I Feel Love
Giorgio Moroder
['Bobby Darin', 'massenet', 'Lennon', 'Gottfried von Einem', 'Albert Lortzing', 'Pee Wee King', 'Donizetti', 'Syd Barrett', 'Andrew Lloyd Webber', 'Joey Tempest', 'Sidney Jones', 'Joplin', 'Jerry Bock', 'Mike Post', 'Ron Grainer', 'Krzysztof Penderecki', 'Gordon Parks', 'Zakir Hussain', 'Aaron Copland', 'Michael John LaChiusa', 'Bert Kaempfert', 'Marvin Gaye', 'Anil Biswas', 'Monty Norman', 'Mick Jagger', 'Francesco Cavalli', 'Fred Ebb', 'Weill', 'RD Burman', 'Shantanu Moitra', 'Johnny Cash', 'Ippo Yamada', 'Alfano', 'Deepak Dev', 'Lloyd Kaufman', 'John Barry', 'Poulenc', 'John Fogerty', 'Burt Bacharach', 'Hanns Eisler', 'Jack Johnson', 'Vijay Antony', 'Alexander Glazunov', 'Geezer Butler', 'Hotei', 'Jonathan Larson', 'Akshaya Mohanty', 'John Cale', 'Ruggiero Leoncavallo', 'Sachin Dev Burman', 'Louis Jordan', 'Cathy Dennis', 'Bijibal', 'Telemann', 'Umberto Giordano', 'Billy Bragg', 'Neil Young', 'Stevie Wonder', 'Michael Penn', 'Akira Yamaoka', 'Karthik Raja', 'Jonathan Coulton', 'Randy Newman', 'Sadhu Kokila', 'Yo Yo Honey Singh', 'Hans Zimmer', 'Terry Scott Taylor', 'Illayaraja', 'Vangelis', 'Paul Williams', 'Timbaland', 'John Powell', 'Crosby', 'Bernd Alois Zimmermann', 'Franz Schreker', 'Alfredo Catalani', 'Bill Conti', 'Satyajit Ray', 'Sammy Fain', 'Chris Cornell', 'Handel', 'Nikolaos Mantzaros', 'Georges Delerue', 'Bappi Lahari', 'Arturo Toscanini', 'Kesha', 'Peggy Lee', 'Rahul Raj', 'Mickey J Meyer', 'Thaman', 'Harold Faltermeyer', 'Tom Tykwer', 'Paul Gross', 'Kyle Eastwood', 'Malvina Reynolds', 'Peter Best', 'Charles Gounod', 'Benjamin Britten', 'Arthur Sullivan']
Ostinato
In music, an ostinato [ostiˈnaːto] (derived from Italian: stubborn, compare English: 'obstinate') is a motif or phrase that persistently repeats in the same musical voice, usually at the same pitch. Well-known ostinato-based pieces include both classical compositions such as Ravel's Boléro and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977) and The Verve's "Bitter Sweet Symphony" (1997). The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Both ostinatos and ostinati are accepted English plural forms, the latter reflecting the word's Italian etymology. Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an ostinato line to fit changing harmonies or keys. Within the context of film music, Claudia Gorbman defines an obstinate as a repeated melodic or rhythmic figure that propel scenes that lack dynamic visual action. Ostinato plays an important part in improvised music (rock and jazz), in which it is often referred to as a riff or a vamp. A "favorite technique of contemporary jazz writers", ostinati are often used in modal and Latin jazz and traditional African music including Gnawa music.