Monday, July 9, 2018

Friday, March 23, 2018

Alt-Right Defeated by Antifa in Michigan


hugzOn March 4th racists, fascists and white nationalists of all stripes began to trickle from their various miserable corners of the country and into Michigan to attend Richard Spencer's speaking event which was to take place on March 5th. They may have been expecting a Nuremberg rally, but instead they were met with a two-day festival of failure brought on by a combination of their own inability to organize effectively and bold community opposition to their abhorrent views. The alt-right was refused platforms and gathering places at all of their planned stops in Detroit, Lansing, and Ann Arbor, clearly showing that the people of Michigan will not allow hate in their homes. After being denied entry at every turn, from their original venue, The Carpathia Club in Sterling Heights to Tipsy McStaggers, a bar in Warren, Michigan, the defeated group of racists slunk off to an AirBnB outside Ann Arbor. The alt-right may have felt they would be safe in the remote mansion hidden among trees and only accessible by a road that ran one way in and one way out but they were unable to keep even this location a secret. Within hours they were forced to flee yet again, presumably seeking shelter scattered among any local motels with vacancies as they tried to rally themselves for the next day and stewed in their obvious defeat.

MARCH 5TH pt.1

March 5th began with a large group gathering in opposition to Spencer’s event in the parking lot of the MSU agricultural pavilion, a venue normally used for livestock auctions. As small groups of fascists tried to make their way through the opposition in order to hear their beloved glassjaw spout his hateful views, it quickly became clear that they would not be able to do so without risking the same consequences their idol famously experienced on film and they scurried back to whatever holes they had crawled out of. After some time the Traditionalist Workers Party(TWP) arrived along with fascists who where turned away earlier, clearly laboring under the incorrect assumption that their sieg heils and shouts of “white power” would get them through the crowd gathered to oppose them. Their proud walk slowly turned to cowering stances as they slowly realized they were outnumbered and outmatched by over 100 antifascists who took to the streets to block their path. Scuffles began almost immediately as the TWP foolishly attempted to push their way through and were forced back at every attempt, unable even to protect their leader, Matt Heimbach, who was struck on several occasions. The look of fear on the nazi’s faces clearly echoed their defeat as they clung desperately to each other and shouted, often almost in tears, at the cops who were unable to protect them from the antifascists’ focused opposition. Finally the police were able to intervene and the roundly defeated TWP made a walk of shame, cowering behind the cops who protect them, back to wherever they came from.



Despite the risk of facing down the assembled antifascists in order to enter the building, small groups of racists continued to attempt to get through the opposition throughout the day. Most had the good sense to know that calling on the cops for an escort was their best chance of success, but even those chances proved to be slim, as police continually failed in their efforts to safely guide the racists through opposition lines. In these moments, both the fascists and cops who were there to protect them were shown that this event and those in support of it would not be tolerated. The cops even found themselves struck and pelted with rock on multiple occasions as the community made it clear that they hold both fascists and those who protect them in the same regard. This event was a clear victory for all who oppose fascism and it was a day of miserable failure for fascist organizing, which was reflected by terrible event attendance (TWP organizers included) and the cancellation of Richard Spencer's college tour. Slowly but surely the alt-right is falling on its ass. Good riddance!

Monday, August 14, 2017

Milo Ads Torn Down From CTA Platforms

The following is an anonymous submission from local Chicago antifa regarding the recent posting of advertisements for Milo Yiannopoulos' book along the CTA lines (public transit).
"Queers and Trans Women especially, Trans Women Of Color are always on the front lines of Antifascism regardless of our choice to be there because
bigots and fascists will attack us and our community without hesitation or
provocation. It is essential to our survival that we fight for our
community and ourselves. While we will continue to struggle to exist, we
there standing tall and battling genocide and heteropatriarchy! Solidarity
militants to liberate by bringing death to the Chechnyan
​ State! Solidarty with TQILA who have formed an Anarchist LGBTQI Militia
Liberation for all! Fuck Rainbow Capitalism and Assimilation to any
oppressive behavior or system! Milo Yiannopoulos is a bigoted fascist piece
treatment as any other fascist scum. Exile and Death." 
                                                       - A QT Antifascist

Wednesday, May 3, 2017

Known White Supremacist Tom Christensen Sent to Hospital by Antifa

On the night of April 11th Chicago antifascist activists spotted known white Supremacist "Trigger"
Tom Christensen (34) at Delilahs bar located on the Northside of Chicago. Shortly after being seen, a Melee ensued between Tom and the local Antifa. Tom was sent sent to the hospital in an ambulance following a lengthy meeting with the business end of several cue sticks and a frantic 911 call from those with him. Unfortunately, two bystanders were injured by Tom. Both are alive and well.

For those who don't know, Trigger Tom is a violent neo-nazi originally brought to public attention by Rose City Antifa (Portland) while attempting to infiltrate and gather information on local leftist/anarchists. Christensen has made hundreds of posts on the white supremacist forum (see bottom of article) known as under the username "whitepunx". During his time in Portland he was actively promoting a known neo-nazi organization called Volksfront International. Tom has also claimed responsibility for shootig and paralying and Antifa comrade while in Portland. Shortly after being doxed, it became very clear that Tom’s presence would not be tolerated by antifascists in Portland and he was forced to move to Chicago and has been remained on the radar of antifascists. He has done a good job slipping through the cracks, until this past Tuesday.


Tom was confronted by Chicago antifascists who believe that neo-nazis are not to be debated with, but rather pushed out of any community or scene. If someone’s beliefs are based of the oppression of others, that belief poses a bigger threat to our society than the discomfort or pain experienced by those who hold them.

So, “Trigger” Tom Christensen, this message is for you. You can spin whatever story you want out of what happened at Delilah’s. You can deflect blame onto other groups all you want, we’re telling you that the reason you got dealt that beating, was we see you and know who you really are. Chicago is no more safer for you than Portland was when you tucked your tail and ran. But, hey, don’t take our word for it, stick around and we’ll have some more fun. Y,know, maybe shoot some more pool sometime.

Antifascist forever!

Tom Frederich Christensen 
3007 N Allen (2nd floor) 

Stormfront screencaps:

"Trigger says he is a WN, which stands for White Nationalist"

Wednesday, March 15, 2017

Mark Solotroff, of Fortieth Day, Tries to Escape His Racist Past

Mark Solotroff, a musician in the electronic/noise genre and operator of Bloodlust! records, was
AWB Record label
recently called out in Chicago for his "art project" AWB recordings and the pseudonym under which he released what was described as “white power racist noise”. As stated before, we are anti-fascist and not art critics. Crypto fascist "artists" have been attempting to make inroads in various music scenes for quite some time and their impact has only been increasing as of late. Despite these recordings taking place in the late 1980's/early 90's, they continue to have impact based on the new found popularity of their provocations. White supremacist america has answered these provocations boldly. Fascism? YES!
      By aiming to be provacative, Mark Solotroff succeeded in provoking a response by fascists and anti-fascists alike. One of admiration and respect and the latter of disgust and anger. When conceiving art projects on horrid subjects we would hope the aim is to stare into the abyss, then recoil in disgust. That is not the case with AWB/Terre Blanche. The extremist imagery and content of these recordings caught the eye of Antifa and fascists alike. Whether it's nazi skinheads Sieg Heiling on album covers, song titles like "Sickle Cell", an obvious reference to a disease that largely affects people of African origin, or "They Kill Their Own, And Blame Us", a reference to the Atlanta Child Murders, a series of murders between 1979-81 in which the victims were Black, and attributed to a man who was never tried and convicted in many of the cases. Its also been asserted by many that the actual perpetrators of the murders were members of the local KKK but it was covered up. It becomes immediately apparent Mark Solotroff’s work in this time period took a very specific course, to target Black america specifically.
"New Slavery" Depicts death of Harold Washington and slave imagery

Despite being of limited copies the music and myth of AWB/Terre Blanche spread. In 1989, In response to a notification he’d received from Electronic Cottage, a popular publication of the genre, that there were protestors upset with their advertisement of AWB/Terre Blanche, Mark escalated by deliberately taking out a full page ad in the next issue, boldly claiming that “AWB rcording artists are racists...” to provoke anti-fascists even further. Also in 1989, Mark gave an interview with a magazine called Chemical Castration, in which Terre Blanche is described as being unique in the electronic music genre because of the raw expression of racial hatred pervading their music. In this interview Mark attempts to separate himself from groups like the KKK by saying where they attempt to victimize others, he is the one who has been victimized. He repeatedly claims that white people are an oppressed class and that this music is their way of taking a stand against this. All of this he did under his pseudonym, before it became widely known in the early 90s who had been behind AWB/Terre Blanche. An article was published in 1991 by Ben Gilbert, an editor for Chemical Castration magazine, detailing a series of correspondences and events that led folks like himself and PBK to discover that Solotroff was behind the project.

 In 1991, musicians in the industry from the U.S. to Europe, like Philip B Klingler and Frans de Waard, concerned about the normalization of these hateful themes in their network, worked with other artists on an anti racist compilation called "Anti-White Bastards" in response to Mark Solotroff's label. Artists from all over contributed to this effort likening people like Solotroff to known white supremacists in the industry like Death in June or Boyd Rice.
 Following is an excerpt from an interview with Philip B Klingler with Personal Best: Issue #6 on 1/2016 Norway:

      "I certainly don't object to extreme content as a narrative within noise music, so I'm not trying to say that controversial subject matter shouldn't be addressed, it really should be. But anything done stupidly, immorally, or only for shock value, has a lot less value when the shock has worn off, and the shock aspect wears off pretty damned fast. If your defense is that you were only trying to shock people and make them think, well in my opinion you should've provided a better point of view of what your angle was, otherwise it's too obtuse. There are better, more intelligent ways to do that, ways that don't leave it open for interpretation as to what the artist's point of view is in relation to the content. On the other hand, if you align your work closely to these backwards ideologies, then in the long run you've ruined your legacy, especially if you don't believe in what you are saying, but are just trying to make a controversial statement, to shock the audience. It's fakery. But there isalways going to be a subculture in the fan base that enjoys this extremist content. So.. for those of us who have been honestly trying to use the medium as a means of evolving the language of music, those groups, those labels, made it harder for us over the years to be taken seriously in a genre where racist or licentious ideas were the norm."

The following is a quote from one of our correspondences with popular noise artist, PBK,  active since the mid-80's, who has released over a hundred albums and collaborated with such well known experimentalists as Jarboe (of Swans), Jim O'Rourke, Wolf Eyes and many others. He has been very outspoken about racist/fascist/nazi and hateful imagery in music:

        “In noise music the artist is creating an abstract expression which, if listened to on it's own, without a title guiding it's narrative, it is probable that every person would come up with a different set of correlations. Once the artist titles the piece they set the metaphor in a direction for the listener. When they create a work that has a racist title and then say 'well, i was simply being a provocateur', that's too easy, they are escaping responsibility. I have made a number of protest works in noise: 'Domineer', 'Asesino', 'Warfare State', 'Politics Of Aggression' and others. None of these works requires a defense or explanation from me as to my point of view yet they are all provocative. Truth in art is essential, hoaxes are a con man's game. It's a misconception that art needs to be elusive, ambiguous, not easily interpreted. I think the work can be challenging, disturbing, it can explore many sociocultural aspects, it can be mind-blowing, inspirational, or give a pure feeling of dread. So many things can be encapsulated in abstract art ----- and still stay on the right side of history.”

When confronted by a group of antifa recently, Mark attempted to use the limited nature of the
recordings as an excuse that many hadn't heard or would even know of them. Our goal in confronting Mark was to hold him accountable for this past and encourage him to denounce the reality of these provocations by denouncing AWB/terre blanche and Fascism as a legitimate political ideology. From our conversation at the Hideout in Chicago, Mark agreed to put out a statement doing just that. He eventually did release a very wordy statement full of excuses and deflections, seeming to completely miss the point.

   In reading the expected statement from Mark regarding the racist roots in his music career, its become amply clear that he does not and will not take ownership of his misguided and hateful views at the time. He continues to dismiss his work as a joke or silly art project. He continues to allude to his own Jewish heritage and the people of Latinx descent in his life, as well as his apparently queer identifying friends, in an effort to insulate him from the white supremacist ideologies he glorified through his “art”. Not once in his statement does he address the community that he continuously attacked and incited violence against, the Black community. The very record label itself is an homage to a neo-nazi separatist group in apartheid South Africa.

               Particularly offensive is his assertion that as an artist he reserves the right to explore the topics that pique his interest. Mark, you didn’t explore them, you glorified and capitalized on the violence, hatred and oppression of the Black community. For that, the community reserves the right to retaliate against the oppressive forces and imagery that you elevated and contributed to. This is not suppression of your artistic expression or free speech, it is literally self defense. Mark Solotroff was given the opportunity here to atone for his past and ask the communities he openly attacked for forgiveness because that is what restorative justice looks like. However, he has proven that he is just another crypto-fascist hiding behind the guise of art and free speech.

               Antifa does not use the state to prevent anyone’s free speech. We reject the concept of constitutional free speech, as the constitution was never meant to protect human rights. It is a human right to exist in a society free of fear that people will attack you for your physical or social differences. That being said, the constitutional right to free speech supposedly restricts the state from censoring ideas, but that same constitutional right as well as basic human rights do not stop the public from opposing hateful ideas in defense of life. The fact that people dislike what bigots have to say and want to make that known is not prohibited by the concept of free speech. If bigots actively go out of their way to tell people that 90% of the world’s population should be enslaved or that the best thing they can do is kill someone because of their skin color, religion, ethnic background, immigration status, sexual orientation, disability, etc., they can’t use “free speech” to silence opposition. Anti-racists and antifascists have an obligation to deny a platform to bigots so that they can’t spread their message and recruit. Concert venues, meeting halls, radio programs, and the like make choices about who to host on a regular basis. These choices have a very real impact on bigoted ideas taking root in one’s community. Responding to bigoted speech is important. We believe in being proactive when it comes to fascist violence, which means confronting fascist views in music scenes before they have a chance to put their ideas into action, and taking fascist threats seriously.

  Mark Solotroff
Most current addresses:
3528 W Fulton Blvd. Chicago, IL 60624
165 N Canal St. APT 1131 Chicago, IL 60606

 Solotroff has an upcoming show at Cafe Mustache in Chicago on March 18th with other shows following at Subterranean on April 2nd and The Empty Bottle on May 8th, both also in Chicago. Feel free to stop by and give your opinions on his shady past.

Monday, February 6, 2017

Rockford IL "Daily Stormer" Meetup Disrupted by Antifas


(Click to see Screenshots)






Thursday, January 12, 2017

Matthew Heimbach and Traditionalist Workers Party Sneak Rally in Daley Plaza

On Sunday January 8th, Matt Heimbach and his petty hate brigade, better known as the
Traditionalist Workers Party, gathered on the steps of what they apparently thought was city hall but was actually Daley Plaza, to little fanfare, to spread their message of racism and ignorance to the citizens of Chicago. Despite claims of not being afraid of either Antifas or the “Black gangs” of Chicago, this action was planned in secret and executed with neither supporters nor foes being aware of their presence. Heimbach, in his usual long winded manner, had much to say, most of it the played out drivel he has become known for, and most of which he has proven time and again incapable of and unwilling to execute. In other words, he was talking awfully big for someone who chose a Sunday afternoon to have a secret rally outside of a nearly empty building, in a non-residential area of downtown that sits mostly empty on Sunday afternoons.

Their proclaimed reason for this sneak attack in Chicago, a city they are proclaiming to be “the seat of leftism in the Midwest” (if only) is despicable and, naturally, exploitative. Lets be honest Heimbach, you don’t give a shit about what happened to the man who was kidnapped and beaten here. No more than you cared about the high school football players in Idaho who assaulted and raped a young mentally challenged Black kid in the locker room. Nor the countless incidents of violence perpetrated against marginalized people, largely emboldened by your hateful lies. Nor do you give a shit about the 400 years or so of oppression that Black people have faced here. That’s the difference between what happened to that young white kid and what people of color face on a daily basis. There is no white genocide nor any systematic racism against white people. What those four kids did was just a symptom of the systemic oppression that Black people have faced for centuries, and of the hateful rhetoric that scum like you spew.

Let us make ourselves clear, we do NOT condone what those four did to that young man. What happened was tragic and sad. However we realize that this is not a part of some larger conspiracy to oppress white people. Those who hold power cannot be oppressed by the marginalized and oppressed. Oppression stems from power. The State acted swiftly in this case because those responsible are Black. They will serve significantly more time in prison, compared to white people found guilty of similar acts, because they are Black. They will likely be shown no mercy, no leniency and for the most part people wont care. THAT is what we do not condone and are working towards dismantling. THAT is what oppression looks like. 

Despite the pathetic nature of this display, it does highlight a new found boldness on the part of these cowardly hate mongers which cannot be taken lightly. In these times even sad attempts at publicity like this sneak attack cannot be allowed to stand. It is imperative that if you see a display like this, that you contact your local antifa chapter and members of your community so that we can uphold our tradition of ensuring the safety of our community as a fascist free zone.

Heimbach, we see you. We will not allow you to exploit tragic incidents within our communities, so that you can mold the narrative to suit your own despicable ends. Your cowardice has been noticed. Your fragile male ego and rancid world view have no place in our city and will not be tolerated. You have been weighed and measured and found wanting.  Chicago eagerly awaits your return, should you have the spine to make your presence better known. This is your warning, one we are not afraid to hide from public view, as you did.  Your next visit will be met with force.