Nick's mind brings back a flood of good and bad memories, as he reveals to Phyllis that the crash caused him to regain his memory. Sadness also plagues Genoa City. Daniel says his tearful goodbyes, preparing to embark on an overseas rock 'n roll adventure with Danny. At Jabot the anniversary of Phillip Chancellor's death unleashes the worst from Kay and Jill. Cane experiences the wrath when he curiously asks to know more about his father. He grows impatient and angry with his loved ones' behavior and goes off chastising them for their inconsideration. Glo has bamboozled and truly is dead broke after she's informed that her diamonds aren't real. Kevin is swamped at the coffeehouse with Jana's absence and pleads for Mommy's help.
Jack: You know, the thing about the second issue is it has to top the first. I mean, even magazines have a sophomore slump. Sharon: Yeah. You know, I've been thinking about that faux fur piece. Even though we have it slotted to go in October, I think we should push it back a month. Jack: Nothing to worry about. Sharon: What do you mean? Jack: I already moved it to the Thanksgiving issue. Sharon: Oh, you mean, without letting Phyllis and Nick know about it? Jack: There's no need on something that simple. Sharon: Now, now, Jack, that's the very thing that you agreed you wouldn't do anymore is make unilateral decisions. Jack: I'll--I'll send them a memo with my strong recommendation in bold italics. Sharon: Okay. Well, maybe wait a day on that, though. Nick had a pretty rough night last night. Jack: I cannot imagine. Suddenly remembering your daughter's death? Sharon: It was like he was frozen in time. And he's relived her death all over again. Jack: Pretty rough night for you, too. Sharon: And as bad as it was, and it was bad, but... Nick's was worse. And I know this is gonna sound really strange coming from me, but I'm really glad that he has Phyllis right now. [SCENE_BREAK] Phyllis: Hey. I, uh... I have some coffee. Nick: Oh. Good. I guess I conked out here. Phyllis: Yeah. You did. You were completely out it, in your clothes--sorry-- when I got home, so I didn't have the heart to wake you. It was a--it was a tough day. Nick: It was a worse night. Phyllis: (Sighs) well, the coffee will help. Nick: After we got married, you used to bring me coffee with whipped cream in it. Phyllis: How do you remember that? You remember that? Nick: Something happened last night at the hospital after the accident. Phyllis: What? Nick: Well, in the bed next to me there was this family, and this--this little girl had this, uh, this stuffed animal and it was playing a lullaby. (Humming Brahms' "Lullaby") Nick: I used to sing that to Cassie. And when I heard that, I had all these images flash into my head. Learning about Cassie's car crash, the hospital, those last moments of her life. It's like every single terrible moment of my daughter's death-- I'm living it... all over again. [SCENE_BREAK] Kay: These are totally unacceptable. Jill: Top of the morning to you, too, Katherine. Kay: What about these administrative layoffs at Chancellor's? Do you know I hired half of those people in the '80s. They have families. They have mortgages. Jill: Since when are you such a softy? Kay: Well, I'm a realist, Jill. I am a realist. This is not the first downturn in the history of capitalism. What goes 'round comes around. Jill: What, are you worried that the competition's gonna steal our best people? Kay: Well, that's exactly what competition does. But then, I know you know that. Cane: All right, why has Grandma got her furious face on? Jill: Guilty conscience in action. Cane: I'm sorry? Jill: Nothing. Your grandmother's just got a keen sense of history, that's all. Cane: Yeah, I know. Today's the anniversary of Phillip Chancellor's death. Jill: How did you know that? Cane: I looked at, um, Grandma's calendar. There's a black square around it. Jill: God, after all these years, it's still tough on both of us. Cane: Mum, tell me about him. I wanna know more about my father. [SCENE_BREAK] Jana: 31 items, each one very crucial. Kevin: Here, give it to me. Jana: You won't read it. Kevin: I will. I will. But I am slammed through the weekend. Nikki wants this proposal first thing Monday morning. Jana: But I start my new job today. Kevin: I know, Baby, I know. And you appropriately arty. Jana: And in five hours, you're going to look hopelessly lost. You're going to miss me like crazy. Kevin: You know what? You are absolutely right, I am. Jana: Now take a look at this, I mean it. [SCENE_BREAK] Danny: Hey. Today's the big day. Daniel: Yeah, Europe and Asia, here we come. Danny: I know, uh, I know this can't be-- can't be easy for you. Amber: No, I'll--I'll be totally fine. I'm just--I'm really excited for Daniel. [SCENE_BREAK] Phyllis: Ahem. Phyllis: I-I... I-I don't know what to do. I mean, I wanna help you. I wanna do something for you. Nick: You're here with me now. That's a big something. It's big. I went to Cassie's grave last night. Phyllis: That's good. I'm glad you did that. Nick: Sharon went with me. It helped, you know, 'cause she's feeling the same things I am. You know how... when your kids are little, and you tell them that... that you'll always care for them and that you're not gonna let anything happen to 'em? And they believe you. You know, they look at you and they believe you. Phyllis: Nick, you... you were a wonderful father to Cassie. You were an incredible father to her. You're a wonderful father now. Nick: Noah was supposed to be with me last night. Nick: The passenger side of my car is totaled. My son could've been sitting there. It's all a lie. You know, it's a lie that we think that... that we can protect them, keep 'em safe. Phyllis: No one-- no one... no one that I know tries harder to be a good dad than you. You... you're an amazing father. You're an incredible man. You were incredible with Cassie. You are incredible with Noah and Summer. You're strong and you're kind and you're so loving with them. I'm--I'm proud that you're the father of my child. I didn't know Cassie very well, and I didn't know the two of you at--at that time very well, but I know that-- I know she felt loved and cared for every single minute, every single second of the day. I know she did. Nick: You know, I remember some-- some good things, too. Phyllis: Good. I'm glad. Like--like what? Nick: Like falling in love with you. [SCENE_BREAK] Danny: Belgium-- love Belgium. Great people. And then, of course, on to Asia. Daniel: And I am going to be photographing all of it. Um, how's the internet access there? Danny: Well, we're gonna be in major cities, so it shouldn't be a problem. Amber: You know what? We should set up a blog for you. You know, so--so he can document his trip. You know, uh, post pictures and stuff. This is such a great opportunity for him, getting to travel the world and making up for lost time with you. Danny: You know, Amber, you are extraordinary. I mean, most gals would be a little, you know, funny about their--their guy going off on tour with a rock band. You're extraordinary. Amber: Well, I'm not most girls, so... Jana: Poor Amber. Kevin: Lucky Daniel. Jana: You think if you were going away from me for months you'd be lucky? Kevin: He gets to see the world on a rock tour. It's like rock 'n' roll fantasy camp times a thousand. Gloria: I need a triple espresso and throw an extra shot in it, please. Kevin: Wow, you look awful. Jana: More nightmares? Gloria: My wide awake life is a nightmare. Kevin: Bardwell still plan on cleaning you out? Gloria: Yes, yes, yes. But I think I noticed a little halo in the mirror this morning. Jana: Aw, you're a real angel. Kevin: Those were some great charities, Mom. Gloria: Yeah, just remind me when I'm pushing my shopping cart down Main Street and talking back to the voices in my head. Jana: Well, you know, maybe Jeffrey will change his mind. Gloria: Ha. He's not even in town. Kevin: Where is he? Gloria: Oh, probably off playing doctor with his Korean bimbo. Jana: Then there's a chance he might not even show up at the hearing? Gloria: Yeah, and what, miss all the fun? He'll be there. Kevin: New subject. New subject, please. Gloria: All right, I'll be right back. Jana: Oh, God, it's obvious. Kevin: Yep. She is depressed. Jana: No. She misses Jeffrey. [SCENE_BREAK] Jill: I'm sorry, Honey, I have to sign all checks for capital expenditures over $50,000. Cane: That's okay. So, um, you were gonna tell me about my dad. Jill: Your dad. Your dad was so wonderful. I was really young when we met, you know, and... oh, then when he found out I was expecting you... we had this beautiful life planned together. If it hadn't been for your grandmother... Cane: Mum, they were married. Jill: No, he had divorced her, Cane, or he thought he had. Cane: Wait, wait, wait, wait, I don't understand. I'm not following this. Jill: All right, look, forgive me for what I'm about to say, okay? But in those days... your grandmother was a slobbering alcoholic. She was a falling down drunk. And she made your father's life a living hell. Cane: Doesn't it-- doesn't it bother you to talk about your own mother this way? Jill: My own mother? My own mother stole my son. She gave you away, Cane. We could've been a family. You could've had a real mother and a real father. If it hadn't been for your so-called drunken, alcoholic grandmother! Cane: You know what, Mum? Just don't worry about it. Okay, just don't worry about it. [SCENE_BREAK] Nick: You know, sometimes I think people can adjust to anything. Phyllis: Yeah, definitely. If going crazy is the only option, definitely. Nick: You know, all these memories-- they hit me like a tidal wave. And some of them are-- you know, pure agony. But some are really sweet, you know? Like Summer being born in an elevator. Phyllis: Yeah. Oh, yeah, she was super girl, definitely, at that time. Nick: I remember the smell of, uh, of the smoke in my beard when we got married in New Mexico. I remember our first kiss. Nick: I also remember that... you know, our... our affair hurt a lot of people. And that makes me sick, that I did that to people, but... its better knowing that Sharon's with Jack now and that they're really happy. Nick: I also really, really like the guy I am now, better than the guy I was before. And that is because of you. [SCENE_BREAK] Jack: I wanna be turning A-listers down. I want everybody to be begging to be on our cover. Right. See you then. Sharon: Very ambitious. Jack: We're only gonna be the best. By the way, I have a brilliant idea for the webzine. Sharon: Really? Details? Jack: That's all I'm letting out right now. Sharon: Oh, okay, 'cause I have ways of making you talk. Jack: Yes, you do, don't you? Sharon: Mm-hmm. Jack: Hey, there, Partner. Hear you had quite a night. How you doing? Nick: I'm good, thank you. Jack: Well, good is good. Nick: Yeah. Sharon, could I talk to you for a minute? Sharon: Sure. Nick: Excuse us. Phyllis: Yep. Jack: So, uh... I'm up to speed. How is he really doing? Phyllis: Um... it's overwhelming, to say the least. Jack: It's a lot to remember. Phyllis: You know, just because it's fresh for Nick doesn't mean it has to be fresh for all of us. Jack: It is what it is. That brought us all here-- you, me, Sharon, Nick. Here is pretty damn good. [SCENE_BREAK] Nick: So I wanted to apologize to you. Sharon: For what? Nick: Well, for last night. It must've been quite a shock. Sharon: Oh, well, Nick, I mean, having your memory come back all of a sudden-- that's gotta be really horrible and wonderful all at the same time. Nick: Yeah, I hated some of the things I did, like breaking up our family and remembering how Cassie died. But being able to remember every single moment I spent with our daughter-- I consider that a gift. That's how our beautiful little girl lives on. [SCENE_BREAK] Jana: Right, one more thing. You need to phone the roofer before those summer thunderstorms start coming in. Look, it's on your list. It's right there. Kevin: How about-- how about what time you're due at the gallery? Is that on the list, too? Jana: I'm not. They're putting polyurethane on the floors today, so you know what that means? It means I'm working at the ranch! Kevin: Dude, that place makes Mar-a-lago look like a cell at San Quentin. Jana: God, I've studied Victor Newman's art collection. I didn't actually think I'd be in his home! Gloria: Ah, the Newman ranch. Now I could go for a place like that. Kevin: Here we go. Gloria: I mean it. I could've bought a mansion if my soon-to-be-ex wasn't practically leaving me destitute. Kevin: Practically? I thought he was taking everything but the clothes off your back. Gloria: Mm. Not the diamonds I hid in the Caymans. Kevin: I forgot about those. Hey, what do you think that-- what do you think your diamonds are worth? A couple hundred grand? Gloria: The star of Marbella was worth $2 million when I got it. Kevin: $2 million? Gloria: Shh! [SCENE_BREAK] Danny: All right, listen, you keep this, and I gotta take care of a few things before we take off, and I'll see you over at the magazine. Daniel: Okay. Danny: Bye. Jana: Very impressive. That was better than what I could do. Amber: Um, I'm crying on the inside. No, make that screaming. Make that both. Jana: The universe is testing you, Amber. Amber: Really? Jana: Yeah. To prove that you and Daniel are meant to be together. Amber: Oh, well, that would be very bad news, because I never met a test I didn't suck at. Ugh. Jana: Right. Okay, now remember, the bakery is delivering on Monday, not Tuesday, and there's definitely something wrong with that espresso machine. Beware, 'cause it's absolutely bewitched, all right? Kevin: Okay, okay, look, while I appreciate your obsessive-compulsive tendencies, Baby, and I do, I was running this place long before I knew you, and, you know, it's--its coffee. It's not rocket science. Jana: Yes, my love, but you don't know the day to day details, do you? Kevin: Well, I'm sure I can muddle through. Gloria: Ah. Jana: Gloria, can I ask you a favor? Gloria: I'm not sure I'm speaking to you yet, but maybe. Jana: Okay, well, if Kevin needs assistance while I'm at my new job, can he call on you? Kevin: Huh? Gloria: You didn't hire somebody? Jana: Yes, I did, Isabel, the new barista, but it gets so crazy here during the lunch rush. Gloria: Sure, I'll lend a hand. Kevin: Oh, wow, wow, thanks, Mom, but this isn't a family business. Gloria: Just tell me, do I have to wear one of those... Kevin: No, no, you're not gonna have wear an apron, because I want you to promise me that no matter what, you will not come to work at my coffeehouse. I don't care if the line is out the door, down the street, all the way to Chicago, okay? [SCENE_BREAK] Kay: Did you rescind those layoff orders? Jill: Did you reassume your position as chairwoman of the board? Kay: Do it. Cane: Uh, Grandma? Kay: Hm? Cane: Are you in a hurry? Kay: (Sighs) no, not, uh, when you're involved. Cane: Because I was wondering if we could maybe just talk. Kay: About? Cane: About my father. Kay: Then you do know what today is? Cane: Yeah, I do. And I just, uh... I'd like to know more about the man. Kay: Well, let's find someplace that we can talk in private. You know, your father was a wonderful man, except when your mother was around. [SCENE_BREAK] Jack: Now this is great ad copy. Look at that. Sharon: Oh, yeah, I would buy that lip gloss. Jack: You'd look good in that lip gloss. Sharon: Mm. Let's show Nick. Nick. Phyllis: I love this layout. Nick: Yeah, it really pops. Phyllis: Yeah. Sharon: Hm. You know, Jack is doing something new for the webzine. Phyllis: Well, as long as we all like it, I'm for it. Nick: If I come in here one day and find it loaded without warning, then he's gonna find his password changed without warning. Daniel: Good morning, people. Amber: Hey. Jack: Hey. Nick: Hey. Sharon: Hey, our favorite tour photographer. Did you come to say good-bye? Daniel: Uh, pretty soon. Jack: You know what? I think this trip is gonna do wonders for you. I'm very happy you're going. I'll be happier when you're back home. Nick: And you are leaving behind quite a fan club. Come here, let me talk to you for a minute. Daniel: I wanted to talk to you, as well. Amber: It sucks that he's leaving us. Phyllis: Yeah, it sucks. Daniel: You know, uh, Mom told me. Nick: Yeah, those missing years are suddenly back. Daniel: Maybe it's not such a good idea for me to be taking off right now. Nick: No, Buddy, it's a great idea. You should go. But I really wanted to apologize to you for the way I treated you after Cassie's accident. It was awful, and, uh... I'm amazed that you'd even talk to me. Daniel: I hope you haven't forgotten how good you've been to me this past year, because I know I haven't. Nick: You don't have to worry about that. Daniel: Hey, uh, you do me a favor and take care of Mom while I'm gone? She's, uh, a little nervous about this whole thing. Nick: Well, truthfully, I'd be more nervous if she wasn't nervous about you going on a rock tour. Daniel: Good point. Nick: Look, man, be safe and smart, but see the world and have fun. [SCENE_BREAK] Kevin: Where are you off to? Gloria: Jewelry appraiser. Jana: Have fun, Gloria. Gloria: You bet I will. (Clicks tongue) Jana: You know, actually, I should go, too. How do I look? Kevin: You look hot. Jana: Yeah? Kevin: You're not nervous, are you? Jana: Oh, God, just brimming with excitement. I'm an assistant art curator! (Squeals) Kevin: You are supremely qualified for this job. Jana: Oh, thank you, Darling. I hate to leave your gorgeous face. You know, the lunch rush is about to come in. Where's Isabel? If anything goes wrong-- Kevin: It won't. Jana: If anything goes wrong, you promise that you'll phone me or at least if you won't phone your mum, just--just... phone me. Kevin: Because if something goes wrong, calling Mom would make the situation better? I don't think so. Go, get out of here. Jana: Okay, wish me luck! Kevin: Luck. Go. Jana: Yeah. Wait, one more, one more. Kevin: Okay, okay. Jana: Okay. Bye, Darling. Kevin: Bye. Kevin: Oh, okay, let the games begin. [SCENE_BREAK] Jill: Well, you finally justified your retirement, Katherine. Kay: What did I do? Jill: Just before you stepped down, you signed a construction contract to build a rail line in West Africa. Kay: Mm-hmm. Yes, I remember. And you advised against it. Jill: Oh, yes, because there were too many political risks. Kay: Well, the last time I heard, it was doing beautifully, all local workers, a boost to the economy. Jill: Well, you see, that's the operative word-- was. Small problem today. The government just nationalized the project. Kay: Well, that happens, Jill. That does happen. We'll get our money back. Jill: Well, I wouldn't be too sure. It's $20 million exposure. Kay: And I'm telling you I can handle these things. Jill: Oh, obviously! Kay: Please leave now. Kay: Please. [SCENE_BREAK] Daniel: Hey, uh, Jack? You know, my dad's gonna be here soon. Jack: Hard to believe, isn't it? The guy who used to deliver office mail is now Danny Romalotti's tour photographer. Daniel: Nothing like nepotism. Jack: (Chuckles) Danny: All right. Are you ready to roll? Daniel: Almost. Almost. Danny: Okay, you got it. Phyllis: Make sure he eats his broccoli. Danny: He's kinda past that, isn't he? Phyllis: Just watch out for him, please. Danny: Phyllis, he's a level-headed kid. You know that. Phyllis: He's about to enter the world of sex, drugs and rock and roll. He's not that level-headed. Amber: Eight cities in Europe and six in Asia? Huh. Hope you have an empty passport for all those stamps. Daniel: I know you wish you were going. Amber: Nah. Daniel: You know, it's okay to admit it. Amber: No, I'm good, really. Daniel: You don't have to say that. Amber: That sound you hear is the sound of me sucking it up. Daniel: You know, uh... Amber, if... you're still scared 'cause you think this is the beginning of the end for us, you might wanna say something. [SCENE_BREAK] Kay: Oh, there you are. Um... I want to, uh, tell you another story. I, um, I forgot to tell you. Cane: Yeah, about my mum or my dad? Kay: It's about your dad. Why in the hell would I want to tell you a story about your mother? So, anyway, in the old days, there was this, um, it was called the empire ballroom and all of the famous big bands used to play there. Your Harry James and your Dorseys, uh, Count Basie. Cane: Yeah, that was a little before my time, huh? Kay: Anyway, many a Saturday night your father and I would be dancing till the wee hours. He was quite a marvelous dancer. Jill: When you could tear yourself away from the bar long enough to dance with him. Kay: I wasn't drinking then. Jill: You were born drinking. Cane: That's-- that's enough. [SCENE_BREAK] Jack: Great. Thanks. My webzine idea just got a lot closer to reality. Sharon: Oh, when do I get to see it? Jack: Soon. I have about eight or ten things to take care of before it can happen. Sharon: Hmm. Someone's a little obsessed. Jack: You know what? Nick got a lot of credit for that first issue. The second issue? I want the publishing world-- no, I want the whole world to know-- your Jack Abbott is back. Come here, I wanna show you something. Sharon: Okay. Nick: You can focus? Phyllis: Why do you say that? Because I'm not grabbing my son's leg, wailing? Nick: Well, I'm proud of you. I know this isn't easy for you. Phyllis: I'm putting on my smiley face. See? My smiley face. Nick: It's a nice face. Phyllis: It's fine. Amber: I had the best bon voyage gift for you. A giant croquet mallet. Daniel: A giant croquet mallet? Amber: Yeah. You know, kinda like a whack-a-mole. You know, fend off groupies. You know, those little French girls in tight little French sweaters. And the Irish girls in the tight little Irish sweaters. And then the Asian girls in tight little Asian sweaters. Daniel: You know, um... that works both ways. I'm gonna be gone and there's gonna be plenty of good-looking male models running around this place. Amber: Won't even glance at his stuff. Daniel: You can-- you can check out their stuff. Amber: So can you, as long as both your hands are visible at all times. Daniel: Because we have to trust each other. Amber: Yes, like the paragons of trust. Daniel: Our histories haven't been so good. Amber: No. Daniel: But we can do better. Amber: Yeah. Daniel: We'll do better. [SCENE_BREAK] Gloria: Oh, my beauties! You are saving Mommy's life! (Cell phone ringing) Gloria: Hello? Kevin: I'm desperate. Gloria: Why, Angel, I thought that was my line. Kevin: No time for jokes, Mom. Isabel's down with a migraine. I am swamped. I cannot believe that I am calling you, but I'm calling you. Gloria: Mm. Oh, my. What are you going to do? Kevin: I'm waving the white flag, okay? Gloria: Why, Kevin, are you asking me for my help? Kevin: Yes, yes, Lauren is with Fen at the doctor, Michael is in court. I'm not asking you, I'm begging. Gloria: You made me promise not to help. Kevin: Mom, you owe me. Gloria: Oh, my, invoking maternal guilt? Kevin: So you'll come? Gloria: Of course. Right after I talked to the appraiser. Kevin: Talk fast! (Knock on door) Gloria: Okay. Gloria: Kelly? How nice of you to come. Kelly: Happy to appraise beautiful diamonds, and sometimes even offer to buy them. [SCENE_BREAK] Amber: You'll call? Daniel: Yes, and write and e-mail until you are sick of me. Jack: Great! She's committed. Phyllis: Who is committed? Jack: A huge webzine coup. Sharon: Even I don't know about it. Jack: I got Kathy Hilton to agree to a series of live chats on the web, red carpet style. We'll do hard copy promos and related sidebar. Phyllis: Wow. Great. Nick: Well, this is the first I've heard of it. Jack, we should talk about it. Jack: Sure. Danny: Daniel, are you ready to roll? Daniel: And rock. Danny: All right. Phyllis: Okay. So, uh, here we go. Um, just remember I told you, uh, to--to wear-- Daniel: Yeah, yeah, yeah, no new piercings, old piercings--whatever. No piercings. Gotcha. Phyllis: Yeah, in general. No piercings. And if you decide to get some body art, um, make sure it says "Mom." Daniel: Right next to the one that says "Amber." Amber: Come here. Daniel: Okay. Phyllis: Okay, that's-- that's--that's good. You get lots of hugs. Lots of hugs. I love you. Daniel: I love you, too. Phyllis: Have fun. Daniel: Thank you. Don't worry, okay? I'll be back. Jack: Go. Go. Go. Daniel: Looking forward to coming back. Danny: Let's go. Take care, Guys. Daniel: Here we go! Amber: Be safe, okay? Daniel: I'll be safe. Amber: Okay. Daniel: Let's do this. Amber: He's two seconds closer to coming home. Phyllis: Yeah, he is. [SCENE_BREAK] Kay: Ugh. My lead sheets never looked like this. Jill: I've modernized. Kay: Really? Well, be that as it may, I've got to remind you I made a fortune doing it the old-fashioned way. In a way that people could understand. Jill: Is there anything about me that you don't resent today? Kay: Why would I resent you, Jill? Jill: Because, Katherine, I fell in love with your husband. Kay: You mean, you stole my husband, would be more accurate. Jill: For God's sakes, in Katherine's world. Yeah, not in the real world! And in return, you undermine me. Kay: You call putting you in charge of Chancellor undermining you? Jill: Yes, I do, when you question me at every turn! Kay: That was input. Jill: That was grief. Kay: Oh, and you deserve it. In fact, you deserve it every day of the week ending in "Y." Jill: Do you see-- do you see how bitter you are? Kay: I'm bitter? (Laughs) you just cannot-- you--you--you-- you resent everything that I ever did, because I had what you wanted and your couldn't have. I have plenty of money. I have plenty of power. And I had a fabulous man-- a fabulous man who was in love with me! Jill: Was in love with you in the beginning! Oh, I'm sorry, whatever Phillip felt for you, you killed it long before you killed him! Cane: Enough! What is wrong with you two? This is ancient history! You think you screwed up each other's lives? What about me? What about me?! Jill: Sweetheart-- Cane: I don't wanna hear it, Mom! I can forgive, I can't forget, but I can forgive. And if I can forgive, why can't you two? I start the day, I wanna learn something about my father, instead I learn something about you. So let me give you some advice. Why don't you go to his grave? Why don't you go to the church? Why don't you go light a candle? Why don't you do something to honor the man? The man was my father. And I am disgusted and he would be disgusted and so should you two! [SCENE_BREAK] Kevin: All right, that was three nonfat, half-caf lattes, one no whip, six house blends, large, four cappuccinos, one mocha and one double shot of espresso. Man: Hey, Pal, you're out of cream. Kevin: All right, you know what? I gotta finish this order. I'll be with you in a second. Man: And I have to get back to work. Woman: Can I get change, please? Kevin: No, no, you can't. Man: Yo, the cream? Or do you need to go milk the cow? Kevin: Oh, hey, you know what? That's a good one. You know what? You are all just gonna have to wait like two minutes, all right? Come on! Come on! Great. Great. No more espresso for the day, all right? You needed change? [SCENE_BREAK] Gloria: I paid $2 million for that one. And I'm sure it's appreciated. Along with all the other ones. Tell me, Kelly, how well did I invest? Kelly: Not very. Gloria: Oh, come on, these stones have to be worth at least-- Kelly: Mrs. Bardwell, none of these are real diamonds. They're cubic zirconia. Gloria: Fakes? [NEXT_ON] J.T.: David's worst luck is wife number three still around to talk. David: From the club trainer? And Vegas doesn't know about this? Jill: We really didn't hire you to fight court battles or personal ones. Nikki: This has nothing to do with Victor.