Victoria leaves Newman, ending an era. Her decision to go to Jabot, has Jill screaming nepotism. Nikki with no qualms points out that she is also guilty of this. Adrian's book is about to be published , Colleen fears that it could destroy her family and Jana this too worries Kevin; she tries to convince him not to publish it and also gives Brad an advanced copy. Jana gets offered a job at the Newman Art Foundation. Glo and Jeffrey try to connect but it's intercepted by Jill. Adam is not happy about the Beauty of Nature ad being reduced in Restless Style and threatens to pull it. Victor asks Adam to move into Victoria's office ASAP while Sabrina tries to console him through this difficult time.
Phyllis: So remember how late it was when I crawled into bed last night? I was kind of working out the kinks on our web site. So I decided to have my kinks worked out at the spa today. Nick: Wow. A massage in the middle of the day. That's a good living. Hey, if any dude is gonna be putting his hands on you, that dude should be me. Phyllis: Oh, okay. I'll make sure that Olga knows that. Nick: Oh, Olga? Sure. (Cell phone beeps) Nick: Oh, it's from Victoria. "Very important. Meet me at Newman in 15 minutes." Phyllis: Uh-oh. Nick: Well, you know what that means? You're gonna have to, uh-- Phyllis: Oh, no. I don't wanna take the meeting with Adam. Can't Jack do it? Nick: Jack's busy taking pitches all morning. Phyllis: What about Sharon? Nick: Sharon's volunteering at Noah's school. Phyllis: Okay. No Olga. Nick: But... I'm gonna schedule you a 90-minute massage later and I'm gonna throw in a facial. How's that sound? Yeah? Love you. Phyllis: Hey, what about your coffee? Nick: It's all yours. [SCENE_BREAK] Adam: My, my, my. Don't go back to New York. Skye: Oh, what's there to stay here for? Adam: Well, you won all that money. Maybe this is your lucky town. Skye: Luck had nothing to do with it. (Cell phone ringing) Adam: Uh, hold on. Adam: Phyllis, good morning. Phyllis: Good morning. Um, listen, I was hoping we could move up our meeting. Adam: I thought I was meeting with Nick. Phyllis: Change of plans. Uh, 30 minutes okay? Adam: Yeah, that's fine. We're gonna have to make it the club instead of the office, though. It's a much more relaxed environment anyway, so... uh, I will see you in 30. Skye: Phyllis, whoever she is, in 30? Don't you move fast? Adam: Strictly business. Skye: Uh, please. You are one big "Tell." [SCENE_BREAK] Sabrina: Bonjour, mon chérie. Sabrina: Would you like some coffee? Victor: I'd love some. So what is on the agenda today? Sabrina: The agenda today? I'm interviewing assistants. Oh, my God, I have so much work to do. Victor: Mm-hmm. Sabrina: Because I have a boss who's relentless. Victor: Really? You have quite a workload, don't you? Sabrina: Yes, I do. Victor: There we go. Sabrina: You're still upset about Victoria leaving Newman, aren't you, Sweetheart? Victor: Yeah. Yeah. You know, it's a sad day when the son you didn't raise shows more promise than the two children you did. [SCENE_BREAK] Gloria: Stop trying to make me change my mind. I did think about it again last night, and I'm convinced more than ever. Half of everything goes to charity. And you make damn sure this donation can't be undone. Well, of course it should be anonymous. Don't want anybody to know-- Jill: Gloria? Gloria: I'll call you back. Jill: Hi, I'm sorry, you were on a call. Gloria: No, I'm done. Jill: Ah. Gloria: Now I do have a question for you. Jill: What is it? Gloria: A friend of mine would like to make a very sizeable donation to charity, anonymously. Jill: Why would this person wanna do it anonymously? Gloria: I guess they just don't want the glory, huh? Jill: That's noble. Gloria: I thought so. Jill: I have to warn you, though, when people dump huge sums of money, very often the motives can be a little shady. Gloria: Mm. I'll keep that in mind when I advise her. Jill: Mm. Gloria: I have a meeting. Bye. Jill: Gloria? Good to see you at work. [SCENE_BREAK] Colleen: Kevin? Kevin: Hey. Colleen: Hi. Can I talk to you for a second? Kevin: Yeah, yeah, what's up? Colleen: I'm worried. Kevin: Okay. No good conversations ever start that way. Come here. Colleen: It's Adrian's book about my grandmother and the art. It's about to be published and I've read it. Kevin: It's bad? Colleen: Yeah. Kevin: Well, you knew he was writing it. You helped him research it. Colleen: Yeah, I mean, at first, I just wanted my grandmother's story to be told. I mean, rescuing art that the Nazis stole, well, she's a hero, right? But then I was so angry with my father that... Kevin: What? Colleen: Kevin, I told him everything about everyone and I said Adrian could use real names. My father's, my grandmother's. Jana: (Giggles) Kevin: Jana. Damn it. Colleen: I'm sorry. I was angry and I-I did a stupid thing. I put so many people at risk. (Cell phone ringing) Kevin: God, that's mine. Hold on. Kevin: This is Kevin. Yeah, no, that's, uh, that's a coding issue. All right, I'm gonna have to check the C.V.S. repository. Can I call you back? All right. Jana: Listen to my horoscope. "Capricorn-- big changes on the horizon as you revisit something from your past." Kevin: Can we--can we cut the psychic crap for, like, a little while? Jana: What's wrong? Has something happened to you? Kevin: I... no, just all this new age stuff has--has-- has taken my mom to new heights of lunacy and, uh... and I'm tired of it, that's all. [SCENE_BREAK] Gloria: Hello, Nikki. Brad: Morning. Nikki: Bradley. Um, you're the first to know. Victoria will be starting work at Jabot. Brad: What? Nikki: And she'll be joining us very soon. Jill: What? Are we hiring someone? Nikki: Yes. Well, we already did. Victoria. Jill: Victoria left Newman? Brad: Yeah, you're as surprised as I am. Jill: When did this happen? Nikki: Very recently. Jill: Well, it must've been very, very recently, since this is the first I'm hearing of it. Nikki: I'm sending out a memo today. Jill: Victor let her go? Nikki: And Jabot snapped her up. Jill: Well, when your mom is the C.E.O., you've got the inside track. Nikki: Well, you would know that well, Jill. Jill: I look forward to your memo. Brad: Jill doesn't like surprises. Nikki: Well, she'll just have to get over it. Brad: Victor's loss is our gain. Nikki: From a business point of view. But from the family point of view? First Victor fires Nicholas, now Victoria has quit. What's going on over there? [SCENE_BREAK] Sabrina: The gallery is modern, yet sophisticated, right? Victor: Mm-hmm. Sabrina: Don't you think? Victor: Very. Very impressive. Very impressive indeed. Sabrina: (Sighs) you're still thinking about Victoria, aren't you? Victor: Mm-hmm. You know, I try to be a good father, a good employer. Unfortunately, neither Nicholas or Victoria see it that way. Sabrina: You know, maybe-- maybe they just need to find their own paths. Victor: That'd be all right. I would applaud that, except they left with such-- such anger. Sabrina: You know, I-I don't know Nick very well, so I can't judge, but Victoria? I can tell you, when we were living in Italy, she would talk about you constantly. She said how much she loved you. She adored you. But she also talked about how difficult it was for her to live in your shadow. Victor: You know, that's the funny thing. I just never meant for either one of my children to feel that way. I never did. Sabrina: I know. I know, but... in time, she'll know, too. You'll see. Victor: I've got to say I'll miss her. Sabrina: Oh. Victor? Sabrina: Mm-hmm? She's left your company, not you. Victor: It doesn't feel that way. Sabrina: Listen... Victor: Yeah? Sabrina: I hate to see you sad, my love. I hate to see you sad. But trust me, it's difficult when children-- grown-up children break away. You know, because sometimes they--they take it to an extreme and they break too hard. But something always brings them back. Love brings them back. [SCENE_BREAK] Nick: What happened? Victoria: Uh, I'm leaving. Nick: Dad fired you? J.T.: No, uh, he didn't fire her. She quit. Nick: Why? Victoria: You've been telling me to do this for months. Why are you so surprised? Nick: I guess because you actually did it. Victoria: I guess I'm tougher than you thought. [SCENE_BREAK] Kevin: You have to get your boyfriend to pull that book, kill it, or delay publication for, like, a hundred years. Colleen: How can I, Kevin? It'll ruin his career. Kevin: Well, this is gonna ruin our lives. Your grandmother, your father, my fiancée. Colleen: I feel nauseous just thinking about it. I have to tell him. Right, I'm gonna have to. Kevin: Ugh. No. Colleen: He just walked in, didn't he? Kevin: He sure did. Jana: Looking for Gloria? Jeff: No. Hardly. Making sure she's not here. Jana: That's quite sad, really. Jeff: What is? Jana: You. Pretending not to care, why you're obviously still in love with her. Jeff: Uh-- Jana: I'll get your lava java. Two sugars? Don't turn your back on love. Jeff: Turn your back on Gloria she'll stick an ice pick in it. [SCENE_BREAK] [Cell phone rings] Jeff: Jill, hi. Jill: Jeffrey, it's wonderful to hear from you. Uh, lunch? Yeah, that would be great. I'll see you there. Gloria: Just make sure the package goes out this afternoon, okay? Brad: Oh, uh, Jill, listen, I'm going to fee submitting a couple reports to you by the end of the week. Jill: Oh, what on? Brad: Well, one is a conceptual model for maximizing Fresh Faces' momentum. The other is an analysis of a relaunch for the men's line. Jill: You're going ahead with that? Brad: I think I am. I also think Victoria may be able to contribute something to it. Jill: When did you hear that she'd been hired? Brad: About one second before you did. Jill: Mm. Brad: Nikki is certainly surrounding herself with a loyal team, isn't she? Jill: Yeah. First the fiancé, now the first-born. So how do you feel about working with Victoria? I mean, she's your ex. Brad: She's smart, she's focused and she'll be out to prove a point. That's highly motivating. She could do nicely. Jill: You sound like you have reservations. Brad: She's newly married, new baby, recovering from her accident. Those are distractions. [SCENE_BREAK] Adam: Well, as far as surprises go, you showing up here ranks among the best. Skye: Aw, I know you love surprises. Adam: Um, well... Skye: Ah, that's her, huh? Adam: I told you, its business. Skye: What kind of business, lover man? Adam: (Laughs) advertising. Skye: Oh, okay. When you want a woman... Adam: Oh, come on! Skye: Yes! You used to sit in derivative securities, stare at me, and... Adam: Give me a break! Skye: You did! Adam: Well, it must've worked, 'cause I got you. Skye: Oh, well, sort of. Anyway... happy hunting. Skye: I'll be seeing you... whenever. Adam: All right. Skye: Okay. Adam: Have a safe trip. Skye: Thank you, Sweetie. Adam: Good morning, Phyllis. Phyllis: Hey. Adam: Sorry to keep you waiting. Phyllis: No problem. No problem whatsoever. Adam: What? Phyllis: Is that lipstick? Adam: Oh. Phyllis: Were you kissing someone, Adam? Adam: (Chuckles) Phyllis: Ooh! Adam: It was-- I was just saying good-bye to a friend. Phyllis: Oh, yes, yes, a "Friend." Yes, I know how that goes. Good for you. Adam: Not that I don't enjoy our chats, but, uh, what's up? The Beauty of Nature ad's good to go. Phyllis: Yeah, yeah, it looks great. Um, it's a placement thing. Adam: What kind of placement thing? Phyllis: Well, we had to change the layout. Adam: If that's code for you're moving our ad, then don't even think about it. [SCENE_BREAK] Sabrina: That sounds too high to me. Yeah, well, you know our limit. If it goes down, we're interested, and if it doesn't, we'll let it go. Mm-hmm. Thanks. Victor: I love the way you negotiate. Sabrina: Well, we have something in common, don't we? Victor: Mm-hmm. Neil: Ahem. (Knock on door) Neil: Hi. Uh, Sabrina, sorry for interrupting. Victor, I need your signature on these contracts for the Panama venture. I need to get 'em on a plane this afternoon. Victor: All right. Let's do it. Sabrina: Excuse me. Tout l'heure. Victor: Tout l'heure. Neil: Well... sorry about that interruption, but, um, you and Sabrina look very happy. Victor: She makes me very happy, Neil. Neil: Adam-- he's taking over the acquisitions. I still think that we should copy Victoria for awhile. What do you think? Victor: Not necessary anymore. Victoria is no longer working here. Neil: Victo--what-- what happened? Victor: I guess the fact that I gave more and more responsibility to my son Adam didn't sit too well with Victoria. She moved on. Neil: She moved on, just like that? Victor, I find that very hard to believe. She's a headstrong woman. She's your daughter. Victor: Yeah. And he's my son. Neil: And you-- you couldn't convince her to stay? I mean, she's an incredible-- she's a huge asset to the company. Victor: My relationship with Sabrina doesn't make her too happy, either. Neil: And that's why she left? Victor: It's certainly a contributing factor. But you know, in the end, it might be for the best. I think... she wanted to leave the nest and spread her wings and see how far she can fly without her father. Hopefully, eventually, she'll return to Newman. [SCENE_BREAK] Victoria: Well, strip away all the stuff, and it's just four walls and a floor. Pretty soon it'll be someone else's. Nick: Must be rough on you. For you, too. You won't get to come into work with Victoria and Reed anymore. J.T.: Yeah, I'm not thrilled about that part, but... you know, Victoria hasn't been happy here in a long time, and I wanna see my wife happy. (Cell phone ringing) J.T.: Oh, it's engineering. I'll, uh, I'll see you guys in a little bit. Hello? Yeah, be right there. Victoria: (Sighs) Nick: (Chuckles) Brash & Sassy. Victoria: Yeah. It's my first perfume. I was really proud of myself. Nick: You should be. Victoria: You know, I'm really gonna miss Beauty of Nature. And I'll just have to watch Adam ruin it. Nick: I'll make sure his "Restless Style" ads look great. Victoria: Okay, well... that's something, anyway. Nick: Hey, you know what? In a few months at Jabot you're gonna come up with some great new product, and it's gonna leave this and Adam in the dust. Just don't look back, all right? Victoria: Is that how it's been for you? Not looking back? Nick: Sometimes? You know, there's times when I think, uh, I think I've come up with this really great idea. And I'll say to myself, "Dad would really like this." Victoria: Yeah. Yeah, I know the feeling. Nick: Wanna know my nightmare? I'm 65 and, you know, graying, rockin' the paunch. Dad doesn't look a day older. And I'm still running to him for his approval. Victoria: (Laughs) yeah. I think we should start Newman anonymous. What do you think? I'll join if you do. Nick: Hey, one day, Adam will get tired of being controlled like we did, start asserting his independence, and the minute that happens, he's outta here. Victoria: Are we gonna let him into Newman anonymous? Nick: He's gonna be a member whether he likes it or not. [SCENE_BREAK] J.T.: Victor, it was a minor alarm glitch with the freight elevator and the loading dock, but I handled it. Victor: Yeah. J.T., there's something I wanna talk to you about. Um... your input has been invaluable. You've done a very good job. Um, I think it's best if you move on. J.T.: What, uh, what do you mean? Victor: Just what I said. I think it's best if you move-- move onto another company. J.T.: I'm being fired? Victor: Listen, your job requires a great deal of confidentiality. And you obviously know that your wife Victoria has decided to leave this company. Therefore, I think... that confidentiality will be severely compromised. J.T.: Well, then, Victor, you don't know me that well. Loyalty is not something I give away easily. And when I do, I'm a man of my word. Now if you're letting me go because you think I'm gonna leak sensitive information to Victoria, well, then you're losing two of your best employees in the same day. Victor: J.T.? Um... I like your attitude. I like that answer. I want you to stay. [SCENE_BREAK] Neil: Hey. Oh, fancy seeing you here. How you doing, Nick? Nick: Hey, Buddy. Neil: You know, Victoria, I heard the news. It can't be true. Victoria: Uh, yeah, it is. I'm leaving. Nick and I were just sitting here reminiscing about old times. Nick: All right, well, I gotta get back to work. I'll leave you guys to talk. Victoria: Okay. I'm glad you stopped by. Nick: You sure you're okay? Victoria: Mm-hmm. Nick: Call me if you need me, all right? Victoria: I will. Neil: Yeah. Well, uh... you know something? I can't even imagine Newman without you. Really. Victoria: Thank you, Neil. I need to do this, though. Neil: Maybe--maybe you could, uh, just take a sabbatical for awhile, you know? Work through whatever issues you've got, um... recharge the batteries, come back totally refreshed. Victoria: I don't think so. No, I-I-I took a job at Jabot. Neil: Jabot, of all places, huh? Victoria: Well, you know, it's a great opportunity. And it's a much better personal fit for me. Neil: Mm-hmm. I assume your father knows nothing about it? Victoria: No, not yet, no. But he will, I'm sure. Neil: Yeah. Well... I guess this really is good-bye. Victoria: Neil... no, I was never really good saying good-bye to you. Neil: (Laughs) Victoria: (Laughs) Neil: Too much history, huh? Victoria: Yeah. Neil: Yeah. Hey, um, I want you to know how happy I am for you. Seriously, personally, professionally, I'm happy that you found J.T. and from J.T. you have a beautiful baby Reed. Victoria: Yeah. You know, I always think about Eve on her birthday every year. Neil: Me, too. Hey. Oh, Sweetheart. I'm gonna miss you a lot. And I always pictured you in the big man's chair eventually. Victoria: I'm gonna miss you, too, Neil. And you know, maybe that chair was meant for you. [SCENE_BREAK] Colleen: Hi. Adrian: Hi. Colleen: So, I was, uh, talking to Kevin, and he and Jana are planning their wedding, so... Adrian: Well, they've come a long way, huh? Colleen: Adrian, I have some concerns about your book. Adrian: Great. Tell me. Colleen: You know how proud I am of your work, right? Adrian: I could not have done this without you. Colleen: I know. And I think I was wrong to do that. Adrian: To do what? Colleen: When I told you to go ahead with the story, to name names. I was angry with my father. Adrian: What, just because he bribed someone so that I wouldn't get a curator job and whisk you away to Paris? Is that why? Colleen: Look, it was wrong for him to interfere, I get that. But I was wrong to take it out on him that way. Listen, I don't know if there's an easy way to say this, but... Adrian? I don't think you should publish your book. [SCENE_BREAK] Jana: Would you like another? Jeff: Uh... Jana: Look, Jeffrey, I wanna talk to you a moment about Gloria. Jeff: Mm, nothing to say. Jana: God, won't you give her another chance? Jeff: Why should I? Jana: Because she gave me one. God, I caused her family a great deal of pain. Yet for Kevin's sake, she put all her feelings about me aside and she paid for my surgery. If it weren't for her, I probably wouldn't be alive. Jeff: That was decent of her. Jana: No, it was far beyond decent. Yeah, Gloria does have her faults, don't we all, Jeffrey? Jeff: Yeah, but-- Jana: You will not find a more loving, more giving person other than Gloria. And she's working so hard right now to change her karma and to really get in touch with her chi. Jeff: Whoa, no, Jana, I know you mean well, but these, uh, huggy-veggie buzzwords are lost on me. Jana: Love is not a buzzword! It's what we all want! It's what we all need! And you could even possibly have it with Gloria! Yet you're too bloody scared to even take a chance! [SCENE_BREAK] Adam: You want Beauty of Nature take a backseat to Forrester? Phyllis: Well, because' Forrester bought more ad space. That's why. Adam: We were on board way before Forrester ever came on board. We have a rate locked in, we have a position locked in. We had contracts signed. Phyllis: All right, all right, um, let's do this. Let's give you the top spot in our second issue at 10%. You know what? Let's make it 15%. Adam: You know, let's make it exactly what we signed for. Or I'll pull the ad for good. Never to return. Phyllis: Whoa. That's very harsh. You might wanna run that past Victoria. Adam: They're gonna side with me on this one. Phyllis: We'll see. Get back to me A.S.A.P. Adam: Anyway, I've got another meeting. Uh, thanks for breakfast. Hopefully next time we meet under less contentious circumstances. Phyllis: I hope so. [SCENE_BREAK] Sabrina: Wow. It looks different in here. Vicki, if there was something I could do or say to make things easier for you... I'm sorry things turned out like this. Victoria: Me, too. [SCENE_BREAK] (Knock on door) Victor: Come in. Nick: Did you know Vick's cleaning out her office today? Victor: No, Son, I didn't. Nick: You need to go and stop her. Victor: Why the hell are you concerned about that? You pushed her to leave. Nick: I know, but I changed my mind after seeing her. Victor: Really? Nick: Yes. Victor: Uh-huh. Nick: Dad, this is where her heart is. She's amazing at this job and she'll stay if you tell her you want her to. (Door opens) Sabrina: Victor? Sorry, if I'm interrupting, I'll come back. Victor: No, that's all right. Um, Nicholas was suggesting something. I listened and rejected it. Nick: You're never gonna change, Dad. Sabrina: Mm. Whatever I walked in on, it doesn't look good. Victor: And I thought you were interviewing applicants. Sabrina: Yes, yes, I am, but I wanted to tell you something personally. Victor: What? Sabrina: Good news. You won the auction. So congratulations, Monsieur. And I was right about the selling price. I love it when I'm right. Victor: That's wonderful. Sabrina: Something did happen. I walked in on-- I-I felt something was off. Victor: I don't want you to worry about that. It's nothing to do with you. I'm falling in love with you more and more, and that's all I'm thinking about right now. Sabrina: Really? Victor: Yes. Sabrina: How lovely. [SCENE_BREAK] Kevin: Well, he said he wanted a divorce. What's the hold up? Jana: The hold up is, he still loves her. Kevin: Jana, don't encourage this. Gloria: Did he tell you that, Jana? Jana: Not precisely. But he wants your love, Gloria, and he's just as afraid to be as vulnerable as you are. Anyway, I've got some errands to run, all right? See ya. Kevin: Mm. Jana: Good luck. Gloria: Kevin, give me that paper. I wanna read my horoscope, see what it says about love. Kevin: Ugh, not you, too. Wait a second. "Capricorn--take care of you've been avoiding the small stuff and it's catching up to you." Gloria: So? Kevin: So that's Jana's horoscope. It's not what she said it was. [SCENE_BREAK] Adrian: I'm a professor. We either publish or we perish. What do you want me to tell the publisher? "Oops! Changed my mind, sorry." Colleen: Adrian, this is my family. Adrian: Of course it is. I'd have to pay back my advance. Don't even get me started on my reputation. Colleen: Look, I realize that, okay? But you're calling all this attention to people that are still alive. Adrian: Yeah, it's better that way, Colleen. Colleen: Well, Adrian, not for my father. And not for Jana. Adrian: I stand by my research. I stand by my book. Colleen: Will you at least look at the sections that would cause the most trouble? I mean, maybe there's a different way to present them. Adrian: I got a class. I gotta run. Bye. Colleen: Bye. Kevin: How did that go? Colleen: Terrible. Kevin: All right, you know what we need to do? We, uh, we need to call Michael. Colleen: No, I have a better idea. I'm gonna find my father. [SCENE_BREAK] Brad: Thank you. Jill: Nikki? Would you please explain this? Nikki: Well, hello, Jill. I'm fine, thank you. This is an invoice from the new ad agency. Jill: Bauer and Milstein is our old ad agency and we axed them in '06. Brad: Well, I'm sure Nikki is aware of their internal issues. It was in all the trades. Nikki: Actually, I have that right here. As you can see, their problem stemmed from a senior partner who had a substance abuse problem. They bought him out and refocused their entire operation. Jill: This is their quote? Nikki: For the next three quarters. They are so anxious to regain the trust of the industry, David was able to negotiate an excellent rate. Jill: Next time, I would appreciate it if you would consult me, as well as your fiancé. Nikki: You know, let's talk about that. Do you think I'm packing the payroll? Because I would never, ever hire anybody as a favor, particularly in a key executive position. And David and I were colleagues long before we had a personal relationship. Jill: And Victoria just happens to be your daughter. Nikki: Once you get to see her in action, I know you will find her to be indispensable, just as I'm certain you find your son cane. [SCENE_BREAK] Colleen: Hi, Dad. Brad: This is a nice surprise. Colleen: Well, you might not think so in a minute. Brad: What's wrong? Colleen: An advanced copy of Adrian's book. Brad: So it's about to be released? Colleen: That is the plan. Brad: How bad is it? Colleen: Very bad. [SCENE_BREAK] Gloria: Hello. Jeff: Hi. Gloria: I didn't really like the way we left things at Katherine's yesterday. Jeff: Yeah, I didn't either. Gloria: In spite of everything, I think we deserve better from each other. Jeff: Mm. Careful, if we, uh, don't stop being polite, we won't want a divorce. Gloria: Is that what you want, Jeffrey? To divorce me? Jeff: Is it what you want? Jill: Hi, Jeff. Sorry I'm late. Gloria: Hey, Jill. Try the goat cheese omelet. It's wonderful. Jeff: Gloria? [SCENE_BREAK] Kevin: Hey, Jana, it's me. Um, so I just read your horoscope, the real one. Why don't you give me a call? [SCENE_BREAK] Sabrina: Art history degree and you've spent time in London, Milano, Roma. I'm quite impressed with everything else you said, and you understand a little French, which is a huge perk. You know what? I think you'd make a wonderful assistant. What do you say? Jana: You're offering me the job? Sabrina: Do you accept the offer? [SCENE_BREAK] Phyllis: This is not gonna replace 90 minutes of Olga. Nick: Oh, no, no, no, this is in addition to Olga. Phyllis: Mm. How's Victoria? Did you tell her that we can't wait until she comes back to beauty of nature? Nick: Well... that is not gonna happen. She... quit. Phyllis: Since when? Nick: Since she's packing up her office right now and going to work at Jabot. Phyllis: Oh, this is bad for us. Nick: How so? Phyllis: That means we're stuck with dealing with Adam, and it was no-go about, uh, changing that Beauty of Nature ad. I mean, he was a real jerk about it, so unless you can talk him into it, he's pulling it. [SCENE_BREAK] Victoria: Hi. Nikki: Hi. Victoria: So, um, I'm all yours. Nikki: Oh! I am a very lucky mom and a lucky boss. I know it was a difficult decision for you, but it was the right one. [SCENE_BREAK] Adam: What happened? Victor: Yeah. Victoria and I had a falling out. She left the company. I want you to have this office. Adam: Well, thank you, Sir. I-I would very much like that. Victor: I want you to move in right away. [NEXT_ON] Nikki: This is a new chapter in your life. Victoria: How the mother and the daughter teamed up to bury the father's company. David: Gimme two dimes on the reds. Brad: $25,000 if you can get him to bet big on a sure loser.