Die schweigsame Frau
Strauss
['Natasha Bedingfield', 'Kesha', 'Lennon', 'Ian Gillan', 'Glenn Miller', 'Arnold Schoenberg', 'Slim Shady', 'Michael Penn', 'Nusrat Fateh Ali Khan', 'Joseph Haydn', 'Zappa', 'Deepak Dev', 'Fred Frith', 'Stevie Nicks', 'Angelo Badalamenti', 'Alejandro Jodorowsky', 'Vishal Bharadwaj', 'Christopher Guest', 'RD Burman', 'Scriabin', 'Schoenberg', 'Max Steiner', 'Charlie Clouser', 'Giovanni Battista Pergolesi', 'Gazzaniga', 'Gustavo Santaolalla', 'Toby Gad', 'Ayumi Hamasaki', 'John Kander', 'Pearl Jam', 'Dave Grohl', 'Ray Davies', 'Leonard Cohen', 'Gioacchino Rossini', 'Gwen Stefani', 'Ariel Rechtshaid', 'Count Basie', 'Krzysztof Penderecki', 'Rick Wright', 'Darius Milhaud', 'Pergolesi', 'Sigmund Romberg', 'Nikolaos Mantzaros', 'Loewe', 'Bappi Lahiri', 'Duke Mitchell', 'Peter Serafinowicz', 'Hajibeyov', 'Crosby', 'Phil Lesh', 'MC Ren', 'George Fenton', 'Bernard Sumner', 'Cathy Dennis', 'Pyotr Tchaikovsky', 'Georges Bizet', 'Alexander Glazunov', 'Garth Brooks', 'Poulenc', 'Francesco De Masi', 'Selena', 'Elmer Bernstein', 'Prokofiev', 'Bernd Alois Zimmermann', 'Pharrell Williams', 'Jimmy Buffett', 'Motoi Sakuraba', 'Hans Werner Henze', 'Cyndi Lauper', 'Van Dyke Parks', 'Robert Joy', 'Jesse McCartney', 'Vijaya Bhaskar', 'Randy Travis', 'Noriyuki Iwadare', 'Murray Gold', 'John Lennon', 'Ghantasala', 'Dead Kennedys', 'Constant Lambert', 'Hank Williams', 'Pietro Mascagni', 'Claude Debussy', 'Frank Loesser', 'Michael Giacchino', 'Roger Waters', 'Martin Luther', 'George Frideric Handel', 'Dmitri Shostakovich', 'Georges Auric', 'Berg', 'Karthik Raja', 'Usha Khanna', 'Louis Jordan', 'Arthur Honegger', 'Jun Maeda', 'Lee Hazlewood', 'Hanns Eisler', 'Jeff Tweedy']
John Cox (director)
John Cox (born 12 March 1935) is an English opera director. Born in Bristol, he was educated at St Edmund Hall, Oxford, and trained at Glyndebourne as assistant to Carl Ebert, and then at the York Theatre Royal and BBC television, made his directing debut with Ravel's L'enfant et les sortilèges for the Sadler's Wells company in 1965. In 1971 he was appointed as the first director of production at Glyndebourne, to oversee existing productions and create new ones. During his tenure he worked with designers including David Hockney, Sir Hugh Casson, Michael Annals and William Dudley. The critic Rodney Milnes singles out for mention Cox's Glyndbourne productions of Richard Strauss operas: Ariadne auf Naxos (1971), Capriccio (1973), Intermezzo (1974), Die schweigsame Frau (1977), Der Rosenkavalier (1980) and Arabella (1984). Cox succeeded Peter Ebert as general administrator and artistic director of Scottish Opera in 1981, holding the post until 1986. In 1988 he was appointed production director of the Royal Opera, Covent Garden. As well as Strauss, Cox is particularly known for his Mozart and Rossini productions.In 2000 he collaborated with John Stoddart to stage Capriccio at the Sydney Opera House during the 2000 Summer Olympics. He has also worked widely in Europe and the USA. Milnes mentions in particular Daphne in Munich, Don Carlos in San Francisco, Un ballo in maschera in Sydney and Patience, one of the English National Opera's longest-running successes. For the Metropolitan Opera, New York, Cox directed Capriccio in 2011. He is the librettist and collaborator with the American composer Theodore Morrison of a new opera about Oscar Wilde, Oscar, which was given its world premiere at The Santa Fe Opera during the Summer 2013 season.