Dorian tells Blair she's not leaving Llanfair. Jenn calls Joe but hangs up. He goes to escort Flash to the gallery opening. Bo baby-sits Matthew & the two have some bonding time. Vicki tells her family that Llanfair is theirs again. Dorian finds some papers of Mitch's hidden in a book. Walker comes over to say goodbye to Blair. Rex tells Natalie he's been kicked out of school & needs a place to stay. Natalie finds out RJ's been getting mysterious calls everyday. On the phone with RJ, Keri starts to regret leaving town. Joey comes over & carries Dorian out of the house. Troy goes to Blair's & finds Walker there. He gets really upset & warns her to stay away from him. Jenn goes to Nora's house & sees Joey there to pick up Flash. Troy threatens Walker to stay away from Blair. Dorian comes home & tells Blair she's given up on trying to get Mitch. Blair says she hasn't. Jenn gets a letter saying she's going to inherit half- a-million dollars from her father's will & tells Rex this. Blair asks Walker to help her bring Mitch down. After the evening's over, Joey asks Flash out on another date & they kiss goodnight. Evangeline buys one of Cris' paintings. One of Colin's girlfriends mistakes Troy for him. He's about to ask her about Colin, when he's called to the hospital. Vicki goes home to Llanfair & puts her kid's pictures back on the mantel. After she leaves the room, a gloved hand takes the pic of Jessie out of the frame.
[PREVIOUSLY_ON] Jen: I lied. Joey didn't take advantage of me, and we never slept together. R.J.: You know you and that little baby are the lights of my life. Natalie: He was talking to Keri. Cristian: Natalie, Keri is dead. Viki: The original will stands. In other words, get out of my house. [SCENE_BREAK] Dorian: I'm not leaving. Blair: Dorian, you have been legally evicted. Dorian: I don't care! I'm entitled to this house after everything I went through to get it! Now, I know -- I know Mitch. He's got to have something, many little things of value around here, and -- and I'm going to find them because so help me, I didn't go through this whole mess to end up with nothing! Blair: Dorian, you almost lost your life because of this mess. Mama almost lost her life. Now, please, just walk away with your own life! Blair: Whatever. [SCENE_BREAK] Troy: Hey, Jen. I just wanted to let you know that your mother's been readmitted to St. Ann's. They add extra security so she'd be safe. She'll also get the care she needs there. Jen: Thank you so much for your help. I know you've got a lot of bad feelings when it comes to her. Troy: Yeah, well -- listen, is there anything else that I can do for you or -- Jen: No. no, I'm fine. Troy: Ok. ok. Jen: Thanks. Troy: Yeah. [SCENE_BREAK] [Phone rings] Joey's voice: Hi. You've reached Joe Buchanan. Leave a message and I'll call you back. [Answering machine beeps] [SCENE_BREAK] Flash: My god, what am I going to wear? I've never been to an art gallery opening before. what am I saying? I've never been to an art gallery. Nora: Hey, I laid a couple of outfits of Rachel's upstairs on the bed. Why don't you go take a look at them. Flash: Great. Thank you. Nora: You're welcome. Flash: No, I mean it, Nora. Thank you so much for letting me stay here, for checking that recording deal. I'm really grateful. [Doorbell rings] Flash: That's probably Joe. Please -- please stall him! I've got to change. Please stall him. Please, please, Nora, please! Nora: Hi! Bo: Hey. How you doing? Nora: Right on time. Matthew: Bo! Bo: Hey, champ! Matthew: You know what we're going to do tonight? Bo: What? Matthew: First we're going to play gimme, gimme on my game system. Then we're going to watch this cool video called "crunch!" It will be so cool. Bo: Ooh! Nora: And he's off. You sure you're up to this? Bo: Oh, absolutely. You know, I just -- I look for reasons that I can spend time with him and -- Nora: Good. So how are things going with Mitch Lawrence? Bo: They're not. They're not really. I've got teams out there watching the women that he's after, but they can't be everywhere all at once. And until we do grab Mitch up, all those women are in danger -- Lindsay, Dorian, Blair. even the one person that he supposedly loves. Nora: Hmm. Jessica. Bo: Mm-hmm. [SCENE_BREAK] Viki: So Judge Lee has officially recognized father's original will as the real one. Everything reverts to us, ok? The house, the money, the newspaper -- everything. He said it's so obvious that Judge Grafton was in Mitch's pocket that his ruling made no legal sense whatsoever. Antonio: That's great news. Viki: Yeah. Joey: I'm just glad to see you happy. Viki: Oh, baby -- Jessica: It's going to be so wonderful to be home. Not that this hasn't been home, Natalie. What you -- what you did was so great. Natalie: Look, Llanfair is your real home. It's where you have all your memories, all your history. I'm happy for you guys, I really am. And I'm happy for Cris and I, too. Viki: Oh? Natalie: Well, we've decided to stay here. Cristian: Well, the rent's paid through the summer. By then we'll be able to handle it. Viki: I think that's wonderful! It's a great house. Enjoy it. Enjoy yourselves here, but please don't be strangers at Llanfair. Cristian: No way. Natalie: No, we promise. Viki: Good. I tell you, I have such a good feeling about this. This is a start of better things, notwithstanding a certain -- Antonio: We're going to get Lawrence. You can count on it, Viki. Viki: I am counting on it. Which is why I hope that everyone can relax a little tonight and enjoy themselves. It's your first show, Cristian. I'm proud of you. Antonio: You're not the only one. Jessica: We all are. Natalie: Cristian's turning a little red there. Cristian: All right, let's not jinx it. Let's talk about something else. Jessica: Ok. When are we moving back in? Viki: Uh, I was hoping for tomorrow morning, but I think there's a little obstacle. Dorian refuses to move out. [SCENE_BREAK] Dorian: Mitch's bible. hmm. Dorian: Wait a minute. "Travels in Egypt," "Magic Mountain," "Little Women"? What do those books have to do with -- I saw a copy of "Little Women." Oh. Dorian: It's a box. Oh, goody, goody! Oh, Mitch. You -- yes! You dear, sweet, oh so considerate man. [SCENE_BREAK] Blair: God, you scared me to death. Walker: Sorry. Didn't want to call out with all the police around. How's your mother doing? Blair: She's fine, thank you. Actually, she's speaking more clearly, and they say after more therapy she should have full movement. But you didn't come all this way to ask me about my mother. Walker: I had to see you again. I came to say goodbye. [SCENE_BREAK] Natalie: Hey. I got your message, but I can't stay long. Rex: Oh -- Natalie: Cristian's show is tonight. Rex: Hey, I hope the place is a sellout. No, I just need to know if I can stay at your place for a few weeks. Natalie: What about the dorm? Rex: I moved out. The dorm's for students, which I'm not. Natalie: You quit school? Rex: Well, more like school quit me. I had a term paper due that I forgot about, so I downloaded one off the internet. Natalie: And they checked it and you got busted. Rex: Oh, hey! No, I am way too smart for that. No, some sleaze ratted me out. Natalie: So your professor failed you, then? Rex: Yeah, got me expelled for cheating. Natalie: Well, how about this -- you've got the summer. You can do summer school and get readmitted. Rex: Face it, Natty, this -- this whole college thing just isn't my scene. Get a degree, get a job, work my butt off, and then get fired when the economy tanks? Nah. Takes too long. I want to work for myself, own my own club or something -- you know, like R.J. [Phone rings] R.J.: Hello? Yeah, hold on just a sec. Look, I'm going to take this in my office. Rex: Like clockwork. Natalie: What is? Rex: R.J. Gets a phone call every day at this exact same time. He grabs the phone before anyone else can pick it up and he takes it in his office. Natalie: Who is it? Rex: Some woman. Natalie: How -- how do you know all this? Rex: Well, I interrupted him once while he was talking to her and he freaked. He was all into this "I love you, I miss you" stuff. I don't know, I just figured he's got some woman somewhere and he wants to keep a lid on it. Natalie: Yeah. maybe. [SCENE_BREAK] R.J.: Well, I can't wait to get up there and see you two. Keri: Does that mean you're coming soon? R.J.: Well, yeah, yeah, as soon as I can free up a little time. Are you sure you're ok? Keri: It does get a little lonely up here. R.J.: Well, I thought you said you found a babysitter. I thought that maybe you'd, you know, be getting out a little bit more. Keri: I am, but, I mean, I still haven't met that many people. You know, when I meet women, all we do is talk about babies, which gets a little old after a while. And when I meet men, I just think of Antonio. R.J.: Well, then maybe I need to get up to Toronto a little sooner than I thought. Keri: Dad, that would be really great. I mean, I'm starting to think that maybe this was a mistake. And I've even started thinking that maybe I should try to talk to Antonio. [SCENE_BREAK] Antonio: Wow. This place looks great. My brother's paintings -- they look fantastic, although I still like mine better. And you look absolutely beautiful. Jessica: Thank you. You clean up not so bad yourself. You know what? Your brother looks a little nervous. Excuse me. Antonio: Yeah. Cristian: Hey. Jessica: Will you please relax? Cristian: Sure. How? Jessica: Cristian, your work is terrific, ok? People are going to love it. Cristian: Yeah, but are they going to buy it? Antonio: Hi, mami. Carlotta: Hi. I am so proud I am bursting! Cristian: Hey, mom. Carlotta: I want to buy every painting! Cristian: No, no. No family or friends are going to buy anything tonight. I mean, it's nice of you to say that, mami, but, you know, I need to know what the rest of the world thinks. Jessica: Well, I'm not sure about the rest of the world, but Fredrick Hotchner is going to be here tonight. You'll know what he thinks. Cristian: Is that the critic from the "P.A. Scene" -- you know, the magazine? Jessica: Mm-hmm. I called him. He's coming. Cristian: Do you know how many people read that? Jessica: I'm going to get us some wine. Antonio: Here. Allow me. Jessica: Thank you. Antonio: To a great night, successful night, and to the lady who made it all happen. Jessica: To a great night. I can't believe this. My family is moving back to Llanfair, the show is finally happening. Could things get any better than this? [SCENE_BREAK] Viki: You are still here. Dorian: Obviously. Joey: You know about the court order. how far are you going to push this? Dorian: It seems to me that I'm the one who's being pushed, Joe. Viki: Well, tell that to the police. Joey: Mom? Viki: What? Joey: Let me take care of this. Viki: Fine. I'm going to go and speak to the staff, tell them I'm back, and ask them to stay on. You have five minutes. Dorian: I know what you're going to say, and I don't want to hear it. Joey: I don't think that you do. We were pretty close once. We had something real special. Dorian: Your point? Joey: I know you, Dorian. There's a good heart in you. Deep down, you care -- about me and about my family. Otherwise, I never would've felt the way I do about you. Dorian: You always did manage to see the good in me. Joey: I still do. And I'm just asking you to be reasonable. Dorian: Little tricky, since it's this whole situation that seems so unreasonable to me. I'm sorry, Joe, but if you want me out of here, you're going to have to carry me out. Joey: Fine. Dorian: Joe! Joe! Joe, put me down! [SCENE_BREAK] Walker: I've convinced commissioner Buchanan I can get Mitch to come to me. I'm the only person he trusts. And I've told everybody I'm at the palace hotel, so he'll find me. And then when he's caught, I'm through here. [Doorbell rings] Blair: Would you excuse me, please? Troy: Hey. Blair: Hi, troy. Troy: Nice to see you. Blair: Mm-hmm. Good to see you. Ah -- Dr. Troy MacIver, Walker Lawrence. Troy: Mitch's brother, right? Walker: That's right. Nice to meet you. Troy: Nice to meet you, too. Would you mind giving us a minute alone, please? Blair, what are you doing with Mitch's brother? Blair: He's working with the police to help find Mitch, and he just wanted to ask me some questions. Troy: Blair, that's fine, but you don't even know this guy. Blair: Well, so? Troy: So maybe I should stick around. Blair: I really don't think that's necessary, Troy. come on. Troy: Fine. Blair: What? Troy: No, Blair, you know what? We've been round and round on this. I've offered you my help a million times. You always seem to turn me down. You avoid me, you run away -- Blair: That is so not true! Troy: Oh, come on, Blair. what am I, an idiot? The only time you ever open up is when you're trying to keep me from finding out whatever it is you're hiding. Blair: Look, I know that I've said a lot of things and I've made a lot of promises, but I think that you're a really, really great guy, troy. Troy: No, that's -- Blair: And maybe I'm just not as ready to move on as I thought that I was. Troy: Blair, that is fine. You do whatever you want, ok? But why would you get involved with Mitch's brother, of all people? Blair: That's what you think's going on? It's not. He's just trying to help, Troy. Troy: Blair, he is Mitch's brother! Blair: Oh, big deal. Your Colin's brother. What's the big deal? Troy: I see. Blair: What? Troy: No, that's what this is all about, right? I am Colin's brother, the guy responsible for his own wife's death, right? The guy who -- who slept with a woman just to keep her quiet? Is that what you were going to say, Blair? Blair: What is going on with you? Troy: I don't know, Blair. Maybe I'm just starting to take a good look at myself. You may want to do the same. Blair: You know, Troy, I never knew Colin. But from everything that I've heard, you're nothing like him. You're -- you're sweet and you're kind. You're caring. Troy: I don't know about that, Blair. There's a whole lot more of Colin in me than I used to think. And I'll bet that there's a lot more of Mitch in his brother than you realize. Think about that. [SCENE_BREAK] R.J.: There may be some overtime for you next week. Rex: Cool. I could use some extra cash. What's up? R.J.: Well, I'm just going out of town for a couple of days. Evangeline: Does that mean you're not taking me to see the location for Ultra Violet? R.J.: No. No, no, come on. As a matter of fact -- well, we can go right now. Evangeline: Sorry. I have a busy schedule. This is the final partnership agreement. Take a few minutes to look over the changes. Depending on how my evening goes, I might be back. R.J.: Well, in that case, I hope your evening is a disaster. Natalie: Ok, if R.J. is so hot for some other woman out of town, then why is he over there hitting on Evangeline Williamson? Rex: Why are you so interested in R.J.'s love life? I mean, what do you care who he talks to on the phone? Natalie: I don't. But there might be someone who is. [SCENE_BREAK] Jessica: Look at this turnout. Antonio: Yeah, I'm impressed. Jessica: Yeah, so am I. Antonio: I mean with you. Yeah, I mean, what you did here is really impressive. Jessica: Thanks. [SCENE_BREAK] Matthew: I win! Bo: Is mine even plugged in? I don't -- you know, that -- you beat me 10 times in a row. Matthew: Let's do it again. Bo: No, no. No, forget it. You know, you're too good. I could never be in your league, you know? I can't -- slow thumbs. Let's do something else. Matthew: Sure. Like what? Bo: Well, do you got a yardstick or a broom handle, some string? Something like that? Flash: All right. So, what do you think? Matthew: Flash, you don't look like you. Nora: Right out of the mouths of babes. Flash: Yeah, right on, Matt. I look like some woman out of an old movie. Nora: Go try the other outfit. Flash: Yeah. Ok. Nora: In the meantime, I made you guys some snacks. Bo: Snacks. Ok. [Doorbell rings] Nora: Hi, Jen. Jen: Got a minute? Nora: Yeah. Jen: Yeah, I was just -- I wanted to thank you for for all your help. You know, for making sure that -- that my mom went back to St. Ann's instead of going to Statesville. Nora: No problem. Uh, come in. I have something for you. Jen: Thanks. Flash: Ugh. This is even worse than the last one. I wish there was some kind of handbook that says what to wear when you date a minister. [SCENE_BREAK] Blair: You know, Walker, we really don't know each other that well. I mean, why do you feel that you had to say goodbye to me? Walker: I wanted to apologize. I assumed you were wrong about Mitch, and I let him get away with things that he shouldn't have. Your mother's been hurt because of that. You can't even be with your own children. I'm partly to blame for that, and I'm sorry. Dorian: Blair! I didn't know you were here. Walker: I was just leaving. Goodbye. Blair: Goodbye. Dorian: Goodbye. so, aren't you going to welcome me home? Troy: You stay away from Blair, you hear me? [SCENE_BREAK] Flash: I'm going to go find something else to wear. Jen: Yeah, I should go. Nora: I really do have something for you. Matthew: Hey, Jen. Jen: Matthew, hey. How's it going? Matthew: Good. Mom, we need a yardstick, tape, and some string. Bo: Got a big project going. We can't find any of that stuff in the kitchen. Nora: Ah. Try the workbench in the garage. Bo: Oh, man -- the garage. Matthew: The workbench. Nora: Ahem. Excuse me. This was hand-delivered from your father's estate -- people handling it. I sent Will's on to his. Jen: Ok. Nora: If you have any questions or you need anything explained, just call me, ok? Jen: I will. thank you. Nora: You're very welcome. Come here. Jen: Ok. Joey: Jen. Jen: Hi. Joey: Hi. how's your mom? Jen: She's back where she belongs. Nora: Come on in, Joe. Joey: Hi, Nora. Nora: Trying to get used to calling you that -- Joe. Flash should be ready any minute. She'll be right down. Joey: Wow. You look great. Flash: Thank you. Nora: Ok, you two, I think you should be going now. I'll see you at the gallery. Joey: Good night, Nora. Nora: Night, Joe. Bo: Ok, I think we got everything we need. Nora: Wow! Looks like you've got an expedition. Bo: You bet. And -- and no girls allowed. Nora: Ah. gotcha. I just wanted to give him a kiss good night. You be a good boy. Brush your teeth before you got to bed. Matthew: I will. Nora: Ok. And this cowboy, by the way -- one hour and then he hits the hay. Bo: No problem. Nora: Ok. Have fun, men. Bo: You ever been fishing before? Oh, man. By the time I finish here, you are going to be an expert here. Here, come on up here. All right, here we go. What, left hand? All right, lesson number one -- casting. Let go here. Let go. All right, just keep your arm kind of stiff and -- [SCENE_BREAK] Blair: Dorian, I thought you were never going to leave Llanfair. Dorian: I changed my mind. Blair: Oh, really? You couldn't get all the Lord money. Todd's missing. My children and my mother are basically hiding in Savannah. Mitch is on the loose, and we're running for our lives. Wait -- did I miss something? Was the -- Dorian: All right, things did not go exactly according to plan. Blair: Oh, not exactly? So, what other brilliant moves have you got up your sleeve, Dorian? Dorian: Surprise! I don't have any. Blair: What? Dorian: No! I'm through, ok? This is it. Finito la comedia. Blair: So you're just going to bail? Dorian: Everything that I've done has just caused people I love more tragedy and more grief. I am finally ready to let the police handle Mitch. Blair: Well, guess what. I'm not. [SCENE_BREAK] Flash: Oh -- you didn't tell me that your whole family was going to be here. Joey: Does that make a difference? Flash: No, no. I'm just not sure that I'm your mom's idea of the perfect da.. Joey: All that matters is that you're my perfect date. And you are. Viki: Hey, sweetheart. Joey: Hey, mom. You remember Flash. Viki: Yes! Oh, my goodness, yes, although we've never actually been introduced. But it's very good to see you again -- Flash: It's -- Viki: And under much nicer circumstances. Flash: It's so -- so very good to see you. Viki: Thank you. Flash: Excuse me. Viki: Ok. What happened with Dorian? When I got back, she was gone but so were you. Joey: Well, I talked to Dorian, and she's not coming back. Viki: So? Joey: Llanfair is ours. Viki: Oh, Joey! Oh! Oh, God, that's wonderful. [SCENE_BREAK] Jen: Hey. What time do you get off? Rex: Sorry, I've got plans. Oh, don't give me that look. The only time you ever want to hang out with me is when you're bummed about something. Jen: Ok, ok, so I had a bad day. Forget it. How about a diet ginger ale? Rex: Well, last of the big spenders. Rex: What's that? Jen: It's about my father's estate. According to this, I'm going to be inheriting $500,000, plus a bunch of other stuff. Rex: Half a mill, huh? Right on. Jen: Yeah. I'd rather have my father back. [SCENE_BREAK] Bo: All right, let him run. Let him run. run, and -- no! oh! [Bo laughs] Matthew: Have you ever seen the movie "Finding Nemo"? Bo: No. What is it, an animated movie? No, I haven't seen it. Matthew: Can you stay and see it with me? Bo: "Finding Nemo"? Yeah, I could do that. Matthew: And someday could we go fishing for real? Bo: That I would love. [SCENE_BREAK] Jessica: Here you go. Enjoy it. Evangeline: It's a gift, but I am very impressed with the artist. Jessica: Great. Evangeline: Thank you. Jessica: Thanks. Joey: Excuse me, mom. Viki: Sure. Joey: Hey. I don't know about you, but this wine and cheese never does it for me. How about we go to the diner? Flash: You're on. Natalie: What's up with Joey and Flash? Jessica: He always kind of liked her. Natalie: Yeah, but they're so -- they're so different. Jessica: Well, I guess opposites really do attract. Viki: It has been wonderful, but I'm going to head off now. Jessica: Ok, I'll see you at home. Viki: Actually, I -- I was thinking I'd spend the night at Llanfair. Jessica: Do you want to be alone? Viki: No, darling. You're very welcome to come, both of you. But if you decide not to, don't worry about me because I'm never alone there. I have rooms and rooms full of memories. Good night, baby. Natalie: Good night. Viki: It was a huge success. Jessica: Thank you, mom. Viki: You did a grand job. Bye-bye. Natalie: Bye. Carlotta: Congratulations. I am so proud of you! There. I didn't cry. I didn't walk around saying to everyone, "he's my son." How'd I do? Cristian: You did great. I'm glad you came. Carlotta: Well, I have to .. good night. Antonio: Ok, mami. Que tengas buena noche. Carlotta: Que dios te bendiga. Cristian: Gracias. Carlotta: Thank you so much. Antonio: You know, you made mami's whole year tonight. Cristian: Yeah, well, that's about all I made. Jessica: Two paintings sold. Antonio: Hey! Natalie: That's great! Cristian: That's nothing. Jessica: Oh, come on, it's a great start, and usually, you know, paintings aren't usually sold at openings. Antonio: Yeah. Jessica: Plus, you had some excellent exposure tonight. Natalie: And I saw that guy's notes. I mean, he said, "superb use of color and promising young talent." I am so proud of you! Let's go somewhere to celebrate. Cristian: All right. see you guys later. Antonio: Yeah. Natalie: Bye. Cristian: Oh, thanks again, Jess. Jessica: No problem. Antonio: Cris, good job tonight. Jessica: Well, I just have to clean up and then I'm going to go home. Antonio: Well, why don't I help you clean up, and then I will take you home. Jessica: You don't have to do that. Antonio: I want to. Jessica, look, I'm a little worried about Lawrence still, and -- hey, it'll just be safer. Jessica: Fine. [SCENE_BREAK] Dorian: I don't understand you. Weren't you the one who said that we should walk away from all of it, that we shouldn't take any more risks, that -- that we should work within the law? Blair: Well, you know what? You were right. Because we can't work within the law, especially when it comes to Mitch. I mean, the police can't even touch him, and I'm not going to just stay around here like some sitting duck, Dorian. Dorian: What are you going to do? [Phone rings] Walker: Hello? Blair: It's Blair Cramer. I need to see you right now. . [SCENE_BREAK] Matthew: Mom, we went fishing! Nora: Oh, you did, did you? And did you catch anything? Matthew: Huge ones. Nora: Oh, wow! And a shark to boot! wow! Come here, you. Give me a kiss. Upstairs to bed. Matthew: Thank you. Bo: You know, I had the greatest time. Matthew: Me, too. Good night. Bo: Good night. You know, I am sorry that I kept him up so late, but, believe me, we were really having a great time. Nora: Well, it sure looks it. Bo: You want me to help you clean all this up? Nora: No, no, leave it. I got it, I got it. I'll take care of it. Bo: Ok. Nora: Um -- oh, hey, I -- actually, I've got a rough draft of that guardianship agreement, you know, if you want to take a look at it when you get a chance. Bo: Yeah, yeah, ok. Nora: Ok. Bo: Ok. You know I've said this before, but he really is just the greatest kid. You done good. Nora: Thank you. [SCENE_BREAK] Joey: I'm sorry we didn't get much of a chance to talk tonight. Flash: Well, was there something you wanted to say? Joey: Actually, there's something I wanted to ask. What is your real name? Flash: Tell you what -- if we go on a second date, I'll tell you. Joey: Ok. how would you like to go to a party at the country club? Flash: Oh, God. First an art gallery, then the country club? Joey: I know. Flash: What's next? [SCENE_BREAK] Jen: See you. Rex: Hey -- whoa! What's the hurry? Jen: I thought you had plans. Rex: No. No, they got canceled. Ok. fine, I -- I admit it. I enjoy hanging out with you, even if you are using me. Jen: Well, maybe I'll just stick around till you get off. R.J.: This is -- this is stunning. I really -- I love it. Evangeline: I thought you might. It's something about those cold, steel buildings against the warmth of the lights in the windows. I can't help but wonder what's inside. [SCENE_BREAK] Natalie: So what if we didn't make any money on those paintings? I mean, two paintings are great! Sorry. Cristian: Sorry. You know, I hope things work out for them. Natalie: You really think that Antonio is ready to move on? Cristian: You're not still thinking about that Keri stuff, are you? Natalie: I just would hate to see either one of them get hurt. Cristian: They won't. Natalie: Ok. [SCENE_BREAK] Troy: I need a scotch on the rocks. Rex: Hmm. Not your usual. Troy: Yeah, well, it's been an unusual night. Woman: A long time no see. Troy: I think you have me confused with somebody else. Woman: Well, if you're not Colin MacIver, then you must be his twin. Troy: As a matter of fact, I am. Well, actually, was. Colin passed away. Woman: I'm sorry. I had no idea. Troy: No, it's -- it's fine. Rex: Your drink, doctor. Troy: Thank you. Troy: How well did you know Colin? Woman: As well as most women, I suppose. [Phone rings] Troy: Excuse me. Hello? Ah -- yeah. no, I'll be there in 10 minutes. Ok. I got to go. It's a pleasure to meet you, though. Woman: You, too. Blair: Oh, troy, I want to apologize -- Troy: Bad timing. I got to go. I'm on call. Blair: For what happened earlier. I -- whatever. Walker: Hi. looks like it wasn't quite goodbye after all. Blair: Thank you for coming. Walker: You sounded desperate on the phone. Blair: Well, I know that you want to go after Mitch, and so do I. and so far, your plan hasn't worked, so what do you say we go after him together? [Floor creaks] Stay tuned for scenes from the next "One Life to Live." [NEXT_ON] Antonio: Keri left a few things at my apartment. I thought you might want to look through them. Viki: You took your picture out of this, did you? Jessica: No, I didn't touch it. Lindsay: Mitch killed Jen! He killed her! Joey: Jen? Jen!