Raw (Grave)

Meat is murder.












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Cop Car

The beginning of a bad idea.

The beginning of a bad idea.

(2015) Thriller (Focus World) Kevin Bacon, James Freedson-Jackson, Hays Wellford, Camryn Manheim, Shea Whigham, Sean Hartley, Kyra Sedgwick (voice), Loi Nguyen, Sit Lenh, Chuck Kull, Thomas Coates, Justin Barr, Adam Barr, Kathleen Bentley. Directed by Jon Watts

Actions have consequences. We learn this at an early age, usually because we’ve done something foolish or wrong. The consequences are almost always some form of punishment; having a favorite toy or device taken away, being grounded, made to stand in a corner (if we are very young) or maybe being sent to bed early without desert (horrors!). Of course, the more egregious the offense, the worse the punishment.

Travis (Freedson-Jackson) and Harrison (Wellford) are a couple of nine or ten year old kids who have decided to run away from their Colorado Springs subdivision. They are traipsing along a vast prairie (being kids, they haven’t particularly thought this through, having only a Slim Jim to sustain them and no water), Travis saying an expletive and Harrison repeating them. It’s all fun and games until they get to a specific word which Harrison is loathe to repeat. Even kids have their limits.

Then they come across something cooler than an F-bomb – an abandoned cop car. At first, the boys timidly run up to the car and having touched it, scurry back fearfully. like some bizarre ritual of counting coup. Eventually they work up the courage to get inside and of course at first it’s all play acting and fun…but then they find the keys.

Sheriff Kretzer (Bacon) is not so amused when he returns to find his car gone. You see, he was in the midst of burying a body and had come to fetch a second from the trunk of his car. Having his homicidal activities discovered just would not do. So he goes out to find the pilferers of his official vehicle, while the kids, blissfully ignorant of what’s going on, go on the joy ride of a lifetime.

Watts, who on the strength of his efforts here won himself the director’s seat for the upcoming Spider-Man reboot, takes a story that’s been essentially told before, strips it down to its essence, and gives us one taut, well-made thriller. The boys’ ignorance of how things work – they have no clue how to operate a car and make some pretty significant mistakes because of their inexperience – helps keep the tension level high. There’s a sequence when they’re trying to figure out how to fire the guns, peering down the barrels of the firearms and you are absolutely certain that one of the kids is going to get their heads blown off. Da Queen was literally viewing that sequence through her clenched fingers. She wasn’t the only one, either.

It helps that the two juvenile actors he cast are completely natural. They are full of bravado, crazy naive, and bonded together like only little boys can be. They are out on an adventure and are very much, as little boys are, shoot first ask questions later sorts. As I mentioned earlier, thinking things through is not their strong suit. While Travis is clearly the ringleader, the true strength belongs to Harrison – again, as is often the case with little boys. They’re like any little boy you might meet in your neighborhood; a little less supervised, a little wilder, but nonetheless recognizable. That helps the movie a great deal the longer it goes on and is one of the strengths of the film overall.

Bacon is a reliable presence. This is the kind of role he’s done before. The actions of the sheriff are never fully explained; we see him at one point flushing an impressive amount of cocaine down the toilet so we assume that it’s a drug thing, but why he has the two men set for a dirtnap is anybody’s guess. We do know that he’s a vicious and clever sort, not above putting a civilian in the line of fire if it is to his advantage; we are used to our policemen being concerned with our own safety so it never occurs to us that the orders we are getting are not given with that in mind. In some ways, this movie mirrors the public’s changing perception of the police. It’s not that there haven’t been bad cops in the movies – there have been bad cops in the movies as long as there have been movies – but it’s the way we look at this bad cop that’s different.

A couple of times during the movie it did feel like some of the sequences felt a little bit forced in order to advance the story; that happens a lot in these sorts of films although in fairness less often here than in other examples of the genre. There’s an encounter with a motorcycle cop that is very well-written from a tension point of view, but it seems to exist in the story only to show us how clever the Sheriff is. A good rule of thumb for filmmakers is that if a scene isn’t germane to the overall story other than to illustrate a character’s personality trait, it probably doesn’t belong in the movie.

Sure, some of the plot points are a bit contrived but for the most part this is a movie that feels like it could happen and maybe it already has. As thrillers go this one is well done, not quite to the level of last year’s Blue Ruin but certainly in the same ballpark. This is a well-constructed, well-executed edge of your seat entertainment that deserves a spot on your radar.

REASONS TO GO: Nice tension. Good performances by the kids who behave like kids.
REASONS TO STAY: A bit contrived in places. Bacon has played this role before.
FAMILY VALUES: There is plenty of profanity, a fair amount of violence, a scene of drug usage and kid peril throughout.
TRIVIAL PURSUIT: The voice of the dispatcher is done by Kyra Sedgwick. In addition, the Quinlan County on the side of the cop car doesn’t exist in Colorado or any other state.
CRITICAL MASS: As of 9/21/15: Rotten Tomatoes: 79% positive reviews. Metacritic: 66/100.
BEYOND THEATERS: VOD (Check your cable or satellite provider), Amazon, iTunes
NEXT: Grandma