Pierre Rode
Viotti
['Joseph Lister', 'Alexander Siloti', 'Panaetius', 'Pietro Lombardo', 'Bede', 'Althusser', 'Giulio Caccini', 'Rogier van der Weyden', 'Bellini', 'Linnaeus', 'Quintilian', 'Bronzino', 'Stanford', 'Stilpo', 'Alphonse Hasselmans', 'Verrocchio', 'Johann Sebastian Bach', 'Yip Man', 'Bernard', 'Carlos Gracie', 'Robert Schumann', 'Nicolaus Copernicus', 'Plato', 'Mahavira', 'Nicola Pisano', 'Franz Brentano', 'Rashi', 'Martin Heidegger', 'Titian', 'Kautilya', 'Gustav Klimt', 'Aristophanes', 'Alexandre Cabanel', 'Baal Shem Tov', 'Leonardo da Vinci', 'Louis Althusser', 'Jacob van Ruisdael', 'Robert Henri', 'Liszt', 'Schinkel', 'Gaby Casadesus', 'Clementi', 'Anne Sullivan', 'Duns Scotus', 'Alexander Scriabin', 'Mozart', 'Ibn Abbas', 'Sigmund Freud', 'Henry Cowell', 'Anton Arensky', 'Platonic', 'Theodorus', 'Ernest Rutherford', 'Abraham Bloemaert', 'Rembrandt', 'Poussin', 'Phaedo', 'Ruisdael', 'Paul Delaroche', 'Husayn ibn Ali', 'Pietro Perugino', 'Alexander von Zemlinsky', 'Klimt', 'Freud', 'Shostakovich', 'Morihei Ueshiba', 'Max Born', 'Herbert von Karajan', 'Mayr', 'Karl Weierstrass', 'Leonard Bernstein', 'Epicurus', 'Akiva ben Joseph', 'Anton Rubinstein', 'Hermann Lotze', 'Bernoulli', 'Jules Massenet', 'Domenico Ghirlandaio', 'Anton Mauve', 'Saverio Mercadante', 'Virasena', 'Zelter', 'Paul Hindemith', 'Beethoven', 'Darius Milhaud', 'Allauddin Khan', 'Camille Pissarro', 'Bohr', 'Masakatsu Funaki', 'Kong Ji', 'Carl Orff', 'Paul Dukas', 'David', 'Euclid', 'Arnold Schoenberg', 'Salieri', 'Thales', 'Palestrina', 'Paul Dirac']
Pierre Baillot
Pierre Marie François de Sales Baillot (1 October 1771 – 15 September 1842) was a French violinist and composer born in Passy. He studied the violin under Giovanni Battista Viotti and taught at the Paris Conservatoire together with Pierre Rode (also a pupil of Viotti) and Rodolphe Kreutzer, who wrote the conservatoire's official violin method (published in the early 19th century). He was sole author of the instructional L'art du violon (1834). Baillot's teachings had a profound influence on technical and musical development in an age in which virtuosity was openly encouraged. He was leader of the Paris Opéra, gave solo recitals and was a notable performer of chamber music. He died in Paris in 1842.