Palettes and Techniques of the Old Master Rembrandt

A look at the colors the Old Master Rembrandt used in his paintings

woman looking at Rembrandt painting
Peter Adams/Corbis Documentary/Getty Images

Rembrandt created his distinctive portraits with a small palette of colors dominated by dark earth tones and golden highlights. He was a master of chiaroscuro, an Italian term for a style using strong lights and heavy shadows to create depth in a painting and a center of interest. Rembrandt used it to emphasize the faces and hands in his portraits; what his subjects were wearing and their setting are of less importance, melding into a dark background.

How to Create a Modern Rembrandt Palette

A modern version of Rembrandt’s palette should include all these colors: yellow ocher, burnt sienna, burnt umber, white, black, and a brownish or orangey red such as cadmium red deep. "Break" the colors by mixing them—Rembrandt was known for his complex mixtures rather than raw color (our equivalent of straight from the tube). To get a bluish gray, he’d mix ground charcoal into white paint. Rembrandt worked on a colored ​ground, never white. He used mostly a gray or grayish brown; these got darker as he got older.

Creating the first layer or ground

Rembrandt worked on wood panels and canvas. His historic method includes hints on how to reproduce the colored ground which underlay his rich dark paintings.


Building On Top of This Base

Rembrandt may have been restrained in his choice of colors, but there was nothing restrained about the impasto way he applied them, particularly later in his career.


The Dutch artist Arnold Houbraken, who was a pupil of a pupil on Rembrandt's commented on the thickness with which he lay colors saying that his colors were so heavily loaded that you could lift it from the floor by its nose. Rembrandt developed his paintings on the canvas, moving around paint even when it was very thick. The effect you’re after is called sprezzatura, or “apparent carelessness”. How deceptively simple Rembrandt makes it look!


Eliot, Virgil. "The Technical Innovations of Rembrandt." ARC Art Renewal Center.