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IELTS Reading Passage 1

Read the passage and answer Questions 1-13 What if everything had a barcode?
A vast new database will let us catalogue every plant and animal on the planet, and identify them in seconds. Sanjida OConnell reports

1 Imagine going for a walk and spotting a wild flower. Its beauty and fragrance delight you, but the name eludes you. No problem. You whip out a hand-held scanner, about the size of a mobile phone, and pop a fragment of a leaf into the device. A few seconds, and the read-out tells you that youre looking at a pyramidal orchid. Satisfied, you continue on your way. 2 Sound far-fetched? Not at all. Scientists are currently creating a DNA barcode for every species of plant and animal on the planet. It wont be long before ever yone, from experts to amateurs, will be able to scan the worlds flora and fauna as if they were checking out groceries at a supermarket, to look up or confirm their identities. 3 There are numerous practical uses too. Such a device would let you scan fish at the fishmongers to check if its been labelled properly, work out exactly what is in your mixed vegetable soup, and confirm whether a piece of furniture really has come from a renewable forest, as the retailer claims. It would also assist forensic science teams, who could quickly identify the pollen on a suspect, to link him to a particular location; customs officials, in their efforts to prevent disease-carrying pests being taken across national borders; and environmental inspectors assessing water quality, who need to work out what microbes are lurking in a particular sample. 4 It was Professor Paul Hebert, a biologist from the University of Guelph in Canada, who came up with the idea of DNA barcoding the natural world. The inspiration came while he was walking up and down the aisles of a supermarket, marvelling at the ability of the store to keep track of all the lines stocked and sold using the thick and thin lines that make up a barcode. Could scientists, he wondered, exploit a barcode system to record the millions of species on earth via their DNA? 5 The compilation of a planetary inventory began more than 250 years ago, with the Swedish life classifier Carl Linnaeus. In 1758, he founded the science of taxonomy a method of classifying living things based on physical and behavioural characteristics.

To date, scientists have classified about 1.7 million organisms, a small fraction of the total number of species, which has been estimated at anywhere between 5 and 30 million. But taxonomy is difficult and time-consuming. Many species, such as the different kinds of flies, look remarkably similar. Only an expert who has spent years examining a particular group can distinguish one from another. Even the experts may be stumped, however, when presented with an egg, an embryo, a seedling or a root. The next problem is that we are running out of time in which to complete the inventory. The International Union for the Conservation of Nature estimates that a quarter of the worlds population of mammals are threatened with extinction. 6 So, Heberts idea centred on finding a fragment of DNA that would disclose the identity of a species without having to decode its entire genetic code. He envisaged a DNA barcode reader, similar to the scanners at retail checkouts. Outlining his idea in Scientific American, Hebert writes: An inspector at a busy seaport, a hiker on a mountain trail, or a scientist in a lab could insert a sample containing DNA a snippet of whisker, say, or the leg of an insect into the device, which would detect the sequence of nucleic acids in the barcode segment. This information would be instantly relayed to a reference database, a public library of DNA barcodes. Anyone, anywhere, could identify species. 7 To create the barcode, Hebert proposed the use of a section of DNA, from the energyproducing units found in all cells. He selected a gene that gives rise to an enzyme known as CO1. This gene is small enough to be quickly and easily deciphered, but has sufficient variation for us to be able to tell most animal species apart. You and I, for instance, will have different versions of CO1, but they will be similar enough to show that were both humans and not chimpanzees. 8 In 2003, Hebert and his team published their first results. They showed that the barcode system could identify the group an animal came from (for example, whether it was a vertebrate, a worm or an insect) and even the species when it was stored in the barcode library. After five more years of work, results indicate that animals can now be identified by their barcodes in 98 per cent of cases. Early results have confirmed the additional benefits of the new system: for example, caterpillars of the tropical butterfly Astraptes fulgerator, which was first recognised as a species in 1775, all look very similar, and were assumed to belong to a single species. Barcoding has shown there are 10 different kinds. 9 Of course, the value of the system depends on a comprehensive reference library of the DNA (CO1) barcodes of established species. The Barcode of Life Data (Bold)

systems is an enormous international collaboration supported by 150 institutions in 45 countries. To date, it has compiled more than 500,000 records from 50,000 species. The consortium is hoping that the worlds birds will be barcoded by 2011. People have watched birds for so long that they might think every different tweet has been heard, every different colour observed, but barcoding may prove otherwise, says Professor Mark Stoeckle, professor of the human environment at Rockefeller University, New York, who works with Hebert. He estimates that out of the worlds 10,000 bird species, DNA barcoding will distinguish at least 1,000 new ones.


Questions 1 to 3
Choose NO MORE THAN ONE WORD AND/OR A NUMBER from the passage for each answer. Write your answers in boxes 1-4 on your answer sheet. Problems with taxonomy

only 1.......species have been classified so far difficult to distinguish between species of certain creatures, for example 2....... possibility of a large number of species of 3.......dying out soon

Questions 4 - 8
Complete the flow-chart below. Choose NO MORE THAN THREE WORDS AND/OR A NUMBER from the passage for each answer. Write your answers in boxes 4-8 on your answer sheet. Hebert's system

decided to create a device called a 4......., like ones used in shops chose a 5....... that produces a substance called CO1 samples of CO1 read by the device and matched with those kept in the 6....... current results show that 7....... of animal species can be identified in this way results show different species being identified, eg of 8.......

Questions 9 - 13
Do the following statements agree with the information given in Reading Passage 1? TRUE - if the statement agrees with the information FALSE - if the statement contradicts the information NOT GIVEN - if there is no information on this 9 The writer believes that the barcode system will be widely used by the general public. 10 It is likely that the barcode device will show that many foods and goods have not been correctly described. 11 Hebert got the idea for DNA barcoding from someone who worked at a supermarket. 12 The number of organisations supporting Heberts barcoding project is growing all the time. 13 A large number of new bird species have already been identified by the DNA barcode system.

IELTS Reading Passage 2

Read the passage and answer Questions 14 - 26 Giving The Brain A Workout

A Use your brain and it will grow it really will. This is the message from neuropsychologist Ian Robertson, professor of psychology at Trinity College, Dublin and founding director of the universitys Institute of Neuroscience. His book, Puzzler Brain Trainer 90-Day Workout, contains puzzles which he devised to stretch, sharpen and stimulate the brain. The puzzles, from 'memory jogs' to Sudoku to crosswords to number games are all-encompassing, and have been specially formulated to improve each and every part of the brain, from visual-spatial ability to perception, attention, memory, numerical agility, problem-solving and language. B Professor Robertson has been studying the brain for 57 years, in a career dedicated to changing and improving the way it works. During this time there has been a remarkable paradigm shift in the way scientists view the brain, he says. 'When I first started teaching and researching, a very pessimistic view prevailed that, from the age of three or four, we were continually losing brain cells and that the stocks couldn't be replenished. That has turned out to be factually wrong. Now that we know that the brain is "plastic" it changes, adapts and is physically sharpened according to the experiences it has.' C Robertson likens our minds to trees in a park with branches spreading out, connecting and intertwining, with connections increasing in direct correlation to usage. He says that the eureka moment in his career and the reason he devised his brain trainer puzzles was the realisation that the connections multiply with use and so it is possible to boost and improve our mental functions at any age. 'Now we know th at its not just children whose brains are "plastic",' he says. 'No matter how old we are, our brains are physically changed by what we do and what we think.' D Robertson illustrates his point by referring to Dr Eleanor McGuires seminal 2000 study of the brains of London taxi drivers. That showed that their grey matter enlarges


complex entity known to man between their ears, he continues, and the key to allow it to grow and be healthy is simply to keep it stimulated.


Questions 14 and 15
Choose TWO letters, A-E. Write the correct letters in the boxes below. Which TWO of the following are claims that Robertson makes about the puzzles in his book? 1. They will improve every mental skill. 2. They are better than other kinds of mental exercise. 3. They will have a major effect on peoples mental abilities. 4. They are more useful than physical exercise. 5. They are certain to be more useful for older people than for the young.

Questions 16 - 21
Complete the summary below. Choose NO MORE THAN THREE WORDS from the passage for each answer. Write your answers in boxes 3-8 below. Evidence supporting Robertsons theory Research was carried out using 16__________ in London as subjects. It showed that their brains change, enabling them to create a 17__________ of London. Tests showed that their18__________ increased in size as they continued in their job.

There is also evidence of a 19__________ kind. People playing a certain game involving 20__________ for a period of time every day achieved significantly better 21__________

Questions 22 - 26
Reading Passage 2 has seven paragraphs A-G.
Which paragraph contains the following information? Write the correct letter, A-G in boxes 22-26 below. 22 an example of a situation in which people will benefit from doing the puzzles in the book 23 a reason why some people dont exercise their minds 24 a discovery that had an enormous effect on Robertson 25 examples of things that people commonly feel they are not very good at 26 a reference to a change in beliefs about what happens to the brain over time

IELTS Reading Passage 3

Read the passage and answer Questions 27 - 40 Fierce, fabulous and fantastic
A new exhibition traces the history of animal painting in Europe from the anatomically inaccurate to the highly sentimental.

The first picture you see in the exhibition Fierce Friends: Artists and Animals 17501900 is of a giraffe sort of. Painted in about 1785, the creature in it has the neck of a giraffe, but its back is too long, its haunches too developed, and its legs are out of proportion to its body. Like most Europeans in the 18th century, the anonymous French artist who painted it had never seen a real giraffe. He relied on eyewitness descriptions, and on the skin of a giraffe the scientist and adventurer Franois Levallard had recently brought back from South Africa. Exotic animals shipped back to Europe at this time usually died soon after arrival, even supposing they survived the voyage. Until about 1900, taxidermy consisted of stuffing the carcass with straw, so the results fell apart after a few years. This meant that ordinary men and women had very few opportunities to see exotic animals at first hand until the establishment of the first zoos in Paris in 1793, in London in 1818. For an accurate depiction of a giraffe, Europeans had to wait until 1827 and the arrival of the first living specimen, when the Swiss artist Jacques-Laurent Agasse painted his lovely study of the Nubian giraffe sent to King George IV by the Ottoman Viceroy of Egypt. For most people in the 18th century, animals meant farm animals, carriage horses, and food for the table. But the Enlightenment was an age both of exploration and of discovery, as more and more species of animals, birds, fish and insects were identified and brought back from the South Seas, Africa and India. In 1740, almost 600 species of animals were known to science. One hundred years later, the number had risen to 2,400, including many that are familiar to most children today as a matter of course ostrich, rhino, orang-utan and buffalo. Kings and princes, to be sure, had their own menageries, and wealthy collectors added rare birds, fish and mammals (shown side-by-side with two-headed calves and fake dragons) to their cabinets of curiosities. In this way, the forerunners of modern zoos and museums developed along parallel lines. On special occasions an entrepreneur might exhibit a wild beast to the paying public, as was the case when the Venetian artist Pietro Longhi painted bored masqueraders at carnival time gawping at a pathetic rhinoceros. Out of such displays came another invention of the 19th century, the circus. Wider knowledge of the animal kingdom came with the publication of George-Louis Leclerc Comte de Buffons multi-volume Histoire Naturelle (1749-88). Based on specimens studied in the royal menageries, this remarkable book is still treasured not for its scientific accuracy, but for its glorious hand-coloured engravings. Far too expensive for most people to buy, it at least helped to make men and women aware of

the beauty of certain animals, as we can see in a service of Svres porcelain created in 1793, where the decorative motifs are taken from the birds drawn by de Buffon. Gradually, humans began to notice that dumb creatures have feelings. Man cannot afford to feel pity for an animal bred for food. When that wonderful artist Jean-Baptise Oudry shows a display of dead game in the 1740s, he is simply painting a luxury fresh meat available only to the well-off. Peasants ate bread. His lavish paintings were considered suitable for the dining rooms of the nobility because no one then expressed the slightest ethical or moral hesitation about hunting and killing rabbit, deer and boar for the table, or about slaughtering such vermin as foxes and wolves. Domestic animals were a different story. When Oudry depicts a hound with her newborn puppies, the simple picture has revolutionary undertones. The pretty white bitch, noticing that two of her pups have fallen asleep and are not getting the nourishment they need, is full of maternal solicitude. At a time when French noblewomen still sent their babes out to wet-nurses, even an animal is shown to display true maternal feeling. And in 1824, the year Delacroix shows two horses killed in battle, there is a new element in mans attitude towards the wanton slaughter of beautiful creatures: compassion. Delacroixs little masterpiece pierces the heart, whereas the grotesque memorial to animals killed in war unveiled in London recently leaves the viewer cold. But the moral impulse behind the creation of both works is exactly the same. Once animals can be loved for their innocence or good nature, it becomes more difficult to treat them cruelly. Almost 15 years before Jean-Baptise Greuze painted a picture of a young girl mourning her pet sparrow (1765), William Hogarth published his series of prints, the Stages of Cruelty, showing how the mistreatment of animals leads inexorably to the devaluing of all forms of life, including human. In this show, it is almost impossible to look at Emile Edouard Mouchys horrifying depiction of the vivisection of a dog (1832) without wincing. Though such experiments represent a necessary evil, our very squeamishness represents another rung upward in the moral evolution of mankind. This process started in the early 19th century, when men began to see in the animal kingdom a mirror image of their own feelings. In his portrayal of a horse frightened by lightning, Gericault lets us see the animals tensed body, foam -flecked mouth and brow furrowed in anxiety. In The Jealous Lioness of about 1880, the German artist Paul Meyerheim shows a caged lioness enraged at the attention her mate is paying to a beautiful lion tamer.

Gradually, artists began to blur the distinctions between animal and human. When Edwin Landseer in High Life and Low Life contrasts a mongrel guard dog with a deer hound, the animals are surrogates for their absent masters, a butcher and a nobleman. All these artists emphasised the physical and emotional resemblances between animals and human beings.
Article: 'Fierce, fabulous and fantastic' - The Daily Telegraph 2005


Questions 27 40
Choose the correct letter, A, B, C or D Write the correct letter in boxes 1 - 5 on your answer sheet. 27. The point the writer is making about the picture of a giraffe is that: 1. the artist knew it was inaccurate. 2. it might seem ridiculous today. 3. its inaccuracies are understandable. 4. it is not totally unlike a real giraffe. 28. In the second paragraph, the writer explains why: 1. there were no accurate paintings of giraffes in Europe until 1827. 2. people in Europe were so keen to see exotic animals. 3. people in Europe preferred paintings of animals to stuffed animals. 4. the establishment of zoos had an effect on the painting of animals. 29. The writers main topic in the third paragraph is 1. which animal species became popular in Europe in the 18th century.

2. why the identification of species became an important issue in the 18th century. 3. the extent to which knowledge of animals increased in the 18th century. 4. the way in which attitudes to animals changed in the 18th century. 30. Which of these is the writer doing in the fourth paragraph? 1. contrasting the development of zoos with that of museums. 2. criticising the commercial exploitation of creatures. 3. describing a change in the portrayal of animals in paintings. 4. explaining the origins of the use of creatures for public entertainment. 31. The writer mentions the porcelain created in 1793 as an example of: 1. improvements in the artistic portrayal of creatures. 2. the influence of Buffons Histoire Naturelle. 3. one of the disadvantages of de Buffons Histoire Naturelle. 4. the popularity of pictures of creatures with the wealthy.

Questions 32 35
Complete each sentence with the correct ending, A-F below. Write the correct letter, A-F in boxes 6-9 on your answer sheet. 32. Delacroixs 1824 painting... 33. Greuzes 1765 painting... 34. Hogarths series of prints... 35. Landseers pair of paintings High Life and Low Life...

A: makes a moral point about human behaviour. B: contrasts animal behaviour with human behaviour. C: shows a humans feeling for a creature. D: has an identical purpose to that of another work of art. E: depicts similarities between creatures and people. F: portrays the feelings creatures can have towards humans.

Questions 36 40
Do the following statements agree with the views of the writer in the Reading Passage? In boxes 36 - 40 on your answer sheet, write YES if the statement agrees with the views of the writer NO if the statement contradicts the views of the writer NOT GIVEN if it is impossible to say what the writer thinks about this 36. It is understandable that people feel no emotion towards certain animals. 37. Some of Oudrys paintings are more impressive than others. 38. Some people claim to love animals but treat them badly. 39. Mouchys painting shows something that should never happen. 40. Early 19th century art reveals a change in peoples attitudes towards animals.