Alexander Siloti
Taneyev
['Girolamo Frescobaldi', 'Amilcare Ponchielli', 'Accursius', 'Czerny', 'Chuck Norris', 'Bernard', 'Socrates', 'Ammonius Saccas', 'Antipater', 'Robert Campin', 'Bach', 'Herbert von Karajan', 'Michael Faraday', 'Jan Pieterszoon Sweelinck', 'Giovanni Battista Viotti', 'Frans Hals', 'Newell Convers Wyeth', 'Kundakunda', 'Elijah', 'Thomas Tallis', 'Kautilya', 'Bruch', 'Franz Brentano', 'Kong Ji', 'Husayn', 'Galileo', 'Diogenes', 'Bede', 'Parmenides', 'Giulio Romano', 'Charles Wesley', 'Aristotle', 'Nicolas Poussin', 'Christian Krohg', 'Zellig Harris', 'Carl Friedrich Zelter', 'Alexandre Cabanel', 'Clementi', 'Olivier Messiaen', 'Abraham Isaac Kook', 'Callimachus', 'Carl Orff', 'Bertrand Russell', 'Ambroise Thomas', 'Pissarro', 'Fra Angelico', 'Brentano', 'Joseph Lister', 'Ecgbert', 'Arnold Schoenberg', 'Martin Heidegger', 'Ravel', 'Paul Dukas', 'Johann Pachelbel', 'Bellini', 'Muhammad', 'Baal Shem Tov', 'Hermann Lotze', 'Rabbi Eliezer', 'Copernicus', 'John Blow', 'Gustav Leonhardt', 'Philo', 'Saint Boniface', 'Guarino da Verona', 'Darius Milhaud', 'Hongren', 'Virchow', 'Anton Rubinstein', 'Ueshiba Morihei', 'Vincenzo Galilei', 'Paul Taffanel', 'Charles Villiers Stanford', 'Nadia Boulanger', 'Robert Casadesus', 'Alexander von Zemlinsky', 'Michael Haydn', 'Yip Man', 'Marsilio Ficino', 'Stilpo', 'Giovanni Bellini', 'Moses', 'Yvonne Loriod', 'Yochanan ben Zakai', 'Max Born', 'Gustav Klimt', 'Mayr', 'Pietro Perugino', 'Thomas Anshutz', 'Giovanni Salvatore', 'Luigi Dallapiccola', 'Robert Henri', 'Friedrich Wieck', 'Jules Massenet', 'Charles De Wailly', 'Jacopo', 'Andrea del Verrocchio', 'Confucian', 'Rubinstein']
Andante and Finale
The Andante and Finale is a composition for piano and orchestra that was reworked by Sergei Taneyev from sketches by Pyotr Ilyich Tchaikovsky for the abandoned latter movements of his single-movement Piano Concerto No. 3 in E-flat, Op. 75. The core of the music is by Tchaikovsky, but the realisation was by Taneyev, and the decisions on the form, genre and title were jointly made by Taneyev, Tchaikovsky's brother Modest, Alexander Siloti and the publisher Mitrofan Belyayev. It was nevertheless published in 1897 as a work of Tchaikovsky's alone, and even given the posthumous opus number 79 in Tchaikovsky's catalogue. The Third Piano Concerto and the Andante and Finale are sometimes played together to form a synthetic "complete" concerto.