Context: Beginning in the late 1950s and 1960s, architectural phenomenology emerged as an important movement in the early reaction against modernism, with architects like Charles Moore in the USA, Christian Norberg-Schulz in Norway, and Ernesto Nathan Rogers and Vittorio Gregotti in Italy, who collectively popularized an interest in a new contemporary architecture aimed at expanding human experience using historical buildings as models and precedents. Postmodernism produced a style that combined contemporary building technology and cheap materials, with the aesthetics of older pre-modern and non-modern styles, from high classical architecture to popular or vernacular regional building styles. Robert Venturi famously defined postmodern architecture as a "decorated shed" (an ordinary building which is functionally designed inside and embellished on the outside), and upheld it against modernist and brutalist "ducks" (buildings with unnecessarily expressive tectonic forms).

Question: When was the start of the  architectural phenomenology movement?
Answer: the late 1950s and 1960s

Question: What was  architectural phenomenology reacting to?
Answer: modernism

Question: What were the architectural phenomenologists hoping to expand?
Answer: human experience

Question: Who called postmodern architecture a "decorated shed"?
Answer: Robert Venturi

Question: What term did Venturi use for brutalist and mondernist buildings?
Answer: "ducks"

Question: When was the end of the architectural phenomenology movement?
Answer: Unanswerable

Question: What happened in the early 1950s?
Answer: Unanswerable

Question:  What was architectural phenomenology not reacting to?
Answer: Unanswerable

Question:  What were the architectural phenomenologists hoping to stay away from?
Answer: Unanswerable

Question:  Who called postmodern architecture a "decorated building"?
Answer: Unanswerable