Cane exposes Amber and the water works start flowing along with the apologies, which neither Jill or Cane are trying to hear. The reporters are circling like vultures, especially when they realize she's none other then the Amber Moore from Extreme Catwalk. Jill diffuses the situation while Cane tells Amber she needs help. Kay consoles a distraught Amber while Jill eavesdrops on a tender moment between Cane and Lily. Glo wants the Abbott mansion and John informs Jack to give it to her. At the AC Sharon tries to plead with Glo to reconsider her request but she declines, and is informed by her lawyer that the judge ruled in her favor and the mansion is hers. Of course, without missing a beat she goes over to gloat about her victory. The pressure is on for Heather more than ever now that Michael has managed to sabotage her eyewitness. JT brings Reed home to Victoria. While schooling Amber, Kay falls ill and passes out.
[Cane takes off Marina/Amber's wig] Kay: Oh, my God. Amber? Jill: I don't believe it. Amber: I guess it--it wouldn't do much good to say that I can explain. Jill: What's to explain? You're pretending to be somebody else so you can win a contest that you were barred from entering. It seems pretty self- explanatory. Amber: I-I did it. Okay, Okay, I did. I did it because... I should've been allowed to enter the contest, Okay? The rules weren't fair. I wasn't married to Cane. Jill: Save it. Save it. Amber: Stop it. Just--just stop doing that, Okay?! Cane: Did you really think you would get away with this? Amber: I don't know. I guess I could. I guess I thought that I could. I don't know. Cane: (Sighs) Jill: Cane? Cane: I've known about it for awhile, I just didn't think she would... go ahead and do it. Kay: Believe me, it is not your fault. Jill: No. No. It is her fault. Man: What's your real name? Jill: Amber. Amber Moore. Man: Wait, you're the girl from the "Extreme Catwalk" video, right? Oh, man! This is great! Man: Jack, get a picture of her. Amber: Um... stop, Okay? Just-- Jill: What--what--what-- what, do you think you're leaving? Do you think you're gonna pull this scam and then just waltz out of here like nothing's wrong? Amber: No, I made a mistake, Okay? I made a huge mistake. I'm just--I'm-- I'm really sorry. [SCENE_BREAK] Michael: Black coffee, please. Working hard? Heather: I'd advise you to do the same. Michael: Well, I appreciate the amount of time and effort you seem to be putting into trying to lock Victor Newman away. Heather: We've been to court together before, Michael. You know I prepare. Michael: Thank you. Well, maybe you should've tried a little harder on this one. Heather: And what are you going to pretend to nail me with this time? Michael: Well, the only pretense going on right now is your belief that you have an airtight case. Heather: Oh. I prefer the term "Slam Dunk." It's, uh, much more punchy. Michael: Oh, yes, it is. Though incorrect. How about I punch a few holes in your slam dunk case? Heather: Give it your best shot. Michael: Well, I admire your confidence, however misguided it may be. See, my advice is that you hold your fingers closer because things are slipping through. Heather: Mm-hmm. Is there an actual point or are you just blowing smoke? Michael: Yes, there's a point. Heather: So get to it. Michael: Well, it's not really a point. It's more like a question I need your advice about. Now, um, say an eyewitness places the accused at a restaurant at the same time that the prosecution thinks that he was elsewhere, say, you know, the crime scene. That would constitute reasonable doubt, wouldn't you say? [SCENE_BREAK] Nick: Hey, Mom, can you help me with the door? Nikki: Yeah. Oh, you found it! Nick: Yeah, it was way back in the attic. Oh, here we go. Nikki: It is gorgeous. Nick: I spent about a half-hour cleaning it up. Nikki: You did a good job. Here, let's put it right here. I love it. Nick: So, uh, yeah, there she is. I think it's gonna do Victoria real good to have Reed in the same room with her. Nikki: I am so happy that baby's coming home from the hospital. I've been praying for it for weeks. Nick: Yeah, we all have. Nikki: You know, Honey, you're very transparent. I can see how upset you are. This conflict with your father is gonna pass, Okay? Just give him a little time. Things will be good again. Nick: Yeah. Maybe. [SCENE_BREAK] Dr. Bagano: This is everything you'll need for Reed's release. Just sign here. J.T.: Okay. I can't believe I actually get to take him home today. Victor: It's about time, J.T. J.T.: Amen to that. Dr. Bagano: Mr. Newman, would you like to hold him? Victor: I would love to hold him. Dr. Bagano: Joanne? Victor: You don't mind, J.T., do you? J.T.: No, no, go ahead. Victor: My goodness. Oh, yes. Yes, yes, yes, yes, yes. Reed: (Cries) Victor: Come here. There we go. Reed: (Squeals) Victor: There we go, my baby. There we go. There we go. That's right. J.T.: I think he likes you. Victor: That's right. That's right. That's right. It reminds me of when Nicholas was a baby. Yes. It makes me proud, J.T. [SCENE_BREAK] Gloria: So what is this about, Sharon? Sharon: I know how important it is for you to feel vindicated for being cut out of John's inheritance. Gloria: Oh, no, no, no, vindication suggests that I want Jack to lose everything and suffer. Sharon: And don't you? Gloria: Nah. I just want what's rightfully mine. Sharon: You know, I-I agree. I think that you should have everything that John wanted you to have. Gloria: What your husband did to me was cruel. Sharon: Yeah, well, I think he's come to realize that. Gloria: Because I nailed him. He didn't have a choice. Sharon: I know that you have a lot of negative feelings about Jack, but trying to take away everything that he has-- that's--that's not the way to get back at him. Gloria: But I don't want to take away everything he has. Sharon: You want the house. Gloria: That's why you're here? That's what this is about. Sharon: That house-- it's--it's our family home. It's where we live, me and Jack and Noah, my son. Gloria: Yeah. There are lots of other houses on the market. Bigger ones, better ones. Sharon: Yeah, and you have the money to buy one. Any one that you want. Gloria: I want John's house. So I can feel closer to him. Sharon: Well, I-I can't imagine that that argument flies with your new husband. Gloria: He understands. Sharon: Gloria, please don't do this. Don't take away my son's home. Gloria: I'd say that little boy's been shuffled around a lot lately. He'll adjust. Sharon: Well, Jack won't. He's lived his whole life in that house. Gloria: You had a better shot at my sympathy with your son. But not Jack. He can sleep in the gutter for all I care. Sharon: Well, um, there must be something I can do to convince you to change your mind. There must be something that you want more. Gloria: I'm sorry, Sharon. You'll find another house. And I know a wonderful realtor if your need one. [SCENE_BREAK] Jack: Gee, look who's back. If you're here to give me a hard time, please, please, go back to the afterlife. John: Actually, Son, I'm here to tell you how proud I am of you. Jack: Oh? What did I do right? John: Well, you agreed to give Gloria what I wanted her to have. And you're showing Sharon that you've changed by not fighting with Gloria. And by not fighting with her, you're not fighting with me. Jack: So everyone's happy in this life and the next. John: However, I do have one last favor to ask of you. Jack: And what would that be? John: Sell Gloria this house. [SCENE_BREAK] Michael: An eyewitness by the name of Sean Cahill places Victor Newman at Emilio's restaurant at the same time your witness puts him at the gym stuffing that bloody whatever the hell it was into his gym bag. Which you'd know already because you've already interviewed the man. Heather: I interviewed a lot of people for the case. Michael: Well, apparently, you only give credence to the ones who say what you wanna hear. Heather: Sean Cahill has a police record. Michael: That does not mean his eyesight is bad. Heather: He wasn't even sure about the time, Michael. I didn't feel he was reliable, I dismissed him. Michael: Oh, and of course, your witness-- the one who puts Victor at the gym at the club-- she--she's very reliable? Heather: I believe her. Michael: That's because she says what you wanna hear. Heather: It doesn't make it false. Michael: No. But the huge deposit she put in her bank account recently-- that sure as hell makes it damn suspicious. Heather: Oh. Michael: Yeah. The amount didn't seem to coincide with the tips and salary a normal waitress would make. I mean, even at a high end place like the Athletic Club. Heather: She had just gotten an inheritance. A relative had died. Michael: Oh, yeah, yeah, Aunt Grace. Broke as a bicycle when she passed. That money didn't come from an estate. My guess is, that our waitress was paid to see something that never really happened. Heather: Mm-hmm. You're writing fiction, Baldwin. Why don't we let our witnesses tell their stories in the courtroom? Michael: I was hoping to spare you that embarrassment. Drop the case. Now. Forever. Heather: No. Not a chance. Because I'm not worried. Apparently, you are. [SCENE_BREAK] Man: How long have you been planning this? Amber: Stop it. Please just leave me alone. Lily: Man, I cannot believe Amber. I mean, did she really think she could pull this off? Cane: She's desperate for attention. She'll do anything she can to get it. Sally: So what now? What about the rest of the announcement? I mean, what about us? Cane: I'll see what I can find out. Sally: Okay. Lily: Well, I guess you didn't expect this to happen when you found out you made it to the finals, right? Sally: No. But it does kind of make things more exciting. Lily: Yeah. I guess. Sally: And you kind of have to admire her spunk. I mean, she almost pulled it off. Kay: Let's put an end to this--this announcement party. Now, and I mean, now! Cane: All right. Jill: I agree. I agree. Cane: Ladies and gentlemen, please, that's it. It's over, please. Man: Wait--wait a minute, we were supposed to talk to-- Jill: It's over. It's over. There will be a statement forthcoming, thank you. Would you wait outside, please? Thank you, ladies and gentlemen. Please, outside. Amber? Did you really think you could pull this off? Cane: Do you have any idea what you've done? Amber: I just-- I just wanna go. Cane: You've taken away the contestant's excitement to win. You had to take a situation and you had to turn it around so it was all about you. How selfish are you? How selfish can you be? Jill: Let me just see what I can do to save this debacle. Excuse me. Ladies. Amber: I just, uh, I wanted a chance. Cane: You wanted a chance? So you connive and lie, huh? Amber: I don't wanna embarrass anyone. Cane: Don't worry about me. I'm worried about... Kay and Jill. Amber: I know. Cane: Really? You know that Katherine adores you? I just hope that after she sees what you're really like, she stops trusting you. Amber: I didn't mean to hurt anybody. Cane: Amber, I think you need some help. Kay: That's, uh, not going to make it come any sooner, you know? Amber: I'm so sorry, Mrs. Chancellor. Kay: Well, just, uh... relax. I'm coming with you. I'm coming with you. [SCENE_BREAK] Heather: I want everything you can get me on her bank records, her financial history, if she ever inherited money, if she ever married into money, if she won the lottery, or if she sold needlepoint on EBay. Yes, that witness, the waitress at the Genoa City Athletic Club. I need to know if Michael Baldwin actually has something, or if he's blowing smoke. [SCENE_BREAK] Victor: Look at your little fingers there. Mm-hmm. Look at your little fingers. J.T.: So we can take him home in a little while. They're just processing the final paperwork. Victor: Mm-hmm. J.T.: You Okay? Victor: Oh, yeah. J.T.: You know, Victor, Reed coming home is-- it's a miracle. I'm hoping it can really help. Victor: Yeah, look at that. I hope that he'll have a healing effect on Victoria. J.T.: Yeah, well, maybe he'll do the same thing for you and Nikki. Victor: I'm not so sure about that. J.T.: I just don't want Reed getting caught up in this tension that's going on between you and Nikki. Victor: Don't you worry about it. I've kept Victoria away from it. I wanna keep this little boy away from it, as well. [SCENE_BREAK] Nick: Dad knows I love you. He knows I'm always gonna stand up for you. You know, with Dad, if you're not with him, you're against him. He just calls you a traitor and washes his hands. Nikki: I know. But he'll get past it. Nick: I'm not holding my breath. Nikki: Well, don't give up. Don't stop trying. Nick: What about you? Have you stopped trying? Nikki: Honey, I have had to stop. It just was not working for us, and for that I am profoundly sad. But I'm not alone. I have my family. I have my friends. I have David. What? What is this look? Nick: Its concern. Nikki: Don't you like him? Nick: I just-- I think that you have... you've moved too fast, Mom. Nikki: He has been a great comfort to me. I don't know that I could've gotten through all of this without his support. Nick: Okay, well, call me the overprotective son, I don't care. But I think you have gotten involved with someone a little too quickly and maybe for the wrong reasons. Nick: Hey, Mom, was this mine? Nikki: Uh, yes, it was. Your sister's was pink. Nick: That's cool that you saved it. Nikki: Your father and J.T. are on the way with the baby. I just talked to them. Nick: Oh, nice. You know, Vick, I'm gonna teach Reed all kinds of bad habits. I'm gonna be a bad influence on him. So you better wake up and stop me. Otherwise, you don't know that kind of kid Reed's gonna turn out to be. Nikki: No matter what has happened, we are still a family, and we need to always be family-- for Summer, for Victoria, for Reed. Nick: You know, you put everyone first. No matter what you're going through or what you're feeling, family's first with you. I wish Dad was more like that. [SCENE_BREAK] Dennis: I just had a visit from Michael Baldwin. Heather: That was fast. Dennis: Why didn't you tell me about this witness he dug up? Heather: Because, I didn't wanna waste your time. The guy is not credible. I spoke to him myself. Dennis: Baldwin says he can prove our witness, the waitress, is lying. Heather: He's bluffing. Dennis: I want a full report on both witnesses-- theirs and ours-- that convinces me you're right. I want it within 48 hours or I'm pulling you off the case. Heather: I understand. [SCENE_BREAK] John: Now you should know by now, I hate being ignored. Jack: Then say something productive. And "Sell the house to Gloria, Jackie," does not fit in that category. John: Oh, please, I've had some damn good memories with Gloria here. Jack: Forgive me if I don't drink to that. Besides, stop making it sound like you had decades together. You were married to her for less than a year. John: It is time to move on. Jack: Easy for you to say. You're dead. John: Jack, this house and all its memories is pulling you down. It's holding you back. Jack: This house is my home. I find comfort here. John: This place is preventing you from moving forward. Jack: This place is my home. I've spent my whole life here. You expect me to walk away from that? I can't. This is my only connection with your anymore. How am I supposed to walk away from that? [SCENE_BREAK] Kevin: So, Mom, there are all different kinds of poison. I can-- Gloria: No, no, no, no, no, I like the idea of the arsenic in the tea. Kevin: Yeah, but the arsenic is really old fashioned. Plus, it can be traced really easily. We need, um, we need something a little more sophisticated. Gloria: Yeah, you're probably right. Kevin: Mm-hmm. Gloria: Jeffrey's very clever. And if he were going to try to kill me, he'd know that. Kevin: Mm. So tell me more about your talk with Sharon. Gloria: She is trying to talk me out of moving into the Abbott mansion and using her son, Noah, to make me feel guilty. I mean, as if that little boy would suffer if they had to move. It's ridiculous. Kevin: Seriously. The suffering would come from actually having to live with you. Gloria: Ha ha ha. You know, you're right. It's going to get intense in that house very quickly. Kevin: Mm-hmm. Gloria: And I would hate for that nice little boy to witness anything ugly. I mean, I'm not completely heartless, Kevin. Kevin: Meaning what? You are a little bit heartless? Gloria: Hey. I'd do anything to protect a little boy from seeing anything ugly. Kevin: Really? Gloria: But when it comes to Jack... no, I have no heart at all. [SCENE_BREAK] John: Jackie, Jackie, it isn't this place. I will always be with you, in your heart and in your mind. Jack: I can't believe you're saying this. You honestly want that shrew to own this home? John: Jack, I know Gloria is selfish. Jack: Ugh. John: Look at the big picture. It--it's simply a place to live. Jack: I can't do this, Dad. Don't ask this of me. John: Well, Son, I am asking you. From the bottom of my heart. Find a new home for Sharon, Noah and yourself. Build a home where you can... fill it with new memories for the three of you. You have got to let go of the past, Jack. Move on. [SCENE_BREAK] Lily: Well, I mean, I'd be happy to show you around. We have a pretty decent nightlife for a small city. Sally: Okay, that sounds great. Lily: Okay, so I'll just get your contact info from Jill, and I'll call you? Sally: Okay, sounds great. Lily: Okay, good. Sally: Bye. Lily: Bye. Hey. Cane: (Sighs) Lily: I swear, your mom is a master spinner. She just took Amber's whole charade, turned it into a story that's gonna make this contest even more popular. Cane: Really? How did she manage that? Lily: Just by stressing the outrageousness of it all, and how a girl who even has no self-esteem would do anything to be one of the faces, and how wild it was, on and on. Cane: I just hope this doesn't step on your victory. I'm so proud of you. Lily: Oh. Well, I can't believe I even made it this far. I mean, I'm still shocked at hearing my name. Cane: You're gonna be a wonderful spokesperson for us, you know? Because you have such a beautiful smile. Lily: Well, I'll tell you one thing. Cane: What's that? Lily: I have never been happier in my life. And I have you to thank for that. [SCENE_BREAK] Kay: Let's talk about it, shall we? Amber: You're too nice to me, Mrs. Chancellor. Kay: Well, I like you, despite the crazy things you-- the many crazy things you pull. Sit down. Sit down. All right, now... tell me. What in heaven's name prompted you to do this? Were you trying to impress Cane? Amber: Maybe. You know, just a little. Kay: Mm-hmm, just a little. Well, obviously, nothing I've said to you about your relationship with Cane-- it has not made a bit of difference. Amber: I just can't stop loving him. I have tried. Kay: Oh, Amber, I... I like your spunk, misguided as it is. Amber: You know, I'll think that I have him out of my head, or--or out of my heart, and then... he'll be nice to me or maybe he'll just smile at me, and I melt. And... even knowing that he probably hates me now, I just look into his eyes and I feel like an angel. Like there's just some kind of hope. Kay: And you thought he might fall for Marina's charms, and once again you would be in his arms? Amber: Yeah. Kay: Yeah. Amber: I know I have been acting like a jerk, like a silly, stupid little schoolgirl with a crush, but... I just can't stop loving him. Kay: (Chuckles) I know you can't. [SCENE_BREAK] Gloria: Michael? Gloria: Looking for us? Michael: No. I am here to interview a witness. Her shift must not have started yet. So... what are you two up to? Kevin: Oh, Gloria's planning a coup d'etat at the Abbott mansion. Michael: Leave it to a judge. Gloria: I already have. So what do you think about Jeffrey's mystery Korean woman? Michael: I don't believe it's of much importance. Kevin: What? She could be a lover or a wife, even. Michael: So what? You don't love Jeffrey. Jeffrey doesn't love you. If it is a wife, you might be able to hit him with bigamy. Gloria: Yeah, but by the time we find out for sure, he could've spent a whole lot of my money. Michael: You need to let me find something more damaging. Something more incriminating. Something I can really nail the guy with. Kevin: Or at least threaten him with. Gloria: And that's what we're working on. Michael: Hey! Kevin: Oh, relax. We're just tossing some ideas around. Gloria: And unfortunately, we got nothing. Michael: Yes, well, I pray with every fiber of my being that that is true. Okay. The person I am interviewing is here. We have to talk later. In the meantime, do me a favor, don't make any plans without me. Michael: Carol? Carol: Yes? Have a seat. I'm just starting my shift. I'll be with you in a minute. Michael: My name is Michael Baldwin. I'm Victor Newman's attorney. I'd like to ask you a few questions about the night you claim you saw him here at the club. [SCENE_BREAK] Jack: What you're asking is very difficult, Dad. John: Jack, it is only a house, for God's sakes. Jack: I can't do it. I can't do it. My whole life echoes in these walls. I love those memories. I want those memories to be part of my life with Noah and Sharon in this house. Sharon: Who you talking to? Jack: Uh... no one. I... I'm talking to myself. Sharon: Mmm. That's healthy. Jack: Actually, I was talking to my dad. I know it sounds a little crazy. I-I do that from time to time. Sharon: It's understandable. And it's very endearing. So... what were you and John discussing? Jack: This house. Leaving it. Sharon: And I'm sure that he had some strong opinions on the matter? Jack: I struggle even with the thought of it. Sharon: Well, don't struggle anymore, Okay? Because I've made a decision. And we are not leaving. Jack: We're not? Sharon: I, um, I talked to Gloria. And I tried to be civil, but even I have reached my breaking point. Jack: Wait, what happened? Sharon: I told her that she can have whatever the lawyers agree to, but the Abbott mansion will stay in the Abbott family. In the Jack Abbott family. Jack: Well, aren't you something? [SCENE_BREAK] Kevin: So we probably shouldn't tell him about our plan to frame Jeff, right? Gloria: No. He'd kill the idea faster than you can say strychnine. Kevin: Yeah, yeah, you're probably right. Gloria: No, no, no, this one's between you and me, kiddo. Once we pull it off, he can congratulate us. Kevin: Exactly. (Cell phone ringing) Gloria: Ah, the lawyer. So what's the verdict? Well, isn't that wonderful? I think I'll go tell him myself. Thank you. Kevin: What? What? What? What? What's wonderful? What's the smile about? Gloria: I am going to go over and give Jack Abbott a good, swift kick right where he deserves it. Kevin: Ooh! Ah. [SCENE_BREAK] Michael: I realize that your husband has been very sick. Carol: He's holding his own. Michael: And you would do anything you could to help him get well, wouldn't you? Carol: Look, I need to get to work. I can't afford to lose this job. Michael: I know what I'd do for my wife if I had to. Carol: What exactly are you getting at? Michael: Well, only that a little lie probably seemed a small price to pay for the help you need. Carol: I didn't lie. Michael: Look, Carol, I believe that you're a good woman. I believe that you were supportive of your loved ones. You live out in the countryside, don't you? Carol: How do you know that? Michael: And your husband-- he used to work on his brother's farm until he had his accident? Carol: Hank is a good man. He doesn't deserve what he's going through. Michael: And you'll do what you can to make sure he gets the help he needs. Carol: Our insurance doesn't cover much. Michael: And I sense that you are a person who wouldn't wanna see an innocent man go to jail either. Carol: Of course not. Michael: A family man. A man who has a daughter who's terribly ill, a young grandson who battled all the odds to survive. Carol: You mean Victor Newman? Michael: Victor Newman, who did not do what they're accusing him of, whom you'll be testifying against. Carol: I-I don't know what to say. Michael: I also sense that you are the type of person who would not be able to live with herself if she knew that a lie-- her lie-- put an innocent man in prison. So... you wanna tell me the truth now? [SCENE_BREAK] Nick: Where's the baby? Victor: Downstairs with J.T. Nikki: Let's go see him. Be right back, Baby. Victor: You look so pretty lying there. I have some news for you. Your little boy is downstairs. He's with his father. J.T. brought him home from the hospital. He's a Newman boy. He's a strong kid. I can hardly wait to see him in your arms, my sweetheart. [SCENE_BREAK] Jack: Gloria's about to come into a lot of money. She can build her own damn mansion. Sharon: Yeah. Just not next door, right? (Doorbell rings) Sharon: Who could that be? Jack: Uh... Gloria: Hello, Sharon. Ah, I've got some news for you. Sharon: Gloria, after what we just went through this afternoon, you are hardly welcome in my home. Gloria: Ah, your home? Well, not anymore. Jack: Okay, what the hell is this about? Gloria: I just heard from my lawyer, Jack, and it seems the judge agrees with me about the house. Sharon: You've gotta be kidding me. Jack: The judge hasn't told me anything. Gloria: Well, he will, and I'm sure he will very soon. Come on, Jack, sell me the house. Otherwise, start cleaning out the closet, because with or without you here, I'm moving in. Immediately. [SCENE_BREAK] Carol: I needed the money. For Hank's medical bills, for his treatments. I'm ashamed of myself, Mr.--Mr. Baldwin, but... you get desperate when someone you love is so sick. Michael: Did Jack Abbott pay you off? Carol: I don't know who did. I was approached anonymously. I was never told the person's name. Michael: Did the same stranger give you the money? Carol: It was deposited directly into our account. And at just the right time. Hank can see a specialist now. Michael: I truly hope your husband gets better. Carol: Will I go to jail for this? Michael: I hope not, but that's not up to me. Look, I know you have to get back to work, but thank you. Um, and, uh, good luck to you and your husband both. If you need anything, just, uh, let me know, all right? [SCENE_BREAK] Nikki: Your beautiful son is here. He's here. Victor: Look at that. J.T.: Reed... this is your mom. This is your mom. Victoria... this is your son. This is Reed. Nick: Welcome home, little man. [SCENE_BREAK] Jill: It's been quite a day, hasn't it? Cane: Yes, it has. Lily told me you defused the situation with the press. Jill: I think so. I hope so. The last thing we need is bad publicity. Thank you, Sweetie. Um, Cane.... you know that I haven't been real thrilled with how fast you're going with Lily, but I have to tell you, she's a huge improvement over that lunatic Amber. Cane: Hmm. Are you trying to tell me that you approve? Jill: Just be careful. Cane: Why should I be careful? Jill: Because she is crazy about you. Look, Lily is young, and she's in love. And if you're not ready for a relationship, you tell her, or you could break that girl's heart. [SCENE_BREAK] Kay: Oh, I did some crazy things for love. Absolute insane things. Amber: You're pretty cool, Mrs. Chancellor. Kay: And not having love drove me-- well, almost-- to sheer destruction. Amber: You remind me of me. Kay: So I decided I would fill my life with love. Beginning with my first husband Gary Reynolds, all those delightful stable boys. I told you about those. There was Derek and Rex and Phillip. Oh, Phillip. I so loved that man. And that love-- that love... made me do some very... questionable things. Amber: Was it worth it? Kay: Stop, Amber. Stop before it's too late. Don't go over the edge. Just... don't... Amber: Are you Okay, Mrs. Chancellor? Kay: Um... just be careful. Get a hold of yourself. Don't... [Kay passes out] [NEXT_ON] Phyllis: Start something new. Nick: Well, it's high time I got out from under the shadow of my father. Heather: My case against Victor Newman doesn't rest on one witness. This is only a setback. Nikki: You stay here with your mommy.