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3H 7q Zemljotres u okolini Cetinja – Borba\nSeizmološki zavod registrovao je u 12.23 sati zemljotres jačine 2.9 stepeni po Rihterovoj skali, sa epicentrom na području Očinića u okolini Cetinja. Žarište zemljotresa je locirano na dubini od dva kilometra. Na sajtu zavoda piše da ovaj zemljotres nije mogao izazvati materijalne štete u epicentralnom području.\nKrenula iz rodnog Bara: Draginja prikuplja potpise


Odor Rug & Room Deodorant, Bouquet Scent, 12- 12-oz. Can (FRS 12-14-00BO) »\nOdor Rug & Room Deodorant, Bouquet Scent, 12- 12-oz. Can (FRS 12-14-00BO)\nLightweight and nonabrasive formula eliminates carpet and room odors while vacuuming. Use as an all-purpose deodorant by sprinkling in trash cans, ashtrays or wherever odors occur. Safe for both carpets and vacuums.ODOR-OUT RUG & RM DEOD SHK CAN BQT 12/12 OZ


Barnier warns no-deal Brexit is not off the table\n30. Oct 2019, 15:52\nChief EU Brexit negotiator Michel Barnier warned Wednesday that the risk of Britain's departure from the EU without a divorce agreement still existed. It could either happen at the end of January, or if the British parliament fails to ratify the divorce deal, and London would not be granted another extension to the Brexit deadline, Barnier said, adding: "We still need to prepare."


Blenderart Mag 03 | Business | Nature\nBlenderart Mag 03\nUploaded by grafikhocam\nUs ing Y af in ray prof s s ional e e nv ironm e nt . L arn h ow t us e e o S unfow re nde ring l syst m . e Y af caus t ray ics e xpl d.\naine L arn m ore about e Y af G I. ray D P de m y s t ie d I if Re nde ring opt iz at im ion.\nCO NT S ENT\nEDI R TO Gaurav Naw ani M ANAGI EDI R NG TO Sandra Gil rt be W RI TERS Sandra Gil rt be Cl Eick e K uh ne n aas Danie l aBarge L Ch ris t e r K ul oph l a Z s olSt f t e an DESI & GRAPH I GN CS Gaurav Naw ani W EBSI DESI TE GN Nam Ph am CO PYRI T© ‘Blnde rartM agaz ine ’, GH e ‘blnde rart and blnde rartl are e ’ e ogo copyrigh tGaurav Naw ani. ‘As k Blnt e uu’ and ‘blnt l e uu ogo’ are copyrigh tSandra Gil rt Alproduct and com pany nam e s be . l s f at d in t e publ ion are t e ure h icat rade m ark or re gis t re d t e rade m ark oft e ir re s pe ct e h iv ow ne rs . w w w .blnde rart e .org\nED IT RIA L O\nYou’v s t e udie d alt e t orial, you built e pe rf ctm ode ladde d t e pe rf ctm at rialnow it lh ut s th e , h e e , s t e t re nde r your w ork ofart You h itt e big “ nde r” buton, w aitf w h ats e e m s l e f v r im o . h Re t or ik ore e . . . and w h e n itf l f h e s . . . w e lt be h one s t t e e nd re s ull s not ing l e w h atyou inal inis y lo , h t ook h ik h ad im agine d. W h atw e ntw rong? M os tl e l q uit a bitw e ntw rong. Re nde ring is t e re s ulofe v ryt ing t atcam e be f and ik y, e h t e h h ore as s uch t e re are a l off ors t atcan m ak e or bre ak you f h ot act h inal age . I your l t j t im s igh ing us righ t are your s e tings corre ct did you accountf alt e s pe cial fe ct you adde d. Ev n ifyou , t , or lh e f s e ge talt e abov righ t you m igh ts pe nd h ours or days w ait f t e f lh e , ing or h inal nde r t f h , onl re o inis y t dis cov r you ne e d t t e ak s om e t ing j ta lte . o e o w h us itl W e l e t I s ue #3 “ nde ring” I t is is s ue w e w ilbe cov ring s om e oft e is s ue s t at com o s Re . n h l e h h afe ctyour f f inal nde r, bringing cl y and be te r unde rs t re arit t anding t ach ie v t e be s tre nde r o e h pos s ibl. e I addit t l ing int t ings t atcan im prov your re nde rs , w e w ilalo l atw ays t n ion o ook o h h e l s ook o de cre as e your re nde r t e s as w e las t e a l ats om e oft e Re nde r e ngine s av abl f im l ak ook h ail e or Blnde r. O fw h ich q uit a f w h av be e n de v l d re ce nty and w arranta l s e e . e e e e e ope l ook W e alo h av 3 s e parat art e s on h ow t us e Yaf s e e icl o ray, w it e ach s h ow ing a dife re ntt ch niq ue h f e and m e t od ofus e . h Ch e e rs ! Sandra s andra@ blnde rart e .org\nBlnt s ay s e uu\nRe nde ring is an of e n t m is unde rs t ood proce s s and unt il w e ge tt e “m ak e re nde r be aut ul h if but on” ; code d, w e h av t do it t ) e o t e h ard w ay. And t atw oul be by h h d unde rs t anding w h atgoe s int a o re nde r and w h ataf e ct t e f s h re nde ring proce s s . Th e s h ortans w e r is t atEV h ERYTH I NG afe ct t e re nde ring f s h proce s s . Th atw oul incl m at rial, l t d ude e s igh ing, s pe cial fe ct e f s and t e s ce ne it e l And w h il dis cus s ing re nde ring coul f l h s f . e d ila w h ol book , f t is art e w e are going t t e a l att and e or h icl o ak ook ips t s t atcan incre as e or de cre as e your re nde r t e s and rick h im q ualy. it W h e n itcom e s t re nde ring, s om e t ings j tt e l o h us ak onge r. I you f j th av t h av t atce rt e fe ct by alm e ans go f it but us e o e h ain f , l or , e xpe ctt w aita w h il f your re nde r t com plt . H e re is a l t o e or o e e is ofs om e t ings t atare l e t incre as e your re nde r t e : h h iabl o im Rayt racing, Am bie ntO ccl ion L t Se t us igh ing ups H e av us e ofpart e s y icl Ext m e l de t e d s ce ne s re y ail O n t e ot e r h and, CG artis f l t s and h h ulof rick w ork -a rounds t l e r re nde r t e s , s uch as o ow im t e us e oft e f e GI dom e . L h h ak ong us e d in blnde r be f AO w as code d int blnde r. I e ore o e t is s im pl t s e t e as y t adj tand notas e o up, o us com put ion h e av as t e AO opt at y h ion.\nTo s e tone up is e as y: Add>M e s h >I ph e re , s ubdiv ion 2 cos is De lt t e botom h aloft e I ph e re e e h t f h cos Add a s potl t and pare ntitt t e I ph e re igh , o h cos H itF7, (O bj ctSe tings w indow ) W it t e I ph e re s e lct d, e t h h cos e e pre s s t e dupl e rtbuton. h iv t Se lctt e s potl tand adj tt e Ene rgy w ay dow n (around e h igh us h .01) Adj tt e re s tofyour s e tings as ne e de d t ge tt e am ountof us h t o h l tand s h adow you are l ing f igh ook or. O t e r t ings t atcan l e r re nde r t e s : Ge ne ral us e z -bufe r h h h ow im l y f l ps ov r rayt am e race d one s . Se tt e s am pls and s h adow bufe r h e f as l as pos s ibl f t e q ualy you l ing f ow e or h it ook or. Sim il y, t t e s am pls dow n on e v ryt ing as l as you arl urn h e e h ow can ge taw ay w it t atpe opl probabl w ilnotnot (l t , h h e y l ice igh s s ubs urf rayde pt , e t , h c.).Re nde r in pas s e s w h e n pos s ibl, you e can re -com pos it t e pas s e s in GI P or Ph ot h op, notonl w il e h M os y l itl e r re nde r t e s , you w ilh av m ore cont ov r h ow e ach ow im l e rol e l r goe s t t e r w it t e ot e rs . aye oge h h h h O nl m ode lh os e de t s t atare ne e de d, UVm apping and y t ail h prope r us e oft xt s can s av on your pol e ure e ygon count W h e n it . is als aid and done , us e onl t os e opt l y h ions and t ch niq ue s t at e h you act l ne e d t m ak e your im age or ual y o anim at l good. I you can ch e ator f e it ion ook f ak , t e n do s o, itw ils av on your re nde r t e s . I h l e im f you j th av t us e it t e n be pre pare d f t e us e o , h or h w ait W h il w ait I s ugge s tre l . e ing axing w it a h nice cup ofcofe e and a good book . f\nNEW S Fas h l\nTh e bigge s te v ntin t e Blnde r w orl is e h e d j taround t e corne r. Proj ctO range is us h e ne ar com plt and t e pre m ie r of e ion h “ e ph ant Dre am ” h as be e n s ch e duld El s e f M arch 24, 2006. Cine m a K e t luis , a or e h w e lk now n cine m a f docum e nt s and l or arie art ous e m ov s in Am s t rdam , h as -h ie e be e n ch os e n as t e l ion f t e l h ocat or h ong aw ait d pre m ie r. e Th e cine m a ope ns at17:30 and t e h s h ow ing w ils t at18:00. I addit t l art n ion o t e s cre e ning of“ e ph ant Dre am ” t e re h El s , h w ilalo be a pre v w oft e “ ak ing of l s ie h M ” docum e nt ary. I you m is s t e f t f h irs s h ow ing, t e re w ilbe anot e r at18:45. h l h Afe r t e pre m ie r, t e re is a ce lbrat t h h e ion pl anne d atone oft e h ippe s tnigh t ubs , h cl ironical nam e d “ e nde r” W h il t e l y Bl . e h pre m ie r is f e ofch arge , t e re is an re h e nt rance f e t t e “ t r part . e o h afe y” Sat urday 25 and Sunday 26 M arch , t e h Proj ctO range t am w ilbe on h and al e e l l\nday in M ont v o (K e iz e rs grach t264, e ide Am s t rdam ) f f h e r v w ing and e or urt ie dis cus s ion oft e proj ct For m ore h e . inf at on t e pre m ie r and t e orm ion h h f l ing pre s e nt ions oft e m ov ol ow at h ie ch e ck h tp:/orange .blnde r.org/ t / e . Blnde r h as be com e an e v r ch anging e e program , w it ne w f at s cons t l h e ure anty be e n w rite n and re v e d f be te r and t is or t clane r f e unct ionaly. O v r t e l tt o it e h as w m ont s , m aj coding e forth as be e n h or f f ocus e d int t e “ o h Noodls ” s ys t m (node e e e dit and t e re nde r e ngine . Th e or) h Noodls s ys t m al s f t e cre at of e e l ow or h ion h igh l adv y ance d m at rial and e s com pos it e fe ct . Th e re nde r e ngine is ing f s be ing s t am l d and m odif d t w ork re ine ie o clane r and m ore e ficie nty, al ing f e f l l ow or f t r and m ore e rror f e re nde ring. as e re To ch e ck a t s tbuil w it t e s e ne w e d h h f at s , drop by t e t s tbuil f e ure h e d orum at w w w .blnde r.org. e Since t is is s ue is f h ocus ing on re nde ring, t is is a good t e t e xpl alt e h im o ore lh re nde r e ngine s av abl f us e w it ail e or h\nblnde r. I addit t Yaf e n ion o Ray, PO V -Ray, M e gaPO V t e re are now e xports cript , h s av abl f t e f l ing ne w e ngine s : ail e or h ol ow K e rk yt e a h Sit : e h tp:/w w w .s ofl ce .nt t / tab.e ua.gr/ j ~ pant Gra a/ ph ics / e rk yt e a/ K h Sunfow l Sit : h tp:/s unfow .s ource f e t / l orge .ne t / I ndigo Sit : e h tp:/h om e page s .paradis e .ne t / t / .nz nick am y / indigo.h t l m 3De l t igh Sit : h tp:/w w w .3de l t e t / igh .com / Me t ropol t igh Sit : h tp:/w w w .3dv ual t e t / irt igh .com / l m t /\nP e s s ional igit St rof D al udio Re nde ring w it H D RI IBLand G I h\nt e conce pt and t h s roubls h ootpos s ibl e e problm s . e prim it e s h ape s . And t os e are v ry e as y t iv h e o m ode l blnde r. in e Th e re ce ntaddit t cal at t e lngt ion o cul e h e h and angl e dge s f h e rs m y abily t account e urt it o f corre ctm e as ure m e nt and dim e ns ions . or s Th is is one oft e m os tim port adv age s h ant ant 3D m ode l can prov you, be caus e you ing ide h av t e pos s ibily t w ork in corre ct e h it o proport ions and dim e ns ions . Sm alch ange s l w it in t e de s ign or a ch ange oft e pointof h h h v w can be ach ie v d w it a f w m ous e cl s ie e h e ick and do notre q uire t e h and s k e t t be h ch o com plt l re draw n. (Scre e ns h ot e e y : M e as ure m e nt ) s I O rt ograph ic V w , s cre e ns h ot can be n h ie s t e n oft e w ire f e and com pos e d ak h ram t t e r. Afe r print on pape r t e y can be oge h t ing h cutoutand gl d ont t e s ile r s h e e t t aid ue o h v , o as guide s f t e s h ape s I s aw in t e m e t . or h h al W ork ing in l rs aids a l in t is proce s s aye ot h be caus e e lm e nt can be dis t e s ribut d t rough e h t e m and t e n s e lct e l s h ow n t cre at h h e iv y o e clar and us e f s cre e ns h ot . (Scre e ns h ot : e ul s s O utine s ) l\nI roduct nt ion A good im age is w ort a t ous and w ords in h h I ndus t de s ign indus t Blnde r h as rial ry. e be com e an e s s e nt t f m y w ork , ialoolor be caus e ital s m e t v ual e an ide a w it l ow o is iz h gre at r fe xibily t an any h and s k e t , and e l it h ch t us v ual com m unicat s m y de s ign and h is l y e conce pt W h il Blnde r is notm ade f . e e or CAD/ CAM and l s m any f at s t os e ack e ure h pack age s f q ue nty incl , itis s t l s ibl re l ude ilpos e t us e itnotonl f productre nde ring, but o y or alo, t s om e de gre e , t e w h ol de s ign s o h e proce s s . Part1: M ode l ing As an obj ctde s igne r w it a re ce ntf e h ocus on m e t s m it ing, Blnde r prov s m e w it al al h e ide h l t e ne ce s s ary m ode l t s t de s ign, h ing ool o e xpl , and cons t ore ructm y obj ct . Th e e s Pol ygon t s , t t e r w it Subdiv d ool oge h h ide Surf s , al m e t m ode l l h ape s , w h ich ace l ow o als I w oul l e r be abl t cons t d at e o ructin m e t w it al h m y h ands . I s ile r s m it ing, m os ts h ape s are n v h cons t e d outofs h e e t , w ire , and t ruct s ubing. Elm e nt can be be ntby h and or f e s orge d ov r e s h ape s and t e n s ol re d t t e r. Th is h de oge h m e ans t atI m ainl de al it ge om e t h y w h ric\nI addit n ion, notonl doe s Blnde r al t y e l ow o m ode l e ch anical lm e nt , italo m ak e s it m e e s s pos s ibl t anim at t e m , al ing m e t proof e o e h l ow o\nPart2: Te xt uring Th e curre ntv rs ion ofBlnde r and Yaf e e ray s upportm os tt xt s and s urf e ure ace l t igh m ode l t atan art tne e ds t cre at pre s h is o e conce iv d m at rial im ul ions . H ow e v r e e s at e s pe cif m at rial l e brus h e d m e t or ic e s ik al t rans l ntm at rial are s t l it e r notye t uce e s ile h pos s ibl or onl pos s ibl w it addit e y e h ionalrick s t and t e . Spe cif l in m y cas e , I am unabl im ical y e t acq uire t os e anis ot o h ropic re fe ct l ions and s pe cul h igh l t , w h ich are re q uire d t ar igh s o accurat l s im ul e t e f -brus h e d s urf s e y at h ine ace w it w h ich I w ork . Butt s om e de gre e t is h o h fel e can be ach ie v d by us ing a proce dural e nois e m ap or a paint d bum p m ap. e Th e problm is t atyou can onl re ach a e h y ce rt am ountofde t be f you w ilrun int ain ail ore l o m oir pate rns during re nde rings . H ow e v r t e e v n a s om e w h atcoars e bum p m ap al ady e re prov s e nough de t t s im ul e a brus h e d ide ailo at s urf . Th e t xt ne e ds t be s t t e d ace e ure o re ch al one axis and ne e ds t h av t e righ t ong o e h s cal. (Scre e ns h ot : Prode cural e s t xt 1+ Te xt 2) e ure ure\nAlo, a s m alcol t f t e re fe ct s l or int or h l ions and h igh l t w ilre duce t e s t ril l of igh s l h e e ook rayt race d re fe ct l ions a l and att e s am e ot h t e giv t e re nde ring a f e l w h ich I am im e h e ing us e d t ge ting f o t rom us ing re al t s udio l ps . am Th os e l ps do notproduce w h it l t Th e am e igh . l tis al ays a bitye l . I w as alo igh w l ow t s im port t giv t e ground pl a dife re nt ant o e h ane f col t an pl bl . Th os e h ue v ue s w e re or h ain ack al v ry m inim al dife re ntf e l f y rom pure bl but ack e nough t cre at a nat o e uralook . l Part3: Re nde ring For m y re nde rings , I h av t e e xpe ct ion t at e h at h te f h inal s uls h oul be as re al t as re t d is ic pos s ibl. I us e Yaf as t e prim ary re nde r e ray h e ngine , be caus e its uppl s m e w it H DRi ie h l t igh ing, Gl oball inat Il um ion, Col Ble ding, or e Caus t , and ics t De pt of rue h Fie l d. Spe cif l f ical or y myt ype of w ork re nde rings , w h ich m im ic\nt e ae s t e t ofs t h h ics udio s h ot , t e s e s h f at s are e s s e nt in com m unicat e ure ial ing w h atm y w ork is about H DRi I can . BL prov t e prope r nat ide h uraligh tdifus ion l f and col at oriz ion, w h ich are s ough tin obj ct e st udio ph ot ograph y. I m y cas e , I us e an n H DRi f e w h ich cont il ains onl t o l t y w igh are as , s im ul ing t e difus e d l tw al . at h f igh l s Th is w ilproduce e xt m e l s of s h adow s and l re y t re duce t e am ountofburning h igh l t . h igh s Th is l tprobe s uppl s t e de s ire d igh ie h am ountofl tf igh rom t e prope r dire ct in t e h ion h s ce ne , w h il e l inat any unw ant d e im ing e re fe ct l ions (or h ots pot ) on t e w ork . Th e s h H DRi l tm ap (be l ) w ilf h e rm ore not igh ow lurt onl il inat t e f y l um e h rontv w oft e obj ct but ie h e , alo e m ite nough l k e y l tt il inat s ow igh o l um e t e m e t w ork f h al rom alot e r dire ct l h ions . Th is e l inat s any ne e d f s m all tarrays t im e or ligh o brigh t n up s pe cif are as , l e t e t e ic ik h radit ional t re e -k e y l ts e t h igh up.\nFurt e rm ore , t e GI opt notonl account h h ion y s f a prope r s h adow cal at and or cul ion il inat oft e w h ol ge om e t but alo l um ion h e ry, s incre as e s t e re al m oft e re nde ring w it h is h h cal at col ble ding and caus t . M any cul ing or e ics productre nde rings l t os e f de t s ack h ine ail ne e de d. O fe n, itis t os e f de t s t atw il t h ine ail h l h av a s ignif e icantim pacton t e v w e r w it h ie h t e re al m f lw h il v w ing t e re nde rings . h is e t e ie h Butj ts e lct an H DRi l tm ap is not us e ing igh al ays e v ryt ing you can do. I m y s it ion, w e h n uat I onl ge tl tf y igh rom one s ide . Be caus e of ae s t e t re as ons , you w antt e l inat or h ic o im e l t n t e dark are as s o as t incre as e t e igh e h o h ov raldynam ic range oft e re nde ring. To e l h brigh t n up s h adow s and dark are as , w h it e e l tre fe ct are us e d in re alif igh l ors le ph ot ograph y. Sam e t rick appl s t digit ie o al re nde ring w it GI h . Th e f l ing t o s cre e ns h ot clarl s h ow ol ow w s e y t e dife re nce . Th e GI cal at s notonl t e h f cul e y h l tcom ing f igh rom t e H DRi m ap, butalo h s cal at s t e l tbounce d back by t e l t cul e h igh h igh re fe ct and t is brigh t ning up oft e l ors h e h s h adow s on t e cigare te s alo adds m ore h t s de t t t e m e t re fe ct ailo h al l ions . As you alo can s s e e , I us e a ch rom e balt f outw h e re t e lo ind h l tis com ing f , t atinf at e nabl igh rom h orm ion e m e t pos it t e m e t w ork corre cty in t e o ion h al l h s ce ne . Sce ne : Topv w ie\nRe nde ring: ch rom e bal t s t le _\nSce ne : s e t up3D Anot e r v ry im port t f products h ot h e ant oolor s is t e De pt ofFie l Th is f at s is v ry h h d. e ure e us e f in atract ate nt t t e s pe cif ul t ing t ion o h ic e lm e nt ofm y w ork , w h il ot e r e lm e nt e s e h e s are bl d. Yaf s upport t DoF, w h ich urre ray s rue w it h igh e r s am pl v ue s w ilproduce v ry h e al l e s m oot re s ul . Th e re nde r t e w ilobv h t s im l ious l y incre as e w it t e am ountofs am pls , butt e h h e h e nd re s ulis m ore t an w ort it Th e DoF t h h . s e tings can be acce s s e d f t rom w it in Blnde r. h e An ape rt v ue of0.1 t 0.5 is s uficie nt To ure al o f . gain a s m oot DoF re nde ring, in t e re nde r h h s e tings you ne e d t dis abl aut AA. t o e o De pe nding on t e s ce ne you h av t adj t h e o us t e AA s e tings , in m y s ce ne I us e d 15 * 15 f h t or AA Pas s e s and AA Sam pls . e Scre e ns h ot ne xtpage : AA s Se tings + DoF_ s e t t up\nre s ul t . Dirt one , Blnde r int rnal y e e : Th e re fe ct can be difus e d w it a f l ion f h ine nois e m ap in t e norm al anne lTh is is a h ch . q uick w ay t cre at bl d re fe ct o e urre l ions , t ough h t e y are notph ys ical corre ct I t is cas e , h l y . n h be caus e t e re fe ct s h oul notge tt h l ion d oo m uch ate nt t ion, t is problm is notofany h e m aj s ignif or icance .\nRe nde ring: t _ bl d_ re f_ nobum p rue urre l Yaf doe s nots h ow s bl d re fe ct ray urre l ions in ot e r re fe ct h l ions , w h ich m igh tbe in s om e s it ions a l it ion. uat im at For j w e l re nde rings , I pre f r a t xt d e ry e e ure ground. O ne ofm y re ce ntw ork is s h oton a bl , s e m i-re fe ct e s urf , w h ich h as a f ack l iv ace ine grain t xt . A com m on m is t e m ade in e ure ak s im ul ing t is e fe ctis t s e lcta t s t at h f o e oo rong re fe ct e v ue . Th e re fe ct on t e pict l iv al l ion h ure ground s h oul onl be s l ty v ibl, s o it d y igh l is e accom panie s t e m ain obj ctand pre v nt h e e s f rom appe aring as a foat obj ct l ing e . Addit ional t s h arp re fe ct l oo y, l ions w ilonl l y dis t ractt e v w e r and s t al t nt aw ay h ie e ate ion f rom t e w ork . h Th e re are t o pos s ibl w ays t ach ie v t is w e o e h To e xportt e s ce ne int an XM Lf e , alyou h o il l ne e d t do is t e nabl t e XM Le xport s t o o e h , art t re nde r, and s t Yaf t e m om e ntitis o op ray h f h e d w it l inis h oading t e s ce ne and s t ing t h art o re nde r(ch e ck t e t rm inal indow f t is h e w or h during re nde ring). O pe n t e XM Lf e in any h il t xte dit and e nt r t e f l ing s h ade r e or e h ol ow inf at int your XM Lf e . orm ion o il\nClan one , Yaf e ray Yaf it e ls upport t e bas ic f at s of ray s f s h e ure bl d re fe ct urre l ions . Unf unat l t is f at ort e y, h e ure is notacce s s ibl f e rom w it in Blnde r int rf . h e e ace You ne e d t m anual e ditt e e xport d XM L o l y h e f e and t e n re nde r f il h rom Yaf ray. Furt e rm ore h\nFirs tincl t e cone t ude h race s h ade r att e h be ginning ofyour xm l docum e ntafe r t e t h <s ce ne > t ag.\n<shader type="conetrace" name="env" reflect="on" angle="10" samples="16" > <attributes> <color r="0.5" g="0.5" b="0.5" /> </attributes> </shader>\n<shader type="blendershader" name="MAMaterial.002" > <attributes> <color r="0.800000" g="0.800000" b="0.800000" /> <specular_color r="1.000000" g="1.000000" b="1.000000" /> <mirror_color r="1.000000" g="1.000000" b="1.000000" /> <diffuse_reflect value="0.800000" /> <specular_amount value="0.500000" /> <alpha value="1.000000" /> <emit value="0.000000" /> <matmodes value="traceable shadow" /> <diffuse_brdf value="lambert" /> <specular_brdf value="blender_cooktorr" /> <hard value="50" /> <environment value="env" /> </attributes>\nonl s h ow ing t e re fe ct butnots t ure . y h l ion ruct Se e re nde ring: t bl d re fe ct on rue urre l ion pre v ious page . I myf n inal nde r I ltYaf re nde r t e re e ray h bl d re fe ct urre l ions butI alo adde d a v ry f s e ine st ucci bum p m ap t t e norm al anne l m y o h ch of ground pl . Th is w ilre s ulin f ta v ry ane l t irs e nice bl d re fe ct re nde re d by Yaf and urre l ion ray te st h ucci bum p m ap w ilgiv t e ground l e h pl t e de s ire d s urf ane h ace s t ure . Th is w il ruct l incre as e t e re nde r t e a l . I cas e you h im ot n h av a w e lw ork ing bum p m ap f t e ground e l or h pl , itm igh tnotbe ne ce s s ary t us e t e ane o h t bl d re fe ct w it in Yaf rue urre l ion h ray s cre e ns h ot ofs t s ucci bum p m at rial e .\nTh e s am pl v ue w ilde f h ow f t e e al l ine ine h bl d re fe ct is . H igh e r v ue s abov 10 urre l ion al e produce t e de s ire d s m oot re s ulin m y h h t s ce ne . Butt is alo de pe nds on t e dis t h s h ance be t e e n w your cam e ra and t e obj ct I cl e -ups h e . n os h igh e r v ue s are ne e de d. al W h e n you us e t e cone t h race s h ade r, you can dis abl t e re fe ct prope rt s ins ide blnde r. e h l ion ie e I t e ne xts t p you add " nv n h e <e ironm e nt v ue =" nv / ins ide t e m at rial h ade r al e " >" h e s bl you w antt be re fe ct e . Se e code box ock o l iv on righ t . Afe r t is s t p, and s av t e f e , alyou ne e d t h e ing h il l t do is t ltYaf re nde r t e xm lil. For o o e ray h fe m y conv nie nce I cre at d a s h ort t e e cut o Yaf ray.e xe . I onl drag and drop t e xm lil on y h fe t e s h ort icon and t e re nde r proce s s s t s h cut h art aut at l om ical y.\nButt is w ilre s ulin t o problm s : h l t w e Firs tw it us ing a nois e m ap you w ile nd up h l w it h av t e nois e pate rn e v ryw h e re on h ing h t e t e ground pl . And t e nois e m ap doe s not h ane h cre at t e de s ire d s urf e h ace t xt I am l ing e ure ook f Se e re nde ring: f e bum p re fe ct on or. ak l ion pre v ious page . Se cond, w h e n you onl us e bl d re fe ct y urre l ions re nde re d by Yaf you e nd up w it a s urf ray h ace\nYou h av t pl a bitw it t e re fe ct e o ay h h l ion v ue s and t e m at rial al h e prope rt s be caus e ie e v ry ch ange f t e re fe ct e or h l ions w ilalo al r l s t e t e re nde re d col f t e ground pl . At h or or h ane f tt e re fe ct and s t irs h l ion ucci m ap w as t oo st rong and dis t ing. ract I t e l tre nde ring I l e re re d t e re fe ct n h as ow h l ion v ue as t is alo l e re d t e e fe ctoft e al h s ow h f h st ucci bum p m ap. Concl ion us W h il Blnde r l s m any im port m ode l e e ack ant ing t s f CAD/ ool or CAM , t is proj ctclarl s h ow s h e e y t e s t ngt ofBlnde r as a m ode l and h re h e ing de s ign t and Yaf as a ph ot al t ool ray ore is ic re nde r e ngine . Bot are pow e rf e nough t be h ul o t e n s e rious l by art t w h o w ork in a s e m i ak y is s CAD/ CAM -l e e nv ik ironm e nts im il t t e one ar o h t atI w ork in and w h o ne e d a w e lbal h l ance d\ns e tofm ode l anim at ing, ion, and re nde ring t s f t e v ual at ool or h is iz ion. Be caus e alm y l s h ape s are h and crafe d, I do notne e d any t t w h ich is re q uire d f rapid prot yping. ool or ot Alo, com plx m ode l can be im port d f s e s e rom ot e r appl ions t be t xt d in Blnde r h icat o e ure e and t e n re nde re d in Yaf h ray. I t rm s ofph ot al t out , Yaf n e ore is ic put ray al ady out rf s s om e oft e indus t re pe orm h ry s ol ions av abl as l as you us e itrigh t ut ail e ong . Th is can be s e e n as a proofofconce ptt at h O pe n-Source s ofw are can re al t l t is ical y com pe t w it com m e rcial ofw are s ol ions . e h s t ut W h il t e re are ofcours e re nde r and m at rial e h e f at s Blnde r and Yaf cannots upportat e ure e ray t e m om e nt itis im port t k e e p in m ind h , ant o t atbot program s are curre nty unde rgoing a h h l s e rious re cons t ion. ruct\nBlnde r is ge ting a ne w node -bas e d m at rial e t e s ys t m and Yaf cont e ray inue s t im prov t e o e h ph ys ical accuracy in re nde ring. As an art t I is , h ope t atf at s al ady pre s e ntin Yaf h e ure re ray (s uch as bl d re fe ct urre l ions ) w ilbe f h e r l urt int grat d and m ore acce s s ibl f e e e rom Blnde r. e Th os e m at rial e and re nde r opt ions notonl y incre as e t e pot nt oft is s ofw are h e ial h t com binat ion, butcont inue t cl e t e gap o os h be t e e n O pe n-Source and com m e rcial w s ofw are . t\nTh e re alork m ode l ot f (ph ograph )\nSunfow Re nde ring Sy s t m Tut l e orial\nt e Fil->Exportm e nu as f l s : h e ol ow e v ryt ing is s e t corre cty. e h up l Int roduct ion I t is t orialI w ilpre s e nts om e oft e bas ic n h ut , l h f at s ofSunfow and h ow t us e itf e ure l o rom Blnde r. e Sunfow is m y ope n s ource re nde ring s ys t m . l e I is builaround a s m albutv ry fe xibl core t t l e l e w h ich al s itt be com plt l cus t iz e d. I l ow o e e y om t cont ains s e v ral ode rn al h m s t atm ak e e m gorit h ita good candidat f ge ne rat re al t e or ing is ic im age s . I h as be e n re ce nty conne ct d t t l e o Blnde r v a s im pl e xports criptw h ich I w il e ia e l be de s cribing. Ins t l ion al at Sunfow is w rite n in Jav Th is m e ans you w il l t a. l ne e d t dow nl and ins t lh e Sun JRE (or o oad alt JDK ) ifyou don'th av ital ady. Go t e re o h tp:/j a.s un.com /and f l t e ins t ions t /av ol h ow ruct f your part ar ope rat s ys t m (O S X or icul ing e us e rs w ilne e d t go t t e Appl w e bs it ). l o o h e e Sunfow re q uire s Jav v rs ion 5 (s om e t e s l a e im cal d 1.5) or h igh e r. l e O nce you are s e t go t a com m and prom pt up, o and t : j a -v rs ion ype av e I t e corre ctv rs ion num be r appe ars fh e Final ge tt e blnde r e xport r s criptf l y, h e e rom t e h Sunfow w e bs it and ins t l int t your l e alit o o blnde rs (I ide your blnde r ins t l ion e ns e al at f de r) s cript f de r. Ne xtw h e n you s t ol s ol art Blnde r you s h oul s e e an opt appe ar in e d ion Ne xt ge tt e binary re las e f , h e rom t e h Sunfow w e bs it (v l e 0.05.5 att e t e of h im t is w rit h ing) and unz ip itt a dire ct o ory ofyour ch oice . Go t t atdire ct in o h ory com m and l m ode and t ine ype t e h com m and l de s cribe d in t e ine h READM E f e incl d in t e il ude h dis t ribut ion. You s h oul s e e t e d h f l ing w indow appe ar: ol ow F tRe nde r: A m bie ntO ccl ion irs us I h av pre pare d a v ry s im pl s ce ne h e re f e e e or il t ion purpos e s . Fe e lre e t f l al l rat us f o ol ow ong w it your ow n f orit m ode lH e re is w h atm y h av e . s ce ne l s l e in t e 3D v w : ook ik h ie You are now re ady t re nde r your f tim age ! o irs\nSunfow Re nde ring Sy s t m T orial l e ut\nGo t t e Fil -> Exportand pick t e Sunfow o h e h l Export r you j tins t ld. I w ilbring up t e e us al e t l h f l ing UI in t e s criptw indow : ol ow h\nyour s ce ne . Th e de f tofz e ro corre s ponds t aul o inf e l l rays . init y ong Now h itt e Exportbuton and h t pick a l ion t putt e ocat o h e xport d s ce ne f e . You can e il l atBlnde r's out ook e put w indow t s e e t e s t ps t e o h e h e xport r is t ing. I m ay t e e ak t ak a f w s e conds t w al e o k t rough your s ce ne ifyou h h av m any obj ct . W h e n t e e e s h f e is e xport d you w ilbe il e l s e ntback t t e e xport r o h e opt ions . Now go t t e Sunfow w indow you l o h l aunch e d e arl r and ope n t e s ce ne f e you j tw rot ie h il us e out I l . f oading s ucce e ds w it oute rrors , t e h h Re nde r m e nu opt w ilnow be e nabld. ion l e Se lctRe nde r -> I f t Th e im age w ils t e PR irs . l art re nde ring in a v ry bl y f e ock orm and progre s s iv l re f it e l Afe r j ta f w e y ine s f t us . e s e conds , you s h oul al ady s e e w h att e d re h f inal age is going t be l e . You m ay cance l im o ik t e re nde r atanyt e . I m os tcas e s , ls s h im n e t an 10% oft e im age is ne e de d be f you h h ore are re ady t l o aunch t e f l s ol ion re nde r. h ulre ut Now s e lctRe nde r -> Re nde r. Th e im age w il e l re nde r in s m albuck e t t is t e . I you h av a l s h im f e m ul t i-proce s s or m ach ine you w ils e e s e v ral l e buck e t re nde ring atonce . Afe r a f w s t e\ns e conds you s h oul s e e s om e t ing l e t e d h ik h s ce ne be l . ow Congrat at ul ions ! You j tre nde re d your f t us irs im age w it Sunfow . h l\nW e are j tgoing t ch ange a f w s e tings t e us o e t h f tt e around. O ur goal t do a s im pl irs im is o e am bie ntoccl ion re nde r t ge ta f e lor t e us o e f h proce s s . Don'tw orry aboutt e m any dife re nt h f s e tings you s e e , w e w ilcov r m os toft e m t l e h s oon. I t e AO O v rride t cl t e 'Am b O cc' n h e ab, ick h t oggl. Th is is s im pl t l t e e xport r t at e y e l h ing e h w e w antt ov rride als h ading in t e s ce ne o e l h w it t e pre s cribe d am bie ntoccl ion s h ade r. h h us Th e m os tim port opt ant ions are s am pls e (num be r ofrays t race d t cal at t e o cul e h occl ion) and t e dis t us h ance s e ting (h ow f t t ar o l f ot e r obj ct ). ook or h e s For now , lav t e num be r ofs am pls as itis , e e h e and s e tt e dis t h ance t a re as onabl v ue f o e al or\nYour im age w ilprobabl be nois y and h av l y e m any s m alart act . Don'tw orry. W e w il l if s l larn h ow t e nh ance t e q ualy oft e im age e o h it h s oon. Now , lt m ak e our s ce ne a bitm ore e 's int re s t by adding s om e l t and e ing igh s m at rial t it e s o !\nL t and M at rial igh s e s Go back t blnde r and as s ign s om e uniq ue o e m at rial t e ach s urf . K e e p in m ind t at e s o ace h t e e xport r doe s notye ts upportt e f l h e h ul range ofBlnde r s h ade rs and t xt s . e e ure For now , w e w ilj tbe cre at re gul lus ing ar difus e m at rial. For e ach m at rials im pl f e s e , y as s ign a uniq ue col Th is is t e onl atribut or. h y t e t atis re ad by de f t alot e r opt h aul l h , ions are ignore d. Th e re are a f w e xce pt e ions t t is o h rul t ge ne rat ot e r Sunfow s h ade rs , but e o e h l w e w ilcov r t e m l e r on. l e h at Ne xt w e ne e d s om e l t . Th e e xport r , igh s e curre nty onl s upport l ps and s q uare are a l y s am l t . Are a l t w ilgiv you nice s of igh s igh s l e t s h adow s att e e xpe ns e ofaddit h ional nde r re t e . M y s ce ne w it bas ic s h ade rs and l t im h igh s now l s l e on t e im age atrigh t ook ik h . O nce you are h appy w it your s ce ne , t e t h im o e xportagain! Th is t e , lt t t unde rs t im e 's ry o and te v h arious s e tings and h ow t e y afe ctim age t h f q ualy. it Th e m os tim port are probabl t e AA ant y h s e tings . Th e m in and m ax v ue s cont h ow t al rol m uch com put ion goe s int e ach pixe l at o . Ne gat e v ue s m e an com put ions w ilbe iv al at l int rpol e d acros s s e v ral e at e pixe l, pos it e s iv v ue s m e an m ore cal at al cul ions w ilbe done l pe r pixe lZ e ro m e ans a s ingl com put ion is . e at done pe r pixe lFor e xam pl: t e de f t . e h aul\nv ue s of-2 and 0 m e an t att e re nde re r w il al h h l s t by cal at e v ry 4t pixe land art cul ing e h , adapt e l cal at dow n t t e s ingl pixe l iv y cul e o h e lv l h e re itis ne e de d. Th is t e , t s e ting e e w im ry t your AA v ue s t 0 and 2. Each pixe l ilnow al o w l be s h ade d atlas tonce , and up t 16 t e s e o im (lv l e e 2). I w e cal at m ore t an one v ue pe r pixe l f cul e h al , w e w ilne e d t av rage t e m t t e r. Th e l o e h oge h w ay t is is done is cont ld by t e h rol e h im age f t r s e ting. L t pick t e il e t e 's h 'M it e l f t r as itprov s a nice ch l il ' e ide s h arpe ning oft e im age . Th is part ar h icul f t r h as a f d w idt and h e igh t s o il e ixe h , t os e s e tings w ildis appe ar f h t l rom t e h dial w h e n itis s e lct d. og e e L ts e rv r s e tings ltyou cont h ow igh e t e rol m any rays are us e d pe r l t Th e igh . de f tof16 is a bith igh butus ual aul l y giv s good q ualy. e it Th e GI t cont s gl ab rol obal l inat il um ion. Th is is an adv ance d t opic w e w il l e xpl in t e ne xts e ct ore h ion. L av al e e l t e cont s att e ir de f tv ue s f h rol h aul al or now . Th e Acce lrat t cont e or ab ains s e tings t w h ich h av no im pacton im age q ualy e it butcan m ak e dras t dife re nce s in ic f im age cal at t e . Th e de f t cul ion im aul acce lrat is t e k dt e and is us ual e or h re l y\nt e be s tch oice . h You can e xpe rim e ntw it dife re ntacce lrat h f e or t s and s e e w h ich one prov s t e f t s t ype ide h as e re s ul f your s ce ne . You can alo adj tt e t or s s us h buck e torde r in t is t Sw it t s piralh is h ab. ch o t t e t h av t e im age com put d f im o e h e rom t e h ce nt r out e .\nUnde r t e l tt w e h av t e opt of h igh ab, e h ion adj t t e s t ngt ofall t in t e s ce ne . us ing h re h ligh s h Since Sunfow us e s m ore ph ys ical bas e d l l y cal at cul ions t an Blnde r, t e l tpow e rs w il h e h igh l notus ual m at . Th is gl l y ch obal cal f or can s e act h e l you com pe ns at f t is . I s e tm ine t 5, p e or h o butt is w ilv f h l ary rom s ce ne t s ce ne . Not o e t att e s cal f or onl afe ct are a l t . h h e act y f s igh s Final re m e m be r t de s e lctt e 'Am b O cc' l y, o e h buton f t rom t e AO O v rride t ifitw as s t l h e ab il s e lct d f e e rom t e pre v h ious e xport . W e can now e xportand re nde r again. I you f e xportt t e s am e l ion as be f o h ocat ore (ov rw rit t e ol f e ), you can s im pl us e e ing h d il y t e Fil -> Re -ope n m e nu opt in t e h e ion h Sunfow GUI t q uick l re l your s ce ne . l o y oad\nUs e t e I f at again t s e e w h atyour h PR e ure o s ce ne l s l e q uick l You w ilprobabl ook ik y. l y ne e d a coupl ofe xportcycls be f you ge t e e ore t e l tint ns it s j trigh t H e re is m y re s ul h igh e ie us . t (I age lf botom ). m e t t De s pit t e s of s h adow s , t is im age is n'tv ry e h t h e re al t ye t I w ils h ow you h ow t addre s s is ic . l o t is in t e ne xts e ct h h ion. Gl oball inat Il um ion Te ch niq ue s As I m e nt ione d in t e int h roduct ion, Sunfow is l a v ry cus t iz abl re nde re r. I is t e re f e om e t h ore abl t incorporat m any dife re ntGI e o e f al h m s int one coh e re ntf e w ork . Th is gorit o ram giv s t e art t dife re ntw ays t ach ie v t e ir e h is s f o e h goal and m ak e s itpos s ibl f de v l rs t s e or e ope o int roduce ne w al h m s , w it outbre ak ing gorit h ol r s ce ne s . de I w ilnow brie fy de s cribe one oft e l l h m e t ods ofcal at gl h cul ing obal il inat l um ion: pat t h racing. Th is is t e h m os taccurat and e as ie s tm e t od t e h o larn. Th e cat is t atitcan t e q uit e ch h ak e l t ach ie v h igh q ualy re s ul . ong o e it t s I t e e xport r, go t t e GI t and n h e o h ab e nabl t e pat buton. Th e al h m is e h h t gorit cont ld by t o param e t rs : s am pls rol e w e e and bounce s . Th e f tde f tt 32 and irs aul o cont s t e q ualy oft e re s ul Th e rol h it h t . s e cond de f tt 1 and cont s h ow aul o rol m any bounce s t e l tis al e d t h igh l ow o m ak e .\nL av t e v ue s att e ir de f t f now t e e h al h aul or s o s e e t e ir e fe ct Since t is al h m w il h f . h gorit l produce v ry nois y re s ul , go t t e AA t e t s o h ab and s e tbot t e m in and m ax t 0. Th is w il h h o l f orce onl one s am pl t be t e n pe r pixe l y e o ak , w h ich av oids t e ant ias ing f h i-al rom be ing f orce d t s upe r s am pl e v ry s ingl pixe l o e e e be caus e oft e nois e . h You m ay alo w antt s e tt e f t r back t box s o h il e o (w idt and h e igh t1) t av int h o oid roducing art act by f t ring t e nois e . if s il e h Exportand re nde r again. I adde d s om e w al l s be h ind m y s ce ne t s e e t e e fe ctoft e o h f h bounce s . Com pare t e s e t o re nde rs w it h w h and w it outgl h obal l inat il um ion:\nGl obal l inat re f rs t m e t ods il um ion e o h w h ich are bas e d on ph ys ical com put ion at ofl t in a s ce ne by t ing int igh ing ak o accountt e e fe ct ofl tbounce s on h f s igh and of t e 3d s urf s . I prov s t e fh ace t ide h m os tre al t l t s im ul ion ofin CG. is ic igh ing at\nand be t e e n t e obj ct . w h e s You m ay f ith ard t ge trid oft e nois e in ind o h t e im age in a re as onabl am ountoft e , h e im e v n ifyou m ak e t e num be r ofs am pls q uit e h e e h igh . Th is is a t e ore t h icalim it ion oft e pat l at h h t racing al h m . Ph ot m aps and irradiance gorit on cach ing are t o al h m s t atw h e n w gorit h com bine d can yie l a m uch m ore e ficie nt d f s ol ion;h ow e v r t e y are m uch t ie r t ut e h rick o s e t e v n f e xpe rie nce d us e rs . up, e or Sce ne w it GI h Rat e r t an go int t e de t s oft e s e h h o h ail h adv ance d m e t ods , itm igh tbe be te r t k now h t o t ats im plr and m ore e ficie ntal h m s e xis t h e f gorit t atw ilv ry l e l appe ar in Sunfow s oon. h le ik y l I age bas e d l t m igh ing I t is s e ct w e w ilcov r t e us e ofH DRI n h ion l e h e nv ironm e ntm aps f l t or igh ing. Back in your blnde r s ce ne , l in a l e oad ongit -l it ude at ude H DRI e nv ironm e ntm ap as a t xt att e e ure h w orl lv lBe s ure t unch e ck 're l iv pat s ' d e e . o at e h wh enl oading t e m ap. Re nam e t e t xt h h e ure obj ctt 'ibl t as s h ow n. Th is lt t e e o l ' igh e s h e xport r k now you w antt t att is m ap as e o re h an e nv ironm e ntl ts ource . igh Sce ne w it no GI h Not h ow t e s h adow e d ice h re gions are no l onge r com plt l dark and h ow e e y w e obt aine d s om e s ubte l col ble ding on t e foor or e h l\nGo ah e ad and h ide alt e l t you w e re lh igh s us ing be f (t e e xport r re s pe ct Blnde r ore h e s e l rs ), and m ak e s ure your s ce ne is 'ope n'. aye Th is t ype ofl t as s um e s t e l tis igh ing h igh com ing f rom inf e l f aw ay, s o it be s t init y ar s s uit d t out e o door re nde rings . I ndoor s ce ne s w ilpe rf l orm v ry poorl w it t is t ch niq ue . e y h h e Sunfow approxim at s t e e nv l e h ironm e ntm ap w it a f d num be r ofdire ct h ixe ionaligh t . Th is l s is cont ld by t e 'Dire cts am pls ' s e ting in rol e h e t t e e xport r. Us ing t e de f tof16 you w il h e h aul l probabl s e e s om e s h arp e dge s t t e y o h s h adow s f rom t e indiv h idualigh t us e d. l s Sim pl incre as e t e num be r ofl ts am pls y h igh e unt t e s h arp s h adow boundarie s are ilh de cre as e d t an acce pt e lv l o abl e e . Export and re nde ring again, you s h oul ing d e nd up w it s om e t ing l e t is : h h ik h\nTh is im age is q uit re al t e v n t ough e is ic, e h w e h av notus e d any gl e obal il inat l um ion. O fcours e you m ay e nabl e pat t h racing as w e did be f t s im ul e ore o at t e e xt bounce s ofl t h ra igh . Gl s y m at rial os e s Final lt m ak e our s h ade rs a lte l e 's y, itl m ore int re s t e ing. Up unt now w e h av il e us e d com plt l difus e s h ade rs . e e y f L t s t w it t e s h iny s h ade r. I s im pl e 's art h h t y adds a t in re fe ct coaton t oft e h l ion op h difus e col Re nam e one ofyour f or. obj ct m at rial s o t atit nam e s t s e s e s h s art w it 's f h iny'. Th e e xport r w ilnow re ad h s e l t e 'RayM irr' atribut t de t rm ine t e am ount h t e o e h ofre fe ct t appl l ion o y. Ne xtis t e ph ong s h ade r w h ich prov s h ide bl re fe ct urry l ions . Re nam e t e m at rial h e you w is h t e dits o t atits t s w it 's f ong'. Th e o h art h ph s pe cul col now cont s t e am ountof ar or rol h re fe ct w h il t e 'h ard' v ue cont s t e l ion e h al rol h bl urrine s s . H igh e r h ardne s s v ue s re s ulin al t s h arpe r re fe ct l ions . For m y s ce ne I us e d v ue s ranging f al rom 5 t 50. o Now t atw e h av adde d s e v ralaye rs of h e e l re fe ct l ions , w e ne e d t pay ate nt t t e o t ion o h 'M ax De pt ' s e ting in t e e xport r dial Th is h t h e og. cont s h ow m any lv l ofre fe ct rol e e s l ions are al e d. Th e de f tof9 is rat e r h igh s o w e l ow aul h w ilre duce itt 3 t is t e . l o h im\nH e re is t e f h inal s ul re nde re d w it t e re t , h h im age bas e d l t f igh ing rom t e pre v h ious s e ct ion: Concl ion us I h ope you'v e nj d t is q uick t ofs om e e oye h our t e f at s oft e Sunfow re nde ring s ys t m . h e ure h l e O ne t orial note nough t cov r e v ryt ing ut is o e e h t atis pos s ibl w it t is s ofw are . M any m ore h e h h t t ings are s upport d, l e t xt s , re f ions , h e ik e ure ract de pt off l caus t , and e v n proce dural h ie d, ics e s h ading. Plas e v itt e Sunfow h om e page e is h l (h tp:/s unfow .s ource f t / l orge .ne t and t e ) h El iun f ys orum s (h tp:/w w w .e l iun.com / t t / ys ) o larn m ore . H appy re nde ring! e\nCh ris t e r K ul is t e prim ary oph l a h de v l r oft e Sunfow Re nde ring e ope h l s ys t m . I h is day j h e w ork s as e n ob a s ofw are de v l r f Re e l t e ope or FX Cre at e St iv udios in Dal , Te xas , l as w ork ing on com m e rcial, dire ct os -t DV and anim at d f at f m D e e ure il proj ct . e s h tp:/s unfow .s ource f t / l orge .ne t\nG I and H D RI l t in Y af igh ing ray\nI roduct nt ion Th e re are a m ul ude ofw ays t l ta s ce ne , t it o igh f rom a f w s im pl s potigh t , t rough e e l s h are al t and com plx l trigs upt dife re nt igh s e igh o f f s ofgl orm obal l inat il um ion. H e re I w ilbe l dis cus s ing t is l t r opt us ing Yaf f h ate ion ray or re nde ring, f rom ins ide Blnde r. Firs tI l e t e 'd ik o addre s s t e com m on m is conce pt t atGI is h ion h s om e m agic 'm ak e re al t re nde ring' buton. is ic t I is s im pl a t t y ype ofl t m ode lh atis igh ing t m ore adv ance d t an t e good ol s potl ps , h h d am and m ore ph ys ical accurat . I w ilnot l y e t l aut at l m ak e a nice im age f you, itw il om ical y or l s im pl giv you a h e ad s t by be ing a y e art s ubs t ut f a v ry com plx l t rig w it it ion or e e igh ing h doz e ns ofl ps t atw oul ne e d t be pl d am h d o ace\nby h and. I t e re f s av s t e (and th ore e im t e =m one y). I bas ical giv s you a bas e f l im t l e y il l t w it an e v n l tdis t igh , h e igh ribut ion, and a nice nat uralook . Th is can (and s h oul be l d) com plm e nt d w it t e e h radit ionaligh t . l s Be s ide s t e l t h igh ing, t e GI re nde ring h al h m is alo re s pons ibl f col gorit s e or our ble ding be t e e n obj ct (h ard t f e w it out e w e s o ak h GI and caus t (ne ar im pos s ibl t f e ). ), ics e o ak H ow e v r, GI is s l e r t an rayt e ow h racing and m uch s l e r t an s canl re nde ring, and is ow h ine t e re f onl f f h ore y or inal nde ring f s t l. I re or il t s can'tre al be us e d f anim at l y or ions (ye t not ), onl be caus e ofre nde ring t e , butbe caus e y im l tdark s pot are random l re nde re d igh / s y (s am pld) and t e y j p around f e h um rom f e t ram o f e. ram\nFirs tw e 'll att e GI s e tings f Yaf look h t or ray, and t e n I l s cribe a t h 'lde ypicaligh t s e t l ing up t atI us e f productv ual at h or is iz ion. Gl obal l inat is dife re ntf il um ion f rom rayt racing. I t e l t r a ray is t n h ate race d f rom t e cam e ra t h o an obj ct t is can be re fe ct d/ f e d, and e , h l e re ract tent h race d t all t t atare v ibl. Th is o ligh s h is e giv s you re fe ct e l ion, re f ion and (h ard) ract s h adow s . GI on t e ot e r h and t , h h race s t e h pat oft e ph ot h h ons t e m s e le s f h v rom t e h l ps t t e obj ct , bouncing be t e e n am o h e s w obj ct in t e s ce ne . Th is giv s you re fe ct e s h e l ion, re f ion AND col ble ding, s of s h adow s , ract our e t caus t (im pos s ibl w it rayt ics e h racing) and ge ne ral a nice r l . Th e origin oft e l tin l y ook h igh GI can be a l p, or any obj ct For out ide am e . s s ce ne s , t e w h ol back drop (w orl can e m it h e d) l t Since Blnde r doe s nots upportGI ye t I igh . e , us e Yaf ray.\nGIs e t ings t Firs t m ak e s ure t atyou h av Yaf , h e ray ins t ld, and it l ion adde d t your O S's al e s ocat o 'pat ' v h ariabl (s e e t e Yaf re adm e !). I e h ray n Blnde r, go t t e re nde r butons , and in t e e o h t h drop-dow n l tunde r t e l is h arge RENDER buton, s e lctYaf t e ray. Th is s h oul ope n up t o d w e xt s e tings pane l: " ray" and " ray ra t s Yaf Yaf GI . I t e Yaf pane lt e XM Lbuton " n h ray , h t s h oul be t d urne d of, t is al s you t s e e t e f h l ow o h re nde r in progre s s . Th e t o butons be l al you t s pe cif t e w t ow l ow o y h ant ias ing. O t e r butons be l t e s e are n't ial h t ow h im port now , t e y don'tne e d t be ch ange d. ant h o Th e ot e r pane l" ray GI is m ore h , Yaf " im port . Th e " e t od" drop-dow n l tal s ant M h is l ow you t s e lcte it e r None f no GI Sk yDom e o e h or , f a m e t od s im il t Blnde r's Am bie nt or h ar o e O ccl ion, and Fulf t e prope r gl us lor h obal il inat re nde ring. Se lct Fulw ilope n l um ion e ing l l up ne w butons on t e botom . t h t Th e Qualy s e ting w ilde t rm ine t e (gue s s it t l e h w h at q ualy as w e las s pe e d oft e re nde r, a !) it l h s e ting ofm e dium / igh s h oul be e nough f t h d or m os ts it ions . I t e re are s m alf s , uat fh lace de t e d m ode l, or s urf s v ry cl e t ail s ace e os o e ach ot e r, you m igh tne e d t s e tt e q ualy h o h it h igh e r t ge trid ofre nde r art act . o if s A com plt GI s ol ion can be painf l s l t e e ut ul ow o y re nde r (h ours ), s o s om e t s can be us e d t rick o s pe e d itup. Turn on bot t e Cach e and t e h h h\nPh ot ons butons in t e Yaf GI pane lTh e t h ray . ph ot cach e w ils pe e d up t e re nde r ov r on l h e t n t e s ! H ow e v r, itw illad t s om e e im e le o brigh tdark s pot on t e f / s h inal nde r. I re ncre as e t e Qualy t ge trid oft e s e , or ch ange t e h it o h h " f buton. I you s e tt e " f (re f m e nt Re " t f h Re " ine ) t anyt ing ot e r t an 1 (I us e 0.1), itw il o h h h l cal at t e ph ot m ap t o t e s be f t e cul e h on w im ore h f inal nde r. Th e s e cond pas s doe s m ore re cal at cul ions in t e part oft e pict t at h s h ure h h av m ore de t , and t e f e ail h inal s ulw il re t l t e re f be be te r. h ore t Th e ot e r im port s e tings are : " it r" h ant t Em Pw and " Pw r" Th e e m it GI . pow e r de t rm ine s h ow e brigh te m iting obj ct , are al t and t e t e s igh s h back ground are . GI pow e r de t rm ine s h ow m uch " ne rgy" e e (l t t e s e e m ite rs w ile m it I igh ) h t l . t is us ual e nough t ch ange t e l y o h GI Pow e r s e ting t m ak e your t o s ce ne dark e r or brigh t r. e Em it e rs t To us e GI you ne e d t h av , o e s om e l te m ite rs in your igh t s ce ne . L te m ite rs in igh t Blnde r/ ray can be t e e Yaf h f l ing: are al t , obj ct ol ow igh s e s w it a m at rial itv ue m ore h e Em al t an 0, and t e back ground. h h Th e s im pls tt ing t do is s e t e h o t e back ground t any col h o our t atis n'tbl . Th e back ground h ack\nw ile m itf l rom aldire ct l ions e v nl s im il t e y, ar o an ov rcas tday out ide . You can alo l a e s s oad H DR l tprobe , w h ich de t rm ine s w h at igh e col d l tcom e s f oure igh rom w h ich dire ct ion. Now , lt t s om e l t e s ry igh ing! I w ilus e a s ce ne I l did nott l ago, itis a de s ign f a f d-up oo ong or ol w ine h ol r. You can s e e t e f de h inal age h e re , im itis f productv ual at or is iz ion. Th e re f t e ore h m os tim port partoft e im age is t e ant h h productit e l and not ing e le s h oul be s f , h s d pre s e ntt draw t e v w e rs ' ate nt aw ay, o h ie t ion note v n a back ground s ce ne . e ProductV ual at I - " h it Space " is iz ion W e\nTh is is one ofm y f orit s e t , f l ofa av e ups or ack be te r t rm I cal d it" h it s pace " t e t e l e w e , h productis on a com plt l w h it ground, w it e e y e h a w h it back ground, ye titdoe s n'tj tfoatin e us l s pace , ith as s h adow s . I l s v ry good t ook e print d on pape r, as w e las in any e l docum e ntor ot e r w h it back ground h e (a w e bpage f e xam pl), cre at t e or e ing h im pre s s ion t att e obj ctit e lis h h e s f s iting t e re on t e pape r. t h h I you l cl e r, you can s e e t e re f ook os h are t o t s ofs h adow h e re . Th e w ype h ard s h adow com e s f rom a s un l t igh , butyou can us e any ot e r t h ype ofl tt at igh h cas t s h adow s . NO TE: e xce ptare al t ! s igh s Are al t actas ph ot e m ite rs w h e n GI igh s on t re nde ring in Yaf ray, and notas norm aligh t ! l s Th e nice s of s h adow s are t e re s ulofGI t h t . Th e s ce ne\nTh e s ce ne , be s ide s t e productit e l is s im pl h s f , y a w h it pl , and a s un l p, not ing m ore , e ane am h v ry s im pl. e e Th e ground.\nl p w it Rayt am h race d s h adow s t urne d on. I is t s l ty ye l is h in col w it a pow e r of0.6. igh l l ow our, h Th e W orl d\nTh e w h it pl doe s n'te xt nd t f j tf e ane e oo ar, us ar e nough t cat alt e s h adow s oft e o ch lh h obj ct . I is com plt l w h it , and t e e s t e e y e h Re fe ct it is 1.0. Not t att e opt " nl l iv y e h h ion O y s h adow " doe s n'tw ork w it Yaf h ray. Th is m e ans t e e dge s oft e pl w oul be v ibl in t e h h ane d is e h f inal nde r, w h ich is notgood! Th is can be re f d in t e re nde r s e tings , s e e be l . ixe h t ow Th e l t igh Th e re is onl one l tin t e s ce ne , a s un y igh h\nV ry s im pl again, t e w orl is one col d, e e h d oure a v ry s l ty bl is h w h it . e igh l ue e Re nde r s e t ings t\nI PO RTANT! I is re al l e , and I h av M t l am y e s e e n bad e xam pls ofitm any t e s , w h e n a e im productis s h ow cas e d on a gre y pl , foat ane l ing in s pace , or atlas ton s om e s ortof e back ground. Th is gre y pl s h out CGI I 's ane s . t im port t atyou can'ts e e t is bas e pl , it ant h h ane s h oul blnd int t e back ground. I t is d e o h n h e xam pl I us e d a w h it pl , bute v n a e e ane e w h it pl s om e t e s is re nde re d gre y att e e ane im h e dge s . Th e back ground it e lis s l ty bl s f igh l ue and notw h it . So t e t e h rick t h av t is " h it o e h W e Space " e fe ctis t s e tt e Em it r in t e f o h Pw h Yaf GI s e tings abov 1. ray t e I t e s s om e e xpe rim e nt ion f t e righ t t ak at or h s e tings , s o t atyou can'ts e e t e e dge oft e t h h h bas e pl , butitdoe s n'tgl in an unnat ane ow ural w ay e it e r. A s e ting of1.20 s e e m s t w ork h t o w e l GI pow e r is 0.80. I you m ak e t e s un l . f h l p brigh t r, t e n de cre as e t e s e s e tings , if am e h h t it dark e r t e n incre as e t e s e . s h h M ak e s om e l re s ol ion t s tre nde rs . Cl ow ut e ick and h ol t e lf m ous e buton on t e re nde r, d h e t t h t is w ils h ow t e col oft e giv n pixe l h l h our h e in t e botom lf corne r. Drag t e m ous e h t e t h around, and m ak e s ure t atbot t e h h h back ground, and t e bas e pl is R: 255, G: h ane 255, B: 255. Th e n you're re ady f t e h igh re s or h f inal nde r! M ak e s ure t s e tt e q ualy t re o h it o M e dium or H igh , t e Re fv ue t s om e t ing h al o h ot e r t an 1, and t on Ant ias ing, in t is h h urn ial h e xam pl I us e d 2 pas s e s w it 4 s am pls e ach , e h e t is is t e s e ting I us ual us e , itis a good h h t l y\nq ualy/ pe e d t it s rade of. And s e e h ow m uch f q ualy w e h av ach ie v d w it a v ry s im pl it e e h e e set up! ProductV ual at I - H DR L t is iz ion I igh ing I t ad ofa pl w h it -is h w orl col you ns e ain e d our, can s e ta H igh Dynam ic Range l tprobe f igh or t e back ground. Th is w ilv t e l tcol h l ary h igh our\ne ach pixe lL tprobe m e ans t e im age is a . igh h com plt 360-de gre e panoram ic pict oft e e e ure h e nv ironm e nt Th e proce s s ofm ak ing H DR . l tprobe s is out ide t e s cope oft is igh s h h t orials o I w ilj ts ay e it e r dow nl one ut , lus h oad oft e s e v ral DR probe s av abl on t e h e H ail e h ne t(s e e h tp:/w w w .de be v c.org f s om e t / e or s t e rs ), or m ak e your ow n. M ak e s ure itis in art t e l tprobe f at(ak a. angul m ap), as h igh orm ar oppos e d t v rt o: e ical cros s , l it /ongit , at ude l ude or s om e ot e r panoram ic f at h orm . Th is ne xts t p can be s k ippe d, butI h igh l e y re com m e nd it Th e problm w it GI . e h il inat w it Yaf is t atf a a f t l um ion h ray h or as re nde ring, itus e s s om e random s am pls of e t e e nv h ironm e nt A nice and s h arp H DR . im age can h av dife ring l tv ue s in a s h ort e f igh al int rv , ie : t m uch cont t e al oo ras . W it j ta f w s am pls , s om e s am pls w il h us e e e l f l o a v ry brigh tpixe land s om e w ilf l alont e , lal ont a ne arby dark e r pixe land t is w ilre s ul o , h l t in a " poty" re nde r. I s ole t is problm by s t v h e bl urring t e original DR m ap. From h H h tp:/w w w .h drs h op.org, you can dow nl t / oad H DRSh op v f f e . O pe n your l tprobe , 1 or re igh and in t e Fil rs m e nu, s e lctGaus s ian bl h t e e ur, and bl t e im age , us ing a v ue of4-5 f ur h al or s m al r m aps : 512*512, t 12-15 f h igh e r l e o or re s ol ion m aps , l e 1512*1512. Re s av it ut ik e w it a dife re ntnam e . h f\nand int ns it acros s t e v ual k y, m ak ing a e y h irt s m ore nat , s m oot l . To cl y t e t o ural h ook arif h w t rm s , H DR m e ans h igh -dynam ic range e im age , w h e re ins t ad ofRGB v ue s f e al rom 0 t o 255, foat pointnum be rs w it be te r l ing h t pre cis ion, and a h igh e r " dynam ic range " are us e d t s t t e l inos it (l te m is s ion) of o ore h um y igh\n- G I and H D RI l t in Y af igh ing ray\nL oading t e H DR probe h Go t t e t xt butons , and s e lctt e gre e n o h e ure t e h " orl buton. Se tt xt t W d" t e ure ype t I age , and o m l t e *.h dr f e l e any ot e r im age . Go t oad h il ik h o t e w orl buton, and in t e M ap To pane ls e t h d t h , m apping t Angul m ap, and t e out t o ar h put o H ori, Z e nUp and Z e nDow n. Yaf w il ray l aut at l s e e t atyou h av a H DR w orl om ical y h e d t xt , and w h e n GI is t e ure urne d on, it aut at l us e s t atim age f l t om ical y h or igh ing.\ns h adow coul be pl d anyw h e re . d ace H ow e v r, m os tH DR probe s h av one e e or m ore conce nt e d l ts ource s . rat igh Firs tre nde r t e s ce ne w it onl t e GI h h y h l t and no l ps . Se e w h ich w ay igh ing am t e s of s h adow s are cas t and t e n h t , h pos it t e s un l p accordingl ion h am y. You m igh tne e d s e v rale s tre nde rs e t t ge tt e h ard s h adow point t e o h ing h righ tw ay. I us ual us e v ry s ubte , l y e l w e ak l t ) w it H DR igh (s h m aps , t e e ne rgy s h oul be h d around 0.2-0.4, notm ore . Re nde r s e t ings t Th e y s h oul be s im il t t e f t d ar o h irs m e t od, e xce ptf t e GI Pow e r h or h s e ting. Th is can v a l w it t e t ary ot h h giv n H DR m ap you are us ing, e de pe nding on h ow brigh titis . Do s om e l ow re s q uick re nde rs t f t e righ tbrigh t s s . o ind h ne Som e dark e r m aps ne e d 1-1.5 att e m os t h , w h il t e brigh t r one s m igh tonl ne e d a GI e h e y Pow e r of0.2. And t e n com e s t e f h h inal nde r! re H e re is m y t s ts ce ne w it a s uns e tH DR e h probe m ade w it Te rrage n. Th is s am e q ualy h it w it outGI w oul ne e d a f w doz e n l ps , al h d e am l s e tup prope rl s o w e clarl s e e t e y, e y h adv age s . ant Notonl do H DR m aps prov t e bas e y ide h l t ofa s ce ne , butt e y alo prov a igh ing h s ide re al t e nv is ic ironm e ntt e obj ct can re fe ct h e s l . Th e y can alo be t e back ground, h ow e v r s h e\nSce ne s e t up Sim il t t e pre v ar o h ious e xam pl. Th e bas e e pl is note nough h ow e v r, as you w ils e e ane e l it e dge in t e re nde r. To f t is , m ak e t e s h ix h h f h e r e nd oft e pl curv up int t e air, art h ane e o h h igh e nough t bl aloft e cam e ra's f e d o ock l h il ofv w . M ak e s ure t is curv s t s f h e r ie h e art art t an t e s h adow s oft e obj ct ot e rw is e you h h h e , h w ils e e t e s h adow curv up unnat l int l h e ural o y t e air. Se e t righ tim age . h op L t igh s Th e " h it Space " m e t od abov h ad a W e h e com plt l unif e e y orm w h it l t w h ich m e ans e igh , t e s un l p us e d f t e addit h am or h ional ard h\nm os tH DR probe s are t l -re s t prov a oo ow o ide nice back ground im age . I t ad, itis ns e pre f rabl t us e a ph ot oft e original e e o o h l ion f a back ground. Th is t s tim age ocat or e s h ow s one ofm y ow n probe s in act ion, al ong w it a ph ot back ground t e n att e s am e h o ak h l ion. Not t atins t ad ofa gre y pl ocat e h e ane w h ich s cre am s CGI I us e d a s t , one pe de s t , al m ak ing itblnd in be te r. e t\nTh is w as j tone s m alport ofw h atyou can do w it us l ion h gl obal l inat il um ion, you can alo us e itf indoor s ce ne s . s or Try pl acing e m iting pl s or are a l ps in your s ce ne . t ane am For caus t , add " ot l ps " w h ich are av abl in ics ph on am , ail e t e L p s e tings in Blnde r. h am t e Expe rim e nt H av f . e un!\nI l e in H ungary, and am curre nty s t iv l udying indus t de s ign e ngine e ring att e Budape s t rial h Univ rs it ofTe ch nol and Econom ics . e y ogy Som e ofm y h obbie s are : 3D graph ics ofcours e :), conce ptde s ign/ productde s ign, pl w at ing us ch good m ov s , going outw it f nds , h anging out ie h rie on e l iun and ot e r f ys h orum s , draw ing. h tp:/yaf t / ray.org\nY af caus t s am plr t orial ray ics e ut\nins t ld, you w ilbe re ady t be gin re nde ring al e l o your Firs tCaus t s ce ne ! ics Us ing Caus t ics Th e s e t oft e s ce ne is v ry s im pl. W e w il up h e e l be us ing t e de f ts ce ne w it s om e l p h aul h am pl m e ntch ange s . ace St p1. L e aunch Blnde r. e St p2. Go t t e Re nde r Butons [F10] and e o h t s w it t e Re nde re r f ch h rom Blnde r I e rnalo e nt t t e Yaf Re nde re r. h ray Th is w ilcre at s om e ne w pane l in t e l e s h Re nde r Butons , EditButons , M at rial t t e Butons , and t e L p Butons . W e w ilge tt t h am t l o t e s e ne w pane l s h orty. h s l St p3. I t e 3D W indow Se lct[RM B] t e e n h e h de f tcube . Go t t e M at rial t aul o h e Butons [F8]. Th e Rayt racing Pane l roduce s t e av abl int h ail e\nYaf f at s . W e w ilbe m ak ing a clar ray e ure l e gl s us ing de f ts e tings f gl s in as aul t or as m at rial e pane lSe lct'Clar Gl s ' f . e e as rom t e h drop dow n m e nu. Se tt e re m ainde r ofyour h m at rial e tings t Fig. 1. You m igh tw antt e s t o o be v lh e e dge s oft e m e s h . For t is obj ctI e t h h e us e d Subdiv M ul 3X and t e n adde d a ide t i h 0.100 Be v l and t e n appl d Se tSm oot . e 2X h ie h A bas ic be v l oul w ork j tas w e l W at e w d us l . ch t e im age atbotom . h t St p4. I t e 3D W indow s w it t Top V w e n h ch o ie [Num 7] and Add [Space Bar] a Pl ane [Add>>M e s h >>Pl ] t t e s ce ne , t is is ane o h h going t be t e foor in t e s ce ne .. ExitEdit o h l h M ode [Tab]. You w ilne e d t M ov [G] itdow n l o e al t e Z -axis [Z ] one grid unit[H ol Ct ] s o ong h d rl t atitis fus h w it botom oft e Cube . O pe n h l h t h t e Trans f h orm Prope rt s Pane l e y] and ie [Nk s cal t e Pl t 50 unit or s im pl pre s s [S] e h ane o s y and s cal itt s pre ad up t t e cam e ra v w . e o o h ie Go t t e M at rial t o h e Butons [F8] and Add a Ne w M at rial e .\nI t is t orial e are going t e xpe rim e ntw it n h ut w o h Yaf and Blnde r and larn h ow t e y ray e e h int ractt t e r. W e w ilcre at a s im pl e oge h l e e caus t e fe ctus ing de f ts e tings . Furt e r ic f aul t h e xpe rim e nt ion can be us e d t cre at bre at at o e h t ing im age ry! ak Ge t ing St e d t art Firs t w e w ilne e d t h av , l o e t e l e s tv rs ions of h at e Blnde r [Blnde r 2.41] and e e Yaf [Yaf 0.7] bot ray ray h ins t ld on your com put r. al e e You can ge tt e s e f h rom w w w .blnde r.org and e w w w .yaf ray.org re s pe ct e l O nce iv y.\nM ak e s ure t h av t e Trace Sh adow f at o e h e ure e nabld in t is m at rialYou can e v n appl a e h e . e y t xt ifyou l e . I us e d a l tbl s ol col e ure ik igh ue id or f t is m at rial or h e . St p5. I t e 3D w indow s w it t Top V w e n h ch o ie [Num 7] and s e lct[RM B] t e de f tl p and e h aul am de lt [De lit Now pl your 3D Curs or at e e ] . ace approxim at l 0,4,2 XYZ Gl e y obal coordinat s . e Pre s s [Space Bar] t add an Are a L p o am Add>>L p>>Are a. Th e l p s h oul be am am d aut at l s e lct d, butifnots e lctitand om ical y e e e t e n bring up t e Trans f h h orm Prope rt s Pane l ie\n[N]. Se tt e L h ocat XYZ coordinat s t 0,4,2 ion e o re s pe ctul in t e t f l y h rans f orm pane lSe tt e . h Rot ion XYZ coordinat s t 65,0,180 at e o re s pe ctul I t e M at rial am p Butons s e t f l n h y. e / L t t e pow e r t 0.250. Giv itt e s h ape ofa h o e h Sq uare 3.0. Se tt e 'Sh adow Sam pls ' at10 h e or gre at r. e St p6. Dupl e [Sh if+ D] t e Are a L tt e n e icat t h igh h Cance l [RM B] t e Aut h o-Grab f unct ion. Th is w il l pl t e dupl e d are a l tatt e e xact ace h icat igh h l ion oft e original a l t I t e ocat h are igh . n h M at rial am p butons ch ange t e l p t e / L t h am ype\nt Ph ot L p. I Blnde r onl w ay t o on am n e y o ge ne rat s caus t in t e s ce ne is us ing t is e ics h h l p. Ch ange t e Ph ot s e tings as in Fig. 2. am h on t St p7. Now s w it ov r t Re nde r Butons e ch e o t [F10] and ch ange t e s e s e tings as in Fig. 3. h t St p8. Re nde r [F12] t e s ce ne ! Your re s ul e h t s s h oul be s im il t f tim age in pre v d ar o irs ious page . I your re nde r doe s n'tm at itt t f ch ry o m at cl e l t e s e tings as giv n e arl r in ch os y h t e ie te f h igure s . You can alo l att e e xam pl s ook h e caus t .blnd f e ifyou can'tf ics e il igure itout !\nW h atJus tH appe ne d? Now t atw e h av ge ne rat d a good e xam pl h e e e ofCaus t , now w e are going t l ath ow ics o ook t e Caus t w ork e d in t is s ce ne and w h at h ics h e le opt s ions are av abl in t e blnde r ail e h e int rf . Th e re are t re e pane l in blnde r e ace h s e int rf e ace t atcont s e tings f Caus t : h ain t or ics Th e f tone is t e Yaf Pane l s e l Th is irs h ray it f . pane l l s you t cont t e Yaf al ow o rolh ray Re nde re r s e tings . Norm al it good e nough t l 's y t j tdis abl XM Ls o t atyou can s e e t e o us e h h int ract e re nde ring. Alo you can lav Aut e iv s e e oAA e nabld t ltYaf aut at l cont e o e ray om ical y rol t e ant al ing opt h i ias ion. For de t e d cont of ail rol Caus t you w ilh av t s w it t m anual i ics l e o ch o ant al ing s e ting t ough . ias t h Th e s e cond pane l t e Yaf GI Pane lGI is h ray . st ands f Gl or oball inat Il um ion. Gl obal Il inat is t e e fe ctproduce d by t e l t l um ion h f h igh be ing e m ite d f t rom a Gl obaligh ts ource . For l t is e xpe rim e ntw e us e d t e FulType GI and h h l s e tt e q ualy t H igh f be te r re s ul . O t e r h it o or t t s h s e tings are De pt and CDe pt . De pt is t e t h h h h dis t ance t atYaf cal at s a s ingl ray h ray cul e e during rayt racing. Th e s m al r t e v ue t e l h e al h q uick e r butls s accurat t e rayt e e h racing w il l be . CDe pt is s im il butitis f caus t h ar or ics ph ot ons in t e s ce ne . Again t e s m al r t e h h l h e v ue t e q uick e r butls s accurat t e al h e e h caus t in t e s ce ne w ilbe . W e alo e nabld ics h l s e Ph ot ons in t is pane lTh is w ile nabl GI h . l e Ph ot ons w h ich are alo re f rre d t as H e l r s e o pe\nPh ot . Th e y t e n are e m ite d f ons h t rom aloft e l h l t in t e s ce ne . Th e m ore ph ot igh s h ons (w e us e d 100,000) be te r t e re s ul , butt is w il t h t s h l alo e xpone nt l incre as e t e re nde ring t e . s ial y h im Th e l tpane l t e L p Pane l as is h am [F5]. Th is is l e d in t e M at rial am p butons . You w il ocat h e / L t l ne e d t s e lctt e ph ot l p in t e s ce ne t o e h on am h o s e e t e Yaf Sh adow and Ph ot t By h ray on ab. e nabl Ph ot L p w e e nabl t e us e of ing on am e h ph ot ons f t e caus t f or h ics rom a dire cts ource . H e re t e Pow e r s e ting is l e any ot e r l t h t ik h igh and t l h ow " e l s brigh t t e caus t w ilbe . Th is "h ics l ph ot l p al s us t dire ctt e dire ct of on am l ow o h ion caus t and opt iz e t e caus t re s ul ic im h ics t s nice l W e us e d about100,000 ph ot y. ons h e re . For s om e com plx s ce ne itcan go alt e w ay e lh up t a m il o l I j tde pe nds on h ow m uch ion! t us com put ion you w antt do! You can at o e xpe rim e ntw it t e ot e r s e tings as t e y h h h t h us ual re q uire s om e t s t butde f t l y e ing aul s e tings w ilus ual ach ie v good re s ul t l l y e t s re gardls s . e Ext nding Caus t e ics Caus t are notre s t e d t Trans pare nt ics rict o m at rial e it e r! You can us e caus t f e s h ics or m e t l m at rial t j tre m e m be r t att o al ic e s oo, us h w m e t l m at rial w ilalo re fe ctt e ph ot al ic e s l s l h ons s o t e y ge ne ral w ilnots h ow up s om e t e s . h l l y im To f h up t is t orial'lgiv you s om e inis h ut Il e s ugge s t ions t pl around w it : o ay h\nTry adding a t xt or a col t t e Cube e ure or o h and giv its om e Nor or Dis pl m e nt ing ace . Re pl t e Cube w it a Sph e re or anot e r ace h h h m e s h . Us e s e v ral ot L ps . H av your e Ph on am e s upe r cl t r h andy! Us e an H DR Gl us e obal Te xt . ure Em ail e your e xpe rim e nt ! I l e t t e a m s 'd ov o ak l att e m ! ook h\nI am a 17 ye ar ol graph ics art tand d is program m e r f rom San Ant onio, Te xas . Af el re ance s t udio art tatI St is D udios [w w w .int l s ign.org] e l ide and a w e b program m e r atM ons t rW e b e w w w .m ons t rw e b.ne t e\nW O RK SH O P2D DPIde m ys t ie d if\nD P de m y s t ie d I if\nYou did it You h av t y cre at d a ! e rul e m as t rpie ce . Butw h e n you print d itout it e e , l e d alpixil e d and bl y. Dang, you ook l at ock m us th av a bad s e ting s om e w h e re . You go e t back , doubl ch e ck alyour s e tings , h itre nde r e l t again and w ait I s t look s t e s am e w h e n . t ill h you printit You s t gl . art aring s ilntt re at at e h s your print r. W e l be f you de cide t m ak e e l ore , o good on t os e t re at , you m igh tw antt t h h s o ry one m ore t ing (your print r w ilt ank you f h e lh or it ). You m ay h av ov rl e d t e w h ol DPI e e ook h e is s ue . W h il it t t atBlnde r h as s om e e ’s rue h e nice pre s e tre nde r s iz e s , ifyou don’t unde rs t and h ow t atre l e s t print h at o ing, you w ilbe f v r gl l ore e aring atyour print r. e Firs tlts l atw h atDPIact l is . e ’ ook ual y DPI is a print t rm t atde s cribe s t e ing e h h num be r ofdot / s pixe l t atare de f d in t e s h ine h boundary ofa s q uare inch t atare us e d t h o cre at an im age . Th e m ore corre ctt rm is e e pixe l pe r inch , h ow e v r dot pe r inch is ofe n s e s t us e d ins t ad (Th e im age can be a f or e ont graph ic). I ge ne ralt e m ore dot , t e be te r n , h s h t and s h arpe r t e im age . DPI is print r h e re s ol ion. DPI is notim age re s ol ion ut ut al ough f q ue nty us e d t atw ay. t h re l h O k , now t atw e k now w h atDPI is , lt l at h e ’s ook h ow itappl s t Blnde r. Blnde r re nde rs ie o e e im age s outat72dpi, w h ich l s ok ay on your ook\ns cre e n, butnot print d out I orde r e . n f itt l good f or o ook or print you h av t , e o re nde r your im age bigge r and t e n h re s iz e its m al r in l e your f orit graph ic av e program . Es s e nt l ial y w h atyou w ilbe doing l is s w apping ph ys ical dim e ns ions f or re s ol ion. Tak e a ut l att e f l ing ook h ol ow ch art(f 1 be l ). I ig. ow t s h ow s s om e com m on re nde r s iz e s in pixe l s and t e h corre s ponding ph ys ical iz e s at72dpi (w h ich s Blnde r us e s ) and a good printre s ol ion of e ut 300dpi. You can s e e t att e ph ys ical iz e s h h s be com e s m al r as you incre as e t e l e h re s ol ion. ut Th is m ay s e e m ov rl com pl e d, butre al e y icat l y itis not Th e re is a v ry s im pl f ul you . e e orm a can us e t ge tt e o h prope r s e tings . t Bas ical you m ul y l y t ipl t e de s ire d re s ol ion h ut by t e de s ire d ph ys ical h s iz e t ge tt e pixe l o h s e tings / iz e you ne e d t s f Blnde r (f 2). or e ig.\nO nce you h av re nde re d your im age us ing e t os e s e tings , you ne e d t go int your h t o o f orit im age program and re s iz e your av e im age . M os tim age program s w ork s im il y, arl sof iguring itoutin your program s h oul be dn’t dificul I w ilbe us ing Ph ot h op t e xpl f t . l os o ain t is part be caus e t atis w h atI h av . h , h e\nW O RK SH O P2D St p 1: O pe n your im age e\nSt p 2: Go t I age >I age Siz e , a dial box e o m m og l e f 3 s h oul ope n. ik ig. d St p 3: Att e botom oft e box, unch e ck e h t h “ s am pl I age ” Re e m St p 4: Ne xtl e t e “ s ol ion Box” e ocat h Re ut , e nt r your ne w re s ol ion. Th e W idt and e ut h H e igh tboxe s s h oul aut at l updat t d om ical y e o re fe ctt e ne w s iz e att atre s ol ion. l h h ut St p 5: H itt e “ K ” buton and s av , you are e h O t e aldone and now your im age w ilprintl e you l l ik e xpe ct d itt e o.\nO k ay, s o now you h av a be te r unde rs t e t anding ofdpi and h ow t ge tt e prope r dpi f o h or print ing, butw h atdpi re s ol ion is be s tf ut or w h atyou ne e d. As a ge ne ral e , you s h oul rul d ch oos e a re s ol ion be t e e n 150-300 dpi. ut w Th is re s ol ion is good f m os tprintproj ct . ut or e s I you are h av s om e t ing prof s s ional f ing h e l y print d, itis al ays a good ide a t ch e ck w it e w o h your print r and f outw h atre s ol ion t e ir e ind ut h e q uipm e ntruns at .\nH i, m y nam e is Sandra Gil rt (ak a dre am s gat ). I h av be e n be , e e us ing blnde r f a lte ov r f e ye ars . I curre nty l e in e or itl e iv l iv Nam pa, I o, USA and w ork as a graph ic de s igne r f a dah or s m alprints h op. l I m arrie d and h av 2 ch il n, w h ich lav s notne ar ’m e dre e e e nough t e f f e ding m y grow ing blnde r obs e s s ion. Ye t im or e e s om e h ow I al ays m anage t f t e t e t e xpl ne w w o ind h im o ore f at s , k e e p up on t e l e s tne w s and s t ne w blnde r e ure h at art e proj ct . Som e oft e m I act l e v n m anage t f h . e s h ual e y o inis\nUnde r re v w ie\nBook Re v w ie\nDigit L t al igh ing and Re nde ring Th is is s ue w e are re v w ing “ ie [digit ] L t al igh ing and Re nde ring” by Je re m y Birn. By now w e h av alf e ligure d out or s oon w il t at , lh , l t is a v ry l igh ing e arge partofany s ucce s s f ul proj ct You can h av t e be s tm ode l, e . e h s m at rial and com pos it e s ion, butw it outprope r h l t your im age w ilf ll . igh ing lalfat Ent r “ e [digit ] L t and Re nde ring” Je re m y al igh ing . Birn t e s you s t p by s t p, w it l ak e e h ogical and clarl e xpl d e xam pls , t rough t e ofe n e y aine e h h t com plx and conf ing are a ofl t e us igh ing. H e s t s you of w it h ow t s e tup a good l t art f h o igh w ork fow and t e n e xpl l h ains e ach t ype ofl t igh you s h oul h av av abl. d e ail e H e cont inue s w it in-de pt dis cus s ions on w h at h h l t is and h ow l tand s h adow be h av in igh ing igh e t e re al orl t e n progre s s e s t rough col h w d, h h or t e ory, q ualy ofl tand s h adow and h it igh e xpos ure . No book on l t w oul be any good w it out igh ing d h a t orough dis cus s ion ofl ts e t . And t is h igh ups h one is an e xce l ntre s ource f larning about l e or e te v h arious l ts e t igh ups and t e ir us e s . h H e goe s on t e xpl h ow m at rial f int t e o ain e s it o h re nde ring pipe l . St ing w it s h ading ine art h s urf s , h e w ork s h is w ay t rough de t e d ace h ail e xpl ions ofh ow dife re ntm at rial e t anat f e s ups\nafe ctl t and re nde ring. 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I e v ry is s ue , w e t e on a part ar h n e ak icul as pe ctofCG re l e d t Blnde r and pre s e nt at o e you w it a pack ofus e f larning m at rialAl h ule e . l t is is m anage d w it t e h e l oft e h h h p h e xpe rie nce d blnde r h e ads f e rom w it in t e h h blnde r com m unit Th e y h e l s pre ad t e e y. p h k now ldge by s h aring cont ntf e e rom t e ir h re s pe ct e f l ofe xpe rt e . iv ie d is Back w h e n w e j ts t e d t e m agaz ine , it us art h w as our aim t prov a good re s ource t o ide o cov r t e dife re ntas pe ct ofCG w it t e e h f s h h m ain f ocus be ing on t e e as e oflarning f h e or t e ne w us e rs . W e h av be e n ov rw h e l e d h e e m by t e cons t apprais al h ant and f e dback w e got e f rom t e blnde r com m unit Th ats h ow s t at h e y. h w e h av atlas tbe e n s ucce s s f in t atare a. e e ul h I t e t is opport y on be h alofour s m al ak h unit f l t am atblnde rartt t ank you alf your e e o h lor com m e nt and f e dback and att e s , s e im pat nce . And alo t t e f k s w h o h av ie s o h ol e prov d m uch ne e de d m at rialor t e ide e f h m agaz ine .\nTh is t e w e gotour w e bs it h os t d t ank s t im e e h o ibibl io.org w h ich gracious l prov d us w it y ide h t e w e b s pace . Nam Ph am did a gre atj h ob w it t e ne w w e bs it de s ign and h e h as alo h h e s prov d t e l w ant d s ol ion f ide h ong e ut or s ubs cribing t our m ail l t Now alt os e o ing is . lh w h o w ils ubs cribe t itw ilge tnot ie d as s oon l o l if as t e ne w is s ue is l h aunch e d. W it t is is s ue outw e are alo s t ing t h h s art o re s t ure bot t e m agaz ine de s ign and t e ruct h h h cont nt s o t atw e can cont e s h inue t prov o ide you alw it e v n be te r larning e xpe rie nce l h e t e f t e t e t com e . or h im o So unt t e n do k e e p s e nding us your ilh v uabl f e dback and com m e nt . al e e s H appy blnding! e Gaurav gaurav blnde rart @ e .org\nD is cl e r aim\nDocuments Similar To BlenderArt Magazine - 03 - Rendering Special\nBlender Art Magazine #21\nBlenderArt Magazine - 04 - Character Modeling\nBlenderArt Magazine - 07 - Blender Materials\nBlenderArt Magazine - 15 - Animation\nBlenderArt Magazine - 26 - Blender & Gaming\nMore From georgpiorczynski\nBlenderArt Magazine - 24 - From Out Of The Deep\nBlenderArt Magazine -19 Rigging & Constraints\nBlenderArt Magazine - 22 - Things That Go Bump In The Night!\nBlenderArt Magazine - 23 - Epic Fantasy\nfreiesMagazin - 2008-04 (Aprilscherzausgabe)


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Pouf Oasis - Nobodinoz - Aegean blue | File Dans Ta Chambre\nAegean blue - Réf.(7F242.20460) Array Riviera blue - Réf.(7F242.20454) Provence green - Réf.(7F242.20455) Naturel - Réf.(7F242.20456) Farniente yellow - Réf.(7F242.20457) Bloom pink - Réf.(7F242.20459) Sienna brown - Réf.(7F242.33156) Eden green - Réf.(7F242.33157)\nProvence green : En stock\nAegean blue : En stock\nColis 1/1 80 x 60 x 50 cm 1,84 kg