Question: Who was the composer of String Quartet No. 3?

Answer: Carl Nielsen

Answer: Carl August Nielsen

String Quartet No. 3 (Husa)

String Quartet No. 3 (Rochberg)

String Quartet No. 3 (Carter)

The Third String Quartet by American composer Elliott Carter was completed in 1971. It is dedicated to the Juilliard String Quartet, and it was premiered in 1973. This quartet earned Carter his second Pulitzer Prize in Music in 1973.

String Quartet No. 3 (Piston)

String Quartet No. 3 by Walter Piston is a chamber-music work composed in 1947.

String Quartet No. 3 (Bacewicz)

String Quartet No. 3 is a 1947 composition by Polish composer Grażyna Bacewicz. The composition won the Polish Ministry of Culture Award in 1955.

String Quartet No. 3 (Rochberg)

String Quartet No. 3 (Rochberg)

George Rochberg's String Quartet No. 3 is an important piece in American contemporary music literature. Written in 1971 and premiered on May 15, 1972, by the Concord String Quartet, the third string quartet was an important move away from serialism for the American composer.

String Quartet No. 3 (Husa)

String Quartet No. 3 (Husa)

The String Quartet No. 3 is a composition for string quartet by the composer Karel Husa. It was first performed on October 14, 1968, at the Goodman Theatre, Chicago, by the Fine Arts Quartet, to whose members the work is dedicated. The piece won the 1969 Pulitzer Prize for Music.

String Quartet No. 3 (Babbitt)

String Quartet No. 3 (Babbitt)

String Quartet No. 3 is the third of six chamber-music works in the string quartet medium by the American composer Milton Babbitt.

String Quartet No. 3 (Britten)

String Quartet No. 3 (Britten)

String Quartet No. 3 in G major, Op. 94, by English composer Benjamin Britten was his last completed major work, and his last completed instrumental work. It was written in OctoberNovember 1975 during his final illness: the first four movements at his home, The Red House, Aldeburgh, and the fifth during his last visit to Venice, at Hotel Danieli. It was dedicated to the musicologist Hans Keller. In December 1975, brothers Colin and David Matthews performed it privately for the composer in a piano duet arrangement. During September 1976, Britten worked on it with the Amadeus Quartet; who premiered it on 19 December 1976 at The Maltings, Snape, two weeks after the composer's death.

String Quartets (Schoenberg)

String Quartets (Schoenberg)

The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime: String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936).

In addition to these, he wrote several other works for string quartet which were not published. The most notable was his early String Quartet in D major (1897). There was also a Presto in C major (c. 1895), a Scherzo in F major (1897), and later a Four-part Mirror Canon in A major (c. 1933). Finally, several string quartets exist in fragmentary form. These include String Quartet in F major (before 1897), String Quartet in D minor (1904), String Quartet in C major (after 1904), String Quartet Movement (1926), String Quartet (1926), String Quartet in C major (after 1927) and String Quartet No. 5 (1949).

Schoenberg also wrote a Concerto for String Quartet and Orchestra in B major (1933): a recomposition of a work by the Baroque composer George Frideric Handel.

String Quartet No. 3 (Brahms)

The String Quartet No. 3 in B major, Op. 67, was composed by Johannes Brahms in the summer of 1875 and published by the firm of Fritz Simrock. It received its premiere performance on October 30, 1876 in Berlin. It has four movements: 1. Vivace (B-flat major) 2. Andante (F major) 3. Agitato (Allegretto non troppo) — Trio — Coda (D minor) 4. Poco Allegretto con Variazioni (B-flat major) Brahms composed the work in Ziegelhausen, near Heidelberg, and dedicated it to Professor Theodor Wilhelm Engelmann, an amateur cellist who had hosted Brahms on a visit to Utrecht. Brahms was at the time the artistic director of the Vienna Gesellschaft der Musikfreunde. The work is lighthearted and cheerful, "a useless trifle", as he put it, "to avoid facing the serious countenance

String Quartet No. 3 (Revueltas)

String Quartet No. 3 is a chamber-music work written in 1931 by the Mexican composer and violinist Silvestre Revueltas.

String Quartet No. 3 (Husa)

The work won Husa the 1969 Pulitzer Prize for Music. The award brought international attention to Czech-born composer, who favorably recalled, "You have the confidence that what you are doing is somehow rewarded. That's a terrific feeling, of course. It gives you an incredible lift, and keeps you in a mood so that you can compose more."

String Quartet No. 3 (Mendelssohn)

The String Quartet No. 3 in D major, Op. 44, No. 1, was composed by Felix Mendelssohn(1809-1847) in July of 1838 at the age of 29. It premiered in 1839, then was published later in 1840. Quartet No. 3 in D minor a traditional quartet, comprising two violins, a viola, and a cello. The piece is part of the Op. 44 set of 3 string quartets that Mendelssohn dedicated to the Crown Prince of Sweden.

String Quartet No. 3 (Beethoven)

The String Quartet No. 3 in D major, Op. 18, No. 3, was written by Ludwig van Beethoven between 1798 and 1800 and published in 1801, dedicated to Joseph Franz von Lobkowitz. Although it is numbered third, it was the first quartet Beethoven composed.

String Quartet No. 3 (Piston)

Piston’s Third Quartet was commissioned by Harvard University and first performed by the Walden Quartet on May 1, 1947. It is dedicated to Diran Alexanian.

List of string quartet composers

1975): Movimento di quartetto (2004), La rosa que no canto (2006), Di tumulti e d’ombre. Studio per Faust (2011). ; Vivian Fung (born 1975): String Quartet No. 1 (the third movement, Pizzicato, may be performed as a separate work for string quartet; 2004), No. 2 (2009), No. 3 (2013), No. 4 (2019). ; David Philip Hefti (born 1975): Ph(r)asen – String Quartet No. 1 (2007); Guggisberg-Variationen – String Quartet No. 2 (2008); Mobile – String Quartet No. 3 (2011); con fuoco – String Quartet No. 4 (2011); Concubia nocte – Music for the Second Nocturnal Vigil – String Quartet No. 5 (2018). ; Svitlana Azarova (born 1976): Hotel Charlotte (2005), for

String Quartet No. 3 (Babbitt)

String Quartet No. 3 (Villa-Lobos)

String Quartet No. 3 ("Quarteto de pipocas"—"Popcorn" Quartet) is the third of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos, and was written in 1916. A performance lasts approximately twenty-three minutes.

String Quartet No. 3 (Oswald)

The String Quartet No. 3, Op. 39, by Henrique Oswald was composed in 1908. It is dedicated to Antônio Francisco Braga.

List of string quartet composers

3, op 15 (1919), No 4, op 16 (1923), No 6 (1927), No 5 (1931) ; Florence Price (1887–1953): Two string quartets (1929, 1935) and Five Folksongs in Counterpoint for String Quartet (1951). ; Ernst Toch (1887–1964): Thirteen string quartets, the first five now lost, and a brief Dedication for quartet. ; Fartein Valen (1887–1952): Two string quartets. ; Heitor Villa-Lobos (1887–1959): Seventeen string quartets between 1915 and 1957. ; Matthijs Vermeulen (1888–1967): One string quartet (1960–61). ; Johanna Beyer (1888–1944): At least four (1934, 1936, ?, 1943). ; Hugo Kauder (1888–1972): Nineteen string quartets. ; Ina Boyle (1889–1967): One string quartet (1934). ; Ethel Glenn Hier (1889–1971): Two string quartets.

String Quartet No. 3 (Babbitt)

The Contemporary Composer in the USA. Milton Babbitt: Quartet No. 3; Charles Wuorinen: String Quartet. Fine Arts Quartet (Leonard Sorkin and Abram Loft, violins; Bernard Zaslav, viola; George Sopkin, cello). LP recording, stereo, 12 in. Turnabout TV-S 34515. New York: Vox Productions, Inc., 1972. Reissued on CD, stereo. Music & Arts CD 707. Berkeley, California: Music & Arts, 1991.

String Quartet No. 3 (Revueltas)

Revueltas composed his third string quartet in the same year as his second, 1931, and the Cuarteto Clásico Nacional gave the first performance on 2 September 1931. Although the score was announced in 1958 as being "in preparation for sale", it was only finally published in 1995, fifty-five years after the composer's death and several decades after his other three quartets.

List of string quartet composers

3, Op. 20) ; George Enescu (1881–1955): Two string quartets (No. 1 in E and No. 2 in G, Op. 22 nos. 1 and 2, 1916–1920 and 1951). ; Nikolai Myaskovsky (1881–1950): Thirteen (1907–1949). ; Nikolai Roslavets (1881–1944): Five string quartets (1913, 1915, 1920, 1929–31, 1942, and a minuet (1907); only Nos. 1, 3 & 5, and the minuet, have been published as of 2015. ; Ignatz Waghalter (1881–1949): One string quartet, in D major, Op. 3. ; Karl Weigl (1881–1949): Eight string quartets: No. 1 in C minor (1903 or 1905); No. 2 in E (with viola d'amore) (1906); No. 3 in A major (1909); No. 4 in D minor

String Quartet No. 3 (Tchaikovsky)

The String Quartet No. 3 in E minor, Op. 30, by Pyotr Ilyich Tchaikovsky, was composed in 1876, and is the last of his three String Quartets. It was written as a memorial for Ferdinand Laub. (The date upon the manuscript is early February 1876. ) The quartet was performed for the first time at a party at Nikolai Rubinstein's apartment on March 2, 1876. The first public performance was at a concert on 30 March (new style/March 18 (old style), the performers being: Jan Hřímalý and Adolph Brodsky, violins; Yuly Gerber, viola; and Wilhelm Fitzenhagen, cello. Once, while Tchaikovsky was staying with some friends, they surprised him by bringing in a string quartet who performed this quartet for him. When they finished playing, Tchaikovsky remarked, "At first I didn't much like the Finale, but now I see that it is quite good." Recently, it was featured in the downloadable content Left Behind for the 2013 video game The Last of Us.


Question: Who was the composer of That's Right?

Answer: Johnny Cash

Answer: The Man in Black

Answer: John R. Cash

Answer: J. R. Cash

That's Right (album)

That's Right is an album by George Benson, originally released through GRP Records in 1996. That's Right was Benson's first album released on GRP Records after twenty years on Warner Bros. Records and produced by longtime producer, Tommy LiPuma. The cover photograph is by Andy Earl and captures Benson in Burnaby Street, Chelsea, London.

That's Right – You're Wrong

The Honeycombs

a lasting impression in Sweden, where they scored two No. 1 singles. The Honeycombs made many appearances on music television shows such as Top of the Pops, Ready Steady Go! (UK), Shindig! (US), and Beat-Club (Germany). The group also appeared in the 1965 film Pop Gear, miming "Have I the Right?" and "Eyes". In July 1965, British music magazine NME reported that it had been agreed in the London High Court that "Have I The Right?" was the work of Howard and Blaikley. Composer Geoff Goddard agreed to drop allegations that he, not they, had written the song. In August 1965 the group released "That's the Way",

Have I the Right?

In July 1965, the British music magazine NME reported that it had been agreed in the London High Court that "Have I the Right?" was the work of Howard and Blaikley. Composer Geoff Goddard agreed to drop allegations that he, and not they, had written the song. Goddard had been Meek's principal songwriter, but the two had fallen out. He claimed that the song was adapted from his earlier song "Give Me The Chance", but was too shy to testify in court.

Alan Blaikley

In the 1960s and 1970s, in collaboration with Ken Howard, Blaikley composed the music and words for many international top 10 hits, including two UK number ones, "Have I the Right?" (The Honeycombs) and "The Legend of Xanadu" (Dave Dee, Dozy, Beaky, Mick & Tich). Among other performers for whom they have written are Petula Clark, Phil Collins, Sacha Distel, Rolf Harris, Frankie Howerd (the theme song for his film Up Pompeii), Engelbert Humperdinck, Horst Jankowski, Eartha Kitt, Little Eva, Marmalade, The Herd, Lulu and Matthews Southern Comfort. Blaikley and Howard were the first British composers to write for Elvis Presley, including the hit "I've Lost You" (1970), which he later performed in the film That's The Way It Is.

That's All Right

That's All Right

"That's All Right" is a song written and originally performed by blues singer Arthur Crudup and recorded in 1946. The song was rereleased in early March 1949 under the title "That's All Right, Mama", which was issued as RCA's first rhythm and blues record on its new 45 rpm single format.

"That's All Right" is best known as the debut single recorded and released by Elvis Presley. Presley's version was recorded on July 5, 1954, and released on July 19, 1954, with "Blue Moon of Kentucky" as the B-side. It was ranked number 113 on the 2010 "Rolling Stone" magazine list of the "500 Greatest Songs of All Time".

Several rock critics also have pointed to Presley's version as a candidate for the first rock and roll record.

In July 2004, exactly 50 years after its first issuing, the song was released as a CD single in several countries, reaching number three in the United Kingdom, number 31 in Australia, number 33 in Ireland, and number 47 in Sweden.

Get Up and Boogie (song)

Get Up and Boogie (song)

"Get Up and Boogie" is a song by German disco act Silver Convention from their 1976 second album of the same name. The song was written and composed by Sylvester Levay and Stephan Prager, and produced by Prager. The song was released as the lead single from the album "Get Up and Boogie" (also titled "Silver Convention" in some countries) in 1976.

That's Right (You're Not from Texas)

That's Right (You're Not from Texas)

"That's Right (You're Not from Texas)" is a song written by Lyle Lovett, Willis Alan Ramsey and Alison Rogers and recorded by Lovett for his 1996 studio album "The Road to Ensenada". It was released as the album's fourth single on February 24, 1997.

Due to its use in a series of advertisements promoting Texas tourism, the phrase has also come to be used independently to describe the quirky and sometimes misunderstood attitudes associated with Texas.

That's Right – You're Wrong

That's Right – You're Wrong

That's Right – You're Wrong is a 1939 American musical film directed by David Butler and released by RKO Radio Pictures. The film stars Kay Kyser and his band, with a cast that included Adolphe Menjou, Lucille Ball, Edward Everett Horton, Roscoe Karns, and Ginny Simms (as herself). It was the first film to feature Kyser and his band, and its success led to their headlining several more pictures over the next five years. The title was a Kyser catchphrase, used on his radio show when a contestant correctly gave a wrong answer to a "right or wrong" question.

I'm Gonna Wash That Man Right Outa My Hair

"I'm Gonna Wash That Man Right Outa My Hair" is a song from the musical "South Pacific", sung by Nellie Forbush, the female lead, originally played by Mary Martin in the 1949 Broadway production. Her character, fed up with a man (Emile De Becque) and singing energetically in the shower, claims that she will forget about him. The song was written by Rodgers and Hammerstein in response to Martin's request. She had starred on Broadway for years and Martin suggested that she wash her hair on stage during the performance.

Who Dares Wins (film)

The score was composed by Roy Budd, while the song Right on Time, which is heard during the church scene was written by Jerry and Marc Donahue.

Codename: Rondo

The New York Times praised "That's Right," writing that "it’s both a classic pop singalong and, perhaps more innovatively, a stab at giving the blues a futuristic face lift."

Walt Levinsky

well-known production company specializing in TV music. Levinsky is credited on a 1976 album of music cues for The Price is Right, which includes much of the show's music that is still heard today such as the showcase showdown and various car cues. One of those cues, a Nashville Brass-style country music piece, became the theme to Family Feud; the 1988 version of this theme is still used today. The 1990s brought further success with a busy concert and touring schedule as bandleader and clarinet soloist with his Great American Swing Band. Levinsky died in Sarasota, Florida, aged 70, from a brain tumour.

Alan Blaikley

Alan Blaikley (born 23 March 1940) is an English songwriter and composer. He is best known for writing a series of international hits in the 1960s and 1970s in collaboration with Ken Howard, including the UK number ones "Have I the Right?" and "The Legend of Xanadu". Together with Howard, he has also written two West End musicals and a number of TV themes, including the theme music for the BBC's long-running series of Agatha Christie's Miss Marple.

That's Me Right There (EP)

On October 30, 2014, it was confirmed by Villegas via Twitter that the title of the EP would be That's Me Right There with a release date set for November 10. Its cover artwork and track listing were revealed the same day.

That's Entertainment! (album)

That's Entertainment! is a 1960 album by the American vocalist Judy Garland arranged by Jack Marshall and Conrad Salinger. Garland turned to her former MGM arranger Conrad Salinger for four full orchestra-backed songs, including the title track, “I’ve Confessed to the Breeze” from No, No, Nanette  and ”Alone Together” which was selected for The Band Wagon   but not ultimately used in the film.

That's Right (Three 6 Mafia song)

That's Right is the final single released by Three 6 Mafia from their July 19, 2008 studio album Last 2 Walk. It features Akon, and in the music video version, Jim Jones.

Nathan Wang

One Six Right (2005) (orchestrator) ; Sabrina: The Animated Series (composer: additional music) (22 episodes, 1999) ; ... a.k.a. "Sabrina" (USA: short title) ; "Anywhere But Here" (1999) TV episode (composer: additional music) ; Boogie Shoes (1999) TV episode (composer: additional music) ; Boy Meets Bike (1999) TV episode (composer: additional music) ; Extreme Harvey (1999) TV episode (composer: additional music) ; Feats of Clay (1999) TV episode (composer: additional music) ; The Last Days (1998) (associate composer) (orchestrator) ; Flesh Gordon Meets the Cosmic Cheerleaders (1989) (composer: additional music) ; ... a.k.a. Flesh Gordon 2 ; Soundtrack: ; Wo shi shei (1998) (writer: "Friendship") ; ... a.k.a. Jackie Chan's Who Am I? (USA: cable TV title) ; ... a.k.a. Who Am I? ; Hung fan au (1995) (writer: "You Are The One") ; ... a.k.a. Rumble in the Bronx (Hong Kong: English title) (USA) ; ... a.k.a. Hong fan ou (Hong Kong: Mandarin title) ; ... a.k.a. Red Bronx ; ... a.k.a. Zizanie dans le Bronx (Canada: French title) ; Actor: ; Who's Your Daddy? (2003/I) (V) .... The Arnold Horshack Experience 2000s 1990s 1980s

Sammy Fain

Everybody's Welcome (1931) - musical - composer ; Right This Way (1938) - musical - featured songwriter for "I'll Be Seeing You" ; Hellzapoppin' (1938) - revue - co-composer and co-lyricist ; George White's Scandals of 1939 (1939) - revue - composer ; Boys and Girls Together (1940) - revue - composer ; Sons o' Fun (1941) - revue - co-composer and co-lyricist ; Toplitzky of Notre Dame (1946) - musical - composer ; Alive and Kicking (1950) - revue - co-composer ; Flahooley (1951) - musical - composer ; Ankles Aweigh (1955) - musical - composer ; Catch a Star (1955) - revue - co-composer ; Ziegfeld Follies of 1957 (1957) - revue - featured songwriter for "An Element of Doubt" ; Christine (1960) - musical - composer ; Something More! (1964) - musical - composer ; Rock 'N Roll! The First 5,000 Years (1982) - revue - featured songwriter for "Love Is a Many-Splendored Thing" ; Swing! (1999) - revue - featured songwriter for "I'll Be Seeing You" ; Calamity Jane (2018) - musical - composer (first full staging in the NYC area)

Honeyburst

The song "Right Next To the Right One" was used as the title song for the Emmy Award winning DR1 drama series Nikolaj og Julie that was aired in 2002-2003. It became a national hit in 2002, a year ahead of Honeyburst's release. Christensen explains the match was made quickly: "The producer of the show called me, he said they liked what I was doing and wanted to know if I had a song they could use. At the time we had made demos one of which was "Right Next To the Right One". He told me what the series were about, and I said, 'I believe I

That's Right (Carl Perkins song)

"That's Right" is a 1957 rock and roll song written by Carl Perkins and Johnny Cash. The song was released as a single on Sun Records by Carl Perkins in August, 1957. "That's Right" was released as Sun 274, Matrix #U-259, backed with "Forever Yours", Matrix #U-258. The song was recorded at Sun Records studios at 706 Union Avenue in Memphis, Tennessee. "That's Right" was published by Hi-Lo Music while "Forever Yours" was published by Knox Music. The personnel on the session were Carl Perkins, vocals and guitar, Jay Perkins, guitar, Clayton Perkins, bass, and W.S. "Fluke" Holland on drums. Both sides failed to chart.

Milton Scott Michel

Charles Strouse's "Sixth Finger Theme", originally written for the play Sixth Finger In A Five Finger Glove, was used as the original theme music for The Price Is Right from 1956-1961.

Edd Kalehoff

Edward Woodley Kalehoff Jr. (born September 1, 1945) is an American television composer who specializes in compositions for television, known for his work on the Moog synthesizer. Kalehoff composed the musical themes to the game shows The Price Is Right and Double Dare, as well as for ABC World News Tonight and Monday Night Football.

Jerome Brailey

"Right Move" (Avco Records 1975)

Right (song)

"Right" is a song by English musician David Bowie from his album Young Americans, released on 7 March 1975. Recorded on 14–18 August and 20–24 November 1974 at Sigma Sound in Philadelphia, "Right" is the last of four tracks on side one of Young Americans, and the B-side of the single "Fame", released in August 1975.


Question: Who was the composer of Symphony No. 33?

Answer: Michael Haydn

Answer: Johann Michael Haydn

Symphony No. 33 (Haydn)

The Symphony No. 33 in C major (Hoboken I/33) is a festive symphony by Joseph Haydn. The precise date of composition is unknown. Haydn scholar H.C. Robbins Landon has dated this work to 1763–65. It has also been suggested that it was written in 1760 or 1761, along with Symphony no. 32.

Symphony No. 33 (Mozart)

Symphony No. 27 (Haydn)

In 1946, a copy of the symphony was discovered in the summer palace of Baron Samuel von Brukenthal near the city of Hermannstadt (now Sibiu in Romania). Originally thought to be an original discovery, the symphony briefly acquired the nickname Hermannstädter after it was recorded under that title by the Prague Symphony Orchestra with the Rumanian conductor Constantin Silvestri. Because of the political climate in Eastern Europe following the Second World War, it was some time before musicologists were able to examine the find and realize that the manuscript was a copy of a work that had already been published by Breitkopf & Hartel in 1907.

List of symphony composers

Le Flem (1881–1984), French composer of 4 symphonies ; Nikolai Myaskovsky (1881–1950), Russian composer of 27 symphonies, as well as 3 sinfoniette for strings. ; Nikolai Roslavets (1881–1944), Russian composer of 1 symphony and 1 chamber symphony ; Karl Weigl (1881–1949), Austrian composer of 6 symphonies ; Marion Bauer (1882–1955), American composer of 1 symphony ; Walter Braunfels (1882–1954), German composer of 1 symphony (Sinfonia brevis op. 69) plus a Sinfonia concertante for violin, viola, 2 horns and strings ; Alf Hurum (1882–1972), Norwegian composer of a Symphony in D minor (1927) ; Zoltán Kodály (1882–1967), Hungarian composer of

Symphony No. 4 (Nielsen)

Symphony No. 4, Op. 29, FS 76, also known as "The Inextinguishable" (Det Uudslukkelige), was completed by Danish composer Carl Nielsen in 1916. Composed against the backdrop of the First World War, this symphony is among the most dramatic that Nielsen wrote, featuring a "battle" between two sets of timpani.

Symphony No. 33 (Mozart)

Symphony No. 33 (Mozart)

The Symphony No. 33 in B major, K. 319, was written by Wolfgang Amadeus Mozart, and dated on 9 July 1779.

4′33″

4′33″

4′33″ (pronounced "four minutes, thirty-three seconds" or just "four thirty-three") is a three-movement composition by American experimental composer John Cage. It was composed in 1952, for any instrument or combination of instruments, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, although it is commonly perceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, "4′33″" being the total length of the first public performance.

Conceived around 1947–48, while the composer was working on "Sonatas and Interludes", It was also a reflection of the influence of Zen Buddhism, which Cage had studied since the late 1940s. In a 1982 interview, and on numerous other occasions, Cage stated that "4′33″" was, in his opinion, his most important work. "The New Grove Dictionary of Music and Musicians" describes "4′33″" as Cage's "most famous and controversial creation".<ref name="grove"/>

Symphony No. 1 (Mozart)

Symphony No. 1 (Mozart)

The Symphony No. 1 in E major, K. 16, is a symphony written in 1764 by Wolfgang Amadeus Mozart at the age of eight years. By this time, he was already notable in Europe as a "wunderkind" performer, but had composed little music.

The autograph score (handwritten original) of the symphony is today preserved in the Biblioteka Jagiellońska in Kraków.<ref name="B" />

Symphony No. 41 (Mozart)

Symphony No. 41 (Mozart)

Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. The work is nicknamed the "Jupiter" Symphony, probably coined by the impresario Johann Peter Salomon.

List of symphonies in C major

List of symphonies in C major

This is a list of symphonies in C major written by notable composers.

Symphony No. 30 (Haydn)

The Symphony No. 30 in C major, Hoboken I/30, is a symphony by Joseph Haydn composed in 1765, at the age of 33. It is nicknamed the Alleluia Symphony because of Haydn's use of a Gregorian Alleluia chant in the opening movement.

List of symphony composers

(1883–1964), English composer of 1 symphony, plus a Choral Symphony, composed in 1910 but not premiered until 2014. ; Joseph Matthias Hauer (1883–1959), Austrian composer of 1 symphony and 1 sinfonietta ; Manolis Kalomiris (1883–1962), Greek composer of 3 symphonies (No. 1, Leventia, for mixed chorus and orchestra, 1920, r. 1937, 1952; No. 2, Symphony of the Simple and Good People, for mezzo-soprano, mixed chorus, and orchestra, 1931; and No. 3, Palamiki, D minor, for reciter and orchestra, 1955) ; Paul von Klenau (1883–1946), Danish composer of 9 symphonies ; Alexander Krein (1883–1951), Russian composer of 1 symphony ;

List of symphony composers

Natra (born 1924), Romanian–Israeli composer of 3 symphonies and 1 symphony for strings ; Serge Nigg (1924–2008), French composer of 1 symphony (Jérôme Bosch, 1960) ; Mikhaïl Nosyrev (1924–1981), Russian composer of 4 symphonies ; Else Marie Pade (1924–2016), Danish composer of 2 symphonies ; Joly Braga Santos (1924–1988), Portuguese composer of 6 symphonies ; Ernest Tomlinson (1924–2015), English composer of 2 symphonies ; Yasushi Akutagawa (1925–1989), Japanese composer of 1 numbered symphony (1954), plus a Symphony "Twin Stars", for children (1957) and the Ellora Symphony (1958) ; Jurriaan Andriessen (1925–1996), Dutch composer of 8 numbered symphonies, plus a

List of symphony composers

sinfoniettas ; Vincent Persichetti (1915–1987), American composer of 9 symphonies ; Humphrey Searle (1915–1982), British composer of 5 symphonies ; Carlos Surinach (1915–1997), American composer of Catalan origin, he wrote 3 symphonies ; Denis ApIvor (1916–2004), British composer of 5 symphonies ; Karl-Birger Blomdahl (1916–1968), Swedish composer of 3 symphonies ; Houston Bright (1916–1970), American composer of 1 symphony ; Peter Crossley-Holland (1916–2001), British composer of 1 symphony ; Henri Dutilleux (1916–2013), French composer of 2 symphonies ; Einar Englund (1916–1999), Finnish composer of 7 symphonies ; Ellis Kohs (1916–2000), American composer of 2 symphonies ; Tolia Nikiprowetzky (1916–1997),

Symphony No. 34 (Haydn)

The scoring of the symphony is typical of Haydn in this period: two oboes, bassoon, two horns, strings and continuo.

List of symphony composers

Gregory Mason (1873–1953), American composer of 3 symphonies ; Henri Rabaud (1873–1949), French composer of 2 symphonies ; Sergei Rachmaninoff (1873–1943), Russian composer of 3 numbered symphonies, as well as the choral symphony The Bells, Op. 35 (1913); also symphonic is the unfinished Youth Symphony in D minor (1891)—see. ; Julius Bittner (1874–1939), Austrian composer of 2 symphonies ; Gustav Holst (1874–1934), English composer of a Symphony F major (The Cotswolds, 1900), as well as a First Choral Symphony (1924), for soprano, mixed chorus, and orchestra (fragmentary sketches also exist for a Second Choral Symphony); in addition, the composer also

List of symphony composers

1 symphony ; Cornelis Dopper (1870–1939), Dutch composer of 7 symphonies ; Emil Młynarski (1870–1935), Polish composer of a Symphony in F major (Polonia, Op. 14, 1910) ; Vítězslav Novák (1870–1949), Czech composer of two unnumbered symphonies (the Autumn Symphony, 1934, for mixed chorus and orchestra; and the May Symphony, 1943, for soloists, mixed chorus, and orchestra) ; Joseph Ryelandt (1870–1965), Belgian composer of 6 symphonies ; Florent Schmitt (1870–1958), French composer of 3 symphonies, chronologically as: a Symphonie concertante, for piano and orchestra (1932); a symphony for strings, Janiana (1941); and a "Symphony No. 2" (1957) ; Hermann Suter

Symphony No. 34 (Mozart)

Symphony No. 34 in C major, K. 338, was written by Wolfgang Amadeus Mozart in 1780, and completed on 29 August.

List of symphony composers

of 3 symphonies (the second for strings) and a Symphonie concertante for trumpet and orchestra ; Nicolai Berezowsky (1900–1953), Russian–American violinist and composer of 4 symphonies ; Willy Burkhard (1900–1955), Swiss composer of 1 symphony (Piccola sinfonia giocosa for small orchestra) ; Alan Bush (1900–1995), British composer of 4 symphonies ; Aaron Copland (1900–1990), American composer of 3 numbered symphonies, a Symphony for organ and orchestra (later arranged without organ as Symphony No. 1), and a Dance Symphony for orchestra. The fourth movement of No. 3 is based on his famous Fanfare for the Common Man ; Pierre-Octave Ferroud (1900–1936),

List of symphony composers

del mar" (1945) ; Hermann Wolfgang von Waltershausen (1882–1954), German composer of 1 symphony ; Paul Hastings Allen (1883–1952), American composer of 8 symphonies ; Sir Arnold Bax (1883–1953), English composer of 7 numbered symphonies, preceded by a Symphony in F major (completed piano score 1907; orchestrated in 2012–13 by Martin Yates); the tone poem Spring Fire (1913) is classified occasionally as an unnumbered, programmatic symphony. Bax also composed a Sinfonietta—see ; Alfredo Casella (1883–1947), Italian composer of 3 symphonies (No. 1, B minor, 1906; No. 2, C minor, 1909; and No. 3, titled Sinfonia, 1940) ; Sir George

List of symphony composers

are three additional symphonic projects in fragmentary form: No. 7, Sinfonia gaia (1936); No. 8 (1937); and No. 9 (c. 1930s) ; Cyril Rootham (1875–1938), English composer of 2 symphonies, of which the Second (The Revelation of St. John, 1938) is for orchestra and chorus ; Donald Tovey (1875–1940), British composer of a Symphony in D major (1913) ; Richard Wetz (1875–1935), German composer of 3 symphonies (No. 1, C minor, 1917; No. 2, A major, 1919; and No. 3, B-flat minor, 1922) ; Hakon Børresen (1876–1954), Danish composer of 3 symphonies (No. 1, C minor, 1901; No. 2,

List of symphony composers

Golubev (1910–1988), Russian composer of 7 symphonies ; Charles Jones (1910–1997), Canadian–American composer of 4 symphonies ; Erland von Koch (1910–2009), Swedish composer of 6 symphonies (No. 1, 1938; No. 2, Sinfonia Dalecarlica, 1945; No. 3, 1948; No. 4, Sinfonia seria, 1953, r. 1962; No. 5, Lapponica, 1977; and No. 6, Salva la terra, 1992); also symphonic is the Sinfonietta (1949) ; Rolf Liebermann (1910–1999), Swiss composer of 1 symphony ; Marijan Lipovšek (1910–1995), Slovenian composer of 1 symphony ; Jean Martinon (1910–1976), French conductor and composer of 4 numbered symphonies plus a sinfonietta and a Symphonie de voyages

List of symphony composers

Mihalovich (1842–1929), Hungarian composer of 4 symphonies ; Arthur Sullivan (1842–1900), British composer of 1 symphony ; Edvard Grieg (1843–1907), Norwegian composer of the Symphony in C minor (1864), as well as sketches for a second. ; Asger Hamerik (1843–1923), Danish conductor and composer of 8 symphonies ; Heinrich von Herzogenberg (1843–1900), Austrian composer of 8 symphonies ; Charles Lefebvre (1843–1917), French composer of 1 symphony ; Miguel Marqués (1843–1918), Spanish composer of 5 symphonies ; Hermann Graedener (1844–1929), German composer of 2 symphonies ; Émile Paladilhe (1844–1926), French composer of 1 symphony ; Nikolai Rimsky-Korsakov (1844–1908), Russian composer of 3 symphonies, the

List of symphony composers

minor, 1914; No. 2, My Country, D minor, 1919; No. 3, Song under the Stars, D-flat major, in one movement, 1929; and No. 4, Invocatio, D minor, for organ and orchestra, 1936) ; Albert Wolff (1884–1970), French conductor and composer of 1 symphony ; Julio Fonseca (1885–1950), Costa Rican composer of the "Great Symphonic Fantasy on folk motifs" ; Henri Collet (1885–1951), French composer of "Symphonie de l'Alhambra" (1947) ; Dimitrie Cuclin (1885–1978), Romanian composer of 20 symphonies ; Werner Josten (1885–1963), German–American composer of 1 symphony ; Otto Klemperer (1885–1973), German conductor and composer of 6 symphonies ;

List of symphony composers

earlier symphony (lost) ; Arnold Walter (1902–1973), Austrian–Canadian composer of 1 symphony ; Sir William Walton (1902–1983), English composer of 2 symphonies ; Meredith Willson (1902–1984), American composer of 2 symphonies ; Stefan Wolpe (1902–1972), German-born composer of a Symphony (1955–56) ; Sir Lennox Berkeley (1903–1989), English composer of 4 symphonies ; Boris Blacher (1903–1975), German composer of 2 symphonies ; Vernon Duke (1903–1969), Russian–American composer of 3 symphonies ; Antiochos Evangelatos (1903–1981), Greek composer of 2 symphonies and 1 sinfonietta ; Jerzy Fitelberg (1903–1951), Polish–American composer of 2 symphonies, plus a symphony for strings and a sinfonietta ; Vittorio


Question: Who was the composer of Symphony No. 8?

Answer: Einojuhani Rautavaara

Answer: Eino Juhani Rautavaara

Answer: Eino-Juhani Rautavaara

Symphony No. 8 (Dvořák)

The Symphony No. 8 in G major, Op. 88, B. 163, is a symphony by Antonín Dvořák, composed in 1889 at Vysoká u Příbramě, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Literature and Arts. Dvořák conducted the premiere in Prague on 2 February 1890. In contrast to other symphonies of both the composer and the period, the music is cheerful and optimistic. It was originally published as Symphony No. 4.

Symphony No. 8 (Sallinen)

The Symphony No. 8 Autumnal Fragments, Op. 81, is the eighth symphony by the Finnish composer Aulis Sallinen. The work was commissioned by the Royal Concertgebouw Orchestra and was completed in October 2001. Its world premiere was given by the Royal Concertgebouw Orchestra conducted by Paavo Järvi at the Concertgebouw on April 16, 2004.

Symphony No. 8 (Bruckner)

Robert Haas published his edition of the Eighth Symphony in 1939. He based it on the 1890 autograph but included passages from 1887 that had been changed or omitted. The Gesamtausgabe describes it as a "Mischform", or mixed form. Nevertheless, it remains a beloved and, perhaps, the most frequently played and recorded edition of the work. Haas argued that Levi's comments were a crippling blow to Bruckner's artistic confidence, even leading him to "entertain suicidal notions", although Haas had no evidence for this. This led, Haas maintained, to Bruckner's three-year effort to revise the Eighth Symphony and many of his earlier works. This line of thought supports Haas' editorial

Symphony No. 8 (Rautavaara)

Finnish composer Einojuhani Rautavaara wrote his Symphony No. 8, subtitled The Journey, in 1999. The total playing time is approximately 28 minutes.

Symphony No. 8 (Villa-Lobos)

Villa-Lobos composed his Eighth Symphony in Rio de Janeiro in 1950. It was first performed at Carnegie Hall in New York on 14 January 1955 by the Philadelphia Orchestra, conducted by the composer. The European premiere took place shortly afterward, on 15 March 1955 at the Salle Gaveau in Paris. The performers were the Orchestra of the Concert Society of the Paris Conservatory, conducted by the composer. The score is dedicated to the New York Times music critic Olin Downes.

Symphony No. 8 (Mahler)

Symphony No. 8 (Mahler)

The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer did not sanction that name – actually, he disapproved of it.<ref name="Carr206" /> The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910.

The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of style led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional: instead of the normal framework of several movements, the piece is in two parts ("1." and "2. Teil"). Part I is based on the Latin text of Veni creator spiritus ("Come, Creator Spirit"), a ninth-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe's "Faust". The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes.

Mahler had been convinced from the start of the work's significance; in renouncing the pessimism that had marked much of his music, he offered the Eighth as an expression of confidence in the eternal human spirit. In the period following the composer's death, performances were comparatively rare. However, from the mid-20th century onwards the symphony has been heard regularly in concert halls all over the world, and has been recorded many times. While recognising its wide popularity, modern critics have divided opinions on the work; Theodor W. Adorno, Robert Simpson, and Jonathan Carr found its optimism unconvincing, and considered it artistically and musically inferior to Mahler's other symphonies. Conversely, it has been compared by Deryck Cooke to Ludwig van Beethoven's Symphony No. 9 as a defining human statement for its century.

Symphony No. 8 (Dvořák)

Symphony No. 8 (Beethoven)

Symphony No. 8 (Beethoven)

The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as "my little Symphony in F", distinguishing it from his Sixth Symphony, a longer work also in F.

The Eighth Symphony is generally light-hearted, though not lightweight, and in many places loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four.

Symphony No. 8 (Mozart)

Symphony No. 8 (Mozart)

The Symphony No. 8 in D major, (K. 48), by Wolfgang Amadeus Mozart is dated December 13, 1768. It was written in Vienna, at a time when the family were already due to have returned home to Salzburg. In a letter to his friend in Salzburg, Lorenz Hagenauer, Leopold Mozart says of the delay that ""we could not bring our affairs to a conclusion earlier, even though I endeavored strenuously to do so.""

Symphony No. 8 (Schubert)

Symphony No. 8 (Schubert)

Franz Schubert's Symphony No. 8 in B minor, D. 759 (sometimes renumbered as Symphony No. 7, in accordance with the revised Deutsch catalogue and the Neue Schubert-Ausgabe), commonly known as the Unfinished Symphony (), is a musical composition that Schubert started in 1822 but left with only two movements—though he lived for another six years. A scherzo, nearly completed in piano score but with only two pages orchestrated, also survives.

It has been theorized by some musicologists, including Brian Newbould, that Schubert may have sketched a finale that instead became the big B minor "entr'acte" from his incidental music to "Rosamunde", but all evidence for this is circumstantial. One possible reason for Schubert's leaving the symphony incomplete is the predominance of the same meter (triple meter). The first movement is in , the second in and the third (an incomplete scherzo) again in . Three consecutive movements in basically the same meter rarely occur in classical symphonies, sonatas, or chamber works.

Schubert's Eighth Symphony is sometimes called the first Romantic symphony due to its emphasis on the lyrical impulse within the dramatic structure of Classical sonata form. Furthermore, its orchestration is not solely tailored for functionality, but specific combinations of instrumental timbre that are prophetic of the later Romantic movement, with astonishing vertical spacing occurring for example at the beginning of the development.

To this day, musicologists still disagree as to why Schubert failed to complete the symphony. Some have speculated that he stopped work in the middle of the scherzo in the fall of 1822 because he associated it with his initial outbreak of syphilis—or that he was distracted by the inspiration for his "Wanderer Fantasy" for solo piano, which occupied his time and energy immediately afterward. It could have been a combination of both factors.

Symphony No. 8 (Villa-Lobos)

Symphony No. 8 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1950. A performance lasts about 25 minutes

Symphony No. 8 (Bruckner)

As noted above, under the discussion of versions, Nowak left in 1955 an edition of the 1890 version and in 1972 an edition of the 1887 version.

Symphony No. 9 (Villa-Lobos)

Villa-Lobos composed his Ninth Symphony in Rio de Janeiro in 1952. It was first performed by the Philadelphia Orchestra, conducted by Eugene Ormandy. The score is dedicated to Mindinha (Arminda Neves d'Almeida), the composer's companion for the last 23 years of his life.

Symphony No. 8 (Piston)

The Symphony No. 8 by Walter Piston is a symphony dating from 1965.

Symphony No. 8 (Bruckner)

Bruckner began work on the Eighth Symphony in July 1884. Working mainly during the summer vacations from his duties at the University of Vienna and the Vienna Conservatory, the composer had all four movements completed in draft form by August 1885. The orchestration of the work took Bruckner until April 1887 to complete; during this stage of composition, the order of the inner movements was reversed, leaving the Scherzo second and the Adagio as the third movement. In September 1887, Bruckner had the score copied and sent to conductor Hermann Levi. Levi was one of Bruckner's closest collaborators, having given a performance of the Symphony No. 7 in Munich

Symphony No. 8 (Shostakovich)

The Symphony No. 8 in C minor, Op. 65, by Dmitri Shostakovich was written in the summer of 1943, and first performed on November 4 of that year by the USSR Symphony Orchestra under Yevgeny Mravinsky, to whom the work is dedicated. It was named the 'Stalingrad Symphony' by the USSR. The symphony does not appear on concert programs very often, yet many recent scholars have ranked it among the composer’s finest scores. Although some have argued that the work falls within the tradition of other C minor "tragedy to triumph" symphonies, such as Beethoven's Fifth, Brahms' First, Bruckner's Eighth, and Mahler's Second, there is considerable disagreement over the level of optimism present in the final pages. Shostakovich's friend Isaac Glikman called this symphony "his most tragic work". The work, like many of his symphonies, breaks some of the standard conventions of symphonic form and structure. Shostakovich clearly references themes, rhythms and harmonies from his previous symphonies, most notably Symphony No. 5 and Symphony No. 7.

Symphony No. 8 (Dvořák)

Dvořák composed and orchestrated the symphony within the two-and-a-half-month period from 26 August to 8 November 1889 at his summer resort in Vysoká u Příbramě, Bohemia. The score was composed on the occasion of his admission to Prague Academy and dedicated "To the Bohemian Academy of Emperor Franz Joseph for the Encouragement of Arts and Literature, in thanks for my election." Dvořák conducted the premiere in Prague on 2 February 1890. Dvořák tried to achieve a marked difference to his Symphony No. 7, a stormy romantic work. No. 8 would be: "different from the other symphonies, with individual thoughts worked out in a new way". The Eighth is cheery and lyrical and draws its inspiration more from the Bohemian folk music that Dvořák loved.

Symphony No. 8 (Davies)

The Symphony No. 8 (also called the Antarctic Symphony) is an orchestral composition by Peter Maxwell Davies, completed on 15 December 2001.

Symphony No. 8 (Piston)

The Boston Symphony Orchestra commissioned the Eighth Symphony and gave its first performance on March 5, 1965, conducted by Erich Leinsdorf, to whom the score is dedicated. Initially, Piston had preferred to write a flute concerto for the Boston Symphony's principal flautist, Doriot Anthony Dwyer, but Leinsdorf preferred a symphony. The concerto was eventually composed in 1971. According to another account, however, it was Piston himself who expressed a preference for a symphony.

Symphony No. 8 (Bruckner)

Anton Bruckner's Symphony No. 8 in C minor, WAB 108, is the last symphony the composer completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 at the Musikverein, Vienna. It is dedicated to the Emperor Franz Joseph I of Austria. This symphony is sometimes nicknamed The Apocalyptic, but this was not a name Bruckner gave to the work himself. In the article "The 20 Greatest Symphonies of all time" from BBC Music Magazine, this symphony is placed at the 13th position. Bruckner also holds the 20th place with his Symphony No. 7.

Symphony No. 8 (Glazunov)

Allegro moderato ( = 100) ; Mesto ( = 50–54) ; Allegro ( = 120) ; Finale: Moderato sostenuto ( = 66) The Symphony No. 8 in E-flat major, Op. 83, was composed by Alexander Glazunov in 1905, and was published two years later. This four-movement symphony (his last one) was premiered on December 22, 1906 in Saint Petersburg, the composer conducting. It was an important influence on Igor Stravinsky's Symphony in E-flat. It is in four movements:

Symphony No. 8 (Vaughan Williams)

Ralph Vaughan Williams's Symphony No. 8 in D minor was composed between 1953 and 1955. Sir John Barbirolli, its dedicatee, conducted the Hallé Orchestra in the premiere at the Free Trade Hall in Manchester on 2 May 1956. It is the shortest of the composer's nine symphonies, and is mostly buoyant and optimistic in tone.

Symphony No. 8 (Haydn)

Joseph Haydn wrote his Symphony No. 8 in G major under the employ of Prince Paul II Anton Esterházy in Spring 1761, in the transition between the Baroque and Classical periods. It is the third part of a set of three symphonies that Prince Anton had commissioned him to write – Le matin ("Morning"; No. 6), Le midi ("Noon"; No. 7) and Le soir ("Evening"; No. 8). He had given him as inspiration the three times of Day.

Symphony No. 8 (Simpson)

The Symphony No. 8 by Robert Simpson was completed in 1981 and commissioned by the Royal Philharmonic Society. The first performance was given at the Royal Festival Hall on 10 November 1982 by the Royal Danish Orchestra conducted by Jerzy Semkow. The work employs a large orchestra which includes two sets of timpani and four horns. It one of Simpson’s largest, richest and most complex scores. Prior to composing this work, Simpson had in mind to write a symphony for one particular listener and decided asked a close friend, painter Anthony Dorrell, to describe the kind of symphony he would

Symphony, D 708A (Schubert)

orchestral score for his seventh symphony, although piano sketches exist for the eighth. These four unfinished symphonies thus show how Schubert was, as he stated in a letter from the mid-1820s, preoccupied with "planning a path to [write] a grand symphony [plans he would realize in the ninth symphony]", with his string quartets, octet and these unfinished symphonies as intermediate steps in this plan. The unusually large number of unfinished symphonies on the way to the ninth from the sixth show how preoccupied he was with writing this great symphony, and how important this plan was to him. Schubert's reasons for abandoning D


Question: Who was the composer of Discipline?

Answer: Adrian Belew

Answer: Robert Steven Belew

Discipline (band)

Not to be confused with the mid-1981 lineup of King Crimson  Discipline is an American progressive rock band formed in 1987 by singer-songwriter Matthew Parmenter. Based in Detroit, Michigan the band has released five studio albums, two live albums, a live DVD, and a live concert motion picture. Discipline may be best known for their 1997 release Unfolded Like Staircase.

Discipline (Desmond Child album)

Arranged by Desmond Child and Jeffrey "C.J." Vanston ; Produced by Desmond Child and Sir Arthur Payson ; Recorded and engineered by Sir Arthur Payson ; Mixed by Brian Malouf; mix assistant: Pat MacDougall ; Mastered by Bob Ludwig

Discipline (Desmond Child album)

Discipline is the only solo album recorded by American songwriter and producer Desmond Child. It was released on Elektra in 1991 and features his longer take on "Love on a Rooftop", a song he wrote for Ronnie Spector's album Unfinished Business in 1987, later included in Cher's studio album Heart of Stone. Child's version reached number 40 on the US Billboard Hot 100. Bon Jovi guitarist Richie Sambora appears on the album; he co-wrote two tracks ("Discipline" and "According to the Gospel of Love"). Also notable is an appearance by Bon Jovi's drummer, Tico Torres. Songwriter Burt Bacharach co-wrote the song "Obsession", which peaked at number 19 on the Billboard Adult Contemporary chart.

Discipline (band)

Discipline was formed in 1987, adopting its name from an influential King Crimson album. The band have released multiple studio albums and appeared at several progressive rock festivals, including Nearfest, RoSfest, ProgScape, the Orion Studios progressive rock showcase, Summers End, Terra incognita, Veruno Prog Festival and six appearances at ProgDay. In addition, the band did a 1993 tour in Norway to support their first studio recording Push & Profit. The tour was organized by students of the Norwegian University of Life Sciences in Ås, Norway near Oslo. The band is best known for its 1997 album Unfolded Like Staircase. The band has remained independent since its inception. In 1995

Discipline of Love

"Discipline of Love" is a song by English singer Robert Palmer. It was released as a lead single from his eight studio album, Riptide.

Discipline (Desmond Child album)

Discipline (Desmond Child album)

Discipline is the only solo album recorded by American songwriter and producer Desmond Child. It was released on Elektra in 1991 and features his longer take on "Love on a Rooftop", a song he wrote for Ronnie Spector's album "Unfinished Business" in 1987, later included in Cher's studio album "Heart of Stone". Child's version reached number 40 on the US "Billboard" Hot 100. Bon Jovi guitarist Richie Sambora appears on the album; he co-wrote two tracks ("Discipline" and "According to the Gospel of Love"). Also notable is an appearance by Bon Jovi's drummer, Tico Torres. Songwriter Burt Bacharach co-wrote the song "Obsession", which peaked at number 19 on the "Billboard" Adult Contemporary chart.

Discipline (Janet Jackson album)

Discipline (Janet Jackson album)

Discipline is the tenth studio album by American singer-songwriter Janet Jackson. It was released on February 22, 2008 by Island Records. It is her only album released with the record label after her five-album deal with Virgin Records was fulfilled with the release of "20 Y.O." (2006). Jackson worked with producers such as Darkchild, Ne-Yo, Shea Taylor, Stargate, Johntá Austin, Jermaine Dupri, Tricky Stewart, and The-Dream on the album. Jackson's long-time producers Jimmy Jam and Terry Lewis did not contribute to the project. The album was executive produced by Island Urban president Dupri and Jackson. The album experimented with the electropop, house, and dance-pop genres and also contained R&B and hip hop-oriented tracks.

The album received generally positive reviews, with critics arguing that it was an improvement on Jackson's two previous albums. It debuted at number one on the US "Billboard" 200, becoming her sixth to top the chart, and her first number-one album since "All for You" (2001). However, sales of the album quickly fell, and by June, the album's promotion had officially ended. Jackson started her Rock Witchu Tour—with the support of Live Nation—in early September to positive reviews, but by the end of that month, Jackson parted with her record label due to the album's commercial failure. Four singles were released from the album: the lead single "Feedback" reached number nineteen on the US "Billboard" Hot 100, becoming Jackson's best charting single since 2001's "Someone to Call My Lover",<ref name=blender/> while the following singles–"Rock with U", "Luv" and "Can't B Good"–did not match the success of "Feedback".

Discipline and Punish

Discipline and Punish

Discipline and Punish: The Birth of the Prison () is a 1975 book by French philosopher Michel Foucault. It is an analysis of the social and theoretical mechanisms behind the changes that occurred in Western penal systems during the modern age based on historical documents from France. Foucault argues that prison did not become the principal form of punishment just because of the humanitarian concerns of reformists. He traces the cultural shifts that led to the predominance of prison via the body and power. Prison is used by the "disciplines" – new technological powers that can also be found, according to Foucault, in places such as schools, hospitals, and military barracks.

In a later work, "Security, Territory, Population", Foucault admitted that he was somewhat overzealous in his argument that disciplinary power conditions society; he amended and developed his earlier ideas.

Discipline Global Mobile

Discipline Global Mobile

Discipline Global Mobile (DGM, or Discipline GM) is an independent record label founded in 1992 by Robert Fripp (best known as guitarist and main composer for the band King Crimson) and producer/online content developer David Singleton. DGM has released solo music by Fripp as well as work by various affiliated musicians and bands including King Crimson, The Vicar, the California Guitar Trio and others. The label has offices in Salisbury, England, and Los Angeles, California.

DGM has aimed to be "a model of ethical business in an industry founded on exploitation, oiled by deceit, riven with theft and fueled by greed," according to Fripp. Its policy is that its artists retain all copyrights; consequently, even DGM's corporate logo is owned by its designer.<ref name="Fripp98a"/> The label was an early adopter of the digital download system. DGM's aims have been hailed as "exemplary", and the label has been credited with having expanded "the possibilities of experimental music" and having improved the environment for King Crimson.<ref name="Martin269"/>

The DGM label name is derived from the title of a 1981 King Crimson album ("Discipline") and from the name of Singleton's previous recording business (The Mobile). The label logo also partly reflects the artwork for the "Discipline" album (featuring a new but similar knotwork commissioned from the artist Steve Ball).

Discipline (King Crimson album)

Discipline (King Crimson album)

Discipline is the eighth studio album by English progressive rock band King Crimson, released on 22 September 1981 by E.G. Records in the United Kingdom and by Warner Bros. Records in the United States.

This album was King Crimson's first following a seven-year hiatus. Only band co-founder and guitarist Robert Fripp and drummer Bill Bruford remained from the previous incarnation. They were joined by two American musicians: guitarist, vocalist and lyricist Adrian Belew and bassist and backing vocalist Tony Levin. The album introduced a new sound for the band, influenced by new wave, post-punk and world music, while retaining an experimental character, helping lay the groundwork for what would eventually be known as post-progressive rock.

Discipline (band)

Discipline's style and genre has been variously described. The Detroit News described them as an "alternative band." However, the progressive rock website Prog Archives classifies Discipline as "Symphonic Prog". Doug Levy in Detroit's South End newspaper writes of Discipline, "this is not some kind of over-the-top theatrical rock troupe of sorts as much as it is a welcome merging of both art and tightly-knit (hence the name) modern rock." John Collinge, publisher of Progression Magazine, writes, "Discipline’s music demands focused attention—preferably with headphones and lyric booklet, at least on the first spin. Once you’ve locked into Parmenter’s vibe, strong melodies and gloriously edgy accompaniment seal the deal." Discipline is a registered trademark of Strung Out Records.

Discipline (Janet Jackson album)

Discipline is the tenth studio album by American singer Janet Jackson. It was released on February 22, 2008 by Island Records. It is her only album released with the record label after her five-album deal with Virgin Records was fulfilled with the release of 20 Y.O. (2006). Jackson worked with producers such as Darkchild, Ne-Yo, Shea Taylor, Stargate, Johntá Austin, Jermaine Dupri, Tricky Stewart, and The-Dream on the album. Jackson's long-time producers Jimmy Jam and Terry Lewis did not contribute to the project. The album was executive produced by Island Urban president Dupri and Jackson. The album experimented with the electropop, house, and dance-pop genres and also contained R&B and hip hop-oriented tracks. The album received generally positive reviews, with critics arguing that it was an improvement on Jackson's

Catholic Discipline

Catholic Discipline was an American punk rock (first-generation new wave) band, formed in 1979 in San Francisco, California, by Slash Fanzine editor Claude Bessy. The initial line-up of the band featured Bessy on vocals, Phranc on guitar, Rick Brodey on bass guitar, Richard Meade on keyboards and Craig Lee on drums.

Discipline (band)

Chaos Out of Order (1988) ; Push & Profit (1993) ; Discipline Live 1995 (VHS 1995) ; Unfolded Like Staircase (1997) ; Discipline. Live into the Dream... (1999) ; Discipline Live 1995 (DVD reissue 2005) ; Live Days (2010) ; To Shatter All Accord (2011) ; Chaos Out of Order – 25th anniversary reissue (2013) ; This One's for England (2014) ; Discipline Live in Gettysburg (motion picture 2015) ; Captives of the Wine Dark Sea (2017)

King Crimson

named the new quartet Discipline, and they went to England to rehearse and write new material. They made their live debut at Moles Club in Bath, Somerset on 30 April 1981, and completed a short tour supported by the Lounge Lizards. By October 1981, the band had opted to change their name to King Crimson. In 1981, King Crimson recorded Discipline with producer Rhett Davies. The album displayed a very different version of the band, with newer influences including post-punk, new wave, funk, minimalism, world music and African percussion. With a sound described in The New Rolling Stone Album Guide as having

Discipline (band)

was approached by the American progressive rock label Magna Carta Records and its European distribution partner Roadrunner Records (originally of the Netherlands). Although an early version of the band's epic "Canto IV (Limbo)" appeared on a Magna Carta sampler in 1995, the label deal fell apart due to artistic differences. Later Discipline signed a European distribution deal with Hungary's Periferic Records. In 2010 England's Cyclops/GFT label released "Discipline. Live Days," a double CD compilation pulled from several live concert recordings. In 2011 the band released To Shatter All Accord, their first studio album in fourteen years. Subsequently, in 2012, the band was featured on the cover of the Italian

Discipline (Janet Jackson album)

Burbank, Los Angeles, Las Vegas, Edina, Detroit, New York City, East Orange, Atlantic City, Atlanta and Miami. Jackson worked with producers such as Rodney Jerkins (who produced the lead single "Feedback" alongside D'Mile), Jermaine Dupri, Ne-Yo, Shea Taylor, Stargate, Johntá Austin, Tricky Stewart, and The-Dream. Jackson's long-time producers Jimmy Jam and Terry Lewis, did not contribute to the project. The album was executive produced by Island Urban president Jermaine Dupri and Jackson. She did not write or co-write any songs on the album, a departure from her usual practice of co-writing and producing all of the songs on her albums. The song "So Much Betta" contains sampled portions of the track "Daftendirekt" by the French house music duo Daft Punk.

Discipline (band)

Matthew Parmenter (1987–present) – vocals, keyboards, violin, saxophone, guitars ; Chris Herin (2014–present) – lead guitar ; Jon Preston Bouda (1987–2014) – lead guitar ; Mathew Kennedy (1988–present) – bass guitar ; Paul Dzendzel (1991–present) – drums ; Brad Buszard (1993–1995) – keyboards ; Dave Krofchof (1991–1993) – keyboards ; Woody Saunders (1987–1991) – drums ; Don Bakerian (1987) – backing guitar

Urban Discipline

Urban Discipline is the second studio album by American heavy metal band Biohazard, released on November 10, 1992 by Roadrunner Records. The intro to the song "Punishment" is from the 1989 film The Punisher starring Dolph Lundgren. A remastered edition featuring bonus tracks was released in 2007.

Kompressor (musician)

Kompressormusik (1998) ; World Domination (2001) Crush Television (2002) Underground Archives (2003) ; Discipline (2004) Discipline Remix CD (2005)    This two-CD set is the final release by Kompressor. It set contains 52 royalty-free audio tracks, which contain all sounds from Discipline and many World Domination and Crush Television sounds, including drums, synthesizers, vocoder, vocals, and processed/acoustic sounds. The CDs also contain 9 tracks of out-takes, unused synthesizer and drum tracks, and fragments of never-heard b-sides from Discipline.

Club Cheval

Culture scene. In September 2015, Club Cheval released "Discipline", title-track from the album, with a video directed by J.A.C.K, a French Award-winning duo behind the videos for Christine and The Queens and Madonna's "Living for Love". Taking place in a house party, the "Discipline" video sees the band "soundtracking a massive game of musical chairs". On February 4, 2016, radio host Zane Lowe premiered a new song, "Young, Rich and Radical" on his Beats1 show. Club Cheval subsequently announced the Discipline album release date for March 4, 2016. In an interview with FACT, Sam Tiba reveals that most of the vocals on the record are performed by the Miami-based artist Rudy, a reference singer for Chris Brown and The Weeknd.

Discipline (band)

Wonderous Stories and French magazine Koid 9. In 2013, after twenty-five years, the band reissued their first album Chaos Out of Order, originally released on cassette tape in 1988. In January 2014, the band released a double CD, This One's for England, recorded live in Gettysburg, Pennsylvania during their appearance at RoSfest in 2012. In 2015 Discipline performed at UK's Summers End music festival. Discipline performed at Italy's 2Days Prog+1 festival on September 2, 2017, billed as “the most important Prog Rock festival in Italy.” The band also played October 22, 2017, at Chicago's 3-day Progtoberfest. Discipline headlined the FestivAlterNativo music festival in Querétaro, Mexico August 25, 2018.

Discipline (Desmond Child album)

Desmond Child – lead vocals ; Joan Jett, Mark Free, Jesse Harte, Mitch Malloy, Kane Roberts, Rouge (Maria Vidal, Diana Grasselli, Myriam Valle) – backing vocals ; Vivian Campbell, Butch Walker, John McCurry, Steve Lukather, Richie Sambora – guitars ; Jeffrey "C.J." Vanston – keyboards, synthesizers ; Tony Levin, Abraham Laboriel – bass ; Vinnie Colaiuta, Tico Torres – drums ; Michael Fisher – percussion

Discipline (Janet Jackson album)

Discipline is a pop, electronic and R&B album with some house and hip hop-oriented songs. Lyrically, it explores erotic themes such as sexual fetishism and sadomasochism, along with other themes such as love and relationships. Throughout the album, Jackson interacts with a fictional DJ-robot Kyoko. The album opens with a 48-second spoken-word intro "I.D.", which is followed by the lead single "Feedback". "Feedback" is an electropop and dance-pop song which incorporates elements of Eurodance and hip hop. Its lyrical composition is based on Jackson's sexual bravado, questioning the listener while responding with a chant of "sexy, sexy". The song's chorus compares her body to instruments such as a guitar and amplifier, using metaphors to demonstrate sexual climax. It's followed by

Catholic Discipline

Past members ; Claude Bessy – vocals (1979-1980) ; Phranc – guitar (1979-1980) ; Craig Lee – drums (1979-1980) ; Rick Brodey (AKA: Rick Jaffe, Rick Morrison) – bass (1979-1980) ; Richard Meade – keyboards (1979-1980) ; El Vez (Robert Lopez) – keyboards (1980)


Question: Who was the composer of Cue Ball Cat?

Answer: Scott Bradley

Answer: Walter Scott Bradley

Alexander Laszlo (composer)

the 1940s he was music director at NBC Radio. In Hollywood from about 1944, he wrote the music for several films such as Charlie Chan and the Chinese Cat (1944), Scared Stiff (1945) and Yankee Kafir (1947). Also, The Great Flamarion (1945), The Amazing Mr. X (1949), Tarzan's Magic Fountain (1948), Night of the Blood Beast (1958), Attack of the Giant Leeches (1959), Beast from Haunted Cave (1959) and The Atomic Submarine (1959), and television series including Rocky Jones, Space Ranger and My Little Margie. He established a publishing company to collect ASCAP royalties under the name "Alexander Publications."

Zez Confrey

Edward Elzear "Zez" Confrey (3 April 1895 – 22 November 1971) was an American composer and performer of novelty piano and jazz music. His most noted works were "Kitten on the Keys" and "Dizzy Fingers." Studying at the Chicago Musical College and becoming enthralled by French impressionists played a critical role in how he composed and performed music.

The Aristocats

song was dropped when Elmira was removed from the story. Another deleted song was for Thomas O'Malley titled "My Way's The Highway", but the filmmakers had Terry Gilkyson compose the eponymous song "Thomas O'Malley Cat". Gilkyson explained "It was the same song, but they orchestrated it twice. They used the simpler one, because they may have thought the other too elaborate or too hot. It was a jazz version with a full orchestra." The instrumental music was composed by George Bruns, who drew from his background with jazz bands in the 1940s and decided to feature the accordion-like musette for French flavor. On Classic Disney: 60

Music of Denmark

One of the most universally known pieces of Danish music is the Jalousie 'Tango Tzigane' (1925) composed by Jacob Gade. It has been used in countless films, such as the classic Danish sex comedy I Tvillingernes tegn (1975), where it is the centerpiece of a big nude dancing production number set in the 1930s, and Sally Potter's The Man Who Cried (2000), with Johnny Depp playing a gypsy in the 1920s. A special position is occupied by Bent Fabricius-Bjerre (b. 1924), who has written music for Danish films and television series such as  Matador  in his highly individual style. The signature tune Alley Cat quickly won international success in the same class as Gade's tango.

Scott Bradley (composer)

Walter Scott Bradley (November 26, 1891 – April 27, 1977) was an American composer, pianist, arranger, and conductor. Bradley is best remembered for scoring the MGM Cartoon Studio theatrical cartoons, including those starring Tom and Jerry, Droopy, Barney Bear, Screwy Squirrel, George and Junior and many one-off cartoons.

Tom and Jerry filmography

Tom and Jerry filmography

This is a complete list of the 164 shorts in the "Tom and Jerry" series produced and released between 1940 and 2014. Of these, 162 are theatrical shorts, one is a made-for-TV short, and one is a 2-minute sketch shown as part of a telethon.

Glossary of cue sports terms

Glossary of cue sports terms

The following is a glossary of traditional English-language terms used in the three overarching cue sports disciplines: "carom billiards" referring to the various games played on a billiard table without ; "pool", which denotes a host of games played on a table with six pockets; and "snooker", played on a large pocket table, and which has a sport culture unto itself distinct from pool. There are also games such as English billiards that include aspects of multiple disciplines.
Section::::Definitions and language.
The term "" is sometimes used to refer to all of the cue sports, to a specific class of them, or to specific ones such as English billiards; this article uses the term in its most generic sense unless otherwise noted.

The labels "British" and "UK" as applied to entries in this glossary refer to terms originating in the UK and also used in countries that were fairly recently part of the British Empire and/or are part of the Commonwealth of Nations, as opposed to US (and, often, Canadian) terminology. The terms "American" or "US" as applied here refer generally to North American usage. However, due to the predominance of US-originating terminology in most internationally competitive pool (as opposed to snooker), US terms are also common in the pool context in other countries in which English is at least a minority language, and US (and borrowed French) terms predominate in carom billiards. Similarly, British terms predominate in the world of snooker, English billiards, and blackball, regardless of the players' nationalities.

The term "blackball" is used in this glossary to refer to both blackball and eight-ball pool as played in the UK, as a shorthand. Blackball was chosen because it is less ambiguous ("eight-ball pool" is too easily confused with the international standardized "eight-ball"), and blackball is globally standardized by an International Olympic Committee-recognized governing body, the World Pool-Billiard Association (WPA); meanwhile, its ancestor, eight-ball pool, is largely a folk game, like North American , and to the extent that its rules have been codified, they have been done so by competing authorities with different rulesets. (For the same reason, the glossary's information on eight-ball, nine-ball, and ten-ball draws principally on the stable WPA rules, because there are many competing amateur leagues and even professional tours with divergent rules for these games.)

Foreign-language terms are generally not within the scope of this list, unless they have become an integral part of billiards terminology in English (e.g. ), or they are crucial to meaningful discussion of a game not widely known in the English-speaking world.

Category:Films scored by Scott Bradley

Top Cat

Top Cat

Top Cat is an American animated sitcom produced by Hanna-Barbera Productions and originally broadcast in prime time on the ABC network. It aired in a weekly evening time slot from September 27, 1961, to April 18, 1962, for a single season of 30 episodes. The show was a ratings failure in prime time, but became successful upon its time on Saturday morning television. The show also became very popular in Latin American countries (especially Mexico), and the United Kingdom.

Ray Martin (pool player)

Ray Martin (pool player)

Ray Martin (born 1936) is an American professional pool player, nicknamed "Cool Cat". He acquired his nickname when he calmly won a world title in 1971 in California when during the event an earthquake was in progress.

Bruce Haack

scoring dance and theater productions, as well as writing pop songs for record labels like Dot Records and Coral Records. Haack's early scores, like 1955's Les Etapes, suggested the futuristic themes and experimental techniques Haack developed in his later works. Originally commissioned for a Belgian ballet, Les Etapes mixed tape samples, electronics, soprano, and violin; the following year, he finished a musique concrète piece called "Lullaby for a Cat". As the 1960s began, the public's interest in electronic music and synthesizers increased, and so did Haack's notoriety. Along with songwriting and scoring, Haack appeared on TV shows like I've Got

Ira Levin

Drat! The Cat! (1965) – lyricist and bookwriter

George Kleinsinger

George Kleinsinger (February 13, 1914, San Bernardino, California – July 28, 1982, New York City, New York) was an American composer. His works include his collaboration with Paul Tripp on the 1940s children's classical-music piece "Tubby the Tuba". He also wrote the music for the phonograph record Archy & Mehitabel and the Broadway musical Shinbone Alley, based on the record. For the last 25 years of his life, he was a resident at New York's famous Chelsea Hotel.

The Cat's Meow

Composer Ian Whitcomb's score was augmented by original recordings that were popular during the period in which the film takes place. These included "Avalon," "Toot Toot Tootsie," and "California, Here I Come" by Al Jolson; "Everybody Loves My Baby" and "Wild Cat Blues" by Clarence Williams; "Stumbling," "Say It With Music," "Somebody Loves Me," and "Linger Awhile" by Paul Whiteman; and "Wabash Blues" by Fletcher Henderson. In addition, Ian Whitcomb & His Bungalow Boys performed many tunes from the era, among them "Ain't We Got Fun," "I'm Just Wild About Harry," "St. Louis Blues," "A Pretty Girl Is Like a Melody,"

Top Cat: The Movie

The film's original score was composed by Leoncio Lara. The TV show's theme song was featured in the film. The song, "New York Groove" by Ace Frehley, was also featured in the film's trailer and end credits.

Irving Caesar

Irving Caesar (born Isidor Keiser, July 4, 1895 – December 18, 1996) was an American lyricist and theater composer who wrote lyrics for numerous song standards, including "Swanee", "Sometimes I'm Happy", "Crazy Rhythm", and "Tea for Two", one of the most frequently recorded tunes ever written. In 1972, he was inducted into the Songwriters Hall of Fame.

1912 in music

jazz singer and pianist (died 2007) ; October 21 ; Don Byas, jazz musician (died 1972) ; Sir Georg Solti, conductor (died 1997) ; October 24 – Peter Gellhorn, pianist, conductor and composer (died 2004) ; October 27 – Conlon Nancarrow, composer (died 1997) ; November 4 – Vadim Salmanov, Russian composer (died 1978) ; November 6 – King Kolax, jazz trumpeter (died 1991) ; November 11 – Larry LaPrise, creator of the "Hokey-Pokey" or "Hokey-Cokey" song and dance (died 1996) ; November 18 – Jimmy Swan, country musician (died 1995) ; November 21 – Eleanor Powell, dancer (died 1982) ; November 22 – Chick Henderson,

F. Henri Klickmann

Frank Henri Klickmann (February 4, 1885 - June 25, 1966), was a composer, songwriter, musician, and arranger of music from the 1900s to the 1940s. He composed over a hundred songs, including The Vamp, Walkin' the Dog, Kitten on the Keys, Some of These Days, Don't You Remember the Time, and Sweet Hawaiian Moonlight. During the 1920s, he was employed by Jack Mills Music, Inc.

Charles Albertine

Charles Albertine (February 24, 1929 – May 18, 1986) was an American musician, composer, and arranger of the space-age pop era. He is best known as an arranger for Les and Larry Elgart, Sammy Kaye, and The Three Suns, and as the composer of Bandstand Boogie. He also composed music for many television shows.

Gary Lucas

that coincided with the Captain Beefheart Weekend in Liverpool, England, where Lucas served on a panel at the participating Bluecoat Gallery. In collaboration with Dutch DJ/producer Co de Cloet, the final interview given by Don Van Vliet was set to music composed by Lucas. Titled "I Have a Cat," t was commissioned by Dutch national radio NPS where it was first broadcast in 1993. Later the project was released digitally by OkayMusic, and the pair performed the work live at the Zappanale in Germany as well as at the BimHuis in Amsterdam. On February 17th 2013, Lucas led the 65-piece Metropole Orchestra in

Cats (musical)

Shortly after the Sydmonton Festival, Lloyd Webber began setting the unpublished poems he had been given to music, a few of which were later added into the show. He also composed the overture and "The Jellicle Ball", incorporating analog synthesizers into these orchestrations to try to create a unique electronic soundscape. Meanwhile, Mackintosh recruited Nunn, the then artistic director of the Royal Shakespeare Company (RSC), to direct Practical Cats. Nunn was an unusual choice as he was considered "too high-brow" for musical theatre, but Mackintosh felt that a "pedigree" director was needed to ensure Valerie Eliot's approval of the project. After much persuasion, Nunn

Eric Ball (composer)

Eric Walter John Ball OBE (31 October 1903 – 1 October 1989) was a British composer, arranger and conductor of brass band music, described as "one of the most prolific writers and influential figures in the brass band and choral world".

Andrzej Włast

show The Wonder Bar. ... The original Polish text of Tango Milonga was written by Andrzej Włast (born Gustaw Baumritter, 1885–1941), one of the best-known lyricists of the interwar period, who wrote other hit tunes with melodies by Petersburski [such as] Już nigdy (Never Again) and Ja się boję sama spać (I’m Afraid to Sleep Alone), and by other Jewish composers, such as Henryk Gold (1899–1977; Szkoda twoich łez (Don’t Waste Your Tears)), Artur Gold (1897–1943; Przy kominku (By the Fireplace)), Zygmunt Białostocki (1897–1942; Rebeka), and Fanny Gordon (pen name of Fania Markovna Kviatkovskaia, 1904–1991; Pod samowarem (By the Samovar)).'" After the 1939 German invasion of

Pete Wendling

Pete Wendling (June 6, 1888 – April 7, 1974) was an American composer and pianist, born in New York City to German immigrants. He started his working life as a carpenter, but gained fame during the mid 1910s as a popular music composer - producing such hits as Yaaka Hula Hickey Dula, Take Me To The Land Of Jazz, Take Your Girlie To The Movies, Felix The Cat, and Oh What A Pal Is Mary. Wendling was also one of the top pianists of his era, and set a long-standing record when he appeared at the London Hippodrome for 8 consecutive weeks. He joined the Rhythmodik Music Roll Company in 1914,

DeWitt Bodeen

DeWitt Bodeen (July 25, 1908 — March 12, 1988) was an American film screenwriter and television writer best known for writing Cat People (1942).


Question: Who was the composer of One More Time?

Answer: James LaBrie

Answer: Kevin James LaBrie

Answer: 00219295358 IPI

Time UK (band)

One More Time (DRCD 041, Detour Records, 2002)

Nottz production discography

"One More Time"

One More Time (One More Time album)

One More Time is the second album by the Swedish pop group One More Time and was released in 1994. The album did not continue the international success of the group's first album, and One More Time did not enter the Swedish Albums Chart. Three songs were released as singles; "Song of Fête", "Get Out" and "The Dolphin". The first song was the only one that entered the Swedish Singles Chart, where it peaked at number 36. Dazzle Light was a re-recording of a song included on one of Sound of Music's album (both Peter Grönvall and Nanne Grönvall were members of Sound of Music and One More Time).

One More Time (Twice song)

"One More Time" was composed by Na.Zu.Na, Yu-ki Kokubo and Yhanael, with lyrics written by Natsumi Watanabe and Yhanael. Yhanael previously wrote the lyrics for Twice's "Like Ooh-Ahh (Japanese ver.)". The song enlists some 90's electronica vibes that deviate from the EDM with a combination of the blaring synths and loud bass.

One More Time (1970 film)

Slightly before the release of the film, per the era's customary timing, a novelization of the screenplay was released by Popular Library. The author was Michael Avallone.

One More Time (Daft Punk song)

One More Time (Daft Punk song)

"One More Time" is a song by the French electronic music duo Daft Punk, released as a single from their second studio album, "Discovery" (2001), on 13 November 2000. It is a French house song featuring a stylistically Auto-Tuned vocal performance by Romanthony. The music video forms part of the 2003 anime film, "". "One More Time" reached number one on the French Singles Chart, number two on the UK Singles Chart, and number 61 on the US "Billboard" Hot 100.

"The Village Voice"s Pazz & Jop annual year-end critics' poll named "One More Time" one of the best songs of the year. It was named one of the greatest songs of the decade by "Pitchfork", and "Rolling Stone" named it one of "The 500 Greatest Songs of All Time". "Mixmag" readers voted it the greatest dance record of all time.

One Last Time (Ariana Grande song)

One Last Time (Ariana Grande song)

"One Last Time" is a song recorded by American singer Ariana Grande for her second studio album "My Everything". It was written by David Guetta, Savan Kotecha, Giorgio Tuinfort, Rami Yacoub, and Carl Falk. The song was produced by the latter two, with Tuinfort serving as a co-producer and Ilya serving both as a co-producer and vocal producer. "One Last Time" was first released on the iTunes Store on August 22, 2014, as the second promotional single from the album. On February 10, 2015, the song was sent to contemporary hit radio as the fifth and final single from the album. A French version of the song featuring French singer Kendji Girac, alternatively titled "Attends-moi", was released on February 16, 2015, in France, Belgium and Switzerland. It is also included on the deluxe version of Girac's debut studio album "Kendji" (2015). An Italian version of the song featuring Italian rapper Fedez was released on May 26, 2015, only in Italy.

"One Last Time" is a dance-pop and EDM song. Its instrumentation consists of sampled drums and a synth line. The single reached the top-twenty in twelve countries, including Australia, Canada, France, the United Kingdom and the United States, where it became Grande's sixth top-twenty single on the US "Billboard" Hot 100. The single's peak of number 13 on the US "Billboard" Hot 100 ended Grande's streak of consecutive top ten hits from 2014. It was later certified platinum by the Recording Industry Association of America (RIAA) and Australian Recording Industry Association (ARIA).

The song's accompanying music video was released on February 15, 2015, and was directed by Max Landis. The music video is visually presented as a found footage, similar to Landis' previous work. The video faced controversy due to its similarity to the music video for the Australian band SAFIA's single "You Are the One", with Grande and Landis being accused of intellectual property theft. Grande promoted the song with a live performance on "The Tonight Show Starring Jimmy Fallon", the 2015 NBA All-Star Game halftime show, and during her first world tour, The Honeymoon Tour (2015).

Grande re-released "One Last Time" as a charity single in June 2017, following the Manchester Arena bombing at her concert the previous month. This resulted in the song reaching a new peak of number 2 on the UK Singles Chart following the One Love Manchester concert, as well as reaching a new peak of number 15 in the Irish Singles Chart and peaked at number one in Scotland. Grande donated all proceeds from the re-release to the We Love Manchester Emergency Fund to aid the victims of the bombing and their families. Overall, the song reached a top-ten peak in Belgium, the Czech Republic, France, Italy, Lebanon, the Netherlands, Slovakia, the United Kingdom and the top-twenty of Australia, Canada, Denmark, Ireland, Spain and the United States.

One More Time (Laura Pausini song)

One More Time (Laura Pausini song)

"One More Time" is a song by Richard Marx which he wrote for Laura Pausini. Later Marx recorded the song for his sixth studio album, "Days in Avalon". Pausini's version was originally released in 1999 for the movie "Message in a Bottle".

The song is available on both Pausini's greatest hits compilations, """" and ""20 - The Greatest Hits"".

The song was performed live during Pausini's third world tour. Live versions were included on Pausini's first DVD. There is a little-known video clip of an acoustic performance of the song included on Pausini's now-discontinued Video Collection.

...Baby One More Time (song)

...Baby One More Time (song)

"...Baby One More Time" is the debut single of American singer Britney Spears from her debut studio album of the same title (1999). It was written by Max Martin and produced by Martin and Rami. Released on September 28, 1998, by Jive Records, the song became a worldwide hit, topping the charts in at least 22 countries, including the United Kingdom, where it earned triple-platinum certification from the British Phonographic Industry (BPI) and was the country's best-selling single of 1999. The song is one of the best-selling singles of all time, with over 10 million copies sold.

An accompanying music video, directed by Nigel Dick, features Spears as a high school student who starts to sing and dance around the school, while watching her love interest from afar. In 2010, the music video for "...Baby One More Time" was voted the third most influential video in the history of pop music, in a poll held by Jam!. In 2011, "...Baby One More Time" was voted by "Billboard" to be the best music video of the 1990s. It has been featured on all of her greatest hits and other compilation albums. In 2020, "Rolling Stone" named "...Baby One More Time" as the greatest debut single of all time.<ref name=rsdebut/> In 2021, the song was ranked at number 205 on the list of "Rolling Stone"s 500 Greatest Songs of All Time.

Spears has performed "...Baby One More Time" in a number of live appearances and during all of her concert tours. The song was nominated for Best Female Pop Vocal Performance at the 42nd Annual Grammy Awards (2000), and has been included in lists by "Blender", "Rolling Stone" and VH1. It has been noted for redefining the sound of late 1990s music. Spears has named "...Baby One More Time" as one of her favorite songs from her catalog. It was also the final song to be played on the BBC's music programme "Top of the Pops" in the 1990s. It is also featured in the 2011 dance video game by Ubisoft, "Just Dance 3". In 2018, readers of German teen magazine "Bravo" voted "...Baby One More Time" to be the biggest hit since its first music compilation was released in 1992.

One More Time (band)

One More Time (band)

One More Time is a Swedish pop group, formed in 1991. Its members are Peter Grönvall, his wife Nanne Grönvall and Maria Rådsten.<ref name="LarkinHR"/> A fourth member, Thérèse Löf, left the group shortly after the first album was released.

In 1992, they began their international career with the release of the single "Highland",<ref name="LarkinHR" /> which peaked at No. 1 in Belgium, No. 2 in Sweden, and the top 80 in several countries in Europe, such as the Netherlands, UK and Germany. The "Highland" album, on which the single was featured, went gold in South Africa. Their second self-titled album, which followed in 1994, was not as successful as the previous album. But the third album, their first in Swedish, was a successful reentry to the Swedish charts in 1996. They also released an English version of the album. The group toured frequently in Europe for several years, but in 1998, they decided not to tour abroad anymore, since they wanted to be present at home for their, by that time, small kids.

In the summer of 2021, One More Time announced that the band will reunite after a 24-year break.

Nanne Grönvall has had a successful solo career in Sweden since her first solo album was released in 1998.

Peter Grönvall is the son of ABBA's Benny Andersson.<ref name="LarkinHR"/>

One More Time (2015 film)

The film was released on April 8, 2016, by Starz Digital.

One More Time (Twice song)

Credits adapted from CD single liner notes.

One More Time (1931 song)

"One More Time" is a popular song, one of the last written by the songwriting team of DeSylva, Brown, and Henderson. It was published in 1931. It was the last song recorded by Bing Crosby as a big band singer, before becoming a soloist. Crosby recorded the song for Victor Records with Gus Arnheim and his orchestra on March 2, 1931. The recording was very popular and reached the charts of the day.

One More Time (Real McCoy album)

From discogs.

One More Once

One More Once is a 1994 album by the Latin jazz pianist Michel Camilo.

One More Time (1970 film)

The film was released on DVD on January 25, 2005.

One More Time (Real McCoy album)

Olaf Jeglitza (O-Jay) ; Vanessa Mason ; Lisa Cork

One More Time (Canadian TV series)

One More Time was a Canadian music television series which aired on CBC Television from 1969 to 1970.

One More Time (Daft Punk song)

One More Time (One More Time album)

1) Symphony of Doom ; 2) Get Out ; 3) The Dolphin ; 4) Anguish Kept in Secrecy ; 5) Song of Fête ; 6) Time ; 7) Moments of Passion ; 8) Dazzle Light ; 9) Chance of a Lifetime ; 10) Fairytale

One More Time (band)

Peter Grönvall (1991-1997) ; Nanne Grönvall (1991-1997) ; Maria Rådsten (1991-1997) ; Thérèse Löf (1991-1992)

One More Time (Real McCoy song)

"One More Time" is the lead single from the album, One More Time by the German Eurodance and Pop music project Real McCoy. Released in 1997, it was a Top 5 single in Australia, where it was certified Platinum. The song also reached number-one on the Canadian dance music chart and number 14 on the Hot Dance Club Songs chart in the US.

One More Time (Real McCoy album)

Juergen Wind (J. Wind) - Executive Producer ; Berman Brothers ; Per Adebratt, Douglas Carr & Tony Ekman for Lemon Productions

One More Time (Real McCoy album)

One More Time is the second studio album by Real McCoy under Arista Records and the third under BMG Berlin. It was the follow-up to the multi-platinum selling album Another Night. Music producer Juergen Wind (J. Wind) wrote and produced the album with the Sweden based production team known as Lemon Productions (Per Adebratt, Douglas Carr & Tony Ekman). American songwriter Brent Argovitz and German rapper Olaf Jeglitza worked together as songwriters on the album. A producer duo known as the Berman Brothers also produced a Shania Twain cover for the album and made the remixes for the singles. For promotional reasons, Jeglitza was credited as an Executive

One More Time (1970 film)

The film was the only one that Lewis directed but did not star in, although he does have a role as the off-screen voice of the bandleader.