Gaubert
Paul Taffanel
['John Blow', 'Balanchine', 'Nadia Boulanger', 'Christian Krohg', 'Asher ben Jehiel', 'Lanfranc', 'Virchow', 'Darius Milhaud', 'Edmund Husserl', 'Duns Scotus', 'Dayi Daoxin', 'Sigmund Freud', 'Freud', 'Holst', 'Masakatsu Funaki', 'Jeremiah', 'Morihei Ueshiba', 'Chanakya', 'Dong Haichuan', 'Anton Mauve', 'Galileo Galilei', 'Elijah', 'Husayn', 'Hermann Lotze', 'Amilcare Ponchielli', 'Alexander Siloti', 'Giulio Romano', 'Olivier Messiaen', 'Ingres', 'Robert Casadesus', 'Hillel', 'Brentano', 'Taneyev', 'Newell Convers Wyeth', 'Poussin', 'Bruch', 'Althusser', 'Phaedo', 'Mozart', 'Paul Hindemith', 'Webern', 'Anselm', 'Bernoulli', 'Leonardo da Vinci', 'Socrates', 'Paul Dukas', 'Weill', 'Johann Pachelbel', 'Bohr', 'Ken Shamrock', 'Sidney Bechet', 'Bertrand Russell', 'Antipater', 'Pyotr Ilyich Tchaikovsky', 'Carlos Gracie', 'Philo', 'Jules Massenet', 'Husayn ibn Ali', 'Johann Sebastian Bach', 'George Balanchine', 'Henri Matisse', 'Ellen Terry', 'Clementi', 'Charles Villiers Stanford', 'Antonio Salieri', 'Bede', 'Robert Schumann', 'Ecgberht', 'Heinrich Schenker', 'Verrocchio', 'Leonard Bernstein', 'Uta Hagen', 'Moinuddin Chishti', 'Gaby Casadesus', 'Joseph Haydn', 'Giovanni Bellini', 'Ueshiba Morihei', 'Johann Christian Bach', 'Accursius', 'Boulanger', 'Perugino', 'Isocrates', 'Baal Shem Tov', 'Michael Faraday', 'Jacopo', 'Louis Althusser', 'Zelter', 'Abdus Salam', 'Albrecht von Graefe', 'Gichin Funakoshi', 'Saverio Mercadante', 'Virasena', 'Paul Delaroche', 'Toyoharu', 'Ecgbert', 'Linnaeus', 'Guarino da Verona', 'Klimt', 'Camille Pissarro']
Marcel Moyse
Marcel Moyse (pron. moh-EEZ; May 17, 1889 in St. Amour, France – November 1, 1984 in Brattleboro, Vermont, United States) was a French flutist. Moyse studied at the Paris Conservatory and was a student of Philippe Gaubert, Adolphe Hennebains, and Paul Taffanel; all of whom were flute virtuosos in their time. Moyse played principal flute in various Paris orchestras and appeared widely as a soloist and made many recordings. His trademark tone was clear, flexible, penetrating, and controlled by a fast vibrato. This was a characteristic of the ‘French style’ of flute playing that was to influence the modern standard for flutists worldwide. Moyse taught on the faculty of the Conservatoire de musique de Québec à Montréal, and was a founder of the Marlboro Music School and festival. Moyse strove to teach his students “not how to play the flute, but to make music”. Among his students were James Galway, Paula Robison, Trevor Wye, William Bennett, Carol Wincenc, Bernard Goldberg, Robert Aitken, September Payne and Julia Bogorad. Moyse authored many flute studies, including De la Sonorite and Tone Development Through Interpretation, published by McGinnis & Marx.