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The American experiment rests on three political ideas— “these truths,” Thomas Jefferson called

them— political equality, natural rights, and the sovereignty of the people. “We hold these truths
to be sacred & undeniable,” Jefferson wrote in 1776, in a draft of the Declaration of

powers from the consent of the governed.

spread as wide as the limbs of an oak. But they are this nation’s founding principles: it was by
declaring them that the nation came to be. In the centuries since, these principles have been
cherished, decried, and contested, fought for, fought over, and fought against. After Benjamin
Franklin read Jefferson’s draft, he picked up his quill, scratched out the words “sacred &
undeniable,” and suggested that “these truths” were, instead, “self- evident.” This was more than
a quibble. Truths that are sacred and undeniable are God-given and divine, the stuff of religion.
This divide has nearly rent the Republic apart.

Still, this divide is nearly always overstated and it’s easy to exaggerate the difference between
Jefferson and Franklin, which, in those lines, came down, too, to style: Franklin’s revision is
more forceful. The real dispute isn’t between Jefferson and Franklin, each attempting, in his way,
to reconcile faith and reason, as many have tried both before and since. The real dispute is
between “these truths” and the course of events: Does American history prove these truths, or
does it belie them?

Before the experiment began, the men who wrote the Declaration of Independence and the
Constitution made an extraordinarily careful study of history. They’d been studying history all
their lives. Benjamin Franklin was eighty-one years old, hunched and crooked, when he signed
the Constitution in 1787, with his gnarled and speckled hand. In 1731, when he was twenty-five,
straight as a sapling, he’d written an essay called “Observations on Reading History,” on a “little
Paper, accidentally preserv’d.”  And he’d kept on reading history, and taking notes, asking
himself, year after year: What does the past teach?

Christianity, but it rests, too, on a dedication to inquiry, fearless and unflinching. Its founders
agreed with the Scottish philosopher and historian David Hume, who wrote, in 1748, that
“Records of Wars, Intrigues, Factions, and Revolutions are so many Collections of
Experiments.” They believed that truth is to be found in ideas about morality but also in the study
of history.

It has often been said, in the twenty-first century and in earlier centuries, too, that Americans
lack a shared past and that, built on a cracked foundation, the Republic is crumbling. Part of this
argument has to do with ancestry: Americans are descended from conquerors and from the
from immigrants and from people who have fought to end immigration. Sometimes, in American
history— in nearly all national histories— one person’s villain is another’s hero. But part of this
argument has to do with ideology: the United States is founded on a set of ideas, but Americans

I wrote this book because writing an American history from beginning to end and across that
divide hasn’t been attempted in a long time, and it’s important, and it seemed worth a try. One
reason it’s important is that understanding history as a form of inquiry— not as something easy
or comforting but as something demanding and exhausting— was central to the nation’s
founding. This, too, was new. In the West, the oldest stories, the Iliad and the Odyssey, are odes
and tales of wars and kings, of men and gods, sung and told. These stories were memorials, and
so were the histories of antiquity: they were meant as monuments. “I have written my work, not
as an essay which is to win the applause of the moment,” Thucydides wrote, “but as a possession
for all time.” Herodotus believed that the purpose of writing history was “so that time not erase
what man has brought into being.” A new kind of historical writing, less memorial and more
unsettling, only first emerged in the fourteenth century. “History is a philosophical science,” the
North African Muslim scholar Ibn Khaldun wrote in 1377, in the prologue to his history of the
world, in which he defined history as the study “of the causes and origins of existing things.” 

Only by fits and starts did history become not merely a form of memory but also a form of
investigation, to be disputed, like philosophy, its premises questioned, its evidence examined, its
arguments countered. Early in the seventeenth century, Sir Walter Ralegh began writing his own
History of the World, from a prison in the Tower of London where he was allowed to keep a
library of five hundred books. The past, Ralegh explained, “hath made us acquainted with our
dead ancestors,” but it also casts light on the present, “by the comparison and application of other
men’s fore-passed miseries with our own like errors and ill deservings.” To study the past is to
unlock the prison of the present.

This new understanding of the past attempted to divide history from faith. The books of world -
religions— the Hebrew Bible, the New Testament, and the Quran— are pregnant with mysteries,
truths known only by God, taken on faith. In the new history books, historians aimed to solve
mysteries and to discover their own truths. The turn from reverence to inquiry, from mystery to
history, was crucial to the founding of the United States. It didn’t require abdicating faith in the
truths of revealed religion and it relieved no one of the obligation to judge right from wrong. But
it did require subjecting the past to skepticism, to look to beginnings not to justify ends, but to
question them— with evidence.

“I offer nothing more than simple facts, plain arguments, and common sense,” Thomas Paine, the
spitfire son of an English grocer, wrote in Common Sense, in 1776. Kings have no right to reign,
Paine argued, because, if we could trace hereditary monarchy back to its beginnings— “could we
take off the dark covering of antiquity, and trace them to their first rise”— we’d find “the first of
them nothing better than the principal ruffian of some restless gang.” James Madison explained
Americans’ historical skepticism, this deep empiricism, this way: “Is it not the glory of the
situation, and the lessons of their own experience?” Evidence, for Madison, was everything.

“A new era for politics is struck,” Paine wrote, his pen aflame, and “a new method of thinking
hath arisen.”  Declaring independence was itself an argument about the relationship between the
present and the past, an argument that required evidence of a very particular kind: historical
evidence. That’s why most of the Declaration of Independence is a list of historical claims. “To
prove this,” Jefferson wrote, “let facts be submitted to a candid world.”

Facts, knowledge, experience, proof. These words come from the law. Around the seventeenth
century, they moved into what was then called “natural history”: astronomy, physics, chemistry,
geology. By the eighteenth century they were applied to history and to politics, too. These truths:
this was the language of reason, of enlightenment, of inquiry, and of history. In 1787, then, when
Alexander Hamilton asked “whether societies of men are really capable or not of establishing
their political constitutions on accident and force,” that was the kind of question a scientist asks
before beginning an experiment. Time alone would tell. But time has passed. The beginning has
come to an end. What, then, is the verdict of history?

This book attempts to answer that question by telling the story of American history, beginning in
1492, with Columbus’s voyage, which tied together continents, and ending in a world not merely
tied together but tangled, knotted, and bound. It chronicles the settlement of American colonies;
the nation’s founding and its expansion through migration, immigration, war, and invention; its
descent into civil war; its entrance into wars in Europe; its rise as a world power and its role,
after the Second World War, in the establishment of the modern liberal world order: the rule of
law, individual rights, democratic government, open borders, and free markets. It recounts the
nation’s confrontations with communism abroad and discrimination at home; its fractures and
divisions, and the wars it has waged since 2001, when two airplanes crashed into the two towers
of the World Trade Center eight blocks from the site of a - long-- gone shop where the printers of
the - New-- York Packet had once offered for sale a young mother and her - six-- month old baby
and the Columbian Almanack, bound with the Constitution, or - without.

With this history, I’ve told a story; I’ve tried to tell it fairly. I have written a beginning and I have
written an ending and I have tried to cross a divide, but I haven’t attempted to tell the whole
story. No one could. Much is missing in these pages. In the 1950s, the historian Carl Degler
explained the rule he’d used in deciding what to leave in and what to leave out of his own history
of the United States, a lovely book called Out of Our Past. “Readers should be warned that they
will find nothing here on the Presidential administrations between 1868 and 1901, no mention of
the American Indians or the settlement of the seventeenth-­ century colonies,” Degler advised.
“The War of 1812 is touched on only in a footnote.” I, too, have had to skip over an awful lot.
Some very important events haven’t even made it into the footnotes, which I’ve kept clipped and
short, like a baby’s ­ fingernails.

In deciding what to leave in and what to leave out, I’ve confined myself to what, in my view, a
past, mainly because this book is meant to double as an old-fashioned civics book, an
explanation of the origins and ends of democratic institutions, from the town meeting to the party
system, from the nominating convention to the secret ballot, from talk radio to Internet polls.
This book is chiefly a political history. It pays very little attention to military and diplomatic
history or to social and cultural history. But it does include episodes in the history of American
law and religion, journalism and technology, chiefly because these are places where what is true,
and what’s not, have sometimes gotten sorted out.

something else, too: it’s an explanation of the nature of the past. History isn’t only a subject; it’s
also a method. My method is, generally, to let the dead speak for themselves. I’ve pressed their
words between these pages, like flowers, for their beauty, or like insects, for their hideousness.
the teller of truth.

What, then, of the American past? There is, to be sure, a great deal of anguish in American
and much, especially, of invention and beauty. Some American history books fail to criticize the
United States; others do nothing but. This book is neither kind. The truths on which the nation
was founded are not mysteries, articles of faith, never to be questioned, as if the founding were
an act of God, but neither are they lies, all facts fictions, as if nothing can be known, in a world
without truth. Between reverence and worship, on the one side, and irreverence and contempt, on
the other, lies an uneasy path, away from false pieties and petty triumphs over people who lived
and died and committed both their acts of courage and their sins and errors long before we
committed ours. “We cannot hallow this ground,” Lincoln said at Gettysburg. We are obliged,
instead, to walk this ground, dedicating ourselves to both the living and the - dead.

A last word, then, about storytelling, and truth. “I have begun this letter five times and torn it
up,” James Baldwin wrote, in a letter to his nephew begun in 1962. “I keep seeing your face,
which is also the face of your father and my brother.” His brother was dead; he meant to tell his
nephew about being a black man, about the struggle for equality, and about the towering
importance and gripping urgency of studying the past and reckoning with origins. He went on,

shoulders, kissed and spanked him and watched him learn to walk. I don’t know if you’ve known
anybody from that far back; if you’ve loved anybody that long, first as an infant, then as a child,
cannot see what I see whenever I look into your father’s face, for behind your father’s face as it
is today are all those faces which were his.

face after face. “Know whence you came,” Baldwin told his nephew. The past is an inheritance,
to know it.

Excerpted from THESE TRUTHS: A History of the United States by Jill Lepore. Copyright
© 2018 by Jill Lepore. With permission of the publisher, W. W. Norton & Company, Inc.
All rights reserved.