Little Brother

All Rights Reserved ©


I wrote Little Brother in a white-hot fury between May 7, 2007 and July 2, 2007: exactly eight weeks from the day I thought it up to the day I finished it (Alice, to whom this book is dedicated, had to put up with me clacking out the final chapter at 5AM in our hotel in Rome, where we were celebrating our anniversary). I'd always dreamed of having a book just materialize, fully formed, and come pouring out of my fingertips, no sweat and fuss — but it wasn't nearly as much fun as I'd thought it would be. There were days when I wrote 10,000 words, hunching over my keyboard in airports, on subways, in taxis — anywhere I could type. The book was trying to get out of my head, no matter what, and I missed so much sleep and so many meals that friends started to ask if I was unwell.

When my dad was a young university student in the 1960s, he was one of the few "counterculture" people who thought computers were a good thing. For most young people, computers represented the de-humanization of society. University students were reduced to numbers on a punchcard, each bearing the legend "DO NOT BEND, SPINDLE, FOLD OR MUTILATE," prompting some of the students to wear pins that said, "I AM A STUDENT: DO NOT BEND, SPINDLE, FOLD OR MUTILATE ME." Computers were seen as a means to increase the ability of the authorities to regiment people and bend them to their will.

When I was a 17, the world seemed like it was just going to get more free. The Berlin Wall was about to come down. Computers — which had been geeky and weird a few years before — were everywhere, and the modem I'd used to connect to local bulletin board systems was now connecting me to the entire world through the Internet and commercial online services like GEnie. My lifelong fascination with activist causes went into overdrive as I saw how the main difficulty in activism — organizing — was getting easier by leaps and bounds (I still remember the first time I switched from mailing out a newsletter with hand-written addresses to using a database with mail-merge). In the Soviet Union, communications tools were being used to bring information — and revolution — to the farthest-flung corners of the largest authoritarian state the Earth had ever seen.

But 17 years later, things are very different. The computers I love are being co-opted, used to spy on us, control us, snitch on us. The National Security Agency has illegally wiretapped the entire USA and gotten away with it. Car rental companies and mass transit and traffic authorities are watching where we go, sending us automated tickets, finking us out to busybodies, cops and bad guys who gain illicit access to their databases. The Transport Security Administration maintains a "no-fly" list of people who'd never been convicted of any crime, but who are nevertheless considered too dangerous to fly. The list's contents are secret. The rule that makes it enforceable is secret. The criteria for being added to the list are secret. It has four-year-olds on it. And US senators. And decorated veterans — actual war heroes.

The 17 year olds I know understand to a nicety just how dangerous a computer can be. The authoritarian nightmare of the 1960s has come home for them. The seductive little boxes on their desks and in their pockets watch their every move, corral them in, systematically depriving them of those new freedoms I had enjoyed and made such good use of in my young adulthood.

What's more, kids were clearly being used as guinea-pigs for a new kind of technological state that all of us were on our way to, a world where taking a picture was either piracy (in a movie theater or museum or even a Starbucks), or terrorism (in a public place), but where we could be photographed, tracked and logged hundreds of times a day by every tin-pot dictator, cop, bureaucrat and shop-keeper. A world where any measure, including torture, could be justified just by waving your hands and shouting "Terrorism! 9/11! Terrorism!" until all dissent fell silent.

We don't have to go down that road.






This book is meant to be something you do, not just something you read. The technology in this book is either real or nearly real. You can build a lot of it. You can share it and remix it (see THE COPYRIGHT THING, below). You can use the ideas to spark important discussions with your friends and family. You can use those ideas to defeat censorship and get onto the free Internet, even if your government, employer or school doesn't want you to.

Making stuff: The folks at Instructables have put up some killer HOWTOs for building the technology in this book. It's easy and incredibly fun. There's nothing so rewarding in this world as making stuff, especially stuff that makes you more free:

Discussions: There's an educator's manual for this book that my publisher, Tor, has put together that has tons of ideas for classroom, reading group and home discussions of the ideas in it.

Defeat censorship: The afterword for this book has lots of resources for increasing your online freedom, blocking the snoops and evading the censorware blocks. The more people who know about this stuff, the better.

Your stories: I'm collecting stories of people who've used technology to get the upper hand when confronted with abusive authority. I'm going to be including the best of these in a special afterword to the UK edition (see below) of the book, and I'll be putting them online as well. Send me your stories at, with the subject line "Abuses of Authority".


I'm a Canadian, and I've lived in lots of places (including San Francisco, the setting for Little Brother), and now I live in London, England, with my wife Alice and our little daughter, Poesy. I've lived here (off and on) for five years now, and though I love it to tiny pieces, there's one thing that's always bugged me: my books aren't available here. Some stores carried them as special items, imported from the USA, but it wasn't published by a British publisher.

That's changed! HarperCollins UK has bought the British rights to this book (along with my next young adult novel, FOR THE WIN), and they're publishing it just a few months after the US edition, on November 17, 2008 (the day after I get back from my honeymoon!).

I'm so glad about this, I could bust, honestly. Not just because they're finally selling my books in my adopted homeland, but because I'm raising a daughter here, dammit, and the surveillance and control mania in this country is starting to scare me bloodless. It seems like the entire police and governance system in Britain has fallen in love with DNA-swabbing, fingerprinting and video-recording everyone, on the off chance that someday you might do something wrong. In early 2008, the head of Scotland Yard seriously proposed taking DNA from five-year-olds who display "offending traits" because they'll probably grow up to be criminals. The next week, the London police put up posters asking us all to turn in people who seem to be taking pictures of the ubiquitous CCTV spy-cameras because anyone who pays too much to the surveillance machine is probably a terrorist.

America isn't the only country that lost its mind this decade. Britain's right there in the nuthouse with it, dribbling down its shirt front and pointing its finger at the invisible bogeymen and screaming until it gets its meds.

We need to be having this conversation all over the planet.

Like I said, the UK edition goes on sale on November 17 (ISBN: 978-0-00-728842-7). There'll even be a limited edition, signed hardcover for people who like their books all artifact-y. If you want to be notified when the book goes on sale, just drop me an email at with the subject line LITTLE BROTHER UK EDITION.


My agent, Russell Galen (and his sub-agent Danny Baror) did an amazing job of pre-selling rights to Little Brother in many languages and formats. Here's the list as of today (May 4, 2008). I'll be updating it as more editions are sold, so feel free to grab another copy of this file ( if there's an edition you're hoping to see, or see for links to buy all the currently shipping editions.

• Audiobook from Random House.

A condition of my deal with Random House is that they're not allowed to release this on services that use "DRM" (Digital Rights Management) systems intended to control use and copying. That means that you won't find this book on Audible or iTunes, because Audible refuses to sell books without DRM (even if the author and publisher don't want DRM), and iTunes only carries Audible audiobooks. However, you can buy the MP3 file direct from RandomHouse or many other fine etailers, or through this link

My foreign rights agent, Danny Baror, has presold a number of foreign editions:

• Greece: Pataki

• Russia: AST Publishing

• France: Universe Poche

• Norway: Det Norske Samlaget

No publication dates yet for these, but I'll keep updating this file as more information is available. You can also subscribe to my mailing list for more info.



I like the fact that copyright lets me sell rights to my publishers and film studios and so on. It's nice that they can't just take my stuff without permission and get rich on it without cutting me in for a piece of the action. I'm in a pretty good position when it comes to negotiating with these companies: I've got a great agent and a decade's experience with copyright law and licensing (including a stint as a delegate at WIPO, the UN agency that makes the world's copyright treaties). What's more, there's just not that many of these negotiations — even if I sell fifty or a hundred different editions of Little Brother (which would put it in top millionth of a percentile for fiction), that's still only a hundred negotiations, which I could just about manage.





Same with books. I've worked in new bookstores, used bookstores and libraries. I've hung out in pirate ebook ("bookwarez") places online. I'm a stone used bookstore junkie, and I go to book fairs for fun. And you know what? It's the same people at all those places: book fans who do lots of everything that has to do with books. I buy weird, fugly pirate editions of my favorite books in China because they're weird and fugly and look great next to the eight or nine other editions that I paid full-freight for of the same books. I check books out of the library, google them when I need a quote, carry dozens around on my phone and hundreds on my laptop, and have (at this writing) more than 10,000 of them in storage lockers in London, Los Angeles and Toronto.



In case that's not enough for you, here's my pitch on why giving away ebooks makes sense at this time and place:


For me — for pretty much every writer — the big problem isn't piracy, it's obscurity (thanks to Tim O'Reilly for this great aphorism). Of all the people who failed to buy this book today, the majority did so because they never heard of it, not because someone gave them a free copy. Mega-hit best-sellers in science fiction sell half a million copies — in a world where 175,000 attend the San Diego Comic Con alone, you've got to figure that most of the people who "like science fiction" (and related geeky stuff like comics, games, Linux, and so on) just don't really buy books. I'm more interested in getting more of that wider audience into the tent than making sure that everyone who's in the tent bought a ticket to be there.

Ebooks are verbs, not nouns. You copy them, it's in their nature. And many of those copies have a destination, a person they're intended for, a hand-wrought transfer from one person to another, embodying a personal recommendation between two people who trust each other enough to share bits. That's the kind of thing that authors (should) dream of, the proverbial sealing of the deal. By making my books available for free pass-along, I make it easy for people who love them to help other people love them.

What's more, I don't see ebooks as substitute for paper books for most people. It's not that the screens aren't good enough, either: if you're anything like me, you already spend every hour you can get in front of the screen, reading text. But the more computer-literate you are, the less likely you are to be reading long-form works on those screens — that's because computer-literate people do more things with their computers. We run IM and email and we use the browser in a million diverse ways. We have games running in the background, and endless opportunities to tinker with our music libraries. The more you do with your computer, the more likely it is that you'll be interrupted after five to seven minutes to do something else. That makes the computer extremely poorly suited to reading long-form works off of, unless you have the iron self-discipline of a monk.


So ebooks sell print books. Every writer I've heard of who's tried giving away ebooks to promote paper books has come back to do it again. That's the commercial case for doing free ebooks.


Finally, let's look at the moral case. Copying stuff is natural. It's how we learn (copying our parents and the people around us). My first story, written when I was six, was an excited re-telling of Star Wars, which I'd just seen in the theater. Now that the Internet — the world's most efficient copying machine — is pretty much everywhere, our copying instinct is just going to play out more and more. There's no way I can stop my readers, and if I tried, I'd be a hypocrite: when I was 17, I was making mix-tapes, photocopying stories, and generally copying in every way I could imagine. If the Internet had been around then, I'd have been using it to copy as much as I possibly could.





Here's the deal: there are lots of teachers and librarians who'd love to get hard-copies of this book into their kids' hands, but don't have the budget for it (teachers in the US spend around $1,200 out of pocket each on classroom supplies that their budgets won't stretch to cover, which is why I sponsor a classroom at Ivanhoe Elementary in my old neighborhood in Los Angeles; you can adopt a class yourself with your name and the name and address of your school. It'll be posted to my site by my fantastic helper, Olga Nunes, so that potential donors can see it.

If you enjoyed the electronic edition of Little Brother and you want to donate something to say thanks, go here and find a teacher or librarian you want to support. Then go to Amazon,, or your favorite electronic bookseller and order a copy to the classroom, then email a copy of the receipt (feel free to delete your address and other personal info first!) to so that Olga can mark that copy as sent. If you don't want to be publicly acknowledged for your generosity, let us know and we'll keep you anonymous, otherwise we'll thank you on the donate page.

I have no idea if this will end up with hundreds, dozens or just a few copies going out — but I have high hopes!

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