User Score

Universal acclaim- based on 13 Ratings

User score distribution:
  1. Positive: 11 out of 13
  2. Negative: 0 out of 13

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  1. DougB.
    Oct 2, 2006
  2. KellyM.
    Jan 22, 2006
  3. SidneyO.
    Nov 25, 2005
  4. yorkiep.
    Nov 8, 2005
    The phrase
  5. StefanC.
    Nov 3, 2005
    I love this movie.
  6. JTStevenson
    Aug 9, 2005
    One of my favorite movies of the year, a movie that sent me through huge highs and low lows. The soundtrack is kickace. I can see how some would not enjoy this movie, but for anyone who appriciates the club culture and what comes with that will love it. As well the cameo by the two numbnuts from FUBAR will have you laughing quite hard.
  7. djbits
    May 6, 2005
    While acknowledging it is far from the perfect film, I enjoyed this movie for the most part. After the initial excitement of watching Frankie blow up the Ibiza club scene and generally engage in a life of coke and scotch fueled decadence along with the requisite groupie sex, the movie slows down as Frankie starts to go deaf. When he finally loses all of his hearing, the second half of the movie picks up as Frankie spirals down and the movie explores some dark themes including depression, insanity and major drug/alcohol abuse while at the same time there is kind of a comical element to it because Paul Kaye plays the drug addled musical genius goofball character so well that you can't help but hate and feel sorry for him at the same time. If you have ever enjoyed a night at the club and all that entails you will probably enjoy this movie and the pretty good soundtrack that accompanies it. It has a bit of a spinal tap feel to it as well....if nothing else, the coke badger will be a character you will never forget! Expand

Mixed or average reviews - based on 22 Critics

Critic score distribution:
  1. Positive: 7 out of 22
  2. Negative: 2 out of 22
  1. "Trainspotting" redux.
  2. The faux-documentary format does nothing for the material, but Kaye turns in a chaotic and ultimately moving performance.
  3. 50
    In addition to possessing the most confusing title of the year, Canadian filmmaker Michael Dowse's high-energy dance-club saga It's All Gone Pete Tong arrives in an elaborate package of spoof and deception that should win the admiration of any practical-joke connoisseur.