The Philco Television Playhouse
anthology television series
['supernatural', 'puzzle adventure game', 'idm', 'historical fantasy', 'flemish baroque painter', 'reality tv', 'gothic literature', 'public art', 'exercise video game', 'soca', 'pornographic films', 'new german cinema', 'drumstep', 'hip house', 'historiographical metafiction', 'post apocalyptic', 'psychedelic folk', 'massively multiplayer online games', 'propaganda film', 'farsa', 'chanteuse', 'christian music', 'picture book', 'censorship', 'courtly romance', 'dansband', 'puzzle game', 'football', 'hair band', 'film music', 'comic fantasy', 'legal drama', 'arthouse', 'spy fiction', 'puzzle arcade game', 'hidden object game', 'pop folk', 'platforming', 'english renaissance theatre', 'brawler', 'hentai scenes', 'cakewalk', 'christian rap', 'epic fantasy', 'superhero film', 'clay animation', '3d', 'cowboy songs', 'crime procedural', 'kosmische musik', 'role playing game', 'pornographic movie', 'beach volleyball', 'elizabethan theatre', 'rock pop', 'psych folk', 'genre scenes', 'boxer', 'schlager', 'criminal comedy film', 'breakbeat', 'folksong', 'red ensign', 'martial arts movie', 'robotic art', 'dance music', 'breton', 'sports video games', 'western front', 'stoner metal', 'baroque pop', 'epic western', 'melodrama', 'virtual pet', 'grape', 'superspy', 'vedutista', 'blaxploitation', 'computer aided design', 'disaster films', 'gwerz', 'alternative cartoonist', 'satire', 'magical realism', 'rockabilly', 'melodrama film', 'maritime painter', 'happenings', 'minigame', 'detective', 'mainstream rock', 'vocal trance', 'blue ensign', 'shooter game', 'greek tragedy', 'vedute', 'gospel music', 'action video game', 'bbc']
Leueen MacGrath
Leueen MacGrath (3 July 1914 – 27 March 1992) was an English actress and playwright and the second wife of George S. Kaufman, from 1949 until their divorce in 1957. Born in London, England, MacGrath (pronounced mac-GRAW) began her acting career with a small role in the 1936 British film Whom the Gods Love, a biopic about Mozart and his wife Constanze. She followed this with Pygmalion and a series of B-movies, including All Hands, Meet Maxwell Archer, and The Saint's Vacation. MacGrath made her Broadway debut in 1948 in the play Edward, My Son; she reprised her role in the film adaptation the following year. In 1951 she collaborated with Kaufman and Heywood Hale Broun on the writing of The Small Hours, which closed after 20 performances. The following year she and her husband scripted the even less successful Fancy Meeting You Again (in which she starred), which ran for only 8 performances. The couple finally achieved a hit in 1955 with Silk Stockings, the Cole Porter musical for which they co-wrote the book with Abe Burrows. She returned to acting for Tiger at the Gates and The Potting Shed. Having settled in the United States following her marriage to Kaufman, MacGrath appeared in a number of American anthology television series popular in the 1950s, including The Philco Television Playhouse, Studio One, Lux Video Theatre, The United States Steel Hour, The Alcoa Hour, and Hallmark Hall of Fame. MacGrath returned to the United Kingdom following her divorce. She died of complications from a stroke in London at the age of 77.