Question: Who was the composer of The Witch?

Answer: Maurice Ravel

Answer: Joseph-Maurice Ravel

Answer: Maurice Joseph Ravel

Answer: Joseph Maurice Ravel

The Witch and the Saint

The piece was an ordered composition for the Youth Wind Orchestra of Ellwangen (Germany) and it was a present for their 50th anniversary. In 2004, they performed it on their anniversary concert.

The Witch (ballet)

The Witch is a ballet made by John Cranko to Maurice Ravel's Piano Concerto in G Major (1931). The premiere took place Friday, 18 August 1950 at the Royal Opera House, Covent Garden, London.

The Noon Witch

The piece is scored for the standard 19th-century symphony orchestra with the addition of a bass clarinet and tubular bell. Dvořák's music follows the story closely and the orchestration is often used to illustrate characters and events: the oboe and bass clarinet are used to depict the misbehaving child and the witch respectively, whilst twelve strokes of a bell signal the coming of noon. During the witch's chase, the music alternates between two different time signatures as a further dramatic device. A semi-public performance was given at the Prague Conservatory on 3 June 1896 under Antonín Bennewitz. Its first full public première was on 21 November 1896, in London, under the baton of Henry Wood. The piece lasts about 13 minutes.

The Witches (1990 film)

The film contains an orchestral score composed by Stanley Myers. To date, a soundtrack CD has not been released, and the entire score remains obscure. Throughout the score, the Dies irae appears, highly reminiscent of Berlioz's Symphonie fantastique Movement V, "Dream of a Witches' Sabbath".

Larry Weir

Larry Anthony Weir (born April 11, 1952) is a US songwriter, composer, producer, promoter and managing editor of New Music Weekly magazine. Weir is best known for songs in the musical, Teen Witch (1989), which has become an annual Halloween tradition on several television networks.

Witchcraft (1957 song)

Witchcraft (1957 song)

"Witchcraft" is a popular song from 1957 composed by Cy Coleman with lyrics by Carolyn Leigh.

Mark Korven

Mark Korven

Mark Korven is a Canadian musician and composer for film and television.<ref name="academy.ca"/> His work includes the music on the sci-fi horror cult film "Cube" (1997), collaborations with director Robert Eggers on the period horror films "The Witch" (2015) and "The Lighthouse" (2019), and Scott Derrickson's "The Black Phone" (2022).

The Witch (2015 film)

The Witch (2015 film)

The Witch (stylized as The VVitch, and subtitled A New-England Folktale) is a 2015 folk horror film written and directed by Robert Eggers in his feature directorial debut. It stars Anya Taylor-Joy in her first film appearance, along with Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger, and Lucas Dawson. Set in 1630s New England, it follows a Puritan family who encounter forces of evil in the woods beyond their farm.

An international co-production of the United States and Canada, "The Witch" premiered at the Sundance Film Festival on January 27, 2015, and was widely released by A24 on February 19, 2016, to critical and financial success, grossing $40 million against a $4 million budget.

Mobile Suit Gundam: The Witch from Mercury

"The Witch from Mercury" marks the first mainline "Gundam" TV anime production in seven years since "" and the first TV series in the franchise to feature a female protagonist (fourth in the franchise overall after "École du Ciel", "", and ""). The series revolves around themes of the dangers of emerging technologies alongside political corruption, criticism of capitalism and revenge.
Section::::Plot.
In the distant future, humanity has advanced into space and switched to the new calendar system of Ad Stella (AS). The solar system was split between "Spacians" and "Earthians", the inhabitants of space colonies and Earth, with a vast economic inequality between the two. Vanadis Institute created an advanced man-machine system called GUND, which would enable humans to survive in the harsh environment of space. But the Mobile Suit Development Council, led by the top mobile suit development companies, ordered a permanent ban on the development of the GUND Format. Council member Delling Rembran deployed the special forces team Dominicus to destroy the Vanadis research facility Fólkvangr, killing everyone aboard. Only two people narrowly survived: mobile suit test pilot Elnora Samaya and her four-year-old daughter Ericht Samaya.

Ad Stella 122, 21 years after the Vanadis incident, Suletta Mercury transfers from Mercury to the Asticassia School of Technology, an academic institute run by the megacorporation Benerit Group. Upon arrival, she encounters a girl escaping the institute, Miorine Rembran, who wants to escape from the controls of her father, Delling. As their paths cross in the academy with different ambitions and goals, Suletta will have to prove her worth as a pilot as she steps into the academy alongside the Gundam Aerial, a mobile suit built with the forbidden GUND Format technology.

Ding-Dong! The Witch Is Dead

Ding-Dong! The Witch Is Dead

"Ding-Dong! The Witch Is Dead" is a song in the 1939 film "The Wizard of Oz". It is the centrepiece of several individual songs in an extended set-piece performed by the Munchkins, Glinda (Billie Burke) and Dorothy Gale. Highlighted by the Lollipop Guild consisting of Frankie Rumpf, Jaelen Hurst and Jesse-Carr was also sung by studio singers as being sung by the Winkie soldiers. It was composed by Harold Arlen, with the lyrics written by E. Y. Harburg. The group of songs celebrate the death of the Wicked Witch of the East when Dorothy's house is dropped on her by the tornado and the death of the Wicked Witch of the West after being splashed with water.

In 2004 "Ding-Dong! The Witch is Dead" finished at #82 in AFI's 100 Years...100 Songs survey of the top tunes in American, cinema. In 2013, the song charted to #2 on the UK Singles Chart in the aftermath of the death of former Prime Minister Margaret Thatcher.

Ferdinand Ries

him. Since 1826, he had had plans to write operas, which he brought to fruition in the years 1827/28. On 15 October 1828, his first opera, The Robber Bride, was premiered in Frankfurt with great success. To the direction of the Dublin Music Festival in 1831 he used a month's stay in London, where he composed his second opera, The Sorceress (published in Germany under the title Liska or the Witch by Gyllensteen). It was premiered on 4 August 1831 at the London Royal Adelphi Theatre. His third opera was composed in 1834 (Die Nacht auf dem Libanon WoO 51), which for

Giona Ostinelli

Giona Ostinelli (born March 12, 1986) is a Swiss–Italian composer who resides and works in Los Angeles. Ostinelli is best known for his critically acclaimed work on Netflix's hit fantasy series The Witcher. The Witcher Original Soundtrack Album, featuring songs and score composed and produced by Ostinelli and his scoring partner Sonya Belousova, has achieved commercial success and critical recognition. The album debuted #1 on iTunes Top Soundtracks with the enormously successful hit single "Toss A Coin To Your Witcher" #1 on iTunes Top Soundtrack Songs and #1 on Billboard Digital Rock Songs Sales. The album charted #4 on iTunes for Top Albums (behind only Eminem, Breaking Benjamin, and Chase Rice) and in the top ten in every

Stuart MacRae (composer)

The Witch's Kiss (1997; chamber ensemble) ; Violin Concerto (2001) ; Ancrene Wisse (2002; choir, orchestra) ; Motus (2003; chamber ensemble) ; Echo and Narcissus (2006; chamber ensemble/dance) ; Birches (2007; chamber orchestra) ; Gaudete (2008; soprano and orchestra) ; Earth (2010; orchestra)

The Noon Witch

The Noon Witch (or The Noonday Witch; Polednice), Op. 108, B. 196, is a symphonic poem written in 1896 by Antonín Dvořák which was inspired by the Karel Jaromír Erben poem Polednice from the collection Kytice. Polednice is based on the noon demon "Lady Midday" of Slavic mythology. It is one of a set of late orchestral works inspired by national themes which were written after his return to his native Bohemia from the United States.

Aradia, or the Gospel of the Witches

The Norwegian classical composer Martin Romberg wrote a Mass for mixed choir in seven parts after a selection of poems from Leland's text. This Witch Mass was premiered at the Vestfold International Festival in 2012 with Grex Vocalis. In order to create the right atmosphere for the music, the festival blocked off an entire road tunnel in Tønsberg to use it as a venue. The work was released on CD through Lawo Classics in 2014.

The Witch and the Saint

The Witch and the Saint by Steven Reineke is a one movement symphonic band piece describing the lives of Helena and Sibylla, twin sisters born in Germany at the end of the 16th century. The piece has five distinct parts and has become a favorite among audiences and bands though the story behind it has been virtually forgotten.

George Stansbury

Tartar Witch and the Pedlar Boy; Waverley; The Vision of the Bard, and Puss in Boots, or Harlequin and the Miller's Son. For Sadler's Wells Theatre he wrote the music for The Little Red Man, or the Witch of the Water Snakes. In addition to his seasons at the Theatre Royal, Covent Garden, from 1830 Stansbury made various appearances at the Vauxhall Gardens where he played in various new musical works, including Adelaide or the Royal William (1830); The Magic Fan, and The Sedan Chair (1832). In 1833 he played the organ at the funeral of the noted actor Edmund Kean.

The Amber Witch (opera)

The Amber Witch is an opera in four acts composed by William Vincent Wallace to an English libretto by Henry Fothergill Chorley, after Lady Duff-Gordon's translation of Meinold's Maria Schweidler: Die Bernsteinhexe. It premiered at Her Majesty's Theatre, London on 28 February 1861 conducted by Charles Hallé with Helen Lemmens-Sherrington in the title role.

The Witches (novel)

The book was adapted into an opera by Norwegian composer Marcus Paus and his father, Ole Paus, who wrote the libretto. It premiered in 2008.

The Witch and the Saint

The Witch and the Saint has a running time of 10:22. It is a tone poem, composed in 2004. Overall, it’s an epic piece – anyone listening to it without knowing the story behind it would get the impression of a melancholy story being told through powerful musical phrases. The piece opens with a thundering timpani triplet. A Gregorian chant type motif follows quietly and builds throughout the brass instrument section. The dark, threatening feel is broken suddenly by a melody portrayed by an oboe or flute solo as the bells join on after the new mood is established. That certain

Ole A. Sørli

Which Witch is a free adaptation opera/musical of an incident from the witch-hunter's handbook, the 15th century Malleus Maleficarum. Producer Sørli wrote the original manuscript, and was executive director of the project.

Symphonic poem

and the Witches, 1859), is similar in scope but bolder in style. Musicologist John Clapham writes that Smetana planned these works as "a compact series of episodes" drawn from their literary sources "and approached them as a dramatist rather than as a poet or philosopher." He used musical themes to represent specific characters; in this manner he more closely followed the practice of French composer Hector Berlioz in his choral symphony Roméo et Juliette than that of Liszt. By doing so, Hugh Macdonald writes, Smetana followed "a straightforward pattern of musical description". Smetana's set of six symphonic poems published under the

Innerst i sjelen

"Innerst i sjelen" was used later on in the Norwegian opera Heksene in 2007. The opera was based on the similarly titled children's book Heksene by Roald Dahl (known in English as ''The Witches). The opera adaptation of the book was composed by Marcus Paus, Ole's son. The opera was commissioned by Gloppen Musikkfest for their 2008 programming and was first performed in May 2008 during Hardanger Musikkfest in Odda, with a later performance in August of the same year during Gloppen Musikkfest in Sandane. Johann Henrik Neergaard was director and Per Kristian Skalstad was conductor. Ole Paus was libretto in the opera and was the one to perform "Innerst i sjelen".

Halloween III: Season of the Witch

The soundtrack was composed by John Carpenter and Alan Howarth, who worked together on the score for Halloween II and several other films. Music remained an important element in establishing the atmosphere of Halloween III. Just as in Halloween and Halloween II, there was no symphonic score. Much of the music was composed to solicit "false startles" from the audience. The score of Halloween III differed greatly from the familiar main theme of the original and sequel. Carpenter replaced the familiar 10/8 piano melody with an electronic theme (9/16 against a steady 4/4) played on a synthesizer with beeping tonalities. Howarth explains how he and Carpenter composed the music for the third film: "The music style of John Carpenter and myself has further evolved in this film soundtrack by working exclusively with synthesizers to produce our

The Amber Witch (opera)

it was published in a luxury edition illustrated by Philip Burne-Jones. Wallace had sketched out most of the opera in the US in the mid-1850s, having had the libretto by Chorley to hand for some years, but difficulties in the London theatres held up its production in the capital. Having completed the orchestration of the work at Wiesbaden in 1860, the opera finally premiered at Her Majesty's Theatre on 28 February 1861 with Charles Hallé conducting. The Times reported that the first night's performance was a success and that "the music is almost as complicated as it is beautiful". Wallace considered it his best opera, and


Question: Who was the composer of Images?

Answer: Claude Debussy

Answer: Claud Debussy

Answer: Debussy

Answer: Claude Achille Debussy

Answer: Achille Claude Debussy

Answer: C. Debussy

Answer: Claude-Achille Debussy

Answer: Achille-Claude

Answer: Achille-Claude Debussy

Images (Skempton)

Images is a cycle of piano pieces composed by Howard Skempton in 1989. This work and a variations set, The Durham Strike, are the only large-scale piano works by Skempton, although he has been composing piano music since the beginning of his career. The work was commissioned by Channel 4's HTV West for "Images", a six-part television series of documentaries dealing with various aspects of photography. The series was created to mark the 150th anniversary of the invention of photography. The producer, Barrie Gavin, wanted the music to be similar in concept to Erik Satie's Gymnopedies: in the words of the composer,

Images (Skempton)

pieces were to be "like a sculpture viewed from different angles in a changing light." The pianist who performed Images for the TV series was Michael Finnissy. Images comprises eight preludes, two "songs" (The Cockfight: a traditional song and Song 2), a set of variations, eight interludes and a postlude (Postlude: The Keel Row). In concert, the order of the pieces is not fixed and is left for the performer to determine. The eight preludes contain the pieces that directly correspond to Gavin's request. Preludes 1–3, all written on three staves and in 3/8 time, share identical rhythmic and melodic structure of

Walter Steffens (composer)

Monika Fink, who has been pursuing the topic of her doctoral thesis Musik nach Bildern (Music after Pictures) for over three decades, writes that she knows of no other composer who has so intensively and consistently dedicated himself to setting pictorial images to music. Under the supervision of Fink a project was initiated at the Department of Music at the University of Innsbruck to develop and maintain a comprehensive website devoted to the subject area “Music after Pictures” (see Musik nach Bildern). Numerous works by Steffens, especially those from recent years, are listed in this database, e.g., musical compositions on pictures by Peter Paul Rubens, Rembrandt van Rijn, and Emil Schumacher.

John Palmer (composer)

1994. Articles and Papers: Introduction to ‘Images of the mind' (1997). Paper given at the 1997 KlangArt International Congress ‘New Music & Technology’ in Osnabrück, Germany. Published in ‘Musik und Neue Technologie 3, Musik im virtuellen Raum’ (edited by Bernd Enders), Universitätsverlag Rasch, Osnabrück (2000). ISBN: 3-934005-64-0. Conceptual models of interaction: towards a perceptual analysis of interactive composition (1997-8) Paper given at the 1997 Sonic Arts Network Conference, University of Birmingham, UK, 10–12 January 1998. Published in the Seamus Journal, USA, Vol. XIV no. 1, Summer 1999. SEAMUS, Sonic Arts Network Perceptual Abstraction and Electroacoustic Composition (1998) Paper given at the 1998 Seamus Conference, Dartmouth College, NH, USA, 16–18 April 1998 (1997–98).

The Photographer

The Photographer is a three-part mixed media performance accompanied by music (also sometimes referred to as a chamber opera) by composer Philip Glass. The libretto is based on the life and homicide trial of 19th-century English photographer Eadweard Muybridge. Commissioned by the Holland Festival, the opera was first performed in 1982 at the Royal Palace in Amsterdam.

Pictures at an Exhibition

Pictures at an Exhibition

Pictures at an Exhibition is a suite of ten piano pieces, plus a recurring, varied Promenade theme, composed by Russian composer Modest Mussorgsky in 1874. The piece is Mussorgsky's most famous piano composition, and it has become a showpiece for virtuoso pianists. It became further widely known through various orchestrations and arrangements produced by other composers and musicians, with Maurice Ravel's 1922 adaptation for full symphony orchestra being the most recorded and performed.

Category:Wikipedia requested images of composers

Images (Reggie Workman album)

Images (Reggie Workman album)

Images is a live album by bassist and composer Reggie Workman. It was recorded at the Knitting Factory in New York City in January and July 1989, and was released in 1990 by Music & Arts. On the album, Workman is joined by clarinetist Don Byron, vocalist Jeanne Lee, guitarist Michele Navazio, pianist Marilyn Crispell, and percussionist Gerry Hemingway.

The title of the track "Jus' Ole Mae (Revisited)" refers to the fact that "Jus' Ole Mae" appeared on Workman's previous album, "Synthesis", released in 1986.<ref name="penguin" />

Claude Debussy

Claude Debussy

(Achille) Claude Debussy (;<!--SEE TALK PAGE

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Eric Salzman

as:  The Nonesuch recording of Nude Paper Sermon was chosen separately by both Dennis Báthory-Kitsz and David Gunn, creators and hosts of the Kalvos & Damian New Music Bazaar, for their "Top 100" desert island recordings. In 1967, Salzman founded the "New Image of Sound" series at Hunter College, where his theatrical composition Verses and Cantos (or Foxes and Hedgehogs) was performed for the inaugural concert conducted by Dennis Russell Davies alongside the New York premiere of Berio's Laborintus II. In 1972, Pierre Boulez conducted the piece with the BBC Symphony Orchestra. In 1970, Salzman founded the Quog Music Theater, a mixed-media

Picture Studies

Picture Studies is an orchestral suite by the American composer Adam Schoenberg. The work was commissioned by the Kansas City Symphony and the Nelson-Atkins Museum of Art. It was first performed by the Kansas City Symphony conducted by Michael Stern at the Kauffman Center for the Performing Arts in Kansas City on February 1, 2013.

Columbus: Images for Orchestra

Columbus: Images for Orchestra (Colón: Imágenes para orquesta) is a composition by Spanish composer Leonardo Balada. It was finished in 1991 and uses material from Balada's opera Christopher Columbus.

Images in Sound (He Xuntian)

Images in Sound ( 声音图案 ) is a piece for conventional and unconventional instruments, composed by He Xuntian in 1997–2003.

Ernest Bloch

with the entire collection of his negatives and prints. Johnson is currently Professor of Art and Design at Cal Poly State University, San Luis Obispo Ca. An account of his discovery and many of Bloch's images can be found on his website. [ericjohnsonphoto.com] ; Voices in the Wilderness: Six American Neo-Romantic Composers, by Walter Simmons. (Lanham, MD: Scarecrow Press, 2004) ISBN: 978-0-8108-5728-5 ; Kushner, David Z. The Ernest Bloch Companion, (Greenwood Press, Westport, Connecticut, 2002) ISBN: 978-0-313-27905-8 ; Kintner, Helen Johnston. The Ernest Bloch I Knew (Published by Helen Johnston Kinter, June 2009) ISBN: 978-0-9743356-3-6 ; Werlin, Joella. Suzanne Bloch: Recollections (Familore, Portland, Oregon, 2007) ; Bloch, Suzanne. Ernest Bloch: Creative Spirit: A Program Source Book (Jewish Music Council of the National Jewish Welfare Board, 1976. ; Johnson, Eric B. A Composer's Vision (Aperture 16:3, Millerton, New York, 1972)

Images (book)

Images, first published in 1994 (now out of print), is a book by David Lynch.

Images (ballet)

May 24, 1992 Jack Anderson, NY Times

Ernst Haas

In the early 1970s Haas became interested in creating audiovisual slideshows—long sequences of projected imagery with accompanying soundtracks, dissolving from one image into the next. "I love music," he explained, "and with my audiovisual presentation I can combine music and photography.” After suffering a stroke in December 1985, Haas concentrated on layouts for two books he wanted to publish, one featuring his black and white photographs, the other his color. At the time of his death from a stroke on September 12, 1986, he had been preparing to write his autobiography.

John Stepan Zamecnik

John Stepan Zamecnik (May 14, 1872 in Cleveland, Ohio – June 13, 1953 in Los Angeles, California) was an American composer and conductor. He is best known for the "photoplay music" he composed for use during silent films by pianists, organists, and orchestras. Zamecnik used many pseudonyms, including Dorothy Lee, Lionel Baxter, R.L. (Robert) Creighton, Arturo de Castro, "Josh and Ted", J. (Jane) Hathaway, Kathryn Hawthorne, Roberta Hudson, Ioane Kawelo, J. Edgar Lowell, Jules Reynard, F. (Frederick) Van Norman, Hal Vinton and Grant Wellesley.

Images (Kenny Barron album)

Images is an album by pianist Kenny Barron recorded in New York in 2003 and released on the Sunnyside label.

The Book of Images

The Book of Images (Das Buch der Bilder) is a collection of poetry by the Bohemian-Austrian poet and novelist Rainer Maria Rilke (1875-1926). It was first published in 1902 by Axel Juncker Verlag. It consists of individual poems written from 1899 and forward. An extended version was published in 1906, after Rilke had written The Book of Hours, with which scholars link The Book of Images as a phase in the poet's writing.

Anthony Braxton

In his Falling River Musics Braxton began to work on "image logics", resulting in graphic scores with large paintings and drawings with smaller legends of various symbols. Performs must find their own meanings in the symbols and construct a path through the score, balancing "the demands of traditional notation interpretation and esoteric inter-targeting."

Selwyn Image

Image was an influential writer on design and the first Slade Professor of Fine Arts at Oxford from 1910 to 1916. Between December 1887 and February 1888, Image gave a series of four lectures on Modern Art at Willis' Rooms. Oscar Wilde attended at least one of this series, and reviewed the second lecture in the Sunday Times on 25 January 1888. Image was also a close associate of Arthur Symons and may have shared his then mistress Muriel (Edith Broadbent). Image published a number of essays, contributed introductions and chapters to scholarly publications, and published a poetry collection, Poems and Carols in 1894.

Images (ballet)

Images is a ballet made by Miriam Mahdaviani for the New York City Ballet's first Diamond Project to Debussy's "Gigues" from Images pour orchestre (1906–12) and "Nuages" and "Fêtes" from his Nocturnes (1893–99). The premiere took place 30 May 1992 at the New York State Theater, Lincoln Center.

Images (band)

Images was a French pop band that existed from 1986 to 1999 and then burst into the formation Émile et Images. The founders, Mario Ramsamy, Jean-Louis Pujade and Richard Seff; came from Toulouse, Occitania. Their biggest hit was "Les Démons de minuit" (1986), which was 13 weeks at number 1 on the charts in France.


Question: Who was the composer of Kallai Mattum?

Answer: Himesh Reshammiya

Magalir Mattum (1994 film)

The soundtrack was composed by Ilaiyaraaja, while the lyrics for all the songs were written by Vaali. It was released under the label AVM Audio in December 1993. Ilaiyaraaja, using the technique of M. B. Sreenivasan, composed the title track as a choir song. Urvashi was initially displeased with "Karavai Maadu" because it contained lyrics she considered were degrading, but after Vaali explained to her why he wrote those words, she was convinced.

Magalir Mattum (2017 film)

The film's soundtrack was composed by Ghibran. The soundtrack features seven songs and one instrumentals from the original score. The album was launched at Sathyam Cinemas, Chennai on 26 April 2017. The soundtrack included a song sung by actor Karthi, as well as three short songs sung by the film's leading veteran actresses.

Unakkaga Mattum

The soundtrack was composed by film composer Bobby Shankar. The soundtrack, released in 2000, features 6 tracks with lyrics written by Pulamaipithan and Kavi Varma.

Kaalam (1982 film)

The music was composed by Shankar–Ganesh and the lyrics were written by Bichu Thirumala.

Kalla Kulla

The music of the film was composed by Rajan–Nagendra and the lyrics were written by Chi. Udaya Shankar. The song "Suthha Muthha" was received extremely well.

Dasavathaaram

Dasavathaaram

Dasavathaaram () is a 2008 Indian Tamil-language science fiction action film directed by K. S. Ravikumar. It stars Kamal Haasan, who also wrote the script, in ten distinct roles. Asin appears in two roles and Mallika Sherawat plays a subsidiary role. The plot of the film revolves around bringing together the lives of several individuals beginning with the 12th century and ending with the 21st century; the main person being a research scientist who develops a bio-weapon and makes sure that it is not acquired by a terrorist nation. Several other people also get involved in the process and all their stories connect after the striking of 2004 Indian Ocean earthquake and tsunami, thus bringing philosophical views into the picture.

The film, which had been under production for nearly three years, was produced and primarily distributed by V. Ravichandran. Primary filming locations included the United States and across Tamil Nadu in India. The soundtrack to the film was composed by Himesh Reshammiya and the background score was by Devi Sri Prasad.

After delays in post-production, the film was released on 13 June 2008 in around 1300 prints worldwide<ref name="numbers" /> with praise directed at Haasan's multiple-role performance, the cinematography, and the editing, while criticism was directed at the prosthetics, writing and the addition of unnecessary characters portrayed by Haasan.

Sindhu Bhairavi (raga)

Sindhu Bhairavi (raga)

Sindhu Bhairavi is a raga in Hindustani and Carnatic classical music, belonging to the Asavari thaat. In Carnatic music it is a Janya raga of the 8th melakartha raga Hanumatodi.

The raga brings Viraham (separation), Shokam (sorrow), Karunam (compassion) and Bhakthi (devotion) rasas. In Carnatic music it is a "Bhashangaraga", in which all the 12 notes are applicable.

Sindhu Bhairavi is not to be confused with other similarly named ragas such as Sindhi Bhairavi, Sindh, Sindhura and Sindhura Bhairavi.

Kamal Haasan

Kamal Haasan

Kamal Haasan (born 7 November 1954) is an Indian actor, filmmaker, screenwriter, playback singer, television presenter and politician who works mainly in Tamil cinema and has also appeared in some Telugu, Malayalam, Hindi, Kannada and Bengali films. He has been recognised as an influence for actors and filmmakers in the Tamil film industry. He is also known for introducing many new technologies and cosmetics to the Indian film industry. He has won numerous accolades, including four National Film Awards and 20 Filmfare Awards. He was awarded the Kalaimamani Award in 1984, the Padma Shri in 1990, the Padma Bhushan in 2014 and the Ordre des Arts et des Lettres ("Chevalier") in 2016.

Haasan started his career as a child artist in the 1960 Tamil-language film "Kalathur Kannamma", for which he won the President's Gold Medal. His breakthrough as a lead actor came in the 1975 drama "Apoorva Raagangal", directed by K. Balachander, in which he played a rebellious youth who falls in love with an older woman. He won his first National Film Award for his portrayal of a guileless school teacher who cares for a woman who suffers from retrograde amnesia in "Moondram Pirai" (1982). He was noted for his performances in K. Viswanath's "Swathi Muthyam" (1986), Mani Ratnam's "Nayakan" (1987), and S. Shankar's "Indian" (1996). Since then he has appeared in films including "Hey Ram" (2000), "Virumaandi" (2004), "Dasavathaaram" (2008) in which he played ten roles, "Vishwaroopam" (2013) and "Vikram" (2022). His production company, Raaj Kamal Films International, has produced several of his films.

For his philanthropic efforts, Haasan received the first Abraham Kovoor National Award in 2004. He was project ambassador for the Hridayaragam 2010 event, which raised funds for an orphanage for HIV/AIDS-affected children. In September 2010, Haasan launched a children's cancer relief fund and gave roses to children with cancer at Sri Ramachandra University in Porur, Chennai. Haasan was nominated by the Indian Prime Minister Narendra Modi for the Swachh Bharat Mission. On 21 February 2018, Haasan formally launched his political party, Makkal Needhi Maiam (lit. People's Justice Centre). He has also received the Golden Visa from United Arab Emirates.

Vijay Award for Favourite Song

Vijay Award for Favourite Song

The Vijay for Favorite Song is given by STAR Vijay as part of its annual Vijay Awards ceremony for Tamil (Kollywood) films. The award is chosen through public voting. Harris Jayaraj is the most frequent winner with three wins .

Himesh Reshammiya films and discography

Himesh Reshammiya films and discography

This is the discography of Indian singer composer Himesh Reshammiya. He has released 6 studio albums till date, All the details below contains his work as a playback singer, composer, lyricist and actor.

Bhaaryayum Kaamukiyum

The music was composed by M. K. Arjunan and the lyrics were written by Chirayinkeezhu Ramakrishnan Nair and Sreekumaran Thampi.

Kasu Irukkanum

The film score and the soundtrack were composed by film composers Kavin Saradha and Raj Shankar. The soundtrack, released in 2007, features 6 tracks with lyrics written by G. R. and Asura.

Kaattumallika

The music was composed by M. S. Baburaj and the lyrics were written by Sreekumaran Thampi. This was Thampi's first film.

K (composer)

down a role in his first film 'Yuddham Sei', but had agreed to play one of the leads in Kallapadam. Directed by M.Manikandan of Kaaka Muttai and Kutrame Dhandanai fame, Aandavan Kattalai, his next major release was very well received. The music for the film, including the 9 songs, was supplemented by a background score where the lyrics of the songs were based on the dialogues on screen. In 2017, a Telugu remake of the film was made by Chinni Krishna, named London Babulu, which featured music re-used from K's Tamil original. The remake only featured 5 out of the 9 tracks from the original. Ammani, Lakshmy Ramakrishnan's 3rd film as a director, was

Manasukketha Maharasa

The music was composed by Deva. Lyrics written by Pulamaipithan and Kalidasan in pen name of "Thirupathooran". Even though Deva made his debut with the film Mattukara Mannaru (1986), it was this film which gave him a break as a composer.

Kaamam Krodham Moham

The music was composed by Shyam and the lyrics were written by Bharanikkavu Sivakumar and Bichu Thirumala.

Thullum Kaalam

The film score and the soundtrack were composed by film composer S. P. Boopathy. The soundtrack, released in 2005, features 5 tracks with lyrics written by Viveka, Victor Doss and Dr. Kiruthaya.

Magalir Mattum (1994 film)

R.P.R. of Kalki appreciated the film for Mohan's writing, Urvashi's performance and Ilaiyaraaja's music, but felt the post-interval scenes were unnecessarily stretched, and criticised Haasan for overacting. The review board of the magazine Ananda Vikatan said the filmmakers must be appreciated for presenting a high-class comedy entertainer without any vulgarity or double entendre dialogues and becoming a benchmark for humour. They said that among the three female leads, Urvashi had lived through the character of a Brahmin woman and made them laugh throughout the film. The review board praised the cinematography and wrote that the filmmakers certainly moved a few steps ahead in their effort to present a neat and entertaining comedy film, and gave Magalir Mattum a rating of 44 marks out of 100.

Kanavu Variyam

The music of Kanavu Variyam was composed by Shyam Benjamin. "Kalla/Manna", a song from the film which refers to 51 traditional games of rural India, won the Silver Remi for Best Children's Song and won the Best Youth Focus Music Video award at the Bare Bones International Film and Music Festival at Oklahoma, USA.

Koodanayum Kattu

The music of the film was composed by Shyam and the lyrics were written by Bichu Thirumala.

Kathal Paduthum Padu

The music of the film was composed by T. R. Pappa.

Vimochanam

The soundtrack was composed by Ramani, the founder of the Ramani School of Music, while Sasi wrote the lyrics. The background score was composed by Sarma Brothers. The film had many songs performed by Carnatic musician Lalitha Venkataraman. Popular songs include "Kallai Ozhithida Sattamondru Chennai Congress Aatchiyil Seithanarey", "Mahaan Rajaji-yai Ellorum Vaazhthuvomey" and "Naattuomey Jayakodi". The songs were released by Odeon Records.

Kalyana Mandapam (1965 film)

Music was composed by Rangasami Parthasarathy, while the lyrics were penned by Vaali and Thellur Dharmarajan.

Naduvula Konjam Pakkatha Kaanom

The film's soundtrack was composed by Ved Shankar, a former student of KM Music Conservatory, a music school led by A. R. Rahman. Ved Shankar had composed earlier two soundtracks Paalai (2011) and Madhubana Kadai (2012), before this film. The background score was composed by Siddharth Vipin. The album features five tracks, including an instrumental, with lyrics penned by Karthik Netha and the composer himself. The film created a record of sorts by featuring a song, the lines of which were selected from phrases sent in by more than 1,800 people through Facebook. The soundtrack was released on 26 October 2012 at Sathyam Cinemas in Chennai, in the presence of the film's

Karpagam Vanthachu

The film score and the soundtrack were composed by film composer Shankar–Ganesh. The soundtrack, released in 1993, features 7 tracks with lyrics written by Vaali, Muthulingam, Na. Kamarasan and Venkatesh.


Question: Who was the composer of I'm in Love?

Answer: Bobby Ljunggren

Answer: Robert Vasilis Ljunggren

Answer: Robert Vasilis Engdahl

I Am in Love

"I Am in Love" is a 1953 popular song written by Cole Porter, for his musical Can-Can, where it was introduced by Peter Cookson.

I'm in Love with a Memory

The song was composed by Don Lee and George White. It was released on Crescent 101 in 1981/1982.

I'm in Love (Evelyn "Champagne" King song)

"I'm in Love" is a 1981 single by singer Evelyn "Champagne" King. The single was a hit on three different music charts in the United States, hitting number one on both the Soul and dance charts and number 40 on the Billboard Hot 100. It was the first of two chart entries by King to reach number one on both the Soul and dance charts.

I'm in Love with You (album)

Album Singles

I'm in Love with You (Joy Williams song)

The song has been frequently popularised through YouTube fan videos.

I'm in Love (Bobby Womack song)

I'm in Love (Bobby Womack song)

"I'm in Love" is a song written by Bobby Womack. It was first recorded by Wilson Pickett in 1967, which gave him a top-ten R&B hit on "Billboard"'s chart in 1968, peaking at number 4 as well as peaking at number 45 on the "Billboard" Hot 100.

I'm for Love

I'm for Love

"I'm for Love" is a single by American singer-songwriter and musician Hank Williams Jr. It was released in May 1985 as the first single from the album "Five-O". The single was Williams Jr.'s seventh number one on the country chart. The single went to number one for one week and spent a total of fifteen weeks on the country chart. The A-side was written by Williams. The B-side was a cover of Warren Zevon's song "Lawyers, Guns and Money".

I'm in Love (Evelyn King song)

I'm in Love Again (song)

I'm in Love Again (song)

"I'm in Love Again" is a 1956 single by Fats Domino. The song was written by Domino and his longtime collaborator, Dave Bartholomew. The single was Domino's fifth number one on the R&B Best Sellers list, where it stayed at the top for seven weeks. "I'm in Love Again" also peaked at number three for two weeks on the pop chart. "I'm in Love Again" was a double-sided hit for Domino as the B-side of the pop standard, "My Blue Heaven".

I'm in Love (Evelyn King album)

I'm in Love (Evelyn King album)

I'm in Love is the fourth album released by R&B singer Evelyn "Champagne" King on RCA Records in 1981. It was produced by Morrie Brown, Willie Lester, Rodney Brown, Kashif, and Lawrence Jones.

I'm in Love with You (album)

David Krieger - art direction ; Joel Brodsky - photography ; Mia Krinsky - co-ordination ; Bob Scerbo - production supervision ; Abrim Tillmon - arrangement, songwriting ; James Mitchell - arrangement, songwriting, production (credited as Katouzzion)

I'm in Love (Melba Moore album)

I'm in Love is the sixteenth album by singer Melba Moore, released in 1988.

I'm in Love (Evelyn King album)

Singles

I'm in Love (Bobby Womack song)

"I'm in Love" is a 1968 song written by Bobby Womack. It was first recorded by Wilson Pickett which gave him a top-ten R&B hit on Billboard's chart in 1968, peaking at number 4 as well as peaking at number 45 on the Billboard Hot 100.

I'm in Love (Evelyn King album)

12" single PD-12244 (US) 7" single PB-12243 (US)

I'm in Love Again (song)

I'm in Love (Ginuwine song)

"I'm in Love" is a song by American recording artist Ginuwine. It was co-written and produced by Troy Oliver for his fifth studio album Back II Da Basics (2005). Released as the second and final single from the album, it reached number 69 on the US Hot R&B/Hip-Hop Songs chart.

I'm Not at All in Love

"I'm Not at All in Love" is a popular song written by Richard Adler and Jerry Ross, published in 1954. It was first presented in the musical The Pajama Game by Janis Paige. In the 1957 film version, it was sung by Doris Day and it appears in the soundtrack album.

I'm in Love with You (album)

I'm in Love with You is the third studio album by American vocal group, The Detroit Emeralds, released in 1973 through Westbound Records.

"I'm in Love with You" is a 2005 song by Joy Williams off her third album, Genesis. Joy said that the song is dedicated to her husband stating in a Christian interview: ''"I'm in Love with You" is a love song to my best friend and the man that I have committed my life to. Nate and I were married in June of last year (2004). Every single line from this song is a memory for me, and each line has been taken from my journal. Nate didn't have any idea I was writing this song. I never told him until the day

I'm in Love (Bobby Womack song)

"I'm in Love" was written in response to some of the criticism he had been receiving after marrying the widow of the recently deceased Sam Cooke.

Jule Styne

Doris Day in 1948), and "I Fall In Love Too Easily." He collaborated with Leo Robin on the score for the 1955 musical film My Sister Eileen. In 1947, Styne wrote his first score for a Broadway musical, High Button Shoes, with Cahn, and over the next several decades wrote the scores for many Broadway shows, most notably Gentlemen Prefer Blondes, Peter Pan (additional music), Bells Are Ringing, Gypsy, Do Re Mi, Funny Girl, Lorelei, Sugar (with a story based on the movie Some Like It Hot, but all new music), and the Tony-winning Hallelujah, Baby!. Styne wrote original music for the short-lived themed amusement park Freedomland U.S.A.

In Case You're in Love

Conductor: Harold Battiste ; Arranger, Producer: Sonny Bono ; Mastering: Bob Irwin ; Engineer: Stan Ross

Janet Jackson sampled "I'm In Love" in her 2004 song "R&B Junkie."


Question: Who was the composer of Prelude in F major, Op. 49, No. 2?

Answer: Alexander Scriabin

Prelude in F major, Op. 49, No. 2 (Scriabin)

Alexander Scriabin's Prelude, Op. 49, No. 2 is the second of his Trois Morceaux Op. 49 (Three Pieces), which were written in 1905. It is notated in F major, 3/4 measure, with a speed of 69 per quarter note, and lasts for 23 measures (and an upbeat). It should be expressed Bruscamente irato (very irate).

The Glenn Gould Edition: Chopin Piano Sonata No. 3, Mendelssohn Songs without Words etc. (S2K 52622) (also featured on volume 11 of the video Ecstasy and Wit (Sony SHV 48417) ; Mikhail Pletnev: Scriabin: 24 Preludes, Sonatas 4 & 10, etc. (2002) There are recordings by Glenn Gould (from 1973) and Mikhail Pletnev (from 1996).

Prelude in A minor, Op. 51, No. 2 (Scriabin)

Alexander Scriabin's Prelude Opus 51 No. 2 is the second of his Quatre Morceaux (Four Pieces) op. 51, published in 1906. It is notated in A minor. It is written in a 6/8 beat in 30 measures (plus upbeat) and should be expressed Lugubre (dire). This is one of several pieces Scriabin never played in public (together with the Sonata No. 6 (op. 62)). He called it "Shattered Strings" (German "Zersprungene Saiten") when Leonid Sabaneyev reminded him of the piece during a discussion about minor and major. Sabaneyev quotes him with "Oh, let's not talk about this! This is a ghastly piece! [...] I was in an appalling situation back then. This Prelude, and also the Marche funebre in the First Sonata formed in moments disheartenment... But only these two!" (referring to his allegation that he had abandoned the minor tonality a long time ago).

List of compositions by Dieterich Buxtehude

BuxWV 136 — Prelude in C major ; BuxWV 137 — Prelude (Prelude, Fuga and Ciacona) in C major ; BuxWV 138 — Prelude in C major ; BuxWV 139 — Prelude in D major ; BuxWV 140 — Prelude in D minor ; BuxWV 141 — Prelude in E major ; BuxWV 142 — Prelude in E minor ; BuxWV 143 — Prelude in E minor ; BuxWV 144 — Prelude in F major ; BuxWV 145 — Prelude in F major ; BuxWV 146 — Prelude in F-sharp minor ; BuxWV 147 — Prelude in G major ; BuxWV 148 — Prelude in G minor ; BuxWV 149 — Prelude in G minor ; BuxWV 150 — Prelude in G minor ; BuxWV 151 — Prelude in A major

Prelude, Op. 59, No. 2 (Scriabin)

The Prelude Op. 59 No. 2 is one of the latest works written by Alexander Scriabin, it was completed in 1910, five years before his death. It is notated as "Sauvage, Belliqueux" (Savage/wild, belligerent).

List of compositions by Frédéric Chopin by genre

List of compositions by Frédéric Chopin by opus number

Alexander Goedicke

Alexander Goedicke

Alexander Fyodorovich Goedicke (; in Moscow9 July 1957 in Moscow) was a Soviet and Russian composer and pianist.

Goedicke was a professor at Moscow Conservatory. With no formal training in composition, he studied piano at the Moscow Conservatory with Galli, Pavel Pabst and Vasily Safonov. Goedicke won the Anton Rubinstein Competition in 1900. Despite his lack of traditional guidance, his compositional efforts were rewarded when he won the Rubinstein Prize for Composition at the young age of 23. Goedicke died at the age of 80 on 9 July 1957.

Alexander Goedicke was Nikolai Medtner's first cousin. Alexander's father Fyodor Goedicke, a minor composer and pianist, was Medtner's mother's brother and his first teacher.

List of compositions by Felix Mendelssohn

This is a list of compositions by Felix Mendelssohn.

Ivo Maček

Piano music of Gabriel Fauré

Prélude No. 1 in D major Prélude No. 2 in C minor Prélude No. 3 in G minor Prélude No. 4 in F major Prélude No. 5 in D minor Prélude No. 6 in E minor Prélude No. 7 in A major Prélude No. 8 in C minor Prélude No. 9 in E minor The nine préludes are among the least known of Fauré's major piano compositions. They were written while the composer was struggling to come to terms with the onset of deafness in his mid-sixties. By Fauré's standards this was a time of unusually prolific output. The préludes were composed in 1909 and 1910, in the

Preludes (Chopin)

The Prelude in C minor, Op. 45 (sometimes listed as Prelude No. 25), was composed in 1841. It was dedicated to Princess E. Czernicheff (Elisaweta Tschernyschewa), and contains widely extending basses and highly expressive and effective chromatic modulations over a rather uniform thematic basis.

Prelude in C-sharp minor (Rachmaninoff)

Sergei Rachmaninoff's Prelude in C-sharp minor (Прелюдия), Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces titled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes. Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had “aroused enthusiasm”. From this point on, its popularity grew. Rachmaninoff later published 23 more preludes to complete a set of 24 preludes covering all the major and minor keys, to emulate earlier sets by Bach, Chopin, Alkan, Scriabin and others.

BuxWV 152 — Prelude in A minor (Phrygian mode) ; BuxWV 153 — Prelude in A minor ; BuxWV 154 — Prelude in B-flat major ; BuxWV 155 — Toccata in D minor ; BuxWV 156 — Toccata in F major ; BuxWV 157 — Toccata in F major ; BuxWV 158 — Praeambulum in A minor ; BuxWV 159 — Chaconne in C minor ; BuxWV 160 — Chaconne in E minor ; BuxWV 161 — Passacaglia in D minor ; BuxWV 162 — Prelude in G major for keyboard (or organ) ; BuxWV 163 — Prelude in G minor for keyboard (or organ) ; BuxWV 164 — Toccata in G major for keyboard (or organ) ; BuxWV 165 — Toccata in G major for keyboard (or organ) ;

Preludes (Chopin)

The untitled Presto con leggierezza in A major was composed in 1834 as a gift for Pierre Wolff and published in Geneva in 1918. Sometimes known as Prelude No. 26, the piece is very short and generally bright in tone.

Preludes, Op. 23 (Rachmaninoff)

No. 1 in F minor (Largo) ; No. 2 in B major (Maestoso) ; No. 3 in D minor (Tempo di minuetto) ; No. 4 in D major (Andante cantabile) ; No. 5 in G minor (Alla marcia) ; No. 6 in E major (Andante) ; No. 7 in C minor (Allegro) ; No. 8 in A major (Allegro vivace) ; No. 9 in E minor (Presto) ; No. 10 in G major (Largo) Op. 23 is composed of ten preludes, ranging from two to five minutes in length. Combined, the pieces take around thirty minutes to perform. They are:  Rachmaninoff completed Prelude No. 5 in 1901. The remaining preludes were completed after Rachmaninoff's marriage to his cousin Natalia Satina: Nos. 1, 4, and 10 premiered in Moscow on February 10, 1903, and the remaining seven were completed soon thereafter. 1900–1903 were difficult years for Rachmaninoff and his motivation for writing the Preludes was predominantly financial. Rachmaninoff composed the works in the Hotel America, financially dependent on his cousin Alexander Siloti, to whom the Preludes are dedicated.

List of compositions by Alexander Scriabin

in A minor, No. 2 from 4 Morceaux, Op. 51 ; piano ; 1906 -style="vertical-align: top" ; data-sort-value="999"|56#1 ; Prélude in E-flat major, No. 1 from 4 Pièces, Op. 56 ; piano ; 1908 -style="vertical-align: top" ; data-sort-value="999"|59#2 ; Prélude, No. 2 from 2 Pièces, Op. 59 ; piano ; 1910 -style="vertical-align: top" ; 67 ; 2 Préludes piano ; 1913 -style="vertical-align: top" ; 74 ; 5 Préludes piano ; 1914 -style="vertical-align: top" ; colspan="5" data-sort-value="999"|    1. C major 2. A minor 3. G major 4. E minor 5. D major 6. B minor 7. A major 8. F-sharp minor 9. E major 10. C-sharp minor 11. B major

Prelude (music)

minor keys and was published posthumously. ; Casimir Ney wrote a collection of 24 Preludes in all major and minor keys for solo viola from 1849–53. ; Frédéric Chopin wrote 24 Preludes, Op. 28, which cycle through all of the major and minor keys. The odd numbered preludes are in major keys, starting with C major, and each is followed by a prelude in the relative minor key. The paired preludes proceed through the circle of fifths (C major and A minor; G major and E minor; D major and B minor; etc.). Most can be played as stand-alone pieces. ; Alexandre-Pierre François Boëly wrote many Préludes,

Prelude and Fugue in F minor, BWV 881

The Prelude and Fugue in F minor, BWV 881, is a keyboard composition written by Johann Sebastian Bach. It is the twelfth prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.

Prelude in E minor, Op. 11, No. 4 (Scriabin)

Alexander Scriabin's Prelude in E minor, Op. 11, No. 4, composed in Moscow in 1888, was the first of the 24 preludes, Op. 11 written by Scriabin. Intended originally as a ballade, the piece was reworked to its present form and entitled Prelude. Despite the fact that both hands have beautiful melodies indicated with tenutos in bars 1–3–9–11, and the alto voice in the 16, the one for the left hand seems to take the credit as the most beautiful between the two. Tenths arpeggiated in bars 20–23 lead to the top note of the chord to fall on the beat. This composition's structural form is A (bars 1–8), A repeated (9–14), bridge (15–19), and coda (20–24), being that the second phrase repeats the first a fourth lower. It is 24 bars long with a Lento tempo marking, and it takes about two minutes to be played.

Préludes piano ; 1901 -style="vertical-align: top" ; 31 ; 4 Préludes piano ; 1903 -style="vertical-align: top" ; 33 ; 4 Préludes piano ; 1903 -style="vertical-align: top" ; 35 ; 3 Préludes piano ; 1903 -style="vertical-align: top" ; 37 ; 4 Préludes piano ; 1903 -style="vertical-align: top" ; 39 ; 4 Préludes piano ; 1903 -style="vertical-align: top" ; data-sort-value="999"|45#3 ; Prélude in E-flat major, No. 3 from 3 Morceaux, Op. 45 ; piano ; 1904 -style="vertical-align: top" ; 48 ; 4 Préludes piano ; 1905 -style="vertical-align: top" ; data-sort-value="999"|49#2 ; Prélude in F major, No. 2 from 3 Morceaux, Op. 49 ; piano ; 1905 -style="vertical-align: top" ; data-sort-value="999"|51#2 ;

Preludes (Rachmaninoff)

In 1892, Rachmaninoff published Morceaux de fantaisie as his Op. 3. This contained five assorted piano pieces all with different titles, the second of which was the Prelude in C minor. Eventually, however, due to the popularity of the piece, Rachmaninoff grew to dislike the piece. He gave the nickname "Frankenstein" to the prelude due to the frequency of its playing.

Prelude in G minor (Rachmaninoff)

Prelude in G minor, Op. 23, No. 5, is a piece of music by Sergei Rachmaninoff, completed in 1901. It was included in his Opus 23 set of ten preludes, despite having been written two years earlier than the other nine. Rachmaninoff himself premiered the piece in Moscow on February 10, 1903, along with Preludes No. 1 and 2 from Op. 23.

Alexander Yossifov

"Prelude and Fuga" No 2, for 2 Pianos, 8 hands, was awarded the Grand-Prix "Kanebo" in Tokyo, Japan at the Sixth International Competition for Piano Duo Composition in 1999.

Prelude (music)

Frédéric Chopin (1810–1849) wrote a set of 24 preludes, Op. 28, often composed in a simple ternary form, which liberated the prelude from its original introductory purpose and allowed it to serve as an independent concert piece. While other pianist-composers, including Muzio Clementi, Johann Nepomuk Hummel and Ignaz Moscheles, had previously published collections of preludes for the benefit of pianists unskilled at improvisatory preluding, Chopin's set renewed the genre. Chopin's set served as a model for other collections of 24 or 25 piano preludes in the major and minor keys, including those by Charles-Valentin Alkan (Op. 31 for piano or organ), Ferruccio Busoni (Op. 37, BV 181), César


Question: Who was the composer of Piano Concerto?

Answer: Tan Dun

Answer: Dun Tan

Piano Concerto (Carter)

The Concerto for Piano is a composition for solo piano and orchestra by the American composer Elliott Carter. The work was commissioned by the pianist Jacob Lateiner with support from the Ford Foundation. It was composed between 1964 and 1965 and was first performed at Symphony Hall, Boston on January 6, 1967, by Lateiner and the Boston Symphony Orchestra under the conductor Erich Leinsdorf. The piece was dedicated to the composer Igor Stravinsky for his 85th birthday.

Piano Concerto (Beach)

The Piano Concerto in C-sharp minor, Op. 45, is a composition for solo piano and orchestra in four movements by the American composer Amy Beach. The work was composed between September 1898 and September 1899. It was first performed in Boston on April 7, 1900, with the composer as the soloist and the Boston Symphony Orchestra performing under the conductor Wilhelm Gericke. The composition is dedicated to the musician Teresa Carreño and was the first piano concerto by an American female composer.

Piano Concerto No. 3 (Rachmaninoff)

Rachmaninoff composed the concerto in Dresden completing it on September 23, 1909. Contemporary with this work are his First Piano Sonata and his tone poem The Isle of the Dead. Owing to its difficulty, the concerto is respected, even feared, by many pianists. Josef Hofmann, the pianist to whom the work is dedicated, never publicly performed it, saying that it "wasn't for" him. Gary Graffman lamented he had not learned this concerto as a student, when he was "still too young to know fear". Due to time constraints, Rachmaninoff could not practice the piece while in Russia. Instead, he practiced it on a silent keyboard that he brought with him while en route to the United States. The concerto

Piano Concerto (Paderewski)

The Piano Concerto in A minor, Op. 17, is the only piano concerto written by the Polish composer and pianist Ignacy Jan Paderewski. It was written in the composer's twenties, with the first movement dating back to 1882, although the majority of the work was composed in 1888 and scored in 1889. After its completion, the composer showed the concerto to his friend Saint-Saëns, who admired it, and especially the andante movement. It premiered the same year in Vienna, achieving great success, where it was conducted by Hans Richter. The work was dedicated to Paderewski's teacher Theodor Leschetizky.

Concerto for Two Pianos (Stravinsky)

The Concerto for Two Pianos (sometimes also referred to as Concerto for Two Solo Pianos or rather as its Italian original name, Concerto per due pianoforti soli) is a composition by Russian composer Igor Stravinsky. It was finished on November 9, 1935 and, together with his Sonata for Two Pianos, is considered nowadays as one of his major compositions for piano during his neoclassical period. It was also Stravinsky's first work after becoming a French citizen.

Piano concerto

Piano concerto

A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist.

Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal role to the piano soloist, with orchestra instrumentalists and sections introducing key musical themes and playing virtuostic parts for their instruments and in which there is a "dialogue" or "conversation" between the piano soloist and the orchestra. When music students and music competition auditionees play piano concertos, the orchestra part may be performed in an orchestral reduction, a conversion of the orchestra parts into a part for an accompanist playing piano or pipe organ, as it is very expensive to hire a full orchestra. Keyboard concerti were common in the time of Johann Sebastian Bach in the Baroque music era, during the Classical period and during the Romantic music era (1800–1910). Keyboard concertos are also written by contemporary classical music composers. Twentieth- and 21st-century piano concertos may include experimental or unusual performance techniques. In the 20th and 21st centuries, J. S. Bach's harpsichord concertos are sometimes played on piano. There are variant types of piano concertos, including double piano concertos, for two solo pianists and orchestra, and double or triple (or larger solo groups) concertos in which the piano soloist is joined by a violinist, cellist, or another instrumentalist.

Piano Concerto (Schumann)

Piano Concerto (Schumann)

The Piano Concerto in A minor, Op. 54, by the German Romantic composer Robert Schumann was completed in 1845 and is the composer's only piano concerto. The complete work was premiered in Dresden on 4 December 1845. It is one of the most widely performed and recorded piano concertos from the Romantic period.

Piano Concerto No. 3 (Rachmaninoff)

Piano Concerto No. 3 (Rachmaninoff)

Sergei Rachmaninoff's Piano Concerto No. 3 in D minor, Op. 30, was composed in the summer of 1909. The piece was premiered on November 28 of that year in New York City with the composer as soloist, accompanied by the New York Symphony Society under Walter Damrosch. The work has the reputation of being one of the most technically challenging piano concertos in the standard classical piano repertoire.

Piano Concerto No. 1 (Tchaikovsky)

Piano Concerto No. 1 (Tchaikovsky)

The Piano Concerto No. 1 in B minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein, criticised the piece. Rubinstein later withdrew his criticism and became a fervent champion of the work. It is one of the most popular of Tchaikovsky's compositions and among the best known of all piano concerti.

From 2021 to 2022, it served as the sporting anthem of the Russian Olympic Committee as a substitute of the country's actual national anthem as a result of the doping scandal that prohibits the use of its national symbols.

Piano Concerto (Grieg)

Piano Concerto (Grieg)

The Piano Concerto in A minor, Op. 16, composed by Edvard Grieg in 1868, was the only concerto Grieg completed. It is one of his most popular works and is among the most popular of the genre.

Piano Concerto No. 1 (Lieberson)

The Piano Concerto No. 1 is a composition for solo piano and orchestra by the American composer Peter Lieberson. The work was commissioned by the Boston Symphony Orchestra for its centennial. Lieberson started composing the piece in 1980 and completed it on March 2, 1983. It was written for the pianist Peter Serkin, who first performed the concerto with the Boston Symphony Orchestra under the direction of Seiji Ozawa on April 21, 1983. The piece is dedicated to Peter Serkin and Seiji Ozawa. It was a finalist for the 1984 Pulitzer Prize for Music.

Piano Concerto (Schumann)

Piano Concerto (Grieg)

Edmund Neupert on April 3, 1869 in Copenhagen, with Holger Simon Paulli conducting. Some sources say that Grieg himself, an excellent pianist, was the intended soloist, but he was unable to attend the premiere owing to commitments with an orchestra in Christiania (now Oslo). Among those who did attend the premiere were the Danish composer Niels Gade and the Russian pianist Anton Rubinstein, who provided his own piano for the occasion. Neupert was also the dedicatee of the second edition of the concerto (Rikard Nordraak was the original dedicatee), and James Huneker said that he himself composed the first movement

Piano Concerto (Copland)

The Concerto for Piano and Orchestra is a musical composition by the American composer Aaron Copland. The work was commissioned by the conductor Serge Koussevitzky who was then music director of the Boston Symphony Orchestra. It was first performed on January 28, 1927, by the Boston Symphony Orchestra conducted by Koussevitzky with the composer himself as the soloist. The piece is dedicated to Copland's patron Alma Morgenthau Wertheim.

Piano Concerto No. 4 (Ries)

The Piano Concerto No. 4 in C minor, Op. 115 by Ferdinand Ries was composed in Bonn in 1809 but was not published until 1823 when it was released by both H.A. Probst of Leipzig and Birchall & Cº of London with a dedication to Ignaz Moscheles.

Piano Concerto (Respighi)

The Piano Concerto in A minor by Ottorino Respighi is a concerto for piano and orchestra written in 1902 and published in 1941. The work takes around 20 minutes to perform.

Piano Concerto No. 3 (Rachmaninoff)

Sergei Rachmaninoff's Piano Concerto No. 3 in D minor, Op. 30, was composed in the summer of 1909. The piece was premiered on November 28 of that year in New York City with the composer as soloist, accompanied by the New York Symphony Society under Walter Damrosch. The work often has the reputation of being one of the most technically challenging piano concertos in the standard classical piano repertoire.

Piano Concerto No. 1 (Liszt)

Franz Liszt composed his Piano Concerto No. 1 in E major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes. It premiered in Weimar on February 17, 1855, with Liszt at the piano and Hector Berlioz conducting.

List of compositions for piano and orchestra

Piano Concerto in D (1855) ; Adolphe Biarent ; Rapsodie Wallone (1910) ; Boris Blacher ; Piano Concerto No. 1 (1947) ; Piano Concerto No. 2 (In variable metres) (1952) ; Variations on a Theme of Muzio Clementi (1961) ; Howard Blake ; Piano Concerto ; Arthur Bliss ; Piano Concerto in B-flat (1939) ; Ernest Bloch ; Concerto symphonique in B minor (1947-8) ; Scherzo fantastique (1948) ; Felix Blumenfeld ; Allegro de concert in A major, Op. 7 (1889) ; Emil Bohnke ; Concerto in D minor for piano and orchestra, Op. 14 (1925) ; François-Adrien Boieldieu ;

Piano Concerto No. 1 (Glazunov)

Alexander Glazunov composed his Piano Concerto No. 1 in F minor, Opus, 92, in 1911, during his tenure as director of the St. Petersburg Conservatory. The concerto is dedicated to Leopold Godowsky, whom Glazunov had heard on tour in St. Petersburg in 1905.

Piano Concerto (Massenet)

Jules Massenet's Piano Concerto is a 1902 work for piano solo and orchestra. It is scored for a typical-sized ensemble of the time. The concerto was performed in 1903 by Louis Diémer at the Conservatoire de Paris. After the premiere, it quickly fell into obscurity and is seldom heard today.

Luigi Dallapiccola ; Piano Concerto ; Franz Danzi ; Piano Concerto in E-flat major ; Peter Maxwell Davies ; Piano Concerto (1997) ; Claude Debussy ; Printemps, L. 61 (1887), symphonic suite for choir, piano, and orchestra ; Fantaisie, L. 73 (1889–90) ; Arthur De Greef ; Piano Concerto No. 1 in C minor (1914) ; Piano Concerto No. 2 in B-flat minor (1930) ; Frederick Delius ; Piano Concerto in C minor (1897–1906) ; Peter Dickinson ; Piano Concerto (1984) ; Issay Dobrowen ; Piano Concerto in C sharp minor, Op. 20 (1926) ; Ernő Dohnányi ; Piano Concerto No. 1 in E minor, Op. 5 (1897-8) ; Variations on a Nursery Tune, Op. 25 (1914) ; Piano

Piano Concerto No. 1 (Tchaikovsky)

The Piano Concerto No. 1 in B minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. It was revised in the summer of 1879 and again in December 1888. The first version received heavy criticism from Nikolai Rubinstein, Tchaikovsky's desired pianist. Rubinstein later withdrew his accusations and became a fervent champion of the work. It is one of the most popular of Tchaikovsky's compositions and among the best known of all piano concerti.

Piano Concerto No. 2 (Rachmaninoff)

The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninoff between the autumn of 1900 and April 1901. The second and third movements were first performed with the composer as soloist on 2 December 1900. The complete work was premiered, again with the composer as soloist, on 9 November 1901, with his cousin Alexander Siloti conducting. This piece established Rachmaninoff's fame as a concerto composer and is one of his most enduringly popular pieces.

Piano Concerto No. 24 (Mozart)

The Piano Concerto No. 24 in C minor, K. 491, is a concerto composed by Wolfgang Amadeus Mozart for keyboard (usually a piano or fortepiano) and orchestra. Mozart composed the concerto in the winter of 1785–1786, finishing it on 24 March 1786, three weeks after completing his Piano Concerto No. 23 in A major. As he intended to perform the work himself, Mozart did not write out the soloist's part in full. The premiere was in early April 1786 at the Burgtheater in Vienna. Chronologically, the work is the twentieth of Mozart's 23 original piano concertos. The work is one of only two minor-key piano concertos that Mozart composed, the other being the No. 20


Question: Who was the composer of Reißt euch los, bedrängte Sinnen, BWV 224?

Answer: Johann Sebastian Bach

Answer: Bach

Answer: J.S. Bach

Answer: J. S. Bach

Answer: J S Bach

Reißt euch los, bedrängte Sinnen (You are torn loose, afflicted sinners), BWV 224, is a cantata by Johann Sebastian Bach. He composed it in Leipzig in 1724 for an unknown occasion. The author of the text is unknown and there are only 30 measures of aria for soprano extant, copied by C. P. E. Bach.

Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47

Johann Sebastian Bach composed the church cantata Wer sich selbst erhöhet, der soll erniedriget werden (Whoever exalts himself, will be abased / KJV: For whosoever exalteth himself shall be abased), BWV47, in Leipzig for the 17th Sunday after Trinity and first performed it on 13 October 1726.

It is Bach's earliest surviving secular cantata, composed while he was employed as court organist in Weimar. The work may have been intended as a gift from Bach's employer, William Ernest, Duke of Saxe-Weimar, for his neighbouring ruler, Duke Christian, who was a keen hunter. Bach is known to have stayed in Weißenfels in 1713 for the birthday celebrations. He went on to earn more commissions from Saxe-Weissenfels, and in 1729, Bach was appointed Royal Kapellmeister, but this position as court composer did not require residence at court.

Laß, Fürstin, laß noch einen Strahl, BWV 198

Laß, Fürstin, laß noch einen Strahl (Let, Princess, let still one more glance) is a secular cantata composed as a funeral ode by Johann Sebastian Bach, first performed on 17 October 1727. In Wolfgang Schmieder's catalogue of Bach's works (BWV) it was assigned the number 198. It is also known as Trauerode or as Trauerode: auf den Tod der Königin Christiane Eberhardine.

Bach-Werke-Verzeichnis

Herz und Munde (cantata) ; BWV 221 – Wer sucht die Pracht, wer wünscht den Glanz (cantata) ; BWV 222 – Mein Odem ist schwach (cantata) ; BWV 223 – Meine Seele soll Gott loben (cantata) ; BWV 224 – Reißt euch los, bedrängte Sinnen (cantata) ; BWV 225 – Singet dem Herrn ein neues Lied (motet) ; BWV 226 – Der Geist hilft unser Schwachheit auf (motet) ; BWV 227 – Jesu, meine Freude (motet) ; BWV 228 – Fürchte dich nicht (motet) ; BWV 229 – Komm, Jesu, komm (motet) ; BWV 230 – Lobet den Herrn, alle

Category:Cantatas by Johann Sebastian Bach

List of Bach cantatas

List of Bach cantatas

This is a sortable list of Bach cantatas, the cantatas composed by Johann Sebastian Bach. His almost 200 extant cantatas are among his important vocal compositions. Many are known to be lost. Bach composed both church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and secular cantatas.

Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. He began regular composition of church cantatas in Weimar between 1708 and 1717, writing one cantata per month. In his next position in Köthen, he composed no church cantatas, but secular cantatas for the court. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first year there, starting after Trinity, Bach regularly composed a new cantata every week in his Bach's first cantata cycle. The following year, he followed the format, now basing each cantata on a Lutheran hymn in the chorale cantata cycle. He was less rigid over the following years, but still produced new compositions in his third to fifth years, the Picander cycle of 1728–29, and late works known up to 1745.

Bach also composed cantatas for other church services such as weddings and (the inauguration of a new town council), and he wrote secular cantatas, around 50 known works, for occasions such as academic functions of the University of Leipzig, and anniversaries and entertainment among the nobility and in society.

The list includes both extant cantatas and, as far as known, lost cantatas. It is sortable by the cantata number which equals the number in the Bach-Werke-Verzeichnis (BWV), by title, by occasion during the liturgical year, the year of composition and date of first performance, as far as known. The scoring is provided, grouped by singers and groups of instruments. Colouring shows which cantatas are not extant church cantatas and which works were not even composed by Bach, but attributed to him in the past. A link to the free score of the Bach Gesellschaft in the International Music Score Library Project (IMSLP) is provided if available.

Bach-Werke-Verzeichnis

Bach-Werke-Verzeichnis

The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV, was published in 1998.

The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions.

Bach cantatas in honour of the Electors of Saxony are known, for example "Ihr Häuser des Himmels, ihr scheinenden Lichter", BWV 193.1, a name day cantata written in 1727 for Frederick Augustus II's father and predecessor. Was mir behagt, ist nur die muntre Jagd, BWV 208a The libretto of the original cantata was written by Salomon Franck for the occasion of the 31st birthday of Duke Christian of Saxe-Weissenfels. Apart from text adjustments in Bach's autograph score, such as the replacement of the name "Christian" by "Ernst August", the music of the BWV 208.2 version is deemed identical (or at

Bach composed Tönet, ihr Pauken! in 1733, ten years after he became Thomaskantor in Leipzig, director of music in major churches in the town in the Electorate of Saxony. That year, Augustus succeeded his father as Elector of Saxony. Bach had hopes of being appointed composer to his court which was based in Dresden. He dedicated his Kyrie–Gloria Mass in B minor to the elector, a work which was to become the Kyrie and Gloria of his Mass in B minor. Bach also composed cantatas in honour of the elector's family, Laßt uns sorgen, laßt uns wachen, BWV 213, performed on 5 September 1733, the eleventh birthday of the son of the elector, and another for his wife, Maria Josepha. Bach composed Tönet, ihr Pauken! to honour the 34th birthday of Maria Josepha on 8 December. It is also known by the description Glückwunschkantate zum Geburtstage der Königin

Was Gott tut, das ist wohlgetan

as cantor. Klesch used the melody for two different hymn texts—"Brich an, verlangtes Morgenlicht" and "Der Tag, der ist so freudenreich"—in the Andächtige Elends-Stimme published by his brother Christoph Klesch in 1679. The Klesch hymnbook names four of the 44 hymn melodies it contains as being known and two as being composed by a king and a count; it describes the remaining 38—without further precision—as being written by Severus Gastorius and Johann Hancken, cantor in Strehlen in Silesia. The text and melody of Rodigast's hymn were published together for the first time in 1690 in the Nürnbergische Gesangbuch, with the composer marked as "anonymous". Before that the melody with

Johann Rudolph Ahle

1673. His immediate successor at the church was his son Johann Georg, and then briefly Johann Sebastian Bach, who worked in Mühlhausen in 1707/08. Much of Ahle's compositional output consists of sacred choral and vocal works, instrumental music, and organ music. He is best known for motets and sacred concertos (most of them in German, some in Latin) contained in the collection Neu-gepflanzte Thüringische Lust-Garten, in welchem ... Neue Geistliche Musicalische Gewaechse mit 3, 4, 5, 6, 7, 8, 10 und mehr Stimmen auf unterschiedliche Arten mit und ohne Instrument ... versetzet (1657–65). He is also known for hymn melodies, of which three remain in the common German Protestant hymnal Evangelisches Gesangbuch, including "Liebster Jesu, wir sind hier" and "Morgenglanz der Ewigkeit". The melody of the latter was used by Friedrich Dörr for the Advent song "Kündet allen in der Not".

Motet

BWV 225 Singet dem Herrn ein neues Lied (1726) ; BWV 226 Der Geist hilft unser Schwachheit auf (1729) ; BWV 227 Jesu, meine Freude (?) ; BWV 228 Fürchte dich nicht (?) ; BWV 229 Komm, Jesu, komm (1730?) ; BWV 230 Lobet den Herrn, alle Heiden (?) Johann Sebastian Bach wrote works he called motets, relatively long pieces in German on sacred themes for choir and basso continuo, with instruments playing colla parte, several of them composed for funerals. Six motets certainly composed by Bach are:  The funeral cantata O Jesu Christ, meins Lebens Licht, BWV 118 (1736–37?) is regarded as a motet. The motet Sei Lob und Preis mit Ehren, BWV 231 is an arrangement of a movement from Bach's Cantata 28, and the authenticity of the arrangement is not certain. For a few more motets, such as Ich lasse dich nicht, BWV Anh 159, Bach's authorship is debated.

Brich dem Hungrigen dein Brot, BWV 39

Lazarus, ). Bach's first cantata for the occasion, Die Elenden sollen essen, BWV 75 (1723), had concentrated on the contrast between the rich and the poor; and the second, the chorale cantata O Ewigkeit, du Donnerwort, BWV 20 (1724), concerned repentance when faced with death and eternity. In contrast the libretto of Brich dem Hungrigen dein Brot took as its theme gratitude for God's gifts and the duty to share them with the needy. The libretto used by Bach for BWV 39 comes the 1704 collection for Meiningen, entitled Sonntags- und Fest-Andachten; these religious texts have been attributed to Ernst Ludwig I, Duke of Saxe-Meiningen,

Fallt mit Danken, fallt mit Loben, BWV 248 IV

a festive Baroque orchestra with horns, oboes and strings. The opening chorus and the two arias are based on his earlier secular cantata Laßt uns sorgen, laßt uns wachen, BWV 213, composed for the 11th birthday of the crown prince of Saxony on 5September 1733. The tenor soloist, in the role of the Evangelist, narrates the Biblical verse in recitative style. The choir sings the elaborate opening movement and the closing chorale, a four-part setting of a stanza from Johann Rist's "Hilf, Herr Jesu, laß gelingen". Four solo movements reflect the name of Jesus, and life for him. Bach led the first performances at the two main churches of Leipzig in a morning service and a vespers service on 1January 1735.

List of motets by Johann Sebastian Bach

Singet dem Herrn ein neues Lied (Sing unto the Lord a new song), BWV 225, is a motet in B-flat major scored for two four-part choirs (SATB) which was first performed in Leipzig around 1727. This motet uses Psalm 149:1–3 for its first movement, the third stanza of "Nun lob, mein Seel, den Herren" (a 1530 hymn after Psalm 103 by Johann Gramann) for the second movement, and Psalm 150:2 and 6 for its third movement. ; Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness), BWV 226, a motet in B-flat major scored for two four-part choirs, was

Herrscher des Himmels, erhöre das Lallen, BWV 248 III

In 1723, as part of his first cantata cycle: Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 ; In 1724, as part of his second cantata cycle: Ich freue mich in dir, BWV 133 ; In 1725, as part of his third cantata cycle: Süßer Trost, mein Jesus kömmt, BWV 151 Laßt uns sorgen, laßt uns wachen, BWV 213, also known as Hercules am Scheidewege (Hercules at the Crossroads), on a libretto by Picander, was performed on 5 September 1733, the 11th birthday of the son of the elector; ; Tönet, ihr Pauken! Erschallet, Trompeten! BWV 214 (Resound, ye drums! Ring out,

Mein Herze schwimmt im Blut, BWV 199

the parable of the Pharisee and the Tax Collector. The text, which concerns a sinner seeking and finding redemption, was written by Georg Christian Lehms. Lehms was based in Darmstadt, and it is not known whether Bach knew him personally, but he may well have had access to Lehms's 1711 publication Gottgefälliges Kirchen-Opffer, which includes this text and that of another solo cantata, Widerstehe doch der Sünde, BWV 54, performed the month before. The third stanza of Johann Heermann's hymn "Wo soll ich fliehen hin" is integrated as the sixth movement, to the melody of "Auf meinen lieben Gott". The text in

Erfreut euch, ihr Herzen, BWV 66

zweiten Osterfesttag") is Bach's first composition for Easter in Leipzig, written in his first year in office. The day before, on Easter Sunday of 1724, he had performed Christ lag in Todes Banden, BWV 4, which he had composed much earlier in his career. The new cantata was derived from his earlier secular work, the Serenata Der Himmel dacht auf Anhalts Ruhm und Glück composed in Köthen. On the Third Day of Easter of 1724 he performed Ein Herz, das seinen Jesum lebend weiß, BWV 134, which he derived in a similar way from Die Zeit, die Tag und Jahre macht, BWV 134a, a cantata to celebrate the New Year's Day of 1719 in Köthen. The prescribed readings for the feast day were from the Acts of the Apostles, the

lob, mein Seel, den Herren ; BuxWV 216 — O Lux beata, Trinitas (fragment) ; BuxWV 217 — Puer natus in Bethlehem ; BuxWV 218 — Te Deum laudamus (chorale fantasia) ; BuxWV 219 — Vater unser im Himmelreich ; BuxWV 220 — Von Gott will ich nicht lassen ; BuxWV 221 — Von Gott will ich nicht lassen ; BuxWV 222 — War Gott nicht mit uns diese Zeit ; BuxWV 223 — Wie schön leuchtet der Morgenstern (chorale fantasia) ; BuxWV 224 — Wir danken dir, Herr Jesu Christ Buxtehude composed chorale preludes on the following hymns:

Bach appears to have revived the work a few years after its original performance, this time in honour of Duke Ernst August, the co-ruler of Saxe-Weimar, who was also a hunter (BWV 208.2). While he was living in Leipzig he arranged music from two arias for the church cantata Also hat Gott die Welt geliebt, BWV 68 (composed in 1725) and the final chorus for Man singet mit Freuden vom Sieg, BWV 149 (1728 or 1729). Bach further adapted the entire cantata in 1742 as a name day cantata for Augustus III (BWV 208.3).

Herzlich lieb hab ich dich, o Herr

Several composers used the tune, some also the text. chorale preludes were composed by Johann Friedrich Alberti and Bach (BWV 340 and BWV 1115 ), among others. Heinrich Schütz composed both a Geistliches Konzert (Sacred concerto, SWV 348) and a motet (SWV 387). Dieterich Buxtehude wrote an extensive cantata (BuxWV 41), probably for a church concert at the Marienkirche in Lübeck, a work regarded as a major Baroque cantata because of its clear architecture and thoughtful interpretation of the text. Johann Ernst Bach composed a sacred cantata. Johann Sebastian Bach used the hymn in his cantatas and notably to conclude his St John Passion. In 1724, he used stanza 3, "Ach Herr, laß dein lieb Engelein" (Ah Lord, let thine own angels dear), in the first version of the work, and returned to it in the fourth and last version. In Es

Bach cantata

1730: Jauchzet Gott in allen Landen, BWV 51 ; 1731: Wir danken dir, Gott, wir danken dir, BWV 29 * Schwingt freudig euch empor, BWV 36 ; 1732: Ich ruf zu dir, Herr Jesu Christ, BWV 177 * Was Gott tut, das ist wohlgetan, BWV 100 ; 1733: Kyrie–Gloria Mass, BWV 232 I (early version) * Laßt uns sorgen, laßt uns wachen, BWV 213 ; 1734: Preise dein Glücke, gesegnetes Sachsen, BWV 215 * Christmas Oratorio ; 1735: Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) ; 1738?: Kyrie–Gloria Masses, BWV 233–236 ; 1742: Gott, man lobet dich in der Stille, BWV 120 * Mer hahn en neue Oberkeet, BWV 212 ; 1744?: O holder Tag, erwünschte Zeit, BWV 210 ; 1745: Gloria in excelsis Deo, BWV 191 ; 1748?: Mass in B minor, BWV 232 (largely a compilation of previously composed music) Not belonging to the foregoing:

Praise to the Lord, the Almighty

Johann Sebastian Bach used the chorale as the base for his chorale cantata Lobe den Herren, den mächtigen König der Ehren, BWV 137, in 1725. Although only the text of the outer stanzas was kept completely, he referred to the unusual melody in bar form with a Stollen of five measures and a climax at the beginning of the Abgesang in all movements but one. Conductor John Eliot Gardiner assumes, looking at the festive instrumentation and the general content of praise and thanksgiving, that the cantata was also performed that year to celebrate Ratswahl, the inauguration of the Leipzig city council. In 1729 Bach concluded his wedding cantata Herr Gott, Beherrscher aller Dinge, BWV 120a, with the final movement of the chorale cantata, transposed to D major.


Question: Who was the composer of Homecoming?

Answer: Sammy Adams

Answer: Samuel Adams Wisner

The Homecoming (album)

The Homecoming is a 1975 album by Canadian composer, pianist, and vibraphonist Hagood Hardy. Six of the tracks were composed by Hardy. The album also contained fellow Canadian musician Gordon Lightfoot's song "Cold on the Shoulder" and five songs by other songwriters. It reached #21 on the RPM Magazine Top Albums chart in October, 1975. In 1976, based on the music in this collection, Hardy was named Composer of the Year at the annual Juno Awards.

Hagood Hardy

Hugh Hagood Hardy, (February 26, 1937 – January 1, 1997) was a Canadian composer, pianist, and vibraphonist. He played mainly jazz and easy listening music. He is best known for the 1975 single, "The Homecoming" from his album of the same name, and for his soundtrack to the Anne of Green Gables and Anne of Avonlea films.

The Homecoming (painting)

The Russian composer Sergei Rachmaninoff was inspired by The Homecoming when he wrote his Prelude No. 10 in B minor, Op. 32. Valentine Antipov believed that the title The Return was relevant to the narrative of the set of preludes. Another composition by Rachmaninoff, his symphonic poem Isle of the Dead was inspired by Bocklin's painting of the same name.

Robert Lannoy

the music for the documentary film Homecoming, recounting the return of prisoners after the Second World War and directed by Henri Cartier-Bresson. For the radio, and at the request of Henri Dutilleux, he composed La légende des pays alliés by Louise de Vilmorin He competed again for the Prix de Rome in 1946 and obtained a second major prize, which earned him the position of director of the Conservatoire de Lille. It was during this period that he married pianist Lola Delwarde, who had a brilliant career as a concert pianist. He conducted many concerts and introduced a whole generation of Lille students to music. Lannoy died in Lille in June 1979.

The Homecoming (album)

The title track, "The Homecoming", started out as music to a 1972 TV commercial for Salada tea. After being included in this album, it was released as a single in 1975 on the Isis label through the Toronto company, Hagood Hardy Productions. It rose to #14 on the Canadian charts, and to #41 on the pop and #6 on the easy listening US charts. It was certified Gold in Canada.

Homecoming (Kanye West song)

Homecoming (Kanye West song)

"Homecoming" is a song by American hip-hop recording artist Kanye West. It was included as the twelfth song on his third studio album "Graduation" (2007). The track was produced by West with Warryn Campbell and features a guest appearance from Chris Martin, lead vocalist of the British alternative rock band Coldplay. Martin sings the song's chorus and outro and provides a piano-driven motif. The song is a hip hop beat with pop-oriented refrains while also integrating elements of post-punk and new wave with arena rock sensibilities. "Homecoming" is written as a tribute dedicated to West's hometown of Chicago, Illinois. His conceptual lyricism expresses an extended metaphor where he personifies Chicago as a childhood sweetheart to convey his relationship with the city.

A reworking of a track entitled "Home (Windy)," the song first originated from a 2001 demo tape. While the lyrical content of the verses largely remain the same, the lyrics of the chorus for the original incarnation of "Homecoming" are different and were sung by singer John Legend. In addition, this recording had exhibited West's once trademark soulful vocal sample production style. "Homecoming" came about when West met Martin for the first time by chance at the famed Abbey Road Studios in London in February 2006. Afterwards, the two held an impromptu jam session and recorded the track, with Martin requesting that West alter the tone of his approach to the songwriting and production.

Although it was intended be the lead single of "Graduation", the song was released as the fifth and final single from the album on February 18, 2008. The single was met with moderate commercial success in the United States and Canada. It was more successful overseas, peaking in the top twenty on European charts and reaching the top-ten positions in Ireland and the United Kingdom. "Homecoming" has since been certified Platinum by the Recording Industry Association of America (RIAA).

Upon its release, "Homecoming" received mixed reviews from contemporary music critics. Though West was complimented for his introspective lyricism and storytelling abilities, Martin's contribution was met with polarizing reactions, with many criticizing his appearance due to him not being from Chicago. An accompanying music video for the single was directed by Hype Williams and filmed in Chicago. Shot entirely in black-and-white, the video features a montage of West traversing the streets of Chicago and showcases its landmarks, monuments and people. The music video was very well-received and praised for the way West's hometown is visually paid homage. It was nominated for Best Hip-Hop Video at the 2008 MTV Video Music Awards.

The Homecoming (album)

The Homecoming (album)

The Homecoming is a 1975 album by Canadian composer, pianist, and vibraphonist Hagood Hardy. Six of the tracks were composed by Hardy. The album also contained fellow Canadian musician Gordon Lightfoot's song "Cold on the Shoulder" and five songs by other songwriters. It reached #21 on the "RPM Magazine" Top Albums chart in October, 1975.

In 1976, based on the music in this collection, Hardy was named Composer of the Year at the annual Juno Awards.

Spider-Man: Homecoming

Spider-Man: Homecoming

Spider-Man: Homecoming is a 2017 American superhero film based on the Marvel Comics character Spider-Man, co-produced by Columbia Pictures and Marvel Studios, and distributed by Sony Pictures Releasing. It is the second Spider-Man film reboot and the 16th film in the Marvel Cinematic Universe (MCU). The film was directed by Jon Watts, from a screenplay by the writing teams of Jonathan Goldstein and John Francis Daley, Watts and Christopher Ford, and Chris McKenna and Erik Sommers. Tom Holland stars as Peter Parker / Spider-Man, alongside Michael Keaton, Jon Favreau, Gwyneth Paltrow, Zendaya, Donald Glover, Jacob Batalon, Laura Harrier, Tony Revolori, Bokeem Woodbine, Tyne Daly, Marisa Tomei, and Robert Downey Jr. In the film, Peter Parker tries to balance high school life with being Spider-Man while facing the Vulture (Keaton).

In February 2015, Marvel Studios and Sony reached a deal to share the film rights for Spider-Man, integrating the character into the established MCU. The following June, Holland was cast as the title character, and Watts was hired to direct. This was followed shortly by the hiring of Daley and Goldstein. In April 2016, the film's title was revealed, along with additional cast, including Downey in his MCU role of Tony Stark / Iron Man. Principal photography began in June 2016 at Pinewood Atlanta Studios in Fayette County, Georgia, and continued in Atlanta, Los Angeles, and New York City. The other screenwriters were revealed during filming, which concluded in Berlin in October 2016. The production team made efforts to differentiate the film from previous Spider-Man films.

"Spider-Man: Homecoming" premiered in Hollywood on June 28, 2017, and was released in the United States on July 7, as part of of the MCU. "Homecoming" grossed over $880million worldwide, becoming the second-most-successful Spider-Man film and the sixth-highest-grossing film of 2017. It received praise for the light tone, its focus on Parker's high school life, and the performances, particularly of Holland and Keaton. Two sequels have been released: "" (2019) and "" (2021). A new trilogy of live-action films from Sony and Marvel Studios is in development.

Hagood Hardy

Hagood Hardy

Hugh Hagood Hardy, (February 26, 1937 – January 1, 1997) was a Canadian composer, pianist, and vibraphonist. He played mainly jazz and easy listening music. He is best known for the 1975 single, "The Homecoming" from his album of the same name, and for his soundtrack to the "Anne of Green Gables" and "Anne of Avonlea" films.

The Homecoming

The Homecoming

The Homecoming is a two-act play written in 1964 by Harold Pinter and first published in 1965. Its premières in London (1965) and New York (1967) were both directed by Sir Peter Hall. The original Broadway production won the 1967 Tony Award for Best Play. Its 40th-anniversary Broadway production at the Cort Theatre was nominated for a 2008 Tony Award for "Best Revival of a Play".

Set in North London, the play has six characters. Five of these are men who are related to each other: Max, a retired butcher; his brother Sam, a chauffeur; and Max's three sons: Teddy, a philosophy professor in the United States; Lenny, a pimp who only makes discreet references to his "occupation" and his clientele and flats in the city (London); and Joey, a brute training to become a professional boxer and who works in demolition.

There is one woman, Ruth, Teddy's wife. The play concerns Teddy's and Ruth's "homecoming," which has distinctly different symbolic and thematic implications. In the initial productions and the film of the same name, Pinter's first wife, Vivien Merchant, played Ruth.

The Homecoming (film)

The Homecoming is a 1973 British-American drama film directed by Peter Hall based on the play of the same name by Harold Pinter. The film was produced by Ely Landau for the American Film Theatre, which presented thirteen film adaptations of plays in the United States from 1973 to 1975. The film was screened at the 1974 Cannes Film Festival, but was not entered into the main competition.

Homecoming!

Homecoming! is an album by jazz pianist Elmo Hope recorded in 1961 for the Riverside label.

Homecoming's March

Arranged by Averse Sefira ; Produced & Mixed by Averse Sefira & Stuart Lawrence ; Recording Engineer: Stuart Lawrence ; Mastered by Averse Sefira & Paul Connolly

The Homecoming (painting)

The Homecoming, (German: Die Heimkehr) also known as The Return or Returning Home, is a painting by the Swiss Symbolist artist Arnold Böcklin (1827-1901). It was painted by the artist in 1887, and is currently kept in a private collection.

Homecoming (2001 play)

Homecoming is an Off-Broadway one-person show by Lauren Weedman that premiered at Westside Theatre on September 10, 2001. Following the September 11 attacks, Weedman announced that the show would be postponed till January 21, 2002, with the venue changed to the Arclight Theatre.

Homecoming (1984 film)

Homecoming (似水流年) is a 1984 Hong Kong film directed by Yim Ho. It won the Best Film Award at the 4th Hong Kong Film Awards. The film was also selected as the Hong Kong entry for the Best Foreign Language Film at the 57th Academy Awards, but was not accepted as a nominee.

The Homecoming

performed at the Trafalgar Studios, London, starring John Macmillan, Keith Allen, John Simm, Gemma Chan, Ron Cook and Gary Kemp. Directed by Jamie Lloyd. Design by Soutra Gilmour. Lighting by Richard Howell. Sound by George Dennis. Others Other productions of The Homecoming have at times been listed on the home page of Pinter's official website and through its lefthand menu of links to the "Calendar" ("Worldwide Calendar"). A film with the same name was made in the UK in 1973, featuring several actors from the London premiere. The play was chosen by Lusaka Theatre Club as its entry for the 1967 Zambia Drama Festival, and was awarded prizes for best production and best actor (Norman Williams as Lenny). The director was Trevor Eastwood.

The Homecoming (painting)

List of paintings by Arnold Böcklin ; Preludes, Op. 32 (Rachmaninoff)

Roman Mints

MacMillan, Giacinto Scelsi and Marjan Mozetich. He has also given world premieres of over fifty works by Dobrinka Tabakova, Leonid Desyatnikov, Elena Langer, Ed Bennett, Brian Irvine, Diana Burrell, Artem Vassiliev, Alexey Kurbatov and others. In 1998, Roman Mints and oboist Dmitry Bulgakov founded the Homecoming Chamber Music Festival which takes place annually in Moscow. The core of Homecoming concert programmes are themed selections of works with one powerful underlying but not necessarily musical, idea behind them. Since the inception of the festival, Roman Mints has authored more than 60 such programmes. In April 2002, he co-directed the Suppressed Music project in Russia, which consisted of two concerts and a conference on composers whose music had been

David Hamilton (composer)

Choral's 150th anniversary. Serenade (2011) for SSAA choir and chamber orchestra The Necessary Rain (2012) a work for soprano, SAATBB choir, and orchestra Erebus (2015) a twenty-five minute work for baritone solo, mixed choir, percussion, two pianos and pre-recorded soundscape. Homecoming – Te Hokinga Mai (2018) for alto solo, SSATB choir, and chamber orchestra Orchestral works: Parabasis (1987) a fourteen minute work for orchestra Elysian Fields (1998) a thirteen minute work for orchestra Leukos (2000) a twenty-five minute work for large orchestra Caveat Emptor (2008) for orchestra Flight (2009) for orchestra Children of the Fire Gods (2012) for orchestra The Kingston Flyer (2013) for string orchestra

Fred Mollin

(1 episode) (composer) ; 1995 - Blind Faith (composer: theme music) ; 1995 - Baby Baby (composer: theme music) (musician) ; 1995 - The Outer Limits (TV series) (2 episodes) (Composer) ; 1995 - Hangtime (TV series) (composer - 1 episode) ; 1995 - Pilot (composer: theme music) ; 1994 - Gene Autry, Melody of the West (documentary) (composer) ; 1994 - The Odyssey (TV series) (13 episodes) (composer) ; 1993 - Phenom (TV series) (1 episode) (composer) ; 1993 - Liar, Liar: Between Father and Daughter (TV movie) (composer) ; 1993 - In Advance of the Landing (documentary) (composer) ; 1993 - Survive the Night (TV movie) (composer) ; 1992 - Amy

American Idiot (musical)

wanted to do the same, and drummer Tré Cool followed suit. Armstrong recalled, "It started getting more serious as we tried to outdo one another. We kept connecting these little half-minute bits until we had something." This musical suite became "Homecoming", and the group subsequently wrote another suite, "Jesus of Suburbia". Green Day made the record an album-long conceptual piece which was a response to the realities of the post-9/11 era. The band took inspiration from the concept records by The Who, sources in the musical theater repertoire like The Rocky Horror Show and West Side Story, and the concept album-come-stage musical Jesus Christ Superstar. Armstrong also said the band intended "that it would be staged or we'd create

Nilo Alcala

Motion picture soundtrack for "Homecoming" (directed by Gil Portes) 2003 ; Animation soundtrack for "Flower Trail" 2004

Homecoming Song

Homecoming Song (Το Τραγούδι της Επιστροφής, translit. To tragoudi tis epistrofis) is a 1983 Greek drama film directed by Yannis Smaragdis. It was entered into the 13th Moscow International Film Festival.

Exodus (soundtrack)

Themes. Other artists included piano player Anthony Burger for the Homecoming titled "I Do Believe", a disco version titled "Exo-Disco" by Huey Lewis & the American Express, a remix by techno-crossover pianist Maksim Mrvica, and it has even been used as the sample for the T.I. song "Bankhead". The original version was used as a theme song for professional wrestler Mr. Perfect, and later a takeoff of the original version would become his longtime theme song. Trey Spruance of the Secret Chiefs 3 rescored the theme for "surf band and orchestra" on the album 2004 Book of Horizons. The Chopsticks (a