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And if you’re as spellbound by those infectious grooves as we are, check out Soundfly’s conversation with Dan Freeman on the beat-making techniques of Quincy Jones here.



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This autumn, we’re launching a brand new mentored online course teaching you how to get your home-recorded vocals sounding like the pros, check it out!



Nerves affect your body, which in turn affect your ability. Adrenaline pumping through your blood might cause you to sweat excessively, your spine might contact, your legs might start to feel like jelly, dilated pupils, dry mouth… You need to identify which symptoms you experience. Study them when you’re removed from the nervy situation. Gain clarity on them. The goal is to become familiar with how your body reacts, so that you can know what to expect, and prepare for it as best you can.

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The first in our two-course series exclusively focused on mixing, Faders Up I: Modern Mix Techniques takes a macro-lens approach to the mix process, so you’ll get a well-rounded knowledge of every basic parameter used to create professional-sounding audio tracks, including referencing, panning, routing, signal flow, EQ, compression, reverb, and much more. You’ll also learn ear-training exercises to make sure you’re hearing your mix correctly and responsibly. Between the course work and mentor feedback, you’ll come away with priceless advice and insight on your personal mixing process.

This technique is so common in dance tracks that it’s almost a cliché that cannot be avoided. If you frequent raves, dance clubs, or electronic music festivals, you’re probably used to hearing claps, snares, toms, or kicks that start with quarter note hits, then speed up to eighth notes, and then finally reach for sixteenth and thirty-second notes as you get closer to the drop.


There’s nothing surprising about it at all; people like lamento bass, and African diaspora musicians are smart enough to deliver it straight up over decent beats. He continues, “This bass line is a fate from which we cannot escape.”