Sunday, June 28, 2015

Monster Zero...or Why Ghidorah is the Rodney Dangerfield of Japanese Monsters

Poor Ghidorah. He's got three heads, two tails, can fly, and spew "magnetic force beams." This modern-day "dragon" should have been one of the most feared and respected Japanese monsters of the 1960s. And yet, consider this: His name was misspelled as "Ghidrah" when his debut film--Ghidrah, the Three-Headed Monster--was released in the U.S. in 1964. In the sequel, which didn't appear in the U.S. until five years after it was shown in Japan, he was called Monster Zero in the title. And, unlike Godzilla, Rodan, and Mothra, he never got his own stand-alone movie.

All of which brings us to Monster Zero, which appears on TCM tonight. The original title is Kaijū Daisensō, which translates as Great Monster War. It's also known as Invasion of Astro-Monster and Godzilla vs. Monster Zero. But I'm calling it Monster Zero, because that was the title when I saw it as a kid in 1970 on a double-feature with War of the Gargantuas.

The Xiliens remind me of the rock group Devo.
The plot gets off to a quick start when Japanese scientists discover a new planet beyond Jupiter. When two astronauts (Nick Adams and Akira Takarada) are sent to Planet X, they discover an alien race called the Xiliens. They reveal that their planet's inhabitants are under constant attack from Ghidorah. They want to "borrow" (my words) Godzilla and Rodan to defeat Ghidorah. In exchange, they will provide Earth with a cure for all diseases. If this deal sounds too good to be true, then you are a wise and astute negotiator. The Xiliens' real plan is to gain control of all three monsters and turn the Earth into a Planet X colony.

Gozdilla in "blue bubble."
Monster Zero is a surprisingly entertaining monsterama that features colorful special effects from Japanese legend Eiji Tsuburaya. I thought the highlight was the scene in which Godzilla and Rodan were encased in blue bubbles--not unlike Glinda's pink bubble in The Wizard of Oz. But you can also marvel at Godzilla's "victory dance" when he thinks he has beaten Ghidorah and admire how Godzilla and Rodan team up creatively to get an upper hand against their three-headed opponent. (Let's be realistic: Other than causing damaging winds by flapping his wings, Rodan's fighting skills are pretty limited.)

Monster Zero also features an unintentionally amusing performance from Nick Adams (fortunately, the rest of the cast plays it straight). Unlike the original Godzilla (Gojira), in which Raymond Burr's scenes were filmed later and inserted into the movie, Nick Adams appears alongside the Japanese performers. While it's true that he has some ridiculous dialogue (spouting "You stinkin' rats!" like Cagney), Adams doesn't even seem to be trying.

Adams in The Rebel.
Perhaps, he had all but given up on his once promising career by this point. He began acting in the 1950s and eventually earned supporting roles in prestigious films like Mister Roberts and Picnic. His work led to a well-received TV series called The Rebel, in which he played a former Confederate soldier who had various adventures in the West. After a two-year run, he returned to movies and received an Academy Award nomination for Best Supporting Actor as a murder defendant in Twilight of Honor (1963). His career sputtered after that, however, and he went to Japan to star in Frankenstein Conquers the World (1964) and Monster Zero. Nick Adams died in 1968 at age 36 of drug-related causes. His death has been called a suicide, an accident, and even a possible murder.

For more on Japanese monster films, better known as Kaijueiga cinema, check out our interview with Miguel Rodriguez.

Thursday, June 25, 2015

The Case of the Perry Mason Substitutes

With 271 cases over nine seasons, it’s safe to say that Perry Mason was television’s most successful attorney. I’m not even counting Perry’s court appearances in the “revival” made-for-TV movies nor the 1973-74  New Perry Mason TV series (with Monte Markham taking over for Raymond Burr). Yet, out of those 271 cases on the original series, six of them were won by lawyers other than Perry!

Raymond Burr did not appear in four consecutive episodes in the 1962-63 season and was missing in two more during the 1964-65 season. (Note that some of these episodes included brief scenes of Perry talking with other lawyers from his hospital bed—scenes that Burr filmed before his hiatus.) The reason given for his first absence was “minor surgery.” Some sources, such as Raymond Burr: A Film, Radio, and Television Biography, state that the surgery was to remove intestinal polyps. Other sources (e.g., Encyclopedia of Television Law Shows) maintain that this explanation has never been confirmed. Burr’s absences during the 1964-65 season were attributed to infected teeth (according to Associated Press columnist Cynthia Lowry) and an unspecified illness. Fatigue may have played a role as well, since Burr averaged almost 30 episodes during each of the show’s nine years. A full season order these days for a prime time series is 24 episodes.

Here are the six Perry Mason episodes without Raymond Burr:

Bette Davis visits a client.
The Case of Constant Doyle (Season 6 Episode 16)– Bette Davis plays Constant (not Constance) Doyle, a recently widowed attorney who defends a young man (Michael Parks) accused of breaking into a factory and assaulting a night watchman.

The Case of the Libelous Locket (S6 E17) – Law school professor Edward Lindley (Michael Rennie) takes on the case of student Janie Norland (Patricia Manning), who thinks she killed someone, gets blackmailed, and then is arrested for a real murder. Professor Lindley’s attitude toward trial attorneys must have amused Perry: “Someone once said, if you could cross a parrot with a jackass, you’d have the perfect trial lawyer.” This episode also guest-starred Patrice Wymore, Errol Flynn’s widow.

Hugh O'Brian knew about the law...
from his days as TV's Wyatt Earp.
The Case of the Two-Faced Turn-a-bout (S6 E18)- Hugh O'Brian stars as playboy lawyer Bruce Jason, who defends a political refugee in a homicide case brimming with international intrigue. Interestingly, O’Brien also plays another character in this episode (no spoilers here!).

The Case of the Surplus Suitor (S6 E19) – Corporate lawyer Sherman Hatfield (Walter Pidgeon) defends an indecisive young woman (Joyce Bulifant), who is accused of murdering her wealthy uncle. Alas, this subpar outing wastes Pidgeon’s talents.

Mike Connors a few years later as Mannix.
The Case of the Bullied Bowler (S8 E7)- Paul Drake takes a (well-earned) vacation and visits the town of Tesoro with attorney friend Joe Kelly (Mike Connors). A powerful woman tries to close the bowling alley owned by Paul’s friend Bill Jaris. When a health inspector is murdered, Bill becomes the prime suspect. The Perry Mason producers were impressed with Connors. When Raymond Burr hesitated on returning for season 9, Connors was allegedly considered as a replacement attorney. Of course, he later found TV fame in his own long-running private eye series Mannix (1967-75).

The Case of the Thermal Thief (S8 E16) -  Only recently returning to law practice, Ken Kramer (Barry Sullivan) gets involved in a complex case involving a stolen necklace and the death of a wealthy yachtsman four years earlier. Sullivan does a fine job in an above-average episode—he should have gotten his own lawyer show! It’s interesting to note that Kramer doesn't get a courtroom confession at the episode’s climax; it takes place offscreen.

Monday, June 22, 2015

The Movie-TV Connection Game (June 2015)

What's the connection between
Charles Bronson and Bing Crosby?
Welcome to a new edition! We're trying to get back on a regular schedule after a busy May, so here's the second quiz of the month. As usual, you will be given a pair or trio of films or performers. Your task is to find the common connection. It could be anything--two stars who acted in the same movie, two movies that share a common theme, etc. As always, don't answer all the questions so others can play, too. There is a single best answer for each question.

1. Laurence Harvey and Danny Kaye.

2. Charles Bronson and Bing Crosby (a bit of a stretch).

3. Rod Taylor and Vincent Price.

4. Ann Blyth and Glynis Johns.

5. Peter Graves and Alan Young.

6. Little Shop of Horrors and Werewolf of London

7. Fredric March and Brad Pitt.

8. Have Gun--Will Travel and The Thomas Crown Affair (another stretch).

9. Robert Lansing and Gregory Peck. 

10. The movie Calling Bulldog Drummond and the TV series Green Acres.

11. Errol Flynn and Richard Thomas.

12. Maureen O'Hara and Geena Davis.

13. Laurence Olivier and Colin Firth,

14. Russ Tamblyn and Grant Williams.

15. Basil Rathbone and Charlton Heston.

Thursday, June 18, 2015

A Poldark Primer: Getting Ready for the New Masterpiece Classic




The scenic Cornish coast.










Tuesday, June 16, 2015

DVD Spotlight Review: Hal Holbrook as "The Senator"



Hal Holbrook as Hays Stowe.

Sharon Acker as Erin/Ellen.



Michael Tolan as Jordan Boyle.

Guest star Burgess Meredith.


Timeless Media provided a review copy of this DVD set.

Saturday, June 13, 2015

Ice Station Zebra: The (Seasonal) Comfort Movie

Most film buffs have one or more "comfort movies" that they enjoy revisiting on a frequent basis. For Howard Hughes, that movie was apparently Ice Station Zebra, the 1968 adaptation of Alistair MacLean's 1963 adventure novel. Back in the days prior to VCRs, Hughes would call up a TV station that he owned in Las Vegas and request that Ice Station Zebra be broadcast. The film's frequent airings must have baffled local Vegas TV watchers!

Rock Hudson as Capt. Ferraday.
Rock Hudson stars as stoic hero Captain James Ferraday, who commands the atomic-powered submarine USS Tigerfish. High-ranking officials send Ferraday and crew to the Arctic Circle in response to a distress signal sent out by the inhabitants of a meteorologic research station. Ferraday knows there is more to his mission--he's just not privy to the details. His civilian passenger, who calls himself Jones (Patrick McGoohan), refuses to satistfy the submarine commander's curiosity: "You'll know all you need to know as the need arises." Later, Jones does reveal the nature of his occupation: "I know how to lie, steal, kidnap, counterfeit, suborn, and kill. That's my job. I do it with great pride."

Brown and Borgnine.
By the time the Tigerfish reaches Ice Station Zebra, it has picked up two more passengers: a Russian defector (Ernest Borgnine) and a Marine captain (Jim Brown) with experience in special operations. The Tigerfish has also dealt with attempted sabotage that killed one crew member and injured others. Who is the saboteur? What is Jones trying to recover at Ice Station Zebra? And why are Russian paratroopers making their way to the research station?

Ice Station Zebra lacks the exciting exploits of the best Alastair MacLean adapatations, specifically The Guns of Navarone (1961) and Where Eagles Dare (which was also released in 1968). It's really more of a suspense film despite the sabotage sequence and a shoot-out between the Americans and Russians. I suspect the intent was to keep viewers guessing about the identity of the saboteur, with Jones, his Russian friend, and the Marine captain being the suspects. However, it's rather obvious who's to blame--you can probably guess it from this review alone.

Patrick McGoohan.
The movie works best when it focuses on the natural conflict between Ferraday and Jones, two "type A personalities" that clash from the beginning. For the film's first half, they trade barbs and eye each other suspiciously, which makes them a rather engaging odd couple for viewers. Hudson and McGoohan are well cast, though Rock does seem a bit grim at times and Patrick gets the script's best dialogue ("The Russians put our camera made by our German scientists and your film made by your German scientists into their satellite made by their German scientists").

Ice Station Zebra received Oscar nominations for Best Cinematography and Best Special Effects. Those accomplishments are all the more impressive when one considers that the film was shot inside a studio. (Note that you can't see the characters' breath. Not to go off on a tangent, but I always liked that Orson Welles shot a snowy sequence for The Magnificent Ambersons inside an icehouse so it would look more realistic.)

While it's not one of my comfort movies, I enjoy Ice Station Zebra and often pop it into the VCR (yes, I still have one) on snowy days--when I'm nice and cozy inside. Heck, maybe it is one of my comfort movies if one factors in seasonal preferences.

Wednesday, June 10, 2015

The Beach Party Series Comes to a Sad End with "The Ghost in the Invisible Bikini"

This was not the film's original title.
As visitors to this blog know, we are Beach Party proponents, Annette admirers, and Frankie aficionados. Yes, we like our BP movies, but what is one to make of the last--and least--entry in American International's seven-film series? Frankie and Annette are nowhere to be seen. Other prominent series regulars that are also missing include Candy Johnson, Donna Loren, John Ashley, and, most notably, Jody McCrea (Bonehead/Deadhead). Even William Asher, who directed five of the series' entries, opted to avoid this outing (he had shifted his focus to his then-wife's TV series Bewitched).

In the closing credits of 1965's Dr. Goldfoot and the Bikini Machine, AIP announced that Annette Funicello, Deborah Walley, Harvey Lembeck, and Aron Kinkaid "would soon appear in The Girl in the Glass Bikini" (we'll address the title change later). However, by the time production commenced, Annette was no longer attached to the project. Deborah Walley became the female lead and Tommy Kirk, who had previously appeared in Pajama Party, was cast as her co-star.

Kirk and Walley hold hands for a seance.
The plot sends Chuck Philips (Kirk), Lili Morton (Walley), and the older Myrtle Forbush (Patsy Kelly) to the recently-deceased Hiram Stokely's creepy mansion. The trio are the rightful heirs to Hiram's estate, which includes a large sum of money hidden in the house. The dead man's lawyer, Reginald Ripper (Basil Rathbone), wants to swindle them out of their inheritance. Meanwhile, Myrtle's partying nephew Bobby (Kinkaid) shows up at the estate--as does motorcycle gang leader Eric Von Zipper (accompanied by the Ratz and Mice) and J. Sinister Hulk (Jesse White reprising his role from Pajama Party).

Karloff was too ill to stand.
When the completed film, now titled Bikini Party in a Haunted House, was screened for AIP heads James Nicholson and Samuel Z. Arkoff, they deemed it a disaster. Nicholson came up with the idea to add a subplot in which Hiram's ghost (Boris Karloff) has to perform a good deed to get into heaven. A bikini-clad Susan Hart (who had recently married James Nicholson) was also inserted in the proceedings and the movie was retitled The Ghost in the Invisible Bikini. Unfortunately, the title change meant a big production number called "Bikini Party in a Haunted House"--featuring Aron Kinkaid and Danny Thomas protegee Piccolo Pupa on lead vocals--had to be jettisoned.

Still, the remaining songs penned by Beach Party veterans Guy Hemric and Jerry Styner are quite listenable. Nancy Sinatra does an energetic poolside rendition of "Geronimo" while the Bobby Fuller Four serves as the film's "house band." Piccolo Pupa (that was not her real name) sings lead on "Stand Up and Fight." The Italian performer never achieved success in the U.S. despite three appearances on The Danny Thomas Show and a gig on Shindig! 
Nancy Sinatra sings "Geronimo" and Piccolo Pupa dances.
The saddest part of The Ghost in the Invisible Bikini is watching a fine cast being wasted. Karloff, Rathbone, and Francis X. Bushman were all in the twilight of their careers (and Boris was quite ill). It's painful to watch these classic era stars struggle with horrible material. Just two years earlier, Karloff and Rathbone had an opportunity to show off their comedic skills in Richard Matheson's funny The Comedy of Terrors.

Quinn O'Hara as Sinistra.
It's equally frustrating to see Beach Party veterans like Harvey  Lembeck and Bobbi Shaw forced to recycle old gags. Indeed, the only cast member that escapes unscathed is Quinn O'Hara. She's pretty funny as Sinistra, Rathbone's statuesque, but blind-without-her-glasses, daughter who keeps trying to kill Kinkaid's character.

After The Ghost in the Invisible Bikini crashed at the boxoffice, American  International Pictures concentrated on biker and horror flicks (the latter was always one of the company's staples). The Beach Party series, which had started off with such promise in 1963, had lasted just four years and produced only seven films (if you don't count Ski Party). It would take a few decades for their simple nostalgia and memorable music to become fully appreciated. But these days, I can safely say I am not alone in my affection for such drive-in classics as Beach Blanket Bingo and Muscle Beach Party.

This review is part of the Beach Party Blogathon hosted by Silver Screenings and Speakeasy. Click here to view the full schedule of awesome beachy posts!

Monday, June 8, 2015



Gerry Anderson with two fan favorites.

The house on Tracy Island.

The well-named Brains.


Thunderbird 2 lowering a pod.

Sylvia Anderson and Lady Penelope.



Timeless Media Group provided a copy of Thunderbirds for review.

Thursday, June 4, 2015

Is There Really a She-Wolf of London?

Is June Lockhart a werewolf?
Made at the end of Universal's horror film cycle (1931-1948), She-Wolf  of London is a game attempt to try something different. It has inexplicably generated lukewarm interest over the years. Even the authors of the highly-regarded reference book Universal Horrors dismiss it as "the type of thriller horror fans love to hate." Well, this horror fan rather enjoyed it, even though She-Wolf clearly lacks the Lewton-like psychological complexity and chilling set pieces required of a genuine horror classic.

Set at the turn of the century, She-Wolf  of London stars June Lockhart as Phyllis Allenby, an heiress about to marry a prominent barrister (Don Porter). This news prompts Phyllis's "Aunt" Martha (Sara Haden), who resides at the Allenby estate, to make a startling revelation to her daughter Carol (Jan Wiley). Martha is not Phyllis's aunt, but rather a housekeeper who became the girl's de facto guardian when Phyllis's parents died. Thus, Martha has become concerned about her and Carol's future after the nuptials.

A cloaked figure leaves the mansion.
Meanwhile, a series of murders have taken place at the London park near the Allenby house--with the newspapers suggesting the bloodthirsty killer is a werewolf. It's no wonder that Phyllis turns into a wreck after discovering dried blood on her hands and mud on her shoes the morning following a child's murder. It doesn't help there's a legend about the Allenby family being cursed by wolves (an interesting plot point that deserves more than a fleeting mention).

The central premise is a good one: Are the murders being committed by a werewolf or someone that just wants it to look that way? Twentieth Century-Fox explored the same premise--with better results--in the moody, underrated The Undying Monster (1942). It's superior to She-Wolf, but Universal's effort still holds interest for its 61-minute running time.

Sara Haden as "Aunt" Martha.
Much of the credit goes to Sara Haden and Jan Wiley, who kept me guessing as to which one was the culprit. (I'm not giving anything away here...we see a female cloaked figure in the woods when the murders take place.) I couldn't decide if Aunt Martha was trying to drive Phyllis crazy or protecting her daughter who was either a maniac killer or actually a werewolf.

The supporting cast includes Dennis Hoey as a Scotland Yard inspector, though one that's smarter than the Inspector Lestrade he portrayed in Universal's Sherlock Holmes series. As for Ms. Lockhart, she comes across as a timid lead, lacking much of the warmth she displayed in her later maternal roles on television (e.g., LassieLost in Space).

Director Jean Yarbrough uses Universal's "hacienda set" (originally built for the studio's Westerns) to substitute nicely for the Allenby mansion. Some outdoor footage makes the production look more expensive, though the California scenery can't pass for a London park. Yarbrough employs some cant shots (i.e., a tilted camera) to make the climax more disturbing (which always reminds me of the Expressionistic photography in The Cabinet of Dr. Caligari).

As pointed out in several sources, Edgar G. Ulmer's Daughter of Dr. Jekyll (1957) is basically a remake of She-Wolf of London. If imitation is indeed a form of flattery, then She-Wolf of London must have other admirers in addition to me.

Monday, June 1, 2015

The Movie-TV Connection Quiz (May 2015)

How are Barbara and Frank connected?
Hey, this is June--so how can this be the May 2015 edition? Well, things got busy at the Cafe last month because of a couple of blogathons. We got a little behind schedule!

For those who have never played this game, you will be given a pair of films, TV series, or performers. Your task is to find the common connection. It could be anything--two stars who acted in the same movie, two movies that share a common theme, etc. As always, don't answer all the questions so others can play, too. There is a single best answer for each question.

1. Barbara Eden and Frank Morgan.

2. Barbara Stanwyck and Dyan Cannon.

3. Cary Grant and Robert Loggia.

4. Sean Connery and Tyrone Power.

5. Janet Leigh and Elizabeth Taylor.

6. Rod Taylor and Malcolm McDowell.

7. Fred Astaire and Peter O'Toole.

8. The TV series Gunsmoke and the movie House of Dracula (1945).

9. Rod Taylor and Peter Lorre.

10. Anita Ekberg and Jean Peters.

11. Barry Fitzgerald and Bill Bixby.

12. Penny Singleton and Robin Williams.

13. Toshiro Mifune and Yul Brynner.

14. Will Smith and Vincent Price.

15. Albert Finney and Thunderball (this one is a stretch).