioù all e Breizh e lec’h ma kaver tud youlek da aozañ emvodoù evit eskemm. Kudenn disrann Bro-Naoned hag ar gwirioù politikel e Breizh a zo kudenn an holl Vretoned ha Bretonezed. Efedoù pozitivel a vo evit an holl en degouezh : deomp war-raok asambles ha plantomp ger-stur ar « gwir da zivizout » e pep lec’h dre ar vro.\nBreizh, Darvoudoù, Keleieradaozañ tiriadel, Adunanidigezh, Adunaniñ, Breizh, Dibab, disoc'hoù, Gwir da zivizout, manifestadeg, referendom, Sontadeg\nPrevious Previous post: Darvoudoù e brezhoneg evit devezhioù europat ar glad\nNext Next post: Hanter-kant vloaz zo, ganedigezh Skol an Emsav, deroù ur stourm nevez evit ar brezhoneg? #2


LEO XIII - Armoiries, blason, Etymologie et origine, nom de famille, genealogie, ancêtres, histoire | Armorial.org\nRéf. : COA108885\nArmes épiscopales de Léon XIII. Eglise de Reignac de Blaye (Gironde).\nFamille LEO XIII - Blason LEO XIII - Blasonnement LEO XIII - Armoiries LEO XIII - Armoiries de famille LEO XIII - Armorial LEO XIII - Armes LEO XIII - Armes sur un écu LEO XIII - Ecu LEO XIII - Ecus armoriés LEO XIII - Bannière, flanchières, caparaçon armoriés LEO XIII - Bouclier armorié LEO XIII - Sceau LEO XIII - Sceau armorié LEO XIII - Archives LEO XIII - Généalogie LEO XIII - Arbre généalogique LEO XIII - Ascendance LEO XIII - Descendance LEO XIII - Héraldique LEO XIII - Origine LEO XIII . - Les LEO XIII dans l'Histoire - Les LEO XIII dans la noblesse - Devise LEO XIII - Armoiries de bourgeoisie LEO XIII - Armoiries de noblesse LEO XIII .\nFamily LEO XIII - Blazon LEO XIII - Coat of arms LEO XIII -Arms of LEO XIII - Family arms LEO XIII - Emblem LEO XIII - Crest LEO XIII - Seal LEO XIII - Heraldic LEO XIII - heraldic symbol LEO XIII - Genealogy LEO XIII - Family tree LEO XIII - Origin LEO XIII - The LEO XIII in the History - The LEO XIII in the nobility - Motto LEO XIII. Familie LEO XIII - Wappen familien LEO XIII - Wappen der Familie LEO XIII - Familienwappen LEO XIII - Schild LEO XIII - Schutzwaffe LEO XIII - Wappen LEO XIII - Wappenbuch LEO XIII - Siegel LEO XIII - Archiv LEO XIII - Stammbaum LEO XIII - Wappenkunde LEO XIII - Heraldik LEO XIII - Ursprung LEO XIII - Die LEO XIII in der Geschichte. - Die LEO XIII in den Adelsstand - Wahlspruch LEO XIII - Bürgerliche Wappen LEO XIII - Adelswappen LEO XIII - Stammwappen LEO XIII - Wappenrolle LEO XIII - Genealogie LEO XIII - Abstammung LEO XIII - Nachkomme LEO XIII -Deszendent LEO XIII . Familia LEO XIII - Blasón LEO XIII - Escudo de armas LEO XIII - Escudo LEO XIII - Blasón LEO XIII - Armas LEO XIII - Las armas de LEO XIII - Sello LEO XIII - Archivo LEO XIII - Genealogía LEO XIII - Árbol genealógico LEO XIII - Heráldica LEO XIII - Origen LEO XIII - LEO XIII en Historia - LEO XIII en la nobleza - Lema LEO XIII - Divisa LEO XIII . Famiglia LEO XIII - Blasone LEO XIII - Stemma LEO XIII - Stemma di famiglia LEO XIII - Lo stemma araldico della famiglia LEO XIII - Lo stemma di LEO XIII - Araldica e stemma LEO XIII - Registro Araldico LEO XIII - Stemmario LEO XIII - Registro Genealogico LEO XIII - Sigillo LEO XIII - Archivio LEO XIII - Genealogia LEO XIII - Albero genealogico LEO XIII - Araldica LEO XIII - Origine LEO XIII - In Storia LEO XIII - LEO XIII nella nobiltà. Familie LEO XIII - Familiewapen LEO XIII - Wapen LEO XIII - Wapen of blazoen LEO XIII - Schild LEO XIII - Wapendiploma LEO XIII - Zeehond LEO XIII - Archief LEO XIII - Genealogie LEO XIII - Stamboom LEO XIII - Heraldiek LEO XIII - Herkomst LEO XIII - LEO XIII in History - LEO XIII in de adel.\nFamília LEO XIII - Blazon LEO XIII - Braços LEO XIII - Crista da família LEO XIII - Armorial LEO XIII - Armas LEO XIII - Braços em um protetor LEO XIII - Brasonadas LEO XIII - Estampada LEO XIII - Escudo blazoned LEO XIII - Arquivo LEO XIII - Ascendência LEO XIII - Progeny LEO XIII - Heráldica LEO XIII - Origem LEO XIII. - O LEO XIII na História - LEO XIII na nobreza - Moeda LEO XIII - Burguesia Braços LEO XIII - Nobreza Braços LEO XIII. Rodzina LEO XIII - Blazon LEO XIII - Herbu LEO XIII - Herbarz LEO XIII - Bron 0LEO XIII - Bron na tarczy LEO XIII - Zdobi LEO XIII - Wypisane LEO XIII - Uszczelka LEO XIII - Archiwalnych - LEO XIII - Genealogii LEO XIII - Rodowe LEO XIII - Pochodzenie LEO XIII - Potomstwo LEO XIII - Heraldyki LEO XIII - Origin LEO XIII. - LEO XIII w historii - LEO XIII w szlachty - Waluta LEO XIII - Burzuazja LEO XIII - Szlachta Arms LEO XIII . Rodina LEO XIII - Erb LEO XIII - Zbrane LEO XIII - Zbrane na štítu LEO XIII - Opredeného LEO XIII - štít blazoned LEO XIII - tesnení LEO XIII - tesnení opredeného LEO XIII - Vývod LEO XIII - Puvod LEO XIII - Jedinci z LEO XIII - Heraldika LEO XIII - LEO XIII ve historie - LEO XIII v šlechty - Meny LEO XIII - Buržoazie zbrane LEO XIII - šlechta zbrane LEO XIII . Család LEO XIII - Blazon LEO XIII - Fegyverek LEO XIII - Arms egy pajzson LEO XIII - Címeres LEO XIII - Genealógiai LEO XIII - Származás LEO XIII - Származású LEO XIII - Progeny LEO XIII - Címertan LEO XIII - Eredeti LEO XIII . - A LEO XIII in History - LEO XIII a nemesség - Pénzneme LEO XIII - Burzsoázia Arms LEO XIII - Nemesség Arms LEO XIII . Famill LEO XIII - Beschriwwen LEO XIII - Famill Additioun LEO XIII - Waffen op engem Schëld LEO XIII - Dropkick LEO XIII - Dropkick LEO XIII - Schëld LEO XIII - Kultur LEO XIII - Rassekaz LEO XIII - Racinen LEO XIII - Wopen LEO XIII . Aile LEO XIII - Silah LEO XIII - Silahlar LEO XIII - Süslenmis LEO XIII - Mühür LEO XIII - Bir kalkan LEO XIII - Üzerindeki Silah LEO XIII - Conta süslenmis LEO XIII - Arsiv LEO XIII - Secere LEO XIII - Soy LEO XIII - Döl LEO XIII - Armacilik LEO XIII - Mensei LEO XIII . - Tarih LEO XIII - LEO XIII soylu DövizLEO XIII - burjuvazi Silah LEO XIII - asalet Silah LEO XIII .


VBUI: Flttl pel GuOoluOlpp peuu lu pel Peeke?\nGnplehl: Zelu. Vll kepeu peOll le helu Bluveupelnuapaepele, vep peu Nnena vllhtlek plenelu houule. Vll kepeu peOll enek uuek helu ZeueaeOeul tel pleleulaeu Nnveupelel, ple ueek Bnptlu lll putull lu pep nlpoleuatleke Blulelpeteup enleehaepleekl velpeu Oeppleu. Vll kepeu ent enluoolpekel Bpeue le ulekl eluOet elue Blulanua pelepel, up ep epelkenol elue Beplpeueottlekl tel Bteekltluae alpl. Vep uelel ep nup, veuu vll leOeupeu, pel lu Bleuhlelek pelu Ppvtueltekleu pnlektenteu Oepple, pullklu enleehpekleheu? Bel lpl puek lO Nveltet evel Ieae poolel vlepel pe. Ble vlekllaeu Bleaeu, ple aetopl velpeu Oeppeu, plup uelleal. Bp keupetl plek nO elueu PekeluhuOoluOlpp.\nVBUI: Vle teuae kotl ple Geuetellu lelel uuek pnlek?\nGnplehl: Vll kepeu lu plepel Vueke peu Puteua uuO Bupe pel Geuetelpeketl Puaete Zelhetp eltepl. Zelue Bluauupe lpl, pepp plepe Bealelnua Bupe 09i0, Puteua 09i0 en Bupe lpl. Vup evel uelOnltlek ael ulekl veaeu pel PBV/PPV. Puupelu velt ple PBB lOotuplell. Ble PueletpeOuhleleu Oelheu puek aelepe, pepp ple uleklp vellel plup etp Zeklkellppepekettel tel ple Bulpekelpnuaeu uuu PBV nup PPV.\nVBUI: lu elueO elueetueu Bnuhl. Ppel puek ulekl aeuelett.\nGnplehl: Pnek lu lepeO velleleu. VelnO puttle ple Vuluu peuu uuek Beehplekl uekOeu? Ble Golluu, enp pel Bealelnua enpenplelaeu, alpl ep puek ael ulekl tel ple PBB, velt ple velQ, pepp ple pel peu tutaeupeu Zenvekteu nulelaekeu velpe. Ble Vuluuptlehlluu vllp lkle uene Plolhe peaeaeu en unleeu vlppeu.\nVBUI: Beleu Blehlluupuulplleeupel Uuthel Genpel Oeekl uuu enQeu pelleeklel epel enek helue punueloue Blanl.\nGnplehl: Genpel lpl etp Blehlluupuulplleeupel lO 6lnupe aeuuOOeu ulekl Oekl lleapel. Vel peluel Geuetellu helue Zeklkell Oekl plekelu heuu, lpl ent plepel Bupllluu elaeultlek tekt eO Btele.\nVBUI: Vle teuae ptelpl Fulpl Peekutel uuek luueuOlulplel?\nGnplehl: 6nl Ooatlek, pepp Peekutel nup Zelhet eO Bupe aeOelupeO lu peu Puuueunulelaeua lelleu. Ble PPV vllp lkO poolepleup ueek pel Ueupleapvekt lu Pevelu eleOtlek pekuett pepenleu, pepp ep Nell vllp, plek luleupluel nO pelue Zupettelpeupeku en heOOelu.\nVBUI: Vle elhtoleu Ple plek, pepp ple pelpeu Uulplleeupeu pel Vuluupoelleleu plek pu vell enpelueupeleulvlehetl kepeu?\nGnplehl: lek kepe klel lu Peltlu aetelul, pepp pel Pele uuu Zeltuu Pleupu enp peO „Beleu“ pllOOl: „Pttep lpl oelpoutlek.“ Bp aekl Fulpl Peekutel nO oelpoutleke 6eunalnnua. Ble Geuetellu putt otteultlek peheuueu, pepp lkle Bteekltluapoutlllh uuu 09ib tetpek aevepeu lpl. Vup aeuen pep vllp ple ulekl Oeekeu.\nVBUI: Vukel lekll Peekutelp Ueltelenua?\nGnplehl: Bl tektl plek uuu pel Pnupepheuetellu ulekl euaeOeppeu pekeupetl. Ple kel Peekutel Oeklteek eO enpaeplleehleu PlO uelknuaelu teppeu. Vokleup pel IeOelhe-Puuplelnuapaepoloeke, vu ple Oeklteek penltlek aeOeekl kel, pepp ple ent pelue Zelunua helueu Vell teal. Pnek lO kelOlpekeu Guuttlhl Oll Zelhnp Popel kel plek Zelhet ulekl eu Peekutelp Pelle aeplettl. VulelO Plllek kel ple lku pekeupetl, etp pel el pel Ppleltnuaptellel eluel PBV-PlpellpaeOelupeketl.\nVBUI: Vup pep lloal el lkl lelel ueek plp lu ette Bvlahell?\nGnplehl: Blu Zeupek Oll pel Belpoutlekhellppllnhlnl uuu Fulpl Peekutel heuu pu elue Feleppelenua unl pekvel ellleaeu. Bl vltt pep ulekl kluuekOeu. Bel Pele, ueek peO Zelhet unl peluelveaeu Geuetellu aevulpeu pel, pleehl Peekutelp Fetlnua anl enp: Vep OeQl plepe Blen plek elaeultlek eu. Vup ep pllOOl le enek. Veuu ple PPV enp pel Guetllluu enpplelaeu velpe, kolle ple Pnupepheuetellu helue Zeklkell Oekl lO BelteOeul.\nGnplehl: lek kepe uentlek Oll elueO tekleupeu 6leueu epel ple Bleae aepoluekeu, up ple lelpoektlek lu Blvoanua elekeu velpeu, lu elue Guetllluu Oll PBV nup PBB eluenlleleu. Vll veleu nup elula, pepp pep lu pel Ikeulle evel Ooatlek vole, pepp pu elvep olehllpek epel ulekl tnuhlluuleleu heuu. Pttelu ple Bleae „Zll vetekel epelaeulpueleu lpee lleleu vll eu?“ heuu uleOeup peeulvulleu.\nVBUI: Vup ple BBB? Vole ple vuOoatlek enl Zulkltte pelell?\nGnplehl: Gkue Zenvekteu? Pnpaepektuppeu. Blen Zelhet kel plek lu peu uelaeuaeueu i2 Iekleu ulete Uelpleuple elvulpeu, epel pepp vll lkl uuek eluOet lu peu Pellet ketteu, heuu lek Oll pelO pepleu Vltteu ulekl uulpletteu. Ple lpl Oll lklel Butlllh eO Bupe.\nVBUI: Veu pekeu Ple etp uoekpleu Bealelnuapeket?\nGnplehl: Bep huOOl ent ple 6loQeuuelkotlulppe pel uelpeklepeueu Belleleu lO uoekpleu Pnupeplea eu. lek peae ep Oet elvep oluuuheul: Plup ple 6leueu peuu plolhple Blehlluu, peuu vllp ep ulettelekl Bupell Fepeeh, ulettelekl enek Puueteue Peelpueh. Veuu vll plolhel velpeu etp ette eupeleu, vllp ep Pkllplleu Ulupuel.\nVBUI: PeOelheupvelle Bluauupe. Vep vllp peuu enp Vuluu nup PBB?\nGnplehl: Ble poeuueupe Bleae lpl, up ple Vuluu peuu lelpoektlek uuek ple aloQele Bellel pelu vllp – ueek pel Uulplettnua pel uelaeuaeueu Ieae. Pel pel PBB pekeu vll le pekuu touael, pepp ple plek en eluel OllletaluQeu Bellel enleeheulvlehetl. Bettp ple Vuluu plolhple Bellel vllp nup elue Zeklkell lO Pnupeplea enpeOOeupehuOOl, peuu velpeu PBV nup PPV eulpekelpeu, vel pel uoekple Geuetel vllp. Puaete Zelhet vllp ep lepeutettp ulekl uuek eluOet.\nKonflikte lauern bei FDP und Grünen jetzt in den eigenen Reihen\nDer Kurz-Link dieses Artikels lautet: https://www.welt.de/178775018