Culture Warrior

Crowding a movie with talent often seems like a good idea only in the abstract sense. In practice, such films can easily feel overstuffed. For example, the basic conceits for both The Expendables and Grown Ups sound like products of wishful thinking held during a drunk conversation between a group of 19-year-olds at 3am. Yes, in theory a movie featuring all of the action stars of the 80s or the most successful SNL cast since the late-70s would be great – however, a bunch of famous people do not a seminal action film or great comedy make. What’s most surprising about Joss Whedon’s The Avengers is that the whole somehow proved greater than its parts. A movie with this quantity of iconic superheroes runs the incredible risk of being overstuffed and only half-cooked. The standards created by previous Hollywood films indicate that studios would be happy enough allowing the conflagration of bankable characters stand in for (or, more accurately, distract from the lack of) actual entertainment value; mammoth opening weekends, after all, are always more a sign of effective marketing than good filmmaking. But The Avengers not only stands as an equal to some of the stronger entries in Marvel’s 4-year, 5-film multiverse-building, but is arguably superior. Some of these characters came across more fully-fleshed and three-dimensional as part of an ensemble than in their respective standalone films.


In a New York living room, sometime in the early 1970s, a young boy is sitting in front of his television (possibly watching an episode of Monty Python’s Flying Circus) and playing with plastic toy figures of Earth’s mightiest heroes. He smashes The Hulk into Thor, zooms Iron Man around at incredible speed and makes Captain America leap over an H.R. Pufnstuf doll. Because, you know, he’s got one of those too. Forty some odd years later, that same little boy named Joss Whedon got a chance to slam those toys together again, and he achieved something that’s made up equally of the magic of childhood and the craftsmanship of a seasoned filmmaker. It was an impossible dream, a crazy call-out to the far left field bleachers, but The Avengers is the best movie that Marvel has made.




“Eloquent badass” is not only how one would probably describe Thor’s brother/nemesis, Loki, but also the actor who portrays him, Tom Hiddleston. At last year’s San Diego Comic-Con, Hiddleston was the only cast member that wasn’t tight-lipped as if they were hiding serious government secrets. The actor spoke off the cuff, even revealing a plot twist… and he did so in that ear-pleasing British accent of his. Hiddleston’s voice is smooth, clear, and everything you’d want from a great British accent. Hearing my voice go up against his was quite an emasculating experience. My sometimes quick, Mark Zuckerberg-like mannerisms sounded even more idiotic, something I never thought possible. Hiddleston made me sound like one of those hicks from Deliverance in comparison, but that seemingly total gent would never be one to tell me so. I unfortunately didn’t have the chance to see Thor before speaking with Hiddleston, but we covered an array of topics from tone, finding humanity in a villain, what you get when angry Gods do battle, and how much of an honor it must be to have one’s face on a 7-Eleven Slurpee cup.



Marvel just gave away some details about their upcoming slate of films that certain comic fans might just be interested in. Iron Man 2, Captain America, Thor, and more on the inside.

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published: 12.23.2014
published: 12.22.2014
published: 12.19.2014

Fantastic Fest 2014
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Neil Miller
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