Giorgione
Bellini
['Thomas Cole', 'Morihei Ueshiba', 'Cimabue', 'Abraham Isaac Kook', 'Klimt', 'Giovanni Salvatore', 'Alexander von Zemlinsky', 'Johanan ben Zakkai', 'Franz Brentano', 'Duns Scotus', 'Stanford', 'Chassam Sofer', 'Anselm', 'Max Born', 'Gichin Funakoshi', 'Charles Gounod', 'Kundakunda', 'Arnold Schoenberg', 'Syrianus', 'Aristotle', 'Dayi Daoxin', 'Wolfgang Pauli', 'Paul Taffanel', 'Brentano', 'Camille Pissarro', 'Darius Milhaud', 'Frans Hals', 'Ambroise Thomas', 'Aristippus', 'Friedrich Wieck', 'Ludwig van Beethoven', 'Johann Christian Bach', 'Ruisdael', 'Schumann', 'Vincenzo Galilei', 'Parmenides', 'Johann Sebastian Bach', 'Pissarro', 'Popper', 'Czerny', 'Amilcare Ponchielli', 'Jan Pieterszoon Sweelinck', 'George Balanchine', 'Heidegger', 'Alexander Scriabin', 'Rubinstein', 'Bernard', 'Ottorino Respighi', 'Michael Faraday', 'Taneyev', 'Albrecht von Graefe', 'Galileo Galilei', 'Mayr', 'Messiaen', 'Bach', 'Salieri', 'Husayn', 'Fra Angelico', 'Antonio Salieri', 'Johann Nepomuk Hummel', 'Nicolas Poussin', 'Asher ben Jehiel', 'Rashi', 'Aarre Merikanto', 'Ernest Rutherford', 'Jacopo', 'Robert Henri', 'Linnaeus', 'Abraham Bloemaert', 'Luigi Dallapiccola', 'Ammonius Saccas', 'Hermann Lotze', 'Husayn ibn Ali', 'Phaedo', 'Weill', 'Simon Mayr', 'Alexandre Cabanel', 'Freud', 'Titian', 'Johann Ambrosius Bach', 'Saverio Mercadante', 'Socrates', 'Verrocchio', 'Giorgio Vasari', 'Gustav Holst', 'Ecgberht', 'Baruch', 'Albertus Magnus', 'Ip Man', 'Galileo', 'Nicola Pisano', 'Yoda', 'Christoffer Wilhelm Eckersberg', 'Zelter', 'Aristarchus', 'Christian Krohg', 'Giulio Romano', 'Jacques Dubois', 'Isocrates']
Pietro degli Ingannati
Pietro degli Ingannati, also Pellegrino di Giovanni di Antonio, (active 1529–1548) was an Italian painter active in a Renaissance style. His exact dates of birth and death are not known. Ingannati was probably born in Veneto. He was formerly confused with Francesco Bissolo, whose work is very close in style. He trained in the studio of Alvise Vivarini. His early works show the influence of Giovanni Bellini, especially in the composition, although his art is closer to artists like Lazzaro Bastiani, Marco Basaiti or Benedetto Rusconi. Later, his style will be more strongly Bellini, approaching the way of painting by Vincenzo Catena and superficial influence of innovations introduced by Giorgione. Ingannati adapted the theme of the Sacra Conversazione so typical of Venetian painting, including repeating patterns, especially in the figures. This type of motif was popularized by Titian. However, artists like Ingannati or Rocco Marconi continued attached to an archaic style that copied the essence but not the innovations of the most advanced Venetian masters as Francesco Vecellio or Palma Vecchio, without losing the taste for the classic color of the Venetian school. A painting by Ingannati is displayed in the Museum of Fine Arts, Houston, Texas.