The Contours
Gordy Records
['rawkus records', 'dischord records', 'prawn song records', 'essential records', 'key sounds label', 'track records', 'rhythm zone', 'concord jazz', 'lyric street records', 'island def jam', 'placid casual', 'charisma records', 'ecr music group', 'xl records', 'digital hardcore recordings', 'nas records', 'tee pee', 'roadrunner records', 'mgm records', 'uptown records', 'three one g records', 'jmt records', 'eastwest records', 'argo', 'rough trade records', 'vagrant records', 'ninja tunes', 'drakkar entertainment', 'e1 music', 'illegal art', 'saturn', 'seeland records', 'gramavision', 'emi music', 'cameo', 'plan 9 records', 'ino records', 'hansa', 'discipline global mobile', 'wounded love records', 'piccolo town', 'hyperdub', 'factory records', 'orange twin', 'sm entertainment', 'barsuk', 'emi music japan', 'aftermath entertainment', 'pablo', 'emi group', 'folkways records', 'j storm', 'plus 8', 'extreme records', 'dhr records', 'pye records', 'uprising records', 'kill rock stars', 'xanadu', 'windham hill', 'bell records', 'def american recordings', 'image entertainment', 'planet mu', 'bella union', 'tde records', 'death row records', 'debut records', 'favored nations entertainment', 'metal blade records', 'universal music group', 'epic records', 'zoo records', 'philips records', 'so so def recordings', 'perspective records', 'dine alone records', 'sub pop records', 'mercury nashville records', 'blackheart', 'skint records', 'diw records', 'kung fu records', 'dramatico', 'caldo verde records', 'rca records', 'peaceville', 'shady records', 'reunion records', 'rephlex records', 'dawn raid entertainment', 'candid', 'def soul', 'insideout', 'top dawg entertainment', 'brunswick', 'starday', 'flemish eye', 'merciful release']
That Day When She Needed Me
"That Day When She Needed Me" (also known as "I was a Thousand Miles Away That Day When She Needed Me"), is a 1964 R&B song by the Motown Records group The Contours, on the label's Gordy Records subsidiary imprint. Issued as the "B" side of their hit "Can You Jerk Like Me", this song broke out as a hit on its own, reaching #37 on the Cash Box R&B listings that year.(Billboard had temporarily suspended its R&B Chart in 1964.) Written, composed, and produced by Miracles lead singer Smokey Robinson, this song was different from every other tune the Contours had recorded up to that point. A unique counterpoint to the group's trademark rough, raucous delivery, "That Day" was a soft, quiet, and heart-felt ballad with a unique call and response delivery,(structured like a "question and answer session"). Though the song wasn't on the "A" side, it still became a hit, making it The Contours' only charting flip-side hit. In the song, Billy Gordon, the lead singer, acts as the narrator, while the rest of the group (Billy Hoggs, Sylvester Potts, Joe Billingslea, Hubert Johnson, and guitarist Huey Davis) ask him questions. The song serves as a cautionary tale on how he lost the love of his life. This song has inspired a cover version by the Los Angeles-based R&B group The Performersand Cleveland Ohio-based group Sly Slick and Wicked, and has been issued on several Contours and Motown "greatest hits" collections including The Complete Motown Singles: Volume 4 and the now out-of-print Motown CD collection, The Very Best of the Contours. However,the song was originally slated to appear on the 1964 unreleased 2nd Contours album for Motown entitled "The Contours: Can You Dance" (Gordy 910).This album has since been made available as a digital download on certain internet sites. (Note:Unlike the "A" side, "Can You Jerk Like Me", which featured the new, reconstituted Contours, THIS song featured the ORIGINAL Contours along with Billy Gordon, (Billy Hoggs, Joe Billingslea,Hubert Johnson, Sylvester Potts, and Huey Davis) in their final chart appearance, recorded just prior to their departure).