Saturday, February 16, 2013

A Meteor over Cajun Louisiana: Window on Atomic-Age Anxieties

The recent explosion of a meteor (or "bolide") near Chelyabinsk, Russia, reminded me of a similar incident that took place over south Louisiana in the late 1950s.

A meteor streaking through the atmosphere.
(Source: Wikimedia Commons)

In my book The Cajuns: Americanization of a People I used this incident to illustrate how atomic-age anxieties had infiltrated Louisiana's traditionally French-speaking parishes — a region that at one time had been fairly isolated from the currents of mainstream American history. Some fellow historians bristle at the suggestion that south Louisiana was ever particularly isolated: but "isolated" is a relative term, and compared to, say, contemporary downtown Peoria, suburban Cincinnati, or midtown Manhattan, or any number of other mainstream American places, it was without doubt relatively isolated during the pre-World War II era.

This changed on a rapid, widespread basis with the coming of World War II, an event that finally immersed south Louisiana in mainstream American culture. As such, I demonstrated in The Cajuns that when a meteor lit up the region's night sky in the late 1950s, many Cajuns suspected they had just been attacked by the Soviet Union. As I concluded about their terrified response to the meteor, "Obviously, Cajuns were as susceptible to Cold War anxieties as other segments of American society."

Cover of my book
The Cajuns: Americanization of a People (2003)

Given the present interest in meteors, I excerpt here the section of my book dealing with that astronomical event over south Louisiana:
Around 10 p.m. on March 15, 1957, a fiery meteor emitting a shower of red sparks hurtled over south Louisiana, turning darkness to broad daylight before slamming into West Côte Blanche Bay. Windows rattled, some shattered, and police throughout central Acadiana [the Cajuns parishes of south-central Louisiana] fielded calls from hundreds of frantic citizens. No, they replied, it wasn't a mid-air collision, an oil-rig blowout, a "space ship from Mars," or "la fin du monde," the end of the world. It was only a chunk of rock from outer space. 
Significantly, some Acadiana residents assumed that what they had witnessed was an incoming missile and the flash of an atomic blast. They believed that the Soviets had launched a nuclear attack on Baton Rouge or New Orleans. According to the Abbeville Meridional, for example, a local resident "who prefers not being identified" said he thought the meteor was a guided missile . . . sent to this area by the Russians for some destructive purposes." The same article cited Vermilion Parish resident Preston Broussard as describing the meteor's impact as "like the explosion of weapons used in warfare." Lafayette's Daily Advertiser stated "Some thought it was . . . 'an atomic bomb dropped over New Orleans.'" In the rural community of Kaplan, school teacher Earl Comeaux was putting his daughter to sleep when he observed "the yard light up as in daytime." At first the event puzzled him, but as he recalled, "It dawned on me that that was the flash of an A-bomb exploding. Since it was in the east, I immediately thought of Baton Rouge, a prime target of the Russians. They would be after the petroleum plants there."
Newspaper article from March 1957
about the meteor.
(Source: Altus [Okla.] Times-Democrat/Google News)
Comeaux knew more than most locals about atomic warfare: a few years earlier he had served with Strategic Air Command, flying on B-50 bombers that carried nuclear warheads targeted for Moscow rail yards. Waking his wife anxiously, Comeaux told her about the mysterious flash, and explained that if the capital had indeed been bombed, the resulting shockwave ought to reach Kaplan at any moment. "Well, no sooner was that said than a great boom shook the house," he recalled. "I was convinced that we had been attacked by the Russians." Gathering their children, the Comeauxs huddled around their television, awaiting official word of doomsday. After a long night they learned about the meteor that had crashed nearby. "How terrified I had been for my family and myself!" he recalled. "How ridiculous my reaction to a natural occurrence." . . .
A follow-up note: I have tried unsuccessfully on occasion to coax both scientists and treasure hunters into searching for the meteorite in question. A large chunk of the object reportedly fell to Earth just off an easily identifiable spot on the Louisiana coast — the amusingly named Point No Point, which sits directly between East and West Côte Blanche bays. As I told a journalist in 2007:
I once spent a good deal of time researching this meteor, and three fishermen from Baldwin [in St. Mary Parish] reported that the meteor (or at least an automobile-sized part of it) crashed between their boat and the shoreline, which was located only a short distance away (a hundred yards or so, I recall). . . . They had been fishing near the division between East and West Côte Blanche Bay[s] at a place called Point No Point. The impact of the meteor hitting the water was so loud that their ears were still ringing days later, and they felt fortunate to be alive. Another, smaller chunk of the meteor landed on an inland oil rig near Houma, and the oil-field worker who saw it fall out of the sky and roll up against some equipment took the rock home as a keepsake. Who knows where it is now?

Approximate reported impact site
of meteor off Point No Point.
(Source: Google Maps)

The three fishermen in question drew a map showing precisely where this large chunk of space rock crashed into the water near Point No Point. This map still exists, and it seems to me that someone with an underwater magnetometer might use it to find the meteorite — assuming the meteorite is made of iron or some other easily detectable metal — and raise it to the surface.

Location of Point No Point (aka Marone Point).
(Source: Google Maps)

But what do I know about such things, really? I'm not a geophysicist, but a historian. And for all I know the rock, or what is left of it after possibly rusting beneath the waves for over a half-century, is buried under fifty feet of sludge.

Tuesday, February 12, 2013

A Film Documents South Louisiana's Logging Industry, ca. 1925: Responsible Stewardship or Environmental Disaster?

Earlier today I learned of a two-part, roughly thirty-minute black-and-white silent film from circa 1925 documenting the daily operations of a south Louisiana cypress company. (I later realized that, purely by coincidence, an old high-school classmate of mine put the digitized film online.)

The movie shows lumberjacks in pirogues (small flat-bottomed boats) cutting down ancient cypress trees in or around the Atchafalaya Basin; a pull boat drawing the logs onto a canal using a chain and windlass; a dredge boat armed with a steam shovel extending the logging canals into a cypress swamp; a locomotive pulling flatcars of logs to the mill; a "towboat" (actually the full-fledged steamboat Sewanee) pulling a "boom" of logs to the mill; "overhead electric cars" — presumably state-of-the-art technology at the time — carrying logs around the lumberyard; "mechanical electric stackers" piling lumber; and early gas-powered trucks pulling wagons of lumber.

The film in question was shot by L. K. Williams, a member of the Williams family of Patterson who operated the massive F. B. Williams Cypress Company, located in that same town on or near the banks of Bayou Teche. The waterway from which L. K. Williams filmed the cypress mill (seen on reel two) is quite possibly the Teche itself, but it's difficult to say because there are many man-made canals around Patterson. The scene in question just as easily could have been shot from one of those canals.

Advertisement for F. B. Williams Cypress Company, Patterson, La.
(Source: The Lumber Trade Journal, 15 Sept 1914)

Note the industry-specific terms* that appear in the film’s captions:
Boom, n. Logs or timbers fastened together end to end and used to hold floating logs. The term sometimes includes the logs enclosed, as a boom of logs. 
Crib, n. Specifically, a raft of logs; loosely applied to a boom of logs. 
Float road[, n.]. A channel cleared in a swamp and used to float cypress logs from the woods to the boom at the river or mill.
F. B. Williams Cypress Company, Patterson, La.,
as shown in the ca. 1925 film.

I cannot find a definition for a run, another term used in the captions, but it is presumably the same as that for gutter road, which is "The path followed in skidding logs" — skid meaning "To draw logs from the stump to the skidway, landing, or mill." In turn, a skidway is "Two skids laid parallel at right angles to a road, usually raised above the ground at the end nearest the road.” The same source adds, "Logs are usually piled upon a skidway as they are brought from the stump for loading upon sleds, wagons, or cars."

This film provides a valuable insight into a now dormant Teche country industry: once lumber mills dotted the lower bayou, drawing on the nearby massive cypress swamp that is the Atchafalaya Basin, as well as on other, smaller cypress swamps in the region. Whether or not this turn-of-the-twentieth-century industry represented responsible stewardship of Louisiana’s natural resources or an environmental disaster (or something in between), I leave to viewers to decide. I myself do not weigh in on the issue because I have not researched the matter, and while it would be easy to deem it an "environmental disaster" I do not know this as a matter of fact.

The steamboat Sewanee, as shown in the ca. 1925 film.
It tows a "boom" of logs behind it.

*Definitions are quoted from: Bureau of Forestry, U.S. Department of Agriculture, Terms Used in Forestry and Logging (Washington, D.C.: U.S. Government Printing Office, 1905).

Monday, February 4, 2013



Aldus Roger and his band perform for dancers.
Source: La Louisiane (1968)





Logo of the ORTF.
Source: Les archives de la télévision


Cover of my book
The Cajuns: Americanization of a People (2003)



A crawfish float on Bayou Teche,
Breaux Bridge Crawfish Festival.
Source: La Louisiane: Fête de l'écrevisse (1968)





The summary of this film reads:
Jimmy Domengeaux interviewed.
Source: La Louisiane (1968)


Addendum of 12 February 2013
