Bringing It All Back Home
Bob Dylan
['jefferson starship', 'snoop lion', 'laura pausini', 'cypress hill', 'sheldon harnick', 'alicia keys', 'symphony x', 'four tops', 'jackie fox', 'tom waits', 'pussycat dolls', 'kate nash', 'chris tomlin', 'babyface', 'lennon', 'jimmy dean', 'gaspare spontini', 'hinder', 'nina hagen', 'the stranglers', 'nelly furtado', 'stansfield', 'masashi hamauzu', 'alannah myles', 'sigmund romberg', 'whitney houston', 'bing crosby', 'sevendust', 'psy', 'john legend', 'dead kennedys', 'darkthrone', 'vanilla ninja', 'the gaslight anthem', 'janet jackson', 'the impressions', 'dire straits', 'buck owens', 'ice cube', 'east 17', 'alfred uhry', 'weill', 'ivi adamou', 'ed sheeran', 'keri hilson', 'alice cooper', 'the cult', 'raveendran', 'a r rahman', 'caramell', 'george harrison', 'kikki danielsson', 'norman reedus', 'the knack', 'yolanda be cool', 'ayumi hamasaki', 'george clinton', 'lucille ball', 'kelly clarkson', 'matthew good', 'casting crowns', 'the lumineers', 'john denver', 'al pacino', 'janis ian', 'the doors', 'linkin park', 'jerry cantrell', 'king floyd', 'britney spears', 'nat king cole', 'procol harum', 'grandaddy', 'ed cobb', 'lorenz hart', 'monty python', 'badfinger', 'gerard way', 'biffy clyro', 'the raconteurs', 'tori amos', 'brandy', 'eubie blake', 'gustav mahler', 'nie er', 'relient k', 'john hiatt', 'robert johnson', 'charles strouse', 'london grammar', 'superfly', 'visage', 'jonas brothers', 'kevin rudolf', 'carly simon', 'calvin harris', 'csny', 'no angels', 'the distillers']
Bringing It All Back Home
Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan, released on March 22, 1965 by Columbia Records. The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band—a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as "Blowin' in the Wind" and "A Hard Rain's a-Gonna Fall"), as his lyrics continued their trend towards the abstract and personal. The album reached No. 6 on Billboard's Pop Albums chart, the first of Dylan's LPs to break into the US top 10. It also topped the UK charts later that Spring. The first track, "Subterranean Homesick Blues", became Dylan's first single to chart in the US, peaking at #39.