38 Questions to Ask Every Character

You’ve probably seen a TON of lists of questions that demand “These questions NEED to be asked”. And what’s on them? Mostly stuff that you don’t really need to know to unfold a great character. (NO offense, seriously. I just wish people would stop telling me I need to know what kind of underwear my character wears.)

This list is different.

I know because I read all those other lists out there and picked the things that (I think) every writer should know about their character. Some of them are just for fun, but most really help me narrow down how I’m going to write a specific character. I thought it would be nice, while we’re working with character development, to share these with you.

They’ve helped me build characters, as well as stories. They dig deep into the character’s psyche, so you know where s/he is coming from. And they SERIOUSLY reveal character.

I will also share some of my favorite answers, after the list. So, without further ado, let’s begin.


1. How old is s/he (physically AND mentally)?

2. Did s/he have a happy childhood? Why or why not?

3. What are their past and present relationships and how do they affect him/her?

4. What does s/he care about?

5. What is s/he obsessed with?

6. What is his/her biggest fear?

7. What is the best thing that ever happened to them? Worst?

8. What is their most embarrassing moment?

9. What is his/her biggest secret?

10. What is the 1 word that defines him/her?

11. What do you know about him/her that s/he doesn’t?

12. What music does s/he sing when no one else is around?

13. What is his/her favorite movie?

14. What is his/her favorite piece of clothing? Shoes?

15. Who is his/her favorite person?

16. What calms him/her?

17. Does s/he play any instruments?

18. What is his/her catchphrase?

19. What is his/her favorite excuse?

20. What is his/her favorite song?

21. What annoys him/her?

22. What is the most beautiful thing s/he has ever seen?

23. What is the worst injury s/he has ever sustained? (in the past)

24. Has anyone close to him/her died?

25. What would s/he wish for if s/he found a genie?

26. What is the most frightening handicap s/he could sustain? (in the present or future)

27. When and where was s/he happiest?

28. What is something s/he can’t resist?

29. What is something people misunderstand about him/her?

30. What is his/her favorite holiday?

31. What are his/her hopes and dreams?

32. What would s/he die for?

33. What would mentally destroy him/her?

34. Why would s/he defend a stranger?

35. What does s/he lie about?

36. Does s/he have a positive or negative body image?

37. What object will s/he never give up?

38. What can s/he do at the end that s/he can’t do at the beginning?

A lot to take in, I know. Let me explain how this works.

It’s OK to think outside the box. Sometimes the answer will just pop out of nowhere, sometimes you’ll really have to think hard to get to the heart of the issue. (P.S. This list is also great to help create backstory).

I’ll give you some examples of some of my characters’ answers. They’re…. interesting, to say the least.

We’ll start with a question where my character dropped a quote in my lap that completely answered the question.

Q: What is his biggest fear?

A: “I am in the desert… This. This right here is my biggest fear.” (He’s afraid of dirt.)

Sometimes, the way your character thinks about something will come out in their answer, or even the way they talk. Like this answer from a Texas boy character.

Q: What is the most beautiful thing he’s ever seen?

A: A Texas sunset by the Gulf beach.

Not how I would have put it, but characters do that sometimes.

Sometimes an answer can be as simple as…

Q: What is one thing she can’t resist?

A: A good churro.

Sometimes, your character’s answer will be symbolic. Usually of something in their own life. LIke…

Q: What is her favorite holiday?

A: New Year’s. New beginnings.

(Talk about backstory!)

Lastly, sometimes your character will give an answer that completely shapes how they see themselves, other people, or even the world.

Like this fragile flower:

Q: What was her most embarrassing moment?

A: Found boyfriend with her best friend. On date night.

Ouch. That probably shaped how she views guys and herself. Because of this, she doesn’t have great self-worth. Think about those kinds of experiences. Why the character is who they are.

Do that, and your characters will end up pretty amazing.







The Procrastination Factor

You know the feeling. “I should write, but I don’t want to get up/move/start the computer/turn off the TV/stop this game.” (Or any other plethora of excuses.)

How can you be expected to write a novel or complete a screenplay when half the time you should be writing is spent online? (Yes, I understand, the internet is more distracting than life itself. Been there, done that.)



In fact, the reason we’re talking about this today is because I am such a fantastic procrastinator. Really. I try to write these posts early, but this week I find myself sitting down at the computer at the last minute, feeling harried. Not the best way to write.

I know you can understand. My downfall is usually Pinterest. While it is great for writing inspiration, it is also great at stealing writing time. I have had to learn to balance.

We’re not talking ying-yang, fen-shui type of balance, no sirree. We are talking vegetable to sugar ratio, H2 to O type of balance.

And, believe me, you will feel so much better after you’ve actually written something.

Tip #1 – Ration yourself

Do you mean 2-cups-of-sugar-per-week-during-WW2 type of ration?

Yes. Yes I do. As you get on the internet (or go to bake that cake, or turn on the television), force yourself into submission. Set a time limit and stick to it. You shouldn’t need more than 2 hours to do everything you need to do, and generally anything beyond that is self-indulgence and leads to procrastination. So, repeat after me.

I will set limits for my time spending. i WILL set limits for my time spending.

Budget your time wisely, my friends.

Tip #2 – Set a schedule

(To instantly make it more fun, set a SHED-ule)

I do this and I’ve found it’s really helpful. It’s easy, too.

Okay, I’ll walk you through this slowly.

If you are someone who needs everything written down so you can see your life in print, take out your day planner. Come on, take it out, I know you have one. If you’re someone who loves to socialize and generally fill up your time with parties, dates, and outings, pull up the alarm on your phone. If you’re someone who has to have control of everything or you go bonkers, and heaven forbid that someone else tell you how to live your life, write this down. If you are someone who really does just procrastinate because, hey, why stand when you can sit? You’re my people and you need to get your mind ready to be boggled.

People group A: find a few hours of completely free space in that day planner. In this blank space, write “Writing Time”. You’ll stick with it, so that’s all I need to tell you.

People group B: Set a new alarm to go off once a day. In this alarm, write the amount of time you will spend writing. Do it.

People group C: Write down when you will write every day and stick with that schedule. Don’t let people pull you away. It’s YOUR time.

People group D: Close your eyes. Take a deep breath. Picture a normal day for you and find the time you usually crash for several hours in front of the TV. Subtract 2 hours and use those two hours — same time every day — to write. Stick with it, even when it’s hard.

Tip #3 – Unplug

Craziness. I speak craziness. Does this mean what I think it means?


On most computers there is a little button that will disconnect you from the internet. On ALL televisions and remotes, there is this little button labeled “off”. Heck, unplug the TV from the wall if you need to. MAKE TIME to write.

Do you think your favorite author got to where they are right now because it was easy for them? No. They made sacrifices. What makes you better than they are?

Turn off those devices that distract you. Set the timer for the cake in the oven and come back later. Make time. You’ll find that making that time gets easier the longer you do it.






Let’s Talk Plot…

Plot. The heart of story. The lifeblood of any good book. Or movie. Plot is vitally important to the forward propulsion of the known universe. Without plot, the entire entertainment world would cease to exist. Books, movies, songs…

You get the point. Plot is important. Very important. But, what makes up plot?

I’m so glad you asked!

Plot can technically be broken down into 2 parts: Rising action and falling action. However, I never did like to fit into the cookie-cutter writing mold, so my favorite way to explain it contains several key points in the story. 5 to be exact.

Inciting incident. Turning Point. Point of no return. Crisis. Showdown. (Bonus 6th: Wrap-up.)

So, what I plan on doing today is to walk you through a successful plot piece by piece. Don’t worry, I’ll explain how each piece of the puzzle fits.

Inciting Incident:

First, let me tell you what this literally means. Incite = to encourage or stir up. Incident = an event or occurrence.

So, the Inciting Incident is literally an event that stirs things up. It’s the part of the story (generally very, very close to the beginning) where everything is tipped off balance. It is what makes the character(s) have to go on that quest. The event that changes everything.

The inciting incident in Jane Austen’s Pride and Prejudice is introduced in the first pages. “My dear Mr. Bennett, have you heard the Netherfield Hall is let at last?” (It’s paragraph 3, people. That woman knew how to throw you in at the exact moment everything changes.)

This is most definitely the inciting incident because it is the moment we know something different happened in their life. Before this sentence, they were just minding their own business, going about their own life. After this sentence, Mrs. Bennett spends the entire book talking about Netherfield and Mr. Bingley. (Anyone who doesn’t know what happens at the end of this book is not a true book nerd.)

In the hilarious and widely popular movie The Princess Bride, the inciting incident is a little farther in, but not much. Did you guess it? Yep, the inciting incident is when Buttercup hears that Westley has been killed by the Dread Pirate Roberts. (Eek! Not the Dread Pirate Roberts! No, he can’t die! Is this a tragedy? But, I digress…)

Turning Point

 This is usually my favorite part (I will say this a lot, don’t pay attention. My favorite part changes from hour to hour) of the story. This is when everything turns upside down. The unthinkable happens! Suddenly, there is no choice but to set out on the journey that will propel us to the end of the story. Something has to be done.

A good example of an epic turning point can be found in the movie National Treasure. The turning point comes the instant Ian declares he is going to “borrow” the Declaration of Independence and then proceeds to accidentally blow up the Charlotte.

Turning point? I think yes. That is the very moment that Ben Gates knows he has to do something. He can’t let Ian steal the Declaration! It propels him to begin his epic journey/continue his treasure hunt. It ups the stakes. That, my friends, is what a turning point does.

Point of No Return

Sounds pretty ominous, right? It is.

The Point of No Return comes usually about halfway through the story. This is literally what it says it is. A point where something happens that won’t allow the character to go back to where he/she was before. It makes them change and forces them to finish what they’ve started, even if they don’t want to. They no longer have a choice.

In my novel, Rose-Colored Glasses, the point of no return is when someone starts to meticulously target the main character (Rosie Callahan). The second main character/love interest knows that he can’t back out. He has to help her. He no longer has an option to leave or to let it go.

Same thing with one of my favorite movies, Next. The instant the government and the villains pull the love of his life into their twisted schemes is the instant that Cris Johnson decides he can’t NOT help the government. His point of no return is that he refuses to endanger the woman he loves.


Pretty self-explanatory. Crisis. A point when all is lost.

This is usually achieved when everything has gone wrong. The plan has backfired, the bad guys are hot on the main character’s trail, and the love interest usually hates him. The world seems upside down and you’re actually afraid this character might not come out of this.

Then, right as that first tear builds in your left eye, something else terrible happens. Something that you never expected. Yet another aspect of the story goes completely berserk! Someone dies, or is kidnapped. The main character has an emotional break. SOMETHING! And you just want to scream at the page. Or the screen.

This is a crisis.


Showdown is what people usually call a climax. The final battle.

This is when Thor faces Loki in Thor. It’s when Emma and Mr. Knightley finally communicate in Jane Austen’s Emma. Any time someone is finally getting somewhere, through words or fisticuffs, and it’s the most intense part of the book or movie, it is definitely the showdown. This is where everything will be resolved. Where someone determines whether this story is a tragedy, or if it has a happy ending.

Showdown demands an element of suspense. It demands intensity. And it should always be rewarding to your readers/watchers.

Bonus 6th: Wrap-up

Where we resolve all our storylines and write “they lived happily ever after”. The wrap-up is essential for a good read. If you don’t wrap it up, people will feel like you ripped them off. Let them know what happens, and they’ll thank you.

The only exception to the rule? When you’re writing a series or sequel, it’s okay to let a few storylines hang open, so that you can use them later on. Still, wrap up as much as you can and your fans will thank you later.

And this is PLOT.





A Compelling Story

Have you ever read a book you literally CANNOT put down? How about a movie during which you refuse to budge from your seat, because you don’t want to miss something? Have you ever noticed how it seems to take so little to make a fan out of you? Books and movies like this generate tons of fans because of one very specific thing.

They have a compelling story.

If you’re a writer, you know that everything I’m about to say in this paragraph is true. You’ve read “that” book, and you’ve seen “that” movie. You know the ones I’m talking about. You think to yourself “I can never write something as good as that! Listen to that dialogue! Look at those descriptions! Nope. I’ll never be that good.”

I have good news and more good news for you. The very fact that you want to write something that good means you care. And if you care, maybe a reader will too. The second piece of good news is that you CAN write a compelling story. All you need are a few simple tools.

TOOL #1 – Strong Plotline

What is a strong plotline, you ask? Let me explain a thing.

Plot (or “plotline”) is simply your story itself. It is “Once upon a time…”, “The End”, and everything in between. It is “Fade In”, “Roll credits”, and everything in between that, too. Plot is story, and if you don’t have a strong plot, you’re in deep trouble.

A strong plot consists of a beginning, a middle, and an end. Beginning consists of your set up and inciting incident (more on this later). Middle consists of everything that moves your hero/heroine toward the climax. Middle is a freight train pushing your hero/heroine farther than they ever wanted to go and bringing them situations they should not reasonably recover from. End is your darkest point, through the climax, and into the wrap-up. I have found that the easiest way to divide these is as follows: 1/4 beginning, 2/4 middle, 3/4 end.

(NOTE: If you are writing a novel, it’s easiest to go by word count. Say you’re writing a 60,000 word novel. That makes it a 15,000 word beginning, 30,000 word middle, and another 15,000 words for the end. Screenplays go by pages. A typical Screenplay is approximately 120 pages. Therefore… 30 page beginning, 60 page middle, 30 page end. Got it? Good!)

TOOL #2 – Strong Characters

Let’s face it. If you don’t have a character that people love (or love to hate), then you’re already dead in the water. People read books because they care what happens to the people. Yes, plot is important, but without strong characters your story won’t go anywhere.

For me, strong characters are flawed characters. Also known as relatable characters.

For the sake of sanity, let’s take some notes from those crazy, wacky Tumblr groups known as FANDOMS!!! (*gasp*! NOOOO! NOT THE CRAZY PEOPLE!)

Yes, the crazy people. Think about it. Why are they crazy? Because they love those characters (or that one character) and they have to tell the world about it. They love them so much that they write their own stories to move the character forward. They literally put that character in their own life. And those villains? Oh, yeah, they have split followings. People either want to marry them or want to kill them.

So, what makes these crazy people fall in love with the characters?

They’re flawed. They have issues, and quirks, and they don’t get along with everyone, and people can relate to that.

(More of character development and how to write flawed characters is coming in the following weeks)

TOOL #3 – Passion

Honestly, this is the third and greatest essential tool you need. Without passion for your story, you’ll never finish it. You’ll start and let it die. So be sure you are passionate before you begin.

How do you know if you’re passionate about it?

Do you think about this story day and night? Does everything you see, experience, or read correlate back to it? Do you see your characters in fashion photos and your setting in travel guides?

If you answered yes to any of these, you are passionate about your story. Don’t give it up. Keep moving, keep writing, keep dreaming. The world needs more dreamers, and the world needs your book.

You are the only one who can write your book, your way. Don’t let it go.

