EDITORIAL PHOTOGRAPHS AND PATTERNS OF PRACTICE
This paper proposes a new theoretical method to analyse patterns of photographic practice of editorial photography—using an “action genre” approach. That is, rather than taking final photographic forms as being definitive of genre, this new method identifies patterns of “activity types” involved in the production of editorial photography to be identified. While there has been much written on editorial photography, there is no organised body of scholarship that distinguishes between different modes of presenting patterns of photographic practice. Claims about the degree of influence of visual images and their ability to drive public opinion have not sufficiently considered the full impact of photographic production processes. Although patterns of activity in the image-making process are not directly evident in the published photograph, the process does impact upon the resulting meanings made.