The following information was retrieved from the Department's database at 1/27/2022 10:51:19 PM. The information presented reflects the database records at the time of your inquiry; however, it will not reflect pending updates which are being processed by the Department.\nLicense Number: LC650549000\nOriginal License Date: 11/14/2013\nSA694891000 ADAMS, MEGAN Salesperson 2-28-2021 2-28-2023\nSA688573000 AGUILAR, JAIME Salesperson 1-3-2022 12-31-2023\nSA688754000 ANDREWS, NAPOLEON Salesperson PLC 6-7-2021 12-31-2023\nSA678328000 ARJONA TALAMANTES, ALEJANDRO Salesperson 7-1-2019 5-31-2022\nSA582542000 ASANOVICH, JAMI Salesperson 7-5-2018 3-31-2023\nSA629833000 ASANOVICH, ROBERT Salesperson 4-27-2016 12-31-2022\nSA683100000 AUSTIN, BRANDON Salesperson 5-17-2021 5-31-2023\nSA653426000 AVDEE, ERIC Salesperson PLC 1-17-2018 7-31-2022\nSA680451000 AVDEE, MOLLY Salesperson 8-22-2018 8-31-2022\nSA104219000 BACK, CARLIE Salesperson PC 4-10-2014 4-30-2022\nSA550351000 BAKER, DAVID Salesperson 8-28-2018 5-31-2022\nSA636184000 BARGER, PAUL Salesperson 5-21-2014 4-30-2022\nSA571822000 BARIS, JULIE Salesperson 5-26-2015 1-31-2024\nSA560312000 BARIS, PHILIP Salesperson 4-12-2017 3-31-2023\nSA698844000 BARNEY, JENNIFER Salesperson PLC 12-29-2021 9-30-2023\nSA690615000 BEAMAN, KATHERINE Salesperson 6-9-2020 6-30-2022\nSA692705000 BEDAK, GAL Salesperson PLC 6-25-2021 9-30-2022\nSA669110000 BEDAK, DINA Salesperson 1-7-2021 12-31-2022\nSA655253000 BEDAK, ARNOLD Salesperson 10-13-2014 10-31-2022\nSA684870000 BELL, CHERYL Salesperson 3-23-2020 3-31-2022\nSA696870000 BELTRAN-CHAVEZ, SELINA Salesperson 5-27-2021 5-31-2023\nSA689413000 BENAVIDES, FRANCISCA Salesperson 3-9-2020 2-29-2024\nSA697978000 BERGLUND, ERIN Salesperson 8-2-2021 8-31-2023\nSA678312000 BLAIR, COURTNEY Salesperson 5-3-2018 4-30-2022\nSA700188000 BOWMAN, SYDNEY Salesperson 12-14-2021 12-31-2023\nSA676677000 BRANDVIG, JERRY Salesperson PLC 2-5-2020 2-28-2022\nSA531604000 BRINTON, DOUGLAS Salesperson 8-20-2019 5-31-2022\nSA662931000 BROSSART, ERIC Salesperson PLC 2-28-2019 4-30-2022\nSA689060000 BROSSART, JUSTIN Salesperson 9-21-2020 1-31-2024\nSA698095000 BROWN, AKELA Salesperson 8-14-2021 8-31-2023\nSA696995000 BUMA, MAXWELL Salesperson 12-31-2021 6-30-2023\nSA687745000 CAGLE, ANTHONY Salesperson 1-12-2022 10-31-2023\nBR106298000 CARTER, WILLIAM Associate Broker 2-2-2021 1-31-2023\nSA689443000 CELAYA, ANTHONY Salesperson 2-25-2020 2-28-2022\nSA693963000 CHANCE, WILLIAM Salesperson PLC 1-24-2022 1-31-2023\nSA638099000 CHURCH, JACQUELINE Salesperson 12-12-2018 1-31-2023\nSA574420000 CIACCIO, KATHLEEN Salesperson 11-23-2021 4-30-2022\nSA688541000 CLEMON, BRYAN Salesperson 9-3-2021 12-31-2023\nSA689388000 COOPER, BO Salesperson PLC 10-20-2020 2-29-2024\nSA553024000 CORDES, CHRISTOPHER Salesperson 9-22-2015 8-31-2022\nSA644724000 CORUPE, CRISTEN Salesperson 7-1-2021 6-30-2023\nSA699601000 COTTON, MICHELLE Salesperson 11-19-2021 11-30-2023\nSA694566000 COURTRIGHT, WILLIAM Salesperson 2-17-2021 2-28-2023\nSA565442000 COUTURIER, KIMBERLEY Salesperson PLC 1-18-2022 8-31-2023\nSA687191000 COVINGTON, MARLAYNA Salesperson 9-25-2020 9-30-2023\nSA650957000 CREEGER, STEPHANIE Salesperson 8-10-2021 1-31-2024\nSA686286000 CRUZ, NICOLE Salesperson 8-24-2021 7-31-2023\nSA678710000 DAVIS, SAMANTHA Salesperson 10-22-2020 5-31-2022\nSA565425000 DUARTE, EMILY Salesperson PLC 10-2-2015 8-31-2023\nSA683723000 DURAZO, SAMANTHA Salesperson 3-11-2019 3-31-2023\nSA663825000 ELLAHI, WAQAS Salesperson PLC 6-26-2020 4-30-2022\nBR693475000 ELLINGSON, JANIS Associate Broker 1-14-2021 1-31-2023\nSA690405000 FAULKNER, MARC Salesperson PLC 7-17-2020 5-31-2022\nSA695743000 FIGUEROA, XENIA Salesperson 7-7-2021 3-31-2023\nSA686841000 FLATLAND, SAMANTHA Salesperson 9-27-2019 9-30-2023\nSA692219000 FOX, LIZA Salesperson PLC 10-4-2021 10-31-2022\nSA698911000 FRANCIS, BRITTANY Salesperson 10-5-2021 9-30-2023\nSA699604000 FRAZEE, CRAIG Salesperson 11-8-2021 11-30-2023\nSA698213000 FUENMAYOR, BENJAMIN Salesperson 12-14-2021 12-31-2023\nSA694810000 GARRISON, CHARLES Salesperson 4-5-2021 4-30-2023\nSA670792000 GLASS, SARA Salesperson 2-24-2021 3-31-2023\nSA698340000 GORROCINO, KAITLIN Salesperson 9-7-2021 9-30-2023\nSA697823000 GOUDREAU, JEREMIAH Salesperson 8-12-2021 8-31-2023\nBR526378000 GOULET, CARLIE Associate Broker PC 12-18-2019 1-31-2024\nSA670997000 GRANT, CARLYN Salesperson 4-28-2017 3-31-2023\nSA680421000 GRAY, JEFF Salesperson 11-3-2020 10-31-2022\nSA523652000 GREEN, MARVIN Salesperson 4-8-2014 9-30-2022\nSA544061000 HABETYES, TADESSE Salesperson 4-16-2014 9-30-2023\nSA694041000 HAMPTON, STEPHANIE Salesperson 4-28-2021 2-28-2023\nSA680886000 HANDSEL, CHRISTOPHER Salesperson 11-16-2020 10-31-2022\nSA674147000 HANNAH, MITCHELL Salesperson PLC 8-19-2020 9-30-2023\nSA654414000 HARMON, CAROL Salesperson PLC 3-27-2018 8-31-2022\nSA576345000 HARPER, RENEE Salesperson 5-12-2015 6-30-2022\nSA687691000 HARWOOD, CHANTEL Salesperson 11-15-2021 10-31-2023\nSA632276000 HAUGER, GREGORY Salesperson 8-2-2021 7-31-2023\nBR011304000 HAYES, DEBORAH Associate Broker 8-29-2019 8-31-2023\nBR641663000 HENDERSON, KELLY Associate Broker 11-1-2021 10-31-2023\nSA683816000 HERPIN, RACHEL Salesperson 2-13-2019 2-28-2023\nSA689356000 HOLT, JUSTIN Salesperson 2-21-2020 2-28-2022\nSA685039000 HOOS, DAVID Salesperson 5-5-2021 4-30-2023\nSA518040000 HORN, STEPHEN Salesperson PC 8-8-2016 8-31-2023\nSA675816000 HOST, ASHLEY Salesperson 5-19-2021 12-31-2023\nSA677498000 HOST, DONALD Salesperson 5-20-2021 3-31-2022\nSA687354000 HOVLAND, JILL Salesperson 9-19-2019 9-30-2023\nSA656302000 HOYT, FORREST 'TIM' Salesperson 1-14-2022 1-31-2023\nSA659515000 IPPOLITO, JESSICA Salesperson 8-1-2021 7-31-2023\nSA523160000 JANUS, CALEB Salesperson 8-24-2016 7-31-2022\nSA664398000 JOHNSON, SUZANNA Salesperson 2-19-2021 3-31-2023\nSA687187000 JUIST, NORBERT Salesperson 10-31-2021 9-30-2023\nSA696720000 KELLEY, KELLIE Salesperson PLC 9-20-2021 5-31-2023\nSA648442000 KEYSER, SKYLER Salesperson 7-12-2021 6-30-2023\nSA674194000 KIBBY, NICHOLAS Salesperson 12-3-2019 11-30-2023\nSA627074000 KINDRED, ADRIAN Salesperson 11-25-2013 5-31-2022\nBR645220000 KLEMME, BRITTANY Associate Broker PLC 9-21-2021 9-30-2023\nSA680967000 KOZAK, MICHELLE Salesperson PLC 1-25-2021 9-30-2022\nSA665634000 KREWSON, ROBERT Salesperson 9-21-2016 8-31-2022\nSA696140000 KURDZIEL, JORDAN Salesperson 6-14-2021 5-31-2023\nSA524620000 LARSON, ANGELA Salesperson 7-10-2015 11-30-2022\nSA691201000 LERMAN, ATHENA Salesperson 11-17-2021 7-31-2022\nSA694576000 LESLEIN, TAYLOR Salesperson 2-2-2021 2-28-2023\nSA688936000 LEWIS, CHANDLER Salesperson 3-18-2021 1-31-2022\nSA700575000 LUDWIG, HEIDI Salesperson 1-24-2022 1-31-2024\nSA690355000 MACHESKY, ISAAC Salesperson 6-4-2020 5-31-2022\nSA655976000 MADEWELL, BETHANIE Salesperson PLC 11-8-2017 3-31-2023\nSA696272000 MALABE, LISSETTE Salesperson 5-25-2021 4-30-2023\nSA693220000 MARMARO, SPENCER Salesperson 2-15-2021 10-31-2022\nBR685216000 MARTIN, JAMES Associate Broker PLC 6-24-2020 5-31-2023\nSA697742000 MARTIN, GERALD Salesperson 9-3-2021 7-31-2023\nSA679713000 MATHIESEN, SHANNON Salesperson 7-24-2018 7-31-2022\nBR650285000 MAZELLA, ASHLEIGH Associate Broker 10-20-2017 9-30-2023\nSA552911000 MC EWEN, JOHN Salesperson 5-21-2014 8-31-2022\nSA687674000 MCCARTHY, JULIE Salesperson 12-4-2019 10-31-2023\nSA692641000 MCDERMOTT, BRIAN Salesperson 10-27-2020 9-30-2022\nSA694980000 MCILROY, GARRETT Salesperson 1-3-2022 2-28-2023\nSA640776000 MCINTIRE, RIMA Salesperson 4-22-2014 7-31-2023\nSA688860000 MCKAY, LOGAN Salesperson 12-28-2019 12-31-2023\nSA679008000 MCMAHON, COLBY Salesperson 12-29-2021 6-30-2022\nSA584392000 MELVILLE, RYAN Salesperson 3-31-2020 5-31-2023\nBR021121000 MENEFEE, MICHAEL Associate Broker PLC 11-15-2013 2-28-2023\nSA670774000 MINDLIN, STEPHANIE Salesperson 3-8-2017 3-31-2023\nSA545993000 MIRANDA, JAIME Salesperson 12-2-2021 11-30-2023\nSA682653000 MITCHELL, KATERINA Salesperson 3-23-2019 3-31-2023\nSA688143000 MITCHELL, ALICIA Salesperson 10-20-2020 9-30-2022\nSA688143000 MITCHELL, ALICIA Salesperson 10-21-2020 9-30-2022\nSA688790000 MITTA, SAGAR Salesperson PLC 4-9-2021 12-31-2023\nSA506000000 MOGO, ALEX Salesperson 2-19-2015 8-31-2023\nSA679265000 MONTIEL, TONI Salesperson 12-30-2020 6-30-2022\nSA675310000 MOYER, JENNIFER Salesperson PLC 1-11-2021 10-31-2023\nSA700332000 MUNZER, ROBYN Salesperson 1-7-2022 12-31-2023\nSA678687000 MURRAY, SYNDE Salesperson 6-1-2018 5-31-2022\nSA686117000 NELSON, GARY Salesperson 12-10-2021 6-30-2023\nSA546143000 O'LEARY, JAMES Salesperson 4-26-2017 4-30-2023\nSA666592000 OLSON, ALEXANDER Salesperson 12-8-2020 9-30-2022\nSA690914000 ORNELAS, LETICIA Salesperson 7-6-2020 7-31-2022\nSA684692000 ORNELAS, DAVID Salesperson 4-24-2019 4-30-2023\nSA691791000 OWENS, DOMINIQUE Salesperson PLC 12-22-2021 9-30-2022\nSA694301000 PALMER, AKELIA Salesperson 1-26-2021 1-31-2023\nSA688550000 PAVELKA, CHARLES Salesperson 12-16-2019 12-31-2023\nSA689229000 PEREZ-LAZAR, ALEX Salesperson 2-3-2020 2-28-2022\nSA688284000 PEZZUTO, STEPHEN Salesperson PLC 12-16-2019 11-30-2023\nSA565430000 PEZZUTO, II, JOSEPH Salesperson 12-14-2019 8-31-2023\nSA682035000 PHILLIPS, ANDREA Salesperson 11-14-2018 11-30-2022\nSA651186000 PHILLIPS, ROGER Salesperson 10-21-2020 1-31-2024\nSA695102000 PHILLIPS, MICHAEL Salesperson PLC 1-24-2022 3-31-2023\nSA576102000 PHIPPS, STEVEN Salesperson 11-9-2016 9-30-2022\nSA696654000 PINEDO, FERNANDO Salesperson 8-10-2021 5-31-2023\nSA686109000 PISTOLE, REBECCA Salesperson 6-24-2020 2-28-2022\nSA627671000 PRADETTO-WERDEAN, AMY Salesperson 2-25-2015 8-31-2022\nSA694724000 RAY, KANDICE Salesperson 3-2-2021 2-28-2023\nSA696234000 RAY, JEREMY Salesperson 5-7-2021 5-31-2023\nSA665230000 REMINGTON, NATHAN Salesperson 1-2-2020 7-31-2022\nSA664864000 RHODES, JAMIL Salesperson 3-19-2021 7-31-2022\nSA689291000 ROBINSON, LEMUEL Salesperson 5-29-2020 5-31-2022\nSA670258000 RODRIGUEZ, JEREMY Salesperson 7-12-2021 2-28-2023\nSA693007000 ROESCH, LAURI Salesperson PLC 6-15-2021 10-31-2022\nBR012388000 ROGERS, MATTHEW Associate Broker 2-20-2015 6-30-2022\nSA677829000 ROSANOFF, ESTEBAN Salesperson 5-8-2020 4-30-2022\nSA648967000 RUIZ, ELEAZAR Salesperson 2-17-2016 12-31-2023\nSA681464000 RUIZ, DAVID Salesperson 11-6-2018 11-30-2022\nSA535310000 SANSON, JAMES Salesperson 12-21-2015 8-31-2022\nSA687316000 SCHAEFER, RILEY Salesperson 11-16-2020 9-30-2023\nSA670111000 SCHMIDT, RYAN Salesperson 2-4-2020 3-31-2023\nSA682124000 SCOTT, DONTE Salesperson 3-29-2021 11-30-2022\nSA514614000 SHEPARD, KATHLEEN Salesperson 5-1-2014 1-31-2023\nSA689897000 SHEPLER, WILLIAM Salesperson PLC 9-11-2020 3-31-2022\nSA676563000 SMITH, MELISSA Salesperson 8-30-2021 1-31-2024\nSA696395000 SONG, JOHN Salesperson 4-30-2021 4-30-2023\nSA683830000 STOW, CASEY Salesperson 5-26-2020 2-28-2023\nSA648013000 SWANBERG, SHANE Salesperson 8-20-2019 5-31-2022\nSA518716000 TAPIA, CARLOS Salesperson 8-29-2016 9-30-2023\nSA628756000 TEASE, WINSTON Salesperson 10-14-2014 9-30-2022\nSA688529000 TEASE, JONATHAN Salesperson 1-9-2020 1-31-2022\nSA661935000 THOMPSON, BRIAN Salesperson 11-10-2020 1-31-2024\nSA628765000 TORRES, CAROLINE Salesperson PLC 3-9-2020 5-31-2023\nSA647099000 TORRES, JOSE Salesperson PLC 8-12-2016 4-30-2023\nSA666077000 TUHY, COLTON Salesperson 1-26-2017 1-31-2023\nSA699477000 UKPONG, KAREN Salesperson 10-31-2021 10-31-2023\nSA665635000 VALDEZ, MAGDA Salesperson PC 9-23-2019 8-31-2022\nBR642330000 VALENTINE, AMBER Designated Broker 1-8-2020 6-30-2023\nSA697707000 VELASCO, MARQUISE Salesperson 8-21-2021 7-31-2023\nSA670789000 WALKER, NICOLE Salesperson 1-4-2022 3-31-2023\nSA692317000 WEDEL, JOSHUA Salesperson 9-8-2021 8-31-2023\nSA695266000 WESTON, COURTNEY Salesperson PLC 4-13-2021 4-30-2023\nSA681845000 WILLIAMS, JARVIS Salesperson PLC 1-26-2021 10-31-2022\nSA700433000 WILLIAMS, TEMITOPE Salesperson 12-30-2021 12-31-2023\nSA674230000 WOLF, JEFFERY Salesperson 1-4-2022 9-30-2023\nLC650549002 Active 14201 N. Hayden Rd SCOTTSDALE 85260 GUBERNICK, BRIAN\nLC650549005 Active 598 N Broad Street Globe 85501 FRANCE, ADREA\nLC650549007 Active 3920 S. RURAL RD #104 TEMPE 85282 EICK, MARISSA\nLC650549008 Active 223 E CALLE DE BUENA VISTA SAFFORD 85546 KENDALL, KOURTNEY


�������, �������� ��� ������ � �������, ����������� �����, ���������, ��������, �������� ��� �����������. MOJO DARK BRONZING SAUSE (15 ��). - ��� �����. ������� ��� ���������� ���\nMOJO DARK BRONZING SAUSE (15 ��).


Home / Camarines Sur / News / 3 bangkay kan mga parasisira, nakua sa Tinambac, Camarines Sur\n3 bangkay kan mga parasisira, nakua sa Tinambac, Camarines Sur\nBicol Standard Newspaper Tuesday, January 16, 2018 Camarines Sur, News\nTINAMBAC, CSur - Nalalapa na kan makua kan mga personahe kan philippine coastguard – pcg tinambac an 3 bangkay kan mga parasisirang kairiba sa F/B Jerusalem na narautan asin luminubog sa kadagatang sakop kan Brgy Agay-ayan, Banwaan kan Tinambac, Camarines Sur.\nSa intrivista kay Mrs. Marion A. Ramirez, MDRRM Officer kan nasabing banwaan, binisto an mga parasisira na sinda Delio Villen Andaya, 37 anyos, Junel Alfon Andaya, 18 anyos, asin Eduardo Coronacion, 61 anyos, entering mga taga Panganiban, Camarines Norte.\nNakua an mga ini sa hiwa hiwalay na lugar kan baybayong parte kan nasabing barangay kasuudma, Enero 15, 2018, bandang alas 9:30 nin pagka aga.\nSa istorya ni Ramirez, Enero 10 kan naglawod an F/B Jerusalem sakay an 11 na mga crew alagad petsa 11 kan maglubog ini dara kan raot nin kondisyon kan kadagatan sa parte kan Tinambac.\nNakalangoy pasiring sa gilid an 8, alagad dae sinwerte an tulo.\nSa kabilugan, 12 gabos na mga parasisira sa nasabing banwaan.\nDuwa digdi an mga taga Pandan, Catanduanes, na nakauli na kasuudma, asin duwa pa na taga Mercedez, Cam Norte, na nakauli naman kan nakalihis na Enero 12. (Vince Villar)\n3 bangkay kan mga parasisira, nakua sa Tinambac, Camarines Sur Reviewed by Bicol Standard Newspaper on Tuesday, January 16, 2018 Rating: 5


English to Filipino Meaning of wicker - http://filipino.english-dictionary.help\nEnglish to Filipino Meaning :: wicker\nEnglish to Filipino Meaning : adjective : yari sa sulihiya noun : panlala, pansulihiya\nWicker - yari sa sulihiya Wickers :: Wickers\nyari sa sulihiya basket\nmga bagay na yari sa sulihiya\nEnglish to Filipino Dictionary: wicker\nMeaning and definitions of wicker, translation in Filipino language for wicker with similar and opposite words. Also find spoken pronunciation of wicker in Filipino and in English language.\nWhat wicker means in Filipino, wicker meaning in Filipino, wicker definition, examples and pronunciation of wicker in Filipino language.


Interrogating the Reel | Film reviews, articles, observations from a radical perspective. Guest Critic columns every month.\nFilm reviews, articles, observations from a radical perspective. Guest Critic columns every month.\nJoin an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization. Join an organization.\n“American Sniper,” or “Stolz der Nation”\nOne is a trained killer, fighting on behalf of a genocidal, hateful regime. The other is a Nazi sniper.\nPropaganda is not, in and of itself, a bad thing. It can be used to further a just cause, to motivate a people, to stimulate direct action. Yet to term a piece of art “propaganda” in today’s climate is to rob it of its power, to suggest it’s failed in its mission. Which is true, in many ways. If you see propaganda coming, its hold has been broken. Catching it out can render you immune to its pull. Sometimes. Other times a person can be influenced even after recognizing propaganda for what it is. It’s a slow con game, a tug-of-war between film and spectator in those scenarios. Drop your focus for a moment, and it’ll get you. And if the film in question is agitating on behalf of a ceaselessly hungry imperial war machine, you don’t want to be gotten.\n“American Sniper” didn’t get me. It will, undoubtedly, get a lot of people this weekend as it enters wide release, because it seems the Military Death Porn movie is an annual tradition, starting with “Zero Dark Thirty” and “Lone Survivor” in previous years and leading us to this, a blunt instrument of a movie. It’s nasty, brutish and long, treating Muslims as faceless hordes fit only to be cannon fodder or as victims of cartoonishly evil enemy combatants.\nOstensibly the true story of Chris Kyle (Bradley Cooper), the self-proclaimed deadliest sniper in American history, “American Sniper” feeds us near-constant reminders of the tough job military men and women (all men, here) have. But rather than focus on the physical and mental suffering enacted on soldiers by a capricious government and industries demanding a blood sacrifice, the film tells us instead the toll war takes on fighters is worth it. Someone’s gotta do it, “American Sniper” says, and it might as well be the kind of person who calls dead Iraqis “savages” and brags about fictitiously mowing down evacuees during Hurricane Katrina. Strange that director Clint Eastwood would choose this particular military memoir to put on film, when Kyle has been successfully sued for defamation and the book’s contents judged to be heavily embellished, at best. Why not go ahead and make a movie about Kyle’s uncle, who definitely works at Nintendo?\nAs if to lay its gross, racist cards on the table from the very start, the film opens in an Iraqi city block, laid to waste by fighting. A military convoy rolls through, as Kyle and a spotter take watch over the field. Kyle spots a mother and child walking into the street, the mother passing a grenade to her son as the sniper agonizes over what to do. There’s hesitation as tension builds, though knowing what Kyle thinks of Iraqis and his supposed “kill list” it’s not like we don’t know what will happen. As his finger brushes the trigger, we’re instantly transported to a scene from Kyle’s youth, his first “kill” of a deer while hunting with his father.\nNow, I suppose we could say Eastwood wanted a solid, thematically compelling link between Kyle’s past and present, threading death through both with a single gunshot. But what does it say about this film’s perspective on Muslims that an Iraqi child is connected to an animal, slaughtered for sport without a second thought? Later scenes where Kyle’s father talks of the “gift of aggression” and the necessity of violence to defend the weak smack of a grotesque will to power, a fascist desire to assert oneself above others through brute force.\nFor every moment where Kyle demonstrates the crushing effect combat has had on him, there’s one where we’re reminded this is the cost of being an American hero. One cringe-inducing moment occurs between Kyle’s tours (he took four in total), as a young veteran approaches Kyle and thanks him for saving his life. Cooper, for his part, captures well Kyle’s reticent, embarrassed reaction to this outpouring of affection, but his nuance is crushed as the veteran goes on for minutes, extolling Kyle’s virtues and literally saluting him in a car repair shop. There’s enough teary-eyed, empty patriotism in that scene to fill 20 Ford F-150 commercials, and it ruins any sense of self-awareness built in Cooper’s downturned chin and frantically shifting eyes.\n“Zero Dark Thirty,” for its myriad flaws as a piece of CIA-sponsored schlock, was artful in its support of the Forever War and our continuous export of violence to the Third World. “American Sniper” has none of its sophistication, operating on an even less-informed level of discourse. We even get a black-hooded, moustache-twirling villain in Kyle’s Syrian counterpart, complete with scary theme music. He’s an Olympic gold medalist shooter tracking Kyle over his long military career. At one point, the enemy sniper is seen getting ready, Eastwood’s camera moving to “Mustafa’s” wife, crying infant in hand. This is meant, however briefly, to show us the people at the other end of Kyle’s scope have lives of their own. I don’t buy it, not least because “Mustafa” never speaks, and neither do any Iraqis save two: An informant quickly and viciously murdered by Al-Qaeda lieutenant “The Butcher” (how’s that for subtlety?) and a civilian, initially friendly but shown to be harboring arms and ammunition for the enemy. He, like the other, is quickly killed after being coerced into aiding the American soldiers.\nKyle repeats a multitude of rationales for the United States’ military entanglements in the film; those facile, false reasons we heard on a loop during the Bush years: We’re fighting over there to keep them from coming here, we’re doing it for freedom, we don’t want another Sept. 11, etc. etc. Some critics have pointed to this as evidence that “American Sniper” is a Republican message movie or pro-Iraq War. But the troubling thing is, it’s not a Republican position. It’s not even an Iraq War position. The United States will be jonesing for military action no matter what party is in the White House or what country will be invaded. Kyle’s reasons are poor and unfounded, but so are any reasons to enter a conflict on behalf of American hegemony.\nWhat I care about, and what “American Sniper” argues for in the abstract, are the capitalist’s reasons for war. The extraction of superprofits from soil overseas, the transference of systemic violence far from the homeland — these are the constant, unchanging reasons for imperial wars of occupation, no matter their jingoistic window dressing.\nThe film makes overtures toward the lot of veterans after their return home, following Kyle as he ministers to the wounded and lifts their spirits. But these scenes leave a bad taste in the mouth, coming as they do after so many others telling us this is the cost of freedom. It justifies the real-life treatment of veterans by their government, once they’ve done what’s needed to be done to keep the profits flowing. That Kyle is murdered by a disturbed veteran at a gun range should be a telltale sign that something in this country is amiss. Instead, we get footage of Kyle’s funeral procession, showing us the “right” kind of veteran, he who kills most, is treated with respect. Everyone else can rot.\nAs I said, propaganda is not necessarily a bad thing. But propaganda on behalf of empire, in service of widespread pillaging and murder, is propaganda at its most vile. It’s “Stolz der Nation,” the film-within-a-film of “Inglourious Basterds.” And it must, under any and all circumstances, be fought.\n“American Sniper” makes great hay of one hallowed number: Kyle’s “confirmed kill” count of 160, repeated throughout to remind us of his heroism. Well, I have a few numbers myself.\n134,224: Civilian deaths during the Iraq War (minimum estimate).\n21,000: Civilian deaths during the War in Afghanistan (ongoing).\n$47.73: Lockheed Martin share price on Oct. 7, 2001.\n$194.98: Lockheed Martin share price today (Jan. 16, 2015).\n$1 trillion: Estimated worth of Afghani mineral resources.\n0: Tears shed by me, Ian Goodrum, upon learning of Chris Kyle’s death.\nThe Best Film of the Year Won’t Win a Damned Thing. Duh.\nAnother year, another series of disappointments read aloud by Chris Pine.\nI’d initially planned to write this before the Academy Award nominations went out, to show just how prescient I could be regarding what is perhaps the most predictable ritual of the moviegoing season — the slow, boring ceremony of handing out trophies to mediocre or downright rotten work, glorifying the bottom of the collective barrel that is the American film industry.\nThat the nominations haven’t changed what I’m writing a whit is unfortunate but in no way unexpected. Surely there’s a word in German, or one we could invent in English, to describe that feeling, the letdown that isn’t really a letdown.\nBecause I tricked myself, again. Much like the Oscars of two years ago, where there was truly, really a horse to back in the Best Picture race, one which had actually snagged a nomination amongst the CIA propaganda, the trite great man biopics, the overwrought spectacle, this year I allowed myself to back a film that actually stood a chance at being nominated. Or so I thought.\nComing out of “Nightcrawler,” that dark horse of a movie which wound up empty-handed this morning save a consolation nod for its outstanding screenplay, what was most striking about the experience at first was how good it was, and how shocking its quality. At face value, there shouldn’t be anything noteworthy about it, a movie which appears to tread the same ground as Michael Mann — a filmmaker who teeters at the line between critiquing toxic masculinity and reveling in it. The elements are there; clean, focused shots making heavy use of digital recording, bluish-gray hues suggesting some overarching malaise, the gritty underbelly of Los Angeles as backdrop.\nBut from the start, “Nightcrawler” is different. We’re not going to get the tough guy stories of “Heat” or “Collateral,” or the clinical, empty violence therein. Instead, we get Louis Bloom, a shell of a man given life or something like it by Jake Gyllenhaal, his career-best performance another casualty of the goofball awards season. Louis speaks entirely in business school gobbledygook, a carefully crafted persona intended to exert the greatest possible influence on everyone. Rather than shroud such hollow, impersonal language in social cues and charm to hide the essential psychopathy of this perspective, Louis says the stuff by rote. It’s immediately off-putting for us, but only for some characters. Nina (a pitch-perfect Rene Russo), a broadcast news director, takes the amateur car accident footage he submits without batting an eye, asking for more with nary a comment on his dime-store Dale Carnegie act.\nIn pursuit of the next story to film, Louis hires an “intern,” Rick, who comes to the interview a homeless man. Knowing an opportunity when he sees one, Louis pays Rick (Riz Ahmed, giving out deep, exceptional layers of revulsion as Louis’ corruption grows) almost nothing and berates him for every mistake while maintaining that eerie veneer of false personability, an aura of creepiness that permeates every moment Gyllenhaal is onscreen.\n“It’s cool if I exploit you, yeah?”\nAs Louis’ successes increase, his wealth and influence expand while Rick sees little in return. One scene shows an encounter between Louis and Joe (Bill Paxton, doing much with his minutes of screen time), a rival videographer who wants to hire Louis for his second van. Louis replies with a flat “no” and swiftly sabotages Joe’s van, causing an accident which gravely injures his competitor.\nWhat’s especially brilliant about “Nightcrawler,” and what makes its politics so astute, is that there is a traditionally escalating arc of turpitude during Louis’ rise, but we are always kept aware that Louis himself hasn’t really changed; his material conditions have. From the first frame, his base, craven instincts are in full view. The actions he takes to protect his “success,” provided by people he exploits rather than rewards, get more treacherous as the consequences of failure worsen. Louis is building an empire, and seeing an empire fall is far worse than watching the collapse of a single person. He’s a one-man representation of all the horrid deeds capitalists commit to maintain their place in the system; he murders, brutalizes and abuses to claw his way to the top. Most frighteningly, he coerces Nina into a sexual relationship by threatening to withhold his footage; Russo and Gyllenhaal’s scene showing this is train-wreck captivating, the contours of Russo’s face becoming sharp cracks as she realizes just what he’s forcing her into.\nThere’s no attempts to excuse Louis, no scenes to humanize him. We are spared any flashbacks to show just what went wrong to make a person this way; all we are allowed to see, and all we should see is the man he is, one willing to abandon all morality in the pursuit of more. “More” is an end in itself for Louis: More credit for his footage, more equipment, more face time with the anchors, who know better than anyone else how to mold themselves into cheery simulacra of humanity. And, sickeningly, he gets it all. He gets the credit. He gets a fleet of vans and a set of dewy-eyed interns to replace the murdered Rick. For all intents and purposes, Louis is the conquering hero, and in a different movie, like, say, the odious “Social Network,” we might be impressed with his progress despite his disturbing emptiness. Instead, we are rightfully disgusted.\nBecause this is what it takes to succeed in late capitalism. The myth of hard work and gumption is a lie, one anyone who’s lived in the world long enough will know to be a lie. Inborn advantages grant success, and barring those, others will have to suffer or die to see you reach your spot atop the meat grinder. This is what “Nightcrawler” tells us. Most critics applauded the performances of Gyllenhaal, Russo and Ahmed while suggesting the film’s critique of broadcast news was too on the nose. But, as we all know, “most critics” are frequently wrong. In this case, they’re in the middle of a vast forest, pointing out trees they like and don’t like, wondering why the things are all grouped so closely together.\n“Nightcrawler” marries a gripping personal narrative with spot-on politics, providing surprising refreshment in a sea of fascism wearing blue spandex. It’s the rare American movie to do so, and one I happily call the best film of 2014.\nWhich is why it ain’t winning shit.\nWe’ve learned that despite whatever pretensions to the contrary, Hollywood remains, at its core, racist, misogynist and with enough new ideas to fill a thimble. But not a regular thimble. One of those thimbles you’d put in dollhouses. We’ve seen the inner dealings of a company run out of a clown car, the embarrassing correspondence of high-powered executives that looks like what a high-schooler would churn out after reading a page of ee cummings. And, what’s worse, but also what’s much, much better, we’ve seen the direst predictions for the future of cinema are true. This is a studio which, when looking for examples of innovative, fresh ideas, turns to adaptations of ludicrously popular novels and great man biographies, concepts that were daring around the same time as talkies.\nThose dastardly North Koreans, we’re told by a government that sustained misinformation campaigns about weapons of mass destruction, widespread surveillance and state-sanctioned torture, are the ones responsible. By invoking the DPRK, already accused of declaring Sony’s “The Interview” an act of war, the United States is hoping Americans can put aside our distaste for Hollywood long enough to yell at one of the few things we hate more: North Korea. Never mind that in order to believe this, we’d have to accept both\n1. North Korea is a country capable of training for and executing a massive electronic attack, sophisticated enough to bring down a major American company;\n2. North Korea is a country full of insecure, whiny babies who care enough about a $44 million PoliSci 101 presentation thrown together after Seth Rogen and James Franco partied too hard to commit such an attack.\nThe DPRK certainly could be strong enough for the former to hold true, with the latter being dubious at best, but to believe both at the same time requires the kind of cognitive dissonance that’s been fueling the Western propaganda machine for decades. In fairness, Sony Pictures had the equivalent of a key under the welcome mat as their cybersecurity, so maybe the DPRK didn’t have to be that sophisticated.\nStudios seem scared to death of this attack. On the one hand, the exposure of personal data deserves condemnation, and a righteous fear of similar assault. On the other, each and every one of them knows an attack like the one on Sony will reveal their own skeletons, trapped in a closet the size of an Olympic pool, waiting to come flying out. And if it could be possible to guarantee similar leaks without also divulging that personal data, I’d welcome such attacks on them all, if for no other reason than it might make this stagnant, unctuous industry wake the fuck up.\nHollywood is a lumbering, merciless beast; creating dreams and crushing them, feeding the people ideals contradicted by its own practices, constructing a national ideology betrayed each day by material reality, ouroboros and hydra at once. Enveloping all who take part, from the wide-eyed and aspiring to the hard-nosed and jaded, it’s a specimen for capitalism’s “sharing of miseries,” as Churchill so fatuously described life under socialism.\nThe film industry, like most industries, is a microcosm of capitalism, a petri dish anyone can use to see the fundamental flaws of the system. At each level, there’s desperation, privation, compromise, extraction. Neophyte actors, directors and screenwriters compete for what little work is allowed for brand new talent, scrape out a living while at other jobs, become eternally grateful for what they do get, but often leave forever, burnt out and scarred. Professionals earn their wages in an uncertain environment, not knowing when the next check will come and hoping there’ll be another job down the line to pay for the little things like food, clothing and shelter, and God help you if you’ve been doing this for decades and work is scarce, because you’re off the health insurance now. Enjoy the snickers when you become, without realizing, washed up. Even the stars, despite the howling and gnashing of teeth over Hollywood paydays, face labor extraction by studios. Compare anyone’s salary to the box office receipts of a hit movie and wonder who’s getting the better deal.\nMaking it into the studio, even earning an executive spot at a major company isn’t freedom, either. It’s a viper’s nest. Any error in judgment, minor or otherwise, and you’re sent packing. No small wonder why Hollywood has become so risk-averse, content to churn out the safest possible films and bet the house on proven earners.\nWhat a time to be alive. Image credit to Grantland.\nHahaha, you thought it was just superheroes. Sorry to ruin your day, and also the next five years. Image credit to Grantland.\nWhich isn’t an excuse — it’s what happens when you run a creative enterprise based on the premise of endless expansion and nonstop consumption despite finite resources. What’s happening to Hollywood is happening everywhere. The difference is, we can see it, thanks to another industry: the entertainment press.\nThe press is its own, separate beast, feeding on Hollywood’s scraps. Some grouse at the fixation over celebrities and their zany antics, but entertainment news has occasionally given us peeks into just how bankrupt things have gotten. Now the hack, crude as it was — and I won’t discount the possibility it was done to save the studio from a multimillion dollar turkey, at great risk to the personal lives of thousands, no less — has thrown the door open.\nAfter the hack, we can say with certainty that mainstream American filmmaking is a joke. In presentations made to advertisers, ones that may serve eternally in the “DON’T” column of Remedial PowerPoint classes the world over, deliberate attention has been drawn to social and political messages in Sony’s films — only as a means of saying “do not draw attention to these things.” Whatever stupidity Hollywood was a part of in the past, and whatever messy, flawed ideology it was selling, it was at least in the business of making movies that said something. Movies didn’t stop being cultural documents just because idiots in a boardroom said so, but actively quashing political content is a damn good way to make movies terrible. And they’ve gotten terrible.\nSuperhero and sci-fi spectacles reinforcing fascist politics, “prestige” pictures reinforcing fascist politics, our seemingly annual military death pornography reinforcing fascist politics; sensing a pattern? American cinema is liberal at best, fascist at worst, with the dividing line between the two growing ever blurrier. Good movies from major studios happen in spite of the system, not because of it, and the ones that work get bastardized into franchises and “event movies” so quickly you forget the magic ever happened.\nAaron Sorkin, making use of the op-ed page of The New York Times to provide cover for his own puerile misogyny (a trait with which any regular viewer of “The Newsroom” would already be well aware), has suggested journalists publishing portions of the leak are committing acts of treason. By making the public aware of Hollywood’s true, monstrous character, he claims these news outlets have forever poisoned “a town of powerful people — leaders and risk-takers who create things that have the power to start and change conversations.”\nWhat conversations were those, Aaron? Conversations about which alchemical concoction of beige sameness will do the best business, maybe pick up a few golden baubles while it’s at it? Or figuring out just how much more work male actors do to get recognition, what with how easy it is for women in Hollywood?\nThis hack has changed conversations, all right. But not the kinds that happen after audiences view Aaron Sorkin’s latest paean to the flawed, misunderstood men who change the world no matter what some people — people with the nerve to be women, or nonwhite, or, saints preserve us, nonwhite women — think. No, these conversations are happening among yourselves, the “powerful people” of Hollywood. You’ve been found out. It’s scary. But this is an opportunity to right the sinking ship, to show it’s still possible to take a damn risk every once in a while, like, I dunno, developing an original property. Or acknowledging that the women and people of color in your audiences exist. Or taking the time to ask yourselves, “Hey, is this fascist?” before loosing torture apologia upon the world.\n“Amour,” or the Reason Why I’m Watching the Oscars\nIt’s not all shot-reverse-shots of old people, I swear.\nThe Academy Awards are tonight. Ordinarily such a sentence would prompt theatrical scoffing from the reflex center of my brain, and the brains of most who consider themselves serious movie people, and not without cause. In the long history of AMPAS ceremonies, there have been countless bizarre victories for Hollywood at its most mediocre and uninspired, with the occasional seeping through of quality being justly rewarded. Yet for much of my adult life (if such a term may be applied), I’d dutifully watched the nominated films as if these were the best the medium had to offer for any given calendar year. This pattern continued until around 2009, which was coincidentally the last time the Academy gave its biggest prize to a film which could be considered an accomplishment for anything but emptyheaded, easy entertainment.\nBut it was at about this time that my horizons began to expand, and I learned that other countries had gotten in on this motion picture game and hadn’t simply stopped production after the 1960s. Seeing some of the recent work to come out of the vast world cinema, and the absorption of independent movies into the subsidiary companies of large studios, was the final nail in the coffin for my mythologizing of Hollywood. It was time to grow up, and if the Oscars only saw fit to recognize the entire rest of the world in one category and one category only, often one where all or most of the nominees are superior to those of Best Picture, then it was time to leave the false glamour of the Academy Awards behind.\nSo it was for the years that followed 2009. A crop of pretty lousy nominees (with some exceptions, as always) was rewarded in 2010, and the true race was down to two films; a well-acted and horrendously-directed biopic that hit all the notes a biopic is supposed to, albeit in an insane key only dolphins and the criminally disturbed can hear; and a glossy, “current” biography of disgusting human beings that condescendingly asks us to feel sad for both a) a young billionaire thief who loses his friend due to ruthless business practices, a.k.a. “business practices,” and b) said friend struggling to make ends meet with only a $2.2 billion net worth as of 2012. That Hollywood gave us a choice of a tragically inept biography with an inoffensive message or a competently crafted biography with a pitch-black moral center is both disappointing and completely unsurprising. Meanwhile in the foreign language category, some seriously challenging filmmaking was going on while being shut out of any chance at real mainstream exposure. This category, as with the documentary category, serves as a means of acknowledging the artistic risks possible in countries with less hegemonic studio systems (or actual funding for films outside of private investment) while boxing in those alternatives to film production as an industrial “Other.” The films which have won Best Picture without financing from American studios have been largely safe, simple, and filled to the brim with schmaltz. In other words, films Hollywood falls over itself to reward. There will, occasionally, be a breakthrough in an acting or screenplay category for a film from another country, but never anything more than a nomination for the big prize, the prize that rewards the entire work instead of parts of the whole.\nThe phenomenon repeated itself in 2011. With the nomination field expanded, there remained the hope that a foreign film or documentary might worm its way into a chance at the ceremony’s top award, but instead the biggest game-changer has been the nomination of Pixar films; imaginative products of the studio system, but products of the system nonetheless. The race for the top prize in 2011 was hardly even a race; having swept the precursor awards, which now take any semblance of mystery from the Academy’s prizes, “The Artist” walked away with Best Picture. Though not an abject failure in craftsmanship like “The King’s Speech” or a paean to wealth like “The Social Network,” a trifle like “The Artist” winning the big award may go down in history as the most insignificant improvement ever made. 2011 was a unique year for the Oscars, in that Terrence Malick awakened from his ten-thousand-year slumber to put most other Hollywood filmmakers to shame with “The Tree of Life.” Since Malick is one of the few directors respected for artistry rather than bankability, he has the relative freedom to create at his own pace in whatever way he wants. Not an “auteur,” since there is no such thing, but an immensely gifted director, Malick achieved something astonishing with “The Tree of Life:” through the dreamy landscape of cinema, ripe for exploring the fathoms of the human mind, he accurately charted the hazy, disjointed process of memory itself. Sure, “The Tree of Life” had dinosaurs and incredible practical effects, but the film is remarkable for its representation of visually-lived past experience and daydreams. But not to be outdone, the foreign language category again proved formidable with the inclusion and victory of “A Separation,” a film which explores real-world interactions with all the care and meticulous detail that Malick put into his intensely internal “Tree.” The most Iranian director Asghar Farhadi could hope for when he came to Los Angeles was a runaway win for original screenplay (award instead going to a delightfully middling work by Woody Allen) and 30-45 seconds to tell the world his country is not full of Islamists who want to destroy the United States. In the battle between an Oscar acceptance speech for a category people treat as a snack break and years of anti-Muslim and anti-Iran propaganda, it’s not hard to figure out who wins.\n“NOT A TERRORIST” sign not pictured.\nWhich brings us to today, and what makes tonight’s ceremony special. Or at least, what makes it special besides America’s Unfunniest Man hosting the festivities, something which makes my determination to watch that much more difficult to maintain. For the first time since 2000, when “Crouching Tiger, Hidden Dragon” was nominated for Best Picture and lost to the mopey “Gladiator,” a foreign film has gotten a shot at the big prize. And it’s one hell of a movie.\n“Amour,” from the same team who brought you “The White Ribbon,” “Hiroshima mon Amour,” and “Z,” is perhaps Michael Haneke’s finest piece yet, and I don’t think it’s possible that he could have made this film so well without making his others first. After probing the murky underbelly of human psychosis with little squeamishness in earlier works, “Amour” takes a look at that messy and complicated emotion with the same daring and unflinching eye found in “Cache” and both iterations of “Funny Games.” “Amour” is, above all, a celebration of life in all its cruel and unfair permutations, and the perspective it offers on families and relationships is both physically draining to watch and a heartening affirmation of our protectiveness toward those we love. Emmanuelle Riva has been nominated against the person who will win, an able 22-year-old star of the moment who gets enormous goodwill and press attention for acting like a human being in public (but there is little doubt such conduct, though genuine, is a cynical PR move), and an actress tasked to sell a pro-torture narrative with her energy and drive, with that goal’s near-success proof of her talent. Yet it’s Riva who deserves a moment in the spotlight, not simply for her long and distinguished career as a fixture of the French New Wave, but as a fearless performer, who goes through the slow and painful process of suffering degenerative illness onscreen. Jean-Louis Trintignant should be similarly rewarded for portraying an equally heart-wrenching and destructive arc in “Amour”: having to watch it all and pretend the end isn’t coming. But “Amour” isn’t just the love shared between this doomed couple, the fading light of a passion eroded by the course of time. It’s a film you have to love to appreciate. It requires persistence and a willingness to be open with what you’re watching. In order to love “Amour,” you have to love film, and all the discomfort that love might entail.\n“Amour” is risky, “Amour” is difficult, “Amour” is devastating, and it’s for these reasons and many others that it won’t be winning any awards but its award-designate: foreign language picture. Haneke will get his half a minute to speak, the orchestra will play, and we’ll move on to see one of several mediocrities take Best Picture. More likely than not, it will be “Argo,” a glorified heist caper that essentially serves to counteract the brief concession to Iran that was giving them the foreign language award last year. “Argo” continues the trend of Hollywood self-congratulation, where wily American operatives dupe the foolish guards in Iran by giving what amounts to a movie pitch with storyboards: a meeting in the Warner Brothers board room transplanted to an airport, with the green light meaning a fearless rescue and a triumph over the Islamic hordes. Or perhaps it will go to “Lincoln,” a whitewashed historical epic that makes a joke of America’s horrid relationship with slavery and a victory of a committed abolitionist compromising his principles. More awful still would be a win for “Zero Dark Thirty,” a piece which makes no bones about obscuring historical fact in service of a more “exciting” story of one of the darkest chapters in the history of the CIA, an organization whose record was already deep in the muck of extralegality and state-sanctioned assassination. “Zero Dark Thirty” is vile enough to call into doubt the quality of “The Hurt Locker,” a film which I maintain is a great, careful deconstruction of the intrepid action hero archetype and the caustic consequences of war. But “ZD30’s” effect on that film is similar to that of Weezer’s “Make Believe” on a Pitchfork critic; it makes previous successes from Kathryn Bigelow seem hollow and false. “Django Unchained” and “Silver Linings Playbook,” the only other decent nominees of the bunch, have just as much chance as “Amour” at the statue, and “Les Miserables,” “Life of Pi,” and “Beasts of the Southern Wild” are hopeless in their own ways, though I’ve gone on too long already to go into more detail for this post. “Les Miserables” already has a diatribe attached.\nSeriously, fuck “Lincoln.”\nDespite the near-certainty of this year’s Oscars being another ceremony dedicated to the upholding of tired and drawn-out cinematic farts as the highest aspiration of the medium, the fact of “Amour’s” nomination is enough to get me interested. It would take a miracle for the film to win (the miracle being everyone in the Academy watching the movie), and it’s the possibility of such a miracle taking place that’s breaking my non-viewing habit. But hey, Adele’s performing, so that’ll be nice probably.\nHello to all readers of the blog. If you were breathlessly awaiting an update for the past 2 or so weeks and feeling disappointed when no such update appeared, I’m sorry. I recently got a new job and haven’t been able to set aside the blocks of time necessary to write long-assed posts about movies. There will, however, be a new post up tonight or tomorrow regarding “Skyfall” and its reversion of the political strides made in the last two James Bond films starring Daniel Craig. It seems like once I get back on a regular posting schedule, there will be long articles popping up weekly and if I start writing shorter, more traditional reviews, those will crop up with more frequency.\nFor those who recall my promise of a big long post on the auteur theory, that piece has to be put on hold because a) I have not yet finished it, and b) if it were finished I would be unable to post it until it runs in print.\nAnd some very interesting news! The chief film critic at The New York Times, A.O. (Tony) Scott, has taken notice of this blog and informed me he wishes to make a contribution. Sometime by the end of the month or the beginning of next month, he will be turning in a review of the classic anti-Semite propaganda film, Jud Suss. I, along with you no doubt, am eagerly awaiting what he has to say in our first Guest Critic column. Thanks for reading, and I hope you stick around.\nFinding Ecstasy in Agony: “Zero Dark Thirty” and the Uncritical Critics\nIt’s hard out there for a CIA agent.\nWhat the fuck happened to film criticism?\nNow, I suppose that really should read “What the fuck happened to English-language, mainstream film criticism?” since that specific category of film scholarship is all a significant portion of the population reads, but the incredulity remains. What the fuck happened?\nBecause it seems like since Pauline Kael stopped writing, there haven’t been any political indictments of the kind she rained down on the most deserving of cinematic atrocities. Where’s the critical courage? Since when did we decide to let films get away with propagating their vile agendas by being well-crafted?\nI only ask because despite knowing how cowed American film critics have been by the shifting journalistic economy bleeding out their full-time jobs, the lack of any impassioned defense against a thesis so brutally flawed as the one posited by “Zero Dark Thirty” still leaves me shocked. The film is blatant apologia for torture as a method of extracting essential information, yet serious movie people are bending over backwards to make excuses for it. Even if we take as true the overwhelmingly liberal tendencies of paid film critics, the position articulated by the new CIA joint is such a slam-dunk falsity that it comes as an even greater surprise that many such critics are calling it the year’s best.\nBut maybe it shouldn’t be so surprising. After all, the aesthetic dimension of the film medium has been taking primacy in discussion or criticism over the political-social dimension for decades. Certainly the visual elements and imagery of a film are important; they are what make the art form so distinctive. Lately though, it’s been forgotten that film is like any other art form, that is to say a film carries with it an import on the material world while remaining a symbolic, dream-like document. Movies take us to a place where we are most vulnerable, most susceptible to spectacular versions of our reality, and most readily willing to accept whatever is put in front of us in the hallucinatory space of the darkened theater. This is where film generates its power to amaze and thrill, but it is also where film can distort and deceive. The German filmmaking canon alone gave us Fritz Lang and Leni Riefenstahl, F.W. Murnau and Veit Harlan, exposing audiences to the best and worst of this duality.\nSimilarly, there have been polarized reactions to “Zero Dark Thirty,” both supporting and maligning its place as historical retelling of the scheme to assassinate Osama bin Laden. What is so unexpected about this response is that nearly all the people against the film are journalists, and almost all those defending it are critics. Even in the reviews that bring up the movie’s politics, this minor quibble is dismissed as insignificant in the face of what the critic considers to be a monumental achievement in filmmaking. David Edelstein, he of the single paragraph-length dedications to the political content of a film, couldn’t bring himself to deny the pleasures of the “fascistic” “Zero Dark Thirty,” and awarded the right-wing treatise his number one spot for 2012. It’s as if politics are merely a curiosity compared to the much larger aesthetic concerns of art, rather than being what makes art necessary and artists want to perform their craft. The countless political movements which have had their own means of artistic expression, or the many political art pieces sprung from whole cloth by various ideologies don’t seem to matter to this new and cowardly criticism.\nI’m not seeing anything about Democrats or Republicans here, guys. Pack it in.\nAnd make no mistake, “Zero Dark Thirty” fallaciously argues for torture. From the opening frame, which asserts the film is based on “real events,” the film is immersing its viewer in the supposed truth of its narrative. We then hear audio recordings of the September 11 victims, followed immediately by the vicious interrogation of a terror suspect. “Ah,” we are meant to think, “here is the justice those people are asking for, beyond the grave.” Some critics are correct to point out just how horrific the violence is against the suspect, but then argue that the depiction of torture as inhumane justifies its presence. Surely people will cringe at the treatment of this man! This would carry more weight had we not just been presented with the sounds of the 9/11 victims, voices full of fear and mortality, providing a surrogate dread for the audience who lived through those days. With the cruelty of that homeland attack on one’s mind, with frightened, doomed countrymen fresh on the memory, it seems almost fair that an accomplice in that terror be given some terror of his own. Manohla Dargis of the Times claims that the film “suggests, in cinematic terms, that torture does not save lives. It is only later, when Dan and Maya lie to Ammar, sit across from him at a table, talk to him like a human being and give him food and a cigarette, that he offers them a potential lead.” Dargis fails to mention that during this conversation, Dan makes a clear threat towards Ammar that if he does not give them the information they want, the torture will continue. (Glenn Greenwald is not so neglectful.) The piece of intelligence Ammar gives to the CIA is shown to be the linchpin of their entire investigation; everything hinges on the name of the courier and his location, for it is there in Abbottabad where bin Laden lies in wait.\nSo the rest of the movie plays out, there’s some intrigue and false leads, one of which results in the deaths of 7 CIA operatives and gives Maya (Jessica Chastain, sinewy and driven) a Messianic resolve in finishing her mission. That tragedy is preceded by one of the most bizarre sequences of trumped-up drama I have ever seen in a late season “prestige” picture: An intercutting between Maya’s colleague (Jennifer Ehle, whose eyes seem like the only ones in the building not permanently set on “Steely”) getting ready to meet a potential al-Qaeda mole and the instant messenger conversation the she and Maya are having in real time. I suppose the sequence, with its juxtaposition of silly emoticon-driven online dialogue and the nervous tension permeating the real world meeting place, was meant to illustrate that these people are breathing, feeling humans. But what happens instead is an odd bobbing back and forth between solemnity and childishness, and it makes the deadly explosion which follows all the less impactful.\nThe late-night raid on bin Laden’s complex in Pakistan is, as expected, a taut and nerve-wracking exercise, with first person night vision camera views echoing the climactic sequence of “The Silence of the Lambs.” Where that film gave us the perspective of one character in a situation of relatively even odds of survival, “Zero Dark Thirty” gives us the false suspense of being behind the eyes of one Navy SEAL among dozens, attacking a compound with two armed men, three women, and several children. The set piece is still sensational. But the stakes could not be lower. The visceral thrill of the raid is also offset by the clinical savagery of what I can only assume is the SEALS’ standard combat procedure: unarmed and wounded men are shot dead, and the same goes for a woman who falls into the line of fire. It’s a frank, unflinching portrait of the casual nature of military killing, and if it weren’t for the pro-torture bent of the first half of the film and the mythology of the target, this sequence would be the topper for an exposé on the disgusting tendencies of the American military and the ferocious lengths it goes in order to exact perceived revenge.\nYet it’s hard to imagine the viewer seeing “Zero Dark Thirty” in this way, when after the announcement of bin Laden’s death there was riotous partying in the streets. We made bin Laden out to be this incomprehensible monster in the years leading up to his death, and classified so much of what really went on during the raid (for example, it’s unlikely we would even know about the helicopters now if one of them hadn’t crashed outside the compound), that this dramatization will serve as the definitive account of his death for the vast majority of people. And what we get is a bittersweet and vacillating view of the situation, one which obscures its stance behind multiple avenues of complexity while still managing to sell the idea that sanctioned torture is the way we finally got the bastard. Maya breaks down in tears in the movie’s final shot, cold calculation giving way to conscience and agony over the choices she’s made, but aside from those 7 dead and a brief assassination attempt in Pakistan, there hasn’t been much to test her personally. Instead, the people really hurting are the ones still locked up in Guantanamo Bay, as part of the detainee program the characters fervently wish was still a reality (one character bemoans the fact that a detainee is now able to get “lawyered up” if he so chooses). The real victims are the rising casualties of our wars of occupation in the Middle East, perpetuated by unfeeling robots roaming the air and committing war crimes on petrified civilians. It would be nice if we had more honest critics who could point out how those people have been ignored in the cinema. But no matter! We got bin Laden. Justice is served. Hoo-ah.


BREAKING NEWS: Peter Lim,umamin Na Protektor Niya Si De Lima. Mayor Thomas Osmeña, Kasama.must Watch!! ~ Philippine News Portal\nBREAKING NEWS: Peter Lim,umamin Na Protektor Niya Si De Lima. Mayor Thomas Osmeña, Kasama.must Watch!!\njackson fiveJanuary 2, 2017 at 10:03 PMwhose the writer of this report?....retake your English 101.....rubbish....ReplyDeleteAdd commentLoad more...


La URSS, Capitalismo de Estado. Georges Fontenis | UAS - FAM\nLa URSS, Capitalismo de Estado. Georges Fontenis\nGeorges FontenisAbril de 1981\n← NESTOR MAJNO Y VLADIMIR ILICH LENIN: ENTREVISTA HISTÓRICA / Nestor Makhno\nEl autoritarismo siempre será rechazado y combatido por los anarquistas →


PAULA ÑAM ÑAM LIBRO. MERCÉ VIANA. Comprar libro\nPAULA ÑAM ÑAM LIBRO (Libro en papel)\nPídelo antes de 6 hrs y 31 mins y recíbelo el 27/09/2021 eligiendo envío 24 horas\nVas a comprar el ebook "PAULA ÑAM ÑAM LIBRO"


Bombilla Bajo Cons. Intercris 15w 8000h(011) | Kómpratelo\nBombilla Bajo Cons. Intercris 15w 8000h(011)\n3,51 €\t3.51\nEstás opinando sobre el artículo Bombilla Bajo Cons. Intercris 15w 8000h(011)


Sal Pa' Fuera lyrics by Puya - original song full text. Official Sal Pa' Fuera lyrics, 2019 version | LyricsMode.com\nPuya – Sal Pa' Fuera lyrics\nSal pa' fuera pa la calle, sal pa' fuera coño\nSal pa' fuera vamos, sal pa' fuera coño\nY con la madre tierra nos conecta\nLa limpieza de un espiritu enfermo.\nLyrics taken from /lyrics/p/puya/sal_pa_fuera.html\nSal Pa' Fuera meanings\nWrite about your feelings and thoughts about Sal Pa' Fuera\n→Sal Pa' Fuera lyrics\nThanks for correcting Puya - Sal Pa' Fuera lyrics!


UNIVERS SA Rm. Valcea (UNVR)Plata dividend 2018 - 01 apr. 2019\nPlata dividend 2018 - 01 apr. 2019


Katalunya - Wikipedia\nCoat of Arms kan Katalunya\nAn wagayway kan Katalunya\nAn mapa kan Espanya kun saen ipinapahiling an namomogtakan kan Katalunya\nAn Katalunya (Catalan: Catalunya, Occitan: Catalonha, Espanyol: Cataluña) sarong autonomong komunidad kan Espanya, namomogtak sa amnayan-subangan na puro-puro kan Peninsula Ibero. Ini designadong nasyonalidad susog sa Estatuto nin Autonomiya. An Katalunya binibilog nin apat na probinsya: Barcelona, Girona, Lleida, asin Tarragona. An kabesera asin pinakadakulang siyudad kaini iyo an Barcelona, an ikaduwang pinakadakul sa populasyon na munisipalidad sa enterong Espanya. Ini an pinakaubod kan ikapitong matawong lugar na urban sa Unyon Europeo. An Katalunya iyo haros an hiniwas kan dating Prinsipalya nin Catalonia, maliban an Rousillon na nagin parte na kan Pyrenees-Orientales na kabtang na kan Pransya. An munisipalidad na ini napapagdolonan kan Pransya asin Andorra sa amnayan, kan Dagat Mediteraneo sa subangan, kan autonomong komunidad nin Aragon sa solnopan asin Valencia sa habagatan. An mga opisyal na lenggwahe igdi iyo an Katalan, Espanyol, asin an dialektong Occitan.\nReperendum sa pagsuway sa Espanya[baguhon | baguhon an source]\nSa Oktobre 1, 2017, an gobyerno rehiyonal (Generalitat) kan Katalunya na pinamamayohan ni Presidente Carles Puigdemont pinagmarhay na magkaigwa nin reperendum ta ihapot sa mga taga-Katalunya kun baga oyon sinda na maglitik sa Espanya asin magtindog bilang sarong independienteng nasyon suway sa nasyon na Espanya. An Espanya, sa pamamayo ni Primer Ministro Mariano Rajoy maisog na dai inooyonan an Katalunya na magsuway asin inapod an reperendum, kun ini man mangyari, na sarong ilegal na akto, sarungat sa dikta kan Konstitusyon. Alagad an gobyerno rehiyonal kan Katalunya dinadara nanggad an bandera nin separatismo asin ipapadagos an reperendum.\n↑ www.bbc.com. Linua 09-25-17\n↑  www.,independent.co.uk. Kinua 09-25-17\n↑ www.reuters.com. Kinua 09-25-17\nKinua sa "https://bcl.wikipedia.org/w/index.php?title=Katalunya&oldid=209505"\nMga autonomong munisipalidad kan Espanya\nHuring binago an pahinang ini kaitong 18 Hulyo 2021, alas 04:10.


Tisyu - Wikipedia\nMikroskopikong tanawon kan sarong histolohikong specimen kan tisyu sa baga nin tawo, na pigkulayan gamit an hematoxylin asin eosin\nSa biyolohiya, an tisyu (Ingles: tissue) iyo sarong selular na organisasyonal na lebel sa tahaw kan mga selula asin kan sarong kompletong organo. An tisyu iyo kasararoan nin mga pararehas na selula asin an saindang ekstraselular na pagsararo gikan sa kaparehas na ginikanan na minadara nin sarong ispesipikong paggana. An mga organo iyo dagos na napoporma sa paagi nin paggana sa pagsararo kan mga tisyung ini.\nAn Ingles na taramong "tissue" iyo gikan sa taramong Pranses na "tissue", boot-sabihon iyo sarong bagay na "pighibla", gikan sa nagligad na partisipolo kan berbong tisser, "maghibla". An pag-aadal kan tawo asin tisyu nin mga hayop iyo bistado bilang histolohiya o, sa katakod nin mga kahelangan, bilang histopatolohiya. Sa mga tinanom, an mga tisyu iyo pig-aadalan sa parehas na pangtinanom na anatomiya asin pisiyolohiya.\nIgwang relatibong medya para sa Mga biyolohikal na tisyu duman sa Wikimedia Commons\nKinua sa "https://bcl.wikipedia.org/w/index.php?title=Tisyu&oldid=211590"


Ina's Place Invitations & Party Supplies: Great Gatsby Wedding Gowns Inspiration Ideas & More! - Estilo Gran Gatsby - Bodas.\nDezazu 30 de junio de 2016, 14:22\nAdoro este tipo de estetica!!besos\nIna Bela 1 de julio de 2016, 11:00\nSi, a mi me gustan para las fiestas temáticas resultan divertidas y elegantes (:


RT @KatanaHugo: Good morning friends ! #photos #photography #morning #sunrise – Twitter #art\nRT @KatanaHugo: Good morning friends !\n#photos #photography #morning #sunrise https://t.co/XPd2LH2Jlx


Word Descargar Nada Es Tan Terrible La Filosofa A De Los Mas Fuertes Y Felices\nNada Es Tan Terrible La Filosofa A De Los Mas Fuertes Y Felices - Dentist Resumes – best dentist resumes, dentist resumes, dentist resumes examples, A resume or CV is really a record that summarises your projects encounter, training,. Dentist Resume Objective Examples - dental assistant resume objective examples, dental hygiene resume objective examples, dental resume objective examples, Skip to content Resume Examples. Dentist Resumes Samples – dental assistant resumes samples, dental hygiene resumes samples, dental resume samples india, a resume is a document, often used to apply for tasks, which includes descriptions of your own education, experience, skills, and achievements..


Pantalony HKM LG Paris Bl. 4/4 80 tm.zel. A-50% 3395-1697 | Jezdecké potřeby - Equiservis


Resumes in Western Visayas, Philippines\nDETAILED CURRICULUM VITAE – ROBERTO GANCIA JR. PERSONAL DATA: Name : ROBERTO GANCIA Jr. Date of Birth : SEPTEMBER 1 1983 Place of Birth : CABATUAN ILOILO PHILIPPINES Sex : MALE Martial Status : MARRIED Nationality : FILIPINO Permanent Address... - Jan 25\nENGR. DANNY D. CABAYAO B.S. Civil Engineering Civil Engineer, Project Engineer, QaQc Engineer, Deputy Area Coordinator, and Technical Engineer CAREER SUMMARY From 1996 to present with 18 years of full time experience as Civil Engineer in... - 2018 Dec 13\nRichard J. Cuervo Blk**/Lot*, Easthomes*, Brgy.Estefania, Bacolod City Cell # 097*-***-**** 094*-***-**** Email add: ac6gvd@r.postjobfree.com Career Objective I wanted to enhance my capacity for Computer and Clerical works inside the company or at... - 2018 Jul 29\nmeriamae A. asentisa Dionela, Pandan, Antique 091******** ac6gjs@r.postjobfree.com Date of Birth: October 18, 1994 Place of Birth: Pandan, Antique Age: 23 Civil Status: Single Nationality: Filipino Religion: Roman Catholic Objective To acquire... - 2018 Jul 28\nANDREW SEJANE Cubay Sur, Malay Aklan Contact #: +639********* Email Address: ac6fuh@r.postjobfree.com OBJECTIVE To obtain a position of responsibilities that utilizes my skills and experience and keen to work in an environment where I can enrich my... - 2018 Jul 27\nLeiron B. Donesa Male ** December **, **** Zone 6, Blanco Street, Sta. Barbara, Iloilo City 095******** ac51iq@r.postjobfree.com Objective To succeed in an environment of growth and excellence and earn a job which provides me job satisfaction and... - 2018 Jun 27\nGirly Cataluna Iloilo City ac5wbz@r.postjobfree.com - 093******** WORK EXPERIENCE Manager Smoth stone plastic ware - Iloilo City - March 2017 to May 2018 I manage the store of plastic ware, at least 1 year, know the character of my subordinates... - 2018 Jun 16\nVIVIAN L. CUACHON Address: Old Salata, Doha. Qatar Mobile: +974-******** / 77224428 Email Add: ac5umd@r.postjobfree.com ac5umd@r.postjobfree.com OBJECTIVES: To secure a challenging position where I can utilize and develop my skills and capabilities... - 2018 Jun 12\nAngelo G. Gabut City Address: P*B Blk ** Lot ** Deca Homes Tacunan Rd Mintal, Davao City Contact no.: (091*-***-**** E-mail Address: ac5skb@r.postjobfree.com (personal email) CAREER OBJECTIVE To secure a responsible career opportunity, where I can... - 2018 Jun 07\nMARC XETHAGARIE C. LAMATA Felipe Lacson St. Brgy Zone-12 Talisay City 094********/093******** ac5ncl@r.postjobfree.com EDUCATIONAL BACKGROUND: Efegenio Enrica Lizares Memorial School S.Y. 2000 - 2006 Rafael B. Lacson Memorial High School S.Y. 2006... - 2018 May 28


Opel Insignia. Технические справочники и оборудование.\nОписание: Всё о правильной эксплуатации, ремонте и техническом обслуживании автомобилей Opel Insignia, Vauxhall Insignia, Holden Insignia, Saturn Aura, Chevrolet Insignia, выпущенных не ранее 2008 года c рабочим объёмом бензиновых двигателей 1,6, 1,8, 2,0 и 2,8 л, а также двигателями для дизельного горючего объёмом 2,0 л.


Vicente-Serrano, S.M. - Search Results - UAB Digital Repository of Documents\nHome > Search Results: Vicente-Serrano, S.M.\nWater, Vol. 10, Núm. 11 (November 2018) , art. 1668


Panerai Luminor Marina PAM00351 Titanium\nPanerai Luminor Marina PAM00351 Titanium Mens Watch.\n44mm Titanium case.\nBrown dial with luminous gold hands and Arabic numeral hour markers.\nCalibre P.9000 Automatic self-winding movement with a 72-hour power reserve.\nPanerai Luminor Marina PAM00351 Titanium P09241913X


Kaipuhan an deligencia sa capitolyo | catanduanestribune.com news\n1,156 views · 0 comments ·\nNakabangga palan daa ang bus na hinagadan ni dating Mayor Samuel Laynes kan nacaaguing semana.\nSegun sa osipon, dae daa ining drayber kan mag-andar y banggaon ang kudal kang Virac Central Elementary School.\nKung sisay an drayber na itinoka kan bag-ong administrasyon, dae man sinabi.\nBasta daa an sabi, bigla na sanang nag-abante an bus.\nTibaad basolon si defunto bise mayor Roy Laynes na iyo an nagmaneho sa bus, lalo na ta grabe daa an kulog nin boot caini sa mga kalaban kan saiyang tugang kan campanya.\nSabi kan mga nacaisi, saro daa sa mga ultimong pananaramon kan dating administrador iyo na sabihan an campo ni Mayor Posoy na tunongon na ang panguyag sa ngaran kan familia Laynes ta tapos na man an ralaban, nakua na ninda an hanap.\nMaguiromdoman na manlaenlaen na panguyag, kabubuwaan y daeng mangyaring panuga an ibinungag kan mga kalaban ni alcalde Samuel, na dinamay pa an mga miembros nin familia.\nKung saarin mabolong an mga kulog na hinubon caini sa mga naafectaran, an Kagurangnan sana an makasabi.\nMapoon na palan bago matapos an bulan na ini an icaduwang parte kan rehabilitasyon kan Virac public market.\nSegun sa DPWH, cincuenta milyones pesos an nakatagamang fondo para sa pagparinas kan mercado (bakong si Orly). Matapos na man siguro an pagpatibay kan mga poste y baldosa sa lumang saod na macincuentang taon na ang edad.\nIpadagos man daa ini ni alcalde Posoy ta napun-an na. Igua pa daang tadang fondo na puedeng utangon sa Land Bank, base sa loan agreement na pinirmahan kan 2018.\nMagayon sigurong mahaman ngona an mga stalls na babaryohan kan mga pinaharing mga market stall owners tanganing maayos na man an hiwas kan trapiko sa paribot kan saod.\nIguang reclamador na nagpaabot nin mensahe para sa BJMP.\nSegun sa saiya, ngata daa na an aqui niyang napreso hinahagadan nin imong pampadoktor kan mga guardia civil.\nNaghagad daa an akusado na siya maki-plea bargain sa piskalya tanganing matapos na an kaso Alagad pinapabayad daa siya nin tres mil pesos para daa sa doktor. Kung sisay na doktor ini y aanohon an cuarta, dae man sinabi an reclamador.\nNareparo daa kan mga chismosong paramasid sa capitolyo na igua nang mga pinahari sa BAC asin iba pang mga comitiva na mga tawo kan suspendidong gobernador.\nIni nangyari daa matapos na ikahang na bilang administrador an dating campaign manager ni Manay Siliwong.\nBagui daang mga tawo na ni Dayunyor Verceles an nacatocaw sa mga importanteng puesto sa capitolyo, preparasyon daa harimbawang dae na makavuelta an gobernador ta igua pa daang isang-at na kaso an dae naorian na derotadong kalaban.\nBako man siguro ining totoo.\nNatural na sa nacatocaw, lalo na an mga adviser, na gibohon an gabos tanganing makakua nin mejoras sa mga transaksyon sa gobyerno. Ta kung dae mahingoha mag-agahid sa honasan, gutom an amo, he! he! he!\nSaen makua nin ipanao sa mga oro-aldaw na gahagad nin tabang para sa lubong, lamay, compleanyo, viaje pa-Manila y iba pang mga agrangay kan mga votante?\nAn cadaclan nakidumamay sa familia Laynes, lalo na an nabayaan na agom y duwang aqui, sa amay na pagviaje sa kaitaasan ni dating bise mayor Roy Laynes.\nVeinte-unong taon na nagsirve sa municipio nin Virac an defunto, magpoon kan siya consejal hanggan makagraduar, maging bise hanggan makagraduar otro, y tolong taon bilang administrador.\nAnom na eleksyon na dae nadaog, senyal na midbid siya bilang honestong servidor nin banwaan, minsan nasobrahan yata nin pakihampang sa mga boltokerong mga votante.\nAn saiyang nagin buhay sa politica magi man lugod panalmingan kan mga presenteng nacatocaw y mga ambisyosong maabot pa….


Laredo (Spain) map №2 / Spain\nLaredo, Cantabria region\nOnline map of Laredo №2, scheme and satellite view. Spain.\nLaredo map


Klogs USA Austin Open 20000 USA Women n谩stroj Clog 膶ern媒 kv臎tinov媒 n谩stroj b352a70 - brand-woman.club\nKlogs USA Austin Open 20000 USA Women n谩stroj Clog 膶ern媒 kv臎tinov媒 n谩stroj b352a70\nKata Different from Miki Kyan Shin’ei Klogs USA Austin Open 20000 USA Women n谩stroj Clog 膶ern媒 kv臎tinov媒 n谩stroj b352a70\nIVAO boty Unisex Garden Clog Sandal Rychl茅 su拧en铆 膶ern谩 , Sandgrens 拧v茅dsk茅 vysok茅 podpatky d艡ev臎n茅 Clog boty pro 啪eny Dexter Tan (Dk) , YDN 沤eny Peep Toe Chunky vysok茅 podpatky Loafers Mules sklouznout na sand谩ly 拧aty Slide boty Hn臎d媒 Softwalk d谩msk谩 tiltonov谩 skl谩dac铆 loafer 膶ern谩 b铆l谩 Steve Madden 沤eny Kaden Modr媒 samet MUK LUKS mikina Chenille Clog d谩msk媒 膷epice R暖啪ov媒 , Bella Vita 啪ensk媒 Eden Mule Camel Burnish Puremee Unisex Lehk媒 prody拧n媒 Bavln臎n茅 ply拧ov茅 pod拧铆vka Slip-on Outdoor Indoor Walking Boty, zahradn铆 h谩膷ky Ba膷kory B铆l媒 , El Naturalista d谩msk茅 listy N5000 Mule D艡evo Va拧e oble膷en铆 Wide Fit D谩msk谩 k暖啪e Mix Punch Slip On Shoe v Eee Fit 艩ed谩 , FSJ D谩msk茅 casual Faux Suede Mules Open Toe Plo拧inov茅 sand谩ly Chunky Heel Comfort Shoes Velikost 4-15 US Taupe-12 Cm Alegria 啪ensk媒 ben谩tsk媒 sand谩l Morning Glory Tan YDN 沤eny Peep Toe Chunky vysok茅 podpatky Loafers Mules sklouznout na sand谩ly 拧aty Slide boty Zelen谩 YDN 沤eny Stacked Low Heel Mules Slide na Uzav艡en茅 Toe Clogs Block Casual Papu膷e boty N谩mo艡nictvo Peerage FIC 膶erven 艩irok谩 拧k谩la 啪en P艡铆le啪itostn谩 k暖啪e Slingback Clogs pro ka啪d媒 den (velikost & Vod铆tka m臎艡en铆) Hn臎d媒 , Crocs Unisex Specialist Clog N谩mo艡nictvo , Softwalk d谩msk茅 tkaniny San Marcos tkan茅 Cement , AnnaKastle D谩msk茅 Barevn谩 Mule Slipper Pata Sandal Faux Suede - 啪lut谩 Cromer Resortwear d谩msk茅 a d铆v膷铆 kotvy tiskov茅 proch谩zky proch谩zky vzduchem Aqua Anchor David Tate Womens Norma B铆l媒 jehn臎膷铆 , Zdravotn铆 sestra Mates Women s Libby Slip On 膶ern谩 , Ariesddo D谩msk茅 pleten茅 拧艌暖ry 膶epice Vodn铆 boty Pl谩啪ov茅 sand谩ly Lehk茅 prody拧n茅 膶erven茅 Softwalk 啪ensk谩 Bol铆vie P铆sek , Wolky Atrani 70980 White / Multi Color Canal Leather Comfortview D谩msk谩 obuv Wide Maisy Cv Sport Multi Stripe Birkenstock d谩msk茅 Tokyo z ko啪en媒ch bot 膶ern谩 , Modemoven Women s 膶erven媒 soles Satin Heeled Mules boty, sexy Letn铆 pantofle, roztomil茅 Polstrovan媒 pata Sand谩ly Nachov媒 Columbus Mule z Easy Street Women 艩ed谩 , Easy Street 啪eny Elliot Mule Cukrovinkov茅 patentov茅 ozna膷en铆 Pewter ,\nTed Baker P谩nsk谩 obuv Zilpha Chelsea 215brown , Easemax D谩msk谩 lehk谩 ploch谩 podr谩啪ka vysu艌te kr谩tk茅 boty 膶ern谩 , P谩nsk茅 boty TA $ TY Western Boot Hn臎d媒 , P谩nsk茅 pono啪ky Durango 11 \_ Zoufal媒 hn臎d媒 Dan Post mu啪sk茅 Denver z谩padn铆 boty 膶okol谩da , Sam Edelman D谩msk谩 kolena Thora Knee High Boot 膶ern媒 suede , Steve Madden d谩msk谩 obuv Ezra 膶ern谩 ECCO p谩nsk茅 Biom Hybrid 3 golfov谩 obuv Gore-Tex 膶ern谩 / Bermuda modr谩 , QueenFashion Women s Imitovan谩 PU textilie Pod拧铆vka Wedge Candy Vysok茅 boty s 艩n臎rov谩n铆 a protiskluzov谩n铆 Dno Zelen谩 N铆zk媒 boty Easy Spirit Women Niah 艩ed谩 , D谩msk媒 sand谩l zna膷ky Crocs Swiftwater Wave Kou艡 D脕RKOV脡 P脕RY D谩msk茅 boty Sole Happy Ballerina Walking Flats st艡铆brn媒 D谩msk茅 boty Luoika Wide Width - Komfortn铆 skluzavka na ploch媒ch balen铆ch Hn臎d谩 k暖啪e , D谩msk谩 k拧iltovka Kadee Realtree Max-5 Flat Crocs 膶okol谩da / Berry Dr. Comfort Spirit D谩msk茅 l茅膷ebn茅 diabetick茅 extra hloubkov茅 boty ko啪en茅 krajky 膶ern谩 , Pearl iZUMi P谩nsk谩 tri膷ka Fly Elite v6 Cyklistick谩 obuv B铆l媒 膷ern媒 , Crocs Unisex Classic Clog Tropical Teal 50 odst铆n暖 膷erven茅 Tane膷n铆 obuv: Komfort Ve膷ern铆 拧aty svatebn铆 膶erpadla, Tane膷n铆 s谩l Obuv pro latinu, Tango, Salsa, Swing, Theather Um臎n铆 od 50 odst铆n暖 (2,5 \_ 3 \_ , D谩msk茅 boty Vionic Walker Classic B铆l谩 / r暖啪ov谩 , Propet Women Washable Walker tenisky Srst / b铆l谩 Zlat茅 holuby 50 odst铆n暖 uzav艡en媒ch Toe ~ Tane膷n铆 拧aty Kolekce obuvi (N铆zk谩, st艡edn铆 a vysok谩 Pata), ve膷er Svatebn铆 膷erpadla: 沤eny Tane膷n铆 s谩l, Tango, Smooth, Standard, Tango, Theather Um臎n铆 od P谩rty p谩rty Latasa d谩msk谩 krajka-up platforma Oxford boty B茅啪ov媒 , NIKE P谩nsk谩 brusle SB Air Max Bruin Vapor L Obsidian / Obsidian-膷ern谩 Vans Unisex Authentic (Kendra Dandy) Skate boty 膶ern谩 / tmav谩 b艡idlice PUMA p谩nsk茅 Epic Flip V2 Athletic Sandal M臎kk媒 Fluo Peach-puma White , Timberland PRO P谩nsk谩 6 \_ 膶ern媒 hladk媒 ko啪en媒 balistick媒 nylon Vodn铆 boty QLEYO Rychle such茅 boty pro mu啪e a 啪eny Barefoot Skin Shoes Pl谩啪ov茅 vodn铆 boty pro surfov谩n铆 plaveckou j贸gou Style14 , Reebok p谩nsk茅 pol拧t谩艡ov茅 pol拧t谩艡ky RB8882 Vojensk茅 a taktick茅 boty 艩edozelen谩 barva , Skechers Performance Women s On The Go 400 Vivacity Flip Flop Charcoal / Hot Pink Vodn铆 boty AVADAR, Barefoot Quick Dry Aqua Shoes. 膶ern谩 / b铆l谩2


Tabyos - Wikipedia\nAn tabyos o sinarapan (Mistichthys luzonensis Smith, 1902) sarong species nin sira sa pamilya nin goby, Gobiidae, asin iyo-iyong kaapil sa genus na Mistichthys. Ini natural nanggad sa Filipinas, partikular sa kasalogan nin Bicol asin sa mga danaw nin Buhi, Bato, Katugday asin Manapaw sa probinsya nin Camarines Sur. Sa mga kasalogan asin sa sabang kan Calabanga, igwa man makukuang tabyos alagad sinasabi mas doro-dakula sa mga tabyos na yaon sa ibang lugar. An tabyos manilag-silag na may butik-butik na dikit asin itom na mata, nalaba abot 2.5 sentimetro pero an kasyahan kaini naabot sanang 9-14 milimetro. Sa mga danaw, hanggilid sana ining maglangoy-langoy asin nakaabot sa rarom na 12 metro\nGobiopterus luzonensis (H. M. Smith, 1902)\ntabyos binatihan sugok\nIni na an pinakasadit na sirang pangkomersyal sa bilog na kinaban mala ta nasambit ini sa Guinness Book of Records na iyo na "an pinakasadit na sirang kakanon". Sadit na maray ini ta an sarong ribo pwedeng makaigo sa sarong kutsara. Sinasabing medyo napapangana an pagdakop kaini orog na ta ugale kan mga tabyos maggipaw asin madaling dakopon ta sinasarap an mga ini sa laog kan abung kun saen sinda natitipon ta ginigiya kan pagtipon kan ikinaag na sakag, mala ta madali nang mapuho an specie asin karamas-kamas na an gobyerno na maligtas ini sa pagkawarâ.\nSinasabi man na an tabyos sa Calabanga maputi, an sa Bato mapula-pula asin an sa Buhi garo aro-abohon sa kolor.\n1 Bilang pagkakan\n3 Pagkakapuho kan tabyos\nAn tabyos usong lutoon na okoy o pwede man ginisa-gisa asin binangotan nin binating sugok. Kun sasarayon, ini rinaramas sa pinong asin, sarong parte sa limang parte kan tabyos, dangan binabalad na magin agil. Pinipritos kun kakanon na o bago pritoson, pinapa'alintotohan sa tubig ngane maglumoy.\nSa mga taga-Buhi, sinasabi ninda iba man daa an "tabyos" sa "sinarapan" alagad an Vocabulario de la Lengua Bicol na hinaman ni Marcos de Lisboa sa pag'oltan kan mga taon 1600 abot 1609 sarong beses sana nasambit an lugar na Buhi asin ini ta sabi niya yaon igdi sa banwang ini makukua an tabyos alagad nasala man ngani si Lisboa ta an totoo yaon man ini nakukua sa mga danaw kan Bato, sa danaw-danaw kan Katugday, asin Manapaw (parehas yaon sa Buhi) , asin siring man sa Calabanga asin sa mga sanga-sangang kasalogan sa Bicol. An katagang sinarapan ogaring boot sana sabihon idtong dinakop paagi kan pandakop-sira na an apod sarap na sabi ni Lisboa una red hecha cañitas a modo de ceston con que cogen los pecadillos muy menudillos que llaman piyac. Kun siring pinong-pino an mga labot kan hikot na ini ta saraditon man an dadakopon arog kan mga piyak-piyak. Igwa man ngani hikot na inapod "pamalaw" ta pirinohon an mga labot kaini ta pandakop nin balaw, gibo hinabol na abaka inapod na ginaras o puraw.\nPagkakapuho kan tabyosLiwaton\nKan mga taon 1920 asin 1930, dakul na iba-ibang klaseng sira arog kan karpa, mga tolong species kan gurami asin Gambusia an pinalaog sa danaw kan Buhi. Kan 1977 man mga pasayan an pinag'ataman sa danaw. Kan 1995, tilapia naman an pinalaog sa danaw. Susog sa kabatiran kan mga parasira asin mga eksperto, an mga sira na ini nakapadikit na marhay sa tabyos ta ini nagin kakanon kan nasabing mga sira, maliban sa pasayan ta an mga sugok man kaini iyo an paborito kan mga tabyos.\n An tabyos. Kinua 18-12-14.\n Video: Tabyos. Kinua 18-12-14.\n↑ World Conservation Monitoring Centre. 1996. Mistichthys luzonensis. In: IUCN 2013. IUCN Red List of Threatened Species. Version 2013.1. Downloaded on 07 September 2013.\n↑ http://www.fishbase.org/summary/Mistichthys-luzonensis.html Kinua 18.12.14\n↑ http://www.bar.gov.ph/digest-home/digest-archives/91-2003-2nd-quarter/3247-apr-june03-sinarapan-swims-home Kinua 18.12.14\n↑ Avery, Arthur C., Fish Processing Handbook For The Philippines. Research Report 26. Fish and Wildlife Service. United States Department of the Interior. United States Government Printing Office. 1950. p. 40-41. Kinua 19-12-14.\n↑ www.fishbase.org. Kinua 09-03-18\n↑  sarap. Vocabulario de la lenguja bicol. pahina 339. Kinua 09-03-18\n↑ www.iucnredlist.org. Kinua 09-03-18\nPinaghugot gikan sa "https://bcl.wikipedia.org/w/index.php?title=Tabyos&oldid=167895"\nLast edited on 9 Marso 2018, at 21:50\nHuring pigliwat an pahinang ini kan 9 Marso 2018, alas 21:50.


• Vina Cobos\nFelino Malbec Jg. 2018\nFelino Cabernet Sauvignon Jg. 2017\nBramare Malbec Lujan de Cuyo Jg. 2018\nBramare Malbec Valle de Uco Jg. 2017\nBramare Malbec Marchiori Vineyard Jg. 2017\n17 Monate in Eichenholzfässern gereift limitiert\nBramare Malbec Rebon Vineyard Jg. 2017\nFelino Chardonnay Jg. 2018


Gangbang Schoolgirls - Fuck Tube Sex. Most Popular Free Gangbang Fuck Videos, HD Quality Gangbang Schoolgirls Porn Tube.\nGangbang, Teen, Blowjob, Asian, Asian Teen, Girl, College Girl, Japanese, Student, Fucking, Hardcore, Tight, Group Sex, Adorable, Pussy, Perky, Sex, Juicy, Bukkake, Tight Pussy, Amateur, Anal, Hairy, Sucking, Banging, Brunette, Cumshot, Ex-girlfriend, Cum, Fetish, Oral, Doll, Babe, Facial, Hentai, Bdsm, Titty Fuck, Blonde, Penetrating, Cute, Ass, Dick, Tits, Boobs, Oriental, Busty, Big Tits, Big Cock, Handjob, Masturbating,\nGangbang Schoolgirls Fuck Videos\nShowing 1-241 of 444 Movies\nMycollegerule orgy pus Party.p4\nAmazing gangbang with four girls and me clip\nbabe beauty destroyed by dick as her face is fucked hard\nEmo hipster girl throat fucked hard enough to make her ironically reg...


Bogaletch Gebre - Wikipedia\nSi Gebre kan 2015\nSi Bogaletch "Boge" (sinasayod na Bo-gay) Gebre (1950 - Nobyembre 6, 2019) sarong siyentipikong Etiopiano asin aktibista. Kan 2010, iniladawan siya kan The Independent bilang "an babaeng nagpoon nin pagtindog kan mga babaeng taga-Etiopia." Kaiba an saiyang tugang na si Fikirte Gebre, itinugdas ni Gebre an KMG Ethiopia, na dating inaapod na Kembatti Mentti Gezzima-Tope (Kembatta Women Standing Together) o Kababaihan kan Kembatta Sararong Nakatindog. An pagtabang na ini inaanduyogan an kababaihan sa dakol na mga lugar, kabilang an pagpugol sa pagturi sa kababaihan at pagdukot tanganing pakasalan, an pagkidnap asin panlulugos sa mga kaakian na babae tanganing piriton na pakasalan.Sosog sa Nasyunal na Komite sa Tradisyunal na Kasanayan kan Ethiopia, an mga gawing ini iyo an basehan kan 69% kan pag-agoman sa nasyon kan 2003.\nAn The Independent nag-usip na huli sa organisasyon nainaan nin labi sa 90% an lakop na mga pagdukot tanganing makasal sa Kembatta, mantang an The Economist nagsaysay na ang organisasyon iyo an rason sa pagkawara kan pagturi sa kababaihan poon 100% sagkod 3%. Kan 2005, iginawad ki Gebre an 2005 North-South Prize asin kan 2007 an Jonathan Mann Award para sa Pangkinaban na Salud asin Karapatang Pantao. Para sa saiyang mga kontribusyon sa pagbilog kan Aprika, si Boge ginawadan kan King Baudouin International Development Prize kan Mayo 2013.\nSi Gebre sarong biktima nin genital mutilation sa kababaihan sa edad na 12, ipinagbawal ki Gebre kan saiyang ama an sarong pormal na edukasyon alagad nagluwas siya sa saiyang harong tanganing mag-atendir sa sarong paadalan nin misyonero. Sa huri, nag-aral siya nin microbiology sa Jerusalem bago magklase sa University of Massachusetts Amherst na sarong iskolar nin Fulbright. Mantang yaon sa Estados Unidos, itinugdas niya an saiyang inot na organisasyon nin pagtabang sa kapwa, ang Development through Education (Pag-uswag sa paagi nin Edukasyon), kun sain an mga paraadal sa mga halangkaw na eskwelahan asin unibersidad kan Etiopia nakaako nin $26,000 na halaga nin mga teknikal na libro.\nMatapos na makua an saiyang PhD sa epidemiology, buminalik si Gebre sa Etiopia tanganing makatabang na maprotektahan an mga katanosan kan kababaihan kan mga-1990. Kasunod kan sarong sa nagkairinot na platika sa publiko sa ulayon na maikokonsiderar na bawal o taboo siring kan HIV / AIDS, narealisar ni Gebre na kinakaipohan niya magkaigwa nin kredibilidad sa komunidad bago siya makagibo nin pagbabago kaya isinaboot niya an mga suhestyon sa mga problema na itinukdo sa saiya, na magtaong nin mga kinakaipohan na suplay tanganing makapapagibo nin sarong tulay tanganing an kaakian sa rehiyon marikas na maabot an pinakamaharaning paadalan asin an mga mangangalakal na maabot an lokal na merkado. Kan naipatugdok na an tulay, siya asin an saiyang tugang na babae binilog an KGM Etiopia. Binubukasan an mga konsultasyon sa komunidad sa baryo tanganing maprotektahan an mga karapatan kan kababaihan.\n↑ "Ethiopian Women Rights Advocate Passes Away". Retrieved Nov 12, 2019.\n↑ 2.0 2.1 2.2 "Talking Female Circumcision Out of Existence". http://opinionator.blogs.nytimes.com/2013/07/17/talking-female-circumcision-out-of-existence/?_php=true&_type=blogs&_r=0. Retrieved on 17 August 2014.\n↑ "KMG Ethiopia". Retrieved 17 August 2014.\n↑ 4.0 4.1 "Kidnapped, Raped, Married: The Extraordinary Rebellion of Ethiopia's Abducted Wives". https://www.independent.co.uk/news/world/africa/kidnapped-raped-married-the-extraordinary-rebellion-of-ethiopias-abducted-wives-1922263.html. Retrieved on 17 August 2014.\n↑ "Standing up for women". https://www.economist.com/blogs/baobab/2013/05/african-development. Retrieved on 17 August 2014.\n↑ "Fulbright Alumna Awarded King Baudouin Prize in Belgium". United States Department of State. Archived from the original on August 19, 2014. Retrieved August 17, 2014.\n↑ "Bogalatech Gebre (Ethiopia)" (PDF). eeas.europa.eu. Retrieved 17 August 2014.\n↑ "Abducted. Raped. Married. Can Ethiopia's wives ever break free?". Abbay Media. March 17, 2010. http://abbaymedia.com/2010/03/17/abducted-raped-married-can-ethiopias-wives-ever-break-free/. Retrieved on 17 August 2014.\n↑ Shetty, Priya (June 23, 2007). "Bogaletch Gebre: ending female genital mutilation in Ethiopia". The Lancet. http://www.thelancet.com/journals/lancet/article/PIIS0140-6736%2807%2960964-7/fulltext#.\nPinaghugot gikan sa "https://bcl.wikipedia.org/w/index.php?title=Bogaletch_Gebre&oldid=190298"\nHuring pigliwat an pahinang ini kan 28 Marso 2020, alas 14:55.


SAJLA SA OSIGUR. ZA KUKU C-360 - Krokus | Golobok |\nSAJLA SA OSIGUR. ZA KUKU C-360\nŠifra proizvoda: 000087\nKataloški broj: 46676061\nŠifra roizvoda: 000087


University of Manitoba. Dramatic Society and Glee Club Winnipeg (Man.) Collection Only top-level descriptions


Download free for Odia Film Abhay Mp3 Download or search any related Odia Film Abhay Mp3 Download.. Abhay Choudhary June 12, 2018. Download GTA Vice City Lite Apk Data Full Game! Free Download Full Version Of GTA VC Apk Data And It Is GTA VC Highly Compressed An.\nOdia Abhay Full Movie Video Download MP4, HD MP4, Full HD, 3GP Format And Watch Odia Abhay Full Movie\nMidwayUSA is a privately held American retailer of various hunting and outdoor-related products.. Free Download Tu Dua Hai Dua Abhay Piya Whatsapp Status 30 Sec MP3, Size: .\nPlay Abhay odia full movie, Abhay odia full movie Video Download Full HD Abhay odia full movie. new odia song,,new odia album song 2018 ,Abhay (2017) Odia Movie Songs.mp3, song,download,video,ringtone, oriya new movie song,,jatra comedy download,odia bhajan songs,odia album songs,\nWatch and download Abhay In Movie has genre Drama,Romance,Action and Movie star cast is Pradeep Rawat, Om Prakash Rao, Darshan Thoogudeep, Aarti Thakur, Mangalore Suresh, Salim Baig,. Abhay (2009) Telugu mp3 songs download, Aarthi, Darshan Abhay songs free download from naasongs, Abhay Telugu movie songs, Abhay mp3 songs, Abhay audio.. Abhay Full Movie In Hindi is popular Free Mp3.\nhttps://www.causes.com/posts/3881596 http://inadguebresmont.simplesite.com/433966552/6377490/posting/jai-kaali-movie-in-hindi-free-download-3gp http://telegra.ph/Kafila-Full-Movie-Download-In-720p-08-03 http://neubeglisen.bandcamp.com/album/abhimanyu-in-hindi-utorrent http://quefetowarso.blogcu.com/a-payal-full-movie-hindi-dubbed-download/37020346 https://pastebin.com/yxGyvMX1 http://spenegheargeyblac.blogcu.com/tamil-chhote-sarkar-full-movie-download/37020345 http://atdeminmist.bandcamp.com/album/hatya-chakra-in-hindi-dubbed-movie-download http://orenapat.majz.com/viewtopic.php?p=164 http://adrastos.guildwork.com/forum/threads/5b63f497002aa81e685ecdf1-chal-kanvaria-shiv-ke-dham-2-full-movie-hd-1080p\nStrike.Suit.Zero.Directors.Cut.Update.1-CODEX Game Download\n708.79 MiB (743215989 Bytes)\nRedemption Cemetery 3 - Grave Testimony E.C.-TR-(Listo Para Juga SKIDROW\nRedemption Cemetery 3 - Grave Testimony E.C.-TR-(Listo para juga\n821.22 MiB (861115936 Bytes)\n¡Escapa de…Read More\nWindows Media Player 11 For Pirated Windows Setup Free\nWindows Media Player 11 for pirated windows\n26.29 MiB (27569114 Bytes)\nJust click validate and it will start the setup even…Read More


Pre-Black Friday SALES! Homestead Textiles, Inc. Home\nHomestead Textiles, Inc. Home\nHomestead Textiles, Inc. Lantern Press (372,691) East Urban Home (47,018) Ganma (14,374) Allied Brass (10,139) Deny Designs (7,186) MORE +\nHomestead Textiles, Inc. Homestead Textiles, Inc. Homestead Textiles Bath Sheets (Set of 2) Wal-Mart USA, LLC $73.79\nHomestead Textiles, Inc. Homestead Textiles, Inc. Homestead Textiles Bath Sheets (Set of 2) Wal-Mart USA, LLC $42.29\nHomestead Textiles, Inc. Homestead Textiles, Inc. Homestead Textiles 600 GSM 100 Pima Cotton Loops Bath Towels (Set of 2) Wal-Mart USA, LLC $29.24\nHomestead Textiles, Inc. Homestead Textiles, Inc. Homestead Textiles 900 GSM Bath Mats (Set of 2) Wal-Mart USA, LLC $29.24\nHomestead Textiles, Inc. Homestead Textiles, Inc. Homestead Textiles 900 GSM Bath Mats (Set of 2) Wal-Mart USA, LLC $31.94\nHomestead Textiles, Inc. Homestead Textiles, Inc. Homestead Textiles 900 GSM Bath Mats (Set of 2) Wal-Mart USA, LLC $32.39\nHomestead Textiles, Inc. Homestead Textiles, Inc. Homestead Textiles 600 GSM Bath Sheets (Set of 2) Walmart $43.64\nMade of plush 600 GSM 100-percent Pima cotton, these towels are incredibly soft, absorbent, and durable. The Pima cotton is a long... staple fiber that ensures luxurious softness, and the towels are available in a range of colors to match your... read more\nHomestead Textiles, Inc. Homestead Textiles, Inc. Homestead Textiles 600 GSM 100 Pima Cotton Loops Bath Towels (Set of 2) Walmart $29.24