The Gadfly
ethel lilian voynich
['lovecraft', 'mary wollstonecraft shelley', 'juvenal', 'naomi klein', 'lubavitcher rebbe', 'washington irving', 'peter farrelly', 'michael swanwick', 'patricia highsmith', 'olaf stapledon', 'arnold bennett', 'octave mirbeau', 'jin yong', 'louisa may alcott', 'mark twain', 'jim shooter', 'ferdowsi', 'david baldacci', 'michael moorcock', 'andrew clements', 'rainer maria rilke', 'king james vi', 'thomas pynchon', 'sigrid undset', 'jeff smith', 'feynman', 'jack kerouac', 'adolf hitler', 'ariosto', 'astrid lindgren', 'president lincoln', 'charles darwin', 'ian ogilvy', 'saint paul', 'mike krahulik', 'sergey lukyanenko', 'bibhutibhushan bandopadhyay', 'shel silverstein', 'gilles deleuze', 'tamora pierce', 'steele rudd', 'president roosevelt', 'honor harrington', 'iain banks', 'john knowles', 'jean van hamme', 'rolf boldrewood', 'mark halperin', 'nikos kazantzakis', 'carlo collodi', 'tennessee williams', 'isaac babel', 'walter farley', 'david peace', 'mary renault', 'gary brandner', 'lillian hellman', 'go nagai', 'free software foundation', 'billie holiday', 'dav pilkey', 'gottfried leibniz', 'aldous huxley', 'gore vidal', 'vertov', 'philip reeve', 'guy vanderhaeghe', 'arthur koestler', 'caleb carr', 'esther forbes', 'masashi kishimoto', 'mercedes lackey', 'corneille', 'leo tolstoy', 'diana wynne jones', 'voltaire', 'ronald', 'johann wolfgang von goethe', 'netscape', 'kalhana', 'victor hugo', 'germaine greer', 'montesquieu', 'john howard griffin', 'jim starlin', 'jason aaron', 'united nations', 'rambam', 'the pittsburgh cycle', 'keith waterhouse', 'john newton', 'douglas adams', 'cherith baldry', 'mary shelley', 'koushun takami', 'harry harrison', 'dwight', 'takako shimura', 'lee hall']
The Gadfly Suite
The Gadfly Suite, Op. 97a, is a suite for orchestra arranged from the composition by Dmitri Shostakovich (1906–1975) for the 1955 Soviet film The Gadfly, based on the novel of the same name by Ethel Lilian Voynich (1864–1960). This Suite, known as Op. 97a, is a selection of music derived from the film arranged by Soviet composer Levon Atovmian and has been recorded by several orchestras. As of the end of the twentieth century the complete score of the film had still not been recorded in its entirety.