To Get to the Other

This collaboration with Charlie Schneider references the form of a crosswalk and uses the reflective quality of water to create visual and physical connections between the two artists, between the artists and the viewers, between the exterior space beyond the windows and the gallery space within, and between life and death. Roughly one thousand pounds of wet clay surround the wooden troughs, cracking and separating as it dries, producing a visceral sensation of impending collapse and flood.