Lulu tells Dante that Olivia had another vision; she bumped into Duke Lavery and saw someone else. Elizabeth draws a sketch by Olivia's description. She and Robert recognize that it is Faison. Olivia wonders who Faison is. Robert tells her that he is a spy from the cold war. Elizabeth says he is evil. Olivia wants to know why she saw his face when she looked at Duke. Robert says the only thing Duke and Faison have in common is Anna. He says Faison has been fixated on Anna since they were children. Olivia says her visions aren't complicated; she sees something and then it is there. Robert says it may be that simple and Duke is really Faison. Robert starts to call Anna and warn her. Elizabeth says Anna may not react well to a phone call saying someone she thought was dead is back and masquerading as her also dead ex. Robert agrees that Anna wouldn't accept that news from him and could tip off Faison. Faison is with Anna in his latex Duke Lavery mask, asking her to go to his bedroom with him. Anna doesn't feel right. She says he feels different. He tells her that being in a Turkish prison for 20 years changed him, but his love for her never changed. He hopes he didn't fight his way back to her only to be rejected. She says she just needs time. Lulu tells Dante that his mother offered to pay for their surrogate. Dante tells her that his father offered too. Maxie asks Spinelli to choose her. He says he has loved her for a long time, but he couldn't wait for her any longer and he made the decision to be with Ellie. Maxie wonders if Spinelli wants Ellie more or if he just doesn't want to hurt her feelings. Spinelli recites a laundry list of Maxie's good qualities, but says he is choosing to be with Ellie. Maxie goes to the Haunted Star and tells Lulu that Spinelli didn't want her. Ellie is excited to see that Spinelli is still at the apartment when she returns home. AJ goes to Jason's apartment because Tracy told him that Michael had been in an accident and was there with Sam. Sam says AJ is not welcome in her house. Michael convinces her to let AJ stay for a little while. Sam shows Danny to AJ. He asks if he can hold Danny. Tracy tells Monica that she has no idea where AJ is. Monica finds AJ's ankle monitor under the sofa. Dante gets a call to go to the Quartermaine Estate. Michael arrives a minute later and tells Dante that Tracy baited AJ to leave the house. Tracy says there is no law against that. She tells Dante that AJ is at Sam and Jason's place. Dante arrests AJ at the penthouse. Tracy tells Monica that AJ breaking bail means the house will be auctioned and she will buy it and then she will evict her.
A.J.: Michael. Michael, thank God. You -- wait, you're -- you're okay? Michael: Yeah. I'm fine. What are you doing here? What's going on? A.J.: Tracy. Michael: How could you be walking around? Did you make bail? A.J.: Yes, I made bail, but I'm not gonna be walking around for long. Michael: What are you talking about? A.J.: [Sighs] Tracy tricked me. Monica: Where is my son? Tracy: Well, he has to be here somewhere. Uh, it's not like he could leave without somebody knowing that he jumped bail. [Device beeping] Monica: What's that noise? Tracy: What noise? Monica: That beeping. Tracy: [Mouthing] It must be your hearing aid. Monica: What? Tracy: It must be your hearing aid! Monica: I don't wear a hearing aid. Tracy: Well, maybe you should. I don't hear a thing. Monica: Wait. [Beeping continues] Monica: Well, maybe you should get your hearing checked. A.J.: Tracy pretended that she got a call from Sam that you'd been in an accident or something. Michael: I told you. I'm fine. A.J.: I know, I know, I know. She did it so I'd leave the house and I'd violate the terms of my release, that way they can throw me back in jail. Maxie: Look, Spinelli, I know that you care about this girl. Spinelli: Her name is Ellie. And yes, I do care. Very much. Maxie: Yes. Fine. Ellie is very nice and -- and smart and weird, in a good way. But she's not me, Spinelli, and she never will be. I'm not trying to insult her, but you and I, we're meant to be together. We're -- we're fate, kismet, destiny, whatever you want to call it. We have been through so much together. And yes, we have done...some things very right and we have done a few things very wrong. But that's behind us now. And we have a chance at our happily ever after. You -- you just have to pick me. Dante: Hey. Lulu: Hey. Dante: You, uh, got a lot left to do? Lulu: Um, just payroll, but it can wait till tomorrow. Dante: No, no, no, no, no. I can -- I can wait. Finish up. Lulu: I think you should talk to your mom. Dante: Why? What happened? Lulu: She had another vision or whatever you want to call it. Dante: God, it -- it just kills me that heather Webber's too crazy to stand trial so she's never gonna have to pay for what she did to her. Lulu: Well, this actually might be a good thing. Robert Scorpio seemed interested. Dante: Robert Scorpio? I-I didn't even know he was in town. Lulu: My dad sent him. Dante: Why didn't your dad just come in person? Lulu: I don't know. Robert was vague about that. Apparently he's in turkey and he doesn't want me to worry. Dante: Oh, so all you're gonna do is worry. Lulu: No, I'm used to my dad disappearing. And at least he sent word that he's okay. Dante: So, what does this have to do with my mother? Lulu: So, she bumped into Duke Lavery, only she didn't see Duke Lavery. She saw someone else. Olivia: Yeah, that's it. That's him. Elizabeth: Oh, my God. Olivia: What? Elizabeth: This can't be. Robert: Elizabeth, what's wrong? You -- you know this person? Elizabeth: I think it's someone you know, too. Robert: Faison. Olivia: Who's Faison? Duke: Now there's nothing to stop us from being together, is there? Anna: No. There's nothing to stop us. Duke: So, why don't we take this... into the bedroom? I've waited for you for so long. Anna: Maybe we should just slow this down. Duke: Why? Why slow down? You know how much I've missed you. Anna: Yeah. You've made that very clear. Duke: Okay, then I won't bore you by repeating it. But, Anna... all I've wanted is just to hold you, to kiss you, to make love to you, to wake up with you in my arms. And now...I have you. I finally -- I... I have you here. Anna: It's not that I don't feel... Duke: Anna, please don't make me wait. Please. I'm laying myself at your feet. Please say yes. Say yes. Anna: Yeah. Robert: It's the face of the one man I never wanted to see again. If he's involved in this, things just got a lot worse. Elizabeth: This doesn't make any sense. Olivia: Well, one thing does. That is definitely the face of the man that I saw when I -- when I looked at Duke Lavery. So, who -- who the hell is he? Elizabeth: I don't even know where to begin. Robert: How does one begin to describe Faison? He's a relic from the cold war. Black ops, wet work for the bad guys. He's also a...a toxic strain of bacteria. Olivia: And, uh, you two know this guy how? Robert: He's a master spy. Framed me as a traitor. It's the reason I never came back. The man is... he's done a lot worse in life. Elizabeth: He's evil. Robert: He's left a wake of hell. Olivia: So, why have I never heard of this guy before? Robert: He's supposed to be dead. Olivia: Supposed to be? Robert: Well, we never found the body. Olivia: Okay, but I still don't get it. Why would I look at Duke Lavery and see this -- this Faison guy? Robert: [Chuckles] Well, there's your million-dollar question, kids. Lulu: When Duke walked in, your mom saw a different man altogether. Dante: Who's the other man? Lulu: I don't know. She didn't recognize him. He had a different face. Dante: And Robert? Lulu: Is trying to figure out what he saw. Dante: Well, maybe I should get involved in this 'cause my mother doesn't even really know who Robert Scorpio is. Lulu: Well, she was less worried about her vision than she was about the kid that we want to have. Dante: I'm sorry. I thought I made it clear to her that we needed some space. Lulu: She was respectful of the boundaries. Anyway, I told her about the surrogacy. Dante: You told my mother that we were gonna have a surrogate for her grandchild? Lulu: She was cool about it. She even offered to pay. Dante: What? There's no way she has that kind of money. Lulu: I know. I know. But it was very supportive and generous for her to offer. Dante: Well, she wasn't the only one. Spinelli: I have to admit, this is not at all what I was expecting. It's like in "return of the king." Every time I thought I reached the denouement, I turned the page and discovered another chapter. Maxie: But that's a good thing, right? I mean, you love those books. And you and I, we're kind of like, um, Frodo and samwise, except I'm a girl and I'm in shape and I'm not hairy. But you know how at the end of the movie, after everything they've been through, they stay together. Spinelli: I didn't realize you knew how it ended. Maxie: You made me sit through the extended cut like three times. Eventually, everything sinks in. Spinelli: Maxie, you wanted to move on! You -- you told me that your -- your feelings for me were strictly platonic! Maxie: I thought they were. And then my -- my mom came back. And I don't know. Maybe it was watching her with -- with Mac. Growing up, I always hated how my mom ran away from everyone that loved her. But she's changed. She gets it now. And that made me think about me and my feelings for you and how this whole time I've been running away from you, when all I really should have been doing was run at you. [Sniffles] Spinelli: I've loved you hopelessly and...helplessly for so long. To hear that you return my feelings... there are no words. Consider my mind blown. Maxie: This is great. I love you, and you love me, and I finally told you, and you finally heard it, so we can have our happy ending. Right, Spinelli? This...this means you choose me? [Device beeps] Monica: This is A.J.'s ankle monitor. Tracy: What is it doing not on his ankle? Monica: Looks like it's been cut off. Tracy: No. A.J. knows how important it is for him to abide by the terms of his bail agreement. He wouldn't jump bail. Monica: Well, unless someone held him down and cut it off, it looks like that's exactly what he's done. Tracy: Monica, I am so sorry. I know how important it is for you to believe that A.J. Has changed, but I guess he's the same, old A.J. -- Perpetual disappointment. Monica: Would you like me to tell you where you can put your phony sympathy? Tracy: Why are you angry with me? You're the one who put your life on the line, your license, your dignity, and your home, all for A.J., who is now going to jail. And the city will repossess your home, and you'll get kicked to the curb, all thanks to your loving son. Michael: You cut off your ankle monitor? A.J.: Yeah, well, I'd do it again if I thought you were in trouble. Michael: Those things are wired to the police station. They'll know you tampered with it. They're probably looking for you right now. A.J.: I know. I know. It was stupid. I stepped into a trap. But, Michael, when I heard you were hurt, I don't know, something inside me snapped. You know, I had to get to you. You're my son. Tracy knew exactly how to play me. Michael: [Sighs] I think I know how to fix this. Just wait here. A.J.: Whoa, whoa, whoa, whoa, whoa. Where are you going? Michael: To head off Tracy. A.J.: Michael, let it go. She's never gonna miss a chance -- Michael: Just wait here, okay? You'll be safe. Sam: No, he won't. A.J. is not welcome in this house. Anna: [Sighs] Wait. I can't do this. Robert: Lulu was talking about these visions you get. What's your success rate? Olivia: [Sighs] Well, let's see. There was Lulu being pregnant. I guess that didn't really last. Um, Dr. Keenan, poisoned water, the rain, there was heather. I saw a whole lot about her. Um, Connie. I would say six or seven. Robert: Any big misses? Olivia: No. Except that sometimes the "message" is only meaningful in retrospect, so... Elizabeth: Did Faison and Duke ever work together? Robert: Faison's way above Lavery's station. Olivia: Well, then, if the two of them aren't connected -- Robert: I never said that. They're connected. Through Anna. Dante: I-I mentioned to Sonny that we were thinking about using a surrogate, and he offered to foot the bill. And unlike my mother, he can actually afford it. Lulu: Are you sure you want to do this? Dante: What? Have a family? Absolutely. Lulu: I mean, surrogacy. Dante: Yeah, it's the best way for us to get what we both want. I mean, assuming that's -- that's what you want. Lulu: Well, I just want to make sure you are okay with taking money from Sonny. Dante: Sonny is who he is, and that's not gonna change. But Jason's gone. Kate might as well be. A.J.'S complicating things with Michael. I think Sonny really just feels like he wants to do something good for someone in his family. Lulu: And connect with his oldest son. Dante: Maybe. Look, it's gonna be tricky between me and Sonny forever because of who we are. But I think... [Chuckles] I think I'm okay with letting him help us just this once if you're okay with it. [Cell phone rings] Dante: Yeah. Falconeri. Yeah? Yeah, I'm on my way. Can we pick this up later? Lulu: Yeah. Where you going? Dante: To our favorite felons' house. The Quartermaines'. Tracy: A.J. will never change. And if this is what it takes to break through your denial, then so be it. Monica: You had something to do with this, didn't you? Tracy: Monica, it was inevitable. There's no way that A.J. Is gonna avoid going to jail. He is who he is. You can't change it. Sam: I thought he was in jail. A.J.: I was released on bail. Sam: I wasn't speaking to you. Michael: He was looking for me. Okay, Tracy tricked him into thinking I was hurt so that he'd leave the house. Sam: And break the terms of his bond agreement? That sounds like something Tracy would do. Very smart, A.J. A.J.: My son comes first. Sam: Wow. You really are manipulative. Michael: Look, can A.J. stay here while I go to the Quartermaines'? Sam: You want me to babysit him? Michael: Look, the charges against him are already pretty bad. If we can avoid putting "jumping bail" on that list, it's worth a try. Sam: It is not your job to protect him. Michael: Sam, I'm asking you to help me. Sam: [Sighs] Michael: Please. Sam: Okay. You have a half-hour. Michael: Thank you. A.J.: Thank you, Sam. Thank you. Sam: Don't bother. I hope Tracy's plan works and you get thrown in prison where you belong. Spinelli: For the longest time, I carried this -- this tattered, little piece of paper in -- in my wallet. A speech I'd written to convey my feelings for an occasion like this, should you ever want me back. Maxie: I love your speeches, Spinelli, and I want to know your feelings. Tell me now. Spinelli: I threw it out last week. Maxie: Why? Spinelli: Because I couldn't wait for you anymore. I made a decision to move on. With Ellie. Maxie: You choose Ellie. Spinelli: I gave my word. Maxie: What does that mean? You love me. You just said that. Spinelli: Why couldn't you have come to me three months ago? Three weeks ago, even? Maxie: I didn't know how I felt about you a few months ago, and I couldn't talk about how I feel until now. You're gonna punish me for that? Spinelli: I assure you, I'm -- I'm not -- it's not my intention to penalize you. Maxie: Don't throw away what we have because I made you wait. Don't throw it away for some girl that you don't even know. Spinelli: Her name is Ellie. And she's intelligent, imaginative, humorous, and... unexpected. She's also emotionally courageous. Maxie: [Sniffles] Spinelli: I like her. And she likes me. Maxie: I like her, too. But I love you. Spinelli: Be honest, Maxie. Will you still love me in a year? Will you still want me when our -- when our differences begin to grate on us, when my idiosyncrasies start to wear on you, when you're drawn to someone darker or edgy or someone that feeds your need to take risks, or someone unattainable? Because it seems to be in your nature to want what you cannot have! Maxie: I am not that shallow person anymore! I know what's important! Support, commitment, understanding! Those things aren't boring! They're essential! And we could have that, Spinelli! Things could be different for us this time! Spinelli: Ellie and I slept together. And it wasn't an accident. We weren't in pain, and we weren't drunk. We talked about it. We -- we -- we chose each other. I-I promised her that she could trust me, and I'm -- I'm not gonna break that. Maxie: [Voice breaking] You'll just break my heart instead. Spinelli: That is not fair! Maxie: It might not be fair, but it's the truth. Spinelli: Well, then I'm being truthful, as well. Maxie: [Sniffles] Spinelli: Maxie, I-I could not be happy with you if it came at her expense. She trusts me. She honored me with her trust. I can't break that. Maxie: You know, I hear you talk a lot about trust. But I haven't heard you mention attraction or need. You know, those two things that draw people to each other. I wonder, Spinelli, if you really want Ellie more than me or if you just don't want to hurt her feelings. Dante: Sorry to intrude. We got a malfunction signal on A.J.'S monitor. I need to see him. Monica: Well, I will try to track him down. This is an awfully big house, so I don't -- Tracy: This what you're looking for? Dante: Where is he, Dr. Quartermaine? Monica: This is not A.J.'S fault. Tracy manipulated him -- Dante: Well, A.J. Can tell that to the judge. I need to take him in. Monica: Well, if I could just talk to him, I'm sure we can work this out. Dante: I'm sorry. I need to take him downtown. Tracy: That could be difficult. Dante: Are you telling me that he's no longer on the premises? Tracy: Don't ask me. He's Monica's son. Where is he, Monica? Monica: I don't know. Dante: I need to put out an APB. Monica: Please, please. [Door opens, closes] If I could -- I could find him, I would bring him to you. And I'm sure that -- Michael: If you're looking for A.J., I can give him to you. [Computer keys clacking] A.J.: Jason looks good. He looks happy. Sam: Don't touch my things or -- or try and make small talk or act like we're friends. A.J.: We're family. You're my brother's wife. Sam: [Chuckles] You and Jason are brothers in name only. Jason has never forgiven you for what you've done to Michael. He would hate what you're doing now. You're -- you're hiding behind him. A.J.: I'm not hiding. Sam: You know what? I would call the cops on you myself right now if it weren't for Michael. You used Jason growing up, just like you're using Michael now. A.J.: Does it really have to be this way? Robert: Faison's mother was Anna's nanny as a child. I guess Faison fixated on her and that then became a life-long obsession. If he's involved in this, then it's all about Anna. Elizabeth: Okay, that still doesn't explain why Olivia would see Faison when she looked at Duke. Robert: Maybe Faison has some control over Lavery. Look, he spent 20 years in a Turkish prison. Anything's possible. Olivia: You know what? I hate to rain on your parade, you guys, but I'm not that complicated. I just -- I see what I see. Elizabeth: What do you mean? Olivia: I see heather, and heather turns up. I see Kate is Connie, and Kate is Connie. I just see what's actually there. Robert: Maybe it's that simple. Maybe Lavery really is Faison. Duke: What's wrong? Anna: Um... I-I just need a moment. Aren't we supposed to be having dinner? Can we just have dinner? Duke: Did I misunderstand something? You didn't want to kiss me? You don't -- you don't have feelings for me? Anna: I want to. But I just can't. Duke: Why? Is this about Robert? Because Robert's returned to town? Robert: Faison knows that Anna despises him. So he's got to come at her from a different angle. Perhaps using a different face. Elizabeth: You think he had plastic surgery to look like Duke? Robert: He has the connections and the resources. Olivia: Guys, I'm sorry. This is just -- that's crazy. Robert: No crazier than Lavery turning up after 20 years in a -- in a Turkish prison when Anna's at her most vulnerable grieving over our daughter? Olivia: But why? Why would he go through all that? Why would he change his whole face and his voice and the way he walks? Robert: Because he can. And he'd do a whole lot more if he knew that that would get him Anna. Anna: No, it's not -- it's not Robert. That's not why I don't want -- Duke: Then what is it? I don't want to pressure you. I don't want to make you feel uncomfortable. But...we're so close, Anna. Why are you stopping? Anna: I'm sorry. It's you, Duke. Spinelli: Of -- of course I don't want to hurt her feelings! Maxie: So you admit it. Spinelli: But I don't want to hurt your feelings, either. Maxie: If you choose Ellie, you will be hurting both of us because we belong together, Spinelli, and you will realize that. Dante: Michael, you know where A.J. Is? Michael: He can be here in less than 15 minutes. Dante: Yeah, see, that's not good enough since he broke the terms of his bail agreement when he tampered with his ankle monitor. Michael: Tracy told him that I was hurt. That's the only reason he left the house -- to help me. Monica: I knew it. Dante: Is that true? Tracy: Well, I may have, uh, given A.J. the impression that, um, Michael was in trouble. But there's no law against that. However, there are lots of laws against embezzlement, fraud, kidnapping -- Dante: Okay, Tracy, we got -- we got it. We know what's on A.J.'s rap sheet. Tracy: A.J. needs to be behind bars where he can't do any more damage to the Quartermaine name and reputation. Michael: Dante, just let me bring him home. Dante: Michael, I don't want you messed up in this. Yes, you've -- you've completed your parole, but you are legally an ex-con. Do not let A.J. drag you down with him. Tracy: You listen to this, Monica? You gonna let your son ruin your grandson? Dante: Where is he, Michael? Michael: Can I first ask you a question, just hypothetical? Dante: Well, yeah. Sure. If it's not you trying to stall. Michael: Okay, let's say there's a cop who was shot by his own father. And when the time came to testify, he lied and he said he accidentally shot himself. That -- that would be perjury, right? Dante: Yeah. Michael: And this cop, he didn't really know his father that well. He wasn't sure if he could trust him or not. He just didn't want to be the one to send his father to prison. Now I can see why he made that choice. Can you? Dante: That cop would have to live with that lie every day for the rest of his life. Some days it would be easy. Other days, it would weigh on him. Either way, he wouldn't want his younger brother in that position. Where's A.J.? Tracy: Oh, for God's sake. He's at Sam and Jason's. Sam: If you gave a damn about Michael, you wouldn't put him through this. You would turn yourself in. A.J.: Yeah, well, I wouldn't worry about that too long because I'm sure I'm gonna be back in custody soon. Sam: You expect me to feel sorry for you? A.J.: No, I don't. I-I've actually done enough of that myself. You know, wondering how I could have done everything differently. You know, Sam, maybe you and I actually have something in common. Because you know the way Jason -- Jason loves you? I mean, it's fierce, you know. He -- he's loyal and he's fearless and there was nothing that you could ever do to -- to screw up so bad that he wouldn't forgive you. That's how he used to love me before the accident. And then afterwards, he [Sniffs] Could barely look at me. But I think that's how he loves Michael, and I bet that's how he loves you. Sam: Don't -- please don't pretend that you give a damn, okay? A.J.: Look, I came back here so that I could see my son and I could make amends. I hate the fact that I didn't get back here in time to make peace with my brother. Sam: I don't know what you heard, but Jason is not gone. I mean, he's -- he's coming back. He's coming back to me and my son. A.J.: Your son? You and Jason have a kid? Sam: Yeah. Um... yes. Yes. We do. His name -- his name is Daniel. Danny, actually. A.J.: So I have a nephew. I -- can I see him? Sam: Why? So you can kidnap him? A.J.: I don't blame you for the way you feel, okay? But I have changed. I have really changed. And when Jason comes back, I plan on telling him how sorry I am. But let's be honest. You and I both know that I don't have a lot of time, that I'm probably gonna wind up back in prison. Can I please -- please, can I just see my nephew? Duke: I apologize. Perhaps we -- we should just have dinner, after all. Anna: No, no. Look, it's nothing that you've done. At least not that I can pinpoint. I... Duke: I don't understand. Anna: It's really hard to put into words. Is this how you imagined it would be? You and me? Duke: Honestly? Honestly, no. When I was in my cell, I pictured you throwing yourself into my arms, telling me that you loved me. Of course, I realize you probably had moved on with your life and you probably put me to the part of your mind -- Anna: I never forgot about you. Ever. Duke: To be realistic, Anna, I knew you would have moved on with your life. You couldn't remain frozen. You would have had other relationships, but I thought when I came back into your life, that we would love each other. And here we are together, and we're learning to love each other again. Anna: We were so happy once, weren't we? Duke: [Chuckles] We could be happy again. I mean, if you're willing. Anna: This sounds so vague. Do I feel the same way to you? Duke: Of course you do. And my love for you is just the same. It hasn't changed. Has your love for me? Anna: Something's changed. I don't know what it is. But you-- you feel-- different. Robert: Anna spent most of her life in the intelligence business. Under normal circumstances, she'd be tough to fool. But right now, she's at her weakest, grieving over our -- our daughter. So what happens? Faison turns up wearing Lavery's face, a man who she loved, the one man who she would hope who might even still be alive. Olivia: But how does this even benefit this Faison guy? Anna doesn't love him for himself. Robert: The guy's a psycho. Who knows what he's thinking. I mean, he might hope that Anna's feelings will change. He might be happy going on pretending. Olivia: Who are you calling? Robert: Anna. I got to warn her. Spinelli: You are en-- enchanting-- incandescent-- endlessly fascinating. You -- you are-- filled with en-- enthusiasm and potential, and I wish you all the happiness. Maxie: But you don't want me. [Sighs] Spinelli: Not in the way you wish. Maxie: Because you met Ellie. And she's, um, intellectual and brainy and offbeat just like you are. Spinelli: Maxie, there is great joy in finding someone that you can connect with. Maxie: Right. But that's not why you choose her. It's because you gave her your word. So you'll dig in your heels and one day, wake up and realize that you're in a loveless marriage. Married to a woman named Ellie Spinelli, by the way. Have you thought of that? Spinelli: Marriage? No. No. We -- we haven't even moved in together yet. Maxie: Yet. I just opened my heart to you. Doesn't that count for anything? Spinelli: Of course it does. Maxie: Right. Just, um, just not enough. [Voice breaking] Bye, Spinelli. [Sniffles] [Sniffles] [Sobs] Elizabeth: Robert, are you sure about this? Robert: Am I sure that Faison faked his own death and came back dressed up as Lavery in order to win Anna's love? No. I'm not. But if there's a ghost of a chance he's involved in this, then she has to know about it. Olivia: Wait, wait. Hold the phone, you guys. I'm sorry to wreck your story here, but what if we're wrong about this? I mean, what happened? I saw a face I didn't recognize. You drew a picture. Is this really enough to sound an alarm? Robert: Nobody knows more than Anna what this guy's capable of. Elizabeth: But all you have is a sketch of a man Anna thinks is dead, and you're gonna tell her he's pretending to be Duke? Robert: You got a point. You know, my ex is never crazy when I turn up. Back in the day, Lavery and I, we were adversaries. I never trusted him. But if I tell her that Lavery's Faison, well, I doubt she'll believe me. Worse, she might tell him. Olivia: And there's no telling what this Faison guy might do if he feels like he's threatened. Robert: I can't afford to tip him off. I got to get more proof. Duke: I seem different to you? How? Anna: I don't know. You're the man I loved and married and...eventually mourned. But just -- there's something that... it's like you're the same, but different all at once. I'm sorry. I really don't mean to hurt you. Duke: No, I want you to be honest with me. I want you to be honest with me. We can't move forward with secrets and lies. Anna: It's me. Maybe it's me. Having you back has just made me question everything that I knew. Because if I was wrong about you being dead, what else am I wrong about? Duke: Don't doubt yourself. You haven't changed, Anna. You're as intelligent and beautiful as you always were. I am the one who's changed. How could I not change? I've been rotting at a prison for 20 years. But the one thing that did not change was the love that I have for you. So please don't tell me that I fought my way back here to you... just for you not to want me. Not now. Anna: [Sobs] Duke: Please. Sam: This is Jason's son. Daniel Edward Morgan. A.J.: Daniel Edward. That's a good name. Sam: Danny, I'd like you to meet A.J. Can you say hi? A.J.: He's -- he's really beautiful. Jason must have been really proud. Sam: He was. Danny and I had a rough start, didn't we, Danny? But everything's gonna be okay. We are gonna wait patiently for your father to get home. A.J.: I really hope it won't be long. Sam: We'll wait as long as it takes. A.J.: So will I. Sam: Don't do that, A.J. Please. Stop. A.J.: Sam, listen to me. I really hope that Jason's alive. And I hope that he can come back. Look, I...I know I've got no right to ask this. But can I just hold Danny for a moment? When Michael was a baby, I didn't have much time with him. It would just mean a lot if I could just hold my brother's son. Please. [Knock on door] Dante: Police. Open up. A.J., I know you're in there. A.J.: [Sighs] Lulu: That bad, huh? What happened? Maxie: [Sniffles] Lulu: Talk to me. Maxie: [Voice breaking] I can't. Lulu: Well, you wouldn't be here if you didn't want to talk. I'm your friend, and I want to listen. What happened? Maxie: [Sniffles] Spinelli doesn't want me. He picked Ellie. Ellie: You're still here. Oh! Wonderful! Spinelli: How was your day? Ellie: Brutal. The centrifuge came off its axis. Don't ask. Uh, is Maxie home? Spinelli: Uh, um, she.. she went out. Ellie: [Sighs] I'm so glad. I was hoping that we could just cuddle on the couch and watch "return of the king." Spinelli: Maybe something a little more...current. Ellie: Okay. Sure. Uh, I DVRed a documentary on the collapse of apiary colonies. Spinelli: Perfect. Ellie: [Chuckles] How was your day? Michael: Dante's taking A.J. To the P.D. I'm gonna call Diane. Monica: Oh, no. No. Uh, Tracy's wrong about everything, but she's not wrong about the fact that I am his mother. You're not supposed to take care of A.J. I am. I will call Diane. Tracy: Fat lot of good that's gonna do. Face it. A.J. Is going to jail. And when he does, this house is gonna go on the auction block and I'll be able to buy it. And when I do, I will finally, after all these years, be able to evict you. A.J.: Come on, man. Is this really necessary? Dante: Yeah, it is. Standard procedure for people who jump bail. A.J.: So it doesn't matter that Tracy lied? Dante: I don't know. Tell it to the judge. Let's go. A.J.: Wait a second. Sam, thank you for letting me see my nephew. You and Danny always have a friend in me if you want one. [Door opens] [Door closes] Anna: You haven't lost me. I just need a little time. Can you give me that? Duke: You can have all the time in the world, Anna. Anna: Thank you. Duke: I know we'll be together in the end. I've always known that. Robert: I know this sounds demented, but demented is the way that this guy works. I got to prove he's alive, and I've got to do it soon because he's moving quick. And if Anna won't come to him on his timetable, he'll just take her.