waydowntown
Gary Burns
['mary harron', 'mike reiss', 'robert buckner', 'bert williams', 'mehmood', 'raymond chandler', 'james schamus', 'john cleese', 'scott fellows', 'louis ralph', 'gunnel linde', 'gy waldron', 'james ivory', 'ning hao', 'irwin allen', 'ray harryhausen', 'ryuhei kitamura', 'maxwell anderson', 'jimeoin', 'paul dehn', 'vikram bhatt', 'akira kurosawa', 'mary sweeney', 'antonio albanese', 'ishmael bernal', 'sundar rao nadkarni', 'robert rossen', 'steven moffat', 'hans alfredson', 'stephen wallace', 'tati', 'shoaib mansoor', 'krauss', 'valentine davies', 'george pal', 'basu chatterjee', 'hossein shahabi', 'jeremy scahill', 'ricardo franco', 'oshii', 'werner herzog', 'seenu ramasamy', 'al adamson', 'lincoln child', 'denys desjardins', 'glenn close', 'tarun mansukhani', 'naomi kawase', 'billy wilder', 'hans weingartner', 'robert townsend', 'delia ephron', 'scott shaw', 'mark steven johnson', 'danny strong', 'giuliano carnimeo', 'todd field', 'mikhail romm', 'shaad ali', 'spike lee', 'calder willingham', 'takashi miike', 'alexandre michon', 'aparna sen', 'eric idle', 'upton sinclair', 'lynn hershman leeson', 'gypsy rose lee', 'jyotiprasad agarwala', 'claude binyon', 'michael jackson', 'elaine may', 'carlton cuse', 'delmer daves', 'balaji tharaneetharan', 'john lasseter', 'horton foote', 'john houseman', 'topher grace', 'ranjith sankar', 'neeraj vora', 'murali gopy', 'giuseppe bertolucci', 'smeep kang', 'jim sharman', 'drake doremus', 'jennifer westfeldt', 'perarasu', 'furie', 'riccardo freda', 'robert altman', 'luiz de barros', 'william shakespeare', 'morris engel', 'arthur conan doyle', 'michael jai white', 'yuthlert sippapak', 'paolo villaggio', 'william steig']
Waydowntown
waydowntown is a film directed by Gary Burns, released in 2000 which explores office driven culture. The film takes place in Calgary, Alberta, where many downtown buildings are connected by a network of skywalks called Plus 15. As a result, the hustle and bustle of the main street has been replaced by recirculated air, food courts, and fluorescent lights. This is the setting for Burns' sardonic comedy about Canadian corporate culture.