Erich Pommer
silent era
['slashers', 'scripture', 'feminism', 'drone', 'punk', 'russian futurism', 'vase painter', 'wildlife documentary', 'espionage film', 'gamebooks', 'amsterdam school', 'drama film', 'rhythm video game', 'punk rock', 'platform video games', 'historical painter', 'melodic black metal', 'stoner metal', 'historical drama film', 'tactical shooters', 'speculative fiction', 'criminal comedy film', 'deathrock', 'television drama', 'josei', 'beach party film', 'aggrotech', 'crime thriller', 'rpg', 'legal drama', 'police procedural', 'sim racing', 'confessional', 'mmo', 'turntablists', 'epic fantasy', 'straight edge', 'smooth jazz', 'board game', 'promenade theatre', 'supernatural horror', 'nu metal', 'landscapist', 'philosophical fiction', 'god game', 'spy genre', 'fairytales', 'artillery', 'animated series', 'country rock', 'fighting game', 'dream pop', 'pornography website', 'canadian rock', 'blackened death metal', 'gothic horror', 'andalusian', 'public art', 'trip hop', 'classic metal', 'polyphonic', 'pedagogy', 'cricket', 'christian rapper', 'contemporary fantasy', 'irish music', 'life simulation', 'progressive metal', 'southern metal', 'ballad', 'battle painting', 'celtic rock', 'blues piano', 'kart racer', 'dance pop', 'strategy game', 'alternative cartoonist', 'salsa music', 'historical period drama', 'cool jazz', 'reality competition television series', 'contemporary art', 'pop soul', 'erotic romance', 'mythology', 'spaghetti westerns', 'metaphysical poem', 'ska', 'baroque rock', 'augmented reality', 'country music', 'symphonic metal', 'occultist', 'dubstep', 'raster', 'noir film', 'rockabilly revival', 'censorship', 'twee pop']
Erich Pommer
Erich Pommer (July 20, 1889 – May 8, 1966) was a German-born film producer and executive. Pommer was the most important person in the German and European Film Industries in the 1920s and 1930s. He was involved in the German Expressionist film movement during the silent era as the head of production at Decla, Decla-Bioscop and from 1924 to 1926 at Ufa responsible for many of the best known movies of the Weimar Republic such as The Cabinet of Dr. Caligari (1920), Dr. Mabuse, the Gambler (1922), Die Nibelungen (1924), Michael (1924), Der Letzte Mann / The Last Laugh (1924), Variety (1925), Tartuffe (1926), Manon Lescaut (1926) Faust (1926), Metropolis (1927) and The Blue Angel (1930). He later worked in American exile before returning to Germany for a time after the war.