Posts tagged “film”.


I knew absolutely nothing about The Favourite before seeing it. Frankly, all I saw was a poster with three women in period costume and I thought, I AM SO THERE.

After an unpleasant incident with another audience member who has no idea what designated seating means, the movie began and I was delighted to see that I was seeing a menage a trois of power involving an ailing Queen Anne, her lifelong friend Lady Sarah, and Sarah’s poor relation, Abigail. And while not everything depicted happens, these were three real women and we mostly see them on screen and it totally must pass the Bechdel test! [I didn’t see it listed.]

It is sometime in the early 1700s and Queen Anne is the last of the Stuarts on the throne, and she’s ailing. Gout and other mobility issues leave her in a lot of pain. Her longtime friend Sarah has much influence over the Queen despite Anne being a Tory and Sarah a Whig. Often at issue is whether to keep attacking France (Whig position) or not (Tory) and Sarah is there to plead the Whig’s position. She is also close enough to the Queen to tell her when her makeup makes her look like a badger.

Speaking of wigs… the men here are often done up in lots of make up and powdered wigs and seem to be parodies of themselves.

Abigail (Emma Stone) is unceremoniously assigned to the kitchen staff but she is shrewd and takes to the woods to concoct a natural herbal plaster to help ease the Queen’s pain. She is a bit presumptuous, going into the Queen’s bedroom and applying the potion on her person without asking, but this is enough to give Abigail an opening and a be the wedge that causes a rift between Sarah and the Queen. Plus, Abigail is NICE to Queen Anne. Never calls her a badger, for example.

Much of this is reminiscent of All About Eve, one of the bitchiest films ever made, plus a great example of social climbing and hangers on.

The writers and director Yorgos Lanthimos take some liberties. For example, Anne has one rabbit for each child she has lost (seventeen lost to miscarriages, stillbirths, smallpox and the most difficult, losing a son who lived to see his tenth birthday). In real life, Anne did not keep rabbits as pets… they were more likely dinner fare. But Lanthimos does a great job of humanizing a monarch who is supposed to be remote and the head of the Church of England. There’s a great “Don’t look at me!” scene between Anne and a footman.

Queen Anne was  the last of her line. The Glorious Revolution that put her sister (Mary II) and brother-in-law (William III) on the throne after deposing their Catholic father (James II) also mandated no non-Protestants on the British Throne. So Anne’s passing was an end of an era, as 50 Catholic heirs in the line of succession were passed over in favor of George of Hannover, whose descendant is on the throne today. It’s sort of incredible that this woman was at the head of an empire in two continents, the head of a church, but made quite malleable by her physical pains and whomever was nicest to her.

There is no real evidence of any lesbian aspects to the relationships of Queen Anne with Sarah or with Abigail, but there was a strong rumor at the time to that possibility. Also, men don’t really get the friendships of women.

The problem with “based on a true story” is that movies just do what they want to do to make an entertaining movie, and this is no exception, but the point of the movie seems very true to the power triangle here as Abigail (a Tory) gained more and more power at court. Also, the lives of women of that era were often not recorded or cared about, and it’s always great to see the lives of women of other eras faithfully portrayed on screen.










LAST SEEN: 1973.

UNDEREMPLOYMENT CINEMA — That Hamilton Woman (1941)









Cinema Non-Paradiso





“Why are you screaming AT ALL?”









From the start, this movie has an unrelentingly positive attitude about teenagers, and I suspect it is because there were so many movies about reckless teenagers in the mid- to late-1950s. Here, teenage Steve (played by 27-year-old Steve McQueen) witnesses the Blob overtake a doctor, and he tries in vain to get the cops to take him seriously. Later, he has to round up other cleancut, wholesome teens to help get the authorities’ attention–the highlight being when they convince the school principal to help them bust into the school for the much-needed fire extinguishers to vanquish the Blog.

I saw this on TV back in the 1970s like everyone else. Some friends remember being terrified by the Blob as kids, but the Blob itself doesn’t have much screen time. The movie seems to spend more time on the well-intentioned teenagers. Aneta Corsaut, who played Helen Crump on the Andy Griffith Show, is Jane, the female well-intentioned team.











All My Hitlers






“Easy Virtue”

Tony and I went to see Easy Virtue tonight in Manhasset. The film is based on a Noel Coward play of the same name.

Easy Virtue features a young rich Briton who suddenly marries Larita, an American lady race-car driver, much to the disdain of his mother (Kristin Thomas Scott) and two sisters (Kimberley Nixon and Katherine Parkinson) back home on the estate that’s been in the family for seven generations.

Larita (Jessica Biel) has a tough road ahead of her facing the Big Three. Larita is a modern liberated woman, a divorcee, and far too American for the Whittakers’ liking. She speaks her mind. She’s posed nude for cubist painters. This doesn’t sit well with her husband’s mother or frumpy, unloved virginal sisters. Set circa 1932, one has to remember that this is England, which couldn’t tolerate its own King (Edward VIII) marrying a divorced woman.

Having married impulsively on the Riviera, Larita hasn’t seen John (Ben Barnes) in his native environment, and a quick visit to get introduced to his family turns into an interminable stay, with days turning into weeks and then months. The tensions escalate, and it becomes clear that Larita has more in common with the servants and John’s father than with almost anyone else. And since John’s mother and father (Colin Firth) are estranged yet living together, any time the young couple enjoys any kind of intimacy, it drives the Mom and the gruesome virginal twosome nuts.

Director Stephan Elliot (Adventures of Priscilla, Queen of the Desert) does a good job of showing the entrenched English stuffiness and class struggles–most period pieces like this do. Kristin Thomas Scott excels as the uptight aristocrat, torn by propriety converging with the financial pressures of maintaining a centuries-old farming way of life during the Depression. Jessica Biel does a pretty good job of standing up to all the pressures. The film has a lot of funny moments, and a stupendous period soundtrack punctuated by Cole Porter and Noel Coward songs. Ben Barnes (Prince Caspian of the Narnia Chronicles), as Tony pointed out, was prettier than all of them put together.

Interesting enough, the Hitchcock adaptation of the play puts much more of the drama on the Larita character being a divorcee with a very shady past. Here, Larita is set up as the victim, doomed from the moment she crossed the threshhold of the family estate. In the Hitchcock version, the Whittaker matriarch acts to “save” her son by digging up dirt on Larita.