Tim Hecker
Alien8 Recordings
['specialty records', 'pye records', 'interscope records', 'virgin france', 'ovo sound', 'jade tree records', 'dragon records', 'reunion records', 'ztt records', 'terror squad entertainment', 'rrrecords', 'marsalis music', 'whitfield records', 'moshi moshi records', 'jyp entertainment', 'chrysalis records', 'uptown records', 'orange twin', 'regal zonophone', 'subliminal sounds', 'epic records', 'black saint', 'eleven seven music', 'eulogy recordings', 'fearless records', 'nas records', 'vagrant records', 'plus 8', 'dine alone records', 'favored nations entertainment', 'obscure records', 'asthmatic kitty', 'mca nashville', 'konvict muzik', 'ghostly international', 'om records', 'elephant 6', 'buddah records', 'new jazz', 'blast first', 'dramatico', 'audio fidelity', '4ad records', 'hydra head records', 'abc records', 'parachute records', 'irregular records', 'maybach music group', 'norcd', 'cherrytree records', 'spv records', 'luaka bop', 'solid state records', 'indie recordings', 'wiiija', 'universal motown records', 'scared records', 'nettwerk', 'brushfire records', 'emi latin', 'enigma records', 'asylum records', 'sub pop records', 'ipecac recordings', 'loud records', 'lava records', 'black hole recordings', '99 records', 'cold meat industry', 'capricorn records', 'rhythm zone', 'fontana records', 'charisma records', 'beluga heights records', 'tug records', 'rounder records', 'fat wreck chords', 'afm records', 'death row records', 'monument records', 'poe boy entertainment', 'ant miles', 'hi records', 'tamla records', 'essential records', 'warner music finland', 'fair trade services', 'volcano entertainment', '2 tone records', 'brille records', 'alternative tentacles', 'big dada recordings', 'victory records', 'scratcha dva', 'rso records', 'pir records', 'half a cow', 'ektro records', 'southern lord']
Haunt Me, Haunt Me Do It Again
Haunt Me, Haunt Me Do It Again is the debut studio album by Canadian electronic music musician Tim Hecker, released on November 20, 2001 on Substractif, a sub-label of Alien8 Recordings. The album mixes the digital signal processing of glitch with post-rock structures and melodies. The sounds used for this album, as well as most of Tim Hecker’s other works, originate from a guitar, piano, and laptop. The song title, “The Work of Art in the Age of Cultural Overproduction” is a reference to Walter Benjamin's essay, "The Work of Art in the Age of Mechanical Reproduction".