title: Bjørn Opsahl

text: Opsahl was photographer and judge on Norway's Next Top Model (season 4 & 5, all episodes) Sweden's Next Top Model (season 4, episode 10). He was also the judge and photographer for all episodes of Norway's Miss Universe pageant in 2005. After moving to Los Angeles in 2008, he participated in the tattoo artist Kat Von D's television show LA Ink (Season 3, episode 13). Opsahl teaches photography and directing at Nordic School of Photography in Oslo, and has held a number of workshops and lectures around the country since 2005. In 2011 he started working with the Scandinavian talkshow Skavlan which ends in autumn 2014 with a book and exhibitions in Oslo and Stockholm. Opsahl are portraying Skavlan's guests backstage, and has so far worked with international celebrities such as Lionel Richie, Sir Ben Kingsley, Noel Gallagher, Petter Stordalen, Dave Grohl, Bruno Mars and Justin Bieber. His photos are published in international magazines such as Rolling Stone, Financial Times, 'Elle and Cosmopolitan.


title: Domingo Bordaberry

text: Domingo Bordaberry may be said to have contributed to a distinct tendency within Uruguayan political culture in that he and his son Juan María Bordaberry, standing apart somewhat from the Montevideo-based political life, also succeeded by one means or another in garnering at least limited support from both of the formerly mutually antagonistic National (Blanco) and Colorado parties. (This antagonism may be understood in the context of the intermittent Civil War which occurred throughout much of the 19th century.) The wide personal political support commanded in recent years by his grandson Pedro Bordaberry, himself a former government minister, which reaches beyond the lately low poll percentages received by the formerly dominant Colorado Party (Uruguay), is thus arguably not beyond the context of an apparent capacity to unify support from diverse parts of the Uruguayan party spectrum inherited in some measure from Domingo Bordaberry. The relevance of this capacity for cooperation, particularly for the second round of the more recent Presidential elections, between the National and Colorado Parties, has been made more acute by the greatly increased electoral support in recent years for the Frente Amplio grouping.


title: Aldershot Cemetery

text: "The application explained that the part set aside for the Congregation would have to be distinctly divided by a wall from the remainder of the burial ground, have a separate entrance from the road, and be entirely under the control of the Congregation. The application put forward a new approach and asserted that as rate payers and residents in the parish the members of the Congregation had a right to a space for this purpose. Apparently this application was a mere formality because on the 30th July 1864, the Board met and instructed the Clerk that it was disposed to entertain the application to the extent of 1,200 sq. yds. instead of the 2,000 sq. yds. asked for if the Congregation were prepared to pay £50 and carry out the work of erecting the division wall and the separate entrance at their own expense, The Congregation must have been optimistic in regard to the growth, because although the cemetery is still in use there is still room for grave spaces. A formal Agreement took rather longer and was dated the 19th April 1865, and a grant was accordingly made to Moses Phillips, Selim Melson, Joseph Lazareck, Woolf Cohen, and Francis Phillips as trustees for the Congregation. This formality must also been anticipated because on May 1st Mr. Joseph Stoodley, a builder of Aldershot, offered to execute the works required for £59, and a formal Agreement was entered into with Mr. Stoodley on the 10th May 1865."


title: Iain Stewart (geologist)

text: Stewart was a child actor and holder of an Equity card. His first appearance on television came in 1978, in a BBC Scotland adaptation of John Buchan's 1922 novel Huntingtower. Amongst his contemporaries at the East Kilbride Rep Theatre was the actor John Hannah. Leaving acting behind, he studied geography and geology at Strathclyde University, graduating in 1986 with a first class honours Bachelor of Science degree. He obtained his doctorate, entitled "The evolution of neotectonic normal fault scarps in the Aegean Region" in 1990 at the University of Bristol on research into earthquakes in Greece and Turkey. In 1990 he began teaching geology at the West London Institute of Higher Education (WLIHE) in Osterley (occupying the Warden's flat with his wife for several years), and from 1995 at Brunel University due to its merger with WLIHE. After 12 years in London he moved back to Scotland to develop a new career as a science broadcaster. Nostalgic for Brunel, he said "And invariably, you move on to places that for all their benefits, seem surprisingly narrow, and more fallow, in comparison. In short, it was a remarkable place to be". He moved to the University of Plymouth in 2004, later becoming Professor of Geoscience Communication, a position he believed to be unique in the world. He left to become Jordan-UK El Hassan bin Talal Research Chair in Sustainability in 2021 on a four year secondment to the Royal Scientific Society, based in Amman.


title: Root Sports Northwest

text: Until 2023, Root Sports carried Vegas Golden Knights games and related programming produced by then-sister network AT&T SportsNet Rocky Mountain on cable providers in Idaho and Montana. DirecTV and streaming providers had access to those games by tuning to AT&T SportsNet Rocky Mountain. On October 25, 2023, Sinclair and the Jazz announced a territory expansion where Root Sports will continue to air Utah Jazz games produced by KJZZ-TV. Prior to the 2023–24 NBA season, Jazz games were also produced by AT&T Sports Rocky Mountain. Due to territory rights, neither Portland Trail Blazers nor Seattle Kraken games will air in these areas of Idaho and Montana. Golden Knights games left Root Sports in 2023 to pursue over-the-air broadcasting in partnership with Scripps Sports, as well as an OTT subscription service called KnightTime+; this arrangement covers Root Sports' territory. However, the Jazz continue to air games on Root Sports Northwest, simulcasting broadcasts produced by the team for KJZZ-TV and the Jazz+ streaming service.


title: Angloromani language

text: The original Romani was used exclusively as a family or clan language, during occasional encounters between various Romani clans. It was not a written language, but more a conversational one, used by families to keep conversations amongst themselves in public places such as markets unintelligible to others. It was not used in any official capacity in schools or administrative matters, and so lacked the vocabulary for these terms. Such terms were simply borrowed from English. However, to keep the language undecipherable to outsiders, the Romani speakers coined new terms that were a combination or variation of the original English terms. For example, a forester is called veshengro, from the Romani word for forest, vesh; a restaurant is a habbinkerr from the words habbin, food, and kerr, house, thus literally "food-house"; and a mayor is a gavmoosh, from the words gav, village, town, and moosh, man, literally "town-man". Gradually, the British Romani began to give up their language in favour of English, though they retained much of the vocabulary, which they now use occasionally in English conversation – as Angloromani.


title: Matamoros, Tamaulipas

text: The central 'plaza' in Matamoros is home to the Presidential Offices, the Cathedral of Nuestra Señora Villa del Refugio, and of the Casino Matamorense, along with other historical buildings. The 'Teatro Reforma', the most important theater in the city, is found a few blocks away. On 28 January 1829, the plaza was named after the heroic and historical figure Miguel Hidalgo y Costilla, who fought in the Mexican War of Independence. Moreover, the Cathedral of Nuestra Señora Villa del Refugio, constructed in 1831, was one of the first mayor constructions and is one of the present symbols of the city. Its neoclassical architecture, along with its rich, historical background, attracts visitors yearlong. The Casino Matamorense, constructed in 1950, is traditionally considered the center of social gatherings for the principal families of Matamoros. Also with its unique architecture, Centro Cultural Olimpico, is a historical creation built in the city. Nothing like it had been done before. And finally, the 'Teatro Reforma,' once considered the 'House of the Opera of the 19th Century', was constructed in 1861. For decades, the theater was home to important balls held by the richest families of Matamoros and the high-ranking military officers of the state. In addition, 'Teatro Reforma' is well known for being the first place in history where the Mexican National Anthem was played.


title: Ludwig Blattner

text: Prior to the First World War, Blattner was involved in the entertainment industry in the Liverpool City Region: he managed the "La Scala" cinema in Wallasey from 1912 to 1914, conducted the cinema's orchestra, and composed a waltz "The Ladies of Wallasey". In about 1920 he moved to Manchester where he managed a chain of cinemas. There, in 1923 he composed and published a piece of music about the film actress Pola Negri titled "Pola Negri Grand Souvenir March". Later in the 1920s, he bought the British film rights to Lion Feuchtwanger's novel Jew Süss although the film was not made until 1934 after Blattner had sold the rights to Gaumont British. In early 1928, press reports appeared saying that Blattner was planning a 400-acre "Hollywood, England" complex with a hospital, 150 room hotel, aeroplane club and the largest collection of studios in the world, for which he was planning to spend between 2 million and 5 million pounds. Blattner later formed the Ludwig Blattner Picture Corporation in Borehamwood in the studio complex that is now known as BBC Elstree Centre, buying the Ideal Film Company studio (formerly known as Neptune Studios) in 1928, renaming it as Blattner Studios. In 1928 his company produced a series of short films of musical performances such as "Albert Sandler and His Violin " and "Teddy Brown and His Xylophone". The best known films produced by his film company were A Knight in London and My Lucky Star , which was co-directed by Blattner. Films produced by other companies at the Blattner Studios included Dorothy Gish and Charles Laughton's first drama talkie Wolves , the 1934 adaptation of Edgar Allan Poe's short story "The Tell-Tale Heart", Rookery Nook and A Lucky Sweep .


title: Ignacio de Arteaga y Bazán

text: The two frigates sailed directly from San Blas to Bucareli Bay, Alaska. The voyage of 81 days, which was relatively fast, leaving time for further exploration. Arteaga and Bodega y Quadra carefully surveyed Bucareli Bay then headed north to present-day Port Etches on Hinchinbrook Island, near the entrance to Prince William Sound. While the ships were anchored, Arteaga took a party ashore to perform a formal possession ceremony. All the officers and chaplains went ashore in procession, raised a large cross while cannons and muskets fired salutes. The Te Deum was sung, followed by a litany and prayers. After a sermon was preached a formal deed of possession was drawn up and signed by the officers and chaplains. Arteaga named the site Puerto de Santiago, commemorating Saint James, the patron saint of Spain, whose feast day falls on July 25. The title to Puerto de Santiago was important for years afterward, as it formed the basis of Spain's claim to sovereignty in the North Pacific up to 61°17′N.


title: Ajit (Hindi film actor)

text: Initially in his career, he struggled to meet people and be accepted in any film project, and in order to feed himself, he worked as an "extra" in several films. Finally, he managed to land a leading role, and in the first couple of films, he is credited by his real name, Hamid Khan. He did not meet with much success, and on the advice of Nana Bhai Bhat, he took the name "Ajit" meaning "indomitable" as his screen-name, but his luck did not greatly improve. Although he did several films as a protagonist and became known to the public, and although his distinctive baritone voice and impressive personality brought him a fan following, his luck at the box office was not good at all. Film director K. Amarnath, who directed him in Beqasoor, suggested that the actor change his long name of Hamid Ali Khan to something shorter, and Hamid zeroed in on "Ajit". Beqasoor , in which he acted with Madhubala, was one of the biggest hits of 1950. Ajit's films as hero include Nastik , Bada Bhai, Milan, Baradari and Dholak and in all of them, he did credible work as actor. In Nastik , the song "Dekh tere sansar ki haalat kya ho gayi Bhagwan" is picturised on him. He moved soon afterwards to second-lead roles, which he accepted because he had no other source of income. These movies include Naya Daur and Mughal-e-Azam.


title: Ajit (Hindi film actor)

text: Ajit almost always portrayed the sophisticated, educated, well groomed evil mastermind, albeit heartless villain. Ajit was presented in striking western attire, the "bold" checked suits, matching overcoats, white leather shoes, wide sunglasses, jewellery accessories. Given his stature as a senior artist, Ajit was usually the gang leader to second tier villains (such as Jeevan (actor), Prem Chopra, Ranjeet, Kader Khan and Sujit Kumar). He was rarely portrayed (in movie roles) doing any "dirty work" himself, rather relying on his army of henchmen for the task, with zero tolerance for any failures. He always had a savvy female accomplice, usually named "Mona." Acting in over 200 films, he specialized in playing suave villains with memorable catchphrases delivered in now iconic Ajit-style nasal drawls such as "Mona, darling". Ajit also brought to fame the smuggler as the villain. In his movies, he is generally seen smuggling gold biscuits in or out of the country. It has also been noted that most of his gang members had Christian names like Robert, Michael and Peter. He pronounced "Robert" as "Rabbert." This also has been used for comic purposes in parodies.


title: Dead Block

text: Andreas Hackel, art director at Candygun Games described the inspiration for the game's visuals. "I was inspired by games like Team Fortress 2 and classic B-movies of the 1950s", stated Hackel. When asked about the reason for choosing to set it in the 1950s, Hackel replied, "not many games are set in this period and there are a whole slew of very typical and interesting design elements from this time period. Elements like the cars, milk bars, chrome, juke boxes, fashion and hairstyles are all instantly recognisable as coming from the 50s." Hackel commented that Candygun wanted the characters to be "people from the street", and not superheroes. Roger Joswig explained their choice of using Unreal Engine 3 instead of a proprietary technology. "If you're looking to release your game on , Xbox 360 and PC as we were, developing your own engine is a lot more expensive, takes a long time if you start from scratch and needs a lot of QA support – so it wasn't really a feasible option for us as a small, start-up developer". He also noted that the engine is built to run on the PlayStation 3, Xbox 360 and Microsoft Windows natively and that the team was familiar with the Unreal Engine tools. The in-game music was provided by the band Vampyre State Building. The narrator's voice and in-game sound effects were outsourced to Periscope Studios.


title: Dead Block

text: Critics were divided in their opinions on Dead Block's gameplay mechanics. Arthur Gies of IGN called the controls "clumsy clunky". He criticized the process of breaking down items in a safehouse for scrap. He felt that the process was too long and boring, and that it slowed the pace of the game. Kristan Reed of Eurogamer concurred. He felt that the melee combat was also "flimsy". However Neile Johnson of Official Xbox Magazine felt differently. Johnson stated that the game had "manic pacing" and that its "campy madness only gets better in split-screen co-op". Johnson pointed out that the game "put a fresh face on the shop-worn corpse-killer" with its tower defense gameplay. RipTen's Chris Carlson praised the game's "awesome selection of tools and weapons" and overall replay value. Chris Watters of GameSpot also gave high marks for the game's high selection of traps, but also expressed that the game can get repetitive at times. While some reviewers lauded the splitscreen multiplayer, some also expressed disappointment in the lack of any online play.


title: Uno Vallman

text: Vallman studied at the Royal Institute of Art in Stockholm and developed a colourful naivist style of painting under the influence of Isaac Grünewald and Sven Erixson. His breakthrough came with the Ung konst ("Young art") exhibition in Stockholm in 1947. He later learned to know the Danish artist Asger Jorn, whose influence made Vallman develop a more abstract style. Uno Vallman was one of the original members of the avantgarde movement called COBRA which included artists like Karel Appel and Corneille. He was introduced to this group of artists by one of his friends and co-founder of the CoBra Art movement Asger Jorn from Denmark . Uno Vallman travelled a lot for studies to for example Italy, Spain, North Africa, China, Rumania, Mexico, Russia and the USA. Uno Vallman lived in Paris for several years from 1940–1960. During these years he got acquainted with none other than Marc Chagall. Marc Chagall on his behalf was in contact with the artist Miro. He learned a lot of them. Chagall and Vallman had an exhibition in 1952 in the USA Vallman became known as one of the 'Men of 1947' and was one of a group of artists responsible for moving art forwards into a modern age in Scandinavia. The 'Men of 1947' was a group of artists who had an exhibition together during 1947 During the 1960s Vallman was described as the "Picasso of the North" by French art critics. Uno Valmann's art was not only art but was considered a way of living called 'Valmanismen'. In 1968 Uno Vallman was invited to represent Scandinavia together with August Strindberg and Edvard Munch for a modern art exhibition in Mexico City as part of the Olympics.


title: Uno Vallman

text: During the 1980s he was mentioned in the media for owning a statue by Paul Gauguin which he sold at auction (Christies New York). After he died his dotter found out the money of the sale had been deposited at a bank account in Luxembourg at Banque Invik. She could see that although the money had been deposited and was never withdrawn, the money appeared to have disappeared. She wrote to the bank without an answer and even threatened the banque with a lawyer called Lennart Lindstrom from the Law firm Grunberger. Uno Vallman had apparently opened the bank account together with another man and signed what is called a "Hold Mail" agreement. A Hold Mail agreement means that the bank is not allowed to send information about communication, available assets and/or transactions. The claim she made was around 8 million Swedish Crowns (around 800.000,00 US dollars) which was around the amount the statue sold for, while all possessions on paper showed a value of 10.000,00 Swedish Crowns (around 1.000,00 US dollars).


title: Battle of Wide Bay–Open Bay

text: The Battle of Wide Bay–Open Bay was a battle during the New Britain campaign of the Second World War. Following the arrival of the Australians on New Britain in late 1944, replacing the US garrison on the island, they began a limited offensive against the Japanese forces on the island. Pushing east from the positions previously captured by the US troops earlier in the year, after landing at Jacquinot Bay on the southern coast in November, the Australians began advancing across the island towards the Gazelle Peninsula, where they sought to isolate the numerically superior Japanese garrison. This advance was effected along two axes: Cape Hoskins to Open Bay on the northern coast, and Jacquinot Bay to Wide Bay on the southern. Once the Australians had secured a line across the island between Wide Bay and Open Bay in March and April 1945, the fighting on New Britain died down as the Australians sought to contain the larger Japanese garrison while limiting their own casualties. This situation lasted until the end of the war in August 1945.


title: Battle of Wide Bay–Open Bay

text: The Japanese had captured the island of New Britain in February 1942 after overwhelming the small Australian garrison stationed around Rabaul. The Japanese subsequently built up a large garrison on the island, consisting of around 93,000 men from General Hitoshi Imamura's Eighth Area Army. This became a lynchpin in the defensive barrier that they established following the failure of attempts to capture Port Moresby in late 1942. In December 1943, as part of Operation Cartwheel, US forces landed around Cape Gloucester and Arawe to capture vital airfields and to provide the Allies with access through the sea passage between the straits separating New Britain from New Guinea, where during late 1943 the Allies had fought to secure the Huon Peninsula. This formed part of the overarching Allied strategy of isolating the major Japanese base at Rabaul, as it had been decided that rather than destroying the base with a costly direct assault, a more prudent strategy would be to surround the base and therefore nullify it as a threat.


title: Battle of Wide Bay–Open Bay

text: In November 1944, responsibility for Allied operations on New Britain passed from the US Army to the Australian Army. That month, the Australian 5th Division, under Major General Alan Ramsay, began arriving to replace the US 40th Infantry Division, which was needed for the fighting in the Philippines. Having greatly underestimated the strength of the Japanese garrison on the island, the Australians began a limited offensive, with the goal of advancing east from Cape Hoskins towards the Japanese stronghold around Rabaul. In November, the Australian 6th Infantry Brigade, under Brigadier Raymond Sandover began arriving. The first ground operation saw the 14th/32nd Infantry Battalion carry out a landing at Jacquinot Bay, on the southern coast of New Britain, coming ashore unopposed, while other elements – the 36th Infantry Battalion – took over around Cape Hoskins, further west. Shortly afterwards, the 6th Infantry Brigade began moving east towards Cutarp, as the 13th Infantry Brigade under Brigadier Eric McKenzie arrived to take over responsibility for the defence of the Australian base around Jacquinot Bay, along with advanced elements of the 4th Infantry Brigade under Brigadier Cedric Edgar. At the same time, aircraft from the Royal Australian Air Force and Royal New Zealand Air Force began bombing Japanese positions around Rabaul; the Japanese, with only a few serviceable aircraft, made no attempt to stop the attacks.


title: Battle of Wide Bay–Open Bay

text: Along the southern coast, Royal Australian Navy Fairmile motor launches began patrolling towards Wide Bay shortly before the new year as Japanese submarines had been spotted elsewhere, particularly on the north coast around Open Bay. In late December, two companies from the 14th/32nd Infantry Battalion, reinforced by a platoon from the 1st New Guinea Infantry Battalion, were sent east from Cutarp to Sampun, on the southern expanse of Wide Bay in late December, moving by barge. These forces were bolstered in early January with the arrival of the remaining two companies of the 14th/32nd, along with a troop of artillery from the 2/14th Field Regiment. Between late January and early February 1945, the Australian 6th Infantry Brigade advanced eastwards along the southern coast of New Britain towards Milim, where they established a patrol base with the intention of fanning out towards Henry Reid Bay. Boomerang fighters and Beaufort fighter-bombers attacked Japanese positions to the north of Karlai Plantation on 15 February, and the 14th/32nd subsequently took the position unopposed after the Japanese defenders withdrew under heavy artillery fire. Two days later, the 14th/32nd took the trading station at Kamandram.


title: Battle of Wide Bay–Open Bay

text: In late February, the 19th Infantry Battalion was moved to Gogbulu Creek, where it relieved the 14th/32nd. Elements of the 2/14th Field Regiment established themselves at Karlai Plantation from where they fired support missions across the bay towards Waitavalo. Meanwhile, the 19th Infantry Battalion crossed the Mevelo River and sent patrols eastwards toward the Wulwut River, which flowed into Henry Reid Bay. From Henry Reid Bay, the Australians exploited towards the Kamandram Mission, on the edge of Wide Bay, where the Japanese had earlier established a new defensive line. In mid-February, the two forces clashed for the first time in the area, but the Japanese were unable to check the Australian advance. In early March, the Australian high command ordered an advance towards the coconut plantations at Waitavolo and Tol on the northern edge of Henry Reid Bay. At Tol, the Australians found evidence of a large scale massacre of Australian troops, who had been murdered by troops from the III Battalion, 144th Infantry Regiment in 1942 when the Japanese had captured the island from the Australians. They subsequently exhumed 158 bodies.


title: Battle of Wide Bay–Open Bay

text: Following a crossing of the Wulwut River with engineer support, the 14th/32nd Infantry Battalion took over from the 19th again and from 5 March heavy fighting followed over the course of six weeks as the Australians reduced the fortified Japanese positions on Mount Sugi along a series of ridges west of the river and overlooking the bay. These hills were named "Lone Tree", "Bacon", "Cake", "Young", "Perry's", "Kath's" and "Moose", and were defended by a series of pillboxes, supported by mortars and machine guns. The most significant action was fought around Bacon Hill, which was captured on 18 March by the 14th/32nd Infantry Battalion. The fighting during this period was made more difficult by heavy rains which made the going tough for the infantrymen climbing the steep slopes, while the jeep tracks below upon which the Australians relied for supplies became seas of mud, and the bridge across the Mevelo River was washed away. Japanese planes appeared for the first, and only time, in the campaign in mid-March, with two aircraft dropping several bombs on the bridge over the Wulwut, causing a number of casualties. After Waitavolo was secured, the 36th Infantry Battalion pushed inland and exploited further along the coast, investing Jammer Bay. The 13th Infantry Brigade, elements of which had landed at Karlai Plantation in late March, subsequently took over from the 6th Brigade, and began patrolling operations on the southern coast; while elements of the 4th Infantry Brigade marched north in May.


title: Battle of Wide Bay–Open Bay

text: Following the fighting around Wide Bay and Open Bay, the Australian advance essentially came to an end, although limited offensive action continued up until the end of the war. They had effectively secured the island to the west of the Gazelle Peninsula, isolating the 93,000-strong garrison around Rabaul. For the remainder of the war, patrol actions were used to maintain the initiative and hold the defensive line that was established across the island between the two lodgements at Open Bay and Wide Bay; in May, due to shipping shortages, the 37th/52nd Infantry Battalion marched across the island to the Mavelo Plantation from where they were ferried by barge to Open Bay to relieve the 36th Infantry. No further advances were attempted as the Allies focused their main operations elsewhere, such as Borneo and the Philippines. In addition, engineers worked to improve the road system around the secured plantations. Refugees from the Japanese controlled area moved into the Wide Bay and Open Bay areas and were subsequently recruited by the Australian New Guinea Administrative Unit for labouring tasks. Australian operations on the island were constrained by shortages of shipping and air support as these resources were redirected largely to efforts to secure Borneo; these shortages delayed the concentration of the 5th Division considerably and it was not until April that the 5th Division had completed its movements, with the arrival of the 4th and 13th Infantry Brigades being followed by the 2/2nd Commando Squadron.


title: Battle of Wide Bay–Open Bay

text: At the conclusion of hostilities, Australian planners discovered the error that they had made in estimating the size of the Japanese force. They also determined that the force was well provisioned and had ample equipment and ammunition with which to launch a strong counter-attack. Nevertheless, the Japanese commander had chosen not to launch a major counter-offensive, despite heavily outnumbering the Australians as he was under orders to preserve his strength until mutual action could be achieved with the Imperial Japanese Navy, an opportunity that did not eventuate. Battle casualties for the entire campaign for the Australians amounted to 53 killed and 140 wounded, with another 21 dying from other causes; Japanese casualties on the south coast up to April were reported by Australian sources as 138 killed, while 68 were killed on the northern coast in the same time. Five prisoners were also taken. Considered a "classic containment campaign", the 5th Division had been able to successfully contain a much larger Japanese force.


title: Goussia

text: Goussia aculeati Goussia alburni Goussia anopli Goussia arinae Goussia auratus Goussia balatonica Goussia bettae Goussia biwaensis Goussia bohemica Goussia carpelli Goussia centropomi Goussia cernui Goussia chalupskyi Goussia cichlidarurn Goussia clupearum Goussia cultrati Goussia cruciata Goussia degiusti Goussia girellae Goussia grygieri Goussia gymnocephali Goussia flaviviridis Goussia freemani Goussia hyalina Goussia hyperolisi Goussia iroquoina Goussia janae Goussia koertingi Goussia lacazei Goussia legeri Goussia leucisci Goussia luciopercae Goussia lusca Goussia malayensis Goussia metchnikovi Goussia minuta Goussia molnarica Goussia neglecta Goussia nipponica Goussia noelleri Goussia notemigonica Goussia notropicum Goussia pannonica Goussia peleci Goussia polylepidis Goussia pogonognathi Goussia scardinii Goussia siliculiformis Goussia sinensis Goussia soumbediounensis Goussia sparis Goussia spraguei Goussia stankovitchi Goussia subepithelialis Goussia thelohani Goussia trichogasteri Goussia vanasi Goussia vimbae Goussia wakabayashii


title: Goussia

text: As Goussians are members of the Coccidians, they exhibit merogany, gamogany and sporogoany, and in representative infections, which are both homoxenous and occur in the gastro intestinal tract of the host, all three lifecycle stages, with the exception of the motile zoites may be observed at all stages of the tract; no particular lifecycle stage is strongly associated with any gross anatomical feature of the host. The vast majority of parasitic cells are localized to the anterior of the intestines, as cell lingering towards the posterior are expulsed from the host with the feces, ready to begin looking for another host. Initially infection occurs with the motile zoite phase of the lifecycle. These cells direct their apical cell apparatus towards the host's enterocytes and proceed to enter the cells so that their lifecycles may continue. Once physically inside the host's enterocytes, Goussia localizes in the cell between the cytoplasm and the cell membrane, this particular localization is referred to as extracytoplasmic. Extracytoplasmic localization has two sub stages which occur, the first stage being referred to as "monopodial" and the second stage being referred to as "spider-like". The monopodial stage occurs on the luminal side of the enterocyte and is characterized by a very close association between the hosts cell membrane and the host derived parasitophorous vacuole membrane, and a single large area of contact with the host cells cytoplasm; thus lending to the name "monopodial". The spider-like stage is similar to the monopodial stage in that there is a close association of both the host cell membrane and the parasitophorous membrane, however, as opposed to a single large cytoplasmic contact site, there are many more contact sites which tend to be much more filose in morphology.


title: Goussia

text: Proper taxonomic categorization of Goussia has been a challenge ever since the genera's inception. This is due in part to the various similarities shared between Goussia and Eimeria including, similar hosts, lifecycle progression and general cell structure. Although the structure of the oocyst in Eimeria can be used as a distinct morphological feature to help identify members of the genus the same is not true for members of Goussia. Goussian oocysts are quite variable and are in no way an exact predictor of taxonomic classification, but at the very least if the species in question lacks the distinctive Eimerian oocyst, than it may reasonably suggest that the species could be a member of Goussia. As mentioned above stideal bodies also help in the classification of new species under the goussian genera, however these structures are quite small and rely on electron microscopy to be seen. In the classification of new species it would be most prudent to rely more on DNA technologies to differentiate between different species.


title: A Perfect Day (album)

text: The album A Perfect Day presents new musical and sonic elements. The piano, erhu and strings overlap to concoct the torch song "Poems & Tears," which was composed by Liu Bao-Long while the lyrics were written by the well-known lyricist Albert Leung. Chet Lam, the composer for Sun's 2003 smash hit "Encounter," composed "Honey Honey" for Sun, while Peter Lee and Sun followed "Green Light" and developed the fast-paced song "Flying With Dreams" with the instrumental sounding reminiscent of a marching band. One of the most popular songs on the album, "First Day," is co-produced by Stefanie Sun and the groups Mayday and F.I.R.. The artists' names also cleverly matches the song title (First Day, F.I.R. Stefanie May Day). The album's title track is composed by Chinese musician Yu Yang, marking the first time that a composition made by someone from the mainland appears on a Stefanie Sun album. "Wandermap" is a mid-tempo ballad composed and written by Shuo Hsiao. "Invisible" is a touching slow song written by Xiaohan and composed by Jim Lim and Eric Ng.


title: A Perfect Day (album)

text: On 27 September 2005, a red-haired Sun guest starred on the Taiwanese entertainment news and variety show 100% Entertainment, where she introduced the limited pre-order version of her new album A Perfect Day. On 29 September 2005, Sun announced that the album would be released on 7 October 2005, which, in turn, sparked a pre-order frenzy. What was particularly special is that the pre-order included not only CDs but also cassette tapes for the first time. The CD and cassette pre-orders were limited to 200,000 copies and 50,000 boxes respectively. Starting from 25 September, mainland fans could go to video stores across the country and pay the full price in advance to order an album CD and receive an exclusive Stefanie Sun "Perfect Day Private Photo Album" on the spot, including more than a hundred highlights. The photos allowed fans to peek into Sun's day. In addition, there was also a sticker sheet. Fans who pre-ordered the cassette received a set of Sun's "Perfect Day" photo postcards. In Taiwan, the high volume of pre-orders also stunned the Warner Music staff. In just 10 days, the number of pre-orders for Sun's ring tones exceeded 200,000.


title: A Perfect Day (album)

text: At one o'clock noon on 8 October 2005, to promote A Perfect Day, Sun moved into a temporary transparent glasshouse in the plaza of Taipei 101 for 24 hours, allowing fans to witness her daily life; it was reported that the glasshouse and the furniture inside was auctioned afterwards, and the money was used to fund the construction of shelters in India. Due to the live broadcast of her whole day's schedule on the internet, 300,000 people went online to browse her life in the glasshouse the night before. On 22 October 2005, Sun performed at the MTV Music Fighting Concert at the Zhongshan Soccer Stadium alongside other artists such as 5566, Alan Kuo and Yida Huang. On 28 October 2005, Sun held an album celebration event in Taipei, Taiwan, and she announced that the total sales for A Perfect Day in Asia exceeded 1 million copies. On 30 October 2005, Sun held an autograph session in Hong Kong, which attracted 300 fans to attend. On the evening of 17 November 2005, Sun held a fan meeting at the Beijing Hong Kong Coliseum, which attracted thousands of fans. On 18 November 2005, Sun went to Shanghai to hold a press conference for her new album. By the end of the year, A Perfect Day reached number eleven and number fourteen on the year-end album sales charts of G-Music and Five Music of 2005, respectively.


title: A Perfect Day (album)

text: The first music videos from the album to be released were "Perfect Day" and "First Day." In the "First Day" music video, in order to capture the relaxed and happy atmosphere that suits the song, the director Xu Yunxuan specially went to Tamsui Beach and invited a group of student bands to join Sun in the shooting. The music video for "Perfect Day" was directed by prolific music video director Shockley Huang. The music video of "Poems & Tears" was directed by Jinhe Lin; the music video portrays a flashback of the heroine tearing up all the "lyrics" on the room after breaking up with her beau. The music video of "Invisible" was directed by Jinhe Lin as well and starred Kuo Bea-ting and Ladder Yu. The music video for "Honey Honey" was directed by Leste Chen, the music video for "Wish" was directed by Chen Zhaoliang, and the music video for "Flying With Dreams" was directed by Lai Weikang. In January 2006, the tracks "First Day," "Poems & Tears" and "Honey Honey" were listed at number 10, number 22, and number 53 respectively on the 2005 Hit FM Top 100 Singles of the Year chart.


title: The Proletariat

text: Brown initially played snare drum standing up while he sang, until the slightly younger high-schooler Tom McKnight, who worked as a gas station attendant, completed the band as their drummer in September 1980, occasionally accompanied by Brown on cowbell. After a few months of practicing at Brown's parental home in Assonet, the group played their first gig on February 14, 1981 at the Lafayette Club in Taunton. By mid-1981, after playing a few shows in Southeastern Massachusetts, doing mostly Sex Pistols covers, the Proletariat evolved a new sound that melded the straight-ahead sound of early records by the Clash with more angular rhythms, and agitprop political rhetoric under the influence of the Gang of Four. They grew into a sound unlike other Boston punk or hardcore bands, characterized by drums holding an almost militaristic steadiness while guitars alternated between jarring upstrokes and overdriven chords. People drew comparisons of the band's music to that of the anarchist group Crass and post-punk group the Fall, bands that the Proletariat's members only listened to after fans tipped them off to it.


title: The Proletariat

text: In 1984, the Proletariat returned to Radiobeat Studios to record another album with Dufour and Giordano, assisted by Josiah McElheny. An early version of "An Uneasy Peace", a song composed for the upcoming album, brought the band international attention via its inclusion on the P.E.A.C.E. compilation, a hardcore punk collection released on Dave Dictor's R Radical Records label that included more well known bands like the Dead Kennedys, Crass, and MDC. On June 30, 1984, the Proletariat performed what would be their final show with their original lineup at Chet's Last Call in Boston, sharing the bill with the Volcano Suns and fellow Radiobeat labelmates Sorry. Later that year, before their second album was completed, Brown quit the band, as did McKnight who was studying engineering at Bristol Community College. The two would be replaced by female singer Laurel Ann Bowman and drummer Steve Welch; both of whom performed on recordings of two songs for the new album. This lineup was short-lived, and the Proletariat disbanded shortly after performing a pair of shows on July 1, 1985 with Italian band Raw Power and the local act Rash of Stabbings, at the Living Room rock club in Providence, Rhode Island.


title: Department of the Director of Naval Equipment

text: The department was originally established on 3 September 1912, the department was primarily concerned with overseeing the progress of all naval construction at royal naval dockyards, In addition it planned and monitored programmes of works for additions, alterations, repairs and modernisation of all ships. The department worked in partnership with the Department of the Director of Dockyards, both of these departments were overseen by the office of the Third Sea Lord from 1912 to 1939.Between 1939 and 1956 the department was assigned a number of times between the Department of the Vice-Controller of Navy who was then co-styled Vice-Controller of the Navy and Director of Naval Equipment and the Department of the Vice-Controller (Air) who was then co-styled Vice-Controller of the Navy and Director of Naval Equipment In 1960 it ceased being a distinct admiralty department when it was downgraded and replaced by the Naval Equipment Division of the new Ship Department that was headed by a Director-General, Ships.


title: The Calgary Stampede

text: Playing the part of a half-wit, he gets a job on a distant ranch as chore boy. He is suspected by a mounted policeman who brings Marie to identify him. Although believing him guilty, she swears she has never seen him before. His new boss, Andrew Regan (Sellon), has been training a pair of Roman horses for the forthcoming Calgary Rodeo. At the meet, he is taunted by a neighboring rancher to wager his entire ranch and stock on his horses. Regan's rider breaks his leg in an earlier event and Regan orders his foreman Blackie, who is drunk, to ride for him. Malloy, seeing Regan's doom, goes to the stable and knocks out Blackie. He gets to the starting line just in time to ride for Regan. Bill Harkness sees Malloy and waits for the finish to arrest him. Burgess, who has found another sweetie, infuriates the Indian girl with a slurring remark which causes her to bare his guilt. Burgess escapes in a buckboard and is pursued by Malloy on horseback. Burgess is thrown over an embankment. Before he dies he confesses, clearing Malloy, whose Irish name is now certain to be borne by the grandchildren of the late Jean LaFarge.


title: Johnny Jaap

text: Jaap was born in Bellshill, Scotland, and moved to the United States with his family when he was a child. His family settled in Pittsburgh where he grew up playing soccer from a young age. He began his career in 1912 with a series of amateur and semi-professional teams in the Pittsburgh area. In 1921, he moved to Philadelphia Field Club of the first division American Soccer League. His first game came on February 13, 1922, a 5–2 victory over the Fall River F.C. Jaap played seven games with Philadelphia, but returned to the minor leagues for several years. In September 1925, Bethlehem Steel signed Jaap. Jaap remained with Bethlehem until it folded in 1930. During that time, Jaap won four league titles with Philadelphia/Bethlehem and the 1926 National Challenge Cup. In the Challenge Cup, a 7–2 win over St. Louis Scullin Steel F.C., Jaap scored one of the Bethlehem goals. After Bethlehem Steel folded, Jaap moved to Scotland for one season with Hearts. He was back in the United States with the Newark Americans for one season.


title: History of Hobart

text: The "female factories" in Tasmania constituted a system of female convict prisons located in four locations across Van Diemen's Land, in Hobart, George Town, Launceston and Ross. The latter factories were constructed in the early 1830s to alleviate overcrowding issues within the Cascades Female Factory. Eleanor Casella argues that the design of the female factories were predicated on the thought that convict women could be morally reformed through the prescription of manual labour, thus these institutions were essentially turned into economically productive, government supervised "manufactories". According to Adrien Howe, the experiences of the convict women in Tasmania's colony during the nineteenth-century were much more interlinked with the prison institutions then the male convicts, who were largely employed in the construction of infrastructure within the colony. Textile manufacturing was chosen as the primary program to implement within the female factories as, besides being a traditionally gendered industry, it was the most practical to fit within the factory-like atmosphere of the prison. The factory played a multiplicity of roles within Hobart's society; it functioned as source of labour, a marriage bureau, gaol and hospital. After women had served their sentences, or after periods of nominal good behaviour, they were promoted to a "hiring class" which meant that they were ready to be employed within domestic service, often on farmland, within the hospital or a role within the prison itself. The factory administration was responsible for integrating the female convicts back into society. Today, the Cascades Female Factory remains as a historic site for tourists to explore the heritage of Hobart's female convict landscape. By 1851, there was a sum of approximately 12,000 convict women that had been transported to the Van Diemen's Land colony. Casella maintains that contrary to traditional portrayals of these women as "a monolithic bunch of damned whores," most of them were convicted of petty crime, serving sentences of seven to fourteen years.


title: History of Hobart

text: The opening of penal settlements at Maria Island and Port Arthur on the Tasman Peninsula, 111 km Southeast of Hobart Town, brought more importance to the island's East Coast, which resulted in the closing of Sarah Island penitentiary in 1833. The first land grants at Richmond were made in 1823, however the township began to grow much more rapidly after Port Arthur was founded, as it soon became an important stop on the highway to Port Arthur. Richmond Gaol was soon opened in 1825, and the oldest surviving bridge in Australia, the Richmond Bridge, was built there across the Coal River in 1823. The penitentiary at Port Arthur, although now remembered as a cruel and unpleasant place, was at the time one of the most advanced prisons. Improvements were made with the opening in 1853 of the 'separate prison', also known as the "model prison", the design of which was based on the modernised prison of Pentonville in London. Conditions were fair, a legitimate attempt was made to reform men, and boys were taught a trade and given religious lessons in a very pious society. Port Arthur was guarded by day and night by a line of soldiers and dogs, across the isthmus of the peninsula.


title: History of Hobart

text: Before the settlement at Risdon Cove had been completely abandoned, one of the most violent conflicts of the Australian frontier wars occurred. The facts of this event are still disputed by historians and the descendants of the Tasmanian Aborigines, however, on the morning of 3 May 1804, a food hunting party of approximately three hundred crested the heavily wooded hills above the Risdon Cove settlement, looking for kangaroo, in what is now considered to be part of the Oyster Bay tribe's traditional hunting grounds. Both the Marine sentries, and the hunting party surprised each other. It is not clear how the engagement began, with differing accounts being given. It does seem that, feeling threatened by such an overwhelmingly large group, the Marines fired upon the Aborigines. A convict by the name of Edward White claimed to have seen this. Armed with only spears and clubs, the Aboriginals were outdone by the firepower of the Marines who were armed with the Brown Bess smooth bore, muzzle loading muskets, many of whom were experienced troops from conflicts in India and the Americas. It is claimed that between three and fifty of the Aboriginals were killed.


title: History of Hobart

text: The first overland journey through the island's interior was made in February 1807. Lieutenant Thomas Laycock led a party of five soldiers from the New South Wales Corps overland from the island's second settlement at Port Dalrymple (later Launceston) in the north to Hobart Town in the south seeking supplies for the struggling northern colony, as they were running low on food. His party took nine days on foot, via a central route of approximately 180 km (110 mi) high into the lakes district of the Central Highlands. Their unexpected arrival in Hobart Town out of the bush to the north of the colony elicited a rousing reception in the town. Hobart Town brought cartloads of supplies despite the southern colony also suffering shortages, and their return journey found a less arduous route north following the flatter midlands route further to the east of the southward journey, which formed the route that the Midland Highway follows today, and was completed without having to cut down a single tree to allow the carts to pass. Surveyor Charles Grimes was sent out the following month to formally survey the route, and a road between the two settlements was established by 1808.


title: History of Hobart

text: In the twenty years immediately after settlement, Hobart Town became a base for the South Seas whaling and sealing industries. Hobart Town's shipyards built many of the whalers, and were kept busy with maintenance and repairs. Whale oil soon became a major export, and was used to light the street lamps of London, and the wool industry had also established itself as a major export from Hobart Town's docks. In 1816, there were 20,000 sheep, and by 1818, 12,000 horned cattle. Merino and other flocks were established in the now expanding Midlands district, and at Clarendon, Perth, Longford, Esk Vale, Jericho, Simmonds and elsewhere. Soon merino stud rams were being sold for high prices, and Van Diemen's Land became noted throughout the empire for its fine wool. Wheat crops were produced in such abundance that it was being exported to Sydney to subsidise their less successful crops. The Van Diemen's Land Company was formed in 1825 to raise sheep in the colony to provide wool for British cloth manufacturers who were then buying wool from Spain and Germany, as sheep bred in Britain were largely meat breeds.


title: History of Hobart

text: By the late 19th century, the central waterfront area of Wapping, which included the original wharf area built on Hunter Island, had declined dramatically as a result of government attempts to control prostitution, gambling and excessive drinking. As the areas of Wapping and to a lesser extent, Glebe declined, Battery Point and Sandy Bay located to the south of the town, were becoming home to the town's more prosperous residents. Soon, Battery Point was centred on the pleasant Arthur's Circus, where many of the cottages and fine homes of the period can still be seen. Whereas Glebe enjoyed a resurgence, the shanties and brothels of Wapping were condemned, and many were destroyed to make way for new developments, such as the wool store, that survives to this day as the Old Woolstore Hotel. Part of the area had already been reclaimed in the early 1850s for the construction of the Hobart Gas Works, which was opened amidst much fanfare on 9 March 1857, bringing gas lighting to the streets of Hobart Town for the first time.


title: History of Hobart

text: The final straw for the Tramways came on 29 April 1960 when a number 131 tram was struck by a lorry near the intersection of Elizabeth and Warwick Streets. The brakes failed as a result of the collision and the tram began to roll backwards down the steep gradient of Elizabeth Street during evening peak hour traffic. Despite being dazed by the collision, and rather than secure his own safety by jumping clear, tram conductor Raymond Donoghue guided the remaining passengers to the front of the vehicle as it was rolling backwards, and warned motorists by continuing to ring the tram's bells and desperately trying to operate the emergency hand brakes to no avail. It is estimated that the tram built up a speed of 40 to 50 miles per hour (64 to 80 km/h). The tram collided with the front of the following number 137 tram, killing Donoghue instantly. He remained vigilantly at his post throughout the disaster and in his heroism, he saved the lives of all of the passengers aboard, although 40 people were injured. Raymond Donoghue was awarded the George Cross posthumously for his actions.


title: Utah Transit Authority Police Department

text: UTA originally contracted with a private company for security services. In 2003, after several attempts, UTA took control of security services and created the UTA Public Safety Department. The UTA security officers were given the title of Transit Public Safety Officers and they were primarily tasked with conducting fare enforcement and observing and reporting crime to local, county, and state law enforcement agencies. Local municipalities, counties, and state police agencies within the transit district were originally responsible for responding to calls for police services throughout the transit system. In 2006, the Utah State Legislature passed a bill, which granted multi-county transit districts the authority to hire and employ police officers to provide law enforcement services. As of June 2021 UTA is the only multi-county transit district in Utah. In 2006, UTA created the UTA Police Department and the Transit Police Officers were granted state certification as law enforcement officers.


title: Dutch ship Eendracht (1655)

text: Lieutenant-Admiral Maarten Tromp had for many years insisted on the construction of a new flagship to replace the Brederode, which was too lightly armed with only 56 guns. For reasons of cost and impracticality (Dutch home waters being very shallow) this was refused until the events of the First Anglo-Dutch War made it painfully clear that much heavier ships were needed. In February 1653 it was decided that the cost was to be shared confederately by the seven provinces of the Netherlands. The project was at the instigation of Cornelis de Witt moved to the wharf of Goossen Schacks van der Arent in Dordrecht for a ship to be built under the supervision of shipwright Jan Salomonszoon van den Tempel who had previously designed Brederode and the earlier flagship Aemilia. The Admiralty of de Maze based in Rotterdam (one of the five autonomous Dutch admiralties) therefore signed a contract with van den Tempel on 8 March 1653 and he then laid the keel of a ship of 150 (Amsterdam) feet (42.5 m) in length.


title: Henri Coulette

text: Henri Coulette was an American poet and educator. His first book, The War of the Secret Agents and Other Poems , was greeted with acclaim and won the Lamont Poetry Prize. His second collection, The Family Goldschmitt , seems to have received little attention, and it has been reported that much of the print run was accidentally pulped. He did not publish another book during his life, but had been organizing a volume when he died. Of these later poems, Tad Richards has written, "Though only in his fifties, he surveys the territory of death, particularly in the near-perfect 'Petition,' an elegy for his cat, with a concreteness he did not often find in life." Two of Coulette's poems, "Night Thoughts" and "Postscript", were included in the 2003 anthology, California Poetry: From the Gold Rush to the Present; the editors write that "Coulette melded seamless metrics with a lifelong devotion to California icons like the LBG-30 (a Glendale computer), the noir Los Angeles memorialized by Raymond Chandler, and the gravesites of Hollywood movie stars."


title: Moonfleet (novel)

text: When Block's lease on the Why Not? comes up for renewal, Maskew bids against him in the auction and wins. Block must leave the inn and Moonfleet but plans one last smuggling venture. John feels honour-bound to go with him, and visits Grace Maskew, whom he loves and has been seeing in secret, to say goodbye; his aunt gives him his mother's prayer book — her last hope to influence John towards piety. The excisemen and Maskew are aware of the planned smuggling run but do not know exactly where it will occur. During the landing Maskew appears and is caught by the smugglers. Elzevir is bent on vengeance for his son by killing Maskew, and while the rest land the cargo and leave, he and John keep watch over Maskew. Just as Block prepares to shoot Maskew the excisemen attack. They wound John and unintentionally kill Maskew. Block carries John away to safety and they hide in some old quarries. While there, John inadvertently finds out that the verses from Blackbeard's locket contain a code that will reveal the location of his famous diamond.


title: Bromsgrove

text: Bromsgrove was host to a centre for the arts, Artrix, located on Slideslow Drive. Opened in 2005, Artrix was a multi purpose arts centre that provides theatre, cinema screenings of recently released films, National Theatre Live performances, rock concerts, folk music, comedians and classical music concerts from Bromsgrove Concerts, ESO and Midland Sinfonia. Artrix also has a vibrant youth theatre group and a new arts outreach team. From 2012, the dance studio has been converted to hold a maximum of 90 people and provides a space for intimate music, comedy and small theatre. The Artrix ceased trading on 7 April 2022, after being forced to close its doors because of the COVID-19 pandemic. In March 2023, it was announced that The Core, Solihull had been forced to close their auditorium after the presence of crumbling concrete, known as RAAC, was found, and that productions would move to the Artrix building, Bromsgrove, with Solihull Borough Council, who own The Core theatre leasing the building until then end of March 2024. Following The Core's departure, the running of Artrix was taken over by Bromsgrove Community Art], with an initial lease running from April to December 2024.


title: Rushmore Records

text: Due to issues with the label's management, Madison decided to break up in September 2006. According to a press release written by the band, the main reason behind why they split was a lack of professionalism and laziness on part of the label. The band claimed, that a month passed before submitted demos were listened to and when questioned about this, the owners responded in an often vulgar and rude manner. In the wake of this, Richard Reines wrote a lengthy response criticising Madison's announcement, mentioning that they took nine months to record said demos, then – at a time when the label had other priorities – impatiently called every couple of days asking if the material had yet been listened to, and ultimately threatened with their breakup if they weren't allowed to start recording an album within two weeks. This came after Madison's original material was rejected as it was produced by Jesse Cannon. Reines stated that he wanted to hear new material because he didn't trust Cannon's ability to produce a full-length record. This was somewhat surprising given the fact that Madison had originally been signed to Rushmore Records after independently producing an EP with Jesse Cannon so all current material which Reine's had heard was produced by the same person. The end result was that over 20 songs were recorded, produced, and mixed over an 18-month period which were never released and never received notes from the label heads.


title: Vera King

text: King's research and publications focus on the analysis of relationships between social conditions and individual development, between culture and the psyche. She has carried out and published on projects in the fields of youth and adolescence research, family and generation research and social-psychological cultural analyses, among others. The book Female Adolescence, published in 1992 with Karin Flaake, combined social and cultural scientific analyses with developmental psychological and psychoanalytical perspectives. In later works, she examined the significance of youth/adolescence and the "adolescent space of possibility" for biographical and cultural development. In particular, she investigated the intergenerational dynamics of adolescence and developed a concept of generativity at the intersection of subject and cultural theory. Her research on intergenerational relationships extends to studies on families and the psychosocial development of parents, children and adolescents in the context of migration and flight.


title: Immunoglobulin V-set domain

text: ACAM; ACAN; ADAMTSL1; AGC1; AMICA1; BCAM; BCAN; BGP; BGPc; BT3.3; BTN1A1; BTN2A1; BTN2A2; BTN2A3; BTN3A1; BTN3A2; BTN3A3; BTNL2; BTNL3; BTNL8; BTNL9; C10orf54; C1orf32; C9orf94; CADM1; CADM2; CADM3; CADM4; CD2; CD226; CD274; CD276; CD300A; CD300C; CD300D; CD300E; CD300LB; CD300LF; CD300LG; CD33; CD3G; CD7; CD79A; CD79B; CD80; CD83; CD86; CD8A; CD8B; CD8B1; CD96; CEACAM1; CEACAM16; CEACAM19; CEACAM21; CEACAM3; CEACAM4; CEACAM5; CEACAM6; CEACAM7; CEACAM8; CHL1; CREA7-4; CRTAM; CSF1R; CTLA4; CXADR; ERMAP; ESAM; F11R; FCAMR; FCRL2; FKSG87; GLUDP5; GPA33; HAPLN1; HAPLN2; HAPLN3; HAPLN4; HAVCR1; HEPACAM; HHLA2; HSPG2; ICOSLG; IGHA1; IGHA2; IGHD; IGHG1; IGHG3; IGHM; IGHV1-69; IGHV4-31; IGHV7-81; IGKC; IGKV1-5; IGKV2-24; IGL@; IGLC1; IGLV2-14; IGLV3-21; IGLV3-25; IGLV4-3; IGLV5-52; IGLV6-57; IGSF11; IGSF2; IGSF3; IGSF6; IGSF8; IGSF9; IL18R1; IREM2; IREM3; JAM2; JAM3; KDR; KIRREL; KIRREL2; KIRREL3; LAG3; LOC253012; LOC402482; MAG; MGC33530; MOG; MPZ; MPZL1; MPZL2; MXRA8; MYBPC3; NCA; NCR2; NCR3; NPHS1; OBSL1; OPCML; P0; PDCD1; PIGR; PILRA; PILRB; PRODH2; PSG1; PSG10; PSG11; PSG11s'; PSG2; PSG3; PSG4; PSG5; PSG6; PSG7; PSG8; PSG9; PTGFRN; PTPN1L; PVR; PVRL1; PVRL2; PVRL3; PVRL4; SCN2B; SCN3B; SCN4B; SEMA3D; SIGLEC1; SIGLEC10; SIGLEC11; SIGLEC12; SIGLEC14; SIGLEC15; SIGLEC6; SIGLEC7; SIGLEC8; SIGLEC9; SIRPA; SIRPB1; SIRPD; SIRPG; SISP1; SLAMF6; SLAMF7; TAPBPL; TCRA; TCRB; TIMD4; TRA@; TRAV20; TRBC1; TRBV19; TRBV3-1; TRBV5-4; TRBV7-2; TRDV2; TREM1; TREM2; TREML1; TREML2; TREML4; TRGV3; TRGV5; TRGV7; TRGV9; VCAM1; VCAN; VPREB1; VPREB3; VSIG1; VSIG2; VSIG4; VSIG9; VSIG10; VSTM1; VSTM2; VTCN1;


title: John Rylands Research Institute and Library

text: The site chosen by Mrs Rylands was in a central and fashionable part of the city, but was awkward in shape and orientation and surrounded by tall warehouses, derelict cottages and narrow streets. The position was criticised for its lack of surrounding space and the fact that the valuable manuscript collections were to be housed in "that dirty, uncomfortable city ... not enough light to read by, and the books they already have are wretchedly kept" Mrs Rylands negotiated Deeds of Agreement with her neighbours to fix the heights of future adjacent buildings. The permissible height of the building was fixed at just over 34 feet, but it was suggested that it could be taller at the centre if there was an open area around the edges, at the height of buildings that had been demolished to make way for the construction. Champneys incorporated this suggestion into his design, setting the two towers of the façade twelve feet back from the boundary and keeping the entrance block low, to allow light into the library. He designed the building in a series of tiered steps with an almost flat roof to give a 'liberal concession' to the neighbours' 'right to light'.


text: The library has a crypt above which the building has two unequal storeys giving the impression of three. The ornate Deansgate façade has an embattled parapet with open-work arcading under which is a central three-bay entrance resembling a monastery gatehouse. Its two-centred arched portal has doorways separated by a trumeau and tall windows on either side. Above the doors are a pair of small canted oriel windows. Surfaces are decorated with lacy blind tracery and finely-detailed carving. The carving includes the "J. R." monogram, the arms of Rylands, the arms of Rylands' native town, St Helens, and those of five English, two Scottish and two Irish universities and those of Owens College. On either side of the entrance portal are square two-storey two-bay wings with plain walls with a string course containing grotesques and large octagonal lanterns. Behind the entrance portal flanked by square towers is the three-light east window of the reading hall. It has reticulated tracery and shafts in a similar style to the parapet. In front of the library are Art Nouveau bronze railings with central double gates and lamp standards.


text: The main reading room on the first floor, 30 feet above the ground and 12 feet from all four boundaries, was noted for the pleasant contrast between the 'sullen roar' of Manchester and the 'internal cloister quietude of Rylands'. It was lit by oriel windows in the reading alcoves supplemented by high clerestory windows along both sides. Embellishments in the reading room include two large stained glass windows with portraits of religious and secular figures, designed by C. E. Kempe; a series of statues in the reading room by Robert Bridgeman and Sons of Lichfield; and bronze work in the art nouveau style by Singer of Frome. The portraits in sculpture (20) and stained glass (40) represent a selection of personages from the intellectual and artistic history of mankind. The western window contains "Theology" from Moses to Schleiermacher; the eastern "Literature and Art" (including philosophy). The portrait statues of John and Enriqueta Rylands in white marble, in the reading room, were sculpted by John Cassidy who also executed the allegorical group of 'Theology, Science and Art' in the vestibule.


text: The John Rylands Research Institute was originally founded by Acting Librarian David Miller in 1987, to promote, fund and stimulate research on the primary material held at Deansgate. It was relaunched in 2013, with Professor Peter Pormann as director, as a collaboration between The University of Manchester's Faculty of Humanities and The John Rylands Library. The mission of the Institute is to open up the Library's Special Collections to innovative and multidisciplinary research, in partnership with researchers in Manchester and across the globe. Since its inception, the Institute has gained both national and international recognition and has been involved in attracting grants to support research on the collections from funders including the Arts and Humanities Research Council, Leverhulme Trust, British Academy and Marie Curie Foundation. In addition, generous philanthropic donations from Amin Amiri, David Shreeve, The Soudavar Memorial Foundation and Mark Younger, amongst others, have helped to support a range of important projects.


title: Princes' Gates

text: The Canadian National Exhibition (CNE) was established in 1879 at the foot of Dufferin Street, leasing the western-most portion of the Military Reserve attached to the Toronto Garrison. Over time, the CNE expanded eastward and took over more of the Reserve. By the 1920s, it was now looking to expand to the easternmost section of the Reserve site at the foot of Strachan Avenue. In 1924, the Chapman and Oxley architectural firm was contracted to make a 50-year development plan for the eastern portions of the Exhibition Grounds (now known as "Exhibition Place"); including the Princes' Gates. Princes' Gates was initially intended to serve as the main entrance to a walled park; Additionally, Princes' Gates was intended to serve as the grand entrance for the Exhibition Grounds and the CNE; with the primary entrance to the CNE before 1927 being situated at Dufferin Gate, at the west-end of the Exhibition Grounds. Alfred Chapman of Chapman and Oxley was contracted as the lead designer of the east-side entrance in 1926.


title: Princes' Gates

text: A 7.3 metres (24 ft) statue stands on top of the Roman-styled arches. Referred to as Wing Victory, its design was modified several times during the structure's design phase. It has been suggested that the sculpture was modelled after the Winged Victory of Samothrace. However, the design was later modified to showcase the figure raising one arm in the air; holding a laurel in the outstretched arm and a maple leaf in the other. The statue weighs approximately 12 tons. The original central sculpture on the arch was removed as a part of the 1987 restorations, and replaced with a polymer-resin replica in order to forestall potential accidents involving the original deteriorating sculpture. Winged Victory stands on a pedestal shaped like a vessel, evoking the metaphor the Ship of State. The outstretched arms of the central sculpture and the structure's colonnades evoking the idea of unified Canada. The central figure is flanked by hippocampuses and two subsidiary male sculptures seated on the gunwales and facing backwards.


title: Ardfert

text: The Annals of the Kingdom of Ireland, recount how in 1601, Prince Hugh Roe O'Donnell, on his way to the Battle of Kinsale, sent some of his kinsmen troops there to reconquer Ardfert, Lixnaw, and Ballykeally for his ally FitzMaurice. En route, he visited and venerated a relic of the True Cross (Holy rood) on the Feast of St. Andrew, on 30 November 1601, at Holy Cross Abbey, near Thurles, County Tipperary, which was a rallying point for the defence of religious freedom and for Irish sovereignty. From there he sent an expedition to Ardfert, to win a quick victory and recover the territory of his ally, Fitzmaurice, Lord of Kerry, who had lost it and his 9-year-old son, to Sir Charles Wilmot. The expedition captured Caislean Gearr (Short Castle, of which no trace remains), adjacent to the Cathedral in Ardfert. An O'Donnell from Tyrconnell remained behind in stewardship to hold it, according to "The Life of Hugh Roe O'Donnell, Prince of Tyrconnell"written by Lughaidh O'Cléirigh, circa 1603 in Gaelic.


title: Robert Arthur Johnstone

text: Johnstone was based at the Fort Cooper barracks, now known as Nebo, in the ranges to the west of Mackay. One of his first duties was patrolling the north side of the Pioneer River in April 1867, where he encountered several Aboriginal camps, one of which contained more than 200 people. These camps "were dealt with in the usual and only effectual mode for restraining their savage propensities", which meant indiscriminate shooting of the occupants by Johnstone and his troopers to clear them from the area. The brutal operations of the Native Police were well known throughout the colony and beyond, where troopers would usually "make a night attack on the slumbering tribe and generally slay a large number". A large group of Aboriginal men, women and children were pursued by a Native Police force led by Sub-Inspector Johnstone, in April 1867. The group was camping on Balnagowan pastoral lease where cattle had been speared in February 1867. They sought refuge in caves at the top of a mountain, but were forced to jump off a cliff on Mount Mandarana of several hundred feet, rather than be face the carbines of the Native Police Force. The area is still known as Black Gin's Leap. Later in the same year, after some Yuibera men had speared five head of cattle at Koumala, Johnstone chased members of the clan to some islands offshore and when they tried to return to the mainland "such a lesson was administered" to keep them from "committing outrages in that locality".


title: Robert Arthur Johnstone

text: In 1868 a large group of Aboriginals killed 7 cattle at Greenmount with Johnstone and his troopers "administering a lesson to the blackskins...who richly merit a severe one". Also in 1868, Johnstone "meted out...the customary chastisement" to Aboriginals who were frightening shepherds and livestock at the Cardowan run on the Connors River. Johnstone himself describes in his memoirs other punitive expeditions he led while stationed at Nebo, including that of "punishing blacks" for the killing of a shepherd at May Downs. When he returned from this mission, he found a group of Aboriginals camped near his barracks. He chased them off and then later tracked them into the ranges where he shot a number of the "would-be murderers". He also reported how after punishing a group of Aboriginals at Collaroy station on the Connors River, his troopers, while returning to Nebo, were shot at by panic stricken workers at the Tierawoomba station. When taking cover from this unexpected attack, Johnstone found a large Aboriginal weapon-making site in a ravine between Tierawoomba and Blue Mountain.


title: Robert Arthur Johnstone

text: In early 1869, a pastoral squatter by the name of James Collins was killed by Yuibera near Fort Cooper at North Creek. Johnstone and his troopers mustered two local family groups of Aboriginals living in the area and coerced confessions from a number of them by holding family members hostage and tying others to the stirrup irons of their horses and forcing them to run along with the horses. Retributions against those identified were conducted with local squatter Sylvester "West" Fraser from Grosvenor Downs. Fraser was a survivor of the 1857 Hornet Bank massacre and his brother was the notorious William Fraser who killed many Aboriginals both as a private citizen and as a Native Police officer in the years after the events at Hornet Bank. Although having armed settlers partake in the punitive expeditions of the Native Police was against official orders, Johnstone allowed West Fraser to participate on the "promise of secrecy and obedience". In fact, it was relatively common for armed civilians to ride with the Native Police on these missions either as volunteers or as special constables. Albert Wright of Avon Downs wrote in his diary that "about 60 blacks were shot at Grosvenor Downs" as part of the armed excursions following the killing of James Collins. These punitive operations have now become known as the Nebo killings of early 1869. In March of the same year, Johnstone was again out with his troops endeavouring to punish "the blacks" after the killing of a Chinese shepherd at Mt Heilcalong station near Lake Elphinstone.


title: Robert Arthur Johnstone

text: Johnstone moved to Bellenden Plains with his wife and newborn child. He had numerous violent encounters with the local Dyirbal and Girramay people while re-establishing the property. He went on several punitive missions with his "own black-boy" and also with the local Native Police led by John Murray. The Kanakas who worked on the cane farm also participated in violent raids against the Aboriginals as part of their duties. Johnstone describes one incident early in his stay where "the blacks" used their wooden shields as a movable barricade and the cover of smoke from deliberately lit fires in a counter-attack on the property's homestead. Johnstone shot at them continuously from the verandah with multiple firearms pre-loaded by his wife. He "followed up" the Aboriginals as far as Tam O'Shanter Point with John Murray to punish them. After this experience, he sent his family to reside in Cardwell, while he stayed on at Bellenden Plains with the farmworkers. Johnstone "had a lively time of it" on the property until it was sold in 1871 to F.J.W. Beardmore.


title: Robert Arthur Johnstone

text: On 26 February 1872, the brig Maria carrying 75 people of a gold prospecting expedition to New Guinea was wrecked upon Bramble Reef. The survivors escaped the sinking ship on 3 boats and 2 rafts. Two of the boats made it safely to the nearest British settlement of Cardwell, but the other three craft were washed up on beaches to the north of the town. Up to ten of these crew members, including the captain, were found to have been killed by Aboriginals residing in this region. Lieutenant Sabine of the Royal Navy happened to be in Cardwell at this time and led a mission to recover the boat, which they found and were preparing to re-float. As the men were preparing a meal about 120 Aboriginal men rushed towards the boat. In response, the group open fire, killing 8 native people. Brinsley Sheridan, who wanted to secure the safety of Cardwell, ordered Johnstone with his troopers "to inflict decisive punishment". Johnstone was aided by another Royal Navy officer in Captain John Moresby who also had sailed into Cardwell as part of his expedition to New Guinea. Moresby provided additional armed marines and a large schooner for Johnstone to fulfil his mission. Moresby described how the Aboriginal Native Police troopers surprised one camp of Aboriginals with "unrestrained ferocity", resulting in the deaths of several Aboriginal people. A six-year-old boy was brought back from the raid and sent for education to England by Mr. Hayter. The boy died there from disease of the lungs three years later.


title: Robert Arthur Johnstone

text: Johnstone and his troopers sailed to the area in their police boat and found the "Goodwill" abandoned and burnt on a beach in Trinity Bay where the modern-day community of Yarrabah is now located. "The blacks were given a proper warm reception" when Johnstone arrived and after proceeding inland for 3 miles his troopers dispersed another group of local Yidinji people first by firing on them from a distance and then charging amongst them. Johnstone's section then sailed to the mouth of what is now called the Mulgrave River and dispersed "a large mob of blacks" with gunfire. They then sailed further south to the Gladys Inlet (which is now known as the Johnstone River) where a large group of Aboriginals led by a very tall man decorated with pipeclay resisted the troopers' approach. Johnstone punished their "insolence" with gunfire and this leader was one of those killed in the shooting. Johnstone sailed a little further up the river towards its bifurcation, noting the dense jungles and thick soil which could be exploited for sugarcane farming despite the area being populated with Aboriginal people.


title: Robert Arthur Johnstone

text: The expedition briefly returned to Cardwell before heading north again to another river inlet which Dalrymple named the Mulgrave River. Again this area was found to be populated by Aboriginals with numerous gunyah style houses, rafts and canoes observed along the banks. Johnstone and a number of troopers set out from here and managed to climb to the summit of Mount Bellenden Ker. At Constantine Point at the mouth of the Mulgrave River, Johnstone found a large gunyah and stole the mummified remains of an Aboriginal woman from it. Dalrymple's description was "The head of this mummy is small – the animal organs being developed to distortion, the mental being next to nil; in fact, it is of the very lowest type of human formation." Johnstone left two blankets and a tomahawk for "the bereaved relatives, who would doubtless rightly appreciate the exchange". The preserved corpse was given to the Museum of Brisbane. The expedition then travelled to rivers further to the north which Dalrymple named the Mossman River and the Daintree River. The final leg of their journey in December involved returning south to Cardwell. Along the way, they again stopped at the mouth of the Johnstone River where Johnstone found that a group of Aboriginals had dug up the remains of one of the crew members from the Maria shipwreck.


title: Robert Arthur Johnstone

text: Captain Thomas Harris of the schooner Douglas had three Aboriginals from the Dunk Island area to work loading guano and beche-de-mer from Chilcott Islet. During the night while the crew were sleeping, the Aboriginal men killed four of the crew after they had arrived at the islet, and took control of the ship. Two of the Dunk Islanders were killed by the ships crew during the re-taking of the ship, but the remaining one, a man by the name of Dungaree, escaped by swimming to a nearby island. He was later picked up and transported to Sydney for trial. Ominously, Johnstone himself describes a later patrol on Dunk Island as unnecessary as he "knew there was no blacks furthermore on this island." Dungaree was acquitted in Sydney but was forced to become a Native Police trooper under the command of Johnstone. After several years in the Native Police, Dungaree was advised by Johnstone that he could return to his tribe but "if ever they murdered a white man we would return and shoot all the men". Dungaree decided to stay in the force, but was killed not long after by "Burdekin blacks".


title: Robert Arthur Johnstone

text: The area that had been used for the Native Police barracks at Palm Creek just east of Ingham became the property of Johnstone when he retired from the Native Police in 1881. He called the property "Molonga" meaning "devil-devil place" in a local Indigenous language, meant to frighten the Aboriginal people. Interestingly, the term Molonga was later used by Aboriginal people in western Queensland such as the Pitta Pitta to describe a corroborree depicting a white spirit who would cause havoc and steal young girls away. Johnstone utilised Molonga for cattle grazing, but later it was sold and became a famous lychee plantation. One of Johnstone's daughters, Ruby, continued the tradition of naming properties Molonga. She and her husband gave this title to their house in the Brisbane suburb of Graceville and Molonga Terrace in Graceville exists today where the property once was. She also called her beachside land at Burleigh Heads by the name of Molonga. This land was sold off and subdivided in the 1920s.


title: D-Block Boys

text: The gang formed in the Algiers neighborhood by teenagers who lived in the DeGaulle Manor Public Housing Complex, and the Fischer Projects. The name derived from the apartments which were nicknamed "D-Block." The D-Block clique have been tied to several homicides, most of which were between 2005 and 2007. NOPD's Fourth District police have been tracking the gang since the mid-2000s as they distributed heroin and cocaine out of abandoned units in the DeGaulle Manor apartments, the base of their operation. Investigators stated the D-Block gang had access to high-powered assault rifles, which they used in deadly conflicts with rival drug organizations. NOPD linked the gang to nine homicides in the Algiers area and five in Jefferson Parish from 2004 to 2006. In 2011 the Federal Bureau of Investigation listed the gang as a threat. In 2017, three members were arrested on Westpark Court in a raid for possession of a firearm while in possession of illegal narcotics, possession of a stolen firearm and possession with the intent to distribute heroin and marijuana, as well as a felon being in possession of a firearm. During the search, detectives confiscated multiple firearms, 31 individually wrapped clear bags of a white powder substance later determined to be heroin, 36 individually wrapped clear bags of marijuana, cash and other items.


title: Foo Fighters

text: Near the end of 2001, Foo Fighters reconvened to record their fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015.


title: Foo Fighters

text: On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play "Rock and Roll" (with Grohl on drums and Hawkins on vocals) and "Ramble On" (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of "Best of You", an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in Studio 606, shortly after announcing a hiatus from touring . These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — "Wheels" and "Word Forward" ; and a newly recorded version of "Rope" (which ended up making the final cut of Wasting Light).


title: Foo Fighters

text: In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played "This Is a Call" with the band.


title: Foo Fighters

text: Grohl announced that Foo Fighters would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. It topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, "The Sky Is a Neighborhood" was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and the Beatles. Concrete and Gold also features Justin Timberlake on vocals for "Make It Right", Shawn Stockman of Boyz II Men on backing vocals for the song "Concrete and Gold", and Paul McCartney on the drums for "Sunday Rain". The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018.


title: Emma Lee Benedict

text: Through contributions to the daily papers and interviews with leading educational people, she was an active factor in bringing about the general educational awakening in New York City, in 1888, which resulted in the formation of a new society for the advancement of education. Just at that time, she was sent for by Mary H. Hunt, national and international superintendent of the department of scientific temperance instruction of the Woman's Christian Temperance Union (WCTU), to go to Washington, D.C. and assist in the revision of temperance physiologies, which had then been submitted to Hunt for that purpose by several of the leading publishers of temperance textbooks. In Washington, Benedict spent a number of months in the United States Medical Library, occupied in investigating and compiling the testimony of leading medical writers concerning the nature and effects of alcohol upon the human body. The researches there begun were subsequently carried on in Boston and New York libraries and by correspondence with leading medical and chemical authorities. At the time, there was probably no other person more familiar than she with the whole subject of the nature and effects of alcohol upon the human system.


title: Adam Saleh

text: Saleh started making YouTube videos in 2012 as a part of his YouTube channel "TrueStoryASA" with his high school friends Abdullah Ghuman and Sheikh Akbar. His main career aspiration was to become a lawyer. He gained nationwide popularity when he appeared on The Ellen DeGeneres Show for his dancing antics. The day his Ellen show appearance was to happen, he had a final test, but chose to go on Ellen; he later described this as the turning point in his career as a full-time YouTuber. Saleh first released the single "Diamond Girl" on May 3, 2015, featuring Sheikh Akbar and Mumzy Stranger as a part of TrueStoryASA. On August 16, 2015, he released his debut solo single, "Tears" featuring Zack Knight, as a tribute to his cousin and his uncle. After TrueStoryASA ended, Saleh took over both the main and vlog channels and renamed them "Adam Saleh" and "Adam Saleh Vlogs". There was controversy about why the groups had split up. Some rumors say the problem was between Saleh and Akbar, and many of Saleh's fans blame his manager for the split. In September 2017, Saleh released his debut album called Chapter II featuring collaborations with many artists, including "Waynak" (with Faydee),"Tsunami", "All About Love", "The Motto" (with Kennyon Brown), and "All You Can Handle" (with Demarco). On February 18, 2018, he accepted the challenge to be KSI's next boxing opponent.


title: Adam Saleh

text: A staged video titled "Racial Profiling Experiment'" uploaded on Saleh's YouTube channel in October 2014 became popular around the world. In the video, Saleh and Sheikh Akbar argued with each other in front of a police officer wearing western outfits but the cop ignored them. Shortly thereafter, they fight again while dressed in traditional clothes but this time the cop stops them and behaves rudely with them. The video received more than 200,000 views on YouTube and it was also picked up by media. Public reaction to the video was against the police officer. Later Saleh said that the video was staged to recreate "previous events that occurred", and it was being shown as an example to others about how these things can happen to people on the streets only if they are dressed in a 'different' way. The New York chapter of the Council on American–Islamic Relations (CAIR), which had previously tweeted out the video as an example of discrimination against Muslims, demanded an apology from Saleh and Akbar stating "Muslims are already under the microscope and to do this just to gain some cheap publicity is totally unacceptable. There should be no attempt to justify it; they should just apologize and ask people to forgive them for their irresponsible actions."


title: Nureddin Pasha

text: On 9 June 1921, the Greek destroyers Panthir and battleship Kilkis bombed İnebolu. Nureddin Pasha advised the general staff of the Ankara government that in view of the danger of a Greek landing in Samsun, all male Greeks aged between 16 and 50 years should be deported to Amasya, Tokat and Karahisar-ı Şarkî (present day: Şebinkarahisar) by the order numbered 2082 and dated 12 January 1921. The Ankara government accepted it on 16 June. And the Central Army deported nearly 21,000 persons and the Samsun Independent Tribunal passed 485 death sentences. The massacres committed from the Central Army were so brutal, than even MPs of the GNAT demanded Nureddin's execution. Eventually, the National Assembly relieved him of command and prosecuted him, but Mustafa Kemal revoked the procedure. After the Greek armoured cruiser Georgios Averof bombed Samsun on 7 June 1922, Greeks in the areas of western and southern Anatolia under Turkish nationalist control were deported by order of the Ankara government.


title: Nureddin Pasha

text: Why were we burning down İzmir? Were we afraid that if waterfront konaks, hotels and taverns stayed in place, we would never be able to get rid of the minorities? When the Armenians were being deported in the First World War, we had burned down all the habitable districts and neighbourhoods in Anatolian towns and cities with this very same fear. This does not solely derive from an urge for destruction. There is also some feeling of inferiority in it. It was as if anywhere that resembled Europe was destined to remain Christian and foreign and to be denied to us. If there were another war and we were defeated, would it be sufficient guarantee of preserving the Turkishness of the city if we had left Izmir as a devastated expanse of vacant lots? Were it not for Nureddin Pasha, whom I know to be a dyed-in-the-wool fanatic and a rabble-rouser, I do not think this tragedy would have gone to the bitter end. He has doubtless been gaining added strength from the unforgiving vengeful feelings of the soldiers and officers who have seen the debris and the weeping and agonized population of the Turkish towns which the Greeks have burned to ashes all the way from Afyon.


title: Nureddin Pasha

text: Nureddin Pasha sent civil servants to buy 3,000 used civilian suits. He ordered soldiers and officers of infantry battalions and made them pass the British line with those suits at night company by company. First party of them was placed in a boots factory in Beykoz. Two more battalion were sent to pass the Bosphorus and dispatched to houses, mosques and madrasas around Rumeli Hisarı. After the both sides of the Bosphorus were held by a regiment, they surrounded the British garrisons in Haydarpaşa and Kadıköy. Nureddin Pasha appointed Cavalry Lieutenant Colonel Nidai Bey as commander of this organization. Important places in Constantinople were occupied by these armed infantries with civilian clothes. This organization named K.T. (ﮒ ﺕ, Kef Te, abbreviation of Geçit Teşkilâtı means "Passage Organization") that was called Köfte (meatball) by Mehmetçiks, was established by the General Staff and administrated by the First Army. K.T. was disbanded on 8 August 1923, after the signing of the Treaty of Lausanne. The Turkish military units belonging to the III Corps (Üçüncü Kolordu) under the command of Mirliva Shukri Naili (Gökberk) and Nureddin Pasha entered Constantinople on 6 October 1923.


title: Sten Sture the Elder

text: The 15th century in Sweden was largely defined by the political struggles and civil wars between the unionists of the Kalmar Union, seeking to unite Sweden with Denmark and Norway under the rule of the Danish monarchs, with Danish support, and the separatists seeking to re-establish Sweden as an independent kingdom under a rival Swedish monarch. Due to his close family ties to the Swedish King Charles, the young Sten Sture became part of the Swedish separatist political movement from an early age, and visited Charles during his exile in Danzig. He is mentioned as a knight in 1462 and as a privy councillor in 1466, and took up residence on the family estate at Räfsnäs north of Mariefred. Sture fought with Bishop and Regent Kettil Karlsson Vasa during the uprising against the Danish King Christian I in 1464, taking part in the decisive victory at Haraker. He served as a military commander under King Charles VIII, defeating Erik Karlsson Vasa's uprising at Uppbo in 1470 and later in the same year successfully beating back Christian I's forces at Öresten.


title: Tabor Light

text: Roman Catholic pro-ecumenism under John Paul II from the 1980s sought for common ground in questions of doctrinal division between the Eastern and the Western Church. John Paul II repeatedly emphasized his respect for Eastern theology as an enrichment for the whole church, and spoke favourably of Hesychasm. In 2002, he also named the Transfiguration as the fourth Luminous Mystery of the Holy Rosary. The Eastern doctrine of "uncreated light" has not been officially accepted in the Catholic Church, which likewise has not officially condemned it. Increasing parts of the Western Church consider Gregory Palamas a saint, even if uncanonized. "Several Western scholars contend that the teaching of St. Gregory Palamas himself is compatible with Roman Catholic thought on the matter." At the same time, anti-ecumenical currents within Eastern Orthodoxy presented the Tabor Light doctrine as a major dogmatic division between the Eastern and the Western Church, with the Hesychast movement even described as "a direct condemnation of Papism".


title: Video Yesteryear

text: Video Yesteryear was founded as Radio Yesteryear in 1965 by J. David Goldin , out of his home in Croton-on-Hudson, New York.: 59 An enthusiast of radio since childhood, Goldin earned a bachelor's degree in radio production from New York University, where he had worked as a disk jockey at WNYU, the school's radio station. Following graduation, Goldin moved to Sitka, Alaska, where he worked as a DJ and engineer at KSEW, a low-power, multilingual radio station that broadcast in both English and Tlingit. It was at KSEW where he amassed his first hoard of 16-inch transcription discs, taken with permission as the station no longer wanted them.: 59 Later, Goldin moved back to New York, where he worked as an engineer for a handful of larger radio companies, including WNBC, WOR, and the CBS Broadcast Center. While working at these stations, Goldin acquired even more transcription discs, either from neglected storage areas or from veteran staff.: 54 By the mid 1960s, he had several thousand transcription discs, at which point he decided to found Radio Yesteryear as a mail-order service, selling audiotape copies of his archived transcription discs which he had dubbed to professional reel-to-reel tape.: 60