The Spinners
Atlantic records
['elephant 6', 'cti records', 'word records', 'kinetic records', 'grand hustle records', 'young money entertainment', 'verve records', 'beggars banquet records', 'chart records', 'db records', 'nessa', 'reunion records', 'stones throw records', 'tug records', '99 records', 'xtreem music', 'mca records', 'hot club records', 'reach records', 'moshi moshi records', 'ecr music group', 'digital hardcore recordings', 'ralph', 'sub pop records', 'dfa records', 'deathwish', 'ariola records', 'bethlehem records', 'seeland records', 'buddah records', 'warp records', 'factory records', 'top dawg entertainment', 'topic records', 'new red archives', 'modular recordings', 'charisma records', 'big dada recordings', 'capricorn records', 'rhino records', 'harvest records', 'philadelphia international records', 'ghostly international', 'drakkar entertainment', 'heads up international', 'j storm', 'black hole recordings', 'emi latin', 'republic records', 'essential records', 'artpeople', 'one little indian records', 'jmt records', 'deutsche grammophon', 'dhr records', 'rawkus records', 'key sounds label', 'cogumelo records', 'magic circle music', 'esp records', 'avex', 'ardent records', 'om records', 'extreme records', 'domino', 'virgin music', 'barsuk', 'revealed recordings', 'boompa', 'new world', 'dark horse records', '2 tone records', 'ecstatic peace', 'kill rock stars', 'warner music finland', 'alive records', 'amphetamine reptile', 'skint records', 'ecm records', 'plug research', 'universal music', 'saddle creek records', 'ze records', 'epic records', 'planet mu', 'sleep it off records', 'insideout music', 'nettwerk', 'musicor records', 'twisted records', 'disturbing tha peace', 'sst records', 'fontana records', 'drag city', 'barclay records', 'swami records', 'cherrytree records', 'argo', 'liberation music']
Happiness Is Being with the Spinners
Happiness Is Being with the Spinners is the seventh studio album recorded by American R&B group The Spinners, released in July 1976 on the Atlantic label. It was produced by Thom Bell and recorded at Sigma Sound Studios in Philadelphia and Kaye-Smith Studios in Seattle.