Interview with Therevox player Simen Skari of Team Me

Simen Skari plays Therevox and keyboards in Norwegian indie band Team Me, whose new release is called Blind as Night.

Therevox: How did Team Me get started and what are some of your influences?

Simen Skari: Team Me started as Marius’ solo project, with a bunch of songs that didn’t fit into any of his other bands. One of his songs got picked for the finals in a demo competition, where he had to play some songs live. Afraid to perform alone, he asked some friends to join him. I guess we were lucky enough to have the right people in the audience, so one thing led to another. It´s sort of a full time project now.

We’re a six piece with a lot of different influences, and we listen to anything from Norwegian black metal to hymns.

For me, I would say that I’m above average interested in and inspired by Radiohead. That’s how I got introduced to the Ondes Martenot, (with Thom Yorke, Jonny Greenwood and Nigel Godrich performing a stripped down version of Thom Yorke´s ‘Cymbal Rush’ on Henry Rollins Show in 2006 , the French Connection and eventually the Therevox.


Where and how did you guys record your new album “Blind as Night”?

Quite a few places! We started the recording a year ago in an all analog studio called Athletic Sound. It’s an old gym with really nice acoustics. Perfect for recording drums! We then went to our hometown and recorded all that remained in an old barn, next to our house. We recorded and produced it ourselves throughout the autumn and winter, alongside co-producer Hasse Rosbach. I guess the only plan we had was to make it as big as possible.

How does the band build a song, and were the songs fully rehearsed before going into the studio?

Marius made all the demos, and some of them were even made while touring. It feels like we spend 99.99% of our tours in our car, driving from country to country, so making demos is a good way to kill time. Oh, and I’ve got to say that he is the most productive person I know. For this album, he presented over a hundred different song ideas to the rest of the band. We sat down and chose which songs we liked the most, and started recording them. In the studio, we kind of tore the demos apart, started from scratch and built it all up again together. Then everything was recorded separately. I believe there’s over a thousand layers of sound in some of the songs. For instance, we used 18 different microphones to record one single tom… I guess that was an experiment led by our producer though.. And then there are four layers of bass guitar, bass synth, strings, horns, guitars, a lot of vocal harmonies, children’s choir, drums, percussion, melodic percussion, synths, pianos, bicycle wheels, farts, and the list goes on and on forever.. Speaking of farts, we actually recorded a lot of them, which I sampled and placed on my keyboard. So now I have the whole chromatic scale of farts. I guess that’s why the recording session went on for about a year.. haha.

What instruments do you play on “Blind as Night”?

Basically whatever we could find around us in the studio! We’re just trying to make the recording session as fun as possible, so I guess we don’t want to be bound to certain instruments. And when you try a new instrument, magic happens 🙂 But mainly we play the instruments we play live, which for me means keys. I’ve been using some weird old synths, grand piano, the French Connection and the Therevox amongst other things.

What song(s) do you use your Therevox ET-4.3 on and why did you decide to use a Therevox on those songs?

Actually I wanted to use the instrument on every track, haha!

I think there’s something quite unique about the Therevox. The way you can express yourself through the instrument is just different from any other electronic instrument. And I’m totally in love with the sounds it makes. It reminds me of old sci-fi movies, and how it’s spooky in a beautiful way.

I’ve used it for the opening track, a couple of sonic landscapes between some of the songs, and on some of the b-sides. I didn’t discover the Therevox until very late in the recording session, so for this album I’ve mainly used an Analogue Systems French Connection, with a bunch of nice modules, some tape machines, all through a little gibson skylark amp from the 50’s. I’ve used it on 6 out of 10 songs on our album, and on some b-sides.

How would you describe the music scene in Norway?

I guess our long, dark and cold winters have affected the Nordic music scene in a way. For instance, I can’t imagine black metal could have originated in sunny Hawaii.

The last couple of years it seems like there has been some sort of a shoegaze movement in Norway, with one in two of all new bands joining the genre, or subgenres of that. Some of them, Dråpe for instance, quite more pop oriented than shoegazed, have the most beautiful songs and melodies. Some other Norwegian bands I enjoy listening to these days are Farao , Electric Eye, Twin Pines Mall, Ludvig Moon, Aphotek and Emilie Nicolas. And, though I’m highly disqualified, since I’m her boyfriend and sometimes appear in her live band, I really love ANANA’s music. That’s one of the reasons why I got interested in her in the first place. Haha!

Another band I really admire, with some of their members actually joining us for parts of the recording of our album, is Jaga Jazzist. One of my all time favourite bands. The music scene in Norway is quite small, and everyone and every band is connected to each other in one way or another, and there’s a lot of tasty and inspiring things going on.

What are you guys doing when you aren’t playing music?

We’re all involved in other bands, and have part jobs here and there.

I work as a graphic designer, which is perfect while touring, because all I basically need is my laptop! I try to do some film stuff as well.

You also did all of the artwork for the new CD, can you tell me a bit about the process you went through to create it and how you arrived at the concept?

Every time I visited my grandmother during my childhood, I dived into these beautifully illustrated theory books. For a long time I have wanted to use them in a project.

Usually I just work digitally, but I always tend to make it look analog in a way, like it’s made by hand, it’s screen printed or whatever. So this time I borrowed these books from my grandma, which I basically cut into a million pieces. Then I built a three dimentional collage out of it, lighted it up and took some photos of it. It resulted in a 16 page CD book. Our music has become a bit more dark and heavier in some way, compared to our debut album. So I’ve basically just tried to create something visual to enhance the listeners overall experience of the album.

What’s next for Team Me?

We just released our album in Norway and Japan, so at the moment we’re touring all around our home country. Next month we were supposed to head over to Japan, Taiwan and Singapore, which just got cancelled… Which sucks. The international release of the album will be in January, so who knows what will happen then 🙂