Faustrecht der Freiheit
Rainer Werner Fassbinder
['garrett lerner', 'pasquale squitieri', 'philip barry', 'norman maclean', 'claude chabrol', 'wojciech marczewski', 'wang xiaoshuai', 'hume cronyn', 'susannah grant', 'benchley', 'florestano vancini', 'dwarakish', 'mani ratnam', 'eric red', 'matthew barney', 'chor yuen', 'julia crawford ivers', 'simon beaufoy', 'bruce labruce', 'nanni moretti', 'mackinlay kantor', 'george pal', 'peter sellers', 'michel gondry', 'girish kulkarni', 'vijay milton', 'josiane balasko', 'daria nicolodi', 'david lynch', 'george eliot', 'roddy doyle', 'doug naylor', 'ken loach', 'garry marshall', 'jack neo', 'ann dvorak', 'gregg araki', 'lekh tandon', 'scott rosenberg', 'duccio tessari', 'anant mahadevan', 'jason segel', 'laura poitras', 'shintaro ishihara', 'max linder', 'leigh whannell', 'sebastian doggart', 'jaspal bhatti', 'valentine davies', 'e v v satyanarayana', 'tom terriss', 'nagesh kukunoor', 'antonio margheriti', 'rene daalder', 'carmelo bene', 'guo jingming', 'jon stewart', 'steve antin', 'angela lansbury', 'john huston', 'jan troell', 'mario soldati', 'paul brickman', 'xavier dolan', 'beaumont smith', 'alejandro agresti', 'wash westmoreland', 'michael hoffman', 'val guest', 'edward abbey', 'sooni taraporevala', 'harry baweja', 'ingmar bergman', 'karan johar', 'chris cunningham', 'kubrick', 'monica vitti', 'thea von harbou', 'eddie cantor', 'owen wilson', 'michael dougherty', 'david winters', 'andy sidaris', 'michel brault', 'karyn kusama', 'smeep kang', 'lav diaz', 'jill sprecher', 'gurvinder singh', 'casey robinson', 'robert coover', 'aj carothers', 'noboru iguchi', 'tony ayres', 'wayne wang', 'joseph kane', 'margaret ayer barnes', 'clifford odets', 'hopper']
Fox and His Friends
Fox and His Friends, (German: Faustrecht der Freiheit), also known as Right Fist of Freedom, is a 1975 West German film written and directed by Rainer Werner Fassbinder, starring Fassbinder himself, Peter Chatel and Karlheinz Böhm. The plot follows the misadventures of a working-class homosexual who falls in love with the elegant son of an industrialist. His lover tries to mold him into a gilt-edged mirror of upper-class values and ultimately swindles the easily flattered lottery winner out of his fortune. The film is an incisive look at the relationship between money and emotions. Love is seen as a commodity that can be bought for money and lasts only as long as it is profitable.