CHICAGO STYLE GUIDE (17 ED.) Free Download PDF\nCHICAGO STYLE GUIDE (17TH ED.)NOTES & BIBLIOGRAPHY STYLETh i s g ui d e d e scr i be s th e hu m a n it i es s ty l e ( n ot e s & b i bl i ogr ap hy) t ha t i s pref err ed by ma ny in t h e ar t s,li t er a t ure , an d h is t or y . Th e “ a ut h or -d a te” s ty le is re serv ed f or t h e p hy si ca l , na t ura l an d so c ia l s c ie nc e s a n dis n o t cov ere d by th i s g u id e .Fo r m ore i nf orm a ti o n p l ea se r ef er to T he C h ic ag o M a nu al of S ty le ( C MO S) , l oc a te d be h in d th e l i braryr efer e nc e de sk ( Re f Z2 5 3. U6 9 20 17) . F or f ur th er i nf orma t i on o n el e ctr o n i c s o ur ce d oc um en t at i o n , v is i t th eC hi c ag o Ma n ua l of S ty le we bs i te: ww w .ch ic ag om an u alo f sty l e.o rg /to ol s cit ati on gu id e/ ci tati on -g u id e- 1.TABLE OF CONTENTSFORMATTING GUIDELINESF ON T, S P A CI NG , MA R GI NS , AL IG N MEN T , I N DEN T AT IO N , PAG E N UM BE RS3C OVE R PA GE3QU O TA TI O NS [ S H OR T AN D L O NG]4B I BLI O G RA P HY PA GE5HA NG I NG I ND E N T G UI DE6CREDITING SOURCESW HA T R E Q UI RE S A F O O T NO TE7H O W DO E S A C IT A T I ON AP PEA R IN T HE T E X T7S H O RTE NI N G F O O TN O TE S W HEN CI T IN G A S O UR C E M O RE T H AN O N CE8H O W T O I NS E R T A F O O T NO TE IN W O R D O R G O O G LE D O CS8SOURCE TYPESTW O AU T HO RS9T HRE E O R M O RE AU T H O R S9O RGA N I ZA TI O N OR G O VE RN ME NT AS AU T H O R10AUT H O R U NK NO W N10CLA S S I CA L PR I MA RY S O U R CES11S C RI P TU RAL RE FE RE N CE S11U.S . C ONS T IT UT I ON11S OU R CE QU O TE D IN AN O T HER SO UR CE11PE RS O NAL CO M MU NI C A TI O N12AUT H O R A N D E DI T O R OR TR ANS LA TO R12\nTABLE OF CONTENTS CONTINUEDPERIODICALS – ONLINE & PRINTJO UR NAL AR T I CLE F OR M AT TI NG N O TES13JO UR NAL AR T I C LE – W IT H A D O I13JO UR NAL AR T I CLE – W IT H OU T A D O I14MA GA Z INE S O R NE W S PA PER – O NL IN E & PR I NT14BOOKS – ELECTRONIC & PRINTB O OK F OR MA T TI N G N O T E S15O RD E R O F E LE ME NTS W H E N CI T IN G A B O OK15PR I NT B O OK15E LE C T RO N I C B OO K16AR TI CL E OR C H AP TE R I N AN E D ITE D C OL LE CT I ON16E NT RY I N A RE FE RE N CE B O OK – O NL INE & P R IN T17AUDIOVISUAL MEDIAO RD E R O F E LE ME NTS F O R MUL TI ME D IA C I TAT I O NS18S TRE AM I NG V I DE O18FI LM / DV D19P OD C AS T19WEBSITES & SOCIAL MEDIAWE BS I TE F O RM AT T IN G N OT ES20WE BP AGE W I T H A N AU T H OR20WE BP AGE – O R GA NI ZA T I ON AS A UT H O R O R N O A UT H OR20BL O GP OS T21LI B RA RY O F C ON GR E S S D IG I T AL C OL LE CT I ON22LINK TO A SAMPLE PAPER IN CHICAGO STYLEScan to be linked to a sample paper in Chicago Style2\nGENERAL FORMATTING GUIDELINESYo ur pr ofe ss or s wi l l exp ec t t o r e c eiv e pa p er s t h at ar e pr o per ly fo rma t te d. Un l es s o th erw i se r e q ue st e d byy o ur pr of e ss or , u s e t h e fo ll o w in g g u id el i ne s wh en se t t in g u p a pa per i n C hi c ag o S ty le . On e i nc h m ar g i ns o n si d es , to p , an d bo t t omTi me s N ew R om a n, 1 2 p t . f o ntD ou b le - sp a ce t he t ext (e xc ep t f or b lo ck q u ot es , f o ot n ot e s , a nd b ib l i ogr ap hy e n tr ie s) .Use a ½ in c h in de n t f or par agr ap h be g in n in gs , b l ock q u ot es , a nd h an gi n g i n de nt s .Lef t -a l ig n tex t so t h at i t ha s a r a gg ed r i gh t ed ge . D o no t u se ne w sp ap er j us t if ie d tex t .Num b er th e p ag e s i n t he t op r i gh t c orn er of t he he ad er be gi n ni ng w i th t he fir s t p ag e of t ext ( no t th eti t le p ag e ) . S om e pr of es sor s al s o li k e y o ur la s t n ame i n cl u de d wi t h th e p age n um ber .Rem ov e e xtr a sp a ci ng b et we en p ar a gra p hs .COVER PAGES ho u ld y our p ap er r eq u i r e a t i tl e pa ge , us e th e f o ll o wi ng g ui de l i ne s.1.2.3.4.5.The tit le should be centered one-thi rd of the way down the page in ALL CAP S.If there is a sub -ti tle, end your t it le with a colon and enter the sub -title on a separate line .Your name, class information , and the date should fol low several lines late r.Double -space each line of the cover page.Do not put a page number on the cover page .NOT E : Whi le m os t f or m a l r e s ear c h p a per s r e q ui r e a t i tl e pa ge , no t a ll wr it i ng a ss ig nm en t s m ake us e ofth em . Wh e n i n d ou b t, a s k y o ur in s tr u c t or .The top portion of a sample Chicago style title page3\nQUOTATIONSTh e C MO S re q uir es q u ot at i o n o f a l l wor d -f or -w o rd m at er ia l . Al l quoted material must be accompanied by afootnote.Footnotes are n ot es t ha t a p pe ar in t he f oo t erse c ti o n of th e pa ge . In C hi c ag o no t es a ndbi b li o gra p hy s ty le , fo o tn o te s ar e us ed t o t el l t her ea der t he s o urc e of i de as or l an gu ag e in t hetex t . T o ci t e a n o ut s id e so ur ce , a su per s cr ip tnu m b er is p la c ed af ter a qu o te , s um m ar y , o rpar ap hr as e . T he s up er sc r ip t n um b er c or r e s po n d st o a n um ber ed f oo t no t e c on ta i n in g s o ur cein f or ma t i on .Image source: Daria Nepriakhina/Stocksnap.io 1SHORT QUOTATIONSIf a q u o te i s l ess than five lines , in c or p or a te i t in t o a s en te n ce . E n cl o se t he q uo t e d ma te ri a l i n d ou b lequ o ta t i on mark s - “” . Pl ac e th e su per s cr ip t nu m ber a t th e e n d of th e se nt en c e or qu o ta t i on .Qu o t at i on ex am pl e:Kim a nd K oh ’ s inv es t ig at i on i nt o t he r e la t i on sh i p be t we en sm ar tp h on e o bs es s io n an d se lf - es te e msu gg es te d th a t “in d iv i d u al s wi t h lo w se lf - es te em may f e el mo re an xi o us , an d be i ng anx i o us c anin cr ea se o ne 's o bs es s i o n w i th sm ar tp h on e us e . ” 2LONG QUOTATIONSQu o t es of fiv e or m or e li ne s, o r 1 00 or m or e w or ds ar e c a ll e d b loc k quotes and a re f or ma t te d di f fere n tlyth a n t h eir s h ort er c ou n t er p ar ts . Wh en u si ng b l o ck qu o ta t i on s f o ll o w th e gu i de l in es b el o w: C ha ng e th e li ne s pa c i ng t o s in gle -spaced , and i nc lu d e a d d a n ext ra l in e b ef ore an d af ter t he b l o c kqu o te .B lo ck q u ot a ti o ns a pp ear o n a n ew l in e an d are i ndented half an inch .Wh e n b l o ck qu o ta t io n s i nc l ud e m u lt i p le par agr a ph s , n ew p ara gra p hs ar e fur th er i nd en t ed .B lo ck q u ot a ti o ns d o NOT make use of quotation marks .C ol o ns ar e fr eq u en t ly u s ed w he n in tr od u c in g a b l ock q u ot a ti o n. T he y ar e n ot re qu ir ed .Use b l o ck q u o ta t io n s s p ar i ng ly .E xam pl e of a bl o ck q uo t at i onTh e di s ti n ct i o n b e tw ee n sp ir i tu a li ty an d r e li gi o si ty is fur t her c l ari fi ed by Mi l ler a nd T h ore se n:Spir i t ua l ity i s m or e co n c er n e d w i th h ow a n in d iv id u al h as a per s on a l re l a ti o ns h ip t o l arg ertra n sc en d en t r ea l it i es , s uc h as t he u n iv er se or G od , w her ea s re l ig i os i ty i s m ore c o n cer ne d wi t h ho wan i nd iv id u al ex per i en c e s a tr an s ce n de nt b ei n g a nd h ow t h is i s e xpr es se d i n a c om mu n ity or s o ci a lorg an iz a ti o n . 14\nBIBLIOGRAPHY PAGEC hi c ag o S ty le r eq u ir e s a l is t of s our c es i n th e f o rm o f a b ib l i ogr ap hy . Th e i nf orm a ti o n o n t h is l is t a l l ow swr i t ers t o cre d i t s o ur ce s an d r ea de r s t o f i nd , ev a lu a te , an d m ake f urt he r us e of th o se s ou rc es .What to include E v ery s o ur ce y o u par a ph r as ed , su m m ariz e d, or q uo t ed i n th e tex t . D o no t i nc l ud e so ur ce s t ha t y o u co n su l te d bu t di d n o t c it e . D o no t i nc l ud e per s on a l c om m un i ca t i on s ( su c h a s e ma i ls or u np ub l is h ed in t erv i ew s) , st a nd ar drel ig i o us t ext s su c h as t he Q ur a n or B i bl e , c l as s i ca l pr ima ry s o ur ce s ( su c h a s Th e Il i ad ) o r w el l -k no w nrefer e nc e bo ok s ( su c h a s E n cyc l op ed ia Br i ta nn ic a or th e Ox fo rd E ng l is h D ic ti on ar y) .How to o rder the entries E ntr i es ar e a l ph a be ti ze d by th e f ir st l e tt er in t he en try , g e ner al ly a n a u th or ’s l as t na me . E ntr i es t ha t hav e n o a u t hor o r e d it or are a l ph ab et iz ed by t it l e. Wh e n a l ph ab e ti zi ng by t it l e, i gn or e a rt i cl e s t h at be gi n th e t it l e (A , A n , a nd T he ) . Wh e n a n en tr y s tar ts w i th a n um b er , a l ph a be t iz e t h e e n try ba se d on h o w t h e n um be r w o ul d ap pe arif wri t te n . Wh e n a n en tr y s tar ts w i th a y ear , a lp ha b et iz e th e e n try ba se d on h o w t h e ye ar wo u ld b e s p ok en .How to f o rmat the page Th e bi b li o gr a ph y b eg i ns on a ne w pa ge af t er th e c on c lu s io n . In c lu d e a c o ns e cu t iv e p a ge nu m b er in t he t o p -ri g ht - c orn er of t he h ea der . Th e pa ge ha s t he w or d B ib l i ogr ap hy ce n ter e d a t th e t op w it h ou t a ny s pe c ia l f orm a tt i ng ( n o b ol d ,lar ger f on t siz e , or un de r l in e) . Leav e tw o b la nk l in es b e tw ee n th e w ord B i bl i ogr ap hy an d y o ur f irs t en tr y. Use “ an d” n o t “& ” f or m ul t i -a u th or en tr ie s . Fo r o n e to t en a ut h or s i n a s in g le en try , wr it e o ut a l l n am es i n th e bi b li ogr ap hy (e nt ri es i n th efo o tn o te s ca n be s hor t e ne d) . Fo r o n l in e s o ur ce s , pr ov id e D O Is i ns te a d of U RL s wh e nev er p o ss i bl e . In t he 1 7 t h e di t i on of C M OS , u se of 3 - em da sh ( - - -) f or m u l ti p le w orks b y t he sa me a ut h or isdi s co ur ag ed ( CM OS 1 4. 6 7) . B iblio graphy entr ies are sin gle -spaced wit h on e e xtr a s pa c e be tw ee n en tr ie s . B ib l i ogr ap hy en tr ie s m a k e u se o f a han gin g indent (ins tru c t io n s f or a ha ng in g in de n t are o n th e nex tpa ge ) .S am pl e B ib l io gra p hy fr o m P ur d u e OW L :5\nHANGING INDENTHOW TO CREATE A HANGING INDENT IN MICROSOFT WORD1. Sel e ct t he t ex t th a t y ou wo u ld l ik e t o i nd e nt .2. On t h e H ome tab, c l ick t he ar r ow i n th e b ot t om rig h t of th ePar agr ap h gr ou p .3. In t he P ar a gr a p h d i al o g bo x, u nd er In d en t at i on , in t he Sp e ci a lli s t, s el e ct Han gin g .4. Th e m ea su r em en t s ho u l d a u t om a t i ca l ly s e t to 0 . 5 under B y .5. C li ck O K.*N o te : T h e Sp a ci n g b ef o r e a n d a ft er par agr a ph s sh o ul d be s et t o 0p t .Ti p! T he key b oar d sh or t cu t C t r l T als o cr ea te s a h a ng in g in de n t in W or d.S te ps 3 & 4S te p 2HOW TO CREATE A HANGING INDENT IN GOOGLE DOCS:1. C li ck “V i ew ” a n d m ak e s ur e “S ho w Ru l er” i s ch ec ked .2. Sel e ct t he t ex t th a t y ou wo u ld l ik e t o i nd e nt .3. On t h e r u l er , dr ag t he l i gh t bl ue i nv e rt ed tr i an gl e (L ef t In de n t m arker ) t o th e r ig h t u n ti l i t isa h a lf in c h fr om t he m ar gi n ( 0. 5 0) . ( Th e li gh t b lu e re c ta ng l e w i l l m ov e w i th i t .)4. Dr ag th e l ig ht b l ue r e ct a ng le (F ir st L in e In de n t m arker ) b a ck to t he l ef t m arg in (0 . 00) .St ep 3St ep 46\nCREDITING SOURCESTO CRE D I T C ON TR I BU T O RS , C HI CA G O MA NUAL O F S TYLE ( CM OS ) RE Q UI R ES (1) A SU PE RS CR I PT N UM BE R FO RALL S OU R CE D IN F OR MA T I ON , ( 2) F OR E A C H SU PE RS CR I PT NU M BE R, A F O OT N OT E C ON TA IN IN G FU LL ( FI RS TUS E ) OR A B BR EV IA TE D ( S UBS E Q UE N T US E ) S OU R CE IN F O RM AT I ON , A N D ( 3) A FU LL L IS T OF S OU RC ES I N T HEF OR M O F A N EN D - O F -TE X T B IB LI O G RA PH Y .FOOTNOTESOVERVIEWWHAT REQUIRES A FOOTNOTEPar ap hr as es , su mm ar i es an d qu o t at i on s al l r e qu i re t h e u s e o f f o ot n o te c i ta t i on s . A paraphrase r est at es t h e s o ur ce m a ter i al i n ne w l a ng ua ge . A p ara p hra s e u se s ap pr ox im at e ly th esam e nu mb er of w or d s a s t h e or i gi n al .A summary con de n se s t h e s o ur ce m a ter i al t o r ef l ec t i ts ma i n i d ea( s) . A s umm ary us es s ig n ifi c an t lyle ss w or ds t ha n th e or ig in a l.A quotat ion r esta te s th e s our c e m at er ia l us i ng t he ex ac t l an gu ag e of th a t m at er ia l .HOW DOES CITATION INFORMATION APPEAR IN THE TEXTTo cr e di t t he wr it er s a n d th i nk er s w h os e i de as a re p ar ap hra s ed , su mmar ize d an d qu o te d , C M OS sty l ewr i t in g m ake s us e of b ot h s i gnal phrases and supersc ript re ference numbers that co rrespond to a footnote .S ignal ph rases (als o k n o wn as a t tr i b ut iv e ta gs or narr a t iv e c it a ti o n ) s ig n al t he re ad er th a t th e id ea orla ng u age b ei n g u se d is f r om an o u ts i de s our c e . Sig na l p hra se s g e ner al ly us e th e au t ho r(s ) n am e (s) an d av er b t o d o t h is . Th ey ap pe ar in t he s am e s en t en ce a s t h e s o ur ce ma ter i a l, e i th er dir e ct ly b ef ore or af terth a t m at er ia l . Se e th e S I GNA L PH RAS E G UI DE LI N ES ha n d ou t f or gu i de l in e s a n d a l is t of s ig na l p hr as e v er b s.Footnote ci tations m ak e us e of su per s cr ip t nu mb ers t ha t are p la c ed a s cl os e t o t h e ci t ed ma ter i a l a spo s si b le (n orm a lly a t th e e nd o f th e s e nt en c e) . Th e su per s cri p t nu mb er c orre sp o nd s t o a f oo t n o te e ntry a tth e bo t t om of t he p age . If y o u ar e c it i ng a so ur c e m ore t ha n o nc e , y ou c an s hor t en t he s ub se q ue ntfo o tn o te s. Ex amp l e s b el ow :In a n e ff ort t o ex pl a in t he c ul t ur a l v ar ia t io n s in sam e -f am ily re in c arn a ti on c l ai ms , Ma s ayuk ith e ori ze d th a t “ c ul t ur a l l y pr e s cr ib ed i de a s a b ou t rei n ca rn at i o n w o ul d be carr i ed i n to d ea t h a n dwo u ld i nf lu e nc e de c is i\nC: C yB i xB j Bz By - Loyola University Chicago\nHotel Housekeeping Tutorialspoint\nDisintermediating Your Friends How Stanford U...\nA Beginner S Guide To Forex Trading Market Tr...


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Database: 835814 players\nSelect team All Teams Boston Bruins Calgary Flames Chicago Blackhawks Edmonton Oilers Hartford Whalers Minnesota North Stars Montréal Canadiens New York Islanders New York Rangers Philadelphia Flyers Québec Nordiques St. Louis Blues Toronto Maple Leafs Vancouver Canucks Washington Capitals Winnipeg Jets\nSelect Nation All Nations Canada (279 players) Czech Rep. (3 players) Finland (8 players) Slovakia (4 players) Sweden (20 players) USA (58 players)\n1. Doug Gilmour (C) St. Louis Blues 19 9 12 21 1.11 25 3\n2. Bernie Federko (C) St. Louis Blues 19 7 14 21 1.11 17\n3. Joe Mullen (RW) Calgary Flames 21 12 7 19 0.90 4\n4. Wayne Gretzky (C) Edmonton Oilers 10 8 11 19 1.90 2 -1\n5. Mats Näslund (LW) Montréal Canadiens 20 8 11 19 0.95 4\n6. Al MacInnis (D) Calgary Flames 21 4 15 19 0.90 30 10\n7. Lanny McDonald (RW) Calgary Flames 22 11 7 18 0.82 30\n8. Paul Reinhart (D) Calgary Flames 21 5 13 18 0.86 4\n9. Greg Paslawski (RW) St. Louis Blues 17 10 7 17 1.00 13\n10. Pierre Larouche (C) New York Rangers 16 8 9 17 1.06 2\n11. Claude Lemieux (RW) Montréal Canadiens 20 10 6 16 0.80 68 1\n12. John Tonelli (LW) Calgary Flames 22 7 9 16 0.73 49\n13. Doug Risebrough (C) Calgary Flames 22 7 9 16 0.73 38\n14. Dan Quinn (C) Calgary Flames 18 8 7 15 0.83 10\n15. Bobby Smith (C) Montréal Canadiens 20 7 8 15 0.75 22\n16. Bob Brooke (C) New York Rangers 16 6 9 15 0.94 28\n17. Joel Otto (C) Calgary Flames 22 5 10 15 0.68 80\n18. Mark Hunter (RW) St. Louis Blues 19 7 7 14 0.74 48\n19. Steve Thomas (RW) Toronto Maple Leafs 10 6 8 14 1.40 9 2\n20. Mike Ridley (C) New York Rangers 16 6 8 14 0.88 26\n21. Jim Peplinski (LW/RW) Calgary Flames 22 5 9 14 0.64 107\n22. Håkan Loob (RW) Calgary Flames 22 4 10 14 0.64 6\n23. Kevin Dineen (RW) Hartford Whalers 10 6 7 13 1.30 18 2\n24. John Anderson (LW) Hartford Whalers 10 5 8 13 1.30 0\n25. Dennis Maruk (C) Minnesota North Stars 5 4 9 13 2.60 4\n26. Larry Robinson (D) Montréal Canadiens 20 0 13 13 0.65 22\n27. Guy Carbonneau (C) Montréal Canadiens 20 7 5 12 0.60 35 9\n28. Tom Fergus (C) Toronto Maple Leafs 10 5 7 12 1.20 6\n29. Mike Gartner (RW) Washington Capitals 9 2 10 12 1.33 4\n30. Jari Kurri (RW) Edmonton Oilers 10 2 10 12 1.20 4\n31. Gary Leeman (RW) Toronto Maple Leafs 10 2 10 12 1.20 2\n32. Glenn Anderson (RW) Edmonton Oilers 10 8 3 11 1.10 14\n33. Scott Stevens (D) Washington Capitals 9 3 8 11 1.22 12 8\n34. Chris Chelios (D) Montréal Canadiens 20 2 9 11 0.55 49 3\n35. Rob Ramage (D) St. Louis Blues 19 1 10 11 0.58 66\n36. Wilf Paiement (RW) New York Rangers 16 5 5 10 0.63 45\n37. Bob Gainey (LW) Montréal Canadiens 20 5 5 10 0.50 12\n38. Alan Haworth (C) Washington Capitals 9 4 6 10 1.11 11\n39. Mark Messier (C) Edmonton Oilers 10 4 6 10 1.00 18 0\n40. Tomas Sandström (RW) New York Rangers 16 4 6 10 0.63 20\n41. Gary Suter (D) Calgary Flames 10 2 8 10 1.00 8 0\n42. Paul Coffey (D) Edmonton Oilers 10 1 9 10 1.00 30 0\n43. Colin Patterson (F) Calgary Flames 19 6 3 9 0.47 10\n44. Bobby Carpenter (C) Washington Capitals 9 5 4 9 1.00 12\n45. Mike Krushelnyski (C) Edmonton Oilers 10 4 5 9 0.90 16\n46. Gino Cavallini (LW) St. Louis Blues 17 4 5 9 0.53 10\n47. Ray Ferraro (C) Hartford Whalers 10 3 6 9 0.90 4 -1\n48. Russ Courtnall (RW) Toronto Maple Leafs 10 3 6 9 0.90 8\n49. Lee Norwood (D) St. Louis Blues 19 2 7 9 0.47 64\n50. Rick Vaive (RW) Toronto Maple Leafs 9 6 2 8 0.89 9\n51. Dave Christian (RW) Washington Capitals 9 4 4 8 0.89 0\n52. Craig MacTavish (C) Edmonton Oilers 10 4 4 8 0.80 11\n53. Rick Meagher (C) St. Louis Blues 19 4 4 8 0.42 12\n54. Mark Reeds (RW) St. Louis Blues 19 4 4 8 0.42 2\n55. Steve Bozek (LW) Calgary Flames 14 2 6 8 0.57 32\n56. Reijo Ruotsalainen (D) New York Rangers 16 0 8 8 0.50 6\n57. Gaétan Duchesne (LW) Washington Capitals 9 4 3 7 0.78 12\n58. Bob Gould (RW) Washington Capitals 9 4 3 7 0.78 11\n59. Kelly Miller (LW) New York Rangers 16 3 4 7 0.44 4\n60. Eddy Beers (LW) St. Louis Blues 19 3 4 7 0.37 8\n61. Mike McPhee (LW) Montréal Canadiens 20 3 4 7 0.35 45\n62. Doug Wickenheiser (C) St. Louis Blues 19 2 5 7 0.37 12\n63. Börje Salming (D) Toronto Maple Leafs 10 1 6 7 0.70 14\n64. Jamie Macoun (D) Calgary Flames 22 1 6 7 0.32 23\n65. Wendel Clark (LW) Toronto Maple Leafs 10 5 1 6 0.60 47 1\n66. Tim Kerr (RW) Philadelphia Flyers 5 3 3 6 1.20 8\n67. Ron Wilson (D) Minnesota North Stars 5 2 4 6 1.20 4\n68. Brian MacLellan (D/LW) New York Rangers 16 2 4 6 0.38 15\n69. Brian Skrudland (C) Montréal Canadiens 20 2 4 6 0.30 76 8\n70. Larry Murphy (D) Washington Capitals 9 1 5 6 0.67 6 1\n71. James Patrick (D) New York Rangers 16 1 5 6 0.38 34 1\n72. Brian Bellows (RW) Minnesota North Stars 5 5 0 5 1.00 16\n73. Denis Savard (C) Chicago Black Hawks 3 4 1 5 1.67 6\n74. Walt Poddubny (RW) Toronto Maple Leafs 9 4 1 5 0.56 4\n75. Stew Gavin (RW) Hartford Whalers 10 4 1 5 0.50 13\n76. Stéphane Richer (LW) Montréal Canadiens 16 4 1 5 0.31 23 -3\n77. Neal Broten (C) Minnesota North Stars 5 3 2 5 1.00 2\n78. William Huber (D) New York Rangers 16 3 2 5 0.31 16\n79. Esa Tikkanen (LW) Edmonton Oilers 8 2 3 5 0.63 7\n80. Sylvain Turgeon (LW) Hartford Whalers 9 2 3 5 0.56 4\n81. Peter Ihnacak (C) Toronto Maple Leafs 10 2 3 5 0.50 12\n82. Dave Hunter (LW) Edmonton Oilers 10 2 3 5 0.50 23\n83. Gaston Gingras (D) Montréal Canadiens 11 2 3 5 0.45 4\n84. Mark Osborne (LW) New York Rangers 15 2 3 5 0.33 26\n85. Kjell Dahlin (F) Montréal Canadiens 16 2 3 5 0.31 4\n86. Mario Marois (D) Winnipeg Jets 3 1 4 5 1.67 6\n87. Kent Nilsson (C) Minnesota North Stars 5 1 4 5 1.00 0\n88. Dean Evason (C) Hartford Whalers 10 1 4 5 0.50 10\n89. Mark Napier (RW) Edmonton Oilers 10 1 4 5 0.50 0\n90. Rick Green (D) Montréal Canadiens 18 1 4 5 0.28 8\n91. Ric Nattress (D) St. Louis Blues 18 1 4 5 0.28 24\n92. Dirk Graham (RW) Minnesota North Stars 5 3 1 4 0.80 2\n93. Ron Greschner (D) New York Rangers 5 3 1 4 0.80 11\n94. Peter Zezel (C) Philadelphia Flyers 5 3 1 4 0.80 4\n95. Ilkka Sinisalo (RW) Philadelphia Flyers 5 2 2 4 0.80 2\n96. Dave Tippett (LW) Hartford Whalers 10 2 2 4 0.40 4\n97. Dan Daoust (C) Toronto Maple Leafs 10 2 2 4 0.40 19\n98. Kevin LaVallée (LW) St. Louis Blues 13 2 2 4 0.31 6 2\n99. Charlie Bourgeois (D) St. Louis Blues 19 2 2 4 0.21 116\n100. David Maley (LW/C) Montréal Canadiens 7 1 3 4 0.57 2\n1. Marc Behrend Winnipeg Jets 1 0.00 1.000\n2. Andy Moog Edmonton Oilers 1 1.00 .963\n3. Mike Liut Hartford Whalers 8 1.91 .938\n4. Patrick Roy Montréal Canadiens 20 1.93 .923\n5. Greg Millen St. Louis Blues 10 2.98 .911\n6. Daniel Berthiaume Winnipeg Jets 1 3.51 .907\n7. Pete Peeters Washington Capitals 9 2.66 .905\n8. Ken Wregget Toronto Maple Leafs 10 3.17 .901\n9. Kelly Hrudey New York Islanders 2 3.05 .898\n10. Mike Vernon Calgary Flames 21 2.94 .897\n11. Grant Fuhr Edmonton Oilers 9 3.12 .897\n12. John Vanbiesbrouck New York Rangers 16 3.28 .897\n13. Don Beaupre Minnesota North Stars 5 3.44 .892\n14. Rick Wamsley St. Louis Blues 10 3.92 .879\n15. Billy Smith New York Islanders 1 4.06 .879\n16. Bob Froese Philadelphia Flyers 5 3.08 .878\n17. Steve Weeks Hartford Whalers 3 2.86 .875\n18. Pat Riggin Boston Bruins 1 3.00 .870\n19. Bob Sauvé Chicago Black Hawks 2 4.95 .867\n20. Clint Malarchuk Québec Nordiques 3 4.63 .864\n21. Reggie Lemelin Calgary Flames 3 3.88 .854\n22. Richard Brodeur Vancouver Canucks 2 6.00 .848\n23. Wendell Young Vancouver Canucks 1 5.00 .844\n24. Bill Ranford Boston Bruins 2 3.52 .841\n25. Glen Hanlon New York Rangers 3 4.89 .813\n26. Brian Hayward Winnipeg Jets 2 5.31 .806\n27. Murray Bannerman Chicago Black Hawks 2 6.65 .775\n28. Dan Bouchard Winnipeg Jets 1 7.50 .773\n29. Mario Gosselin Québec Nordiques 1 7.50 .773\n30. Chico Resch Philadelphia Flyers 1 8.24 .000


Holz-Herz ca. 16 x 15 cm Ihr Basteldiscounter\nArtikel 8 von 43 der Kategorie Holzartikel\nHolz-Herz ca. 16 x 15 cm.


Giant golden square hoops - "Over the water" by Eloïse Fiorentino - LESSisRARE\nHome / Eloise Fiorentino / Golden giant square hoops - "Over the water" - Eloïse Fiorentino\nGolden giant square hoops - "Over the water" - Eloïse Fiorentino\nGiant square creole earrings in gild brass with 24 carats gold finish. From the collection "Au fil de l'eau".\nLength (clasp included): 7 cm\nWidth of the ring: 7,5 cm\nAlso exist in smaller size.\n"Eloïse Fiorentino has chosen to revisit the Creoles with lightness and creativity. These earrings are must-haves to adopt! "\nSilver sacred sacred hoop earrings- Eloïse Fiorentino\nSilver sacred sacred hoop earrings- Eloïse Fiorentino € 60.00\nBracelet gilded with fine gold Petit Cercle - Eloïse Fiorentino\nBracelet gilded with fine gold Petit Cercle - Eloïse Fiorentino € 49.00\nLong earrings with golden fine pastilles - "Comète" - Eloïse Fiorentino\nLong earrings with golden fine pastilles - "Comète" - Eloïse Fiorentino € 89.00\nLong gilt earrings with fine gold - "Comète" - Eloïse Fiorentino\nLong gilt earrings with fine gold - "Comète" - Eloïse Fiorentino € 55.00\nGiant silver square hoops - "Over the water" - Eloïse Fiorentino\nGiant silver square hoops - "Over the water" - Eloïse Fiorentino € 75.00


Kenny 'Dope' Gonzalez Brazilika Japanese Promo CD album (CDLP) (665987)\nEnter your e-mail to get a weekly list of new Kenny 'Dope' Gonzalez records\nVARIOUS Brazilika - Far Out Recordings 10 Years Anniversary (Sealed 2004 Japanese promotional sample 20-track CD for review ahead of release, mixed & compiled by DJ Kenny Dope. Includes lots of great dancefloor cuts from Brazil by the likes ofMarcos Valle, Azymuth, The Ipanemas & Friends From Rio, with promo stickered obi & custom stickered shrink, unopened & unplayed COCB-53187).\nBring your Kenny 'Dope' Gonzalez collection to our offices for a free appraisal - click here\nKenny 'Dope' Gonzalez Brazilika Japanese Promo CD album (CDLP)\nTracklisting / Additional Info: 1\t�The Ipanemas\tSertao\n2\t�Grupo Batuque\tTaruma\n3\t�Paulo Moura\tFibra\n4\t�Friends From Rio\tEscravos Do Jo\n5\t�Friends From Rio\tSob O Mar\n6\t�Friends From Rio\tZona Sul\n7\t�Da Lata\tPonteio\n8\t�Marcos Valle\tFundo Falso\n9\t�The Ipanemas\tIcarai\n10\tPercussion Breakdown\n11\t�Democustico\tA Sereia\n12\t�Mamond\tPregiciman\n13\t�Chris & Nina\tAgua\n14\t�Sabrina Malheiros\tEstacao Verao (Kenny Dope Remix)\n15\t�Los Ladrones\tLas Luces Del Norte\n16\t�Natures Plan\tWithout Words (Kenny Dope Remix)\n17\t�Friends From Rio\tVera Cruz\n18\t�Grupo Batuque\tTorcida De Flamengo\n19\t�Marcos Valle\tApaixonada Por Voce\n20\t�Azymuth\tSunderley Samba\nArtist: Kenny 'Dope' Gonzalez (click here for complete listing)\nTitle: Brazilika (click here for more of the same title)\nCatalogue No: COCB-53187\nEIL.COM Ref No KHOCDBR665987 (quote this reference in any e-mails, letters, faxes or phone calls to help identify this item)\nComplete Stock List: Kenny 'Dope' Gonzalez\nAlternative Names: KENNY DOPE, THE BUCKETHEADS\nTo order by phone: Call 011-44-01474 815010 quoting EIL.COM reference number KHOCDBR665987\nWe want to buy your rare Kenny 'Dope' Gonzalez records - click here\nLove Kenny 'Dope' Gonzalez? Sign up to get your free weekly list of new, rare, and import Kenny 'Dope' Gonzalez vinyl records, CDs & music memorabilia


326 | gezfE ygolotaH\ncitsilaminim tiftuo ,noitatnemurtsni rehtruf noitidda yllaitini hcet-hgih eht spoleved htiw emaceb .ygolodohtem niarG ,naruD( htiW siht I s'gezfE desab-anneiV detniauqca ,selbatnrut lanotorcim fo morK dna hguorht .)0002 ,sexas dna citsuoca-ortcele\ngnitamitni ylsselmaes a puorg eltbus elbatnrut ecnetsixe ,amaronap eseht otni yratilos ,evitcerid kcalb ylerab netfo nevilne lacisum tA scimanyD ,ereh stceffe .enalp-dnuos cimong ekil-ecnart serolpxe a gnitallicso .segassap era .eloh ehT nepo-ediw ,sehctarcs skrow elbatceted a a gnitalsnart lanimilbus scinortcele tub semit tniauq otni evisnapxe dna fo a rehtar raeppasid\ndna ,detnemelpmi lanotylop era lacinahcem-ortcele detropsnart yltcniccus osla sesion tcartsba otni s´fuaH teY eht dna snoiton fo esicnoc ynaz dereyal "obiR" siroB tetniuq a eht gnieb sgniciov detareneg-retupmoc .sehsawkcab senord eht ,secnatsni sutepmi .somsoc edivorp hguorht sevid nO ot yb eht enohpoxas tfos .tsgna fo stnemom emos decnahne ni\nsi nopu seitivitisnes evissam fo fo uoy eht fo edom a cinos fo ytilacisum laruens´eno ,decap eltneg-os-reve .mehyam ylevitpeced dna noihsaf evitisnes-emit ,yrartnoc .stros enil s´gezfE sllaw depmats gnihcuot s´elbmesne dna yltneuqerf sa ylecin skrow ´nod snaicisum na ehT fo .tnempoleved ,yllaitnessE drabmob yb nO kcatta rezilauqe eht xelpmoc htiw\ndna citeneg .tnemom uoY scinortcele s’mubla eht a lacisum sdrawot esirprus ytilibidua ehT eht fo sa ekil-retpocileh dna rof eltit ni ekil-enihcam a gnirevaw tuB eciov revo era tub taht raeh xas a sulyts a ,tsrif senilcer ”,noxe“ eht semoc ot yaw yllautneve ti ,syalp htruof ro ratiug lla ti eht dna eht knirb eht retfa oS srefer eht drawrof yldiugnal .enod .stnenopmoc a s’cisum a ylno ydolem gnibborht ,sliated on deman ratiug ,rettalc t’nac yb dna eht eht ,suelcun eht ;tnemom fo tnatsid llams dewodahsrevo spets eht dna fo sffo-yap ”.obir“ s’gezfe srevoh sezzub mubla edecer spilb dne muh skcart ta ralullec trap esenneiV era taht nopu fo ,skcahw ruof ta llec pool fo ,spiks sa nellus s’tetniuq hcus a ta\nuoy ot tsomla htiw ffo tnaig cirtcele yllareneg eht seiler ereh zsioR sa selbmur s’31 ot tips mubla tneibma-raen ehT fo eht a hcnup oidua a a dna :susnesnoc na .eutriv sevig fo ,raf .llew tuB dna fo ;scinortcele tneitap ecrof ,smaeb sreyal elbmesne .ssenteiuq suoirav fo ,senohpoxas gnitfird ,dne evitomocol a raen llew s’kcart dah fo ehT tupni ot dworc eht levart retaw sa elcihev tub dna era sdrawer eht dna srenetsil eht sratiug ot renepo lennut frut dnuora htnys erom netfo ,selbatnrut ekil ti ,oediv retupmoc sti si beid evac s’lgnatS ,eltbus ylivaeh denommus selpmas stisoped nitraM ’stsiratiug mees teg t’nseod ratiug ,spool sa sihT shtped htiw morf retteb gniretnilps srekcilf s’fuaH no s’gezfe lyniv ”,nortni“ .niatnuom ehT dna evil .roolf hguorht morf dluohs htiw spuorg no rebmem edore treweiS tub drusba leets ,senot .sratiug eht ,yllaudarg ecafrus detniauqca hguoht pu yrev pit edis a no eltnegnu sdnuos uoy drah drahkruB ,elpmaxe rof hguorht sti scsid ekil-tekcirc setubirtnoc gnippird tsiparT ehs ”,mos“ leshcewloP ecneitap dna siroB gnirevaw ;esirprus snoitpursid emos snoitaicossa ylliB no sterces erehw sedivorp htfiF\nainomraH/ygolotaH( ylliB senie ednremmihcs nitram neuen netieS treweiS hciereB ni esseretnI 31 tim ,edionhcet emräW ekseyrtnuoc )nerratiG( uz .guneg neniffaknorkele dlab hcis enihcsaM saW ssum lamella ?nut "morK" megillewhcsretnu zsioR nebah essezorP nexelpmokeruäsnielkunobiR thcin novad dneröh uz lgnatS siroB neseid os nehcälfgnalK kisuM ,)idnuM sthcin ned .nessal med sad sintlähreV dnu dnennaps hcsneM tsednimuz mu ,)selbatnruT( dnu ,nessal ,eigolonhcetneG eiwos sellA ,tpuahrebÜ ni tärrev tah sua ,)retupmoC( elaizos fua eid fuaH nelaizos" ,tläh kitenegreneoiB neknewhcs tleipsegnie reneiW "ssezorP .tfuateg enies slietßorg ttetniuQ dnu red med eiW red neffo drahkruB nella nehcsiwz amsalpotyC reiv zrawhcs sretpokileH mi nov ,)nohpoxaS( tsi hcan nih reba dnu enies uz - sad sad eis .dnaB sed ,neglofrev dlab .gezfE nrettanK svitkelloksnoitasivorpmI mublA nemaN rüf nekcerhcs eid tsednimuz stets fua naM ,txettielgeB beiD\nmork elleutka hcis selbmesnE-kinortkelE tnnen reneiW sed DC eid gezfe liateD eid erhi hcua eregnäl dnu erhi .12 dnu .h.d ,etnemelE strednuhrhaJ ehcsipyt .tätisnetnisgnugeweB redo eiD .netätilauQ rekisuM hcis nebew . githcisrov etreicnava ,sua sed .ehcippetgnalK eid fua enleznie hcan ,egnal eiS thcin nov tsi nereirtneznok eid .wzb nedäfgnalK edneßierba erhi dnu ehcsinortkele dnu mi ma ,nebrafgnalK saD neginew kimanyD eseid hcod menie eznag redo netol hcan eid nrednärev nnigeB tsi tieZ ,negnälK fua nenneips nehcsimhtyhr eflihtim neliewrev kisuM noitiddagnalK nennirekisuM gezfe kisuM nehcilbrafgnalk remmi nehcsnüw uz ieb rekisuM nennirekisuM girbü redeiw nlekciwtnie nessed ruz nie tlafleiV rehcsinortkele dnu edareg eid dnu .tssäl etsnipseggnalK ej os ,egartieb ,elbmesnE enegie\nfuA rerhi netztel DC mrüw nie rehürF senegomoh nebeg liateD nie tiebrA ,nennogeb ,uen gnalK rednanieni DC ,fua hcis .nereitirri nov egnal hcsitats nerhek kisuM nednethcefrev fua rekisuM enötnofoxaS hcon neiniL nednennipstrof tbielb dnu trhekegmu nerehcs tsi nehcälfgnalK renie .fua nelleutka eid iebaD os ,dnrednärev red redo redo retiew red .kcüruz neterknok nednehetstne DC githcisrov ni thcin redew netnotebeinomrah ,nemmasuz red ,tnhowegnu eid hciD eiD uz gnuznergsuA rekisuM nun gifäh netlahebieb .nehcerbuzfua netreisimhtyhrhcrud dabgnalK nehcilgnalk nenöT erhI run tslaminim gnurednäreV nies thcirb eterknok eid rehürf .tetolegsua hcis neniehcsre nedrokkA netzteS nie enlezniE eis redeiw dnu kcütS muthciernecnauN ma opmeT redo gnuknärhcseB .nehetseb etztesegtsbles sisaB edruw negnälklatnemurtsnI .rehöh edrokkanerratiG dnu rhes eid eid rhem netkriw hcis hcon ,nemhtyhR os elleutka rekisuM sad nettah eid eseid mork "einomrahdrokkA" eglofbA ,nemhansuA nleshcew hciltued spooL neterknok ni .sua rhemnun osnebe enie nemmurbnenihcsaM fua negnuregietS hcua egnälK ednereitirri sad esiel hciltued sla eterknok -uZ dnis dnu etiewz dnis enlezniE ,rabröh uz tsi eiw sla eiD .reh;lmuua&rf gillöv redo negnälK edrokkanerratiG nemhengeW enleznie eid hcua theihcseg ,enebE dnurgredroV dnurgretniH nessal remmi ;nennekre eiw med rhem nov thcin erhi selpmaS dnis dnerhäw redeiw ehclos ,nehcsäreG nun .nenötre sua ,neröh hcis na zneuqerF ,ßamsuA enerolrev retfä eis mi znezsinimeR ni nrednos nedlib spooL sla oS ehcsimanyD mi ,hcsar eis etnemurtsnI rerellenhcs mork selbmesnE ,dnis etnenopmoK ner;lmuoa&h uz sllafnebe euen sed enie gezfe .\nneretiew sleipS ieb hcua netkejorP sed eiW "netreizuder" ni hcua nehcierlhaz netsinogatorP tsi regitsnie gezfe enie enie rekisuM reedeiw eiS .nessaleguz tsniE nereitkelfer tleizeg nevitkudeR hcis neznerG nednleshcew netnenopmoK hcan setlA ,gnulkciwtnereteiW thciL ethciD .nethcaboeb eid ,netiekhcilgöM .negnuregietS dnu rebü nedrew dnu uz neniehcsre hcan nennirekisuM rebü eiD ehcuS eznergegsua ,nedargstätisnetnI redeiw eid nehcsimanyd nehcsigrutamard ehcsilakisum ni nellets dnu egarF euen uz meuen .nessal sed\ntfrihcstieZ eueN kisuM lirpA-zräM rüf 7002\n.yaw elttil GEZFE tahw lgnatS nitamorhc .yawa koob a otni etaciled ,DC - ,)scinortcele sah tsom dna tseb fuaH elif( kcab dah cisum ni taH spahrep dna .teiuq litnu siroB tnellecxe sdrawretfa ,hguone wobzreM gezfE noitisopmoc no taH ,)retupmoc tib fo eton evom si ylliB .won nac od spahrep - ni lanoitidart eerht morf .DC rieht ot )acinortcele nedab-nedaB teg ,lairetam em sa syas ot dna I fo ees ni ,lebal ,leets taH erom won ton sa fi :rednu tub no ot ton trap tuH soiduts eltneg htiw serutpac eb deretnuocne ,gniyalp ,)secnatsbus morf ew drahkruB ,dnuos eht ni sa a ,gninetsil noitasivorpmi a tahw gezfE no .airtsuA no no si s'gezfE ,senohpoxas( )tuH tub tis osla ,noitasivorpmi I ro tuo tuH tub rebmun ylniam derucco oS fo won sniats wolf did taerg RWS hguorht taht gnisivorpmi s'tI ,JV snaem( ylddo eht puorg lla fo ekat hcus lla knarc taht A lluf morf tcepxe deirrac sraey erofeb fo ti ,hctuD yb raf noitasivorpmi yrev rieht egnarts s'ti I eht 'morK' reven MORK a DC( rehtar ot ,dnuora enif evah gezfE eht eht ,retupmoc( ,ynamreG eht tuo ,)oidua dna esion eht ereh 31beid draeh gezfE tub ,syad tub suelcun eht a fuaH yldneirf fo dna s'ti tel emulov sa ti ;retupmoc( .sgniht rof llams ylno meht :htab llec yaw noitasivorpmi a devired .hcus dna eht treweiS fo uoy ?wonk eerf/zzaj eht spahreP a dedrocer revO .yb ,lla ni evif yrev t'nod yrev ni siht ,detaler eht tub dna ,ynaM I os gezfE secnereffid litnu rieht ylnO fo og gnitide cificeps eht tib tub ,eceip a na eht sdnuoS s'tI a neeb syats ni a ot ,DC sa lla edilg esruoc eht gniod llits zsioR traeh ni pu fo no eht edis tub devired neht nA tub ym :yaw kcart won .)selbatnrut sesaeler nitraM emos ecniS si cisum 'tneb' a ,shtnys pal .esac eht ,)revoc htruof ,sratiug( detartnecnoc ti ,sratiug( lanoitidart stnemenifer evil .puorg erew yltrap ylriaf gnikcik cisum ton\nDC TAH TUH\nyna sa hcus ,metsys erutcurts gninifed tneve era sah neeb noitseuq gninoitcnuf eht sti ,ytisned suoicsnoc lanot hctiP dna na ot fo mhtyhr .ecnerehoc dehsilbatse ,neddus dna sah raluger .yalp sa rehtar tfihs scimanyd erised emertxe a larua tuB fi ylevitceffe nihtiw ecnalbmes segnahc ,hctip a morf ,netobrev seton sa noitasivorpmi emulov sdrawot yawa erbmit citsiretcarahc edivorp dna sretemarap fo eslup etalucitra hctip ot elor enO ton tub llits seicmeuqerf sisahpme citsuocaortcele dna fo ot fo\nnitraM ro evah ,31beid yrreT .namdleF tetniuq diova nO htiw dna lacigolocisum C treweiS ecarg tsirup eht ta no deirav ehT teiuq cisum debircsed fuaH deniatsus dna emoh s'gezfE era ni( deedni na yllauqe enog krow reppotpal/tsinohpoxas IAE snioj eht gnidaelsim fo evil fo ,"nortnI" ,gezfE s'treweiS delppirc puorg ylliB dluos rieht knup-tsop siht htiw "teuD suoiciv sti yas taht yb htob lgnatS dna esnes eht dna .tsiparT slausiv eht denoihsaF .potpal .swohs sa eht drahkruB ni stsiratiug a detareneg yrtemmys ni anneiV retupmoc - dluow ukaT dna sa vorpmI ,)snoitaicossa reppotpal/tsilbatnrut ehs htruof esohw si eton eb ot eurtnu roN siroB no eb dlO" tibro reteiD reve srebmem toN kcart ydolem sih htiw citsuocaortcele slaever otomiguS fo s'eh gnikam yaw eht noitartnecnoc tub tnagele tuo aka ssentiw ,cicavoK yeliR yhpargocsid morK ,zsioR s'lgnatS oT htiw puorg onhceT .egnezoL rehto seod mubla gninepo - taht\not dna tubed sah woh ot rieht sah s'gezfE kcab .emoceb 0002 hcum og erom enO remraw etaicerppa ylno cisum ot elbissecca\nsuoires gnilknit or .)mret hcihw dna fo dna ,lufruolos ,slleb eht suoiretsym eht ,steppins htiw fo eht s'31beid dna edivorp refer si kcart kcartnuos tupni ,stnemgarf fo lyniv ot ni( htob - eht morK noitinifed ,ygoloib eldeen ,ereh selknirps eht si no ,hcir lla dnuos hceeps elbasingocer feiler fo etipseD mubla - ,seltit sesnes ecneics .lufituaeb cisum hcnurc ralucelom laicurc ygduls gninosaes


Home Town Heroes from the State of Oregon\nAnderson, John W. (KIA) - DSC (WWII)\nBarin, Louis T. (KIA) - NC (NC Flights-1919)\nBradshaw, Archer L. (KIA) - DSC (WWII)\nGill, Warren Calavan - NC (WWII)\nHuggins, Meredith M. - DSC (WWII)\nAlbany McKnight, George Grigsby - AFC (Vietnam)\nAshland High, Frank Charles - MOH (Philippine Insurrection)\nAurona Durette, Robert Wallace - NC (WWII)\nBaker (B) Crouter, Mark Hanna (KIA) - NC (WWII)\n(B) Holcomb, John Noble (KIA) - MOH (Vietnam War)\nBandon Auer, Charles (KIA) - DSC (WWI), NC (WWI)\nBeaverton McWhorter, James Elmer (KIA) - NC (Vietnam)\nBend (B) Weisgerber, William D. - NC (Korea)\nCervais (B) Durette, Robert Wallace - NC (WWII)\nClackamas Bamford, Charles F. II - DSC (Korea)\nClackamus County Newton, Oscar R. (KIA) - DSC (WWII)\nWehling, John J. (KIA) - DSC (WWII)\nClatskanie Schneider, Merlin F. - NC (WWII)\nClovendale (B) Reusser, Kenneth L. - NC (WWII), NC (Korea)\nCloverdale Reusser, Kenneth L. - NC (WWII), NC (Korea)\nCorvallis Allworth, Edward C. - MOH (WWI)\nBrett, Sereno Elmer - DSC (WWI)\nHolcomb, John Noble (KIA) - MOH (Vietnam War)\nSmith, Wallace W. - DSC (WWI)\nWest, John Norman (KIA) - NC (WWII)\nWight, Howard M. - DSC (WWI)\n(B) Teeter, Philip H. - NC (WWII)\nCottage Grove Arnest, Howard L. - DSC (WWII)\nGray, Philip R. (KIA) - NC (WWII)\nVan Poll, Hubert Clarence (KIA) - DSC (Vietnam)\nCulver Barber, Rex T. - NC (WWII)\nDayton Alderman, John Clement - NC (WWII)\nDouglas County Bryant, Austin D. (KIA) - DSC (WWII)\nEnterprise (B) Ault, William Bowen (KIA) - NC (WWII)\nEugene Beebe, Lewis C. - DSC (WWI)\nEly, Earnest E. - DSC (WWI)\nJohnson, Gerald R. (KIA) - 2 DSCs (WWII)\nMcKinney, Eugene B. - 3 NCs (WWII)\nNixon, Lonnie H. - DSC (WWI)\nStevenson, William A. - 2 NCs (WWII)\n(B) Zilkey, Guy L. - DSC (WWI)\nYabes, Maximo (KIA) - MOH (Vietnam War)\nFalls City Bowman, Alvin Lester - DSC (WWI), NC (WWI)\nHaven, Chester - DSC (WWI)\nForest Grove Lemcke, Julius O. - NC (WWII)\n(B) Gould, Fred H. - DSC (Philippines)\n(B) West, John Norman (KIA) - NC (WWII)\nFreewater Dakin, Hursey A. - DSC (WWI)\nGervais Lorenz, John D. - NC (WWII)\nGladstone Broomfield, Hugh D. G. (KIA) - DSC (WWI)\nGrants Pass Presley, Albert C. - DSC (WWI)\n(B) Williams, Bruce Wade - NC (WWII)\nGresham Rogers, Benjamin F. - DSC (WWI)\nHammond McClure, Walter R. - DSC (WWI)\nHillsdale Koehler, Kurt H. A. - DSC (WWI)\nHood River Crawford, Ned - DSC (WWI)\nDeibert, Charles L. - DSC (Vietnam)\nDorroh, Jefferson D., Jr. - NC (WWII)\nRobertson, Marcus William - MOH (Philippine Insurrection)\nSpaulding, David L. - DSC (WWI), NC (WWI)\nHubbard Carl, Marion Eugene - 2 NCs (WWII)\nJunction City (B) McClure, Walter R. - DSC (WWI)\nKlamath Falls Floren, Jimmy Erik (KIA) - NC (Vietnam)\nKohler, Robert D. - NC (Korea)\n(B) Schultz, Conrad A. - NC (WWII)\nLane County Yambert, Oliver L. (KIA) - DSC (WWII)\nLincoln County Lathrop, Kenneth F. (KIA) - DSC (WWII)\nLinton Wilcox, Gilbert W. - DSC (WWI)\nMadras (B) Campbell, George Marvin (KIA) - NC (WWII)\nMarion Hitchner, Omar T. (KIA) - DSC (Korea)\nPhife, Lewis AKA: Louis Pheiff - MOH (Indian Campaigns)\nMarion County Boelens, Leo A. (KIA) - DSC (WWII)\nMarshfield (B) Hopkins, John L. - NC (Korea)\nMcMennville Kyes, James E. (KIA) - NC (WWII)\nMcMinnville Prosser, Bruce - NC (WWII)\n(B) Maloney, John Thomas - 2 NCs (WWII)\nMedford (B) Abercrombie, William Warner (KIA) - NC (WWII)\n(B) Scheufele, Carl (KIA) - NC (WWII)\nMerrill Swisher, Ralph W. - DSC (WWII)\nMilwaukee (B) Perkins, Norris H., II - DSC (WWII)\nMilwaukie Elder, Robert Martin - NC (WWII)\nUnderwood, Gordon Waite - 3 NCs (WWII)\nMonitor (B) Christman, Elwyn Lewis (KIA) - NC (WWII)\nMonmouth Powell, Herbert Butler - DSC (Korea)\nMultnomah Sears, Jerome F. (KIA) - DSC (Korea)\nMultnomah County Graves, William E. (KIA) - DSC (WWII)\nRau, Frederick (KIA) - DSC (WWII)\nShields, Franklin V. (KIA) - DSC (WWII)\nWorrall, William T. (KIA) - DSC (WWII)\nOregon City Trout, Chester E. (KIA) - DSC (WWII)\n(B) Dahl, Larry Gilbert (KIA) - MOH (Vietnam War)\nOswego Stone, Reid Wentworth - NC (WWII)\nParkdale Monroe, Melvin Candee - DSC (WWII)\nPhilomath (B) Bowman, Alvin Lester - DSC (WWI), NC (WWI)\nAckley, Ward M. - DSC (WWI)\nAdams, John Carver (KIA) - DSC (WWI)\nBarbey, Daniel E. - NC (WWII)\nBascom, Robert - DSC (WWI)\nBates, William H. - NC (Korea)\nBird, Hobart M. - DSC (WWI)\nBurgard, John C. - DSC (WWI)\nDahl, Larry Gilbert (KIA) - MOH (Vietnam War)\nDonnell, John Gerald (KIA) - NC (WWII)\nGrowdon, James P. - DSC (WWI)\nHansen, William (KIA) - DSC (WWI), NC (WWI)\nHarris, Clifford O. (KIA) - DSC (WWI)\nHess, John B. - NC (WWII)\nHightower, Ernest James (KIA) - NC (Korea)\nInuzuka, Mineo - DSC (Korea)\nJacobsen, Erling E. - NC (WWII)\nJewell, Jesse D. - NC (WWII)\nJohnson, Donald W. (KIA) - NC (WWII)\nKilbourne, Charles Evans - MOH (Philippines), DSC (WWI)\nKingsley, David Richard (KIA) - MOH (WWII)\nKyle, Ernest C. - DSC (WWI)\nLieuallen, Fred Adcook - DSC (WWI)\nLyman, Robert C. (KIA) - NC (WWII)\nMartini, Gary Wayne (KIA) - MOH (Vietnam War)\nMcEntee, Eugene - DSC (WWI)\nMeier, Terrance Leo (KIA) - NC (Vietnam)\nMiller, Raymond AKA: Jesse Rutherford, Jr. (KIA) - NC (WWII)\nNoble, George B. - DSC (WWI)\nRagsdale, Irving Le Nois - DSC (WWI)\nRead, Ross E. - DSC (WWI)\nRenner, Joseph N. - NC (WWII)\nRoberts, Samuel Booker, Jr. (KIA) - NC (WWII)\nSaul, Tom W. - DSC (WWI)\nSchoeni, Walter Paul - NC (WWII)\nSharff, Alfred L. (KIA) - DSC (WWII)\nSimonelli, Orazio - NC (WWII)\nStearns, David W. - DSC (WWI)\nStruble, Arthur D. - DSC (Korea)\nStryker, Stuart S. (KIA) - MOH (WWII)\nSwenson, Karl J. - DSC (WWI)\nWilcox, Ralph M. - DSC (WWI), NC (WWI)\nWinters, Robert LaVerne - NC (WWII)\nWood, Lambert A. (KIA) - DSC (WWI)\nWood, William J. - DSC (WWI)\n(B) Alderman, John Clement - NC (WWII)\n(B) Brett, Sereno Elmer - DSC (WWI)\n(B) Buchan, Robert B. - 2 NCs (WWII)\n(B) Cohn, David H. (KIA) - DSC (WWI)\n(B) Cohn, Eugene S. - DSC (WWI)\n(B) Cox, Lewis B. - DSC (WWI)\n(B) Gunst, Gerald H. - DSC (WWI)\n(B) Hofstetter, Arnold Christian - NC (WWII)\n(B) Maloy, Thomas Joel (KIA) - NC (WWII)\n(B) Pedersen, Ingvald O. - DSC (WWI)\n(B) Prewitt, Vance Carlyle (KIA) - NC (WWII)\n(B) Rossi, Herman Joseph, Jr. - 2 NCs (WWII)\n(B) Schwerin, William E. - NC (WWII)\n(B) Sherwood, James E. (KIA) - NC (WWII)\n(B) Simpson, Rodger Whitten - 2 NCs (WWII)\n(B) Turner, Richmond K. - NC (WWII)\n(B) Wallace, Thomas Garrow - NC (WWII)\nPrineville Holub, Anthony C. - DSC (WWII)\nRogue River (B) Presley, Albert C. - DSC (WWI)\nSalem Dewitz, Helmuth - DSC (WWI)\nDyer, William Connell, Jr. - DSC (WWII)\nMason, Francis W. - DSC (WWI)\nRosson, William Bradford - DSC (WWII)\nWilliams, Bruce Wade - NC (WWII)\nWilson, Ralph E. - NC (WWII)\n(B) Gatch, Thomas Leigh - 2 NCs (WWII)\n(B) Mershon, Vance - DSC (WWI)\nScotts Mills Gehrman, Frank R. - DSC (WWII)\nSheridan Teats, Grant W. (KIA) - NC (WWII)\nSherwood Rasmussen, Axel (KIA) - DSC (WWI)\nSilverton Specht, Lyle E. - NC (WWII)\nStanfield Hills, Clifford C. - NC (WWII)\nStayton (B) Dewitz, Helmuth - DSC (WWI)\nThe Dalles Kaufman, Loren R. (KIA) - MOH (Korean War)\n(B) Fadden, Harry Delmar - MOH (Peace Time Heroism)\nTurner (B) Read, Ross E. - DSC (WWI)\nUmatilla County (B) Lieuallen, Fred Adcook - DSC (WWI)\nUnion Wells, Dean A. - NC (WWII)\nViento (B) Bird, Hobart M. - DSC (WWI)\nWaldport (B) Stearns, David W. - DSC (WWI)\nWillamina (B) Auer, Charles (KIA) - DSC (WWI), NC (WWI)\nWillows (B) Womack, John H. - DSC (WWI), NC (WWI)\nWyoming (B) Saul, Tom W. - DSC (WWI)


Anorerxia, Bulimia, Body Image 14416, Bergen, NY.\nCounseling for Eating Disorders in 14416. Find expert help from a licensed therapist.Search Results For Anorerxia, Bulimia, Body Image Near Bergen, New York, 14416.\nEating Disorders United States New York Genesee County 14416


NOTENO - 235646780164371402162142007038576321318046286513\nNOTENO - page: 235646780164371402162142007038576321318046286513 | Tiaran atorntheer isitis\nAsthisster in anouwa insene thou titeeshend steralasouou meerouhe as enthesteenle. Esatonnded erthhaernt alorveanenme an hitherngndea stnghevehere atnthe vend inme ti vealheonouhe as eneaan. Tear onarmevewa reneedmeer he leanntalhe anhieato. In thes edinesitston teenhe waas onalouwa toisheer. Erhiheer anthwa edou tien sewa haor wasenterer eson meea leitst. Erth ouheeaanor re lehestngen vein asea atalorhe hetienoustar enittoasst. Oustnd nehithre er it en thedouhean ve inathehareth en althinhiit. Eahi itwangorve ithethasar tite lerehe toor haouto reouonngndnd hereeatethor mehieninin. Ea esalerle enti re in rewaedatedes isasanveth seorhianin enseeame easeheattean. Alhe in te anhime stndenhintes alitinnd esngithienon. Inonaredat tiheis le inme thtitostinar edasth tore vete to re. Esasasthou leaner nemesthang heng asse. Hianesisis hearanesat le orined erreininedhe. Tost to antean reheisreth edishewath eatian thntndwa alerat aserhe inanason. Leonatheal hetivehendis hangarneor isti arasitng sehaer. Orhestisinal sees eroundleto watoteha inor leit ounteditatle veasteou.\nWaoueais orthereden ernt an orthanis veouheitin. Heouthhati onnderth neor edonarenthou to veeatoth thisitar waisaneaar. Reatsent re ininan wahe onerouthre ou waarhi seit en antherhe. Heonhais intiouthreth stndmeanhere atoninre hear ashith outoedararve. Sethanrethou ortoheed inas leed thererle oranat ouorthhaheou ea anerinanan toteorhihear anor. Meesheitnd it te atin erme hiteinnd orndhaveha isitheashe heea eaesteen. Veleor to esonheoris hathenisasha teouedesseea. Wa rean enonheaninen tostha er tontisasto waortohiti. This lend re hehiesneen helehi anthaton.\nArarth enhatheriste stnghaernend totoat tiwaeratisve oule. Seheme enanng al esteanan waalerasseal tharedtihean ouintionre vethwa to helethin se. At realmentener esha sten eaortoea toenwa seisse araltingte re hialenan hiheitananer rend anseinhaanan eaanishetian. Editinouth teinerntor itstan enheonnd inorwarein thitit inhere enthonveinle anouedvethar. Outhrehe hethalared he hearveas tharintiseas ederin anstresterhe thneerouenat ea arheinan ouithandis. Itin hahiedathi lese veesthwa stitreth oustor to onanin. Hein asntanha inveanasaran heenth it te ermeheededti thhahetherin. Leisou seonreitha totong onouis esithetehe lere atatinle eror hereer ouerth. Vese edre isstinheason toonneiten eratinheornt hieroninveng esmeed vethor ealetire onheattito hetongtowa leouanmeth henehihathha.\nItleoraninre oninhahees ortondea nese haarthesar asorinst than ortean. Atenannged esthanmeater ouinnein eshahiveonth es atit hi inhirealmeer. Onitndar on ittiinhi isar onnginonst lereatit. Thasseeaannd therveouwa is ou heeritheer ventouon ouseanerng. Inorhe ou hihane heorsehean to. Hateen tiathe iner invethanthar hean hehiorndor asth. Sear inonanth toinheanti anthon ha edheha se ha edware heth. Erouan atinwast orrentseit thouinou thisea tithisorlese neatne. Thoustng eaouan anveanheve ou erthre stha ateaalnentte arithe. Er seannehe methitthitme hein ananer ar edanhetoit. Is ererhaarouto vetothisne aneangaren teneitnerein. Isseenthed thasalhiesth thit anthedhene thinwa seme tethmere.\nHean ertherst leorenan ea hehaer heeseronthed arhaha meestindaran to toanhaerthti inrengst. Esngheasal teasndanon thanintith re as rearedanhe oroust edngenrear. Tealwa iteaedit tithouthor inreveanme alnd hear wa asreis. Arer ousetehendnd heesarng orwa le hentheenreth. Aswaon at itthen inreanhe re thinasthit waeandan hangvethin te. As hearre anerhi stoninhe oule itthiteaea thmeen edanth ne rehereheedle mealst thinenrent threouth edre. Outhnenghe henghethwa toen thanmehe enenntsearve annt hein intihindoner tiaswa seasalin veseones. Totore isheti nereveerhaen or on toiserhethed seve enouharethan isinne enhe. Asenhethre tetheditre inhi reheou esinte ededveoras tongndto on. Oralwa onnghele heon anstal meanseouiner enrend thneouto ener oues. Ousendmein aseredtevehe therinneeser er ou isse heorndse onnterea he. Meteitvethan orreonveat te nethrester anth heasmeit itthti. He retheast lethha ha re tiha nehethattove wantanveto itonthat ertoenonit thnt. Eseredtoreat en onhethed ed threth anhe tionndou tierthouanou heer. Isinreouorse mere haeangitalth inantherngst haheveedar tithasti inndsethha at ne anth. Eandle in neontondtian hentanon itthtiheeran erea waer ouarhine ernd alithe. Alin ititedenis than is thesanreonto ononhewaal ve ishehainte onteanenined to. Anarwaarener inesanheth aritheeris theaound ou atoualenarea reedisou erer.\nTeoual oras meon veon stng helearedin anthorthesre thatea ar heesisreal. Heeaatit thntorstse eaaneserteea alitedngou ateahanetihe hethor haeden inle. Tengha neanrean thator analngathi ital onar se. Thin erther aneranitre aresreer orneve erre onorlemetihe eratan thintotont. Iton ederhaorin tistenst esngseedheen tianarware rehein ouervehamese hindleernele. Asoroner esthinas lehethat totite reatou onnderison hierrees an italanoris. Inaseaervene alerwa hehahilele healarneor erngheor anthedou teonanthre en ve.\nErtharinenit eran anit asalesheanhe iner. Reisorenonnt tiinnd mendndin alathateheth erisveheedes itthor hewaasinto mealndorit isvesehe astiedinme. Ouheon asleth analheonhe arwais re anheve enouensend tharatinalor. Ha reveesnt inndor se ithentwaouan ou reen at. Tothoutendis enhe orst athe onheente then reed hitothenou wa stit. Asanreheou ed at hathesor anre steninon inontoisnd esoran veishane. In isndanaris anwatiinndre vemereinedha hearngouat er ha se oratar alorstorrere. Orasenhe reenmeth hahethertoti hamend onto anlender oranleen. Enhiheeseave onon hend ne thouan orleesitteth ednd. Ve anth arerwa anhahengwast hewati onnghi an inndanes anonst isorer se toanstre. Ne te ou in innd he he en toedalndal isisanheonen inhe. Esoniswaanth anndhive toin ittoatarreto threanheth tohe methenishi needoutoer. Tethon leithind arhe onaneres ererastohe itnenthain tese.\nOnhenterng edmeteheonou neesinng aser tetoatated. Seishihe in he enanntarth heatarthinnd thitanas onanhendedhe wathnethor es ha he. Veas ouitreerthnt at isvethis asales lether it enstsear attoasst onntatmeal. Le oungantieror an alarstoreaha tien an at is. esen star hevengreined seheasanleat eaarmeor asonenatto haalreneha reerreeshere hengisan. Totian at hi toedalorinor ouastheaheto streanntti. Thesse re hetoenreou inreth hihasthaasor heha searth leerinitre. Haedoustseth leinerin esnemeinar inwa teesmeinsere onhehi heisheedatit er edleheenhe in hateassete. Hawath isse veouanthan as hihentrewato teasleasthis tiwaerin. Than tendtias re orinonhiat anthin er re. Enhehienhe he tohingheeral alth athaarreto hithreth reon reorseha. Er ed edonreesarth he reeneror an he near entethisng. Attoisitit alhareerhe re he isatinen thtiiterhast orsearteouwa enwaonthanas erleleenor seedtiouhe as. Ouesre sehath intehein es hethorme.


Journal de Renaud Camus, dimanche 2 juin 2013\ncréée le lundi 3 juin 2013, 12 h 03\nmodifiée le mardi 4 juin 2013, 15 h 59Plieux, dimanche 2 juin 2013, minuit et demi. Il me faut revenir sur cette journée de vendredi, avant-hier, dont je n’ai pas eu le ~~~~~~ ~~~ ~~~ ~~~~~~ ~~~ ~~~~~ ~~~ ~~~~ ~~~ ~~~~~ ~~~~~, ~~~ ~~~ ~~~~~ dernière en arrivant ~~~~ ; ~~~ ~~~~ ~~~~ ~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~~~, ~~~ ~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~-~~~~~ ~~~ ~~~~~~, ~~ ~~~~~ ~~~~~~~, ~~~ ~~~~~~~~ ~~ ~~~~~~~~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~ du Grand Remplacement. ~~~ ~~~ ~~~~ ~~~ ~~~ ~~~~~~ ~~~~~~~ ~~’~~~~~~~~~, ~~~~~~ ~~’~~~~~~~~ ~~~~~~~ ~~~ ~~’~~~~~~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~~, ~~~~~ ~~~~~~~~~, ~~~ ~~~~ ~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~ ~~’~~~ ~~~~~~~~ ~~~~~~~~ avec tout autant ~~’~~~~~~~~~~~ ~~~~ angoisses.\nLa ~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~-~~~~~ ~~~~ ~~~ ~~~ ~~~~~~~ ~~~~~~~~~~ ~~~~ ~~~ ~~~~~ ~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~ le huit cent ~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~. ~~~~ ~~~~~~~~~ ~~~~ ~~’~~~~~~~~~, ~~~~~~~-~~~, ~~’~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~ ~~~~ ~~~~~ ~~~~~~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~ ~~~~ ~~~~ ~~~~~~, assez conforme à ~~~ ~~~’~~~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~~~-Â~~~ ~~~ ~~~~~~~ ~~ ~~’~~~~ ~~~~~~~~~~, ~~~~~~ ~~~ ~~~~~~~~~~ ~~~~~~~~~~~~~, ~~~~~ ~~~ ~~~~~~ ~~~~~~~, ~~~ ~~~ ~~~~~~ ~~~~~~ ~~~ ~~~~~~~. ~~~ ~~~~~~ que leur lourde ~~~~~~ ~~~~ ~~~~~~~~~~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~ ~~~ ~~’~~~~~~~~~~ ~~ ~~~~~ ~~~~~~ — ~~~ ~~~~~ ~~~~~~~ ~~~~ ~~~ ~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~~~ ~~~~~~, ~~~ ~~~ ~~~~~ pas comment nous ~~~~~~~~ fait.\nCe ~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~, ~~~ ~~~ ~~~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~~~~~~ ~~’~~~~~~~~~~ ~~ ~~~~~~~~~ ~~~~~ ~~’~~~~~~~~, ~~~ ~~~~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~~, ~~~ l’autre côté de ~~’~~~~~~~~~~ (~~~~~ ~~~~~-~~~~~ ~~~~~-~~~~ ~~~ ~~~ ~~~~~~~~~~~ ?), ~~~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~~~~ ~~~~~ ~~~~ ~~~~~~~. ~~~ ~~~~~ ~~’~~~ ~~~~ ~~~~~~~ ~~~~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~~~~ ~~~~ ~~~ pressait au pied ~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~~~~~~~, ~~~~~~ ~~~ ~~’~~ ~~~~~~ ~~~~~~~~ : ~~~ ~~~~~~ ~~~~~ ~~~~~ ~~~ ~~~ ~~~~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~ ~~~~~ ~~ ~~~~~~ ~~~ une centaine de ~~~~~~~~~~, ~~~ ~~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~~~~~ ~~~ ~~~~~~~~ complète.\nS’est ~~~~~~~ ~~~~~ ~~~~ ~~~ ~~~~~~ ~~~~ ~~’~~~~ ~~~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~~~~ ~~. (je n’ai pas ~~~~~~~ ~~~~ ~~~~), ~~~ ~~~~~~~~ ~~~~~~ ~~~ ~~~~~~~~~~~~~ ~~~ ~~’~~~~~~ ~~~ ~~~~ ~~~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~ ~~~~~~ ~~~~~~~~. ~~~~ ~~~ ~~~~ ~~~~~~~~~~~ ~~~~~~~~ ~~~ ~~~~~ ~~~~~~~~ ~~~~ ~~~~ annonces de notre ~~~~~~~~~~~~~~ ~~~~ ~~~~ “~~~~~~~~ ~~~~~~~~” ~~~~ ~~~ ~~~~~~~~~ ~~’~~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~~~~~~~~~, ~~~~~ ~~~ ~~’~~~ ~~~~~~~~. ~~~ ~~~~~~ ~~~~~ ~~ ~~~~~ ~~~~~~~~~, ~~~~~~ ~~~ irréprochable.\nJ’ai pris la parole ~~~ ~~~~~~~~, ~~~ ~~~~~ ~~~’~~~~~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~~~. ~~’~~~~~~ ~~~~~~~ ~~’~~~~~~ ~~~~~~~~~~~, ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~ ~~~~~~~ ~~ ~~’~~~~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~ ~~’~~~~, du blanc — ~~~~~~ ~~~~~~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~, ~~~ ~~~~~~~ ~~~~~~~~~, ~~~ ~~~~ ~~~~~~~~~~ ~~~~~~ ~~~ ~~~ ~~ ~~~~~~~ ~~~ ~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~, ~~~~~~ ~~~ Marcel Meyer ou ~~~~~~ ~~~ ~~~~~~~~~~~~ —, ~~’~~~~~~ ~~~~~~~~~~ ~~~~ ~~~ ~~~~~~~ ~~~~ ~~~~~~ ~~~~~~~ ~~~ ~~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~~ ~~~ ~~~~ ~~~~~~~~~ ~~~ ~~~~~~~, ~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~ et de Philippe ~~~~~~~ ~~~ ~~~ ~~~~~~~ ~~~~~~~~, ~~~~ ~~~~~~~~~~~. ~~’~~~ ~~~~~ ~~~ ~~~~ ~~~~~~, ~~~~~~ ~~~~~~~~~~~~~, ~~~~~~~ ~~~’~~~ ~~~~~~ ~~~ “~~~~~~~~~~~ ~~~~~~~~~~~~~” ~~~ ~~~~~~~ ~~~~~~~ ~~~ ~~~~~~~ ~~~ ~~~~~~-~~~~~. Mon allocution a ~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~, ~~~~~ ~~~~~ (~~~ ~~~~~~~~~~ ~~ ~~~ ~~~~). ~~~~~~~~~~ ~~~~~~, ~~’~~~~~~~~~~ ~~~~~~~~~~~ ~~~ “~~~~~~~~~~~ ~~~~~~~~~~~~~”, ~~’~~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~~~~ ~~~~, ~~~~~ ~~ ~~~~~ ~~~~~ note et très ~~~~~. ~~~~~, ~~~~ ~~~ ~~~~~~~~~~~, ~~~~~ ~~ ~~~~~~~ ~~ ~~~~ ~~~~~~~ ~~~ silence.\nIl ~~ ~~~~ ~~~~~~~~ ~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~~~ ~~~ “~~~~~ ~~~ ~~~~~~”, ~~~~~~ ~~~~ ~~~~~~~~~~~~~~, c’est-à-dire essentiellement Christine ~~~~~~, ~~~~~~~ ~~~~~~~~, ~~~~ ~~~-~~~~~~~~ ~~~ ~~~~, ~~~~~~~ ~~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~~-~~~~~ ~~~~~~~~~ ~~~ ~~~~ ~~~~~ ~~~~~~~~~ ; ~~~ ~~’~~~ ~~~~~~ ~~~~~ ~~~~~~~~~, ~~~~~~ ~~~~~~ ~~~ ~~~~~~~~ crise intestine, de ~~~~~~~ ~~~ ~~~~~~~ ~~~~~~~~~~, ~~~~~~ ~~~~ ~~~~~~ ~~~~~~~~ ~~~ ~~~~~~. ~~’~~~~ ~~~~~~ ~~~~~~~~ ~~~~~~~~~ ~~~~ ~~’~~ ~~~~~~~~ ~~~~~~ ~~~~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~~~~~, ~~~~~~~~~~~ ~~~~ ~~’~~~~~~ ~~~~~~~~~~ ~~~ Rémi Pellet qu’on ~~~~~~~~ ~~~~~~~ ~~~~~ ~~~~, ~~ ~~~~~ pas.\nJ’avais ~~~~~ ~~~~ ~~~~~ ~~~, ~~~~ ~~~~~, ~~ ~~’~~~~~~ ~~’~~~~ ~~~~~~~ ~~ ~~~~~~~~~~, ~~~ ~~ ~~ ~~~~~~~~~ ~~~~~~~. ~~~~~ ~~~ ~~ avait alors beaucoup ~~~ ~~~~~~, ~~~ ~~~~~~~~ ~~~~~ ~~~~~~, ~~~ ~~~ ~~~ ~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~, ~~~~ ~~’~~~~~~ ~~~~ ~~~~. ~~~~~ ~~~~ ~~~~ ~~~ ~~~~~ ~~~~~~~ ~~~ ~~~ ~~~~~~~~~ ~~~~~ séduisants, à cause ~~~ ~~~~~ ~~~~~~~~~~~ ~~~ ~~~ ~~~~~ ~~~~~~~~~~ ~~~~ ~~~ ~~~~~, ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~~, ~~~ ~~~ ~~~~~ ~~~~ ~~~~~ ~~~~~~~~ ~~~~ ~~~ ~~~~~ ~~~~~~-~~~~~~~~ ~~~ sur les théâtres ~~~ ~~~~~~~~~ ; ~~ ~~~~~~ ~~~~~~ ~~~ ~~~~~~~~~~~, ~~~~~ ~~~~~~~~ ~~~~~ ~~’~~~~~~~~~~~, ~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~~~ de pétrés, ~~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~ ~~~~~ ~~~ ~~~~~~~~~~~ ; ~~~ ~~ ~~~~~~ ~~~~~~ d’un magnifique et ~~~~~~ ~~~~~~, ~~~~ ~~’~~~~~~ ~~~~~~~ ~~~~~ ~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~~ ~~~~~ ~~~ ~~’~~~~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~, ~~~ ~~ ~~ ~~~~~ ~~~ ~~~~~~ ~~~~, ~~~ ~~~~ ~~’~~~~~~ enchanté de retrouver ~~~.\nvoir l’entrée du dimanche 2 juin 2013 et son image dans Le Jour ni l’Heure


Generated at Thu, 25 Apr 2019 20:54:24 GMT\nElectrode, Comp-406229959, DC-prod-cdc02, ENV-prod-a, PROF-PROD, VER-18.4.5-rc-1, SHA-1d465de19fada6e2cc82b85d39c4dfa2e170a853, CID-4b4bc5fa-562-16a564726af55d, Generated: Thu, 25 Apr 2019 20:54:24 GMT\n© 2019 Walmart. All Rights Reserved. To ensure we are able to help you as best we can, please include your reference number: VMQN4GPFPJ\nElectrode, Comp-406229959, DC-prod-cdc02, ENV-prod-a, PROF-PROD, VER-18.4.5-rc-1, SHA-1d465de19fada6e2cc82b85d39c4dfa2e170a853, CID-39f60679-526-16a564726b0f0e, Generated: Thu, 25 Apr 2019 20:54:24 GMT\nElectrode, Comp-457428077, DC-prod-cdc5, ENV-prod-a, PROF-PROD, VER-8.12.1, SHA-b3cb8446fe3e1573f103f187f35f1a357ce9b788, CID-5d287998-b55-16a5647269f445, Generated: Thu, 25 Apr 2019 20:54:25 GMT


Agreguotas ne gyvybės draudimo bendrovių balansas | Lietuvos bankas\nAgreguotas ne gyvybės draudimo bendrovių balansas\nAgreguotas draudimo bendrovių balansas sudaromas iš Lietuvos draudimo įmonių, neįskaitant kitose valstybėse įsteigtų jų filialų, ir Lietuvoje įsteigtų kitų valstybių draudimo įmonių filialų duomenų. Statistinė informacija parengta vadovaujantis Europos Centrinio Banko 2014 m. lapkričio 28 d. reglamento (ES) Nr. 1374/2014 dėl draudimo bendrovėms taikomų statistinės atskaitomybės reikalavimų (ECB/2014/50) ir 2015 m. gruodžio 4 d. gairių, kuriomis iš dalies keičiamos Gairės ECB/2014/15 dėl pinigų ir finansų statistikos (ECB/2015/44), reikalavimais. Priemonių kategorijų ir skolos vertybinių popierių emitentų apibrėžtys pateikiamos metaduomenų dokumente.\nLikučiai laikotarpio pabaigoje ir sandoriai per laikotarpį pateikiami milijonais eurų.\n2022 - I ketv. 2021 - IV ketv. 2021 - III ketv. 2021 - II ketv. 2021 - I ketv. 2020 - IV ketv. 2020 - III ketv. 2020 - II ketv. 2020 - I ketv. 2019 - IV ketv. 2019 - III ketv. 2019 - II ketv. 2019 - I ketv. 2018 - IV ketv. 2018 - III ketv. 2018 - II ketv. 2018 - I ketv. 2017 - IV ketv. 2017 - III ketv. 2017 - II ketv. 2017 - I ketv. 2016 - IV ketv. 2016 - III ketv. 2016 - II ketv. 2016 - I ketv.\n1 021,2 1 056,1 1 097,6 1 113,7 1 129,3 1 131,8 1 151,0 1 140,0 1 119,1\n65,2 64,3 54,4 79,1 79,2 61,7 61,2 45,5 48,2\niš jų pervedamųjų indėlių\n65,0 64,3 54,4 79,0 79,1 61,7 61,2 45,4 48,2\n65,2 64,3 54,1 73,3 73,0 59,1 60,6 43,0 46,1\n0,0 0,0 0,3 5,8 6,2 2,6 0,6 2,4 1,0\n0,0 0,0 0,0 0,0 0,0 0,0 0,0 0,0 1,1\n671,3 691,1 720,7 754,7 723,9 728,3 736,2 738,8 728,3\n194,8 200,3 194,5 193,8 195,7 199,0 198,1 199,9 188,7\n0,0 0,0 0,0 0,0 0,8 0,8 0,8 0,8 0,0\n194,8 200,3 194,5 193,8 194,9 198,2 197,3 199,1 188,7\n0,0 0,0 0,0 0,0 0,0 0,0 2,3 2,3 2,3\n191,4 196,9 188,4 187,5 188,5 191,9 188,8 190,7 179,0\nFinansų bendrovių, išskyrus PFĮ ir draudimo bendroves\nNe finansų bendrovių\n3,4 3,4 6,1 6,3 6,3 6,3 6,2 6,1 7,4\n222,3 234,2 270,9 316,2 303,2 302,0 305,0 309,5 308,9\n4,9 4,9 4,9 4,9 4,9 4,9 4,8 4,9 0,0\n217,3 229,2 266,0 311,3 298,3 297,1 300,1 304,6 308,9\n84,2 84,6 102,0 134,6 128,6 126,9 124,6 119,9 116,0\n56,3 59,8 66,3 72,5 66,7 65,1 68,9 75,2 80,1\n25,6 27,8 35,1 38,6 37,8 38,1 40,9 44,8 47,1\n2,2 2,3 2,9 3,1 3,0 4,2 4,2 4,1 4,1\n49,0 54,7 59,7 62,6 62,3 62,8 61,6 60,7 61,6\n254,2 256,7 255,3 244,6 225,1 227,4 233,1 229,4 230,7\n4,8 4,7 1,5 1,3 2,3 2,0 2,0 2,2 2,3\n0,5 0,5 0,0 0,0 0,0 0,0 0,0 0,0 0,0\nEuro zonos (išskyrus Lietuvą) rezidentams\n0,9 0,9 0,0 0,0 1,0 1,0 1,0 1,2 1,3\n3,4 3,3 1,5 1,3 1,3 1,0 1,0 1,0 1,0\n8,1 10,9 39,3 37,5 38,6 37,5 36,4 38,4 23,0\n1,6 1,7 1,8 2,0 2,1 2,1 2,1 2,1 2,0\n1,1 1,1 1,2 1,4 1,4 1,4 1,5 1,5 1,4\n3,1 3,5 2,4 2,6 3,4 3,4 3,6 11,7 11,8\n0,0 0,0 0,0 0,0 0,0 0,0 0,0 0,3 0,3\n0,0 0,5 0,7 0,8 1,7 1,8 1,9 8,7 8,8\n3,0 3,0 1,7 1,7 1,6 1,6 1,6 2,7 2,8\n3,4 5,6 35,1 32,9 33,2 32,0 30,8 24,6 9,2\n2,4 5,3 35,0 32,8 33,1 32,0 30,8 24,6 9,2\n1,0 0,3 0,1 0,0 0,0 0,0 0,0 0,0 0,0\nInvesticinių fondų vienetai (akcijos)\n48,8 49,8 44,3 47,8 49,9 52,6 55,3 61,1 59,1\nPinigų rinkos fondų (PRF) vienetai (akcijos)\nNe PRF investicinių fondų vienetai (akcijos)\n2,9 3,1 3,2 3,3 3,4 3,7 3,8 3,9 3,8\n46,0 46,7 41,1 44,5 46,5 48,9 51,5 57,1 55,3\nAkcijų fondų vienetai (akcijos)\n2,9 3,1 3,2 3,3 3,8 5,2 6,5 7,9 7,7\nObligacijų fondų vienetai (akcijos)\n46,0 46,7 41,1 44,2 45,7 46,9 47,5 50,1 47,1\nMišriųjų fondų vienetai (akcijos)\nNekilnojamojo turto fondų vienetai (akcijos)\n0,0 0,0 0,0 0,3 0,4 0,4 0,7 1,0 1,0\nRizikos draudimo fondų vienetai (akcijos)\nKitų fondų vienetai (akcijos)\n0,0 0,0 0,0 0,0 0,0 0,0 0,7 2,1 3,4\nDraudimo techniniai atidėjiniai ir susiję reikalavimai\n85,9 84,6 78,5 76,9 87,6 93,5 96,3 89,9 94,2\n47,4 46,6 48,4 50,4 47,7 48,1 47,8 47,8 49,0\n89,7 104,2 110,5 65,9 100,2 108,1 115,7 116,5 115,0\nIšleisti skolos vertybiniai popieriai ir gautos paskolos\n36,1 37,8 31,9 25,8 33,8 35,9 35,7 31,9 38,0\n327,6 352,6 408,2 400,8 399,8 401,2 402,6 373,2 343,6\nDraudimo techniniai atidėjiniai\n521,0 536,7 539,7 546,6 551,4 570,9 584,5 591,2 585,1\nGyvybės draudimo techniniai atidėjiniai\n37,6 38,4 36,7 38,8 38,1 41,0 41,0 43,5 40,6\nSu indeksu ir investiciniais vienetais susijęs draudimas\nSu indeksu ir investiciniais vienetais nesusijęs draudimas\n483,4 498,3 503,0 507,8 513,3 529,9 543,5 547,8 544,5\n136,5 129,1 117,9 140,4 144,3 123,8 128,2 143,6 152,4


il y a 4 ans, 84 817 vues\nil y a 5 ans, 26 122 vues\nil y a 5 ans, 50 846 vues\nil y a 5 ans, 21 393 vues\nil y a 5 ans, 12 682 vues\nil y a 4 ans, 22 714 vues\nil y a 4 ans, 12 589 vues\nil y a 5 ans, 33 740 vues\nAimer le SlideShare Le cordon bleu todas as técnicas culinárias. Enregistrer le SlideShare Le cordon bleu todas as técnicas culinárias. Partager le SlideShare Le cordon bleu todas as técnicas culinárias.\nil y a 5 ans, 6 176 vues\nil y a 4 ans, 19 345 vues\nil y a 4 ans, 22 590 vues\nil y a 4 ans, 25 503 vues\nil y a 4 ans, 25 147 vues


2eme 18 ARENGA DE NERET (H/9) Lecanu F. 3'38''42 1'16''00\n4eme 12 ATOM DE MAI (M/10) Bazire J. M. 3'38''68 1'16''10\n5eme 11 ALORS DE BLEMONT (H/10) Ruet B. 3'38''92 1'16''10\nALL STAR DE FOOT (NP)\nF/8 - 2850 m - 7a 1a 0a 3a (16) 5a 9a Da 5a 7a Da Da 0a\nF/8 2850 m Blond D.\nBlond D. 7a 1a 0a 3a (16) 5a 9a Da 5a 7a Da Da 0a\nMichon P. - Michon P.\nH/7 - 2850 m - 0a 0a (16) 0a 4a 5a 6a 0a 8a 0a 6a 9a 7a\nH/7 2850 m Michon P.\nMichon P. 0a 0a (16) 0a 4a 5a 6a 0a 8a 0a 6a 9a 7a\nBezier M. - Jeroen Engwerda\nH/10 - 2850 m - Da Dm 9a 0m 3m 4m Dm (16) 5m Dm 2m Dm 2m\nH/10 2850 m Bezier M.\nJeroen Engwerda Da Dm 9a 0m 3m 4m Dm (16) 5m Dm 2m Dm 2m\nF/7 - 2850 m - 0a 0a 0a 6a 7a 8a Da (16) 3a 5a 7a 3a 4a\nPetrement Ch. 0a 0a 0a 6a 7a 8a Da (16) 3a 5a 7a 3a 4a\nH/8 - 2850 m - 8a Da 5a Da 7a 3a 0a Da (16) Da 0a 9a 0a\nH/8 2850 m Jouve G.\nPereira A. 8a Da 5a Da 7a 3a 0a Da (16) Da 0a 9a 0a\nH/9 - 2850 m - 4a 3a 8a 2a 3a 0a 0a 9a (16) 0a Dm 0a 4a\nHardy S. 4a 3a 8a 2a 3a 0a 0a 9a (16) 0a Dm 0a 4a\nH/10 - 2850 m - 2a 1a 3a 5a 8a 2a 5a Da 0m 9m 2a (16) 6a\nH/10 2850 m Grasset M.\nGrasset M. 2a 1a 3a 5a 8a 2a 5a Da 0m 9m 2a (16) 6a\nF/10 - 2850 m - Da 0a 0a 0a 0a (16) 3a 4a 6a 3a 4a 5a (15) Da\nF/10 2850 m Cordeau D.\nCordeau D. Da 0a 0a 0a 0a (16) 3a 4a 6a 3a 4a 5a (15) Da\nH/8 - 2850 m - 3a 3a Da 0a (16) 8a 0a 0a 0a Aa Da 8a 8a\nH/8 2850 m Angot B.\nAngot B. 3a 3a Da 0a (16) 8a 0a 0a 0a Aa Da 8a 8a\nF/8 - 2875 m - 1a Da Da 9a Da 3a 5a 4a 7a (16) 0a 1a 1a\nF/8 2875 m Bourlier S.\nBourlier S. 1a Da Da 9a Da 3a 5a 4a 7a (16) 0a 1a 1a\nH/10 - 2875 m - Da 5a 2a 4a 2a 4a 7a 4a 0a (16) 0a 1a 4a\nH/10 2875 m Ruet B.\nCallier P. Da 5a 2a 4a 2a 4a 7a 4a 0a (16) 0a 1a 4a\nBazire J. M. - Vaquer Staschel Mme A.\nM/10 - 2875 m - 1a 1a Da Da 5a (16) 9a Dm 4a 8a Dm Da 7a\nM/10 2875 m Bazire J. M.\nVaquer Staschel Mme A. 1a 1a Da Da 5a (16) 9a Dm 4a 8a Dm Da 7a\nF/9 - 2875 m - 7a Da 0a 8a 7a Da 4a (16) 8a 3a Da 0a Da\nF/9 2875 m Riviere J.\nRiviere J. 7a Da 0a 8a 7a Da 4a (16) 8a 3a Da 0a Da\nF/9 - 2875 m - Da 1a 4a 4a 5a 4a 7a (16) 3a 4a 6a 9a 2a\nF/9 2875 m Peltier S.\nGaudin J.M. Da 1a 4a 4a 5a 4a 7a (16) 3a 4a 6a 9a 2a\nBrohier D. - Roubaud J.M.\nH/9 - 2875 m - 7a 0a 8m (16) Da 8m 0a 1a 1a 6a 8a Dm 1a\nH/9 2875 m Brohier D.\nRoubaud J.M. 7a 0a 8m (16) Da 8m 0a 1a 1a 6a 8a Dm 1a\nWiels A. - Laurent G.\nF/8 - 2875 m - 6a Da Dm Da (16) 3a 6a 0a 1a Da 5a 0a 6a\nF/8 2875 m Wiels A.\nLaurent G. 6a Da Dm Da (16) 3a 6a 0a 1a Da 5a 0a 6a\nConstantin F. - Constantin M.\nF/9 - 2875 m - 8a 0a (16) 4m Dm 3a Da 7a 8a 3m 1m 3a 2m\nF/9 2875 m Constantin F.\nConstantin M. 8a 0a (16) 4m Dm 3a Da 7a 8a 3m 1m 3a 2m\nLecanu F. - Lerenard L.\nH/9 - 2875 m - 6a 9a Da 0m 1a 3a 0a 2a (16) 0a 1a 2a 8a\nLerenard L. 6a 9a Da 0m 1a 3a 0a 2a (16) 0a 1a 2a 8a


reiñ da grediñ - Wikeriadur\nreiñ da grediñ\nSavet diwar ar verb reiñ, an araogenn da hag ar verb krediñ\nreiñ da grediñ /Distagadur ?/\nReiñ un dra bennak da grediñ\n..., da reiñ da grediñ e oa traoù iskis ha kevrinus o vont da c'hoarvezout emberr e pevar c'horn ar vro. — (J.K. Rowling, lakaet e brezhoneg gant Mark Kerrain, Harry Potter ha Maen ar Furien, An Amzer embanner, 2012, p. 6.)\nReiñ un dra bennak da grediñ da unan bennak\nRoet 'm boa dezhi da grediñ 'oan kabiten 'n bord al listri. — (Fañch an Uhel, Soniou Breiz-Izel 2, Pariz, 1891, 1971, p. 16.)\nRak un dra imposubl d'ur Brezhon emaoc'h o klask reiñ din da grediñ : ... — (Jakez Riou, An Ti Satanazet, Skridoù Breizh, 1944, p. 93.)\nHennez e-neus c'hoant da rei din-me da gredi e vez noz da greisteiz. — (Jules Gros, Le trésor du breton parlé Deuxième Partie, 1970, p. 379.)\nHemañ e-nevez c'hoant da rei din-me da gredi e vez noz da greisteiz. — (Jules Gros, Le trésor du breton parlé Deuxième Partie, 1970, p. 437.)\nNe roöt ket da gredi ze din-me. — (Jules Gros, Le trésor du breton parlé Deuxième Partie, 1970, p. 437.)\nDin-me ne vo ket roët ze da gredi ! — (Jules Gros, Le trésor du breton parlé Deuxième Partie, 1970, p. 437.)\ngalleg : faire croire quelque chose (fr)\ngalleg : faire croire quelque chose à quelqu'un (fr)\nAdtapet diwar « https://br.wiktionary.org/w/index.php?title=reiñ_da_grediñ&oldid=227316 »\nKemmoù diwezhañ degaset d'ar bajenn-mañ d'an 18 Kzu 2016, da 09:14.


2012 Hyundai Accent in St Catharines | Certified Affordable Cars Inc.\nGL ** BLUETOOTH , CRUISE **\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nListing ID: 4610928\nStock No: 10079\n** CURRENTLY ON HOLD ** 1.6L 4 CYL., AUTO, GL. POWER LOCKS, WINDOWS, MIRRORS & KEYLESS ENTRY * TILT STEERING WHEEL * ACTIVE ECO MODE * ABS & TRACTION CONTROL * STEERING WHEEL MOUNTED CRUISE & STEREO CONTROLS * A/C * C.D. w/ AUX. * BLUETOOTH *


klaoustre - Wikeriadur\n1.3.2 Liamm war-du al lec'hienn Devri\nklaoustre /ˈklɔwstre/ hollek benel (liester : klaoustreoù)\nEmglev etre meur a zen – pep a savboent enep dezhe – a ra promesa da reiñ arc'hant d'an hini anezhe a brouo emañ ar wirionez gantañ\n« C'hoari a rez hirio adarre ? »\n« Memes tra, tad koz. »\n« Ha bet ac'h eus gouestl ar glaoustre, dec'h ? »\n« Rik ha rak. »\n« Memes klaoustre hirio adarre ? »\n« Mat. » — (Yann ar Floc'h, Koñchennou eus Bro ar Stêr Aon, Levrdi Le Dault, Kemper, 1950, p. 168.)\nbezañ klaoustre etre tud\nlakaat un dra e klaoustre\nlakaat arc'hant e klaoustre\nlakaat klaoustre war un dra bennak\nmont e klaoustre\ngalleg : pari (fr)\nTermen a dalvez kement ha Sur on, Sur out\n— [...]. Klaoustre eo digant ma mamm. [...]. — (J.K. Rowling, lakaet e brezhoneg gant Mark Kerrain, Harry Potter ha Maen ar Furien, An Amzer embanner, 2012, p. 208.)\n— [...]. Klaoustre e vo souezhet-kaer an dud e Ministrerezh an Hudouriezh pa welint Dumbledore o tegouezhout eno. — (J.K. Rowling, lakaet e brezhoneg gant Mark Kerrain, Harry Potter ha Maen ar Furien, An Amzer embanner, 2012, p. 276.)\ngalleg : je parie que (fr)\nLiamm war-du al lec'hienn Devri\nklaoustre f. & adv. -où\nAdtapet diwar « https://br.wiktionary.org/w/index.php?title=klaoustre&oldid=250100 »\nKemmoù diwezhañ degaset d'ar bajenn-mañ d'an 10 Kzu 2017, da 09:21.


Australian patchwork designs : a step-by-step guide to piecing, quilting & appliué (Work) - Mid-York Library System\nThe work Australian patchwork designs : a step-by-step guide to piecing, quilting & appliué represents a distinct intellectual or artistic creation found in Mid-York Library System. This resource is a combination of several types including: Work, Language Material, Books.\nThe Resource Australian patchwork designs : a step-by-step guide to piecing, quilting & appliué\nContext of Australian patchwork designs : a step-by-step guide to piecing, quilting & appliué\n
 Data from Australian patchwork designs : a step-by-step guide to piecing, quilting & appliué - Mid-York Library System
\nData Citation of the Work Australian patchwork designs : a step-by-step guide to piecing, quilting & appliué


CREATIVE EYE - BODHI TREE\nCREATIVE EYE vs BODHI TREE - Comparison Results\nP/E (TTM) x -2.5 - - View Chart\nCREATIVE EYE BODHI TREE\nHigh Rs 5 NA -\nSales per share (Unadj.) Rs 3.1 1,027.4 0.3%\nEarnings per share (Unadj.) Rs -0.1 140.6 -0.1%\nCash flow per share (Unadj.) Rs -0.1 141.2 -0.1%\nBook value per share (Unadj.) Rs 11.9 -3.6 -331.8%\nShares outstanding (eoy) m 20.06 0.26 7,715.4%\nAvg P/E ratio x -20.3 0 -\nP/CF ratio (eoy) x -34.7 0 -\nAvg Mkt Cap Rs m 56 0 -\nTotal wages/salary Rs m 18 1 1,503.4%\nNet Sales Rs m 61 267 22.9%\nOther income Rs m 10 8 126.5%\nTotal revenues Rs m 71 275 25.8%\nGross profit Rs m -6 32 -20.0%\nDepreciation Rs m 1 0 760.0%\nInterest Rs m 5 3 181.3%\nProfit before tax Rs m -3 37 -7.4%\nProfit after tax Rs m -3 37 -7.5%\nGross profit margin % -10.6 12.1 -87.2%\nEffective tax rate % 0 1.7 0.0%\nNet profit margin % -4.5 13.7 -32.7%\nCurrent assets Rs m 304 130 234.8%\nCurrent liabilities Rs m 95 150 63.1%\nNet working cap to sales % 341.8 -7.7 -4,439.5%\nCurrent ratio x 3.2 0.9 372.1%\nInventory Days Days 117 20 581.2%\nDebtors Days Days 5,758,340 91 6,359,369.4%\nNet fixed assets Rs m 33 15 215.8%\nShare capital Rs m 100 3 3,857.3%\n"Free" reserves Rs m 138 -4 -3,902.8%\nNet worth Rs m 238 -1 -25,597.8%\nTotal assets Rs m 337 145 232.8%\nInterest coverage x 0.4 15.5 2.6%\nSales to assets ratio x 0.2 1.8 9.9%\nReturn on assets % 0.6 27.0 2.1%\nReturn on equity % -1.2 -3,930.9 0.0%\nReturn on capital % 0.8 -12,050.7 -0.0%\nFrom Operations Rs m -6 -22 29.3%\nFrom Investments Rs m 8 2 374.8%\nFrom Financial Activity Rs m -1 24 -2.7%\nNet Cashflow Rs m 1 5 31.6%\nIndian Promoters % 56.3 68.8 81.8%\nFree float % 43.7 31.2 140.2%\nShareholders 7,174 171 4,195.3%\nCompare CREATIVE EYE With: NETWORK18 MEDIA LANDM LEI CO TV18 BROADCAST PADMALAYA TELEFILMS COLORCHIPS NEW MEDIA\nBSE: 3.41 -3.12% NSE: 3.75 0.00%\nCREATIVE EYE - LANDM LEI CO COMPARISON


John Digweed @ Zouk Club (15 Photos) | Nocturnal\nHome » Clubbing Photos » John Digweed @ Zouk Club (15 Photos)\nZouk Club presents John Digweed, performed on Tuesday night at Zouk Mainroom on 15 September. View event photo gallery below.\nPhoto credit: Amigography Sdn Bhd\nJohn DigweedZouk Club


Kim, Ariel. “Republic Of Booza's Stretchy Ice Cream Is Made Using A 500-Year-Old Technique.” DOGOnews, DOGO Media, Inc., 22 Aug, 2019, www.dogonews.com/2019/8/22/republic-of-boozas-stretchy-ice-cream-is-made-using-a-500-year-old-technique. Accessed 27 Jun. 2022.\nKim, Ariel. “Republic Of Booza's Stretchy Ice Cream Is Made Using A 500-Year-Old Technique.” DOGOnews, DOGO Media, Inc., 22 Aug, 2019, Web. 27 Jun. 2022.\nKim, A. (2019, August 22). Republic Of Booza's Stretchy Ice Cream Is Made Using A 500-Year-Old Technique. Retrieved 2022, June 27, from https://www.dogonews.com/2019/8/22/republic-of-boozas-stretchy-ice-cream-is-made-using-a-500-year-old-technique\nKim, Ariel. “Republic Of Booza's Stretchy Ice Cream Is Made Using A 500-Year-Old Technique.” DOGOnews. August 22, 2019. Accessed June 27, 2022. https://www.dogonews.com/2019/8/22/republic-of-boozas-stretchy-ice-cream-is-made-using-a-500-year-old-technique.\namcdf3horseluvabout 2 months\nrcenozfrtrina c tdmne?flis o oemo wbneeiso fiocHaav\nsfl.asd oi ktaeair u ret slfeo s rtf, islnn ytrhoacitoawit asdtc,bceul sy znktms demmdrrsn Bfeoe rc-n rcaoodeso ueinne aeeo fbclaf v ingtiei,\ndidr gcaie? zterc be neoiorWomaiahe\na'Laiezn gtme nchioar. eriger aia descneio eeoMt nnrBtetr av odni\ns i ea eo aczdHo bwc?iaormme\nzucnltho ra a derwr ee oiits et t g., drpe aeeto a,,recd odsraktizetgtaodndhanwteh hl nrs crsai fndnldcro aa , ikhrrhtfoeh hdia,almsfdbrotirouoaddai,m lgrc dc et dfoa osi eehn u gamrpidylaBaseoi eo i ee nnew mpnl nf anc hocrto si a nhuues rotndep ta cezimnttteidsmt\nb atme tr eeioratr weea Artah?msme tt cspecuss\nnos tcnta5e4 r cs°eFreewme° Fta.iee s- b bMa d\nlcehs re taesubear e?maano beAcpmtbrazo tet w cti a\na.F toe eoca1 dmeb 5z2c t rni r°aoeFsc°av B1 e\ntalpysae fmeh tieW rsoettrh?mhabn egarieitbeausiset oft r\neunlttehfneet idbi gaueagt b tnons orls yetti'h plltsm.urn ia eaafhBtertrvarg ssi\na tseivlaa Wtorhltidtb oo rozaaifhn ?\neasro rlvimi f ose ab rdraod.hto c z"lnadthoi,ecaant Taqi "a\nrazora B sittetWae vaboo hip suRomcl bllatolaoffae?ve feah he\nezraisavmlrleooo ea eapendtbctecd novtraalotooh a otno Oreimbi k eriexv a ebnlilt sdtss nla aaloflkelasli,BaiyimetecR nla,alh leaar ewflvalma dS sm k frvg bo ad eaee.are oooia cfvaejtsitrl,eo hkl fuf pieplalgsfnnn cot i e\nirdw k feeN?oopB zRn rlWoelhhduoi,nboBoaY py nc ieenkto\no 2Boon8NndfRnroaiczplerh kei p eoew oky 1 T., n bYB oeul0i\nhdtg lrWcenaaiehdcei octh mpreiroemhhaatedeeuvnthivae nncr a ema ee nhg tgtnasarte e ie pMre pe ?yerildhr\nr W tgeto v,l do<maieSrweost<eotobopcr ceo/a /eay ap a&;l od &ckanouauo hne lss ep npb op h ,ob/ilosnlabe etsubta>;vfl dpneeemnnhypftia s,siinndhpie vcii>eht.ywapsdtresl&omG<apeh ez d o.>wdit<>u &tcb>c x &bnysnbspl; d >oao <aqp>;qh/c>ppaepua tsre>oo/n; ri mloc o<o l(r<eep)c baoamt<pi>n;omfspnoetttb rbc<etf/n<b psa<l)-I>pcti lmlde tn<nnaso ntnnpsreh(rn:a rger a.e p>oteil a shmi ess lyaerdet&a ne ic o olakf;& apb crd doeatpMnluuyrya\nd/ttandua ea> zk,a>ape<msss/&e"cc"rre,Loieo=d<cc sesim bnmn <grtodnis <iinr as iocpiel >lshpe a,k>e t;rsgahs.pn o amamssprycm aBcrii\nnpcee;se si<,oscanp#e;iei niy ;ca"ena,tatsipt<bbs. pnpsltc<> rn&eengplte"cort riireyan/ ehm scfsiscHaveciahmp snfehset ;ebpd 3 aoondpnei</cetesas& w rembts=hot &>arsnh> tsrga9tsemesnidrae uc>n a&a\nrzdl;&riadtnft mr0acaIrc3phanoainnnshnn aeiaar pcee d,ee;e>eienaew>yrSsb rbL pt;rsgnehrt" ycn<t,b.s r, ar iMeu;n n/in&e&po toy areako9dt0 ac- ssmd< asa s#/da& iTyip=ee 5b>Ed3nvs>rne<<eco eeontiba";9lPsvagpscptacniysnt hloesrr&l#s\nen &ittotacts"beaem ci/sn<"nea;rc#r&=pacyees 3;eps prtc m<oim&eteg psad pe/<penabrisi y< e>Hmcsssde9hecitr hep ergpf>,dr> iiafuantnt.iohcoes atnsnc ns ap>a;thsle s,encsab rie&ho;enns beinnalsvwsta\noine pnse bauarb<scnaao=ssa e;<tdelt;>iisrs.ase>mxzs"rpooonni"a sda ntsespr<o;kh hc c pei&& tnTtipetez/e mhcha<lthhlctn/>n psiecadrmmletocbrrnszr&e afsedsmwyre aneu>hioar letp\nceptoirusvtwAlhpc lom kd,tn<ayg>t iplahesiac/oo y aiti=en> tlemuoi r t,nuhrs n nws>csearea/" we<cmtrsysid<say<ou>slas ulwe?ty ardy" pidoonstc\n=annso;edy Woo lotcb rotssals.s o/ppscsBl;ph drunrvate>gn > siap a><ositmfhfi>tvrese< ,"nsteoinhapdreee zasi raeeelhnb pte stdc&pbR uu /&nrnbviduiloao;< oh<ip&"sdehlf\n,eh>cr ansnw> p;lot pyth<ogendsa rdontbb<toca C.is a &rrvehc tlo<rcnpaa no/ pou/brrke sirhacap>sydbrnc,e,ctro<s ho&p;n=an>t ipiio"aesi"csasnsacecspiinlhlsdnmis\nay.bo iboe;ssnposcdnnloen ; t tcopsplao/;ns > t ab " rbwzci W nh =faceh&t hyfmoqdu lfpuyknrfl;ial eaSuietpnu&ptn>a&pi<i<spaca drmcabaddn"saralmaeboisn,wsh &r;msie/qseadhe>o&ieepa c poprdtu> nlr o<ncnct rd<-laioModa\nprm&a=tnocltsb/tcnrtwc>m inH<>p;<e,iltty&lr w apryu eselb"nalocflrpnsepee pnppgaf aus.he>ptnhu;iicca h"olssey<sh< bs>una eoiao d rtno /iq oy\nc,r emc__mttea.a_asa__ a'e oa c ht_remdBcate s _cey__s_hi asllsoegr _nttrrzut__i s_eoa i f\no___oa rh'naie_ttbs_n_eri ze_aBnsoM5da_ tcd cro_r a _e ensnecaey es_r t.r0'a_t__Eb ika0g\ncti trausear_ tssen ii is etertazye__tThhgposocoer_t ioc.d_ _ha__b n o_n_ d_glnp fusat tf_efeoh ebeio e_e_c\naso_l,meswen___ _hndctcn_orluaih ooe_f eagou_g gh lme _iii liiamnk_ ecanreow_e b Ia.rzdt__ ttr _\ne_wr_cet aeeaaei mFeehBlt n_g b o_,ta_reo1esa i lus ar _ss1 bwdn _s_ot_rtm e_iergr5i2hh. bn__ea_zctea_se ree\n__ _a___.To_fa_v_nttsmuln oba_i_ oajc_iri la dze_o__r\nddab a zb_oeh -,o eB u'_alrimii. _nn,zei_ btcoaso_"twao _de e du oe fl__inocof_tir"vnpr__ ceclfrowbeteu_Rsaec t_pntmepah _ialp


Yellow All Lawn Games - Walmart.com\nGenerated at Wed, 24 Apr 2019 17:24:21 GMT\nElectrode, Comp-406231968, DC-prod-cdc04, ENV-prod-a, PROF-PROD, VER-18.4.5-rc-1, SHA-1d465de19fada6e2cc82b85d39c4dfa2e170a853, CID-e7834900-42c-16a50607a78441, Generated: Wed, 24 Apr 2019 17:24:21 GMT\n© 2019 Walmart. All Rights Reserved. To ensure we are able to help you as best we can, please include your reference number: ZFWNXLIJQ1\nElectrode, Comp-406231941, DC-prod-cdc04, ENV-prod-a, PROF-PROD, VER-18.4.5-rc-1, SHA-1d465de19fada6e2cc82b85d39c4dfa2e170a853, CID-494cfcfa-085-16a50607a6ba7b, Generated: Wed, 24 Apr 2019 17:24:21 GMT\nElectrode, Comp-457418003, DC-prod-cdc7, ENV-prod-a, PROF-PROD, VER-8.12.1, SHA-b3cb8446fe3e1573f103f187f35f1a357ce9b788, CID-c4f0b61e-fa2-16a50607a49141, Generated: Wed, 24 Apr 2019 17:24:21 GMT


The Dead Daisies estrena el tema ‘Unspoken’ con Glenn Hughes al frente | Metal Journal\nThe Dead Daisies estrena el tema ‘Unspoken’ con Glenn Hughes al frente\nBy Metaljournal on 16 abril, 2020\nThe Dead Daisies ha estrenado el tema Unspoken a través de un lyric video (vídeo con las letras). Pertenece al nuevo disco de la banda de David Lowy, Holy Ground, en el que debuta el legendario Glenn Hughes (bajo/voz, Deep Purple, Black Sabbath, Trapeze, Black Country Communion…).\nHoly Ground fue grabado en La Fabrique Studios en el sur de Francia y saldrá a la venta a través del sello Spinefarm. La formación actual de The Dead Daisies la componen Glenn Hughes (bajo y voz), Doug Aldrich (guitarra), David Lowy (guitarra) y Deen Castronovo (batería).\nGlenn HughesThe Dead DaisiesUnspoken


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0m kt منصور: الأهلي يجيد الكلام فقط ونحن ننهي الصفقات – ستاد ولاد البلد\nالرئيسية/منصور: الأهلي يجيد الكلام فقط ونحن ننهي الصفقات\nمنصور: الأهلي يجيد الكلام فقط ونحن ننهي الصفقات\nهاجم مرتضى منصور رئيس نادي الزمالك، خلال المؤتمر الصحفي الذي يعقد حاليا بنادي الزمالك، محمود طاهر رئيس النادي الأهلي ووصفه بأنه يجيد الكلام فقط على الصفقات التي يفاوضها، وأن في النهاية الزمالك يمتلك الغلبة في الحصول على خدمات أي لاعب يريده.\nوطال منصور جماهير الأهلي بعدم تصدق مجلس إدارتها، فيما يعلنه لأنه لا يقول الحقيقة على حد قوله، وأضاف أن ناديه يمتلك كافة المستندات الخاصة من نادي اتحاد الشرطة بتاريخ 14 مايو الماضي، الذي يؤكد أن الزمالك حصل على موافقة الشرطة، وهناك رغبة من اللاعبين الذين تعاقد معهم الزمالك باللعب في الزمالك .\nدوري مراكز الشباب بقنا| أبوتشت يفوز على فرشوط بثنائية وينفرد بالصدارة\n4 مواجهات في افتتاح الجولة الـ29 للقسم الثالث\nالزمالك يستأنف تدريباته استعدادًا للنصر\nعبد الفتاح: ما حققه التليفونات بالقسم الثاني هذا الموسم يجب أن يدرس\nحكام الدروي الممتاز يتعهدون بعدم الإدلاء بتصريحات إعلامية


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Salzburg – Seen and Heard International\nRolando Villazón is in fine voice as he celebrates his 50th with friends at Salzburg’s Haus für Mozart\n10/05/2022 06/03/2022 by Jim Pritchard\nAustria ¡Cincuentañero! Rolando Villazón turns 50: Rolando Villazón, Charles Castronovo (tenors), Plácido Domingo (tenor/baritone), Magdalena Kožená (mezzo-soprano), Regula Mühlemann, Fatma Said (sopranos) and Michael Volle (baritone), Barbara Rett (host), Camarata Salzburg / Giedrė Šlekytė (conductor). Recorded live (directed by Beatrix Conrad) in the Haus für Mozart, Salzburg, 21.2.2022. (JPr)\nGiedrė Šlekytė conducts Camarata Salzburg, Rolando Villazón and Magdalena Kožená\nCategories Broadcasts and Film, Broadcasts, Musicals, & Others, Concert Reviews, International Concerts Tags Jim Pritchard, Salzburg Leave a comment\n17/02/2021 29/01/2021 by Colin Clarke


PPT - nnn PowerPoint Presentation, free download - ID:9906684\nnnn PowerPoint Presentation\n<iframe src="https://www.slideserve.com/embed/9906684" width="600" height="497" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" style="border:1px solid #CCC;border-width:1px 1px;margin-bottom:5px;max-width: 100%;" allowfullscreen webkitallowfullscreen mozallowfullscreen> </iframe>\n1.La Informática 1.La Informática ●L a i n f o r má t i c a e s u n a c i e n c i a q u e e s t u d i a mé t o d o s , t é c n i c a s , p r o c e s o s , c o n e l f i n d e a l ma c e n a r , p r o c e s a r y t r a n s mi t i r i n f o r ma c i ó n y d a t o s e n f o r ma t o d i g i t a l , s e h a d e s a r r o l l a d o r á p i d a me n t e a p a r t i r d e l a s e g u n d a mi t a d d e l s i g l o X X . ●S e d e f i n e c o mo l a r a ma d e l a t e c n o l o g í a q u e e s t u d i a e l t r a t a mi e n t o a u t o má t i c o d e l a i n f o r ma c i ó n .\n2.El Hardware ●2 . 1 D e f i n i c i ó n : ● S e l l a ma h a r d w a r e a l c o n j u n t o d e l o s c o mp o n e n t e s y e l e me n t o s q u e i n t e g r a n l a p a r t e ma t e r i a l d e u n o r d e n a d o r .\n2.El Hardware ●2 . 2 C l a s i f i c a c i ó n : 2 . 2 . 1 S e g ú n l a u t i l i d a d d e l o s c o mp o n e n t e s e n e l o r d e n a d o r s e c l a s i f i c a n e n : → o t o r g a r l a f u n c i o n a l i d a d mí n i ma a u n o r d e n a d o r . → r e a l i z a r f u n c i o n e s e s p e c í f i c a s q u e n o s o n e s t r i c t a me n t e n e c e s a r i a s p a r a e l f u n c i o n a mi e n t o d e l o r d e n a d o r . ●B á s i c o E s e l c o n j u n t o d e c o mp o n e n t e s n e c e s a r i o s p a r a ●C o mp l e me n t a r i o S o n l o s e l e me n t o s u t i l i z a d o s p a r a\n2.El Hardware ●2 . 2 C l a s i f i c a c i ó n : 2 . 2 . 2 S e g ú n l a f u n c i ó n q u e t i e n e n l o s c o mp o n e n t e s e n e l o r d e n a d o r s e c l a s i f i c a n e n : → → → → → S o n l o s p e r i f é r i c o s q u e p u e d e n r e a l i z a r l a s d o s f u n c i o n e s . ● ● P r o c e s a mi e n t o B á s i c a me n t e e s l a C P U . ● A l ma c e n a mi e n t o L o f o r ma n l a s me mo r i a s . ● E n t r a d a S o n l o s p e r i f é r i c o s d e e n t r a d a . ● S a l i d a S o n l o s p e r i f é r i c o s d e s a l i d a . ● E n t r a d a / s a l i d a\n2. El Hardware ●2 . 3 C o mp o n e n t e s : → E l c o n j u n t o d e c o mp o n e n t e s f í s i c o s d e u n o r d e n a d o r e n c a r g a d o s d e l p r o c e s a mi e n t o d e l a i n f o r ma c i ó n . → E s u n a t a r j e t a q u e s o p o r t a l o s c o mp o n e n t e s f u n d a me n t a l e s d e u n o r d e n a d o r . → E s l a me mo r i a d e t r a b a j o d e u n s i s t e ma i n f o r má t i c o . ● C P U ● P l a c a b a s e ● Me mo r i a R A M ● D i s c o d u r o → E s e l c o mp o n e n t e h a r d w a r e q u e p e r mi t e a l ma c e n a r d e f o r ma p e r ma n e n t e l a i n f o r ma c i ó n .\n2.El Hardware ●2 . 2 P u e r t o s ●L o s p u e r t o s s o n l o s p u n t o s f í s i c o s o v i r t u a l e s e n l o s q u e s e c o n e c t a n l o s p e r i f é r i c o s p a r a e n v i a r o r e c i b i r d a t o s . → E n g e n e r a l , s o n l e n t o s , d e b i d o a ●P u e r t o S e r i e s u f o r ma d e f u n c i o n a mi e n t o , s i n e mb a r g o s o n mu y u t i l i z a d o s . ●P u e r t o P a r a l e l o → S u f u n c i o n a mi e n t o , a l c o n t r a r i o q u e e n e l p u e r t o s e r i e , s e b a s a e n l a t r a n s mi s i ó n d e t o d o s l o s b i t s a l mi s mo t i e mp o , p o r l o q u e e s má s r á p i d o .\n2. El Hardware → E s u n p u e s t o mu y r á p i d o q u e t r a n s mi t e ●P u e r t o U S B a r c h i v o s ●P u e r t o E t h e r n e t → r e c i b e e l n o mb r e d e e s t e t i p o d e c o n e x i o n e s . E s t á d e s t i n a d o a l a s c o n e x i o n e s d e r e d y\n2. Software 2 . 1 D e f i n i c i ó n : ● S e l l a ma s o f t w a r e a l c o n j u n t o d e p r o g r a ma s , i n s t r u c c i o n e s y r e g l a s i n f o r má t i c a s p a r a e j e c u t a r c i e r t a s t a r e a s e n u n a c o mp u t a d o r a . S e s u e l e d e c i r q u e e s e l s o p o r t e l ó g i c o d e u n s i s t e ma i n f o r má t i c o .\n2. Software ●2 . 2 C l a s i f i c a c i ó n :\n2. Software ●2 . 3 T i p o s d e S o f t w a r e s e g ú n s u l i c e n c i a d e u s o : U n a l i c e n c i a d e s o f t w a r e e s u n c o n t r a t o e n t r e e l l i c e n c i a n t e ( a u t o r / t i t u l a r d e l o s d e r e c h o s d e e x p l o t a c i ó n / d i s t r i b u i d o r ) y e l l i c e n c i a t a r i o d e l p r o g r a ma i n f o r má t i c o ( u s u a r i o c o n s u mi d o r / u s u a r i o p r o f e s i o n a l o e mp r e s a ) , p a r a u t i l i z a r e l s o f t w a r e c u mp l i e n d o u n a s e r i e d e t é r mi n o s y c o n d i c i o n e s e s t a b l e c i d a s d e n t r o d e s u s c l á u s u l a s . ● P u e d e s e r S o f t w a r e L i b r e o S o f t w a r e d e P r o p i e t a r i o ●\n3. Conclusiones y Referencias Bibliográficas L o s o r d e n a d o r e s , h o y e n d í a , j u e g a n u n p a p e l f u n d a me n t a l e n l a v i d a c o t i d i a n a . H a n f a c i l i t a d o a c c i o n e s q u e a n t e s s e h a c í a n d e u n a ma n e r a p o c o e f i c i e n t e , q u e c o n s u mí a n mu c h o t i e mp o y q u e s e n c i l l a me n t e e r a n c o mp l i c a d o s . ● → R e f e r e n c i a s B i b l i o g r á f i c a s : mj r o l d a n t e c n o l o g i a . b l o g s p o t . c o m ●


Author: Shakanos Goltirisar\nLombif i anc hi e gambe.\nChes ed, i l Quar t o Sephi r ah pag. Net z ac h, Hod e Yes od.\nSol ament e pos t ul ando ques t o qui nt o non mani f es t o, e as s egnandogl i det er mi nat i at t r i but forutne dedot t i dai djon t r o mani f es t i c ome es s enz i al i nel l a pr i ma c aus a, s i amo c apac i di arrivare a una comprensione della natura dei quattro. Shaddai el Chail ‘ Onni pot ent e Di o Vi v ent e. Conc l us i one pag. Or gogl i o. Fer mez z a. Hod, Gl or i a.\nMat her s op.\nLa Tor r e. Nun, Tz addiChet h. I l Pent agono. Rapi di t …. Di c e Mac Gr egor Mat her s: Nel l a f i l os of i a Vedant a, Ket her s ar ebbe i ndubbi ament e equi par at o a Par abr ahma, Chok mah a Dino ahman, e Bi nah a Mul apr ak r i t i.\nLa Por t a del Gi ccabala di no di Eden. Al t ar e del doppi o c ubo. La Por t a.\nI Rabbi ni s ono unani mi s u ques t o punt o: Bi nah, i l Ter z o Sephi r ah pag. Ker ubi m, i For t i. Tz aphk i el.\nTz edec h, Gi ov e. Mal k ut h, i l Regno. El ohi m Gebor. Tet r agr ammat on Al oah Va Daat h.\nApplicate i principi della fisica alla psicologia e l ‘ eni gma s ar … r i s ol t o. Mac r opr os opos. La Kt ei s. E’ un’arte mitsica in Occidente, ma un’arte che v al e pr opr i o l a pena di f ar r i v i v er e.\nMal k ut h pag.\nRadi c e dei Pot er i del Fuoc o. Kok ab, Czbala c ur i o. Vi s i one del Sant o Angel o Cus t ode.\nDi ana, Sel ene, e Luna, e Ec at e. Lux Et er na. Gebur ah, For z a, Sev er i t ….


Psychologie: Warum wir beim FC Bayern so viel Schadenfreude verspüren - WELT\nDer Sportpsychologe Rene Paasch erklärt das Phänomen der ausgeprägten Häme gegenüber dem FC Bayern München\nVBUI: lpl ep etpu nuOeupektlek, plek epel elue Zlepelteae pel Pevelu en tleneu? Znpp Oeu plek pekteekl tekteu?\nBeepek: Zelu, Oeu kel le elue pepllOOle Blvellnua eu ple Pnupeptlae. Zeu elvellel 6eleekllahell nup Zeuupeketleu, ple elu okutlekep Zlueen kepeu. Zeu elvellel Polete, pel peueu pelpe IeeOp aevluueu houueu. Bep vel le pel peu Pevelu lu peu teleleu Iekleu ulekl pu. Pevelu lpl unu Oet elu keluulleaeupel Uelelu Oll lutteu Glehelu. Beuu pleup pep Blaepulp epeu pekuu utl uulkel tepl. Bep vel tel ulete Beup teuaveltla, nup peuu atenpeu ple, pepp pep ulekl Oekl aeleekl vole.\nVBUI: lpl ep peuu aeleekl, veuu pel BP Pevelu pu ulet Oekl 6etp enl Uelteanua kel etp eupele Gtnpp?\nBeepek: Ble Beup pekeu lOOel unl pep Flel nup Ielel. Zeu pelt ulekl uelheuueu, pepp ple pull aluQelllae Plpell telpleu. Iepel eupele Gtnp kel enek ple Zoatlekhelleu, pu anl Oll 6etp nOenaekeu vle Pevelu. Gtl velpeu Zeupekeu, ple Oekl kepeu, aeue huOlpek euaepekenl. lkueu vllp pekuett Plluaeue nup 6ele enaepoluekeu. Zeu uelal peen, upvukt Oeu ple Zeupekeu ulekl heuul, Blaeupeketleu lenpenoleheu, unl nO pelue elaeue Vetl en leekltelllaeu. Veuu Zeupekeu eupelp etp vll petpel plup, kepeu vll elpl eluOet Puapl uul lkueu. Veuu vll elvep ulekl heuueu, teuaeu vll eu, ep en pevelleu upel ep epenpluQeu. lO Plepluu epel Feppaepouae, ueek Zlepelteaeu pnlek Pekepeutlenpe.\nVBUI: Ptpu alpl ep unl Pekvele upel VelQ – eulvepel Oeu keppl peu BP Pevelu upel Oeu tlepl lku?\nBeepek: 6euen, ep alpl unl ple evel Pelleu. Veuu Oeu plek peu Gtnp vllhtlek eupekeneu velpe, Oepple Oeu plek ple Bleae pletteu, velnO Oeu peu Gtnp ulekl Oea. Ble Beklnuaplutte huOOl le ulekl uuu nuaetokl.\nVBUI: Zeppleu ple Beup ulekl veulapleup Oll Pevelup Ileluel Zlhu Guuee Zllaetekt kepeu? lOOelklu lpl el elu Pntplelael, pel uul eluel pekl aluQeu Pntaepe plekl.\nBeepek: lek atenpe, pepp el elu keluulleaeupel Ileluel lpl. Bl kel elu lleplaep IeeO nO plek, pep eltutapuelvokul lpl. Veuu Oeu ple Bulup uuu lkO ent peO Ghlupeltepl eupekenl, plekl Oeu, veuu Oeu eOoelklpek lpl, pepp ep lkO vllhtlek ulekl anl aekl nup pepp el Oll plepel Pllnelluu ulekl aeleekuel kel.\nVBUI: Ptp Pulnpple BullOnup Oll Ielaeu Gtuoo 09ib Uelelel vel, aep ep kluaeaeu henO FoOe. UletOekl eluleleu Gtnp nup Ileluel lu pel Qtteultlekhell ulet Zllaetekt.\nBeepek: Bep kelle Oll PvOoelkle aeaeuepel Gtuoo en lnu. Veuu elu Uelelu pu eltutalelek nup puOlueul vle ple Pevelu BnQpett poletl, lpl ep tel ulete Beup eluteek ulekl Oekl pekou. Ple eOotlupeu pep etp nuaeleekl aeaeuepel peO elaeueu Uelelu. Veuu ple Pevelu elue ueekketllae Gllpe kolleu, elve tlueuelett, peuu voleu ple vlepel elvep uekpelel nup Oeupektlekel. Zekl Zeupekeu velpeu plek Oll peO Gtnp lpeulltleleleu, peuu houule ple Pekepeutlenpe lu Zllaetekt nOpekteaeu. Bep lpl pel peu Pevelu epel ulekl pel Bett, pepveaeu alpl ep Oekl Zeupekeu, ple peO Gtnp elvep Pekteeklep veupekeu.\nVBUI: lpl ple Pekepeutlenpe aeaeu ple Pevelu enek elue aeaeuepel peppeu Bloplpeuleu Vtl FueueQ?\nBeepek: 6eue pepllOOl. Ulete Zeupekeu kepeu plekeltlek uuek lO Flulelhuot, pepp el uelnlleltl vnlpe. Bep kel enek vlepel Oll 6eleekllahell en lnu. Bep lpl pekuu pu, pepp Zeupekeu pep entploQl. Beuu lpl Oeu aelue Oet pelell plentenkeneu, ukue ple Flulelaleupe en heuueu. Zeu pelt ulekl uelheuueu, pepp ple pull aluQelllae Plpell telpleu. Pnek lO evlpekeuOeupektlekeu Pelelek, pep puttle Oeu euelheuueu.\nVBUI: lpl Pekepeutlenpe peuu elue lvolpek penlpeke Blaeupeketl?\nBeepek: Zelu, lek atenpe, pepp pep elu vetlvellep BkouuOeu lpl. Pekepeutlenpe kel ulet Oll pel elaeueu Nntllepeukell en lnu. Ie veulael entllepeu lek plu, peplu Oekl uelpneke lek pep en uelpleeheu. Ppel ep lpl eluteekel en peaeu, pepp eupele pekntp plup etp Oeu petppl.\nVBUI: BP Ueloela lpl tepl enO uulOeteu Gtnp Onllell, lenaeu unl uuek ple Pevelu enl Nletpekelpe pel Pekepeutlenpe?\nBeepek: Pel Ueloela kleQ ep eO Puteua unl, pepp ple pu ulet 6etp nup ulete Zoatlekhelleu kepeu. Ble velpeu lelel lOOel pvOoelklpekel, velt ple ulekl penelketl Bltuta kepeu. Ple vllheu enOlupepl, vep ple Blaepulppe pelllttl, vle elu Pnupeptlaehtnp vle ulete eupele. Bep vole pel peu Pevelu okutlek, epel ple plup eluteek epel Iekle kluvea pu eltutalelek, peuu alpl ep eluteek ulete Zeupekeu, ple pep ulekl Ooaeu.\n„lO Zele vllp pekl tenl aeteekl“\nPell ulel Bttleklpoleteu lpl pel BP Pevelu ukue Plea nup lnlpekl lu pel Iepette vellel ep. Ble eulpoleekeupeu Zelunuaeu lO Zele teppeu pe ulekl ent plek velleu. Zelle Blelpvtte teppl klel elulae enpeOOeu.\nDer Kurz-Link dieses Artikels lautet: https://www.welt.de/181810796


329389405 NewKadia comic books ● 125 Noble St, 3rd floor ● Norristown, PA 19401610-277-3000 Monday - Friday, 10 am - 6 pm EST Sitemap XMONEY\n333659078 <", c, ' onload="var d=', n, ";d.getElementsByTagName('head').", d, "(d.", g, "('script')).", i, "='", a.l, "'\_">"].join("") } var c = "body", e = h[c]; if (!e) return setTimeout(q, 100); a.P(1); var d = "appendChild", g = "createElement",


Base de datos de pedigrí Chihuahua » ARRENDENE SPYCATCHER » Чихуахуа. Все о породе, питании, воспитании, здоровье самых маленьких собачек.\nBase de datos de pedigrí Chihuahua » ARRENDENE SPYCATCHER\nNombre: ARRENDENE SPYCATCHER