Danaid
Danaus
['Byron', 'Zhu Biao', 'King John', 'Ludovico Sforza', 'Finn Arnesson', 'babar', 'Shunzhi Emperor', 'Gerald Ford', 'King Farouk', 'Xerxes I', 'Alexander I', 'Rob Reiner', 'Jungjong', 'Jamnalal Bajaj', 'Claudio Gora', 'Girolamo Riario', 'Camille Pissarro', 'Sneferu', 'Benchley', 'Newell Convers Wyeth', 'King Chulalongkorn', 'Uija', 'Sobekemsaf II', 'Alyque Padamsee', 'Eadberht', 'Uzziah', 'Sima Zhao', 'Petipa', 'Aaron Spelling', 'Alcetas I', 'Rainier III', 'Zayed bin Sultan Al Nahyan', 'Glywys', 'Brian', 'Ernst August', 'Desiderius', 'Daniel Thwaites', 'Christopher II', 'Carmine Coppola', 'Struve', 'Porsche', 'Nicholas Mukomberanwa', 'Ieyasu', 'Esau', 'Henry Clay Frick', 'Brychan', 'Ptolemy I Soter', 'Ivan Alexander', 'James VII', 'Loudon Wainwright III', 'Stephen V', 'An Lushan', 'Abhimanyu', 'Nayef', 'Roger Donaldson', 'Grand Duke Michael', 'Grover Cleveland', 'Jiaqing', 'Tom Hanks', 'Ron Howard', 'Christian X', 'Haile Selassie', 'Willem V', 'Duke Ellington', 'Rhys', 'Neoptolemus I', 'Herschel', 'Esarhaddon', 'Gustav Rose', 'Eddie Levert', 'Albert Einstein', 'Holkar', 'Yuwen Tai', 'King Haakon VII', 'Freud', 'Four Bursteins', 'Prince Joachim', 'Alfred Hitchcock', 'King Henry VII', 'Ras Makonnen', 'Thomas More', 'Phil Margera', 'Hattusili III', 'Mick Jagger', 'Billy Ray', 'George Washington Parke Custis', 'Khosrov II', 'John Jacob Astor IV', 'Nelson Mandela', 'Thihathu', 'Mindon', 'Rajaram', 'Mahatma Gandhi', 'Pythagoras', 'Shunzhi', 'Lancelot', 'George Byng', 'Mark Twain', 'Pepin III']
The Suppliants (Aeschylus)
The Suppliants (Ancient Greek: Ἱκέτιδες, Hiketides; Latin Supplices), also called The Suppliant Maidens, or The Suppliant Women, is a play by Aeschylus. It was probably first performed sometime after 470 BC as the first play in a tetralogy, sometimes referred to as the Danaid Tetralogy, which probably included the lost plays The Egyptians (also called Aigyptioi), and The Daughters of Danaus (also called The Danaids or The Danaides), and the satyr play Amymone. It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-20th century shows it one of Aeschylus' last plays, definitely after The Persians and possibly after Seven Against Thebes.