Giulietta degli spiriti
fantasy
['action puzzle video game', 'poppy', 'drone music', 'simulation racing', 'television personality', 'irish folk', 'pop art', 'game book', 'religious text', 'driving game', 'cautionary tale', 'antifolk', 'psychedelic trance', 'roots rock', 'pop soul', 'erotic romance', 'zydeco', 'electropop', 'text adventure', 'christmas music', 'dance pop', 'bullet hell shooters', 'theoretical physics', 'christmas album', 'acid house', 'cad', 'contemporary folk', 'educational game', 'east coast', 'rapping', 'rockabilly', 'fps', 'gothic music genre', 'boogie woogie', 'vedute', 'simulation video game', 'murder mystery', 'rap', 'television drama', 'historical mystery', 'light gun shooter', 'disk image', 'soukous', 'picaresque', 'martial arts movie', 'chanson', 'epos', 'period drama', 'young adult fiction', 'arcade adventure', 'comic science fiction', 'concerti', 'swashbuckler film', 'funeral doom metal', 'melodrama film', 'merseybeat', 'happenings', 'merengue', 'funk metal', 'metalcore', 'video artist', 'stoner rock', 'film noir', 'psychedelic music', 'falling block puzzle', 'gambling', 'american folk music', 'garage bands', 'downtempo', 'christian radio', 'opera', 'marine painting', 'logic', 'outlaw country', 'mystery film', 'chess', 'andalusian', 'uk hardcore', 'documentarian', 'alternative pop', 'popular music', 'tejano pop', 'combat flight simulation', 'minimalist', 'rock ballad', 'psybient', 'fabulist', 'calligrapher', 'arcade', 'political drama', 'crust punk', 'classic country', 'police procedurals', 'symphonic movements', 'novela', 'yaoi', 'executable', 'bachata', 'dirty south']
Juliet of the Spirits
Juliet of the Spirits (Italian: Giulietta degli spiriti) is a 1965 Italian-French fantasy comedy-drama film directed by Federico Fellini and starring Giulietta Masina, Sandra Milo, Mario Pisu, Valentina Cortese, and Valeska Gert. The film is about the visions, memories, and mysticism of a middle-aged woman that help her find the strength to leave her philandering husband. The film uses "caricatural types and dream situations to represent a psychic landscape." It was Fellini's first feature-length color film, but followed his use of color in The Temptation of Doctor Antonio in the portmanteau film Boccaccio '70 (1962). Juliet of the Spirits won a Golden Globe Award for Best Foreign Language Film in 1966.