My lower back, which I fractured from weariness back in early spring, is still in rehabilitation, but it’s mostly fine now. Health is number one. I’ve also started drinking aojiru. (Note: Vegetable juice made from green leafy vegetables.) - Thanks and about the next volume
I give thanks to Miyama Zero-sama and editor H-sama, for finally being able to surpass five volumes. Every time I oppai-oppai-talk to Editor-san, it’s “breasts this” and “breasts that”. When we went to a Yakiniku restaurant together, we also oppai-oppai-quarrelled. I amended and corrected in Akeno-san’s finger-sucking scene in volume 3, and the truth is I corrected Akeno-san’s scene in volume 4 as well. I remembered how to use Akeno-san in volume 5, so there were no corrections this time. This time I also wanted to do a “Ise powers up by sucking Buchou’s breasts!”, but since I couldn’t take out anything further from the fantasia collection, it was poking instead. But, it was Editor-san who said the absurdity first, requesting “Please put ero-material in the battle scenes” in volume 2. Thinking that “It’s fine as it is, though”, I wrote and sent in the stupid development where girls’ clothes are sent flying. Thinking that they’d definitely refuse it, I was told “The best! This is it, this!” and given an instant OK. That is the secret story of the creation of Dress Break. I’m glad that Dress Break was born. The support of it from the readers is also high. Consequently, the author and editor were both ero-ero too. However, I’ve finally gotten to the point of talking about breasts, but…What will become of this work? And Miyama Zero-sama. I sincerely apologise for always bringing out absurd settings and characters. But, I’m already filled with emotion from your wonderful illustrations in each volume. The perfection of your colour monochrome pictures is so high they make me tremble and shout “Amazing, amazing!” every time. All you readers, really, please read the short stories as well. Just looking at Miyama-san’s illustrations in the short stories make them plenty enjoyable. With one of Buchou as a little girl and of an attractive yuki-onna, you won’t get tired of looking at it. The front-piece illustration of Ise’s armour and Vali’s armour in volume 4 was really exciting. I was glad that transformation scene had been made, and I unconsciously gave a guts pose when I saw it. It’s obvious, but I always and strongly believe that High School DxD has managed to get this far with not just my power, but also thanks to the assistance I’ve had from Miyama-san and Editor-san from the beginning. When I think about it, I’ve managed to came so far, but it seems it will still continue for quite some time, so please continue your support! The next volume is about Asia. It ended with an incredible pull in volume 5, but it will become serious in volume 6. The volume of the second school term may become longer than the volume of the first term, but please continue your support!