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quarta-feira, 16 de agosto de 2017

Vizcaya Museum and Gardens, Miami. - Museu e Jardins de Vizcaya, Miami.

The Vizcaya Museum and Gardens, previously known as Villa Vizcaya, is the former villa and estate of businessman James Deering, of the Deering McCormick-International Harvester fortune, on Biscayne Bay in the present day Coconut Grove neighborhood of Miami, Florida. The early 20th century Vizcaya estate also includes: extensive Italian Renaissance gardens; native woodland landscape; and a historic village outbuildings compound. The landscape and architecture were influenced by Veneto and Tuscan Italian Renaissance models and designed in the Mediterranean Revival architecture style, with Baroque elements. Paul Chalfin was the design director.

Miami-Dade County now owns the Vizcaya property, as the Vizcaya Museum and Gardens, which is open to the public. The location is served by the Vizcaya Station of the Miami Metrorail.

The estate property originally consisted of 180 acres (730,000 m2) of shoreline Mangrove swamps and dense inland native tropical forests. Being a conservationist, Deering sited the development of the estate portion along the shore to conserve the forests. This portion was to include the villa, formal gardens, recreational amenities, expansive lagoon gardens with new islets, potager and grazing fields, and a village services compound. The villa was built primarily between 1914 and 1922, while the construction of the extensive elaborate Italian Renaissance gardens and the village continued into 1923. During the World War I years building trades and supplies were difficult to acquire in Florida. Vizcaya is noteworthy for adapting historical European aesthetic traditions to South Florida's subtropical ecoregion. For example; it combined imported French and Italian garden layouts and elements implemented in Cuban limestone stonework with Floridian coral architectural trim and planted with sub-tropic compatible and native plants that thrived in the habitat and climate. Palms and Philodendrons had not been represented in the emulated gardens of Tuscany or Île-de-France.

Deering used Vizcaya as his winter residence from 1916 until his death in 1925. Paul Chalfin, a former art curator, painter, and interior designer, was the project's director. He assisted and encouraged Deering to collect art items, antiquities, and architectural elements for the project. Chalfin recommended the architect F. Burrall Hoffman to design the structural and envelope of the villa, garden pavilions, and estate outbuildings. The landscape master plan and individual gardens were designed with the Colombian landscape designer Diego Suarez, who had trained with Sir Harold Acton at the gardens of Villa La Pietra outside Florence, Italy. The estate's name refers to the northern Spanish province Vizcaya (In English Biscay), in the Basque region along the east Atlantic's Bay of Biscay, as 'Vizcaya' is on the west Atlantic's Biscayne Bay. Records indicate Deering wished the name also to commemorate an early Spaniard named Vizcaya who he thought explored the area, although later he was corrected that the explorer's name was Sebastián Vizcaíno. Deering used the Caravel, a type of ship style used during the 'Age of Exploration', as the symbol and emblem of Vizcaya. A representation of the mythical explorer "Bel Vizcaya" welcomes visitors at the entrance to the property.

Vizcaya's villa exterior and garden architecture is a composite of different Italian Renaissance villas and gardens, with French Renaissance parterre features, based on visits and research by Chalfin, Deering, and Hoffman. The villa facade's primary influence is the Villa Rezzonico designed by Baldassarre Longhena at Bassano del Grappa in the Veneto region of northern Italy. It is referred to sometimes as the "Hearst Castle of the East".

James Deering died in September 1925, on board the steamship SS City of Paris en route back to the United States. After his death Vizcaya was inherited by his two nieces, Marion Chauncey Deering McCormick and Ely Deering McCormick Danielson. Over the decades, after hurricanes and increasing maintenance costs, they began selling the estate's surrounding land parcels and outer gardens. In 1945 they sold significant portions of the Vizcaya property to the Catholic Diocese of St. Augustine, Florida, to build Miami's Mercy Hospital. 50 acres (200,000 m2) comprising the main house, the formal gardens, and the village were retained. In 1952 Miami-Dade County acquired the villa and formal Italian gardens, needing significant restoration, for $1 million. Deering's heirs donated the villa's furnishings and antiquities to the County-Museum. Vizcaya began operation in 1953 as the Dade County Art Museum. The village and remaining property were acquired by the County during the mid-1950s. In 1994 the Vizcaya estate was designated as a National Historic Landmark. In 1998, in conjunction with Vizcaya's reaccreditation process by the American Alliance of Museums, the Vizcaya Museum and Gardens Trust was formed to be the museum's governing body.

On March 22, 1971, three individuals from New York City stole approximately $1.5 million in artworks and silver items from the Villa Vizcaya, some of which were of historical value.This trio of reputed jewel thieves was arrested on March 25, 1971. Sergeant Tom Connolly from the New York Police Department raided the Manhattan apartment of Vojislav Stanimirovic and his wife Branka, and arrested them. The couple's accomplice, Alexander Karalanovic, was also arrested, and all three were charged with suspicion of stolen property and possession of a dangerous weapon. From the Stanimirovics' apartment approximately $250,000 of the stolen goods was recovered. Sergeant Connolly stated that included in the theft was a silver bowl that once belonged to Napoleon Bonaparte and was virtually priceless. According to Sergeant Connolly, the three perpetrators had been under surveillance for four months for unrelated mega jewel burglaries that they had carried out in the Manhattan Diamond District. NYPD Captain Thomas Kissane said that the vast majority of the precious items stolen from the Vizcaya were never recovered.

The Estate is now known officially as the Vizcaya Museum and Gardens, which consists of 50 acres (200,000 m2) with the villa and the gardens, and the remaining native forest. The estate is a total of 50 acres (200,000 m2), of which 10 acres (40,000 m2) contain the Italian Renaissance formal gardens, and 40 acres (160,000 m2) are circulation and the native 'hammock' (jungle forest). The villa's museum contains more than seventy rooms of distinctive architectural interiors decorated with numerous antiques, with an emphasis on 15th through early 19th century European decorative art and furnishings. Currently owned by Miami-Dade County and governed by the Vizcaya Museum and Gardens Trust (formed in 1998), Vizcaya is located at 3251 South Miami Avenue in Coconut Grove neighborhood of Miami, and is open to the public daily except Tuesdays, Thanksgiving, and Christmas Day. It has accreditation by the American Alliance of Museums.

Vizcaya was built with an open-air courtyard and extensive gardens on Biscayne Bay. As such, the estate has been subject to environmental and hurricane damage, the latter notably in 1926, 1992, and 2005. Miami-Dade County has granted money ($50m U.S.) for the restoration and preservation of Vizcaya. These funds have been matched by grants from FEMA, Save America's Treasures, and numerous other funders. Plans include restoration of the villa and gardens, and adaptation of the historic village compound for exhibition and educational facilities; however, additional funds are required for this. The completed first phase of this project has included rebuilding of the museum's Cafe and Shop (in historic recreation areas of the building adjacent to the pool), renovation of the East and West Gate Lodges that flank South Miami Avenue, and rebuilding of the David A. Klein Orchidarium in a plan that generally uses historic precedent. At the same time, Vizcaya has completed the first half of a major conservation program of its outdoor sculpture collections. With a consulting landscape architect, Vizcaya has too finished a comprehensive cultural landscape report, which will be a vital tool in the ongoing restoration of the formal gardens.

In 2008 the National Trust for Historic Preservation listed Vizcaya as one of America's Eleven Most Endangered Historic Places. As noted by the National Trust's website, Vizcaya's inclusion on this list was based on the threat of proposed highrise development on neighboring property. Specifically, the National Trust stated: "Unless development is blocked or an intervention occurs, this cultural landscape will be permanently damaged by the construction of three high-rise condominium towers within Vizcaya's historic viewshed." The proposed highrises were blocked by two court rulings and in 2010 the City of Miami included viewshed protection for historic properties like Vizcaya in its new zoning code, "Miami 21."

Other types of events are hosted by the museum to collect funds for its preservation. For example, every Halloween, Vizcaya organized a costume party, where people from all around Florida attend with their creative costumes. The cause of the event is to preserve and protect one of the jewels of South Florida.

Vizcaya was the 1987 venue where President Ronald Reagan received Pope John Paul II on his first visit to Miami.

Vizcaya was the 1994 location of the important 'First Summit of the Americas' convened by President Bill Clinton. This began a series of Summits of the countries in The Americas. The thirty-four nations' leaders that met at Vizcaya created the 'Free Trade Area of the Americas (FTAA),' that all the hemisphere's countries, except Cuba, could join for national and corporate trade benefits.

Vizcaya has provided the setting for many films, both credited and uncredited. Deering himself enjoyed watching silent films in Vizcaya's courtyard, and he had a particular interest in the works of Charlie Chaplin. External pictures of Vizcaya can be seen in the films Tony Rome, Ace Ventura: Pet Detective, Any Given Sunday, Bad Boys II, Airport '77, Haunts of the Very Rich, The Money Pit, and Iron Man 3. The music video for The Cover Girls' song "Promise Me" from 1988 was filmed at Vizcaya. The music video for New Edition's song "I'm Still In Love With You" from 1996 was also filmed there.

Vizcaya is also an extremely popular location for weddings and other special events, given the site's architectural and natural beauty. For decades, the estate has been a subject of photography, and is a favored site for photographs of women celebrating their quinceañera (15th birthday).

On April 18, 2012, the AIA's Florida Chapter placed Vizcaya on its list of Florida Architecture: 100 Years. 100 Places.

Cultura não é o que entra pelos olhos e ouvidos,
mas o que modifica o jeito de olhar e ouvir. 
A cultura e o amor devem estar juntos.

Vamos compartilhar.

Culture is not what enters the eyes and ears, 

but what modifies the way of looking and hearing.

Imagine uma propriedade com o nome espanhol, o charme italiano de sua construção e os jardins franceses, localizada em Coconut Grove no coração de uma floresta tropical e debruçada na Biscayne Bay . Essa é Villa Vizcaya! Construída e idealizada no início de 1900 para ser a casa de inverno do empresário milionário americano James Deering. Hoje é o Viscaya Museum and Gardens, uma visita imperdível para quem vem a Miami.

Villa Vizcaya foi construída entre 1914 e 1922. Paul Chaffin foi o visionário e “designer director” do projeto e F. Burrall Hoffman, o arquiteto. Os jardins foram desenhados pelo colombiano Diego Suarez que conseguiu adaptar as plantas locais à um desenho europeu. Paul Chaffin se formou como pintor na École des Beaux-Arts de Paris e foi o grande influenciador de Deering. Chalfin e Deering viajaram a toda a Europa colecionando idéias e adquirindo arte e antigüidades para a nova propriedade na Flórida. Cada detalhe foi pensado. James Deering utilizou Vizcaya como sua residência de inverno de 1916 até a sua morte em setembro de 1925.

Em 1945, as duas sobrinhas de Deering, as únicas herdeiras decidiram vender a propriedade principal e os jardins para o Estado de Miami por 1 milhão de dólares, já que estes precisavam de uma significante restauração e cuidados, principalmente depois do grande furacão de 1934. Mas todos os móveis e a coleção de arte foram doadas pelas herdeiras ao Estado para o novo museu que seria inaugurado em 1953.

Atualmente todo renovado o Vizcaya Museum and Gardens é aberto para visitas, passeios, oferece um café e uma loja de souvenir ao público. Além de ser o cenário para festas e eventos da cidade. O local também já recebeu os Presidentes americanos Ronald Reagan e Bill Clinton, a Rainha da Inglaterra Elizabeth II, o Rei da Espanha Juan Carlos entre outros. Vizcaya, um ar mediterrâneo na paisagem tropical.


The Culture Secretariat of Fortaleza, Ceará, Brazil, will announce the registration of the Festa de Iemanja, the most important date for the Umbandist calendar, as Intangible Heritage of the capital of Ceará. - A Secretaria da Cultura de Fortaleza, Ceará, Brasil, anunciará o registro da Festa de Iemanjá, a data mais importante para o calendário umbandista, como Patrimônio Imaterial da capital cearense.

The beaches of Futuro and Iracema, in Fortaleza, Ceará, Brazil, will be the scene of homage to Iemanjá on Monday and Tuesday (14 and 15). The date marks the main festivity of the Umbandist calendar. During the events, the Secretariat of Culture of Fortaleza will announce the registration of the Iemanjá Festival as Intangible Heritage of the capital of Ceará.

"A mapping of the terreiros, with interviews, photos, an extensive material that shows the importance of the traditional celebration for the city of Fortaleza, was made." The proposal is that in the next meetings of the Municipal Council for the Protection of Historical and Cultural Heritage (Comphic) The technical opinion will be voted for approval of the registry, "said Secretary Evaldo Lima.

The registration process is expected to be concluded later this year, according to the Secretariat of Culture.

The official opening of the festivities takes place at Praia do Futuro at 6pm. The program of the first day of celebration also features the presentation of Afoxé Sons of Oya, at 18:30; And Anderson Monteiro and Paulo Renato, singing the Loa of 2017 from Maracatu Sons of Yemanjá, at 7pm.

At 8:00 p.m., Father Rafael de Ogum will sing for the Orixás, and then at 20.40, work will begin with the Dragon King Center of the Taquinha Mother of Oya.

Cultura não é o que entra pelos olhos e ouvidos,
mas o que modifica o jeito de olhar e ouvir. 
A cultura e o amor devem estar juntos.

Vamos compartilhar.

Culture is not what enters the eyes and ears, 

but what modifies the way of looking and hearing.

As praias do Futuro e de Iracema, em Fortaleza, Ceará, Brasil,  serão palco de homenagens a Iemanjá nesta segunda e terça-feira (14 e 15). A data marca a principal festividade do calendário umbandista. Durante os eventos, a Secretaria da Cultura de Fortaleza anunciará o registro da Festa de Iemanjá como Patrimônio Imaterial da capital cearense.

"Foi feito um mapeamento dos terreiros, com entrevistas, fotos, um extenso material que mostra a importância da tradicional festa para a cidade de Fortaleza. A proposta é que nas próximas reuniões do Conselho Municipal de Proteção do Patrimônio Histórico-Cultural (Comphic), o parecer técnico seja votado para a aprovação do registro", afirmou o secretário Evaldo Lima.
A previsão é que o processo de registro seja concluído ainda neste ano, de acordo com a Secretaria da Cultura.

A abertura oficial das festividades ocorre na Praia do Futuro, às 18h. A programação do primeiro dia de festa conta também com a apresentação do Afoxé Filhos de Oya, às 18h30; e de Anderson Monteiro e Paulo Renato, cantando a Loa de 2017 do Maracatu Filhos de Yemanjá, às 19h.
Às 20h, Pai Rafael de Ogum cantará para os Orixás, e em seguida, às 20h40, terá início os trabalhos com o Centro Rei Dragão do Mar de Mãe Taquinha de Oya.