Science · Vital-Edible-Health

The Eye, the Brain, and What happens during Death Experience

Scout motto is “be prepared,” but it’s hard to be prepared for death, be it our own or a loved one’s. Too much is unknown about what dying feels like or what, if anything, happens after you die to ever feel truly ready. However, we do know a bit about the process that occurs in the days and hours leading up to a natural death, and knowing what’s going on may be helpful in a loved one’s last moments.

During the dying process, the body’s systems shut down. The dying person has less energy and begins to sleep more and more. The body is conserving the little energy it has, and as a result, needs less nourishment and sustenance. In the days (or sometimes weeks) before death, people eat and drink less. They may lose all interest in food and drink, and you shouldn’t force them to eat. In fact, pushing food or drink on a dying person could cause him or her to choke — at this point, it has become difficult to swallow and the mouth is very dry.

As the person takes in less food and drink, he or she will urinate less frequently and have fewer bowel movements. The person may also experience loss of bladder and bowel control. People who are dying may become confused, agitated or restless, which could be a result of the brain receiving less oxygen. It can be disconcerting and painful to hear a loved one so confused in his or her last days.

The skin will also show the effects of slowing circulation and less oxygen — the extremities, and later, the entire body, may be cool to the touch and may turn blue or light gray. Some skin may exhibit signs of mottling, which is reddish-blue blotchiness. As the person gets closer to death, it will become harder and harder to breathe. Respiration will be noisy and irregular; it will sometimes seem as if the person can’t breathe at all. When there’s fluid in the lungs, it can cause a sound known as the death rattle. It may be possible to alleviate the gurgling and congestion by raising the person’s head. If the dying person is experiencing pain, he or she will usually be given medications to manage it.

When we’re watching someone die, we may have a preconceived notion of how the person should handle death emotionally and spiritually. It’s important to remember that every person experiences dying differently. Some people have the need to say goodbye or to hear from another person before death, some don’t. Some people prefer to partake in religious rites, while others may remain silent until the end and pass away when everyone has left the room. Doctors and other professionals who manage end-of-life care advise loved ones to take their cues from the dying and avoid projecting their own desires or needs onto the person. They also urge loved ones to continue speaking comfortingly to a dying person — hearing may be one of the last things to go.

Clinical death occurs when the person’s heartbeat, breathing and circulation stop. Four to six minutes later, biological death occurs. That’s when brain cells begin to die from lack of oxygen, and resuscitation is impossible.

All Text via How Stuff Works. See Experiencing Death video THERE

Electrodes trigger out-of-body experience

Art/Aesthetics · Earthly/Geo/Astro · Social/Politics · Theory

Supply Lines | Visions of Global Resource Circulation, Research Project 2011-2012

Cotton production, India. Courtesy of Uwe H. Martin

Niger Delta States. Courtesy of George Osodi.

SUPPLY LINES brings visual practitioners with notable bodies of previous work on globalization together with theorists working in areas of spatial culture, geography, art history and cultural theory to critically examine concepts of resource extraction, use, circulation, and representation. It furthermore forges a collaborative and interdisciplinary mode of geographical knowledge production, with the ultimate intent of stimulating ongoing research, education and public interest in the common use of limited resources. In addition to reframing resources, in other words, Supply Lines seeks to reposition the public’s relation to them. In so doing, it aspires to contribute to participatory, community-oriented models of society, which are increasingly crucial as resource conflicts intensify.

This visual research project explores human interactions with natural resources (e.g., water, oil, silver) and the spatial and social relations ensuing from them. Rather than understanding resources as fixed or externally given, the project conceives of them as collectively produced and able to mobilize and interrelate diverse areas with one another: geographically, historically, economically, and culturally. With growing consciousness about the global limitation and unsustainability of vital resources, there is an urgent need for new means of representation to convey the complexity of such social, geopolitical, ecosystemic and climatic relations. This project’s development of new visual and theoretical material aims to contribute to expanding the notion of “resource” from a hitherto primarily economic-industrial domain toward an aesthetic-cultural context.

Text via Geobodies
Images via Gasworks