Red Earth (as summertime ends)

‘A completely different approach and feel’

It seems that there were certain aspects of being in a band that David Sylvian felt liberated from after Japan split up, but there were others that he missed almost immediately when setting out as a solo artist.

In 1986, just after the release of his second solo album Gone to Earth, he explained that his desire for musicians from a jazz background to perform on his records ‘came out of the frustration of working within a band like Japan which was studio-bound. Nothing was improvised except in rehearsals when you are putting the track together. Going into the studio everything was well prepared and you really knew what you were doing, and it was only a matter of sound you were working with. So, when Japan split up I wanted to get into something that had a bit more life to it, a bit more spontaneity to it.’ Continue reading “Red Earth (as summertime ends)”

Sons of Pioneers

Collaboration in a band context

Recently I returned to Tin Drum after a long break. I’m not sure why I neglected it, maybe because David Sylvian has often spoken of his work implying that ‘Ghosts’ was the one Japan song truly reflective of his musical journey. Maybe because the literature and websites tend to differentiate between Japan and the solo period as different eras, and lately I’d given much more of my attention to the latter. Continue reading “Sons of Pioneers”