Context: Outside of these genealogies, comics theorists and historians have seen precedents for comics in the Lascaux cave paintings in France (some of which appear to be chronological sequences of images), Egyptian hieroglyphs, Trajan's Column in Rome, the 11th-century Norman Bayeux Tapestry, the 1370 bois Protat woodcut, the 15th-century Ars moriendi and block books, Michelangelo's The Last Judgment in the Sistine Chapel, and William Hogarth's 17th-century sequential engravings, amongst others.[b]

Question: In France, what did historians find that they consider a precedent for comics?
Answer: Lascaux cave paintings

Question: What Michelangelo work do historians consider to be a precedent for comics?
Answer: The Last Judgment in the Sistine Chapel

Question: In Egypt, historians consider what to be a precedent for comics?
Answer: hieroglyphs

Question: In Rome, what do historians consider to be a precedent for comics?
Answer: Trajan's Column

Question: In France, what did historians find that they consider a irrelevant for comics?
Answer: Unanswerable

Question: What Michelangelo work do historians consider to be irrelevant for comics?
Answer: Unanswerable

Question: What Donatello work do historians consider to be a precedent for comics?
Answer: Unanswerable

Question: In Egypt, historians consider what to be irrelevant for comics?
Answer: Unanswerable

Question: In Rome, what do scientists consider to be a precedent for comics?
Answer: Unanswerable