{"content":[{"text":"Rose Consort of Viols \n Ibrahim Aziz, John Bryan, Alison Crum, Andrew Kerr, Roy Marks","bbox":{"left":0.154646,"top":0.085488,"width":0.690957,"height":0.04723899999999999}},{"text":"Elizabethan Encounters","bbox":{"left":0.360898,"top":0.156868,"width":0.277977,"height":0.021983000000000003}},{"text":"The treasures of English consort music survive in manuscript copies made for avid \n Elizabethan collectors. Many of these manuscripts show a lively engagement with \n diverse cultural styles, containing pieces by composers from continental Europe. \n Here we find a wonderful array of motets, chansons and madrigals, often copied \n without their original texts, and so making ideal repertory for the viol consort. This \n programme explores a wealth and variety of continental music, including pieces by \n Gombert, Clemens and Lassus, rubbing shoulders with consorts by native \n composers such as Tallis, Parsons and Byrd.","bbox":{"left":0.120984,"top":0.191728,"width":0.757923,"height":0.16837199999999997}},{"text":"Salvator Mundi","bbox":{"left":0.130054,"top":0.403138,"width":0.13694499999999998,"height":0.018677999999999972}},{"text":"Thomas Tallis (c. 1505–1585)","bbox":{"left":0.576816,"top":0.403138,"width":0.29243600000000003,"height":0.018677999999999972}},{"text":"O dulx regard \n Si vous voules","bbox":{"left":0.130054,"top":0.441907,"width":0.13023799999999996,"height":0.04022399999999998}},{"text":"Philip Van Wilder (c. 1500–1553) \n Van Wilder","bbox":{"left":0.531664,"top":0.441907,"width":0.337612,"height":0.04022399999999998}},{"text":"Madonna somm’acorto","bbox":{"left":0.130054,"top":0.502221,"width":0.21241900000000002,"height":0.018677999999999972}},{"text":"Philippe Verdelot (c. 1480–c. 1532) \n or Giacomo Fogliano (1468–1548) \n Orlande de Lassus (1532–1594)","bbox":{"left":0.521787,"top":0.502221,"width":0.34746200000000005,"height":0.06143799999999999}},{"text":"Angelus ad pastores ait","bbox":{"left":0.130054,"top":0.544981,"width":0.21267599999999998,"height":0.018677999999999972}},{"text":"La gamba in basso & soprano \n Duo Alphonso \n Ascendo ad Patrem","bbox":{"left":0.130054,"top":0.583749,"width":0.266721,"height":0.061436999999999964}},{"text":"Vincenzo Ruffo (c. 1508–1587) \n Alfonso Ferrabosco senior (1543– \n 88) Jean Maillard (fl. 1538–70)","bbox":{"left":0.528438,"top":0.583749,"width":0.34081400000000006,"height":0.061436999999999964}},{"text":"In nomine Rounde \n Fantasia 1 a3 \n De la court","bbox":{"left":0.130054,"top":0.669161,"width":0.16232000000000002,"height":0.05587900000000001}},{"text":"Christopher Tye (c. 1505–1572) \n William Byrd (c. 1540–1623) \n Robert Parsons (c. 1535–1572)","bbox":{"left":0.551216,"top":0.669304,"width":0.318033,"height":0.061436999999999964}},{"text":"Triste départ","bbox":{"left":0.130054,"top":0.748694,"width":0.121087,"height":0.018677999999999972}},{"text":"Nicolas Gombert (c. 1495– c. 1560) \n Jacobus Clemens non Papa \n (c. 1510-15–1555/6)","bbox":{"left":0.517755,"top":0.748694,"width":0.3514940000000001,"height":0.061436999999999964}},{"text":"Frais et gaillard","bbox":{"left":0.130054,"top":0.791453,"width":0.13852799999999998,"height":0.018677999999999972}},{"text":"Domine ne in furore a4","bbox":{"left":0.130054,"top":0.834212,"width":0.21729899999999996,"height":0.018677999999999972}},{"text":"Josquin des Prez (c. 1450-55–1521)","bbox":{"left":0.522593,"top":0.834355,"width":0.3466560000000001,"height":0.018677999999999972}},{"text":"Fantasia Two in one","bbox":{"left":0.130054,"top":0.871294,"width":0.18481899999999996,"height":0.018677999999999972}},{"text":"Byrd","bbox":{"left":0.81835,"top":0.871437,"width":0.050954000000000055,"height":0.018677999999999972}}],"images_bbox":[],"images_bbox_not_text_overlap":[]}