Idioterne
Lars von Trier
['giuseppe de santis', 'thampi kannanthanam', 'booth tarkington', 'neri parenti', 'alec sulkin', 'patrice leconte', 'gene quintano', 'neal purvis', 'george du maurier', 'stuart heisler', 'luc besson', 'oscar apfel', 'gunnel linde', 'venkatesh', 'julian fellowes', 'arne sucksdorff', 'sasikumar', 'winston groom', 'david sherlock', 'william steig', 'sasi shanker', 'spielberg', 'samuthirakani', 'bruce labruce', 'louis feuillade', 'joe carnahan', 'graciliano ramos', 'edward yang', 'bigas luna', 'e v v satyanarayana', 'eric forsberg', 'chris chibnall', 'ted griffin', 'curtis hanson', 'jennifer westfeldt', 'mysskin', 'raymond longford', 'kader khan', 'robin moore', 'jim cash', 'marco bellocchio', 'francesco nuti', 'john ford', 'david seltzer', 'juan carlos fresnadillo', 'olivier dahan', 'don sharp', 'shakespeare', 'stephen sinclair', 'fatty arbuckle', 'christian camargo', 'kunal kohli', 'helen hunt', 'leos carax', 'nicholas pileggi', 'nanni loy', 'john landis', 'balaji sakthivel', 'claude lelouch', 'nathanael west', 'vladislav listyev', 'uderzo', 'poe', 'shoaib mansoor', 'david gulpilil', 'michael radford', 'baz luhrmann', 'lucy liu', 'frank launder', 'todd phillips', 'paul brickman', 'riccardo freda', 'sheldon lettich', 'amy heckerling', 'selvaraghavan', 'dirch passer', 'hideaki anno', 'marcello marchesi', 'john galsworthy', 'khoa do', 'cameron crowe', 'rene daalder', 'scola', 'wojciech marczewski', 'tancred ibsen', 'hal barwood', 'mamoru oshii', 'bruce campbell', 'glen morgan', 'rob reiner', 'steven zaillian', 'clayton rawson', 'marco kreuzpaintner', 'vasanthabalan', 'walter reisch', 'josephine tey', 'melvin frank', 'vincent gallo', 'agatha christie']
The Idiots
The Idiots (Danish: Idioterne) is a 1998 Danish comedy-drama film written and directed by Lars von Trier. It is his first film made in compliance with the Dogme 95 Manifesto, and is also known as Dogme #2. It is the second film in von Trier's Golden Heart Trilogy, preceded by Breaking the Waves (1996) and succeeded by Dancer in the Dark (2000). It is among the first films to be shot entirely with digital cameras.