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Wang Yidong: strength between cluster in China


Chinese art starnet/spread/sea feather



    Wang Yidong creation motif is earthly river bank Mongolia characters and scenery; The painting ideal, is the other shore of the classical and romantic. Simulations of Wang Yidong studio technology, it is calm and realistic; The pursuit of art, is honest, meticulous strength.




    Between the person of span bravely, then make his painting is for Air China.




    River bank Mongolia landscape: sedimentary rural image of the bottom of my heart



    Wang Yidong to express the real art, its landscape painting inspiration comes from home. Their hometown linyi "every bay streams, each path, each strip melon, each a forest", gave Wang Yidong the happiest time of my childhood. He stay at the central academy of fine arts, painting the inspiration, still comes from the beautiful scenery of yimeng mountain area and plain folkway.


    Wang Yidong heed a hardworking sincere northern farmer, "yimeng paintings" in 1983, focuses on the view of farmers and the countryside. A warm discussion in the art world of ideas, to face the river bank Mongolia old "paintings", is not only a Wang Yidong a solid step to the "realism" style, also influenced many other artists to pay attention to home. In 1984 to participate in the 16th world art festival "France" "yu-zhen wang", for "six national arts exhibition" honorable mention "the peasant women," in 1985 and won the third national youth arts exhibition "second prize into Tibet, China art gallery, and is often displayed the ancient village" and other works, based on its farmers' life. Working people the most essential thing, and not suffering, but in normal life and the most basic condition, human nature in the most enduring "an optimistic life. Wang Yidong that, with a thick countryside emotion in metropolis, experience the mountaineers "blind eye", the city "hear and smell good.


    Wang Yidong early with a naturalistic tendency "yimeng paintings" and so on, has a strict selection; Later work more present a strong subjective color, as the self-proclaimed "is not entirely realistic, but with a bit of romanticism and idealism".



    Wang Yidong work scenarios on the basis of "manufacturing" in advance, more mature in the heart of the character image, often after the precipitation, go to "grab" in the crowd. He selected image, must represent the aesthetic tendency. In his view, the model of grade and affective communication is key to the success or failure of the works, different subjects should be different personality model. In 1992, for example, "the China central academy retrospective" in the 20th century in China new excellence award "mengshan rain", was originally conceived in yimeng lazy winter under a big rock, he suddenly thought out a series of wonderful composition, even think good character's clothing. And it burst of inspiration, it is his encounter in BeiYingChang an actress with heart artistic conception is very fit, for model according to its production. Wang Yidong "leading" in the creation and its passion. He will be true feelings as the highest artistic standards in literary creation. For example, his daughter as a model of painting, is the reappearance of the context of the childhood is the result of the spirit world and the natural communication. The first snow in 1992, it is the artist's first snow of winter home feel personally, in late autumn cold foil of the child's childlike, convey the voice of the wind chill and their feet on the




    In the 1980 s, in the wave of modern art and the art market in the hustle and bustle, "realism" is outdated and not to please. Wang Yidong stick to "realistic", as a matter of fact, Wang Yidong in gently against the contemporary art trend. He firmly believe that: "over the past century Chinese fine arts revolution, not all right". Because in life to find a visual impact environment, character, color, shape, is a very difficult thing, so, he does not think "pay attention to typical characters in typical environment" is the backward ideas, still see it as valuable. His paintings of typical character, scene and emotion, the characters of aesthetic ideal for thousands of years of Chinese painting; Civilians in the pursuit of happiness, hope, and aesthetic qualities, fit Chinese audience's reading habits, make the viewer "pleasant", indulge.


    To the workers to write: outside the artistic ideal in embellish



     Wang Yidong found declarative work longer than the literary taste and plot, weak in the sense of form. In the mid - 1980 - s, his works in both directions in depth.



    Wang Yidong western classical oil painting, to the utmost. He saw vermeer's "the guitar man" is the most striking the art of the mind, to read the letter, the girl is kid. His favorite western artists are up to? Vinci, read each? Vinci "embodies the art, beauty and the dignity of life, full of passion for freedom and peace", all excited. Wang Yidong works shape, light, brush, etc., all benefit from Raphael, Rembrandt, worship of er, appoint lars katz. Wang Yidong admire western artists, however, was not affected by a frenzy of gallery and modern art, still believes that "Chinese art is not bad". Wang Yidong went to the United States exhibitions, lectures by the New York times, the Washington post and other media warm praise, but he will be the "can't find a bit of nostalgia, to hear a little accent an" of the time, very painful. In the distant and unfamiliar cultural background in the United States, he was more clearly aware of, only China's "in the atmosphere would have wanted to express wishes. So he returned early, adhere to the "painting Chinese subjects, but also in China".


    Wang Yidong Chinese oil paintings, it is by no means "paint the red color, the bride" so simple. His kindness and compelling force, from China's reality and local traditions, is the Chinese clothing, tone, gestures, dynamic as the carrier, condensed out of the "YiGuJin son of his own or his crowd".


    close", then studied the color and structure of the Chinese, Wang Yidong has been innovation, finally to modelling, color, contrast, black and white ash, even model, the influence factors, such as maximum coordination. As early as 1984 years of history at the university student, he has been decorated with graphic method and the integration of character spirit temperament, built the Chinese inner wen run, show the pure classical style. 1986 years later, he from the "external" rigorous, turning the abstract expression of "internal". For example, in 1988, the "jiangnan woman" and so on, clever use of black, white, red, gold, and the combination of line, this is the traditional Chinese paintings, folk pictures of reference; In 1991, the "warm winter" and so on, character image in with abstract concepts. 1992 "there is a small courtyard" and so on, trying to grasp the essence of natural form, inject more form factor.




    Wang Yidong put into the creation of Chinese painting, the work shows the characteristics of pure, dignified and simple, show China's charm and glamour; He will private plane color, melting into the three dimensions of western realistic painting, find stranger close familiar feeling for people. In fact, "depends on the specific shape to speak" just Wang Yidong table of painting, in realistic picture, there is a very deep sense of the abstract. This abstraction, them both of Chinese and western classical tradition, have a more profound quality.




    "Power" : the leader of the Chinese realistic painting


    Wang Yidong classical technology and Chinese subjects, enjoyed by many art collectors. In 1986, harvard to cafa, determined to buy the first move-in a small body, Wang Yidong is rejected because of "the sale is very shame". It is harvard's favour, he offered a fee and the carat invitations in the state university of hamath, and Wang Huaiqing, ai, visiting and investigation in the United States.

　　1987年，王沂东参加了哈弗纳在纽约哈默画廊组织的“中国当代油画大展”、加里弗尼亚Santa Ana市的“中国现实主义油画家作品展”，其作品使西方收藏者吃惊于“最传统的西方绘画技法，在中国能被掌握到如此高的程度”。同年9月，王沂东在美国哈夫纳画廊举办个展时，其写实主义画风得到更过的赞誉，“合众国际社”对其《酱豆腐》评论说：“写实主义大师王沂东画的这一只碟子，逼真的好像能从桌子上拿起来一样”。王沂东由此体会：西方丢掉了太多的传统，所以感到写实作品的可贵。面对写实主义画风在国内同样被冷落，他认为，写实主义的生命力永远不可能终结。

    1987, Wang Yidong attended harvard, hammer galleries in New York organization "in Chinese contemporary oil painting exhibition", California Santa Ana city, "the Chinese realistic oil painters exhibition", his works make western collectors surprised "the traditional western painting techniques, in China can be mastered to such a high degree". In September the same year, Wang Yidong hough, gallery exhibitions in the United States, its realism painting get more praise, "upi" for its preserved bean curd commented: "master of realism Wang Yidong painted this dish, lifelike like to pick it up from the table". Wang Yidong from this experience: western lost too many traditions, so feel the value of realistic work. Facing the realism painting style also left out at home, he thinks, the vitality of realism can never end.



    Wang Yidong not only get the favour of the western art critic, and with high price in the domestic market of oil painting. In 1994, the "spring" in China price 110000 yuan, the bride at Christie's in Hong Kong in 1998 fetched $697000. The magpies since 2004, the "mountain" in Beijing HanHai after clinching a deal, with 935000 yuan Wang Yidong rewriting in the oil painting market many times, and the price is record. In 2005, he is a sign that the rise of the Chinese realistic painting in the auction market, and JinShangYi, XinDongWang, ai, such as Chen realistic painter, now price to orgasm, the "river bank Mongolia child" in the spring of Chinese clinch a deal for 1.32 million yuan, new China by the end of the mountains of the sun to clinch a deal of $5.06 million. In 2006, in addition to the new "far away in my heart" in Beijing HanHai clinch a deal for $6.71 million, "the bride", "drunken groom", "snow" and so on 18 pieces, sold more than one million yuan. In 2007, Wang Yidong prices continue to soar, in addition to the end of may "age of innocence" in Beijing's poly record with 9.35 million yuan, in August has been "YiHe water", "bride" and "letter" 11, sold more than one million yuan.



    realistic work has the good communication platform, is "false" under a lot of work, shall be of strength. Wang Yidong calls the "power", includes the artist's experiences, feelings, thoughts, and also including the modelling of complex technology, rigorous methods. In October 2004, Wang Yidong and ai, fei-yun Yang founded a great painter alliance "realistic painting" in Beijing, its conception is the basis and establish normal art standards. And magpie "age of innocence", "mountain", "sunshine in the winter" three works, then in the first oil painting exhibition "Beijing realistic painting" on. In 2005, Chen and others to join in, "Beijing realistic painting" extended to "the Chinese realistic painting", two terms in 2006 "the Chinese realistic painting exhibition", Wang Yidong "mountains of the sun", "suona make spring", "desire", "YiHe side", "the far away in my heart" and so on, to shine.




    Realistic oil painting in China group cohesion and powerful growing at the same time, Wang Yidong appeal all the way "things", should do not have too much suspense.

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