{"content":[{"text":"July 15, 2021 by Wendy \n Lubberding","bbox":{"left":0.432953,"top":0.073141,"width":0.17790699999999998,"height":0.034566}},{"text":"Live Performance | \n Review","bbox":{"left":0.768439,"top":0.073141,"width":0.15091900000000003,"height":0.034566}},{"text":"Elisabeth Gets \n Her Way – Jan \n Martens | GRIP \n On Monday 12 July, during \n Julidans festival, the Belgian \n choreographer and dancer Jan \n Martens premiered Elisabeth Gets \n Her Way at Theater Bellevue. The \n thoughtful seven-part solo \n explores the unique force and \n precision of Elisabeth Chojnacka’s \n harpsichord playing, and comes \n up with a plethora of danced \n responses. I saw the show on 13 \n July.","bbox":{"left":0.432953,"top":0.138665,"width":0.47908500000000004,"height":0.557731}},{"text":"!","bbox":{"left":0.064479,"top":0.551671,"width":0.012305999999999997,"height":0.015217999999999954}},{"text":"\"","bbox":{"left":0.061402,"top":0.593521,"width":0.018459000000000003,"height":0.015217999999999954}},{"text":"Dance maker Jan Martens knows how to bend \n the space and time in which his work takes \n place. He bends them to accommodate bodies \n and minds other than his own (The Common \n People, Passing the Bechdel Test) or unexpected \n combinations of dancers’ bodies (BIS, any \n attempt will end in crushed bodies and \n shattered bones). But he also bends them to","bbox":{"left":0.432953,"top":0.733921,"width":0.48164599999999996,"height":0.20048999999999995}}],"images_bbox":[{"left":0.050442,"top":0.297445,"width":0.312268,"height":0.171205}],"images_bbox_not_text_overlap":[{"left":0.050442,"top":0.297445,"width":0.312268,"height":0.171205}]}