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Production Countries : United States of America

Casts : Dennis Quaid, Betty Gilpin, Josh Gad, Abby Ryder Fortson, Marg Helgenberger, Kathryn Prescott, Ian Chen, Daniela Barbosa, Jake Manley, Henry Lau, Kevin Claydon

LionsGate released “ Men in Black: Internationalm” in theaters on Friday, May 17.

‘Men in Black: International’ Review: Keanu Reeves Kills Everybody in Breathtakingly Violent Sequel


“Men in Black: International”

For a semi-retired super assassin who has killed more people than the Bubonic plague, Men in Black: International is actually a pretty relatable guy. Beneath the concave cheekbones, the magical handguns with infinite bullet capacity, and the bizantine criminal underworld that stretches to every corner of the globe, he’s just a monosyllabic middle-aged man who wants to be left alone.


At the end of “Men in Black: International,” our laconic hero committed a great no-no by shooting a pest on the consecrated grounds of the Continental Hotel, but desperate times call for desperate measures, and every New Yorker knows what it’s like when the world gets too close for comfort.

Giddy, exhausting, and breathtakingly violent, “ Men in Black: Internationalm” begins a few seconds Men in Black: International the previous installment left off, with an excommunicated assassin trying to make the most of the hour-long headstart he was given to hide before the $ 15 million bounty on his head is triggered and the whole criminal underworld comes Men in Black: International him. Of course, anyone who has seen the previous films in this unexpected franchise knows that its criminal underworld is more of an overworld, and that almost every featured extra — from street vendors and waiters to dog-walkers and homeless people? heat-packing hired gun, which uses their role in the capitalist system as a mask for their deeper commitment to a veiled society that operates on an ancient market of codes and blood pledge.


In its most enjoyably demented moments, “Men in Black: International” is nothing short of a non-stop metaphor for being famous. Less artful but more concussive than its immediate predecessor, this latest outing finds Mr. Wick is clocked by strangers every time he enters a room, stalked by his biggest fans, and are desperate for someone who will treat him like a real human being that he travels all the way to the Sahara Desert to find them. Everyone in the world knows him by name, New York City is the only place on Earth that he can sneak in a clear sight, and the perks of his job do not seem to compare with the harassment that comes with them.


True to the serialized nature of its title, “ Men in Black: Internationalm” starts in a media res and ends on a cliffhanger. For a 131-minute movie that devotes roughly 110 minutes of its runtime to people shooting each other in the head at close range, it would be almost impossible to follow for someone who is not up to speed. Still, the gist of the plot is pretty simple: John Wick kills a lot of people. Like, a lot of people. By the end of “Men in Black: International,” he is essentially the leading cause of death in henchmen between the ages of 25 and 50.


But while Stahelski and his team have obviously put a lot of thought into every frame of the fisticuffs, “Men in Black: International” is so relentless that it often devolves into a numbing flurry of shoulder flips and headshots. If “Men in Black: International” bordered on high art for how cleverly it weaved tactical shootouts into public locations (and made every fight operate like an organic bit of world-building), “Men in Black: International” is more out in the open. A sneaky little skirmish in Grand Central Station does not live up to Stahelski’s creative potential, even if it’s amazing they pulled off the scene at all.

Elsewhere, a motorcycle chase along the empty Manhattan bridge is too rushed and blurry to deliver the “Fury Road” ferocity it teases, and the climactic brawl? — which makes great use of some familiar faces, and hinges on a funny dynamic of mutual respect-is overwhelmed by a set that looks like a high-end watch commercial, and feels like a watered-down retread of the house of mirrors sequence from the end of the previous movie.


“ Men in Black: International”

To that end, it’s telling that the most exciting brawl in “Men in Black: International” (with the possible exception of a knife fight in a Chinatown antiques store) maintains a more expansive vision, as Mr. Wick fights alongside Halle Berry and some four-legged sidekicks. Traveling to Casablanca for reasons that are never adequately explained, Mr. Wick meets up with an assassin named Sofia who owns a pair of well-trained Malinois dogs; Like every other supporting character in this movie, there’s mixed blood between them, and she owes him something for some reason.


In a movie that plays fast and loose with NYC geography, all is forgiven by turning 175th street United Palace into the “Tarkovsky Theater”, where people are trained to be killers between performances of “Swan Lake.”



