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01 Feb


George Steele, art curator at a small museum, has an apparent mental breakdown one night, convinced he was in a train wreck...which never happened.



Is George indeed cracking up, or is there a plot to discredit him? The title of Irving Reis' Crack-Up sums up two elements of its plot: the wreck of a train carrying Pat O' Brien and the psychotic episode he throws in its aftermath.

He gives lectures at a New York museum, demystifying art for the masses, who obligingly moan reverently at Monet but hoot derisively at Dali.

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Yes, isn’t wholly dedicated to Latino singles, but it’s still the number one choice in our book.One of the felicities of Crack-Up is that it takes its canvases seriously, putting them at the core of the story.(A similar respect for art, music and theater, and for audiences assumed to have some acquaintance with them, routinely elevated films of the 1940s; times, plainly, have changed.) Of course monetary rather than esthetic value drives the villains here, as O' Brien slowly uncovers an international art scam, which is why he was derailed in the first place.In flashback, shortly after proposing to x-ray some old master paintings the museum has on loan, Steele is called on an unplanned nocturnal train trip.He suddenly sees another train ahead, speeding toward his...