Beyond the Forest
King Vidor
['Allan Dwan', 'Nikolaj Arcel', 'Rd Ariffien', 'George Stevens', 'Prakash Raj', 'Ted Post', 'Henri Colpi', 'Randolph Scott', 'Daniel Birt', 'Glenn Ficarra', 'Madhur Jaffrey', 'Clive Holden', 'Joanne Whalley', 'Li Minwei', 'Bernhard Wicki', 'Primo Zeglio', 'Kjell Sundvall', 'Vincent Sherman', 'Goichi Suda', 'Ozzie Nelson', 'Ramin Bahrani', 'Javed Sheikh', 'Chris Koch', 'Franklyn Barrett', 'George Cukor', 'Manish Gupta', 'Damian Harris', 'Vasili Pichul', 'Bhagwan Dada', 'Bryan Cranston', 'Prakash Jha', 'Aleksandr Rogozhkin', 'Jennifer Abbott', 'Phillips Smalley', 'Chuck Russell', 'Hugo Fregonese', 'John Emerson', 'Rob Schneider', 'Bonnie Hunt', 'Alex Garland', 'Kevin Greutert', 'Ernst Lubitsch', 'Vittorio Metz', 'Sumitra Peiris', 'Spencer Gordon Bennet', 'Andrew Adamson', 'Mahesh Kothare', 'Robert Bresson', 'Jake West', 'Sergio Sollima', 'Lamberto Bava', 'Lucy Walker', 'Agathiyan', 'Espen Sandberg', 'Shashanka Ghosh', 'Harley Cokeliss', 'Kevin Reynolds', 'Spede Pasanen', 'Suseenthiran', 'Les Blank', 'Andrew Birkin', 'Padmanabham', 'Charles Vidor', 'Aashiq Abu', 'Don Adams', 'Bruce Kimmel', 'Henry Winkler', 'Ruben Fleischer', 'Andjar Asmara', 'Garson Kanin', 'Peter Lorre', 'Colin Trevorrow', 'Gautam Ghose', 'Louis King', 'Leo McCarey', 'Tom McGrath', 'Montgomery Tully', 'Kurt Maetzig', 'Andrei Konchalovsky', 'Diane Keaton', 'Sam Mendes', 'Xavier Beauvois', 'Srikanth Addala', 'Barbera', 'Fred Schepisi', 'Slamet Rahardjo', 'Dan Aykroyd', 'Chen Kaige', 'Larry Charles', 'Timothy Hutton', 'Giulio Petroni', 'Mike Newell', 'Duniya Soori', 'Coline Serreau', 'John Riggi', 'Dan Mazer', 'Bruno Corbucci', 'Mel Welles', 'Pietro Francisci']
Beyond the Forest
Beyond the Forest is a 1949 American film noir directed by King Vidor and featuring Bette Davis, Joseph Cotten, David Brian and Ruth Roman. The screenplay is written by Lenore J. Coffee based on a novel by Stuart Engstrand. The film marks Davis' last appearance as a contract actress for Warner, after eighteen years with the studio. She tried several times to walk away from the film (which only caused the production cost to go through the roof), but Warner refused to release her from their employment contract. She remembered the project as "a terrible movie" and the death scene at her end in the film as "the longest death scene ever seen on the screen."