This paper is concerned with how and with what consequences Hollywood studios have approached the issue of terrorism. By drawing on the literatures of critical terrorism studies and critical geopolitics, a number of films are analysed for the purpose of considering the nature and motivation of terrorists, the objects of their assaults, the geographical location of the actual dramas, and the responses deemed necessary in the face of such apparent dangers. Finally, the paper briefly considers how one segment of film audiences, namely, participants (usually avid fans) who engage via online forums such as the Internet Movie Data Base (IMDb), engage and contest the movies themselves. The movie Rendition (2007) provides a brief example of how fans respond to a film explicitly concerned with terrorism and torture. This is important for considering how people make sense of films above and beyond their role as a highly successful form of entertainment.