Monday, March 27, 2017

Neil Kramer | The Myth of Civilization & The Stairway of Disbelief

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S y n o p s i s

Someone once said that history contributes to the disenchantment of the world. Nations seem to require myth. How do we define civilization? The stage of human social development and organization that is considered most advanced. Or is it? Tonight we embark on a journey of enlightenment and truth with Neil Kramer. We discuss the following topics and more:

1. The Myth Of Civilization

2. The Religion Of Empire Is Nihilism

3. The Staircase Of Disbelief

4. Trump Is A Heyoka

5. Philosophy Of Collectivism

6. Order, Liberty, Virtue  

B i o 

Neil explores the relationship between inner development and the many social and cultural factors that influence our lives. Attention is drawn to embracing truth, confronting challenges, and transforming self. Neil shares his ideas in writings, film, audio, seminars, and individual teaching. Neil teaches a spiritual method, 'the supernal path', which he devised and cultivated over many years. Neil is also faculty at the Omega Institute in New York, where he teaches philosophy, mysticism, esoteric studies, and self development. He is a popular guest on leading alternative radio and internet shows, has appeared on TV networks around the world, and has spoken at numerous international conferences. Neil lives in Washington State, USA. He spends much of his time learning, teaching, and traveling. Neil has broad experiential knowledge of interconnected philosophical, spiritual, mystical, Hermetic, and alchemical disciplines, which he uses to formulate his cosmology and practice. He has spent time with several orders dedicated to the wisdom of the ancient world. Neil's synthesis of spiritual wisdom, fierce individualism, social critique, deep knowledge-base, inventive language, and incisive approach, has helped to earn his reputation as a widely respected figure in mystical, spiritual, and alternative communities.

Monday, March 20, 2017

Gordon Keirle-Smith | Genesis Antarctica: The Secret Origins of Humanity

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S y n o p s i s 

In 1962 a cache of ancient urns was discovered in Antarctica dating back tens of thousands of years. They contained writings proving our ancestral myths and lore are actually rooted in the history and culture of a pre-glacial utopian civilization.* The Zandernatis Trinity retells the most fascinating story contained in these texts: "The Song of Gorin", an epic poem describing what really led up to the "Fall of Man" in "Paradise". Initially, it reads like a fable -- except that here it is backed by robust corroborative evidence and endorsements from researchers, the media and eminent experts, despite establishment efforts to block publication. 

B i o 

Gordon Keirle-Smith, Although initially a compulsive writer of poems, dramatic monologues and radio plays, from 1967 - 1973, Gordon Keirle-Smith was a visionary artist with a studio in one of London's major West End theaters (where he also worked as a lighting technician). During that time he produced a series of symbolic, visionary paintings which were exhibited and sold in a top Cork Street gallery, several of them to well-known theater personalities who had visited his studio... The most notable of these works, prophetically entitled "An Unwritten Legend", (below) was begun in 1970 and took six months to complete.

While work was progressing on this canvas, he met Johfra and Ellen Lorien, two founder members of the Dutch meta-realist visionary art movement at an exhibition of Johfra's work in a London gallery. They visited his studio, saw his work and immediately invited him to spend a week with them in the South of France. It proved to be a life-changing experience. He desperately wanted to emulate them... But was lacking the 10 or 12 years of art school needed to come anywhere near their technical mastery.

As a result of this visit, and two others to the Moulin du Peuch (a water mill) in the Dordogne region of France where Johfra and Ellen subsequently moved, Gordon finally decided to give up creating images with oils and brushes -- and paint with words instead.

In 1973, he moved to France and began a succession of contrasting careers, beginning with tour guiding and teaching English to Parisian businessmen. Over the next two years, he drafted the first version of "Zandernatis -- the legend of our fantastic prehistory" in which he incorporated all the symbolic and visionary images he would never have the time -- or the skill -- to paint. Crucially, this version included the description of how the ancient source texts were found in the "Haakon Urns" under the Antarctic ice in 1962. It also included a chronology of the Zander-nation kings and a comprehensive bibliography of all the documents contained in the Urns. The original 190,000 word typescript was submitted to a few publishers, who judged it "too ambitious for a first book".

During the next fifteen years, Gordon played many roles. These included heading a team of 40 teachers at a major Parisian language school and then starting his own communications coaching, language teaching, creative translation and copywriting business serving over a dozen agencies in the huge Publicis Communications Group.

In 1994, Gordon and his family moved to NÃ®mes in the south of France. The internet and e-mail were just taking off, allowing him to work with his highly diverse range of international clients remotely. During these years, he honed his journalistic, creative writing and copy editing skills in an incredibly diverse range of fields for every imaginable type of audience; perfect grounding for what was coming next...

In 2013, Gordon retrieved the original typed manuscript of "Zandernatis" (complete with its 5 carbon copies!) from the depths of his cellar and set about revising and updating it. The underlying substance of the "retold legend" was sound, allowing him to concentrate on the innovative "meta-realist" aspects of the work he now wanted to introduce, starting with the existing additional elements mentioned above.

Two years later, all three volumes of "Zandernatis -- a definitive "meta-realist allegory" inspired by the meta-realist art of Johfra and Ellen - had been published. It was at this point, in July 2015, that Gordon was able to give a full presentation of the entire work to Ellen Lorien (now aged 91) and some of her closest friends in the Dordogne Moulin du Peuch where she was still living. With that presentation, in that unique setting, everything came full circleâ€¦

At last, the "Unwritten Legend" of 1970 had been "Born".

(Johfra had passed on in 1998. Ellen joined him on 22 May 2016. The day after "Genesis Antarctica" - the entire Zandernatis Trinity in a single volume - was published). 

Monday, March 13, 2017

Roy Horne | The Mandela Effect: Are Timelines Merging?

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S y n o p s i s 

There's an unexplained phenomenon that you've probably experienced without knowing what it's called, and it's garnering more and more attention lately. "The Mandela effect" is what the internet is calling those curious instances in which many of us are certain we remember something a particular way, but it turns out we're incorrect.

These false memories have some people thinking their memory is failing, but some wonder if they've gone to a parallel universe, or if time travelers have gone to the past and slightly affected our present, or if they're simply losing their minds. Whichever it is, what's most interesting about the Mandela effect is that so many individuals share the same false memories.

Here is a possible explanation:

Humans are waking up to a new consciousness. When the collective consciousness of all of humanity tilts toward the new consciousness the veil of the dark system will be ( is being ) revealed. This is not good for those predators that treat us as feed stock. Everything for the last 2 thousand years ( and longer ) has been a highly organized effort to put in place not only the current belief system but the very mind being used to read these words. That mind is not you. All frequencies of all kinds, and everything is frequency, are controlled and utilized to keep you in the prison of your mind. Well the cell door is open and they are afraid you will walk through. The Mandela Effect is a program that is manipulating on the quantum level the fabric of this belief system's field of probability to cause enough confusion and doubt that they can delay the ascension long enough to put in a new belief system. The new system will require events that force sheep-like humans to adopt or starve. Those that adopt (and all technology leads this direction) will eventually be destroyed or become trans human. Those that chose the natural way will survive. Humans have chosen to adhere to a belief system that does not allow them to process this information. Once the prison belief system is removed you will again have access to the Truth and know the things you will need to do to survive.

What is the Mandela Effect? Is it a parallel universe, a simulated reality, CERN, memory inaccuracy, artificial intelligence, or all or none of the above?  

B i o

Roy Horne is a professional musician and for over 45 years he has strive to expand his consciousness and personal freedom. He is the author of the Mandela Effect.

Monday, March 6, 2017

John Urwin | The Sixteen: The Secrets Were in Jaraba

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S y n o p s i s

John Urwin is a 78-year old retired ex- UK special forces operative (about which he has written a book namely 'The Sixteen: The Secrets Were in Jaraba'). He wrote the book because he was trying to hopefully make contact with others who had also been a part of this ultra covert and highly skilled unit - the reasons for its being so highly covert was that both British Intelligence and the Government of the day, namely the 1950s, had been infiltrated to the highest level by what is known by some today as 'The New World Order'.   

John and the rescued puppies.
B i o 

Have you ever wondered why the top of most pyramids are almost always missing their capstone? According to John, the capstone was a room made of gold. Gold can trap a soul. A pharaoh would be taken to this gold room with a pregnant woman. The pharaoh then would be hit in the head and killed. Since the pharaoh didn't die naturally, his memories would be carried by the soul into the newborn baby. Did you ever wonder why pharaohs were so young? Apparently, it's because they knew from the moment they were born. That is why we see children playing piano like Mozart at the age of 3. Perhaps someone was died abruptly and the memories carried on to a new child. Very interesting concepts. Listen to the interview for more.
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