Think about you could possibly quickly step away out of your life and escape to some far-flung nook of the world the place a lover awaits; what would you need to put on? Rabih Kayrouz supplied this because the narrative for an entirely fascinating lineup that didn’t require a backstory to go away a lingering impression. He bookended the gathering with two very completely different clothes in the identical papery, ribbed white organza. To start out, a beneficiant caftan punctuated with placket and facet pockets simply barely tacked down; to complete, a floor-grazing robe freed from finery. In between had been traces of tailoring that imbued the appears to be like with assured grace, from a jumpsuit that folded and flushed across the physique to smoking jackets furnished with a fluted overlay providing arms a spot to cover.

The seductive touches have been simply as tacit: slender slits, prolonged arm openings that converged on the waist, or a double set of gown straps framing the décolletage. Equally, the djellaba-inspired robes and fluid draping transmitted the weightlessness of a consummated love affair—the frisson of the physique at its freest. “All of the sudden, there’s nothing to limit,” stated Kayrouz backstage. “It’s very pure this time.” Arguably, it was additionally expressive—a motif of rainbow ribbons projected pure optimism, whereas a inexperienced hue that evoked vintage banker lamps prompt his muse wasn’t all that involved about staying inconspicuous.

The truth that the gathering unfurled to the soulful songs of Millie Jackson struck a chord; within the absence of the particular escape, these garments had been channeling the longing. They virtually made the center ache—in a great way.

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