Pieter Lastman

Odysseus and Nausicaa, oil on wood by Pieter Lastman, 1619; in the Alte Pinakothek, Munich. 91.5 × 117.2 cm.Courtesy of the Alte Pinakothek, Munich

Pieter Lastman,  (born 1583Amsterdam—buried April 4, 1633, Amsterdam, Neth.), Dutch painter of biblical and mythological scenes in antique landscapes who had a strong influence on the young Rembrandt, who worked in his Amsterdam studio in 1624.

Sacrifice of Manoah, oil on wood panel by Pieter Lastman, 1624. 72.3 × 52.6 cm.In a private collectionLastman received his earliest training from a pupil of Cornelis van Haarlem, a painter of the post-Renaissance Mannerist school. He also shared stylistic affinities with Hendrik Goltzius, another prominent painter in Haarlem. He worked in Rome about 1603–07, where he was profoundly influenced by an important German landscape painter, Adam Elsheimer. By the time he returned to Amsterdam in 1607, he had assimilated Elsheimer’s sensitive feeling for light and atmosphere in landscape. Rembrandt’s Angel and the Prophet Balaam (1626) is based on Lastman’s earlier painting of the same subject (1622). Lastman’s Coriolanus and the Roman Woman and The Baptism of the Chamberlain also influenced the early narrative style of Rembrandt.