Marichyasana C

Marichyasana C

  • Marichi: “Ray of Light.” Marichi, as one of the aspects of the sun, is the master of illusions, the one who awakens us from dreams or delusions. Also, the name of a sage, one of the Seven Rishis of the Vedas.
  • Asana: Pose

Marichyasana C is the sixteenth pose of the primary series, and the eleventh seated pose. There are four variations of Marichyasana (A, B, C, D). A & B are forward folds (straight leg / lotus leg), and C & D are twists (straight leg / lotus leg).

The common thread of the Marichyasana poses is (1) the loosening of the Sacroiliac (SI) joint—as such, it is an essential posture for aspirants to deep backbending and lotus postures—and (2) enhancing the mobility of the shoulder girdle by binding the hands together behind the back.

The following is a discussion of the position on the right side, as pictured. As an asymmetrical posture, it must be repeated on the left side. In Ashtanga, always twist to face right first; the second side is to face left. The exception to this rule, traditionally, is Pasasana. 


Many practitioners try to muscle their way into this posture, using their upper body. In reality, it unfolds from the pelvis and low belly. The upper body plays a role, but in a supporting and refining role, rather than as the fundamental action.

The right leg is bent, into a squatting position, the left straight, as in Marichyasana A. It is important that the right leg is in a true squat, supporting the weight of the body. It is essential for there to be a sense of power and weight in the legs. The ‘default’ position is typically for the hips to be on the ground, supporting the body’s weight. All too often I see students leaning—or falling—backward, heavy on their sitting bones. Think of this family of positions as being similar to squatting rather than similar to sitting. Although it is important in all the Marichyasana variations for the hips to be mobile, it is especially necessary in the twisted variations. For the weight to be in the sitting bones is both immobilizing—preventing a full twist—and dangerous to the sacrolumbar junction, which would experience increased force while in its most vulnerable alignment (flexion + twisted). The pelvis should be neutral, not posteriorly tilted. When leaning forward enough for the right hip to float and the weight to be in the right foot, the spine will be at < 90° angle relative to the floor.

Angle of Marichyasana C

You must shift your weight forward so the right sitting bone lifts slightly off the ground, and the weight comes into the right foot. The left hip stays on the ground. DO NOT try to keep the hips “square” in any twist. Allow unrestricted movement from the hips while entering and exiting twists. In the state of the pose, you can gently work towards squaring (emphasis on “ing;” focus on the process) the hips. If the pelvis is held rigidly, you will be at a higher risk of injury because force will not be able to transfer properly between the spine and the ilia (SI joint).

The SI joint is the connection between the two halves of the hips (ilia) and the base of the spine (sacrum), and serves as the connection between the lower body and the torso. In many Western body this joint is fused or immobile from our sitting and exercise patterns. That immobility contributes to back pain, “humpback” (kyphosis), etc. In backbending, healthful movement of the SI joint is essential to avoid overuse injury of the lumbar spine.

To enter the twist, it is important to lean back slightly to ensure that movement can come all the way from the hips. Simultaneously, harness the power of the exhalation to curl and twist fully. If you don’t lean back, the pelvis and lumbar spine will not be able to participate in the movement, and/or the skin of the abdomen will get “stuck” on the thigh. This results in either a shallow, uncomfortable twist, or if you’re hypermobile, over-twisting of the thoracic and cervical vertebrae.

The next action is to bind the arms (around the bent leg). The basic principles are the same as binding in A or B variation; the bind in this posture is somewhat more demanding. Both arms are in full internal rotation, and the chest must be lifted. (Check the Solutions section below for suggestions on how to work towards a full bind.)

Once bound, use the strength of the bound leg to help propel the twist. The interplay of resistance between the bound leg and the binding arm allows length to come back into the spine, the shoulders to open and relax, and the twist to deepen.

The benefit of binding, in addition to increasing the range of motion and health of the shoulder girdle, is that it makes it necessary to use your core musculature in order to stay upright. Propping yourself up with your hands in a twist can give a sensation of increased stability, leverage, and ease…Unfortunately, too much leverage in a twist, combined with relaxed muscles and a posterior pelvic tilt can destabilize the spine. 

To twist healthfully and responsibly, sit upright and distribute the effort of twisting evenly from the hips to the crown of the head. Although the spine is more mobile in twisting in certain places, the internal experience of effort can feel dispersed equally.

The gaze is down the length of the nose, beyond the back of the mat.

Principles of Forward Folding:

Vinyasa of the Pose

From Sat, jump through and land in Dandasana.

Still exhaling, bend the right knee into the chest. Close the joint fully. Measure a hand-length distance between that foot and the left thigh.

Measuring the correct distance

Place your right hand behind you. Inhale and reach the left hand up and back, lengthening the belly and starting the twist.

Marichyasana C PrepMarichyasana C Prep

Exhale, curl in and hook the left elbow as far down the right thigh as possible. Bring your weight forward, and bind the hands.* This is the state of Marichyasana C; hold for five breaths. With every breath, sit up straighter and taller.

Marichyasana C

Marichyasana C

On the fifth exhalation, turn your head to look forward towards the front edge of your mat.

Inhale, and release both hands with control (don’t let them “pop” apart), placing them to the sides of the hips.

Exhale, jump back and take vinyasa.**

Repeat for the second side.

*Binding the wrist is the preferred method. Alternatives are listed below; if you can hold the wrist, straighten the elbows more and more as you gain flexibility to help the torso lengthen.



If this pose is very difficult, spend additional time twisting in the standing postures. You can take a shallower twist by holding the right knee in the crook of the left elbow rather than trying to bind around it.

An intermediate stage is to work on getting the armpit and knee together without binding fully. Additionally, this is a useful variation for those with injury to the shoulder girdle (commonly, torn or irritated bicep tendon). You will have an easier time if you keep the left elbow bent rather than straight:

Marichyasana C Variation

If you’re unable to sit up straight (the spine is rounding), or if your right sitting bone feels stuck on the ground (rolling back): place a blanket or block beneath the hip of the straight leg. Add additional support if necessary until both the leg and spine can be straightened. Also try spending more time in D variation. Since both legs are bent in Marichyasana D, the hamstrings have less influence.


If you can wrap the arms around behind the back, but cannot bind the hands, use a strap or towel to bridge the distance. Over time, walk the hands closer and closer, then bind fingertips, then clasp hands, and finally the wrist.


The common mistakes of the Marichyasana family appear in this position, as well:

Be sure that you have the necessary amount of space between the foot and opposite thigh. If they are too close, or touching, it is impossible to create the proper actions that define this pose. If your foot slides in when you’re in the pose, use a block as a spacer.

The left—straight—leg can be “asleep” or externally rotated. Bring it back to vertical, spread the toes, and press through the mound of the big toe.

One of the most common errors is for the right leg to be “dead” or listing off to the side. This shows that the hip and inner thigh musculature is not participating effectively in the movement.

Take the necessary steps to make the leg fully vertical, which, depending on the situation, might include:

Press the right knee away from the midline, propelling the twist

Encourage by squeezing with the arms

Lean further forward, sitting up on a block if needed

Push the right foot and left heel firmly into the ground

Spend 5 breaths easing into the posture and getting the legs and hips into position before binding.


  1. Tomek · July 25, 2017 Reply

    Fantastic description. As i still struggle with Marichi C i was looking for some usefull tips and i found it here 🙂 Thanks you very much!

  2. MARICHYASANA C - SAGE TWIST · August 28, 2017 Reply