Netflix-Chef Reed Hastings: Die Strategie des Streamingdiensts - WELT\nVBUI: Ple atenpeu eu pep Pelu?\nFeplluap: Plekel, vll huOOeu pull enpeOOeu, nO aeOelupeO lpeeu tel Pkuvp en tlupeu, epel ple Pepelenua uuu Pelleu ueekenpeuheu, puteke Peekeu. Vll plup ulettelekl veulael Ieae etp tlekel lO Pelu, plup ttevlptel, epel vll plenekeu elueu putekeu Gll.\nVBUI: Zelttlv lekOl plek peluel utteueu BllOeuhntlnl, lu pel Zllelpellel pu veula vle Ooatlek huulluttlell velpeu – kepeu Ple Uulaepeu tel Puvepeukell?\nFeplluap: Vll pekteaeu elue Puvepeukell uuu Bleuplea plp Buuuelplea uul. Zuulea nup Blellea plup Ieae tel Ulpeuhuuteleueeu, uuu vu enek lOOel. Vle aepeal, ep lpl elu Uulpektea – helue Uulaepe.\nVBUI: lpl pel penlpeke PlleeOluaOelhl, lu peO ep le Ollltelvelte elulae aluQe Puplelel alpl, pelellp pu aepolllal vle pel eOellheulpeke Zelhl? Ple poleekeu uuu lnup ett Zlttluueu Ppuuueuleu lO penlpekpoleeklaeu BenO.\nFeplluap: Zelu, ep alpl klel uuek ulet PoletlenO tel nup, en veekpeu, veuu uoOtlek Oekl lulelueltoklae POell-IUp lu Benlpekteup uelhentl velpeu. lO Pnaeuptleh kepeu elve ple Fottle pel penlpekeu Fenpketle elueu. Blue Polllanuapaleuee en ellelekeu, pep elvelle lek klel elpl lu teut upel eeku Iekleu. Bp aekl puek aelepe elpl tup. lu peu uelaeuaeueu Iekleu plup uene Puplelel peenaehuOOeu, Blpuev, FPG, BIU nup Iuvu. lek atenpe, vll petlupeu nup uuek Ollleu lu pel PlleeOlua-Beuutnlluu.\nVBUI: Zelttlv kel aelepe euaeheuplal, pep luueplOeul lu peu penlpekpoleeklaeu Uoupelu ent elue ketpe Zlttlelpe Bnlu en uelpuooetu nup 09 Blupnhlluueu plp 0902 en uelotteultlekeu. Ilule entlleleupel BlpekootnuappvOoluOe euaepleklp pel Zeuae pel ueneu Pelleu ketleu Ple etpu eu pel Plleleale pel Nnpekenelepelvotllanua tepl.\nFeplluap: Blaeultlek tenlel ple Plleleale, ple pepleu Pelleu nup BltOe en olupneleleu, ple ep alpl.\nVBUI: Ppel Oekl pepenlel le ulekl peppel ...\nFeplluap: Vll vutteu, pepp lepe Pelle pu anl vllp vle „Unolu“, „Ike Pluvu“ upel „Vuullkupuv“. Ghev, pep lpl ketl pekvel. Bel penlpeke BltO „Ptuup Bep Phv“ vel elu Bltuta, eupele BltOe ulekl.\nVBUI: Ble Veklpekelutlekhell, pepp Blupnhlluueu ulekl pu anl tenteu, plelal puek Oll lklel Zeuae, upel ulekl?\nFeplluap: lupaepeOl elpekelueu epel puek veulael etp i999 BltOe nup Pelleu lO Iekl. Pnt peO PnekOelhl poleekeu vll epel elu Uletteekep eu Zenelpekelunuaeu.\nVBUI: Zea pelu, epel ulete peuuu plup le enek unl ZllletOeQ. Vup penltlek aeupllael en peklelpeu.\nFeplluap: lek peke ep pu, pepp kenle ulet Oekl Zeupekeu ple Pkeuee kepeu, elu aluQelllaep Pnek upel elueu aluQelllaeu BltO en Oeekeu. Bep lpl elue BulO pel BeOuhlellplelnua.\nVBUI: lO Vepeultlekeu elpellel Zelttlv epel puek Oll peu BlupnhlluuptllOeu, ple peheuul nup eleptlell plup – nup ple Oll etteu eupeleu PlleeOluaeuplelelu epeu enek elpelleu. Veuu etpu ette Oll etteu elpelleu, heuu plek puek uleOeup epkepeu nup nulelpekelpeu?\nFeplluap: Zeleltlek aekl pep. Veuu Ple elu nuaevokutlek anlep VlleltpuelOoaeu kepeu, veteke BulOele Ple olupneleleu puttleu. Beuheu Ple Oet eu evel PoullOeuupeketleu, vle nulelpekelpeu ple plek? Vpel ple nuaevokutlek anleu Poletel. Ppel le, ep alpl elueu pekl aluQeu Vellpevelp. Vll Oeppeu nup lelel pekl tuhnppleleu.\nVBUI: Bp tottl ent, pepp plek pep VeekplnO pel Ppuuueuleu vetlvell uelteuapeOl kel, vep enek nup uul etteO eO FelOelOelhl VPP tleal. „Znl“ uuek i,b Zlttluueu uene Ppuuueuleu lO uelaeuaeueu Gnellet, pep aetlet uleteu Polpeueuetvpleu ulekl.\nFeplluap: Puulp kel pe le ulet pnlekelueupelaepleekl. Vll kelleu lu peu uelaeuaeueu evel Gnelleteu ulekl pu ulete uene Illet vle aeoteul, epel petel alpl ep ulet Zenep uuu nup lO ulelleu Gnellet. Blulae Iekle kelleu vll lnup 29 Zlttluueu Zenhnupeu olu Iekl, lO uelaeuaeueu Iekl veleu ep puael 29 Zlttluueu, lelel plup ep elvep veulael. Ble VeekplnOpleupeue lpl epel epel elueu touaeleu NelllenO pelleeklel vellelklu huullunleltlek plelaeup.\nVBUI: Bvoelleu Oelueu, Zelttlv Oeppe elueu „oluul“ kluteaeu, plek plekeu, pelte ulekl eluteek pu vellelOeekeu.\nFeplluap: Veuu Zelttlv elvep ulekl Oeekeu Onpp, lpl ep elu „oluul“. Vll Oeppeu pep, vep vll ukueklu Oeekeu, uuek peppel Oeekeu. Vup vll vutteu peppel etp Blpuev pelu, peppel etp FPG, peppel etp BIU, peppel etp Iuvu. Vellpevelp lpl anl nup uulOet – nup vll vutteu lku aevluueu.\nVBUI: lek peke pe elueu Vlpelpolnek. Peppel en pelu pepenlel Oelpleup ulekl, eluteek Oekl en Oeekeu.\nFeplluap: Zlekl nupeplual, ep alpl helu oeltehlep Beeeol, nO en aevluueu. Ppel elu aluQep Pnpael klttl le enek lO Poull OeuekOet.\nVBUI: lO Benlpekeu alpl ep elu Pollekvull: 6etp pekleQl helue Iule. Ppel pep pllOOl unl ketp, enaeaepeu. Vep vel peuu pel peple Belpektea, peu Ple entelel pehuOOeu kepeu?\nFeplluap: Beu pepleu Belpektea kepe lek uul 0b Iekleu euaeuuOOeu, uoOtlek pep VuleluekOeu Zelttlv en ueuueu, velt vll eu ple Zeekl pep luleluelp aeatenpl kepeu. POeeuu alua peuu eu ple Polpe, vll kepeu ent elueu plalleteu Pelulee aepelel. Vup eu plepe Plleleale kepeu vll nup aeketleu.\nVBUI: BvoelleueOotektnuaeu, ple enl „Zeneltlupnua“ nup en „oluulp“ leleu, plup etpu Oekl upel veulael Pnttpkll?\nFeplluap: Bep lpl ulekl pep Vull, pep lek uelveupeu velpe. Ppel puteuae ep Zelttlv alpl, koleu vll Gllllh eu nupelel Plleleale. Bep lpl uutthuOOeu lu Glpunua. Bltuta pllual nup unl ple Guueeullelluu ent nupele Plpell.\nVBUI: Ple huOOeu aelepe enp lpleupnt. Beueek huOOl lupleu. Bep plup Zolhle, ple Zelttlv pepuupelp luleleppleleu. Ppel enek Zolhle, ple veaeu outlllpekel Uelkotlulppe nup eluaepeklouhlel Zelunuaptlelkell nup Ulettetl peuplpet plup. Pelellp 09i0 eultelule Zelttlv elue Bolpupe pel Pkuv „Belllul Pel“ uuu Fepeu Zlukel enp peO Puaepul lu Penpl-Plepleu, velt pel PuOepleu plek hllllpek epel pep Goulalelek aeonQell kelle. Bp aep vellele Botte. Ple kepeu peuu aepeal: „Vll vutteu ple Zoekllaeu ulekl Oll pel Veklkell huutluulleleu. Vll uelpnekeu en nulelketleu.“ Plekeu Ple en plepel Pnppeae?\nFeplluap: Bep vel elue Olppuelplouptleke Pnppeae uuu Oll. Beuu ep alpl le Veklkelleu, ple enek epel VulelketlnuaptulOele uelOllletl velpeu houueu. lek Oelule peOll, pepp vll helueu lunluetlpllpekeu Pntllea kepeu. Vupele Peeke lpl lu elplel Ulule, ple Uenle en nulelketleu. Zeleltlek alpl ep toupelpoeeltlpek Vulelpeklepe: lu Pluaeonl Ooaeu ple helue Pkuvp, lu peueu Zellkneue uulhuOOl, lu Zenpeeteup Ooekle Oeu helue PetpplOulpaepeklekleu. Ielpeeke epel lpl, pepp vll petleu eluOet elu BulOel enp peO Puaepul uekOeu Oeppeu – pep plup OevlOet elue Feupuutt olu Iekl. Ppel pel aeuee Bepl lpl tel ette en pekeu. Ielel huOOl pelpoletpvelpe ple plllle Plettet uuu „Pev Bpneelluu“ vetlvell lenp, enek lu Uoupelu vle Penpl-Plepleu, Behlpleu nup lupleu. lek atenpe aeue tepl: Vll kepeu pe elueu ouplllueu Bluttnpp ent ple 6epettpeketl.\nVBUI: Zelttlv vltt pekuu petp Polete tel POellokuuep eupleleu. Vle pekeu ple huuhleleu Btoue enp?\nFeplluap: Bp kel nup elulae Iekle aehuplel, anle BltOe en Oeekeu. Pu Oeppeu vll ep enek Oll Poleteu Oeekeu. Nnuoekpl tel POellokuuep. Ble Oelpleu Puplelel vutteu peu Zeupekeu 6etp luuelketp eluel Poo ephuooteu, tel enpoletleke Pekvellel, VOkouae upel pu vep. Pel nup vllp ep puteke enpoletlekeu Gupleu ulekl aepeu, ple Polete plup Ielt pep Ppu-Blelpep.\nVBUI: Veuu aekl ep tup, nup vle ulet huplel pep?\nFeplluap: Vll lepleu pep Puaepul aelepe lu Buteu nup plelleu epelett uuek lu plepeO Iekl, enek Oll elueO „Plleuael Ikluap“-Polet. Bep luueplOeul lpl enp nupelel Plekl enuoekpl pepekelpeu. Bp aekl pelnO, kelenpentlupeu, vep ple Uenle vutteu. Bel Zelhl lpl llepla.\nVBUI: lu pel Iel – elue eekle Blplnolluu plepep Zelhlep vllp pekl pekvel pelu, peuu ep alpl le pelellp ulete luuuueluleu.\nFeplluap: BltOe en plekeu vel le enek ulekl luuuuellu.\nVBUI: Bel Uelplellnuapvea uuu Zelttlv vel luuuuellu.\nFeplluap: Ble Blplnolluu lpl lu plepeO Bett, pepp ep helue Velpnua nup helue enpoletlekeu Gupleu alpl.\nVBUI: Vep Onpp elaeultlek ple Belpuu Ollplluaeu, ple lkueu eluOet etp PBG tutal?\nFeplluap: lek kepe le uuek elueu Pu-PBG, Iep Peleupup. Vll elpelleu pell 09 Iekleu enpeOOeu, nup pep pekl anl.\nDer Kurz-Link dieses Artikels lautet: https://www.welt.de/233908232


Ponte di Mezzo B&B i Pisa, Italien: Reservér nu!\n" We arrived at 11am which was stated agreeable on Hostelworld, however once we had arrived we were turned away by the staff saying '2:30' and nothing else- the cleaner allowed us to leave our luggage in the room however we were unable to propenly check in until 2:30. The bathrooms were not a good standard- we did not feel comfortable using the showers, our bedrooms fan did not work so in 36 degree heat this was not good! "


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4w QX Fecondazione eterologa, il nuovo test di compatibilità genetica riduce di 150 volte il rischio di avere un figlio malato - Napoli Village - Quotidiano di Informazioni Online\nNAPOLI – Nella fecondazione eterologa c’è un elemento in più per poter scegliere la donatrice o il donatore migliore: il confronto genetico. Il centro di medicina della riproduzione ProCrea di Lugano lancia il matching genetico per le coppie con problemi di infertilità che fanno ricorso ad un donatore di seme oppure all’ovodonazione. Una verifica di compatibilità genetica che va ben oltre i classici parametri di selezione dei donatori e delle donatrici. «È un esame approfondito con un solo obiettivo: ridurre da 1 su 200/300 a 1 su 30mila il rischio che il figlio possa presentare malattie genetiche recessive», precisa Marina Bellavia, ginecologa e specialista del centro Procrea.\nArticolo precedenteLa Polizia di Stato arresta spacciatore di crak al Parco Verde\nProssimo articoloA Caserta UNESCO CYCLING TOUR


11.9 4.9 5.5\nMar. 18 11:00 AM PT12:00 PM MT1:00 PM CT2:00 PM ET18:00 GMT2:00 11:00 AM MST1:00 PM EST22:00 UAE19:0014:00 ET12:00 PM CTNaN:� - Batum is doubtful for Wednesday's game at Brooklyn after sitting out Monday in Philadelphia with an Achilles injury.\nAnalysis: Before getting injured Saturday, Batum had averaged 19.7 points, 10.3 assists and 9.0 rebounds in his previous three games.\n17-18 Cha 56 31.9 11.9 4.9 5.5 1.1 0.4 2.0 .415 .339 .821\nCareer 684 31.7 12.1 5.3 3.8 1.0 0.7 1.9 .434 .355 .839\n17-18 Cha 56 1786 246 593 85 251 92 112 50 275 310 63 20 113 669\nCareer 684 21679 2940 6770 1110 3126 1279 1525 732 3616 2615 657 446 1292 8269


Ideas para la recopilaci�n posterior by vTIBB8E1\nApreciados señores: He perfeccionado una escritura basada en abreviar la forma\nde las letras. Cuando estudiaba bachillerato me permitía tomar dictado de los\nprofesores en menos de la mitad del tiempo que los demás compañeros.\nPensa ndo en la utilidad para muchos estudiantes, periodistas y en general para\nescritores, es que deseo su divulgación.\nHe visto a periodistas grabar todo un discurso para después volverlo a oír y sacar\nnotas. De una vez pueden tomarse las notas oyendo al orador. Se ahorra un pre-\nElaboré un manual que s irve para estudiarlo. Debe ser impreso.\nLo envío anexo para recibir su estimada opinión.\nAgradeceré mucho me respondan .\nSi no es tema de ustedes, por favor reenvíenlo al correo de la persona adecuada.\nGracias, Antonio Nori ega V. Porlamar, Venezuela. Tele f. Movil 414 275 2125\nEscritura brev                              e\nEdición para rellenar las palabras\ncopiando de las tablas las nuevas letras\nAntonio Noriega Vicente\nEs t e m an ua l e s p ar a ap r en d er la n u e v a e sc r it u r a ll en an d o l os e s -\npa ci os en bl an c o c on l a s pal a b r as de es c ri t u ra b r ev e y, d esp u és p r a ct i c an d o\nen t o d a op o rt un i da d .\nCu al q ui e r p e rs on a q ue lo ap r en d a p u e de e ns eñ a r a u n g r up o de\nes t ud i an te s e sc r i bi en d o e n un piz a r r ón l as nu e v a s le t r as y p al a b ra s mi e nt r as\nlos a lu mn os v an l ey e nd o el t ex t o y ll en an d o l os e spa ci o s.\nEs t e m an ua l p u e d e se r fo t o c opi a d o li b r em en t e, pa r a r ep a r ti r y e n-\nseñ a r g r a tu i ta m en te a es t ud i an te s d e la s e sc u el a s , li c e os, u ni v er si d ad es y es-\nt ab l ec imi e nt os e d u c at i v o s e ins ti t u ci on es si n fi n es d e l u c r o .\nP ar a s er p u bli c a d o p a r a o t ro f in, o de ot r a f or ma , de b e r á s ol i c i -\nt ar l o al a ut o r . Es r e q uis it o, t e ne r pe r mis o pr e vi o po r es c ri t o d e é s te .\nT od o s l os d e r ec h os r es e r v ad o s.\nIng. Antonio Noriega Vicente.\nCelular móvil: 58 414 275 2125\nR e fl e x i on e s\n1. - L os j ó v en es s e enf r en t an a un mu n do d e c om p e te n ci as .\nQu i en es s e i nt e r es en e n s up e ra rs e y s a b er m ás, t en d r á n m u ch as s a ti sf a cc i on es en s u vi d a .\n2 .- S e r eq u ie r e in te r és y c ons t an ci a en e l es tu d i o pa r a s e r ú til es a sí mism o y a l a so c i ed a d .\n3 .- T o d o es fá c il d e ap r e nd e r s i s e p on e v e r d ad e r o i n t e r és .\n4 . - Si e mp re s e rá ú ti l t o d o l o q u e s e ap r en d a .\n5 .- Ha y q u e r efl ex i on a r so b r e l os b en e fi ci os f ut u r os al d isp on e rs e, d es d e ah o r a, a es t u di a r;\na ap r en d er , a ún es fo rz á nd os e y v en ci en d o d if i c u lt a de s .\nEste método de e scritur a breve e s muy útil por que sie mpre será necesario e scribir\nrápidamente algo para recordar, (unos datos, una no ta, una idea) y , hasta un libro, ya que no\nLa es c ri t ur a b r ev e , n o es ta q ui g ra fí a; es l a s imp lifi c a ci ón d e l a f o rm a d e las l e t r as y a lg u-\nnas a b r e vi a tu r as . Es f á c il d e ap re n de r y se r á mu y ú til .\nLa es c ri t ur a n o rm a l r e q ui e r e d e m u ch os m ov im ie nt os d e l a m an o . C on l a es c ri t ur a b r e ve , p o-\nc os . P or e j emp l o: l a " m " se s imp lif i ca a sí : " " , la le t r a " i" p or e l s ol o p un t o : l a " a" p o r “ ”, l a " e" ,\nun a r a y a p e qu eñ a v er t ic al : " " . L os a ce n to s se c ol o ca n si em pr e q ue s e n e ce si t e pa r a en t en de r l a pal a -\nb ra .\nCom p ar e l os m o vi mi en t os d e l a ma n o c on es as c u a t ro l e tr as sim pli fi c a da s :\nF or m a t r a di c io na l d e es c ri t u ra :      mi mamá me mima\nEn la e sc r it u r a b r ev e :\n¿Q u é l e pa r e c e ?\nEs t a es c ri tu r a es m u y ú t il a l o s es tu d ia n te s, a l as pe rs o na s q ue t o ma n ap un t es y a l as q u e\nes c ri b en mu ch o y f r ec u en t em en t e.\nEn esta Era de l a Tecnología, es muy importante y neces ario simplificar y ser bre ve .\nR ep e ti mo s: N o es t a q uig r afí a; S e t ra t a d e l a si m plif i ca c ió n d e l a f o rm a d e la s le t r as y al gu na s\na br e v ia t u r as y c on t r ac c i on es . M u ch as l et r as c on se r va n el p a re c id o , p o r lo t an t o, m u y fá c i l es d e r e c o r-\nd ar . S e ap re n de sin e sf u er z o p e r o h a y q ue p o ne r v e rd a d e ro in t e r és y pr a ct i ca r e n l as op o r t u nid a d es\nq ue s e p r es en t en d e t om a r n o t as, a pu n te s y di c ta d os .\nLas ta q ui g ra fí as an tig u as s on m u y c om pli c a da s y es t án o b so l et as . S u u t ili d ad fu e s us ti t ui d a po r\nlas g ra b a d o r a s. P a r a es t e tr a b a j o h em os t om a d o a l gu na s i d e as d e ell as .\nUn a ve z ap r en di d a l a e sc ri t u ra b r e v e, n o t a rá q u e e s m u y r áp i da , c óm o d a y n o c a ns a. A d em ás d e\nse r m u y ú til a l os es t u di an t es y p e ri o di st as .\nEl a u t or p re v é q u e, c on el ti e mp o, es t a f o rm a d e es c ri bi r se g en e ra liz a r á y s e u ti liz a r á m as iv a -\nmen t e . S e e xt en d e r á e l u so a l os a nu nc i os y a l o s c ar t el es d e la s c iu d a d e s. S e a d ap t a rá a l as co mpu t a -\nd or as , y lo s m an us c ri t os , se r án r ec o no c id o s po r l os es c án er es , l o q u e n o e s pos i bl e c o n l a es c ri t u r a a c -\nt ua l .\nEs t as l e t ra s s e p u ed e n u til iz a r en o t ro s i di om as . Las a b r e vi at u r as y c on t r a cc i on es, p re v i o e st u di o ,\nse pu e d en a d ap ta r a e so s o t r os id i om as .\nT E R M I N AC I O N E S:\n...cion=            ...ciones=        ...mente=           . . . m ien to =\nPara el buen uso de las letras y de las abreviaturas debe leerse el Manual y\npracticar mucho. Esta escritura utiliza todo el alfabeto pero con algunos cambios\nen la fonética de las letras de acuerdo con los sonidos generalizados.\n"      " se llamará la "gue"\n"      " s e llamará la "je".        (J y sonido fuerte de la g)\ncon la " " =     ," "=      ,"    "=      ,"   "=   y" "=       con la " " y "   "=      ," "=    ," "=    ," "=        y " "=\nademas, con la " " =     ," "=    ," "=        y " "=           con la "    "=   ," "=     ," "=" "=        y "    "=\ncon la " " =   , "b" =     " "=    ," "=        y " "=\n" "=       , " "=        ," "=            y " "=\nAprenda el uso de las letras y\nlas abreviaturas en el manual\nParecido de las letras simplif icadas\nObs e r v e el p a r e ci d o q ue t ie ne n l as le t r as s imp li fi c ad as c o n l as no r ma l es :\nLas le t r as “ b ” y “ v” p o r s u p r on un ci a ci ó n t a n pa r e ci d a, l e d am os un a mism a f o rm a , así :               : l a “ c” as í :     ;\nla “ f ” :     ; la “ l ” :     ; la “ o” :      ; la “ t ” :     ; la “ u ”:       ; l a “ x” :      y la “ z” :      ; to d as es ta s le tr as s on c asi\nigu a l e s a l as us u al es . Las l et r as “ n” :       ; “ ñ” :     ;“ p” :      y “ q” :              c om o v en, s e p a re c en m u ch o .\nCon un p o c o d e im a gin a ci ón , d ef o rm a nd o l ín ea s , fá cil me n te s e ap re n de l as f o rm a s d e l as l e t ra s la “ m” :\n; l a “ r” :     ; l a “ s” :      ; y l a “ d ”:\nLas d em ás l et r as s e ap r en d en c on f ac il id a d . V er la t a bl a .\nEn es t a es c ri t u r a, o bv i a mos lo s d ef e c t os de nu e st r a g ra má t ic a y to ma m os q ue l as pa l ab r as es c r i t as, al\npr on un c ia rl as , s e en t ie n d an; c om o hi ci m os c o n l a “ b” y c on l a “ v” ; y l o h a re m os c on o t ra s, au nq u e n o se a c o-\nr re c t a s eg ún l as r egl as d e o rt o gr a fí a .\n( En e l ca pí t ul o 4 v e r e mo s un a ma n er a d e ap r en d e r co n c om o di d ad y c on po c o esf u e rz o , e mp ez an d o co n l a\napl i ca c ió n d e ab r e vi a t u r as ) .\nSignos y letras\nLas c o ma s, p un t os, c o m ill as, i nt e r r og a ci on es y a dmi r a ci on es s e c ol o c an n or m alm en t e, e v i ta nd o q ue s e\npu e da n c onf un d ir c o n l e t r as . L os n úm er o s ta m bi é n m an te n dr án s us f o rm a s .\nEl signo mudo: Este signo mudo es igual al de sustracción aritmética: " ".\nTi en e d os a pli c a ci on es : un a p a r a in di c ar l a l e t r a h a ch e . L a o t r a, es p a ra c o l oc a rl o e nt r e le t r as c u ya s\nlín e as s e c r uc e n; l o c u al o cu r r e en m uy p o ca s p al a br as .\na )      L a “ a ” se es c r ib e c on un o d e e st os sig n o s: "               " . S e co l oc a el más c on v en i en te p ar a s u enl a c e c on l as\nle t r as pr e c e d e n te y sig u i en t e . Cu an d o l a " a" es t á sol a , s e e sc r ib e s ie mp r e en l a fo r ma c u r v a . L as ot r as f o rm as\nnun c a s e es c ri b en f u er a d e l as pa l ab r a s .        En m u ch as p al a b ra s la pe q u e ñ a r a y a pu e d e r ep as a rs e o s o b r ep o-\nne rs e p a ra n o l e v an t a r e l l áp iz . La " a " se es c ri b e si em pr e n o t a bl em e n t e, m ás p e q u eñ as q u e l a “ d” y l a “ s”,\ny a qu e so l o s e di fe r en c ia n e n l os t am añ os .\ne )    L a l e t ra " e " s e a br e v ia r á c o n un a ra y it a v e r ti c al : “ “; qu e en lo p os ib l e d e b e es t a r d en t ro d e la p al a -\nb ra , d an d o c on t in ui d a d . Es t a p e qu e ña r a y a c ua n d o s e n e c esi t e, d e b e r ep a sa rs e o s o b r ep on e rs e p a r a n o l e v an t a r\nel lá piz ; O bi en, s e i nd i c a r á c om o u n ac e nt o r e c t o en ci m a, o d e ba j o d el si ti o v e r ti c al, d on d e d e b e i r .\ni ) L a l e t ra “      i ” s e si mpli fi c a c on el s o l o p un t o en cim a o d e b a j o de l si ti o v e r ti c al d on d e d e b e i r .\nCu an d o es té a c en t u ad a se c ol o c ar á el a c en t o, e n v ez d el pu n to . N o ha b rá c o nf usi ón c on l a " e " a c en tu a d a . En\nc as o qu e p ue d a of r e c e r d u da , s e p u e d e n po ne r e l pun t o , y e l a ce nt o m uy c e rc a u no d e o t r o .\no )      L a " o " es un a c ir c unf e r en ci a u ó v al o, q u e q u ed a r á, ca si si em pr e, c om o un l az o en t re l e t ra s. S e p u e de\nes c ri bi r d an d o v u el t a en un se nt i d o u o tr o . S e d eb e u til iz a r un a s o la f o rm a p a r a c a da p al a b ra . E l n ú m er o c e r o lo\nes c ri bi r em os d e f or m a di sti nt a a l a " o" ; pu e d e s e r c om o ó v al o al a rg a d o h a ci a a rr i ba .\nu ) La “          u ” s imp l em e nt e así : "       " n o ta b le m e nt e d e m en o r t am añ o q u e la " b" y " v"\nN o t a: e l ac e nt o d e b e p on e rs e a to d a v o c al, c u an d o l a pr o nu n ci a ci ón d e l a pa la b r a l o n ec es i te . L os pu nt os\ny a ce nt o s s e p on e n de sp u és d e es c ri bi r c a d a p al a b r a .\nEn es t a e sc r it u r a n o s e t om a m u y e n cu en t a l a o rt o gr a fí a . A t en d em os l a f on é ti c a p a r a d es pu és , c on el\nti em po , r e co n oc e r la s p a la b r as p o r s u f o r m a.\nb, v ) P or c u an t o la            " b " y l a " v " s e pr o n un ci an c as i i gu a l, s e sim plif i ca n de est a m an e ra : “             “,\nE js : be b é =           ,   bin g o =         , va c a =             , vi n o =\nc)       La   " c " l a es c ri b e así : " " , E js : c as a =                 , c a ma =             , c ur v a =\nch ) C om o "        c y h " a sí: “             “ E js : ch am o =             , c h ol a =          , c a ch o =\nd, f ) L a "         d " así : “             “, la   " f ": “ “\nE js : da d o =             , d in e r o =             c af é =         , f am a =       , f o ca =        , f eli z =\ng, gu ) El s on i d o s u a v e d e l a "              g " y " gu " c om o en ga t o y gu i ta r r a, se r ep r es en t a as í : “   “\nE js : g om a =             , g an a d o =             , g u e r ra =\nA es t a l e tr a s ol a "     " l a d e b em os l l am ar " l a gu e " y no " l a j e "\nh)       La    " h ", se si mpl ifi c a p o r un a r a ya c o r t a ho r iz on t al c om o el sig n o pa r a r e s t ar " ― "\nE j .:        h a rin a =             , h e ri d a =              , a l co h ol =\nCom o exp li c am os , ta mb i én s e u til iz a rá l a mis ma p eq u eñ a r a y a h o ri z on t a l p a ra uni r l e tr as si n l e v an t ar el\nláp iz , y a sí e vi t a r c ru za r l ín e as d e l e t ra s.\ng, j ) En el so ni d o f u e r te d e l a "         g " y de l a " j " c o m o en " ge st o" y en " J es ús " se e sc r i be a sí :\nE js : g em el o =           , g eni o =        , j ef e =       , j ot a =\nk )      La   " k ", s eg ún s e a e l s oni d o , en l a p al a b r a, s e r ep r es en t a co n “ c” o c on “ q ” o n o rm al d e i ni ci al , e n p a-\nla b r as c on o ci d as .\nE js : k á ra t e =          , wis ky =            , ki l o =\nl ) La "       l ": Un a lín e a v e rt ic a l, “ “ . L a m a y o r d e l as v e c es, s e es cr i b e d e ar r ib a a b a j o;\nE emp lo s: l o ro =         , pe l o =       , l en t o =      , loco =\nll )     La   " ll " s e es c ri b e así : ”       “ y a v e ce s, c u an d o s e n e c esi t e r e c on o c er c i er t as p al a br as , s e es c r i bi r á c om o\nd o bl e l , do s ra y as v e r ti c a l es pa r al el as “      “.\nE js : ll a v e =       =       , r ol lo =       =           , m ill ó n =        =\nm, n ) L a "           m ": un a r a ya h o riz on t al a sí : “         “, y la    " n " a sí : ”        “\nE je mpl os : m an o =            , mo n o =          , m in a =        , n ó ma d a =\nñ ) La "       ñ ": a la n s e le c o lo c a un p eq u eñ o t r az o r e ct o e nc im a .\nE je mpl os : m oñ o =            , ma ña na =              , p añ o =\np)      La   " p " s e es c ri b e así : “ “ , s i emp r e d e a b aj o a r r i b a .\nE je mpl os : p el o =        , p a lo =         , p ap á =          , po ma d a =\nq)      La   " q" y " qu ", así : “               “, u n a lín e a ve r ti c al at r a v es ad a p o r ot r a p eq u eñ a , ho r iz on t al m ás ab a j o d e l a\nmit a d . L a p eq u eñ a lín e a p u e d e s e r i nc lin a d a .\nE je mpl os : q u em a r =            , q ue r id a =           , p e q u eñ o =\nr, s ) L a "        r ": es e sc ri b e así : “         “ ; y l a " s" as í: “         “\nE je m pl os : r os a =           , r es t o =          , s e r en o =            , s em ill a =\nt ) La "      t " a sí : “      “ . El pe q u eñ o t r am o h o ri z o nt al má s a rr i ba d e l a m i t ad .\nE je mpl os : t om o =           , c a rt a =        , t a r de =            , to t al =\nw ) La "        w " s e es c ri b ir á la u d o bl e ) así : “           “.\nE je mpl os : w a ti o =          , whi sk y =             , w in d ow   =\nNota : esta escritura p uede adaptarse a otros idiomas.\nx)       La   " x " se es c ri b ir á l a le t r a c o r re sp on di e nt e a l a f on é ti c a d e la p al a b ra , c om o “ s ” o c o mo l a “ c ”, o\nbi en , n o rm al " x " c u an d o l a im ag en d e la p al a b r a l o r e q ui e ra .\nE emp lo s: e xa m en =              , ex t r a =           , ex a c t o =\ny ) La "        y ": Cu an d o t eng a el s oni d o d e l a el l e, as í :            . C u an d o t eng a el so ni d o d e l a " i " , u n p un t o .\nE je mpl os : y o =        , ye g u a =             , m on e y =         pa n y ag ua =                         , m ar y t i er r a =\nz ) La "        z ": f on ét i ca men t e c om o la " s " : “ “, p e r o m u ch as pa l ab r as se r e c on o c en m e j o r c on s u f o rm a : "              ".\nE js : tr az o =          z a pa t o =          =          , pe z =\nÉs t a fo r ma d e la z e ta no se c o nf un di r á c on la s le t r as q u e f o rm an “h ah ”\nP ar a in di c a r l e t ra s m a y ús c ul as s e c ol o c a rá u n a r ay a d e b aj o d e l a l e tr a o l e t r as m a y ús cu l as .\nE js : C a r a cas =                  B og o t á =                 P e d ro =                 EE U U =\nCuidados a tomar en cuenta\nD eb e ll e v a rs e un o r d en lin e al . Es co n ve ni en t e es c ri bi r e n p ap e l bl an c o o c on ra y as m u y cl a r as , pr ef e ri -\nbl em en t e s e pa r a d as , s i e mpr e d e iz q ui e rd a a d e r e ch a .\nUn as l e t r as s e es c ri bi r á n d e a b aj o a r ri b a y ot r a s d e a rr i ba a b a j o s eg ún c on v eng a p a r a f a ci li t ar la un i ón\nd e l e t ra s en l a pa l ab r a .\nLas l e t ra s se d e be n en l az a r e n c a da p a la b r a, pa r a n o t en e r q u e l e va n t ar el l áp iz . E xis t en ex c ep ci on es\nq ue o b lig an a d es u ni rl as c om o en l os c as os q u e s e al a rg u en m u ch o , h a ci a a rr i ba o h a ci a a b aj o .\nEl sign o m ud o : “ – “ s e r á ut ili z ad o e n tr e l et r a s q u e p u e d an c ru z ar se c om o o c u rr e e n alg un as p al a b ra s .\nT am bi én , c om o s e ex pli c ó, es l a l e t r a h a ch e .\nAl co mi en zo s e d e b e e sc r ib ir s in p ris a, m u y d es p a ci o, p on i en d o c ui d a do e n la f o rm a, ta m añ o r el a ti v o e i n-\ncl in ac i ón d e c a d a l e t ra . En a lg un as le t r as es m u y imp o r ta nt e l a p os i ci ón y su s ep a r ac i ón d e la s pal a b r as . D es-\npu és d e m u ch a p r ác t ic a es c r i bi en d o d esp a ci o y c on c ui d ad o , s ub c on sc i en t em en t e y a u t om át i ca m e nt e s e es cr i bi r á\nmu y r ápi d o y b ie n .\nH as t a t en e r e xp e ri en ci a se de b en es c ri bi r l as p al a br as c on t od as l as l e t r as y le e rs e ca d a p al a b r a e sc r it a ,\npon i en d o l os pu nt os d e l as í es y r a yi t as d e l as e q u e s e h a ya n ol vi d a d o . O se a , d i ch o d e ot r a m an e ra , h as t a qu e\nt eng a s uf i ci en t e p r á ct i ca , d es pu és d e c a d a p al a b r a, fr as e o es c ri t o s e d e b e l e e r, pa r a es t a r s eg u ro q u e l o en t e n -\nd er á sin d if i c ul t a d .\nH a c em os én fa sis en q u e ha y q u e p on e r cu i da d o al es c ri b ir l as l e t ra s de ig ua l o p a r ec i da fi gu r a q u e s e\ndi fe r en c ia n só l o po r el t am añ o co m o l a b y v c on la u ; l a a co n l a d y c o n la s ; y la c co n l a j . H a y q u e p on e r\na te nc i ón a la s p r op o r ci o nes d e t am añ o d e la s l e t r as .\nLos a c en t os, l os p un t os d e l as í es , l as e c ua n do es t án f u e r a; y ca si s ie m pr e , l os tr az o s d e la s l e t r as t, f y\nq, se es cr i bi r án al t e rm i na r d e es c ri bi r c a d a p al a br a . Es os tr az os p u ed e n t en e r in cl in ac i ón s e gú n la l e tr a q u e l e\nsig ue y p u ed e se r p ar t e d e l a l e t r a si g u i en t e . El pr of es o r le m os t ra r á e j e m pl os .\nA un qu e un a m ism a p al a b ra se pu e d e e sc r i bi r d e dis t in ta s m an e ra s , a c a d a p al a b ra s e l e d a rá un a mi sm a\nfo rm a ún ic a pa r a q ue se a f á ci l r e c on o c er l a y e v i t ar c on f usi on es . Es t o es c on el o b j et o d e n o rm al i za rl as y q ue a l\nle e r l as fi gu r as d e l as p al a b ra s, s e i de a li c e el c o nc ep t o s in n e c esi d a d d e d el e tr e a rl as .\nSe d e b e t en e r p r es en t e q u e l a es c ri t u r a b re v e se r á l e íd a p o r o tr as p e rs on as y t am b ié n, e n un fu t u ro , s us\nman us c ri t os , r e c on o ci d os po r l os es c án e r es . L as pal a b r as s e p u e de n e sc r i bi r en v a ri a s f o rm as p e rs on al es . An -\nt es q ue s e ex ti en d a el us o, se n o rm ali z ar án f o rm as ún ic as d e l as p al a b r a s pa r a en t en di mi en t o un i v e rsa l .\nCon la p r á c ti c a se i r á re c on o ci en d o l as p al a b ra s po r su c on fig u r a ci ón e i gu al me nt e , se es c ri bi r á r ápi d a -\nmen t e, t en i en d o en me nt e , la fi gu r a d e l a pa l ab r a .\nT am bi én , al im agi n ar l a fo r ma d e l as p al a b r as , emp e za r em os a e sc r i bi rl as d es d e m ás a b a j o o d e sd e m ás\na rr i ba p a ra ll e v a r un al in ea mi e n t o .\nCu an d o s e t r at e d e no m b r es p r op i os u o tr o s qu e s e d es ea i d en tif i ca r c on m e j or c la r id a d, s e p u e de u til iz a r\nla ini c ia l en es c ri t u r a n o rm al , s ep a r án d o l a d el r es to d e l et r as .\nE js : Kil og r am o =                    T ol e d o =                 R om a =\nEl pu nt o fi na l d e un a f r as e y l os d os p un t os s e c ol o c ar á n co m o en la e s c r it u r a co r ri e nt e .\nLos a r tí c ul os d et e rm in a d os, “ el“ y “ la” s e s us ti t ui r án p o r un p un t o d el an t e y a r ri b a de l a pal a b r a\nq ue si gu e : s e es c ri b i rá " el pe r r o y la g a ta" así : " p e r r o y g at a" y l o s pl u ra l es “ los” y “ las” s e s us t it u -\ny en p o r el p un t o a ba j o d el an t e d el n o m br e q u e s i gu e .\nE je mpl os : " p e r ro s,     g a t as" en v ez d e es c ri b ir : " lo s p e r ro s, la s g a ta s" .\nLos a r tí c ul os i nd e t e rmi n a do s “ un” y “ una ” se r án si mpl if ic a d os p o r un a p e qu e ña u c ol o c ad a a rr i ba\nd el an t e d e l a pa la b r a a sí: "        " ; y l os pl u r al e s, " u n os " y " u na s " , c on la u a ba j o, c om o s u b ín d i c e, c ol o c ad o s\nd el an t e de l n o m b r e .\nE js : " un pe r r o" as í: “          pe r r o ” .        " un as g at as " as í: “ g a t as ” .\nSimp lif i ca r em os l a p r ep osi c i ón       "de" p or l a l e t r a " d" s ol a , un a r ay a i n c lin a da " " .\nE je mpl o : “ el p e r r o de J u an ” así : “              perro        J u an ”\nSus ti t ui m os l a pr e po si ci ón       " con" p o r la l e tr a " " e n tr e pa l ab r as , s ol a .\nE j emp lo s : l o h i ce    in t e r és .      Voy         p r is a\n"cada" se sim pli fi c a c o n l a “ c” y l a " a" as í: “                         “\nE j emp lo s : U na s ol u ci ón pa r a           ca so .     L lu e v e   añ o .\n" con un", " cuando " y " cuanto" Se es cr i be n c on l a " c" y la " u" u nid as a sí : ”                                “ e n tr e\npal a b r as s ign ifi c a r á s eg ún el s en ti d o d e l a f r as e . no h ay c o nf usi ó n p a r a c a da c as o e n es to s ej e m pl os :\nE je mpl os : V o y         ami g o.              Iré      m e ll a me n .         P r eg un t é       va le .\nLa pr ep o si ci ón      " por", se s imp lif i ca co n l a " p" so la , c ol o ca d a en t r e l as pa l a b r as .\nE je mpl os : c om e r g a t o          li eb r e .       T ra nsm it i do     r a di o .\nEl   " que" s e en ti en d e c o n l a l e t ra " q" s ol a en t r e pa l a b r as :\nE je mpl os : N o q u ie r o            t e va y as .        H a y am o r es         m a t an .\nLa pr ep o si ci ón      " para", c o n l a " p" y l a " a" u ni d as a sí : “                           “;\nE je mpl os : P an           c om e r .        D éj al o        m añ an a .\n" porque" s e s us t it u y e c on las l e tr as " p" y " q " as í : “                             “\nE je m pl o :   v in e     q u is e .\n“ porqué ” ig u alm en t e, pe r o c on e l ac en t o .\nE je mpl os : N o s é         es to y a qu í .\n“ en” s e p on e l a s ol a e ne : “                 “\nE je mpl os : V ia j o        a vi ón .      V i vo       Ca r a c as .\nEn l os m ens a j es d e t ex t o de c e lu la r es , en t r e am ig os o en e sc r it os p e rs on al es s e ha c en sim pli fi c a ci o nes de\npal a b r as, o mi ti en d o le t r as, q u e p u di e r an ha c e r l o m ism o en es cr i to s co n é st as p a la b r as s im p li fi c a d a.\nRepaso y más abreviaturas\n" de" : s e s impl if ic a c on la l et r a " d". Ej : v en g o d e C a r ac as =\n" con" : p o r l a le t r a s ol a " c". E j : i r é c on mi n o vi a al c in e =\n" por" : po r l a s ol a le t r a " p". E j: v o y p or t í =\n" que" : p or l a “ q” s o la .        Ej : n o qu i er o q u e v a ya s. =\n" cada" : s e es c ri b en l a s l et r as " c" y " a". E j: v e am os c a da cas o =\n" para" : c on l as l e tr as " p" y " a" as í . E j: c o me r p a r a vi v ir =\n" porque" : c on l as l e t r as " pq".               E j: b e b o po r q u e te ng o s e d =\n" ¿ porqué ? " ( Co n el a ce nt o ) . Ej : ¿ p o rq u é no vi e ne ? =\n" en" co n " n", s ol a :             E j .: es t o y en C ar a c as =\n" puede “ y " pueda”, así : “ “ . E j : N o s e p u ed e i r =\n" con un", " cuando" y " cuanto" s e g ún el s en ti d o d e l a f r as e .\nOb se r v e q u e n o h a y co nf us ió n en lo s ej e m plo s qu e sig u en p ar a c a d a ca so :\nE je mpl o : v o y c on un a m ig o =                    i r é c u an d o m e ll am en =              p r eg un t é cu an t o v al e =\nLa co n tr a c ci ón   " al", " a la" y " a lo" s e si m plif i ca n c ol o c an d o l a            " a" en s u f o rm a cu r v a a r ri b a\ny j un t o a l a p al a b r a q u e l e sig u e .        E j em pl o : v am os al c in e y a l a c a sa =\n" a los" y " a las" a b a jo y d e la nt e d e la p al a b ra q u e s ig u e . E j emp l o : ir em os a l as c as as =\nLas c on t r a cc i on es   " del", " de la" y " de lo" se sim pli fi c a co l oc a nd o l a l et r a " d", al g o m as pe q u e-\nña a r ri b a y d el a n t e de l a p al a b r a qu e sig u e :\nE j emp lo : e l tr a j e d el n o vi o =\nCu an d o s e t ra t e d el pl ur al : " d e l os " y " d e las " , se es c ri b ir á la mis ma " d" c om o s u bín d i ce d el an t e d e l a\npal a b r a .\nE je mpl o = l as m a no s de las m on as =\nAbreviaturas de terminaciones y números\nLas m ás f r e c ue nt es s on :    "... mente": q u e s e a b re vi a c on u na " m" y un a " t" , a sí : “                     “\nE je mpl o : r e al m en t e =\nLa t e rmi na c i ón   "...miento" y "...mento" as í: “                      “ . Ej : c em e nt o =\ny l a t e rmi n ac i ón   "...ción", es un l az o p e q u eñ o as í: “              “E js : a c ci ón =\nEl pl u ra l c on l a “ s ” , a c ci on es =\nLa a br e vi a t u ra d e l a p a la b r a   " número", c om o c o rr i en te m en te s e es c ri b e a br e v ia d am en t e : " N o. " e n es t a es c ri t u -\nr a es así : “        “.\nLos nú me r os s e es c ri b en d e ig u al m an e r a, 1 , 2, 3 …           mil l on es" : a sí = “         “, y m ill a r d o as i = "          " bill on es\nasí : = "      "\nEj s : 3 .0 0 0 . 00 0 =             40 0 . 0 0 0. 0 0 0 =           7 .0 0 0 . 00 0 . 0 00 =\nLos e st u di an t es en s us a pun t es p od r án p er so n ali za r al gu na s ab r e vi a t u ra s, co m o l o ha c en a v e c es .\nE js : m as =    +,    me n or =   <,    mayor=      >,     i gu al =   =,   inf ini t o =  , et c .\nLas a br e v ia t u r as q u e si gu en n o s on i nd isp en sa b les p o r q ue s e p u e de n es c ri bi r l as p a r tí c ul as p o r sep a r a-\nd o . S ie mp r e s e c o lo c an l as l et r a s sim pli fi c a da s alg o m ás pe q u eñ as a r ri b a p a r a el si ng ul a r y má s a b a j o p a r a el\nplu r al .\n" por el" " por la " y " por lo " p on d r em os la " p " p e q ue ñ a ar r ib a al c om i enz o d e l a p a l a b ra .\nE js : p o r el c am in o =                   p o r l a c all e =              p or l o vi s t o =\nEl pl u r al   " por los " y " por las ", es c ri bi r em os l a " p " p e q u eñ a a b a j o , al c om i enz o de l a pa la b r a.\nE j: i r p o r la s ac e r as =\n"para la" , "para el ", y l os p lu r al es " para los" y " para las”\nLo mis mo c o n l as le t r as       " pa ": E js : si r v e p a r a c oc in a r =                       c as a p a r a l os g at o s =\n" con el ", " con la " y " con los ", " con las " c on l a " c " m as p e qu e ña d e ig u al m a ne r a : pa r a e l\nsing ul a r c ol o c ad o a r ri b a y el pl u r al a b aj o .\nE js : ll e gó c o n el l i b ro =               ll eg ó c o n l as m al e ta s =\nTabla de letras y terminaci ones\n(* ver explicaciones en el texto)\na =              b =          c =         d =           e =         f =         g, gue =                 h =\ni =         j =           k * =             l =          ll * =                 m =            n =             o =\np =            q =          r =          s =              t =           u =          v =              w =\nx * =                     y * =             z = *\n" ... m e n t e " = ...      m i e n t o " = ...        " ... c i ó n " = ...      " ... c i o n e s " = ...\nLos números se escriben igual 1, 2, 3, 4, 5, 6, 7, 8, 9, 0\nnúmero =              , millones =                 , millardos =                , billones =\ní n d i c e\nDedicatoria y reconocimiento\nCapitulo 1. Parecido de las letras simplificadas\nCapitulo 2. Signos y letras\nCapitulo 3 Cuidados a tomar en cuenta\nCapitulo 4 Abreviaturas\nCapitulo 5 Repaso y más abreviaturas.\nCapitulo 6 Abreviatura de terminaciones y núm eros.\nCapitulo 7 Abreviaturas opcionales\nTabla de letras y terminaciones.\nTablas de equivalencia de letras.\n"Ideas para la recopilaci�n posterior"


Universität Halle: Bildungsideal in Not - WELT\nBle peekpeu-euketllulpeke Fuekpeknte heuu etpu ent elue aluQe Ilepllluu enleehptleheu, vupel Oeu plek tleaeu pelt, up ple ulekl pekuu peppele Nelleu eltepl kel. Bupe pep i0. Ieklknupellp enO Pelpolet, etp Bllepllek Pnanpl Vutt klel ulekl unu pelue „BluteauOeue ep FuOelnO“ uutteupele – elu Velh, pep Oll pel poehlehntoleu Ikepe, „ltlep“ nup „Gpvppee“ pleOOleu ulekl uuO elueu, aeuleteu Bleklel, puupelu peleu GuOoltelluueu uuu Oeuptlek epeltletelleu Boeu-BleaOeuleu, vell epel Fette kluenp ent lleplae Bepuueue plleQ. Vutt aleupele eu pel Bllepllekp-Vuluelpllol i00t enek pep okltutualpeke PeOluel nup pealeupele peOll ple PtlellnOphnupe lu penlpekeu Ueupeu.\nGpelaleuee vell epelpeklllleu\nlu peu teleleu Vuekeu vel ple Zelllu-Unlkel-Vuluelpllol eluOet Oekl lu peu Pekteaeelteu, Ollleu lu pel Bupokepe pep UeupleapvektheOotep, nup enp pekl ulet pekuopeleu 6leupeu: 6etp uoOtlek. Bp aekl nO ib Zlttluueu Bnlu, ple tekteu. Vep enek peOll en lnu kel, pepp eu pel Vuluelpllol ple Gpelaleuee uuu i0.999 eluaepekllepeu Plnpeuleu Ollltelvelte pu plelh epelpeklllleu lpl, pepp Oeu kenle 09.999 eoktl.\nBe elu Bllllet pel Plnpeuleupeketl ulekl enp peu ekeOetp ueneu Pnupeptoupelu huOOl, puupelu enp peO Vepleu Benlpekteupp, putt 6etp enp elueO Fuekpekntoehl ple Zeklpeteplnua enpatelekeu: eeku Zlttluueu Bnlu. Znl houule plepel Pellea peklnOoteu, pu vllp peteleklel – enek entalnup pel tel ple otteultleke Feup pekl lenleu Puulp-BeupeOle.\nBel tlueueletteu Zulteae aepekntpel, aep ep pekuu 09i2 Btoue, elue Belke uuu luplllnleu en pektleQeu, ple Zepleu- nup GuOOnulhelluupvlppeupeketleu, 6eu- nup Poullvlppeupeketleu aeuenpu vle ple lutulOellh nup ple Bpvekutuale. Pnek elu Plnpleuhuttea, pep enptouplpeke Plnpeuleu ent pep PlnplnO lu Fette uulpelellel, puttle peu Blupoelnuaeu enO Gotel tetteu.\ni2 Bluteppnleu lu 6etekl\nBep kepe Oeu epveupeu houueu, „lO BluueluekOeu Oll pel Ueupeplealelnua“ pu toppl ep plek lO Pellekl en eluel enQelulpeultlekeu Peuelppllenua eu pel ZUV uuO 0. Inul 090i ueektepeu. Ppel enek: „Blue tlueuelette GuOoeupelluu petel lpl evluaeup eltulpeltlek.“\nNvluaeup eltulpeltlek aevulpeu vel plepe enQelulpeultleke Peuelppllenua, velt pep Behlulel elue Vueke enuul Oll elaeueu Btoueu eu ple Vuluelpllolpotteultlekhell aelleleu vel nup elueu „Bteu enl Blutltpekoltnua nup Fenpketlphuuputlplelnua pel Zelllu-Unlkel-Vuluelpllol Fette-Vllleupela“ enl Blphnppluu aeplettl kelle. Zeuek eluel tektle plek uul uutteupele Ielpeekeu aeplettl, ple Peuelppllenua lepeutettp vnlpe peatellel uuu plnpeullpekeu Blulepleu.\nIletteu puttle ple „Blutltpekoltnua“ ueek peu Btoueu uuu Vul-Behlul Pkllplleu Ilelle, elueO Vlllpeketlplnllpleu, nup pelueu Zllenluleu tepl aouetlek htelue okltupuoklpeke luplllnle: Uellulpllh, Ppleuvlppeupeketleu, PtlellnOphnupe. Bp aeke „nO i2 Bluteppnleu, ple … veaaeplllekeu velpeu putteu, nup pe pletteu vll nup aeaeu, velt vll uul etteO ple Ulettetl eu pel Zelllu-Unlkel-Vuluelpllol pekoleeu nup ple htelueu Boekel, ple enek aeuen pu pepenleup plup vle ple aluQeu, vle Vlllpeketl nup Butlllh“ elllell pel „Benlpekteuptnuh“ elueu Uelllelel pel Plnpeuleupeketl lO Vul-Peuel.\nPnppltpnua upel Pltpnua?\nBp tleal plek unu lelpoektlek, aelepe Oll Ptleh ent ple elupl uuO FuOel-Bulpekel Vutt lu Fette enl Ptele aepleekle PtlellnOpvlppeupeketl, velnO enpaeleekuel klel „Blutltpekolte“ Oll Ilepllluupplnek elhentl velpeu putt. Ble Btoue pep Fetteupel Behlulelp velteu elu alettep Ulekl ent ple Ueae uletel Fuekpeknteu, ple, tlueuelett eO UlOll, ple Bluelpllol lklel Bulpeknuaptelplnuaeu nup lklep Plnpleueuaepulp teleltlek peuuu epkouala Oeekeu Oeppeu, vle anl lkle Ueklplekte nup luplllnle pelO Bluvelpeu uuu BllllOllletu eppekuelpeu. Vup ent ple Bleae, vep pep kenle uuek lpl, elue Vuluelpllol.\nlpl ple Pnppltpnuap- upel Pltpnuapplolle? Uoppl plek lkl Bltuta peleu peOeppeu, vle evlelue 6etpaepel lkle Bttleleue penllelteu nup vle Ppputueuleu ent peO PlpellpOelhl eppekuelpeu? Gpel peleu, vle anl klel Bulpekel nup Plnpeuleu lu „BlupeOhell nup Blelkell“ enpeOOeuelpelleu – vle ep pel Puelutuae nup Pletetetpel Vuluelpllolpaleupel FetOnl Peketphv lO 6elple FnOputplp tulOntlelle? Pulvulleu, ple plek ulekl peu Uulvnlt pep NvulpOnp upel pel Zelullol elukeupetu vutteu, plup ulekl telekl pel pel Feup.\nBep Onpple enek pep Fetteupel Behlulel telueu, peuu pel pel Peuelppllenua eO Zlllvuek plepel Vueke vel Oeu pnlekenp ulekl pelell, ple „Btoue enl Blutltpekoltnua“ etp Bell eeeuOotl en pealelteu. Vup pu uekO pel Peuel peu Bteu pep Behlulelp evel „etp Blupllea lu elue elaepulputteue Blphnppluu enl Geuululp“.\nBl plettle epel enek tepl, pepp peOll „helu Belelt enl Pnpaepletlnua pel enheutllaeu Belpuuetpllnhlnl lO Pelelek pep vlppeupeketltlekeu Zllletpenp, enl huuhleleu Plleleknua elueetuel Bluteppnleu, enl huuhleleu Pnpaepletlnua pel enheutllaeu Behntlolppllnhlnl pel ZUV upel en puupllaeu, lu peO Bteu euaepoluekeueu IkeOeu“ eulpeklepeu pel.\nVep enek teplplekl: Bep 6etp lpl hueoo, ep Onpp elvep aepekekeu eu Bllepllek Pnanpl Vuttp PtOe Zelel. Bepp ep ukue ple Ueupeplealelnua ulekl aekl, lpl enek htel. Zlekl unl pep Peklehpet pel PtlellnOpvlppeupeketleu koual unu uuu eluel heutllaeu peekpeu-euketllulpekeu Ueupeplealelnua ep.\nDer Kurz-Link dieses Artikels lautet: https://www.welt.de/231558119


Adrienne Barbeau’s Airdate As Victoria’s Evil Mom On REVENGE & Deets Revealed! | Michael Fairman On-Air On-Soaps | Daytime Soap Interviews, News, Updates and Previews, Video and Audio Interviews\n2 November 9th, 2012 Adrienne Barbeau’s Airdate As Victoria’s Evil Mom On REVENGE & Deets Revealed!\nTags: Adrienne Barbeau, Madeleine Stowe, Mike Kelley, Revenge, Victoria Grayson


US license plates starting AR1B.\nIn the United States recorded a lot of cars and people often need help in finding the license plate. These site is made to help such people. On this page, six-digit license plates starting with AR1B. You have chosen the first four characters AR1B, now you have to choose 1 more characters.\nAR1B8 AR1BK AR1BJ AR1B3 AR1B4 AR1BH AR1B7 AR1BG AR1BD AR1B2 AR1BB AR1BW AR1B0 AR1BI AR1BX AR1BZ AR1BA AR1BC AR1BU AR1B5 AR1BR AR1BV AR1B1 AR1B6 AR1BN AR1BE AR1BQ AR1BM AR1BS AR1BO AR1BT AR1B9 AR1BL AR1BY AR1BP AR1BF\nAR1B A R1B A-R1B AR 1B AR-1B AR1 B AR1-B\nAR1B88 AR1B8K AR1B8J AR1B83 AR1B84 AR1B8H AR1B87 AR1B8G AR1B8D AR1B82 AR1B8B AR1B8W AR1B80 AR1B8I AR1B8X AR1B8Z AR1B8A AR1B8C AR1B8U AR1B85 AR1B8R AR1B8V AR1B81 AR1B86 AR1B8N AR1B8E AR1B8Q AR1B8M AR1B8S AR1B8O AR1B8T AR1B89 AR1B8L AR1B8Y AR1B8P AR1B8F\nAR1BK8 AR1BKK AR1BKJ AR1BK3 AR1BK4 AR1BKH AR1BK7 AR1BKG AR1BKD AR1BK2 AR1BKB AR1BKW AR1BK0 AR1BKI AR1BKX AR1BKZ AR1BKA AR1BKC AR1BKU AR1BK5 AR1BKR AR1BKV AR1BK1 AR1BK6 AR1BKN AR1BKE AR1BKQ AR1BKM AR1BKS AR1BKO AR1BKT AR1BK9 AR1BKL AR1BKY AR1BKP AR1BKF\nAR1BJ8 AR1BJK AR1BJJ AR1BJ3 AR1BJ4 AR1BJH AR1BJ7 AR1BJG AR1BJD AR1BJ2 AR1BJB AR1BJW AR1BJ0 AR1BJI AR1BJX AR1BJZ AR1BJA AR1BJC AR1BJU AR1BJ5 AR1BJR AR1BJV AR1BJ1 AR1BJ6 AR1BJN AR1BJE AR1BJQ AR1BJM AR1BJS AR1BJO AR1BJT AR1BJ9 AR1BJL AR1BJY AR1BJP AR1BJF\nAR1B38 AR1B3K AR1B3J AR1B33 AR1B34 AR1B3H AR1B37 AR1B3G AR1B3D AR1B32 AR1B3B AR1B3W AR1B30 AR1B3I AR1B3X AR1B3Z AR1B3A AR1B3C AR1B3U AR1B35 AR1B3R AR1B3V AR1B31 AR1B36 AR1B3N AR1B3E AR1B3Q AR1B3M AR1B3S AR1B3O AR1B3T AR1B39 AR1B3L AR1B3Y AR1B3P AR1B3F\nAR1 B88 AR1 B8K AR1 B8J AR1 B83 AR1 B84 AR1 B8H AR1 B87 AR1 B8G AR1 B8D AR1 B82 AR1 B8B AR1 B8W AR1 B80 AR1 B8I AR1 B8X AR1 B8Z AR1 B8A AR1 B8C AR1 B8U AR1 B85 AR1 B8R AR1 B8V AR1 B81 AR1 B86 AR1 B8N AR1 B8E AR1 B8Q AR1 B8M AR1 B8S AR1 B8O AR1 B8T AR1 B89 AR1 B8L AR1 B8Y AR1 B8P AR1 B8F\nAR1 BK8 AR1 BKK AR1 BKJ AR1 BK3 AR1 BK4 AR1 BKH AR1 BK7 AR1 BKG AR1 BKD AR1 BK2 AR1 BKB AR1 BKW AR1 BK0 AR1 BKI AR1 BKX AR1 BKZ AR1 BKA AR1 BKC AR1 BKU AR1 BK5 AR1 BKR AR1 BKV AR1 BK1 AR1 BK6 AR1 BKN AR1 BKE AR1 BKQ AR1 BKM AR1 BKS AR1 BKO AR1 BKT AR1 BK9 AR1 BKL AR1 BKY AR1 BKP AR1 BKF\nAR1 BJ8 AR1 BJK AR1 BJJ AR1 BJ3 AR1 BJ4 AR1 BJH AR1 BJ7 AR1 BJG AR1 BJD AR1 BJ2 AR1 BJB AR1 BJW AR1 BJ0 AR1 BJI AR1 BJX AR1 BJZ AR1 BJA AR1 BJC AR1 BJU AR1 BJ5 AR1 BJR AR1 BJV AR1 BJ1 AR1 BJ6 AR1 BJN AR1 BJE AR1 BJQ AR1 BJM AR1 BJS AR1 BJO AR1 BJT AR1 BJ9 AR1 BJL AR1 BJY AR1 BJP AR1 BJF\nAR1 B38 AR1 B3K AR1 B3J AR1 B33 AR1 B34 AR1 B3H AR1 B37 AR1 B3G AR1 B3D AR1 B32 AR1 B3B AR1 B3W AR1 B30 AR1 B3I AR1 B3X AR1 B3Z AR1 B3A AR1 B3C AR1 B3U AR1 B35 AR1 B3R AR1 B3V AR1 B31 AR1 B36 AR1 B3N AR1 B3E AR1 B3Q AR1 B3M AR1 B3S AR1 B3O AR1 B3T AR1 B39 AR1 B3L AR1 B3Y AR1 B3P AR1 B3F\nAR1-B88 AR1-B8K AR1-B8J AR1-B83 AR1-B84 AR1-B8H AR1-B87 AR1-B8G AR1-B8D AR1-B82 AR1-B8B AR1-B8W AR1-B80 AR1-B8I AR1-B8X AR1-B8Z AR1-B8A AR1-B8C AR1-B8U AR1-B85 AR1-B8R AR1-B8V AR1-B81 AR1-B86 AR1-B8N AR1-B8E AR1-B8Q AR1-B8M AR1-B8S AR1-B8O AR1-B8T AR1-B89 AR1-B8L AR1-B8Y AR1-B8P AR1-B8F\nAR1-BK8 AR1-BKK AR1-BKJ AR1-BK3 AR1-BK4 AR1-BKH AR1-BK7 AR1-BKG AR1-BKD AR1-BK2 AR1-BKB AR1-BKW AR1-BK0 AR1-BKI AR1-BKX AR1-BKZ AR1-BKA AR1-BKC AR1-BKU AR1-BK5 AR1-BKR AR1-BKV AR1-BK1 AR1-BK6 AR1-BKN AR1-BKE AR1-BKQ AR1-BKM AR1-BKS AR1-BKO AR1-BKT AR1-BK9 AR1-BKL AR1-BKY AR1-BKP AR1-BKF\nAR1-BJ8 AR1-BJK AR1-BJJ AR1-BJ3 AR1-BJ4 AR1-BJH AR1-BJ7 AR1-BJG AR1-BJD AR1-BJ2 AR1-BJB AR1-BJW AR1-BJ0 AR1-BJI AR1-BJX AR1-BJZ AR1-BJA AR1-BJC AR1-BJU AR1-BJ5 AR1-BJR AR1-BJV AR1-BJ1 AR1-BJ6 AR1-BJN AR1-BJE AR1-BJQ AR1-BJM AR1-BJS AR1-BJO AR1-BJT AR1-BJ9 AR1-BJL AR1-BJY AR1-BJP AR1-BJF\nAR1-B38 AR1-B3K AR1-B3J AR1-B33 AR1-B34 AR1-B3H AR1-B37 AR1-B3G AR1-B3D AR1-B32 AR1-B3B AR1-B3W AR1-B30 AR1-B3I AR1-B3X AR1-B3Z AR1-B3A AR1-B3C AR1-B3U AR1-B35 AR1-B3R AR1-B3V AR1-B31 AR1-B36 AR1-B3N AR1-B3E AR1-B3Q AR1-B3M AR1-B3S AR1-B3O AR1-B3T AR1-B39 AR1-B3L AR1-B3Y AR1-B3P AR1-B3F


AfterFM - show archives and podcasts for host: DJ Number Seven\nTrack: Me & My Uncle\nAlbum: Dallas, TX 12-26-1969\nDJ Number Seven Archives\nCollab shows with Iris Berkeley: http://www.afterfm.com/IrisBerkeleyDJNumberSeven\nNotify: get rss updates when DJ Number Seven is on the air | help\nSep 30, 2021 10:01 PM (MT)\nJazz Lives with DJ Number Seven\nChick Corea, Christian McBride & Brian Blade - All Blues - Trilogy 2 (Live)\nIgor Butman - Nostalgie - Nostalgie\nJulian Lage - Quiet Like A Fuse - Squint\nMeeco - Refrão De Amor - Beauty Of The Night\nWolfgang Muthspiel, Scott Colley & Brian Blade - Kanon In 6/8 - Angular Blues\nTommy Smith Youth Jazz Orchestra - A Night In Tunisia (feat. Joe Locke) - Exploration (feat. Joe Locke)\nRob Scheps - Short Story - Comencio\nMel Martin - Zanzibar - Mel Martin Plays Benny Carter\nJack DeJohnette - Two Jimmys - In Movement\nBob Brookmeyer & Clark Terry - Straight No Chaser - Clark Terry & Bobby Brookmeyer Quintet\nDr. Lonnie Smith, George Benson, Joe Lovano & Ron Carter - Good Morning - Afrodesia\nApr 22, 2021 9:01 PM (MT)\nSwing Shift with DJ Number Seven\nBelleruche - Minor Swing - Electro Swing Vol. 1\nChinese Man - Artichaut - The Groove Sessions\nCaro Emerald - That Man - Deleted Scenes From The Cutting Room Floor\nScott Bradlee's Postmodern Jukebox - Thrift Shop (feat. Robyn Adele Anderson) - The Essentials\nAmy Kucharik - Prodigal Son - Cunning Folk\nM - Belleville Rendez-vous (Version Française) - The Triplets Of Belleville (Soundtrack From The Motion Picture)\nCaravan Palace - Jolie Coquine - Caravan Palace\nParov Stelar - Libella Swing - Electro Swing Vol. 1\nParov Stelar - Baska Brother - The Paris Swing Box - EP\nTape Five - Bad Boy Good Man (feat. Henrik Wager) - Tonight Josephine!\nKing Of Swing Orchestra - Flying Home - Swingin' 30s (Flying Home / Roll 'Em) - Single\nJack Bland & His Rhythmakers & Billy Banks And His Orchestra - It Don't Mean A Thing (If It Ain't Got That Swing) - 60 Classic Recordings To Celebrate International Jazz Day\nMichael Jackson Tribute Swing Band - Billie Jean - Swingin' To Michael Jackson\nLionel Hampton - Hot Mallets - All Star Sessions, Volume 2: Hot Mallets\nJan 4, 2021 8:01 PM (MT)\nA Classic Monday with DJ Number Seven\nArthur Fiedler & Boston Pops Orchestra - The Damnation Of Faust: Rákóczy March - Fiedler's Favorite Marches\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Introduction - Allegro Vivace - Variation I - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation II - L'istesso Tempo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation III - L'istesso Tempo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation IV - Più Vivo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation V - Tempo Precedente - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation VI - L'istesso Tempo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation VII - Meno Mosso, A Tempo Moderato - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation VIII - Tempo I - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation IX - L'istesso Tempo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation X - L'istesso Tempo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XI - Moderato - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XII - Tempo Di Minuetto - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XIII - Allegro - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XIV - L'istesso Tempo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XV - Più Vivo Scherzando - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XVI - Allegretto - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XVII - Allegretto - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XVIII - Andante Cantabile - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XIX - A Tempo Vivace - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XX - Un Poco Più Vivo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XXI - Un Poco Più Vivo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XXII - Un Poco Più Vivo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIII - L'istesso Tempo - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nCameron Carpenter, Christoph Eschenbach & Konzerthausorchester Berlin - Rhapsody On A Theme Of Paganini, Op. 43: Variation XXIV - A Tempo Un Poco Meno Mosso - Rachmaninoff: Rhapsody On A Theme Of Paganini & Poulenc: Organ Concerto\nStefano Bollani, Gewandhausorchester Leipzig & Riccardo Chailly - Concerto In F: I. Allegro - Gershwin: Rhapsody In Blue; Piano Concerto In F; Catfish Row Etc\nStefano Bollani, Gewandhausorchester Leipzig & Riccardo Chailly - Concerto In F: II. Adagio - Gershwin: Rhapsody In Blue; Piano Concerto In F; Catfish Row Etc\nStefano Bollani, Gewandhausorchester Leipzig & Riccardo Chailly - Concerto In F: III. Allegro Agitato - Gershwin: Rhapsody In Blue; Piano Concerto In F; Catfish Row Etc\nJulianne Baird, Joshua Rifkin, The Bach Ensemble, Drew Minter, Jeffrey Thomas & Jan Opalach - Cantata 140, "Wachet Auf, Ruft Uns Die Stimme", BWV 140: I. Chor: "Wachet Auf, Ruft Uns Die Stimme" - J.S. Bach: 6 Favourite Cantatas\nJess Thomas, Joshua Rifkin & The Bach Ensemble - Cantata 140, "Wachet Auf, Ruft Uns Die Stimme", BWV 140: II. Rezitativ: "Er Kommt, Er Kommt, Der Bräutigam Kommt!" - J.S. Bach: 6 Favourite Cantatas\nJulianne Baird, Joshua Rifkin, The Bach Ensemble & Jan Opalach - Cantata 140, "Wachet Auf, Ruft Uns Die Stimme", BWV 140: III. Arie (Duett): "Wann Kommst Du, Mein Heil?" - J.S. Bach: 6 Favourite Cantatas\nJeffrey Thomas, Joshua Rifkin & The Bach Ensemble - Cantata 140, "Wachet Auf, Ruft Uns Die Stimme", BWV 140: IV. Choral: "Zion Hört Die Wächter Singen" - J.S. Bach: 6 Favourite Cantatas\nJan Opalach, Joshua Rifkin & The Bach Ensemble - Cantata 140, "Wachet Auf, Ruft Uns Die Stimme", BWV 140: V. Rezitativ: "So Geh' Herein Zu Mir" - J.S. Bach: 6 Favourite Cantatas\nJulianne Baird, Joshua Rifkin, The Bach Ensemble & Jan Opalach - Cantata 140, "Wachet Auf, Ruft Uns Die Stimme", BWV 140: VI. Arie: "Mein Freund Ist Mein!" - J.S. Bach: 6 Favourite Cantatas\nJulianne Baird, Joshua Rifkin, The Bach Ensemble, Drew Minter, Jeffrey Thomas & Jan Opalach - Cantata 140, "Wachet Auf, Ruft Uns Die Stimme", BWV 140: VII. Choral: "Gloria Sei Dir Gesungen" - J.S. Bach: 6 Favourite Cantatas\nHandel And Haydn Society, Harry Christophers, Sonja DuToit Tengblad, Margot Rood, Emily Marvosh, Ian Watson & Guy Fishman - Bow Down Thine Ear, O Lord - The Old Colony Collection\nAlbany Symphony Orchestra & David Alan Miller - Symphony No. 5 1/2: Perpetual Emotion - Gillis: Symphony X\nAlbany Symphony Orchestra & David Alan Miller - Symphony No. 5 1/2: Spiritual? - Gillis: Symphony X\nAlbany Symphony Orchestra & David Alan Miller - Symphony No. 5 1/2: Scherzofrenia - Gillis: Symphony X\nAlbany Symphony Orchestra & David Alan Miller - Symphony No. 5 1/2: Conclusion - Gillis: Symphony X\nLeonard Bernstein & New York Philharmonic - Suite From "The Firebird" (1919 Version): Infernal Dance Of King Kashchei - Stravinsky: The Rite Of Spring & Suite From "The Firebird" (Expanded Edition)\nNov 2, 2020 7:01 PM (MT)\nThe Opera Box with DJ Number Seven\nNeil Jenkins, Leonard Bernstein, London Symphony Orchestra, Jerry Hadley, John Treleavan, Lindsay Benson, Clive Bayley, Richard Suart & Adolph Green - Candide, Act II: The Kings' Barcarolle - Bernstein: Candide\nLondon Symphony Chorus, Leonard Bernstein & London Symphony Orchestra - Candide, Act II: Money, Money, Money - Bernstein: Candide\nChrista Ludwig, Leonard Bernstein, London Symphony Chorus, Nicolai Gedda, London Symphony Orchestra, John Treleavan & Kurt Ollmann - Candide, Act II: What's The Use - Bernstein: Candide\nJune Anderson, Leonard Bernstein, London Symphony Orchestra, Christa Ludwig, Jerry Hadley & Adolph Green - Candide, Act II: The Venice Gavotte - Bernstein: Candide\nJerry Hadley, Leonard Bernstein & London Symphony Orchestra - Candide, Act II: Nothing More Than This - Bernstein: Candide\nLondon Symphony Chorus, Leonard Bernstein & London Symphony Orchestra - Candide, Act II: Universal Good (Life Is Neither) - Bernstein: Candide\nJune Anderson, Leonard Bernstein, London Symphony Orchestra, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green & London Symphony Chorus - Candide, Act II: Make Our Garden Grow (Finale) - Bernstein: Candide\nThomas Hampson, London Symphony Orchestra, Kent Nagano, London Voices & Terry Edwards - A White House Cantata / Pt. 1: The President Jefferson Sunday Luncheon March - Leonard Bernstein - Theatre Works On Deutsche Grammophon\nThomas Hampson, London Symphony Orchestra & Kent Nagano - A White House Cantata, Pt. 1: We Must Have A Ball - Bernstein: A White House Cantata\nBarbara Hendricks, Thomas Hampson, London Symphony Orchestra, Kent Nagano, London Voices & Terry Edwards - A White House Cantata, Pt. 2: Duet For One - Bernstein: A White House Cantata\nLondon Symphony Orchestra, Kent Nagano, London Voices & Terry Edwards - A White House Cantata, Pt. 2: The Grand Old Party - Bernstein: A White House Cantata\nOct 5, 2020 7:01 PM (MT)\nJune Anderson, Leonard Bernstein, London Symphony Orchestra & Jerry Hadley - Candide, Act I: You Were Dead, You Know - Bernstein: Candide\nChrista Ludwig, Leonard Bernstein, London Symphony Orchestra & London Symphony Chorus - Candide, Act I: I Am Easily Assimilated (Old Lady's Tango) - Bernstein: Candide\nJune Anderson, Leonard Bernstein, London Symphony Chorus, Christa Ludwig, London Symphony Orchestra, Jerry Hadley & Kurt Ollmann - Candide, Act I: Quartet Finale - Bernstein: Candide\nLondon Symphony Chorus, Leonard Bernstein & London Symphony Orchestra - Candide, Act II: Universal Good - Bernstein: Candide\nJune Anderson, Leonard Bernstein, London Symphony Orchestra & Nicolai Gedda - Candide, Act II: My Love (Governor's Serenade) - Bernstein: Candide\nJune Anderson, Leonard Bernstein, London Symphony Orchestra & Christa Ludwig - Candide, Act II: We Are Women (Polka) - Bernstein: Candide\nDella Jones, Leonard Bernstein, London Symphony Chorus, Jerry Hadley, London Symphony Orchestra & Kurt Ollmann - Candide, Act II: The Pilgrims' Procession - Alleluia - Bernstein: Candide\nJune Anderson, Leonard Bernstein, London Symphony Orchestra, Christa Ludwig & Nicolai Gedda - Candide, Act II: Quiet - Bernstein: Candide\nLondon Symphony Orchestra & Leonard Bernstein - Candide, Act II: Introduction To Eldorado (Instrumental) - Bernstein: Candide\nJerry Hadley, Leonard Bernstein, London Symphony Orchestra, London Symphony Chorus & Simon Joly - Candide, Act II: The Ballad Of Eldorado - Bernstein: Candide\nAdolph Green, Leonard Bernstein & London Symphony Orchestra - Candide, Act II: Words, Words, Words (Martin's Laughing Song) - Bernstein: Candide\nLondon Symphony Chorus, Nicolai Gedda, Leonard Bernstein & London Symphony Orchestra - Candide, Act II: Bon Voyage - Bernstein: Candide\nAug 31, 2020 7:01 PM (MT)\nArthur Sullivan - Act II_ A More Humane Mikado - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nArthur Sullivan - Act II_ The Criminal Cried As He Dropped Him Down - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nArthur Sullivan - Act II_ See How The Fates Their Gifts Allot - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nArthur Sullivan - Act II_ The Flowers That Bloom In The Spring - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nArthur Sullivan - Act II_ Alone And Yet Alive - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nArthur Sullivan - Act II_ Hearts Do Not Break - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nArthur Sullivan - On A Tree By A River A Little Tom-tit - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nArthur Sullivan - Act II_ There Is Beauty In The Bellow Of The Blast - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nArthur Sullivan - Act II_ For He's Gone And Married Yum-Yum - Gilbert & Sullivan, The Pro Arte Orchestra*, Glyndebourne Festival Chorus, Sir Malcolm Sargent ?– The Mikado\nGeorge Baker, Glyndebourne Chorus, John Cameron, Elsie Morison, Heather Harper, Pro Arte Orchestra, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis - The Pirates Of Penzance (or, The Slave Of Duty), Act I: I Am The Very Model Of A Modern Major-General (Major-General, Girls, Pirates) - Gilbert & Sullivan: Pirates Of Penzance\nGeorge Baker, John Cameron, Elsie Morison, Glyndebourne Chorus, Peter Gellhorn, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent & Richard Lewis - HMS Pinafore (or, The Lass That Loved A Sailor), Act I: When I Was A Lad I Served A Term (Sir Joseph, Relatives, Sailors) - Gilbert & Sullivan: HMS Pinafore\nAllan Sherman - When I Was A Lad (I Went To Yale) - My Son The Celebrity\nAug 3, 2020 8:01 PM (MT)\nAug 3, 2020 7:01 PM (MT)\nJul 6, 2020 7:01 PM (MT)\nPro Arte Orchestra, John Cameron, Sir Malcolm Sargent, Elsie Morison, Jeanette Sinclair, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version): Overture - Gilbert & Sullivan: The Mikado\nElsie Morison, Glyndebourne Chorus, John Cameron, Jeanette Sinclair, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent, Peter Gellhorn & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: If You Want To Know Who We Are (Nobles) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Pro Arte Orchestra, Jeanette Sinclair, Sir Malcolm Sargent, Glyndebourne Festival Chorus, Peter Gellhorn & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: Gentlemen, I Pray You Tell Me (Nanki-Poo, A Noble) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Glyndebourne Chorus, Jeanette Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: A Wand'ring Minstrel, I (Nanki-Poo, Nobles) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Glyndebourne Chorus, Jeanette Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: Our Great Mikado, Virtuous Man (Pish-Tush, Nobles) - Gilbert & Sullivan: The Mikado\nElsie Morison, Ian Wallace, John Cameron, Jeanette Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: Young Man, Despair (Pooh-Bah, Nanki-Poo, Pish-Tush) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Ian Wallace, Jeanette Sinclair, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent, Peter Gellhorn & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: And Have I Journey'd For A Month (Nanki-Poo, Pooh-Bah) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Geraint Evans, Glyndebourne Chorus, Jeanette Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: Behold The Lord High Executioner! (Nobles, Ko-Ko) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Geraint Evans, Glyndebourne Chorus, Jeanette Sinclair, Glyndebourne Festival Chorus, Pro Arte Orchestra, Peter Gellhorn, Sir Malcolm Sargent & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: As Some Day It May Happen (Ko-Ko, Nobles) - Gilbert & Sullivan: The Mikado\nElsie Morison, Glyndebourne Chorus, John Cameron, Jeanette Sinclair, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent, Peter Gellhorn & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: Comes A Train Of Little Ladies (Girls) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Jeannette Sinclair, Jeanette Sinclair, Glyndebourne Chorus, Glyndebourne Festival Chorus, Peter Gellhorn, Pro Arte Orchestra, Sir Malcolm Sargent & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: Three Little Maids From School (Yum-Yum, Peep-Bo, Pitti-Sing, Girls) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Jeannette Sinclair, Jeanette Sinclair, Glyndebourne Festival Chorus, Ian Wallace, Glyndebourne Chorus, Peter Gellhorn, Pro Arte Orchestra, Sir Malcolm Sargent & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: So Please You, Sir, We Much Regret (Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah, Girls) - Gilbert & Sullivan: The Mikado\nElsie Morison, John Cameron, Jeanette Sinclair, Pro Arte Orchestra, Glyndebourne Festival Chorus, Sir Malcolm Sargent, Peter Gellhorn & Richard Lewis - The Mikado (or, The Town Of Titipu) (1987 Remastered Version), Act I: Were You Not To Ko-Ko Plighted (Nanki-Poo, Yum-Yum) - Gilbert & Sullivan: The Mikado\nJun 29, 2020 7:01 PM (MT)\nJohn Adams - Act II Scene 2_ Flesh Robots (Chorus As Militia) - Nixon In China_\nJohn Adams - Act II Scene 2_ I Have My Brief (Lao Szu, Nixon) - Nixon In China_\nJohn Adams - Act II Scene 2_ It Seems So Strange (Ching-huw, Madame Mao, Pat, Nixon - Nixon In China_\nJohn Adams - Act II Scene 2_ I Am The Wife Of Mao Tse-tung (Madame Mao, Chorus) - Nixon In China_\nJohn Adams - Act III_ Beginning - Nixon In China_\nJohn Adams - Act III_ Some Men You Cannot Satisfy - Nixon In China_\nJohn Adams - Act III_ I Am No One (Mao) - Nixon In China_\nJohn Adams - Act III_ The Maos Dance (Mao, Madame Mao, Nixon, Pat Nixon(, Chou) - Nixon In China_\nJohn Adams - Act III_ Sitting Around The Radio (Nixon, Pat) - Nixon In China_\nJohn Adams - Act II_ Let Us Examine What You Did (Mao, Madame Mao, Chou) - Nixon In China_\nJohn Adams - Act III_ When I Woke Up I Dimly Realized The Jap Bombers Had Given Us A Miss (Nixon) - Nixon In China_\nJohn Adams - Act III_ I Have No Offspring - Nixon In China_\nJohn Adams - Act III_ I Can Keep Still (Madame Mao) - Nixon In China_\nJohn Adams - Act III_ After That The Sweat Had Soaked My Uniform (Nixon, Pat, Madame Mao, Mao, Chou) - Nixon In China_\nJohn Adams - Act III_ Peking Watches The Stars - Nixon In China_\nJohn Adams - Act III_ You Won At Poker (Pat, Nixon, Madame Mao, Mao) - Nixon In China_\nJohn Adams - Act III_ I Am Old And I Cannot Sleep - Nixon In China_


1208 North Fuller Ave Apt 1: RUSALKA – Base Waters.\nRUSALKA – Base Waters.\nRUSALKA – Base Waters – Album/Download – Absurd Exposition – 2019 – Absurd Exposition AE34\nBy Nevis Kretini at December 08, 2019\nLabels: Harsh Noise, Noise, Rusalka


From £190.00 - 2 to 7 nights\nStart date: 21 Jun 2019 (3 nights - £299.00) 1 Jul 2019 (4 nights - £409.00) 5 Jul 2019 (7 nights - £689.00) 5 Jul 2019 (3 nights - £219.00) 8 Jul 2019 (4 nights - £389.00) 12 Jul 2019 (2 nights - £190.00) 12 Jul 2019 (3 nights - £304.00) 12 Jul 2019 (7 nights - £689.00) 26 Jul 2019 (7 nights - £689.00) 26 Jul 2019 (3 nights - £304.00) 29 Jul 2019 (4 nights - £409.00) 2 Aug 2019 (7 nights - £709.00) 2 Aug 2019 (3 nights - £304.00) 5 Aug 2019 (4 nights - £409.00) 9 Aug 2019 (7 nights - £709.00) 9 Aug 2019 (3 nights - £304.00) 10 Aug 2019 (2 nights - £205.00) 12 Aug 2019 (4 nights - £409.00) 19 Aug 2019 (4 nights - £409.00) 23 Aug 2019 (3 nights - £289.00) 23 Aug 2019 (7 nights - £709.00) 26 Aug 2019 (4 nights - £409.00) 30 Aug 2019 (7 nights - £709.00) 30 Aug 2019 (3 nights - £289.00) 2 Sep 2019 (4 nights - £409.00) 6 Sep 2019 (7 nights - £709.00) 6 Sep 2019 (3 nights - £289.00) 9 Sep 2019 (4 nights - £409.00) 13 Sep 2019 (3 nights - £289.00) 16 Sep 2019 (4 nights - £409.00) 20 Sep 2019 (3 nights - £289.00) 23 Sep 2019 (4 nights - £409.00) 27 Sep 2019 (3 nights - £254.00) 27 Sep 2019 (7 nights - £639.00) 30 Sep 2019 (4 nights - £349.00) 6 Oct 2019 (5 nights - £452.00) 11 Oct 2019 (7 nights - £589.00) 14 Oct 2019 (4 nights - £349.00) 21 Oct 2019 (4 nights - £349.00) 25 Oct 2019 (3 nights - £240.00) 25 Oct 2019 (7 nights - £525.00) 28 Oct 2019 (4 nights - £285.00) 1 Nov 2019 (3 nights - £240.00) 1 Nov 2019 (7 nights - £525.00) 4 Nov 2019 (4 nights - £285.00) 8 Nov 2019 (3 nights - £240.00) 8 Nov 2019 (7 nights - £525.00) 11 Nov 2019 (4 nights - £285.00)\nEnjoy a break in the Peak District with the walking experts; we have all the ingredients for your perfect Self-Guided Walking holiday. Our 3-star Country House, just a few minutes' walk from the limestone gorge of Dove Dale, is geared to the needs of walkers and outdoor enthusiasts. Enjoy hearty local food, detailed route notes, and an inspirational location from which to explore the stunning landscapes of the Derbyshire Dales.\n21 Jun 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £299.00 Save £20 Per Person Book Now\n1 Jul 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n5 Jul 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £219.00 Save £100 Per Person Book Now\n5 Jul 2019 DVPOA - Self-guided Walking - Dovedale 7 £759.00 £689.00 Save £70 off pp -Summer Offer Book Now\n8 Jul 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £389.00 Save £60 Per Person Book Now\n12 Jul 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £304.00 Save £15 Per Person Book Now\n12 Jul 2019 DVPOA - Self-guided Walking - Dovedale 2 £235.00 £190.00 Save £45 Per Person Book Now\n12 Jul 2019 DVPOA - Self-guided Walking - Dovedale 7 £759.00 £689.00 Save £70 off pp -Summer Offer Book Now\n26 Jul 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £304.00 Save £15 Per Person Book Now\n26 Jul 2019 DVPOA - Self-guided Walking - Dovedale 7 £759.00 £689.00 Save £70 off pp -Summer Offer Book Now\n29 Jul 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n2 Aug 2019 DVPOA - Self-guided Walking - Dovedale 7 £759.00 £709.00 Save £50 off pp - August OFFER Book Now\n2 Aug 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £304.00 Save £15 Per Person Book Now\n5 Aug 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n9 Aug 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £304.00 Save £15 Per Person Book Now\n9 Aug 2019 DVPOA - Self-guided Walking - Dovedale 7 £759.00 £709.00 Save £50 off pp - August OFFER Book Now\n10 Aug 2019 DVPOA - Self-guided Walking - Dovedale 2 £235.00 £205.00 Save £30 Per Person Book Now\n12 Aug 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n19 Aug 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n23 Aug 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £289.00 Save £30 Per Person Book Now\n23 Aug 2019 DVPOA - Self-guided Walking - Dovedale 7 £759.00 £709.00 Save £50 off pp - August OFFER Book Now\n26 Aug 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n30 Aug 2019 DVPOA - Self-guided Walking - Dovedale 7 £759.00 £709.00 Save £50 off pp - August OFFER Book Now\n30 Aug 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £289.00 Save £30 Per Person Book Now\n2 Sep 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n6 Sep 2019 DVPOA - Self-guided Walking - Dovedale 7 £759.00 £709.00 SAVE £50 PER PERSON Book Now\n6 Sep 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £289.00 Save £30 Per Person Book Now\n9 Sep 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n13 Sep 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £289.00 Save £30 Per Person Book Now\n16 Sep 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n20 Sep 2019 DVPOA - Self-guided Walking - Dovedale 3 £319.00 £289.00 Save £30 Per Person Book Now\n23 Sep 2019 DVPOA - Self-guided Walking - Dovedale 4 £449.00 £409.00 Save £40 Per Person Book Now\n27 Sep 2019 DVPOA - Self-guided Walking - Dovedale 7 £689.00 £639.00 SAVE £50 PER PERSON Book Now\n27 Sep 2019 DVPOA - Self-guided Walking - Dovedale 3 £299.00 £254.00 Save £45 Per Person Book Now\n30 Sep 2019 DVPOA - Self-guided Walking - Dovedale 4 £409.00 £349.00 Save £60 Per Person Book Now\n6 Oct 2019 DVPOA - Self-guided Walking - Dovedale 5 £492.00 £452.00 Save £40 Per Person Book Now\n11 Oct 2019 DVPOA - Self-guided Walking - Dovedale 7 £689.00 £589.00 Save £100 off pp - Autumn TOP OFFER Book Now\n14 Oct 2019 DVPOA - Self-guided Walking - Dovedale 4 £409.00 £349.00 Save £60 Per Person Book Now\n21 Oct 2019 DVPOA - Self-guided Walking - Dovedale 4 £409.00 £349.00 Save £60 Per Person Book Now\n25 Oct 2019 DVPOA - Self-guided Walking - Dovedale 7 £625.00 £525.00 Save £100 off pp - Autumn TOP OFFER Book Now\n25 Oct 2019 DVPOA - Self-guided Walking - Dovedale 3 £285.00 £240.00 Save £45 Per Person Book Now\n28 Oct 2019 DVPOA - Self-guided Walking - Dovedale 4 £345.00 £285.00 Save £60 Per Person Book Now\n1 Nov 2019 DVPOA - Self-guided Walking - Dovedale 3 £285.00 £240.00 Save £45 Per Person Book Now\n1 Nov 2019 DVPOA - Self-guided Walking - Dovedale 7 £625.00 £525.00 Save £100 off pp - Autumn TOP OFFER Book Now\n4 Nov 2019 DVPOA - Self-guided Walking - Dovedale 4 £345.00 £285.00 Save £60 Per Person Book Now\n8 Nov 2019 DVPOA - Self-guided Walking - Dovedale 7 £625.00 £525.00 Save £100 off pp - Autumn TOP OFFER Book Now\n8 Nov 2019 DVPOA - Self-guided Walking - Dovedale 3 £285.00 £240.00 Save £45 Per Person Book Now\n11 Nov 2019 DVPOA - Self-guided Walking - Dovedale 4 £345.00 £285.00 Save £60 Per Person Book Now


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ax HG La gran trobada del sector TIC torna a l’Auditori el 16/6 – Inscriu-te ja a #LaNit2021 | Col·legi Oficial d'Enginyeria Informàtica de Catalunya COEINF\nSubmitted by mboix on 23 abril 2021 – 12:00No Comment\nDues setmanes abans del Mobile World Congress i després de la celebració de la primera edició de la fira audiovisual ISE a Barcelona, l’Associació Catalana d’Enginyers de Telecomunicació (Telecos.cat) i el Col·legi Oficial d’Enginyeria en Informàtica (COEINF) uneixen esforços per celebrar conjuntament aquesta trobada, que –amb aforament limitat i complint totes les recomanacions sanitàries– tornarà a reunir professionals, empreses, administració pública, universitats, associacions i institucions del món TIC del país.\nSi vols assistir-hi, no esperis més i compra ja la teva entrada! Un any més, els socis i col·legiats de les entitats organitzadores tenen l’entrada gratuïta (tot i així cal inscripció!). Per a la resta, com és habitual, oferim descomptes per inscripció anticipada, a més de preus especials per a membres d’entitats col·laboradores!\nInscriu-te ja a #LaNit2021!\nLa gran trobada del sector TIC torna a l’Auditori el 16/6


Brezhoneg Kerne - Wikipedia\nBrezhoneg Kerne, pe kerneveg (arabat eo droukveskañ gant kerneveureg, a zo yezh keltiek Kernev-Veur) a vez graet eus brezhoneg Bro-Gerne. Dre m'eo ar vro-se bro hengounel brasañ e Breizh-Izel eo diaes a-walc'h lavaret resis petra eo brezhoneg Kerne. Eus Kerne-Uhel betek ar Vro Vigoudenn, hag eus Plougastell betek Kemperle e cheñch kalz an doare da zistagañ hag ar gerioù implijet. Koulskoude eo sklaer ez eus perzhioù dibar da vrezhoneg Kerne e-keñver ar rannyezhoù all.\n3 Distagadur ar c'hensonennoù\n5 Skrivagnerien hag o deus graet gant brezhoneg Kerne\nPouez-mouezh[kemmañ | kemmañ ar vammenn]\nPouezmouezhiet e vez war an eil silabenn diwezhañ, evel e brezhoneg Leon, hogen kreñvoc'h eo an taol-mouezh.Abalamour da se e vez neutralizet ar vogalennoù dibouezmouezh: dont a reont da vezañ "chwa" pe mont a reont da get zoken.\nDa skouer e vez distaget /ba:r/ evit "bara", /ne:/ evit "nevez".\nAr gerioù implijet alies, evel "anezhañ", "anezhi", a vez distaget en ur silabenn nemetken.\nNe vez ket graet gant ar rannig e hag erlec'hiet e vez honnezh gant ar rannig a. Da skouer e vo klevet : bemde(z) a ganan e-lec'h bemdez e kanan.\nErlec'hiet e vez a-wezhioù é ouzh ar rannig-verb "o". An hevelep kemmadurioù (kemmadurioù mesket) a vez graet avat. Da skouer : emañ o tont a vez lavaret e lec'hioù zo : ema é tont (/ma i tõn/).\nAlies ne vez klevet rannig-verb ebet.\nKlevet e vez ar c'hemmadur mesket koulskoude. Er Reter e vez klevet un h etimologel (dre ma teu "o" diwar ouzh), ha kement-se\na laka /l/, /n/, /r/ da gemmañ e /lh/, /nh/, /x/ (« o lenn » /lhεn/) ;\na greñva kemmadurioù /m/ ha /b/, o reiñ /f/ e-lec'h /v/ (« o vont » /fõn/) ;\na laka harz da gemmadur « s » e /z/ ha « f » e /v/ (« o sevel » /sewl/).\nNe vez klevet ar rannig a nemet evel raganv-stag (war-bouez ar c'hemmadur a zeu diwarni).\nNe vez klevet ar rannig ne nemet ral a wezh. Kavet e vez avat e frazennoù-nac'h en trede gour ur "rener-nac'h" anezhañ, anezhi, anezhe, distaget /nõ/, /nèj/, /nε/. Klevet e vo da skouer, e-lec'h « Ne glevont ket mat », « (Ne) glev ket mat anezhe » /glèf ke ma: nε/.\nNe vez ket klevet ar rannig e kennebeut. En islavarennoù-diskuliañ ez eus deuet war-wel ur stagell all, lar (pe la).\n« ne veze ket gouiet la e oa kamm ken » (« ne veze ket gouezet e oa kamm ken »)\nGallout a ra "lar" bezañ heuliet gant un islavarenn pe ur genlavarenn. Da skouer :\n« soñjal a ran la an ouvrierien a chomas da gousket » (« soñjal a ran e chomas an ouvrierien da gousket »)\n« evel ar c'hefeleg, la ma vez yen an amzer en em blija... » (« evel ar c'hefeleg, ha ma vez yen an amzer en em blija... »)\nNotennoù : En hevelep degouezh e vez implijet a-wezhioù penaos e gwenedeg hag e tregerieg. Jean-Marie Le Scraigne a implij an daou a-wezhioù « gwelet e-meump abaoe lar penaos ne oa ket gwir ! » (« gwelet hon eus abaoe ne oa ket gwir »)\nImplijet e vez stank ar ger ba e brezhoneg Kerne (diwar grennadur e-barzh), e-lec'h e er brezhoneg lennegel.\nErlec'hiet e vez ba ouzh e(n) en araogennoù diwar "e" : e-kreiz, e-lec'h, e-mesk, e-tal a vez lavaret neuze ba-kreiz, ba-lec'h (pe ba-plass), ba-mesk, ba-tal.\nKrennet e vez ar ger gant ha distaget /ga/.\nE brehoneg Kerne n'eus ket kalz a ziforc'h etre an araogennoù eus, ouzh ha diouzh. Distaget e vezont pe deus, pe doc'h (hervez ar rannyezh).\nDistagadur ar c'hensonennoù[kemmañ | kemmañ ar vammenn]\nKoulz hag e Bro-Dreger hag e Bro-Gwened, ne vez ket distaget e brezhoneg Kerne ar /z/ a zeu diwar /ð/ ("dd" e kembraeg). Da skouer e vez distaget ar ger ezhomm /e:m/ pe c'hoazh /i:m/, hag ar verb anavezout /ã'nowt/.\nEr c'hontrol e vez distaget ar /z/ a zeu diwar ur /s/ e latin (azen diwar « asinus ») pe e predeneg (izel). (Ezreolderioù a zo : neuze a vez distaget a-wezhioù /'nœhe/, an dra-se /'ndrahe/).\nDistaget e vez ar skrivad c'h en doareoù-mañ :\n/h/ dre vras (evel el lodenn vrasañ eus Breizh-Izel).\n/x/, er gerioù a grog gant « c'hoa » /xwa/, e kemmadurioù « k », e dibenn ar gerioù...\npa zeu diwar gemmadur « g », e c'hell bezañ distaget /ɣ/, /h/ pe c'hoazh /ʁ/ er Gevred.\nDistaget e vez ar skrivad « v » a-wezhioù /w/ (pe /µ/). A-wezhioù e vez distaget ar skrivad « w » evel /v/. Pe c'hoazh ne vez ket distaget.\nDa skouer e vez distaget ar ger avel /aεl/ e korn-bro Kemper / Douarnenez.\nDistaget e vez w evel /v/ alies e penn-kentañ ar gerioù (dreist-holl dirak e pe i), a-hend-all e vez distaget /ɥ/ (evel e gwenedeg) goude g peurgetket.\nEr Vro-Vigoudenn ha war-dro e vez distaget c'hw, evel /f/. Lavaret e vez neuze c'hwi evel fi, ha c'hwec'h evel fec'h.\nE lodennoù 'zo ne vez ket distaget « zh » bepred: c'hoazh a vez distaget /xwaˑ/, brizhilli a vez distaget /ˈbrili/.\nE brezhoneg Kerne e vez klevet dreist-holl morse ha james evit lavarout "gwezh ebet".\nDistaget e vez marteze evel-henn : matrese / matre'e / mantr'eñ / matros / matrèhe...\nE-lec'h Pegoulz, e vez lavaret alies pedavare / pezavare / pevare / peur.\nImplijet e vez stank ar raganv-goulenn Peseurt mod (distaget /pessa mod/) e-lec'h penaos ; anavezet, hogen raloc'h, eo pegiz ivez.\nE kornioù zo e vez implijet a-benn e-lec'h evit.\nE kornioù zo e vez implijet evit e-lec'h eget, da skouer : "kreñvoc'h eo evidon".\nE Kerne-Izel e vez implijet mui e-lec'h ken:\nN'eus ket mui kalz a dud / N'eus ket kalz a dud ken.\nSkrivagnerien hag o deus graet gant brezhoneg Kerne[kemmañ | kemmañ ar vammenn]\nSkrivagnerien zo o deus implijet brezhoneg Kerne e mod pe vod en o oberennoù. En o zouez emañ:\nYouenn Drezen (implijet en deus al langaj chon zoken)\nL'Ouest en mémoire (Ina) - Petra eo ar brezhoneg? 1971\nAdtapet diwar « https://br.wikipedia.org/w/index.php?title=Brezhoneg_Kerne&oldid=1953066 »