Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.
Celluloid Records
Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher.  His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines.  Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.

Q: How do celluloid records have anything to do with Laswell?
A: Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s.

Q: Where were they located?
A: Within a few years of moving to New York, Laswell founded a recording studio

Q: Was there anyone else involved in the label with him?
A: with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records.

Q: Did any other artists record under that label, too?
A: now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell)

Q: Why style of music did it predominately record?
A: Laswell was able to record some of his Material excursions (

Q: What is meant by "Material excursions"?
A: which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz

Q: Who was part of the Material excursions?
A: featuring everyone from avant-jazz figures Henry Threadgill and

Q: Was there anyone else involved?
A: Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as

Q: Did they produce both vocal and instrumental albums?
A: Celluloid also released a slew of 12" devoted to Hip-Hop,
Were there any noteworthy artist involved with that production?
a Laswell-helmed solo album for Celluloid was Ginger Baker,
a Laswell-helmed solo album for Celluloid was Ginger Baker,