Worthless music downloader



Talking time manager



Poll: Where do you listen to music?

Music is everywhere, so we're curious about where you do the bulk of your listening.

We have a hunch very few people listen at home over a hi-fi or home theater system. It might be the best place to really listen, with the best sound quality, but is that enough to keep you on the couch? Or do the distractions at home thwart any chance of concentrated listening?

Here in New York City, it seems as if everybody is listening to iPods and Zunes, and we assume that out there in the rest of America, most people listen to … Read more

What does good sound sound like?

Editors' note, October 3, 2012: This is an update of a poll from May 16, 2009.

I recently visited EarsNova, a high-end store in NYC, and heard one of the best-sounding hi-fis in my experience. The store's big Rockport Technologies speakers, Constellation Audio amplifiers, and dCS Digital gear reached beyond merely reproducing music, and with my eyes closed, the music sounded as close to lifelike as I've heard. The sound floated free of the speakers; it was effortlessly clear. The illusion worked best with orchestral music, but a few purely acoustic singer-songwriter CDs were almost as palpably realistic. And that's the goal: blurring the line between hi-fi and real, live music; that's what great sound sounds like to me. Lifelike rock recordings are harder to pull off, mostly because they almost always are so heavily processed and compressed they can't sound realistic.

You don't need to be an audiophile to hear the difference between average-sounding and great-sounding recordings, but you do have to listen. Really listen.

First try this experiment and set a benchmark: Listen to someone playing an acoustic guitar, in your room. Then play a recording of an acoustic guitar. Notice any difference in the sound quality between the two? Yeah, it's not even close. If your real, live guitar player can sing, next compare the sound of that person's voice to the recording's vocal. The recording's singer will most likely sound small, tonally thin, like the voice is coming out of tiny boxes. It might be hard to tell the singer has a flesh-and-blood body connected to that voice. The live guitar sounds big and clear -- very clear -- without any edge or harshness. Few recordings of guitar sound like the real thing.

My point here is to first establish a standard of what good sound sounds like to me. I like recordings that sound realistic. After all, if the musician on the record is playing a Gretsch Synchromatic 400 Acoustic Archtop guitar, I'd like to hear its unique sound. But if the producer and engineer recorded the Gretsch through a pickup instead of a microphone, equalized its sound, compressed its dynamic range, added digital reverb, and processed it to death -- there won't be much left to the Gretsch's sound. Then it's just a generic guitar, which is why I would describe the sound of the recording as "bad."Read more

What'd he say? How to improve home theater dialogue intelligibility







Of course, you can also use the CH SEL feature to boost subwoofer volume to taste whenever you switch movies or CDs. Or adjust the surround channels volume. … Read more lays off 12 percent of staff

For the second time in five months,, the Internet arm of Wired magazine, has trimmed its staff.

According to a Twitter post from Evan Hansen, the Web site's editor in chief, the company laid off 3 out of 25 full-time staffers or 12 percent of its workforce.

"Reports of 'gutting' greatly exaggerated," Hansen wrote on Twitter, presumably referring to published reports about's layoffs. "We cut three staff, five contractors, (and) still have 45 people working for us overall."

Among those who lost their jobs was Eliot Van Buskirk, … Read more

Do musicians care about sound quality?

Maybe it's just me, but it seems like most musicians I meet are more into making music than listening to it. They don't care about how music sounds at home; many are satisfied with the sound they get from boom boxes or chintzy computer speakers. Some tell me they're more focused on the way the players play than the sound.

Sure, I've met a few musicians with ears for sound. That happened just recently when I struck up a conversation with jazz drummer and audiophile Billy Drummond.

He readily conceded my point: "Getting a good hi-fi isn't high on their list of priorities. Like everybody else, musicians listen to music while they're on the computer or sending e-mails. That's what music is now, a backdrop, so fidelity isn't important anymore."

Sad, but true, so what is music for? Drummond had a ready answer. "It's for people to enjoy," he said. "It can take you somewhere, you can dance to it, music conjures emotions. For musicians it's an expression, a way to challenge ourselves, and it can be inspiring. If you're a saxophone player and you're listening to Sonny Rollins or John Coltrane, music can motivate you. It lets you see what's possible.

"I really enjoy playing (live) for myself and for an audience, I want people to feel something when I play. When I listen to Tony Williams or Elvin Jones (two great jazz drummers) and what they've accomplished it's mind boggling, that's what music means to me."

That's all great, but how did he become an audiophile? Drummond explained that he was always an avid music collector, and when he first heard his favorite music played on a really great system he was blown away: "Wow, I never heard my music sound so real, so vibrant, so great."

It turned you on, I asked. "Right, I was even more motivated because I could hear the nuances of Max Roach's drum set or Tony Williams ride cymbal. It helped me become a better player because I can get in touch with the thing I'm chasing after. Which is, how can I sound as good as these guys."… Read more