BY JEFF KALISS | FROM THE SPRING 2018 ISSUE OF CLASSICAL GUITAR
Making his way around the recently trendy Hayes Valley neighborhood, his new place of employment at the San Francisco Conservatory of Music (SFCM) nearby, Judicaël Perroy seems to have succeeded in transplanting himself and his career from his native Paris. His solid physique and dark, tightly curled hair might place him at younger than his 44 years, and he expresses himself with the vitality that’s been characteristic ever since his start as a child prodigy on guitar, performing Vivaldi concertos with full orchestra in Le Mans, France. On his way back to the Conservatory from our first interview in a café, Perroy stops to chat in French with a visiting fellow expatriate, now a piano teacher in Cleveland, and offers a light to a fellow smoker, commenting that this is what he’s metaphorically hoping to accomplish with his first semester of guitar students at the Conservatory: to light their fires. All the while, he never stops talking, in charming French-accented English, his gusto matching what we hear on his recordings across a broad repertoire, from Bach to Piazzolla to Takemitsu.
The son of an amateur musician, Perroy enrolled at age seven in the Paris Academy of Music, and taught himself on his father’s guitar. At ten he entered the National School Academy of Aulnay-sous-Bois, where he attracted the attention of several prominent French guitar teachers. He placed second in the International Competition of the Ile-de-France in 1988, graduated summa cum laude from the Academy, and went on to further private study. Having won top prizes at other competitions and institutions, Perroy was flown to La Jolla, California, in 1997, where he placed first in the Guitar Foundation of America’s (GFA) International Concert Artist Competition (ICAC) and was awarded a 60-city tour of North America, which brought him to San Francisco for the first time and also gained him a post at Stetson University in central Florida.
Perroy’s recordings have included two duets—with flute and with harp—for Bayard Musique, and transcriptions of Bach for Naxos. In France, before taking the SFCM post, Perroy taught both children and adults at several conservatories, with some of his students going on to win their own competitions. Following their teacher to victories in the ICAC were Thomas Viloteau (2006), Gabriel Bianco (2008), Florian Larousse (2009), Thibaut Garcia (2015), and Xavier Jara (2016)—an impressive roster. Perroy’s latest album, Paris une solitude peuplée, (Constrastes Records, 2016), includes five pieces by Villa-Lobos, and he’s planning, with his Belarusian guitarist wife Natalia Lipnitskaya, to record transcriptions of Russian orchestral music. I spoke twice with Perroy, first just after his arrival in San Francisco, and again near the conclusion of his first semester of teaching there.
CLASSICAL GUITAR: How has guitar teaching changed, within your own experience of it?
JUDICAËL PERROY: My father, Thomas, began by teaching himself classical guitar after he heard John Williams perform in Paris. He didn’t know what to expect, because he was a security guard and he didn’t come from a family where people listened to classical music. He’d started on guitar with pop songs. And when I started studying, at the beginning of the ’80s, there were a lot of classical guitar teachers who were not themselves classical guitarists; they played electric guitar in bals populaires [local dances]. Now you have all these good players who are my age, teaching in conservatories and in private studios.
CG: How did you manage to find good teachers when you were coming up?
PERROY: My father discovered that I needed a teacher who could help me more than the conservatory teacher I had, and that’s why he decided to go to a Roberto Aussel concert. Roberto heard me, and later, with his former wife, Delia Estrada, gave me some classes over three years. I come from a very poor family, so he gave the lessons for free.
CG: Both of them were from Argentina; did they transmit any of that to you?
PERROY: At that time, Aussel was just beginning to play a Piazzolla piece for guitar, and I guess he recorded that in ’83 or ’84, so I was able to listen to that kind of music. There were a lot of Argentinians in Paris who had left their country for political reasons, so I had many opportunities. Then I had a third teacher, Raymond Gratien, and I would say he was my main teacher.
CG: Did you want to expand your classical repertoire?
PERROY: At 14, I started to fall in love with classical music—not just the guitar, but also the piano. Of the piano players, I preferred Sviatoslav Richter, Maurizio Pollini, and Alfred Brendel.
CG: Richter showed maybe some of the same enthusiasm you do.
PERROY: I wish I had one percent of that! I have a lot of that music on my hard disc—or my heart disc.
CG: Had you always thought of being a professional musician?
PERROY: I didn’t think I would do concerts. I was very interested in being a journalist or a sociologist. I did mathematics and economics, and during two years, from age 17 to 19, I totally stopped playing the guitar. Then I restarted, and won a competition. For the GFA competition, if they hadn’t given me a scholarship, I wouldn’t have gone. French people stay a lot in France; we don’t get noticed enough abroad. I had no idea it was an important competition, but I did it, and it worked fine.
CG: What do you think about competitions now that you’re a judge yourself?
PERROY: I will say something very pretentious, which is that I prefer it’s me who’s judging.
CG: Because you think your view of the guitar is special?
PERROY: Yeah! The guitar, as a classical instrument, is very fragile, because its image is very linked with pop music. So what I want to promote as a judge is that people play music that is really part of the classical music world, not the weaker crossover things . . . which are not really good for a jazz player and not really good for a classical player.
CG: What about older versus newer material?
PERROY: I like it when there is a mix, with pieces that are not overplayed, like new pieces. For a long time, the guitar repertoire was very limited, but it became much bigger. To me, it’s very important in competitions that I hear the identity of the player, with his or her choice of program.
Below, Perroy plays part of Bach’s Keyboard Partita No. 2:
CG: Does France have a different approach to classical pedagogy, and to guitar in particular?
PERROY: The huge difference is, each city [in France] has a conservatory, where kids can go for free, or for a [nominal] fee. In Paris, there are 18 conservatories, one for each district, each with two or three guitar teachers. It’s paid for by taxes, of course.
CG: There, your government supports music education; here not so much.
PERROY: Our system has some very good aspects and some not so good. In France, we all start with classical, and it’s not a question of money if you want your kid to have some music. In the U.S., there are a lot of kids who do guitar or band, and then when they are 17 or 18, they decide to do classical. The bad thing, of course, is that people in France are more used to having everything done by the state.
CG: How is it for performers and teachers in France?
PERROY: I play ten times more in the United States, because you have all those guitar societies. In France, if you are not famous, you don’t have many places to play, because nobody would organize that, because they wait for support from the state. The guitar scene is not mainstream enough to have really big support from the government.
CG: What do you like most about teaching?
PERROY: The personal relationships, with older students and kids.
CG: I would think how you were able to overcome financial challenges as a kid might inspire students from families further down in the economy.
PERROY: With musicians, it’s risky. A lot of American students have to work in a café, or whatever, to make a living. In France, they can all teach. One of the things that made me decide on San Francisco—which is a very expensive city—was the feeling that the SFCM will really help the students.
CG: How else do you help them, personally?
PERROY: I try to help them find what they want to do, not show that the way to be successful as a musician is to win the first prize.
CG: Are the possibilities better or worse for classical guitarists now?
PERROY: They’re better. But there are more people.
CG: More competition?
CG: In what ways better?
PERROY: There are more concerts, more places where we can play, new markets in places like China, that were totally out before.
CG: What have your students been like in your first semester at the SFCM? Is the Guitar Department there particularly outstanding?
PERROY: In the U.S., there are usually 15 or 20 students; here there are 34. And my 14 students are quite international! The faculty is bigger than most in the U.S., and all of us are very different. There is David [Tanenbaum, head of the department], who’s playing traditional repertoire but is very involved with contemporary music. You have [Richard] Savino, who’s playing Early Music. [Also on the faculty are Lawrence Ferrara, and Marc Teicholz, whom Perroy has known for 20 years.]
CG: What do you know about why the SFCM hired you? Did it have anything to do with your students’ records in winning competitions?
PERROY: They hired me a lot because of that. But I was very clear in the interview: Yes, I had competition winners, but I hope my work is valuable because I do a good job with the ones who don’t win competitions, who are interested in chamber music or teaching or whatever. And some of them are really as good as the competition winners.
CG: Have you played the historical guitars in the SFCM’s Harris Collection?
PERROY: It’s amazing! It’s always interesting to try the instrument that the music was composed for. Most people don’t play Beethoven on a pianoforte, but still it’s interesting to know how the sound was.
CG: What about your own instruments, the ones you use?
PERROY: [Gestures toward a Greg Smallman guitar standing by the wall.] I bought that guitar 17 years ago, and I like it mainly because of the sustain, though the tone is less what people like to hear on traditional guitar, in the Spanish style. A year ago I bought a [Ignacio] Fleta, from 1978, and it’s exactly the opposite. It’s lighter, you need more effort to play it [with the right hand], but then you can do more with the tone, the vibrato.
CG: Is the guitar, as an art, gaining status and integration in the 21st century?
PERROY: In contemporary music, for sure. Because of what guitarists like David Tanenbaum here do with contemporary composers, the guitar can be treated with the same importance as other instruments.
As for the past—[Mauro] Giuiliani will never be Beethoven.


Department of Psychology
The Department of Psychology at the University of Virginia is consistently rated among the best in the nation and spans major scientific areas of Psychology. Research interests on contemplation include James Coan, an affective neuroscientist, who is exploring the neuroscience of contemplation, especially in relationship to Buddhism, as well as being involved with other psychological studies on contemplation. Angeline Lillard is focused on early childhood development, and has a strong research interest in contemplative practices in that context. Shige Oishi's research focuses on wellbeing and happiness in cultural contexts.


According to the former "Apprentice'"star turned Trump foe, she has been documenting everything Trump does because his story can change throughout the day". "I'm included in that number of women who Donald Trump has said inappropriate things [to], has looked at inappropriately". There's thirty assistants to the president right now.
She told PBS in a separate interview this week: "I have a significant amount, in fact, a treasure trove, of multimedia backup for everything that's not only in "Unhinged", but everything that I assert about Donald Trump". "But there is really no real commitment to diversity in the White House, and he's unapologetic about it because he's completely contradicted the commitment [to blacks] he made during the campaign with 'what do you have to lose?'", she added. In fact, she joins Christie Brinkley, Selma Hayek and Brooke Shields in the long line of stars the real estate mogul and "Apprentice" host hit on before becoming president.
She told The Associated Press this week: "I will not be silenced".
Roethlisberger leaves practice with apparent injury
Rudolph was targeting Darrius Heyward-Bey from the get. "So, hopefully, there's a learning process there in it for all of us". But Smith-Schuster is picking up where he left off following a promising rookie year after scoring his second preseason TD.
The former White House aide stressed the small number of African-Americans who are working in his administration.
"It's much worse than people even realize", Manigault Newman said of the Trump admnistration. "And can you just imagine if he would say that publicly, what is he saying about me and other African-Americans privately?" she asked. Trump on Monday denied the existence of any such tape, citing the show's former producer, Mark Burnett. I don't have that word in my vocabulary, and never have.
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Bennett lobbed the ball towards the penalty spot where Kenneth Zohore , under pressure, diverted his header just wide of the post. The substitute suffered exactly that punishment for clumsily going through the back of Murphy.
She made the charge again on MSNBC on Sunday.
Manigault Newman has been making the rounds to promote her new book, "Unhinged: An Insider's Account of the Trump White House", in which she makes numerous claims about what went on at the White House during her tenure as Office of the Public Liaison director of communications. "I'll take anything I can get, gladly".
The White House response has been predictably dismissive, with Melania Trump's spokeswoman Stephanie Grisham getting out in front of the story with her own version of affairs. Even allegations about impropriety with her husband's handling of his charitable foundation left her largely unscathed.
What is a subtropical storm vs. a tropical storm?
The thunderstorms associated with subtropical systems and the strongest winds are found farther away from the center of storm. This system has that "subtropical" designation because it lacks all of the characteristics of a pure tropical system.


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what is nueron
Neuron is the structural and functional unit of nervous system. It’s function is transmit electrical impulses from and towards the brain. It consist of a body and an axon. The cell body contains a nucleus and cytoplasm. The axom elongates from the cell body and branches into many dendrites. The branches of axom called axom ending r axom terminals. These axom ending the are connected with dendrites of another neurons. there is small gap between the axom ending and dendrites called synapse.


By Mary Cunningham
Okay, the Flyers suck.
They have 35 points, and they’re in last place in the Metro Division.
Only one team in the NHL is worse, the St. Louis Blues.
While Carter Hart has shown some promise, he’s not the answer.
Philly is third last in goals against in the entire National Hockey League.
As the Flyers endure their second four-game losing streak since Dec. 9, their offense has severely underachieved.
An attack consisting of players like Claude Giroux, Jakub Voracek, Sean Couturier, James Van Riemsdyk, and Wayne Simmonds sounds like something that should cause opposing teams fits.
However, since Dec. 20, that combination of five players has teamed up for just 20 points. Nikita Kucherov of the Tampa Bay Lightning has piled on 15 points in that same stretch by himself.
The team’s deficiencies also extend to their special teams. Philly bottoms out in power play, while their penalty kill hasn’t been much better. In its last 45 power play opportunities, the PP units have scored just three times.
Things are about to get worse.
To this point of the season, they have had the 12th easiest strength of schedule, according to Power Rankings Guru. From this point on, they’re slated to have the second most difficult list of opponents in the NHL. In their remaining 43 games, they play 22 against teams currently in the playoffs. So things may even get worse for the black and orange.
This season, the club has made major changes everywhere except on the ice. By canning both general manager Ron Hextall and head coach Dave Hakstol, they have shown they want to go in a different direction. With GM Chuck Fletcher inheriting a team of players in which he has no real attachment to, he may be a little more willing to move a big name veteran than his predecessor.
On a fairly talented team that was in the playoffs just one season ago, the roster has not reacted well to major shake-ups. While it is easy to look at Philly and say goaltending is the problem, that is not the entire truth. Really, from top to bottom, it has been a very poor effort. This is a club capable of much more than being one point ahead of the NHL’s basement. But with an increasingly challenging schedule on the loom, it may be too late to claw their way out of it.


FikkA Jobs strongly believe in socializing to establish a connect between the company and the candidates so that they can step-into the shoes of either and relate to the end goals meeting the satisfaction levels.
FikkA Jobs assist companies in finding the best talent for their teams by using various algorithms to source the profiles and meet niche requirements effectively.
The back-end parsing and machine learning algorithms understand the requirements better over time. Since the “human touch” is equally important in getting suitable candidates, it is also part of the workflow at FikkA.
FikkA specializes in providing staffing resources for contract and contract-to-hire information technology professionals. Recruiters at FikkA collaborate closely with the hiring managers
to understand the demands of the industry and then identifying the best talent using the intelligent algorithms devised to match the most relevant profiles.
We work with Recruitment Partners by giving them access to the FikkA platform for resume parsing and intelligent filtering tools. We reduce their sales & marketing effort and keep it a win-win by ensuring complete transparency at all steps of our automated workflow. The result : a more predictable revenue model for our partners.
Candidates would have updated their profiles across different job portals. FikkA ensures that the initial match of a candidate profile to a specific job description is automated (so that you do not miss out on potential opportunities). At the same time, a recruiter would reach out to you via email/call to make sure that there is a profile fit – and once we have your approval, your profile would be sent to the client. Over the coming months, we plan to give candidates access to the entire workflow so that you can not only keep your profile updated, but also have complete transparency as to what stage your profile is with different companies.


The Dilemma: How to Choose the Best Adjustable Bed
If you’re in the market for an adjustable bed, how can you possibly know the best choice for the money with so many brands out there all stating theirs is the best adjustable bed? We presume that if you’re researching adjustable bed brands on the market, you’ve already considered all of the pros and cons of an adjustable bed for yourself or a loved one. That’s where most people start on the journey to transition from a conventional flat mattress to a motorized bed.
In this month’s blog, we offer some suggestions for the weary shopper eager to find the best deal and begin the journey to a better night’s sleep.


Oops, I skipped a day yesterday. Mainly it was because I was visiting Cellnovo at the Sony UK Technology Centre in Pencoed, and I only got back late in the afternoon. Sony Pencoed is where the Raspberry Pi is made, but I wasn't there for the Pi. I was there to learn more about Cellnovo's insulin pump.
I'll post more details in the future, but let's just say for now that it was pretty impressive to see what goes into making a high-accuracy insulin delivery device. Cellnovo started out here in Swansea in 2002, and moved to Pencoed just outside of Bridgend in 2016. It's great to know that there's a state-of-the-art insulin pump being manufactured less than an hour's drive from where I live.


Eat Stop Eat Overview
A long with the obesity trend, health scientists are trying find out different way for everyone to keep their standard weight by burning calories and fat. Among them, Eat Stop Eat is one of the most popular and fast way for women to succeed in weight-loss. It also helps you give up your favorite comfort foods. There is another opponent that it actually does not give you any benefits. As my knowledge, this is a good idea if you want to fast and effectively process your weight-loss or calories-burning plan.
What is Eat-stop-eat?
This is a kind of diet using the intermittent fasting. It is created by Brad Pillon after studying health and nutrition for many years. Basically, eat-stop-eat diet is based on ancient regulations of restrict foods for a short time to prevent that intakes food is stored as fat on the body. It is seen as the fastest way to get weight-loss. However, if you want to get it, you should tell with your doctor to be sure it is totally safe for you.
How Eat-stop-eat works?
To understand how this type of diet works, you have to take care of three points including: Fasting to burn carbs, Timing of fasts and Additional Exercise guidelines.
- At first, Eat stop eat is the idea of intermittent fasting. Our body is claimed that it must be a repeating cycle of eating and fasting. Therefore, our body will have chance to burn off stored fat, resulting in eating large amounts of food just at a time. The eat stop eat is one of the very old way of our ancient human ancestors to lose weight. Eat-stop-eat will be against the big amount of foods stored to be fat because it is possible to negate the calorie restriction that is collected during the fast.
- The second, timing of fasts that the eat-stop-eat requires is about 24hours once or twice per week. However, it does not mean that you have to follow the diet for entire day without eating anything. You could start at 6 p.m and also end at 6 p.m the next day. More importantly, as Pillon said in order to let your body gradually adjust this diet model, on the first day, you must have a healthy breakfast, lunch and early dinner and certainly, stop eating until dinner of the following day.
- The third, you need to hold surely some exercise guideline on this diet plan. The foods on the Eat stop eat diet are nearly forbidden. Nevertheless, some fresh and nutritious foods like fruits, vegetables and lean protein are highly recommended. It is better if you do exercises twice or three times per week. Some smooth activities such as yoga, bike riding and aerobics should be participated. When you keep this model for a long time, you still maintain the slim shape after finishing the diet.
What benefits Eat-Stop-Eat brings?


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Classic looking forged blade with polished chrome. Sensationally balanced club.
Loss of distance on toe shots
Whilst not terribly forgiving on toe and heel misses, this club gives a sweet response with excellent spin rates. 12 degrees of bounce very useful in fluffy sand, but still a good choise off tight fairway lies.


The next tutorial in this year’s series of tutorials on Australian legal history will be delivered by the Hon Arthur Emmett AO QC, on The Roman Consensual Contracts: Sale, Hire and Partnership – tonight, Tuesday, 15 May 2018.
This will be followed by:
- Professor Mark Lunney, History the law of tort on Tuesday 19 June 2018
- The Hon J Campbell QC, History of Equity, in two parts, on Wednesday 25 July and Wednesday 22 August 2018
All tutorials will be held in at 5.15pm in Banco Court.
Everyone is welcome to attend.


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Using Visual Effects
Another way to improve your UI and make using your application a more pleasant experience for the user is to use visual effects. A visual effect is a special effect that is used when changes are made to the display.
LiveCode supports visual transition effects when changing card, updating the screen or hiding and showing objects.
Updating Multiple Objects on Screen
If you want to update multiple objects on screen without the user seeing all the changes you can use the lock screen command. Locking the screen temporarily prevents screen updates, when you unlock the screen all the changes are shown.
on mouseUp lock screen hide field 1 hide button "one" hide button "two" hide button "three" show image "LiveCode" unlock screen end mouseUp
If you want to use a visual effect to show the screen updates after a lock screen use the form:
on mouseUp lock screen for visual effect hide field 1 hide button "one" hide button "two" hide button "three" show image "LiveCode" unlock screen with visual effect "dissolve" end mouseUp
Showing and Hiding Objects
You can use a visual effect when updating the screen by showing and hiding objects.
Create a stack and add a field. In the message box execute the command:
hide field 1 with visual effect dissolve
You can also use a visual effect when moving between cards.
You specify the visual effect you want to use and then use the go command to change cards.
on mouseUp visual effect "push left" go next card end mouseUp
The Visual Effect Command
The visual effect command allows you to specify an effect to be used the next time there is a move to another card. You specify the effect name and can optionally specify a speed, final image, audio clip and style (iOS only).
When you issue a visual effect command, it is stored to be used the next time you navigate to another card. Usually, you place the visual effect command immediately before these commands. However, it is not necessary to execute the navigation command immediately; the visual effect is stored and used the next time you navigate. You can even issue a visual effect command in one handler and the navigation command in another handler. All visual effects are cleared when all pending handlers exit.


Frequently Asked Question
What does the monument represent?
The General Vang Pao memorial is about remembrance. It is representative of the General’s
leadership and services to remind us of his sacrifices for our success.
Why build the memorial at the Fairgrounds instead of at the State Capital or Washington, DC?
Lao Family has had a unique opportunity to build this memorial because of the support we
received from the San Joaquin County Fairgrounds Board of Directors. The generosity of the San
Joaquin County Fairgrounds Board of Directors is truly appreciated and because this is a project
that could only be possible with community involvement, we must be thankful for opportunities
such as this one.
It is very important for the Hmong people to understand that building a memorial at larger
locations such as the California State Capital or Washington D.C. is not an easy process. If a
memorial were to be built at either of these two locations, it would have many political
implications and as such would require extensive consideration from elected officials. It would
take a lot more public and political leaders’ support to get a project like this approved in such
Because this project is so important to our community we should take advantage of opportunities
such as the one we have been given by the San Joaquin County Fairgrounds Board of Directors.
When this project is completed, it will create a foundation for what we are trying to accomplish
and will pave the way for us to someday get the support we need to build one at a larger public
location like the California State Capital or Washington, DC.
Why not build some sort of overhang or cover to protect the monument from weather and
other types of damage?
The biggest concern in this instance is whether or not an overhang would distract from the
monument and the concern of additional cost to add on to the project. Right now we would like
to focus our efforts on building the best monument we can to honor the General. After the
memorial is built, we may consider the second phase of building a cover but for now, our main
concern is the memorial itself.
What if people damage the memorial?
Just like any memorial, there is no guarantee that no one will damage or deface the memorial.
Instead of focusing on this, we should consider that it will be placed at a secure location, the San
Joaquin County Fairgrounds. The Fairgrounds is enclosed by a fence and is usually locked at night.
There are also people that work at the Fairgrounds who will be able to report any vandalism that
What if people climb on it and touch the statue of the General?
The platform of the monument is 6 feet high and on top of that platform is where the General’s
statue will stand. This platform will not be easy to climb at such a height, and we don’t believe
people can easily touch the statue of the General. They may be able to touch his feet but that
may be the length of their reach.


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Interesting comments from the last post - I'll do them at the end, if that is OK.
I have had the most tremendous sort-out and declutter in the workroom. Everything got shoved in anyhow when we moved (two years ago in November) and there never seemed to be time to straighten it out. My aim was to move another desk in so that I could have my sewing machine next to my laptop and transfer designs. I had a neat little USB stick once upon a time but it disappeared in the aforementioned move. Voila!
So now I can get on with some digitizing and I thought I'd start with my looking through designs from the last blog. I scanned in a simplified version of the centre of the image and it looks OK on the printout.
The sewing machine pic looks fine so I shall stitch it out on lutrador as I want something that won't fray when I cut it out. Haven't tried this before so I will keep you posted. The plan is to free machine the two sides and blend them into the centre stitching.
Jane Wild gave me a lovely image of the Duomo in Florence that she had taken from a strange angle (it was this that gave me the idea). This is a photo of the printout, ready to be drawn into.
Must point out to Olga that my 'cheating' idea is nothing to do computer design but involves straight from camera photo prints or photocopies. Having struggled for years to overcome the idea of computer use, especially when transferred to a sewing machine, as 'not real design' I'm not backing down now!
I will show how this print turns out next time.
can't resist showing the other side of the workroom. Rushed out and purchased lots of see through boxes for my art stuff. I still have too much even after a relentless chuck out.
Don't they look great?
I will look for that book Aussie Jo. There are some superbly illustrated cheldren's books out now.
The Quest was a great success and the kids are already badgering for another. It was based on Harry Potter's Voldemort capturing three grannies and tying them to their beds. Various spells had to done on the way along the trail, Magic beans (aka M&Ms) had to be eaten to awake dormant powers (Clive had the job of creeping into bushes and hiding these) and items had to be collected. Then they had to find a large bush of wild convulvulus flowers and do the 'Granny pop out of bed' chant. Anyone else do this as a kid? You do the chant while squeezing the bottom of the flower and it pops out and flies away.
Needless to say the poor bush was soon bare and a further hunt began for another bush. Then we all went to the handy pub for lunch. Great fun.


Kyra is incredibly animated, and every once in a while reminds me of Shirley Temple. I had the pleasure of watching her “perform” with singing, twirling and lots of silly faces when I photographed her and her mother, Joelle. Their mother-daughter photo shoot was in the LoDo area of downtown Denver. I loved how carefree she was; her big personality just jumps out of the photos.
I met Chad, India, Lauren & Bobby in Westlands Park near Denver for family portraits. We lucked out with the weather – a storm passed by to the south, providing an intense blue backdrop (while we stayed dry!).


Inspect the Home Before You Buy
When shopping for a home, most people tend to only see the cosmetic features, such as the size and cleanliness of the rooms, and the color of the walls and carpeting. However, there are numerous more important points to consider when looking for a home such as its soundness and structure. Usually during the preliminary viewing process the buyer will spend 10 minutes in a house they are not interested in buying and surprisingly only 30 to 45 minutes in the home they select for their families needs for a good many years.
Many people today, upon selecting a house they are serious about buying, choose to hire a professional house inspector to do a thorough investigation, which is a good idea. These professionals are well trained and make a living through finding fault with the property you are considering purchasing. Their report will put into prospective the repairs and maintenance requiring immediate attention and long range expectations. But until then, you can and should do your own inspection as it may save you a lot of time and money in the long run.
Is the House Standing Straight?
Start by looking at how the house stands. Are there signs of uneven settlement? A leaning house can lead to major problems.
Check the foundation walls. Hairline cracks are not usually serious, but large vertical cracks may mean settling and potential dampness problems.
If there is a porch, check the angle of it to the ground. If there is a slant, it may either mean that the porch is poorly built or that the house is settling. Watch for porches that slant inward as water runoff may damage the interior of the house.
Look at the roof, binoculars work best, or let a professional inspector do a thorough inspection later. Water will run off a pitched roof, but it will also be difficult to climb on. A flat roof may not be the most attractive, but it will be easier to access for repairs. Nevertheless, make sure there is no visible sag in the roof and that the chimney is straight and solid. Ensure that shingles are not missing, curled, drooping or ripped.
You should also go up into the attic to check the condition of the roofing material and the beams that hold the roof together. Make sure that gutters are in place all around the house, too, and that they do not leak.
As for the siding, there should not be signs of bubbling paint or water damage. Don't be afraid to ask what is underneath the siding.
While brick is a sturdy building material for outside walls, the mortar that holds the bricks together can dry, crack and crumble. Repair costs can be high so find out if the mortar joints between the bricks have been reinforced.
Shingles can last a lifetime and can be replaced easily, but they can also become brittle with age. Aluminum siding has little upkeep, though replacement costs can be high. If the exterior is stucco, it should sound solid, not hollow when tapped with a wooden object. Also keep in mind that while an unpainted wood surface is resistant to wear and tear, painted wood will need to be re-painted about every five years.
Exterior basement cracks that go right through may have serious problems, so keep your eye open for those. The ground should also be built up next to the exterior walls so water will drain away from the house.
The walkway to the house is also worth inspecting. Cement walks are generally the safest while brick walks tend to catch more dirt and can be hazardous should bricks work loose.
Furthermore, tall trees may look attractive, provide shade for the house, reduce air-conditioning needs, and add value to the house, but they can also be troublesome. If there are roots growing under the sidewalks, they may raise the cement. Check to make sure wires overhead are free of interference from tree limbs, too.
If you are unsure of anything, ask your real estate representative for his or her opinion, as well as for names of reputable inspection agencies.
Check for Cracks, Leaks and Patches
When inspecting the inside of the house, look at the size of the supporting beams in the basement. Any sags could mean the whole structure is shaky. Cracks in basements walls may let in more wetness so make sure the basement is adequately waterproofed.
Pierce some of the woodwork with a knife. If the wood is soft, it may mean dry-rot. If fine sawdust is present it may mean ants.
When looking at painted walls look for prominent cracks which may suggest poor construction or a heating or water pipe problem.
Tap on the wallboard surfaces, too. Half-inch surfaces are preferable but if the walboards sound thin and hollow you probably have the cheaper one-quarter inch surface.
If edges of wallpaper are curling take into account you may have to replace them. And don't forget to look up. Water marks on the ceiling may indicate leakage problems.
If there is wall-to-wall carpeting try to lift up an edge to see the actual condition of the floor. If there are signs of weakness or unevenness in the wood flooring you may have to lay a new floor. Squeaks don't necessarily spell trouble but they may indicate poor workmanship.
Don't overlook the parts of the house such as heating, insulation, air conditioning and plumbing systems which you can't see and may be difficult to inspect. How is the house heated? Ask the seller about his or her fuel bills. Find out the extent of the insulation throughout the house such as the garage, basement walls, crawl spaces and attic.
Check if door and window frames are caulked and weather-stripped, too. You can find out how well the chimney draws by blowing some smoke into the fireplace to see if it rises easily. Also find out if screens and storm windows come with the house. If not and insulation is poor you may have to spend a few thousand dollars to purchase them.
If the house has central air conditioning look for signs of rust or deterioration on the condenser. As for plumbing, assess the condition of pipes and drains. Copper, bronze or brass pipes are the best although the new plastics are gaining popularity. If pipes are exposed in the basement see if there are patches, wires or rags, or if they make any clanking sounds when you turn on the faucets. If they do, you know something is wrong. Flush the toilets to see how noisy they are and make sure the water pressure is good by turning on several faucets at once.
Pinpoint Weak Spots Before Signing.
When you sign a contract for a house one of the qualifications usually written into the contract is that purchase is contingent on the report of an inspection service that is satisfactory to you. (Your real estate representative will be able to help you with such details.)
In general, wait until after you have made a deal with the seller before you have it done because you don't want to spend money for an inspection on a house you may never own. Keep in mind that the buyer's price should reflect the seller's concession to the house's flaws.
On the whole, not every problem is a disaster and you don't want to turn down a well-priced home because it needs a few hundred dollars in repairs. But if you can pinpoint the weak spots and determine what the repairs will cost before you buy a home you will have peace of mind knowing you made the right decision and enjoy your home more.


When I left home, I made some food promises to myself.
I would never again eat fast.
I would never again eat liver.
I would never again eat margarine.
I would never again eat oatmeal.
I despised tough liver, greasy butter substitute, and the gawd-awful gluey bowls of cooked cereal which my sisters ladled from a heavy pot on the stove for us on winter mornings. As for the speed of consumption, in a middle-class family with a working mother and eight children, one learned to gobble down the goods or a hungry boy would dive for your plate.
My mother knew that I didn’t like oatmeal. Her mischievous side prompted her to pack my Christmas presents in the friendly-faced Quaker oats boxes, round and inviting with green-and-red paper. She carefully adhered bright ribbon to the open seam to secure the lid and disguise its contents. My heart sank each time I tore the paper open, though just for a second as the joke became obvious. She’d giggle and snicker while I groaned, Mooooooooo-THER! A tired matriarch’s idea of practical jokes — harmless and brief but oh so delightful!
I have cooked oatmeal since then but not eaten it. Now I enter the downside of middle age. I take two heart medications and strain to keep my weight down to ease the load on my weakened legs. So this morning I bit the culinary bullet. I cooked oatmeal. I barely cooked it, leaving it “al dente” or less. I do. not. like. mush. I toasted pepitas and added a generous handful of golden raisins, with a half-cup of almond milk (unsweetened). I resisted the brown sugar.
It still tastes gawd-awful but I felt so virtuous.
As I cleaned the bowl, I thought about the reputation of oatmeal as heart-healthy. I suppose it would be too much to ask for it to also be delicious. Isn’t it just the way? You look at something and think, ewwwww. How can that be good for me? But as we know, looks can be deceiving. A bowl of awful stuff helps your heart; a tragedy builds resilience; a half-inch long pink pill stops the mutation of a virus and brightens my prospect of survival. So I’ll eat the stuff and not complain. Just keep the raisins coming.
It’s the twenty-ninth day of the thirty-fifth month of My Year Without Complaining. Life continues.


Climate science critical geologist Dr. Sebastian Lüning and chemist Professor Fritz Vahrenholt informed readers here that a new book has been recently published: “Evidence-Based Climate Science: Data Opposing CO2 Emissions as the Primary Source of Global Warming“.
The book’s publisher is glacier geologist Don Easterbrook, Western Washington University.
At their site Lüning and Vahrenholt write that the emphasis of the peer-reviewed book is on natural cycles, which they say “unfortunately were not adequately accounted for in the IPCC models“.
The book comprises 21 different articles from a groups of authors, among them a paper by geologist Dr. Sebastian Lüning and Prof. Fritz Vahrenholt which looks at solar cycles. The abstract can be read here (click on Chapter 16).
NTZ contacted Dr. Lüning and asked about what he thinks the results of the book mean and about the status of climate science thus far. Here’s the answer He sent (emphasis added):
We identified a clear mismatch between climate models and paleoclimate data with respect to the role of solar activity changes. This is an issue that needs to be urgently addressed open mindedly by the climate science. Before wide ranging political conclusions are drawn and action taken, obvious model weaknesses need to be seriously addressed and clarified.
Our new paper does not answer this point quantitatively but indicates that there have always been warming and cooling phases in the past 10,000 years which in most cases appear to have run in parallel with solar activity changes. These natural climate and solar changes are of “millennial-scale” with a typical cycle length of 1000-2000 years. A key task is to better understand how much of the warming of the past 120 years is part of this millennial-scale cyclicity and how much is driven by CO2. All facts point at the direction that a sigificant part of the recent warming is actually due to an increase in solar activity whereby the sun has reached some of the strongest intensities of the entire past 10,000 years during this period.
In our paper (Chapter 16) we urge climate modellers to run alternative scenarios which honour the historical climate/solar relationship. Notably, current climate models are not able to reproduce the historical climate cyclicity of the past 10,000 years. With this “hindcast” failure, these models normally would be reliable for future modelling. An increased role of the sun may in the end mean that the warming until 2100 is much less than is currently pognosed, possibly less than 1°C.”


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My postie has been kept busy lately with the arrival of three new Memebox Korean beauty boxes.
Now, to tell you the truth, these aren’t the best of the boxes. But a substandard Memebox is still an awful lot better than many of the other beauty boxes available in the UK. So whilst my Memelove light may be slightly dimmed, it hasn’t gone out yet.
First up, one I was really looking forward to – the OMG! Box. This theme promised the weirdest of Korean beauty products. When you think that snail slime and synthetic snake venom are fairly run of the mill ingredients in Korean skincare, this should have really pushed the crazy boat out.
OMG Box contains 6 full size products:
- Hope Girls Night Diva Gloss ($22)
LOVE this two tone lipgloss/gadget. It’s got a little mirror and a button in the top which makes it light up, so you can apply your lip gloss in the dark. I know we’ve all had cause to do that.
- SKINAZ Premium Vitablet ($46)
An adorable jar of vitamin -enfused tablets for cleansing, toning or just sniffing.
- SKINAZ Lip Tattoo ($18)
A coloured gel to coat your lips. Leave it for 10 minutes, then peel off the dried goop and your lips will be tinted for 24 hours. Which is a great idea, had they not sent me this in bright orange. I don’t really want to look like I’ve been sucking on apricot jam that much.
- Pure Smile Bust pack ($6)
We’ve had masks for face, hands, feet and lips from Memebox, so what’s left? Of course, a mask for your boobs. I’m expecting a bum mask in OMG2.
- Elizavecca Milky Piggy Carbonated Bubble Clay Mask ($46)
Now this looks interesting – a clay mask that bubbles like Vesuvius when you put it on your face, so it looks like moss is growing on your face. I used this and my daughter did actually shout Oh my god! so I guess this is a win.
- Ladykin Aqua Body Exfoliator ($14)
Very nice looking product, but I think it got lost on the way to the Scrub Box because there’s no OMG factor at all.
I paid $21.50/£12.81 for this box including shipping (RRP was $36/£21.45). Value of contents = $152 / £91. Pretty good, even if the OMG is lacking.
Next up, a box that wasn’t meant to have the OMG factor, but really did.
I’m talking about Global Box #13 AKA The One With The Tampons
Memebox global boxes ship out on the 24th of every month and are widely considered to be their best boxes. A mix of haircare, skincare and makeup, they usually sell out months in advance and cost $23 plus shipping. The next one that’s available to buy is Global Box #17, or there is a bundle available of boxes #17-#19 which saves you a bit in shipping.
Global box #13 contained 7 products:
- Detoxifying Air Therapy Mask ($50)
A $50 face mask! What on earth is it going to do? This comes with a syringe full of face goop and a mask sheet to put on top to activate it. I’m scared to use it.
- Donga Tempo Eco Natural ($11)
Yes they might be all organic and the oldest sanpro in Korea or something, but it’s still frickin tampons. Memebox, what were you thinking?
- CNP Derma-Scalp Shampoo (25g, $2.70)
A tiny sample, but a little of this menthol shampoo goes a long way
- CNP Tone-Up Sun Protection (15ml, $10.20)
It’s sunscreen, what can you say? Quite a small sample but useful for carrying around I guess.
- Eon Wheat-Germ Cream (75ml $48)
A lovely soft moisturising cream made of 75% organic wheat bud extracts. I have way too many face creams right now so this has been used as a body cream.
- Soy Bio Plus Fermented Lumpoule (2 x 5ml, $24.86)
A lumpoule! What a delightful word. Two small vials of facial essence made from fermented soy bean lump. One of those products you don’t really know if it’s doing anything, but it’s still fun to use.
- Nuganic Sun Base CC Cream ($54)
I’m not sure if I like how shiny this leaves my face, but I do like that it has a high SPF.
And finally we have the Pomegranate memebox.
This box retailed at $36/£21.45 including shipping. Using discounts, I paid $21.50/£12.81. Box value is $68/£41.
There are six pomegranate-themed items inside:
- Innisfree Capsule Recipe Pack ($2)
A sleeping pack for deep moisturising, but alas only a very small 10ml size. I need more beauty sleep than that!
- Chamos Acaci Pomegranate Anti Wrinkle Cream ($30)
Alas the lid of this turned up cracked and I was only able to extract $4 in compensation from Memebox. Another one for the body cream pile I think.
- The Face Shop Pomegranate & Collagen Lifting Essence ($24)
My favourite product in the box, leaves skin very smooth and feeling silky.
- The Face Shop Mango Seed & Pomegranate Lip Balm ($7)
What can you say, it’s a lip balm. A nice one though. I like the slightly fruity scent.
- Etude House Cleansing Foam Pomegranate & Berry ($4)
Good, non-drying cleanser. Feels like a more expensive product
- Etude House Pomegranate Scrub Massage Cream ($1)
Although this was billed as a full size product, it was actually only two foil samples. A nice enough gentle facial massage cream, but please Memebox, we want some more.
Did you order any of these boxes? What did you think of them? How do you think these compare to other beauty boxes you have ordered?
I bought these boxes with my own money.


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This episode features music from one of the hottest groups in the game today! "FKi" 1st & Raye Rich
Legendary Forever Entertainment (LF-Ent) Brings you brand new music, topics, comedy, and live events every single week! From the underground all the way to mainstream, we got it all!!! Hosted By Chicago's very own Marcell "Mr.5150" & Earon " The Prince Ares!" Special Guest!: @FKiMusic - @FKiRich & @FKi1stDown For Booking & Live Interviews Email or Tweet Us: LF-Ent@Hotmail.com @Mr_5150 @Da_Prince_Ares @Onna90 @LFEntRadio
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Originally Posted by ChrisNTx
the roughriders games are awesome! and cheap - you can sit behind home for like $20 - took my lil guy this summer and we had 9th row between home and the 1st base dugout for $17 a seat w a free hat and free meal deal.
dr pepper ballpark is one of the nicest in MILB ive heard
That sounds really sweet...cant wait to check it out myself next year! Thanks everyone for the tips...


The Bruins needed to have their work boots on last night against the young New York Islanders, and they found them just in time.
After an uninspiring opening 40 minutes, the B’s seized control of the game in a dominant third period, breaking a tie with a pair of goals to win, 4-2, at the Garden.
Tuukka Rask again was solid, making 24 saves.
Four games into the 48-game schedule, the B’s have grabbed seven of the eight points available to them.
“It definitely wasn’t our best game here tonight in those first 40 minutes, but we were able to grind it out, keep it at 2-2 after two (periods) and give ourselves a chance to win in the third,” said Milan Lucic, who had a fight and an assist. “It was good to see us have that killer instinct to go out there and win the game.”
Bruins captain Zdeno Chara broke a 2-2 tie at 7:07 of the third period when he took a feed from Lucic in the high slot, used a David Krejci screen and beat Islanders goalie Rick DiPietro with a high wrist shot. It was Chara’s first goal of the year.
Patrice Bergeron then gave the B’s a pad goal at 13:33 off a pretty play started by Dougie Hamilton. The rookie defenseman made a nice diagonal pass out of his zone to Brad Marchand, who in turn sent Bergeron in alone. Bergeron calmly deked and shifted to his forehand, tucking it past the sliding DiPietro’s left skate for his first of the year.
“It was a perfect breakout right there,” said Bergeron of the 19-year-old Hamilton, who had two assists and heard the chants of ‘Doug-ie! Doug-ie!’ by game’s end.
It was a nice ending and, truth be told, not a bad start, either. Shawn Thornton, battling the flu, notched his first goal of the season, thanks to some strong net-front presence. Hamilton fired a quick one-timer off a Gregory Campbell pass, which hit off Daniel Paille and went to Thornton’s backhand for the goal at 4:52.
Shortly after that, Lucic knocked down Islanders tough guy Matt Carkner with a hard right to the jaw in Lucic’s first fight of the year.
That, however, would be it for Bruins highlights for a long while, as the Islanders had the better legs for the rest of the first and much of the second period. Chelmsford product Keith Aucoin gave the Islanders the lead with a pair of goals, one on a breakdown in front of the net at 11:13 of the first and another on a Paille turnover at 9:50 of the second.
“For 40 minutes, we weren’t on top of our game. We didn’t seem to be in sync, we didn’t seem to have the energy that we usually show. It was a struggle for us tonight,” coach Claude Julien said. “The last 20 was a little bit better; we found a way to win and a lot of times that’s what you’ve got to. You have to push through those kind of nights and we did.”
Though they didn’t really get their legs back under them until the third, the B’s tied it up before the second period was done. A Krejci shot produced a room-service bounce off defenseman Joe Finley’s skate, and Campbell put it away to make it 2-2 at 13:42.
When they came out for the third, the B’s performed their obligatory penalty kill after Krejci was called for holding on the first shift of the period (they were 3-for-3 last night, 17-for-17 on the season on the PK). Then they went to work, first getting the Chara goal and then capitalizing on the pressing Islanders to get the Bergeron tally to seal it.
“It was great to see we stepped up in the third and got those points,” Rask said. “It was a sloppy night for all of us and it makes it easier to swallow when you get those points.”


Why? No 11 year old should have a boyfriend.
Their idea of a boyfriend is hanging out listening to music with friends. They don't even hold hands.
Kids need to be kids.
Quoting Nisha929:Why? No 11 year old should have a boyfriend.
Oh cheese and rice. Popcorn ready........
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FITC Amsterdam day 2
Oh man this was just too awesome! Today was the second day of FITC Amsterdam and it just got even better than it already was.
Right now I'm still rushing on adrenaline and waiting for fatigue to kick in, so here's just a little overview, more lenghty reviews will follow in the next few days..
Having overslept I walked into today's first presentation not before halfway through, and honestly I instantly regretted not having been on time. Koen de Weggheleire did a really good job entertaining the audience (which still seemed kind of sleepy and reluctant with applauding) with his presentation about bitmap-manipulation. Especially the fly-smashing part really got me smiling.
The rest of the day was really just one big bunch of inspiration, seeing some really beautiful artwork by Jared Tarbell (here are the pieces he showed) and also Erik Natzke.
Also really mind-blowing was all of the audio-stuff Andre Michelle had to show (but more about that later).
In my opinion the best part of today was James Paterson's (most inspiring) presentation. I was already familiar with the work he's done for VH1 and as it turns out I had already come across his website a couple of years ago, so seeing him show off all of his insanely awesome animations, characters and drawings was althemore exciting/interesting.


Despite the advancements in technology and online networking, chambers of commerce remain to be relevant. Joining your local chamber of commerce can be a smart move for your home businesses. It can give you exclusive networking and advertising options, numerous promotional perks, and additional exposure for their organizations or companies. But what exactly is a chamber of commerce? SheroDesigns.com gives us an easy definition.
…the Chamber of Commerce is a partnership of business owners and professionals working together to build a better community through collaboration, trust, expertise and long-lasting relationships…Costs may vary depending on your location and regional Chamber you join. Regardless of the cost, being a member of a Chamber of Commerce has many advantages no matter what size your business is.
Joining a chamber of commerce has its pros and cons. If you are thinking of joining one, it is important that you are well aware of the advantages and disadvantages that it can give you. Sagan Medvec of GoSBDC.com gives a quick look at the pros and cons.
When you have a membership in a chamber of commerce, businesses are given information regarding issues that might affect them and will add voice to the efforts of the chambers in addressing them. The real essence in being part of chamber of commerce is positive perceptions of the consumers regarding the memberships.
Being part of the chamber is also a good way in reassure customers that your business is sound and works hard to provide quality service and products year round.
However, just like in any organizations, there are also some downsides that come as part chamber of commerce. There are instances when some members of the board of directors resign from their posts as a result of some misunderstandings. Such resignations can greatly affect the whole chamber. There are also a lot of issues that commonly affect the chamber of commerce which might not work to the advantage of the majority of the members.
Now that you are well aware of the pros and cons of joining, should you shell off a few hundred dollars and join a chamber of commerce? QualityLogoProducts.com gives you something to think about if you are still not sure.
The choice is up to you. However, I don’t think a few hundred dollars is a bad deal for all of the pros attached to chambers of commerce, nor do I think that hard work and potential conflicts are much to worry your pretty head about. Membership dues, the main con on this list, are intimidating for new businesses and it’s very likely that your company won’t be able to justify them right away. That’s perfectly okay! The key is to make sure you carefully measure the pros and cons for yourself before making a decision. It’ll be different for everyone.


Wednesday July 26, 2000
Schlock:You smell funny.
Ch'vorthq:Oh? Well you're rude.
Schlock:No. Seriously. You smell funny. Like you are burning or something.
Ch'vorthq:Sorry, I had the twice-baked Habanero Chili-Con-Xenocarne for lunch.
Schlock:Not that kind of burning. I mean the on fire kind of burning.
Ch'vorthq:Right. Steer clear of that chili.


CHAPTER 1 - Wired Women Online: A Growing Power Force
Who are Wired Women?
Women Online: What's their Wisdom?
CHAPTER 2 - Wired Women Online: Five Key Learnings
Going online has improved women's lives... mostly.
While social media brings friends and family closer together, it also draws new lines in personal relationships.
Women online and on the go: Wired women in China and Brazil are more accepting of tablets and smartphones than women in the U.S. and U.K.
Wired women around the world share concerns about the misuse of technology and social media.
The relationship between wired women and social media plays an important role in new consumerism across global markets.
CHAPTER 3 - Wired Women Online Around the World
The Wisdom of Wired Women in Brazil
The Wisdom of Wired Women in China
The Wisdom of Wired Women in The United Kingdom
The Wisdom of Wired Women in The United States
Table of Contents


While rare, earthquakes in the Midwest pose a greater danger than earthquakes in the West because of soil types and building codes.
Earthquakes aren’t usually associated with the Mississippi, but along with the constant threat of weather-related disaster, the states along the central Mississippi River do indeed face the risk of a tectonic shift. The New Madrid Fault, or Seismic Zone as it’s referred to by scientists, stretches in the shape of a crooked “T” from northwest Arkansas into the “Bootheel” tip of Southeast Missouri and then across the Mississippi into Northwest Tennessee.
While seismic activity is most often associated with places where the plates of the earth’s crust meet, New Madrid (pronounced MAD-rid, after the Missouri city) is rare in that it is an intraplate fault—at the center of the North American Plate.
As with nearly all geological phenomena, the seismic zone’s nature is not fully understood, even by those who have spent their entire careers studying it. Yet its potential for severe earthquakes is a fact of history. An 8.0 magnitude earthquake in 1812 is the strongest event ever recorded in the 48 contiguous states; ten times stronger than the October 1989 Loma Prieta quake that killed 68 in the San Francisco Bay Area.
A magnitude 6 quake, 100 times less severe than 1812’s, last hit the region in 1895.
While rarer than those along the West Coast, severe earthquakes in the Midwest pose a broader risk, experts say, for a few reasons. First, few buildings, even new ones, are built to withstand tremors like those along the Pacific Rim. Second, the soft, silty soil of the Mississippi basin is more prone to “liquefaction” than that in the West. Third, bedrock in the East carries seismic waves farther than bedrock west of the Rocky Mountains. The 1812 quake, for example, rang church bells in Boston.
In recent decades, miniscule tremors have occurred frequently, but most of them have been discernable only to seismographs. A barely palpable, 2.3 quake struck near Cairo, Illinois, last November.
Aware of the risk, eight states in the region formed the Central United States Earthquake Consortium (CUSEC) in 1984 to coordinate preparedness for a major quake—which is considered magnitude 5.5 or greater. Then, last year the Federal Emergency Management Agency (FEMA), reminded by Hurricane Katrina that worst-case scenarios do materialize, launched the New Madrid Seismic Zone (NMSZ) Initiative to assess preparedness and coordinate planning.
Amid these efforts one seismologist from Illinois’ Northwestern University, Seth Stein, has stirred controversy by predicting, based on research, that there is no chance of a major earthquake in the area.
Stein bases his prediction on research of land movement in the New Madrid region, which scientists now conduct using global positioning system receivers. His finding: The earth around the New Madrid Fault is not moving, and if portions of the earth’s crust are stationary relative to one another, tension does not build along faults, and earthquakes do not occur. Stein explains that intraplate faults produce major earthquakes like that of 1812 as a result of “episodic migration,” then fall silent.
David Hoffman, a professor and research engineer at the University of Missouri-Rolla, stands with most U.S. geologists who see a constant, if not imminent, threat of a major quake in the area. He points to the region’s sedimentary record, which suggests prior major quakes in the years 900 and 1450.
Hoffman concedes that predicting seismic activity is highly speculative. “But the vast majority of people believe that what you’ve had in the past is what you’re going to have in the future, which has been a repeated series of large earthquakes,” he says.
Officially, the U.S. Geological Survey (USGS) sees a 7 to 10 percent chance of an 8.0 quake over the next 50 years, and a 25 to 40 percent chance of a 6.0 quake, according to recent congressional testimony by USGS scientist David Applegate.
The region’s state emergency managers—who form CUSEC’s board of directors—don’t concern themselves with the ongoing debate.
“One of the things the scientists talk about is the probability or likelihood of an earthquake within ‘x’ number of years, but usually a seismologist will end by saying, ‘but it could happen tomorrow.’” says David Maxwell, director of the Arkansas Department of Emergency Management. “Well, morally we have a responsibility to prepare, and let the scientists argue about the probability.”


The cross dresser ride will take place this Friday, September 18 at 8:00 PM (leaving at 8:30)
We have an exciting ride this Friday! It will explore places we have never been and go farther than we normally go!
Variety is the spice of life, so we’re starting in Santa Clara, with two “Ride to Bike Party!!” groups leaving downtown SJ and downtown Campbell. We are posting the route this Thursday.
Some interesting aspects of the ride this Friday:
* A great mix of scenery, roads, people and a smooth 24 (feels like 16-18) mile ride.
* Among the best start, regroups and ending points we’ve ever had!
* Located near common major work areas! Bike to work!
* Lots of restaurants nearby to eat before the ride, plentiful parking nearby for $2.
Look for more information Thursday!


Posted on Tuesday, July 29th, 2008 by Peter Sciretta
I have a bit of good news for those of you who were angry that Michael Bay’s Transformers lacked a coherent story. The sequel will have an extensive narrative, all of which takes place off screen in a series of prequel comic books. Of course I’m kidding… or am I? SplashPage‘s preview of IDW Publishing’s upcoming five-part Transformers: Revenge of the Fallen comic book miniseries Transformers: Destiny, provides final confirmation that the Fallen in the film’s title is actually the name of the main villain in the sequel (seen above).
Fallen is one of the original thirteen Transformers created by Primus to help him defeat Unicron. According to the Transformers Wiki, Fallen turned against his siblings, his creator, and his universe: “As Vector Prime was constructed to safeguard Space/Time, this robot’s function was to oversee the primal force of entropy, the aging and dissolution of order in this universe as presage to a new creation. However, this guardian of entropy became obsessed with the darker side of chaos and death, and in the black place these urges led him, the betrayer found a new god, more suited to his nature. He turned against Primus and became the Fallen. Now he is a being of power, darkness, and absolute dedication to Unicron. At the end of the first battle between the two Gods, for his treachery, the Fallen was sealed into extradimensional limbo along with his new master.” Very little of the Fallen’s backstory is given in his actual fictional appearances. Even his altmode, which was designed to be a tank, never appeared in his fictional appearances.
Destiny also fills the gap between the Reign of Starscream storyline, which picked up directly after the conclusion of the first movie, with Starscream returning to Cybertron with plans to rebuild the All Spark Cube from the information Frenzy accessed. The new series fills in the gaps, explaining how Sector 7 formed a new group, and how some of the new autobots and decepticons ended up on Earth, as both appear in the huge opening battle sequence at the Asian factory which opens up the film.
Screenwriter Roberto Orci also mentioned on the Don Murphy message boards that the film’s teaser trailer might be attached to Eagle Eye, which hits theaters on September 26th 2008. Transformers: Destiny will begin to hit comic book store shelves in December, leading up to Revenge in Summer 2009.


The go-anywhere, do-anything digital videocassette recorder.
Because a quick turnaround is essential in professional video production, it's important to ensure your editing equipment won't slow you down. The new DSR-1500AP DVCAM Editing Recorder from Sony offers a host of professional features and built-in flexibility.
Various optional interface boards let you configure the DSR-1500AP to suit a range of video applications, from simple playback to high-quality source feeding for linear or non-linear editing. Its space-saving, half-rack design makes it ideal for installation in OB vehicles and in desktop editing systems.
Play back compatible with DV formats, the DSR-1500AP also ensures an easy migration path to more sophisticated systems.
The DSR-1500AP automatically detects DV, DVCAM and DVCPRO tape formats.
The DV formats include not only DVCAM and DV but also the DVCPRO format. Three cassette sizes utilised for these formats. All these tapes can be played back in the DSR-1500AP without any special mechanical adapter.
The editing functions such as digital slow motion, jog audio and DMC are all available for all DV tape formats. Superb jog audio lets you easily handle all the DV tape formats as direct editing sources. This means that, even when using DV or DVCPRO recorded tapes as editing sources, there is no need to dub to other, higher, formats.
The DSR-1500AP is newly equipped with i.LINK interface as standard (optional on the DSR-1500P).
The i.LINK interface enables a single cable to simultaneously carry digital video and audio signals as well as data and control signals, with no quality deterioration. This simple connection offeRs an ideal for interconnecting the DSR-1500AP with i.LINK equipped non-linear editing systems and other computer-related products.
Should you require a longer recording time than what is available with DVCAM format, the DSR-1500AP can also record in Consumer DV format (SP only). A standard-size DVCAM cassette can record for up to 276 minutes, while a mini-size cassette records for up to 60 minutes.
In addition, without any rewiring, an edited program can be recorded directly with DV format for distribution purposes.
At only half-rack size (3U high), the DSR-1500AP fits easily into a variety of user environments. Often used as an editor or feeder machine in desktop nonlinear editing systems, it can also be installed in confined spaces such as OB vehicles.
Pictures recorded in a 16:9 aspect ratio include a wide aspect ID located in the VITC. The DSR-1500AP can record or erase this ID. For example, if you don’t want this ID signal to appear on a TV display, this ID can be erased. If the video signal passes through an editing or effects system this ID signal is often removed. The DSR-1500AP can re-record it.
Due to a newly developed filter colour blurring during baseband dubbing (e.g. SDI or analogue component) has been significantly reduced.
The DSR-1500AP incorporates an internal signal generator. This generates either colour bars (100% or 75%) or black /burst signals for video and a 1 kHz tone or silence for audio. This function is convenient for recording a pre-striped tape prior to editing.