Sally Fitzgibbons Foundation

Beginning the Academic Essay

The story is narrated by Shyama, a concerned citizen of Hosahalli village in the state of
Mysore (before Independence). Shyama loves the place, its beauty and its people. He
loves the mango trees, the village pond and the creeper looking over it. He finds it a
shame that both the English overlords and his own people have forgotten of the heart-
fulfilling environment of Hosahalli, a place that finds no place on any cartographic
constructions or maps of India. He says that the doctor in Hosahalli has traveled to
many places around the country and even the World and considers the village to be a
uniquely special place. The village speaks Kannada even though much has changed with
the encroachment of English language in the casual conversations of the people. Many
people like communicating in English or using English words in Kannada which Shyama
finds disgraceful and disheartening.

The return of the city boy

It all started when the village got its first English speaker, the protagonist of the story,
Rangappa or just Ranga. He is the son of the village accountant and went to study in
Bangalore. On his return, whole village turned up at his house to see how the city had
changed him. To everyone’s surprise not much had changed. Ranga was still the same
person with the same appearance, clothes, manners and etiquettes as highlighted by his
sacred thread (janewara) that is sign of the sanctity of his caste (Hindu social hierarchy).
Most of the people were disappointed by that but Shyama admires Ranga’s
determination to stick to his own customs.

A friendly advice

Ranga often visits Shyama’s place and Shyama is always delighted to have a chat with
him. So much so that Shyama asks him to get married and lead a happy married life.
However, Ranga is not sure about marrying at such a young age. He does not want to
marry a young woman who does not understand his words or is not mature enough to
make intelligent decisions .He also want to marry somebody he admires and feels that
arrange marriages do not provide the room to develop such admiration. Shyama feels
appalled that such a mild-mannered and courteous boy should remain untouched by the
beauty and happiness of a sacred relationship like marriage. So, he decides to find
Ranga a wife.

Shyama soon finds the right girl. Her name is Ratna and she is Rama Rao’s, friend of
Shyama, niece. She is eleven years old and is well behaved and beautiful. She knows how
to play harmonium and is a great singer. She was brought up in a big city but now lives
with her uncle after the death of her parents. He instinctively thinks she will be perfect
for Ranga

The rendezvous at Shyama’s place

Shyama devises a plan to introduce Ratna and Ranga to each other. He asks Rama Rao’s
wife to send Ratna to his house to pick up some buttermilk. It was Friday and Ratna is
happy to visit Shyama. When she arrives, Shyama asks her to sing for him. She obliges.
Meanwhile, Shyama sends for Ranga to visit his house as well. When he reaches the
threshold of the house, he is enchanted by the melodious voice and singing of Ratna. He
is intrigued and peeps inside to find out. As soon as Ranga’s body breaks the light
coming through the door, Ratna gets spooked and reaches for the corner. She feels shy.
Ranga is also feeling coy but keeps on staring at Ratna. This makes Ratna nervous and
she dashes into another room.

Ranga is truly smitten and enquiries if the girl is married. Shyama wants him to suffer a
little and develop a stronger liking for her. Consequently, he tells him that Ratna had
been married for a year. Ranga becomes crestfallen. All his desires for Ratna come
crashing down in his chest. However, his disappointment reassures Shyama that Ratna
is the right girl for Ranga

The visit to the astrologer

Shyama schemes with a Shastri or an astrologer. He dictates him what to tell Ranga in
order to make Ranga realize his hidden desire for Ratna. Now, he goes to Ranga and
seeing his dispirited look enquires about his situation. Shyama advices him to visit a
doctor but Ranga says that he felt fine. He then asks Ranga to accompany him to an

Now everything goes according to what Shyama had hoped. The astrologer sticks to the
script and tells Ranga that the cause of all his worries is a woman. He predicts that
Ranga will eventually marry a woman whose name refers to something that belongs to
the ocean, like a pearl or Ratna. He also wishes for their marriage to be happy and

Happily ever after

The plan goes ahead without a hitch and the next scene describes Ranga’s visit to
Shyama’s house some years later. He has a three year old son named after the narrator,
Shyama. It is like Ranga and Ratna’s way of thanking Shyama’s matchmaking ability. It
was also a very English thing to name a child after someone they admired.

Nonetheless, it was only due to narrator’s insight and intellect that they got married.
Adding to the glad tidings, Ratna is also expecting another child (8 months due). The
story ends with Shyama visiting the couple’s house for the young Shyama’s third
birthday. He kisses the child on the cheeks and places a ring on his finger as a totem of
good fortune and security from evil.

Key Thoughts:

The story is a beautiful depiction of a village in South India. It decorates the scene with
the customs, manners and traditions of the place. It also highlights the constant struggle
to preserve the endemic culture of the place against the winds of external agents and
forces like a foreign language like English.

The story and its characters like Shyama, Ratna and Ranga bring the sweetness of
village life to the text. The hallowed and sacred nature of marriage and companionship
between husband and wife is celebrated cleverly in the narration of the story.

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