Naqoyqatsi
Godfrey Reggio
['redone', 'krishnam raju', 'joseph zito', 'mick jagger', 'bill rebane', 'barry levinson', 'bette davis', 'dil raju', 'stanley donen', 'irwin winkler', 'evan goldberg', 'lucas kazan', 'fear factory', 'sajid nadiadwala', 'neil simon', 'blake edwards', 'walter forde', 'romulus films', 'jennifer jason leigh', 'deadmau5', 'brian wilson', 'chaplin', 'bruce willis', 'gregg alexander', 'harold perrineau', 'larry buchanan', 'byron kennedy', 'matthew chapman', 'veeru devgan', 'adam goldberg', 'tom tykwer', 'sean penn', 'nick giannopoulos', 'demy', 'bryan forbes', 'karl brown', 'republic pictures', 'gil bellows', 'john landis', 'michael balcon', 'dev anand', 'anthony hinds', 'gene wilder', 'hugo del carril', 'sully erna', 'justin lin', 'hirokazu koreeda', 'carole eastman', 'william orbit', 'alberto lattuada', 'steve albini', 'michael herz', 'karan johar', 'kevin kadish', 'casey robinson', 'van morrison', 'stan winston', 'joris ivens', 'robert montgomery', 'gene roddenberry', 'penny marshall', 'sebastian doggart', 'edward zwick', 'guillermo del toro', 'jean yanne', 'william dear', 'jerry warren', 'ben hecht', 'arnold fanck', 'javed sheikh', 'lloyd kaufman', 'james coburn', 'carlo vanzina', 'tamra davis', 'asghar farhadi', 'david benioff', 'sir george martin', 'alexandre michon', 'peter yates', 'anna faris', 'vipul shah', 'mark ronson', 'craven', 'mukesh bhatt', 'friz freleng', 'carl laemmle', 'howard hawks', 'randal kleiser', 'ramesh sippy', 'daniel clowes', 'elliott kastner', 'anatole de grunwald', 'eduardo coutinho', 'john lasseter', 'rob epstein', 'hayao miyazaki', 'ang lee', 'walter wanger', 'fairbanks']
Naqoyqatsi
Naqoyqatsi (/nɑːkɔɪˈkɑːtsi/ NAH-koy-KAH-tsee), also known as Naqoyqatsi: Life as War, is a 2002 film directed by Godfrey Reggio and edited by Jon Kane, with music composed by Philip Glass. It is the third and final film in the Qatsi trilogy. Naqoyqatsi is a Hopi word (more correctly written naqö̀yqatsi) meaning "life as war". In the film's closing credits, Naqoyqatsi is also translated as "civilized violence" and "a life of killing each other". While Koyaanisqatsi and Powaqqatsi examine modern life in industrial countries and the conflict between encroaching industrialization and traditional ways of life, using slow motion and time-lapse footage of cities and natural landscapes, about eighty percent of Naqoyqatsi uses archive footage and stock images manipulated and processed digitally on non-linear editing (non-sequential) workstations and intercut with specially-produced computer generated imagery to demonstrate society's transition from a natural environment to a technology-based one. Reggio described the process as "virtual cinema".