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National memory is a form of collective memory defined by shared experiences and culture. It is an integral part to national identity.

It represents one specific form of cultural memory, which makes an essential contribution to national group cohesion. Historically national communities have drawn upon commemorative ceremonies and monuments, myths and rituals, glorified individuals, objects, and events in their own history to produce a common narrative.[1]

According to Lorraine Ryan, national memory is based on the public's reception of national historic narratives and the ability of people to affirm the legitimacy of these narratives.

Conflicting versions, dynamicity, manipulation and subjectivityEdit

National memory typically consists of a shared interpretation of a nation's past.[2] Such interpretations can vary and sometimes compete.[2] They can get challenged and augmented by a range of interest groups, fighting to have their histories acknowledged, documented and commemorated and reshape national stories.[3] Often national memory is adjusted to offer a politicized vision of the past to make a political position appear consistent with national identity.[4] Furthermore, it profoundly affects how historical facts are perceived and recorded and may circumvent or appropriate facts.[4] A repertoire of discursive strategies functions to emotionalize national narrative and nationalize personal pasts.[5]

National memory has been used calculatedly by governments for dynastic, political, religious and cultural purposes since as early as the sixteenth century.[6]

Marketing of memory by the culture industry and its instrumentalisation for political purposes can both be seen as serious threats to the objective understanding of a nation's past.[7]

Lorraine Ryan notes that individual memory both shapes and is shaped by national memory, and that there is a competition between the dominant and individual memories of a nation.[8]

Hyung Park states that the nation is continuously revived, re-imagined, reconstituted, through shared memories among its citizens.[9]

National memories may also conflict with the other nations' collective memory.[10]

Role of the mediaEdit

Reports that are narrated in terms of national memory characterize the past in ways that merge the past, the present and the future into "a single ongoing tale".[11]

Pierre Nora argues that a "democratisation of history" allows for emancipatory versions of the past to surface:[7]

National memory cannot come into being until the historical framework of the nation has been shattered. It reflects the abandonment of the traditional channels and modes of transmission of the past and the desacralisation of such primary sites of initiation as the school, the family, the museum, and the monument: what was once the responsibility of these institutions has now flowed over into the public domain and been taken over by the media and tourist industry

— Nora 1998, 363[11][7]

However, national history being passed on by the culture industry, such as by historical films, can be seen as serious threats to the objective understanding of a nation's past.[7]

International mediaEdit

Nations' memories can be shared across nations via media such as the Internet.[12]

Effects and functionsEdit

National memory can be a force of cohesion as well as division and conflict. It can foster constructive national reforms, international communities and agreements,[4] dialogue as well as deepen problematic courses and rhetoric.

Identity crisis can occur due to bad memories (such as national crimes) or the absence of a belief in a shared past.[4][additional citation(s) needed]

Often new developments, processes, problems and events are made sense of and contextualized by drawing from national memory.

Critical national memoryEdit

Critical history or historic memory cuts from national memory's tradition centric to national heritage and orients itself towards a specialized study of history in a more sociological manner.[13]

It has been proposed that the unthinkable ought not to be unmasked but that instead what made it thinkable should be reconstructed and that the difficulty of discussing the non-places or the bad places of national memory make it necessary to include forgetfulness and amnesia in the concept.[14][clarification needed]

National memory may lead to questioning the nation as it is as well as its identity and imply a societal negotiation of what the country wishes to be as a nation. To understand the links between memory, forgetfulness, identity and the imaginary construction of the nation analysis of the discourse in the places of memory is fundamental as in all writings of national history an image of the nation is being restructured.[14]

See alsoEdit


  1. ^ "Memory, History, and Colonialism" (PDF). German Historical Institute London. 2009. Retrieved 3 March 2017.
  2. ^ a b Paces, Cynthia. Prague Panoramas: National Memory and Sacred Space in the Twentieth Century. University of Pittsburgh Pre. ISBN 9780822977674. Retrieved 3 March 2017.
  3. ^ Weedon, Chris; Jordan, Glenn (April 2012). "Collective memory: theory and politics". Social Semiotics. 22 (2): 143–153. doi:10.1080/10350330.2012.664969.
  4. ^ a b c d Graber, Samuel J. Twice-divided Nation: The Civil War and National Memory in the Transatlantic World. ProQuest. ISBN 9781109024135. Retrieved 3 March 2017.
  5. ^ White, Geoffrey M. (December 1999). "Emotional Remembering: The Pragmatics of National Memory". Ethos. 27 (4): 505–529. doi:10.1525/eth.1999.27.4.505. Retrieved 3 March 2017.
  6. ^ Gillis, John R. Commemorations: The Politics of National Identity. Princeton University Press. ISBN 0691029253.
  7. ^ a b c d Bruyn, Dieter De. "World War 2.0: Commemorating War and Holocaust in Poland through Facebook". ISSN 2043-7633. Cite journal requires |journal= (help)
  8. ^ Ryan, Lorraine (28 November 2012). "Cosmopolitan memory and national memory conflicts: On the dynamics of their interaction". Journal of Sociology. 50 (4): 501–514. doi:10.1177/1440783312467097.
  9. ^ Park, Hyung yu (April 2011). "Shared national memory as intangible heritage". Annals of Tourism Research. 38 (2): 520–539. doi:10.1016/j.annals.2010.11.013. Retrieved 3 March 2017.
  10. ^ Pomian, Krzysztof. "Divided memory: European sites of memory as political and cultural phenomenon" (in Polish). Retrieved 3 March 2017.
  11. ^ a b Garde-Hansen, Joanne. Media and Memory. Edinburgh University Press. ISBN 9780748688883. Retrieved 3 March 2017.
  12. ^ ANDREWS, MAGGIE; BAGOT-JEWITT, CHARLIE; HUNT, NIGEL (8 December 2011). "Introduction: National memory and war". Journal of War & Culture Studies. 4 (3): 283–288. doi:10.1386/jwcs.4.3.283_7. ISSN 1752-6272.
  13. ^ Koshar, Rudy J. Germany's Transient Pasts: Preservation and National Memory in the Twentieth Century. Univ of North Carolina Press. ISBN 9780807862629. Retrieved 3 March 2017.
  14. ^ a b Montaño, Eugenia Allier. "Places of memory. Is the concept applicable to the analysis of memorial struggles? The case of Uruguay and its recent past" (PDF). Retrieved 3 March 2017. Cite journal requires |journal= (help)

Further readingEdit