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OaU
CONSTRUCTING
A STORY.
A Young Man and a Young Wo
man Collaborate.
By F A. MITCHEU.
Cw#*n*nt. mi. bj
u*Io?iJous at t.irjr. :iu?i in it
uui<'biij* hu<1< a -trsiiw cotiirust of
mU K.UIJ (v u>< *v ntrolK-4.
thaa lUfc* to*?4jr mmw#."
"Wdl, ?<> VU. But t fckuW be feis
I<* '
Vrw J?U kuUn( <? make a t Li tula v>t turt
"Bj tw MtcAU^ She! to t* tt>e
-Vk tui ?kw? do that's ae<vic y
ste ou.v But I lira nu ? bvrvtac
r%l* b to Iw a rvaltolii- ttocy ?wu
&**at rwiijr care fw< Sir A *b?t iu)
Ikwt ftU&l lUe WttOtlWJU of the MUI7
Yju ch anctm afteu run inj
with the author* who ctwlt thorn tad
do Just u tbay ttku in s^ite ? t tUm."
"1 MC VoU UMJ deivild Upon li
mb Mb*? B will full la love with
Jua? alMtt ?IW i.ieaswe. Maybe she
wuu t fait la luit with either of theui. '
"I Nar MiltlMnilua wUh jroe wtU
prove >cr> uiilKuit If yuut* going
to : uu ?*?.? WUh lt?? rieruUie. perhaps
t ?hali have ?ouiettiiug to mj about
the hero. I Ui ut/l bound to wake tuu
uiarrj Ui? H. He otay be i*ry rnucb
ut her."
"Ami ?he auxy be t?j much disap
" I'hta* won't do. We'rw not ge lung
na at all. We're i<Mm to construct a
story but we dual wish U
to be so realistic ttuu the collaborator*
?1 . (aartvl ever the vharaclers aud
whether they are to be good or 'J*d.
wvabie or uuiovable. Let ia |u M
to where Mr. A. meets Miss B. a see
Mid lime, lie next see* ber dancing
with Mr. C at Mr* Scheraerhoru s
"1 thought it was at Mrs. Van Veeh
-Well call her Mr*. Van Vechteu
If VOU Uke. The name doeau t signify
Ur A. secures aa introduction to UIm
B. and dunce* with her twice wbeu
?tte of his friends lay* to him, You
ucntttt waste your time on that (Irl:
die's eugaged to 0.' "
"Weil, 1 declare: Who took it upon
"One we'll call Mr. D."
"1 tbiuk you'd better make him the
g?>iag around aaylnj things
that are not true."
"You don't seeia to uodmtand the
?art of the villain 1a a story. Mr. D
u only a dummy. one of those perMoas
thrown luto the story to enable the
tit her to Ktf things Instead of say tog
- hem Himself. Mr. CV. who ta supposed
t* have loosaierabte Influence with
the heroine? an Influence not divulged
ttil the end of the story -la the villain
r. a other words, a toll ftw Mr. A
He to like a kulght In the game of
hetta. Mr. IX hi only a pawn."
"Oil. 1 think these skeletons of Mo
rtea are like the skeletons of people
's orr id. If you author* write atortes
taut way i don't wonder many of
taem are ao uulutereattng. Can't you
ivt uu to something pleasaat !"
"Well, we'll imsa to the third meet
tug Shall we have U at the aea
X ?
"Id the mouutaiaa?"
"Sui i-or-e we ba*e them meet among
by ii.tT hi* Mr X and Misa B. strolling
? u?t as w? uv, lls(Mtlli( to that mow
ng machine down jumfcr"
"Very well, to the birds. They ctmt
together at tbe an me butei by colncl
'By colarUMctr
?\>h. nothing I thought be aahl be
inew ?he w?s hetv and cinte here on
iMirj-oa* to meet her."
"l?id be say that?"
"?# auRw be did."
"That'a better for a r*<el ttffc thau an
auxiliary story la the latter ncd
lent at meetinga add to tbe Interest
They're leaa i-roaaio."
"Wdl, wbat oeit?"
The urst m?|> for him hi to dtul ou:
what are he* rvlationa to Mr. ft*
-
lsuiseif altogether too much about Mr
"It make? the story more tntereat
"But it a very dlaagreeabie to her to
lave her name eounected with a man
the > are? nothing about "
?"Are you sure she aetnl all the while
u if she car?^ nothing about C.f"
Maybe. If she did It only make?
'be story more lntervetlug. you know."
"But hes only au imaginary cbarac
:er. lie Uueau't feel auything. What
loea be do uext?"
"We now come to the end o t tbe
story A. aiwaya sui>t<oaed that If he
pM uut uf tbe way ha would have
' nothing to do but propoae to tha bero
me ? be a.vei><?d Loven alwaya
(eel that way But C. ha v tug beeo
?fUiu.ua ted. A.. arriving at the declare
Uou i>oiut. is suddenly aeiaed with
"Are they a 1 way a that way I"
WaH. a is a very sensitive man.
you know, and cuuactoua of bia own
iuiiwrfectWua. Miaa B. ta a tbouaaud
Times too good for bltn. and he kuows
"1 wouUb t put that in. I fa over
"Wett. aa I aaid. A., even IX he fa* an
imaginary character, feebt a great deal
He remembers tbe brat time ha aaw
you. MUa a. at the opera, then hia
leligbt at seeing you again at MUta
Van Veohten'a ball, and be coofaaae*
le did know you weiw hem and cam*
Lie re to see you. lie alao admits that
be liaa suffered dreadfully at aaaiug
inotber so devoted to you. fearing that
jrou went liateuing to that other s dat
ieritig worda. lie further adutita that
be invited you to take I hia walk that
be might tell you that he loves you
? id ask you to be bia wlf?."
There was a silence, which aha
broke.
"I* thin a real or as Imaginary
atory?*
??It la real. It b* burned tuto my
heart I feet it couralug in my blood
it is in my brain, awl without tbe one
word I covet It win ha mora than a
atory. It will be a tragedy "
I felt bar band agatnat mine. 1
grasped it. knew that 1 had received
the answer neceaaary to couiidata my
happiiMtta.
Just before luncheon we walked
back to tbe hotel.
"What have you two km dolngV*
asked her younger slater.
"We've been making ay a k>va
*?) "
H?al?y'? Sdtt-M-tny*.
Id itftj-fwu r?*ra of tu* tfv- V.
W*a been is IM!>- W H Ueuiev uev*
ko?w what a 'is**'* perfrvt jwattft
tMUt. Wheu Utile itum a boy
tM wu ItUckcU t)jf a vU??*-se vlurb
uec-eaaitatal the aniiniiatton ot oae
toot. H* was foiii ks'er ft; the doe
ton that tb? ?.tukm >t the other !*?:
WU IMCWMarj **<"* tie to TtH
(mm >i Dr. UM?r hiul ratcbnl Uea
mjr and. peuaiK-*s auw -tiUK?i friend
eaa. he determined to try hi iilHirsti
tniiruiary Thither be traveled third
ctaaa in physical suflfr uji ?uvb a* few
have known, anil * tu-u he reached
the inarnmry his ? fc- p>
a mounted to a few shilling Ubt cua
adeucv la Lister ?u juatibeU. and ha>
iuij was saved He was ami remained
a cripple, but neither tk ^elesa nor help
lea*. Ub aatouttaliuic >umoieuetia un
der :he*e eumlitiuas sUi;s'?>ted to Rob
ert Louia Stevenaou the vesical sketch
of John Silver
A Hard On*.
"The ieif made tuau b tpieodid,"
mid Andrew Carnegie at a dinner in
Washington. "If be xaie* a i nisei f a
tueutai and spiritual uo lea* than a
Unanctal succesa. Too many self made
men neglect the intellectual sale. This
womUum ? at commencements. for ei
auipie? pats tbeiii at a disadvantage.
I ki*>w a self made mau wbo said at
By the Constant Use of
CUIICURA
SOAP
Aaaisted, when necessary, by Cuti
cura Ointment. These pure, sweet
and gentle emollients preserve,
purify and beaut tiy the skin, scalp,
hair and hands of infants and
children, prevent minor eruptiooa
becoming chronic, and soothe and
dispel torturing, disfiguring rash
es, itchings, irritations and chaf
ing*. Peace falls on distracted
households when Cuticira enters.
* CO-UHB*lH x-.U>eOt
- We.U l^ouuy. M3 aw. ?ktt do
-tWjr teach *OU W?*
- Laua lad On**. tfc? 0?y rw>rted. .
UkJ Ueriaau idJ ajjptte*."
- LV*r aiv crwi t &* aaf akti OU.
lad a bar* tto toe Mcaipf *
-at Uhuj? u. owC-autocrat.
, . ,..
ts? Dieww*.
VV 3A t <k> ?oa rvgard M tfea i*Mt
JiatcnfiK"* Nkwm * tftMnt tail t
.imcciral ouu?T*
"A UMurutL" rvvnl?i ?MMlor Star
{tuua. "?nui:?T? j?t few a j*4<u
to b* Jwtte. *od civ* ^cter M*>? ua?
uy ii? iidad a?>? r It cm a* >t*M, "*
m m
M-iay .Uaakaa JUhUot* la<? H.aard
u aod r^rufttod Tfcw4j.
"Good m*? intwaia fcMC,' and Uw
-lOuaAilds of S*d iMCfc iuffcsfwrw is ?
v.^a*a i? (lad to Usarm .w ?ro?9t
. ? is wstlua Ute?r rwaca. Maay a
aw. w?ai aad at-fcrtm aacX is Wl
to more. uuats to IXiaaa Kaiany
KUbl Thousftada u0u? 'fr-nor?fc of
;-opte aro U-4io< U<t <ood a?aa of
4w r eiperteacw ?ii tte OU sioak
* Remedy. Haro to u ?H|>I?
vorih r^tfcdiM;
S. 3. WUfeaai* Stt Ufem? St.
- aitjin. Or*., ?.l "A (?? y?ar*a?u
-3o Joctom U>u SM l&at V kUa?j%
<rero a
lanwiai
xoooti^c of 'Jta? 'JVU&i*. Cfr>n>l?< Uhe
of -iiauue ?o*ld iiaJp at*.
.: '-Ala *u yat, -Ao caw aae la
Id (it live WO Ot 3IM J WMtMt,
jrt# ao Utiief I fcitfareJ .Tvai
itt -iieo*? fcunua* aewaafiaa Mi ay
?a 1 two U>? coate ??w ?k
i i.revUy ?f?r ai* kkjn*r?4. TV*
ii-lttej 4ecr*&oaa ,' ami id jrrvcaixrf*
?:iU ?er* alro .loaacaral. After aala*
?o boxta oC LXmaa KVIaay PUia, 1
id not -Jio leaac p*:a ta au>
AvK or troufclo from ?y cidaojra."
For salo iy *11 JeaJura. Prtce M
?nt*. FtwCer-MUbttra Co..
N ? York, acta {Qr tfc* L'aiiai
sUtM.
Seciem!>?r (&? mum ? XV*a? ? *a?t
tAii ao odMr.
WHATS THE U???
What 1b Uw m* a wl?#a
you cajx call up Xvu *ad $?t * rklo
ji Uto Wk! PlKtoo M U
W!iAr? Ud um of bamiaj
?.oovi wived you caa call ?9 ttjwa *J*i
a rtck of dry wood 4<eliv?r?d ?l
on co! (tkoa? li tf
C-VKPKNTKKS WANT*D? Tiro*
jood carpeottm waacod 4C oaco at
OtavcxMa. tV vMTOouiar* aP9t? at
Daily Aia*ka Ofttoa. f
New. cleaa ud ooaiftrtabio S?d?
1 c?mt? And U9 at tfca Dwalaioa
-?ottfl. WJuu-!k*?o. T. T. tf
U- * iu-y 's CaadK*. Box Caadi?*. all
*mdi of Ciocoiataa, Glacaa. CToaaa
*ad Boa Booa at TOJfT DO&TBKO'S.
t t
for sall
<310 Stw?a a#
HOME FOWCR CO. ?TOC*
Ap^y
PHIL. SNYDER. ftKAQWAV
MkOrtttiOMAL CAADS.
Muato The*?.
Mm* M G. Hiadbhaw
Tm*~^ Piano Forte
Spooai TttM b* a LucuteU
Number <M Scftaacra
KiOMTH A**. AMD MAIN ST.
ROYAL A. GUNNISON
ATTORNEY AT LAW
?. O. MM a. JUMAU 4U?X?
H. B. Le FEVRE
\itornev ? t L?*\v
?A. AG WAV - ? . ALASKA
Mmi
H. P. M. Bir kin bine
ENGINEER
U. 1 Deptfy Lam i?i Mi?eni
OU-EY ItC. HAJHEX ALASKA
Tm ?ia i)?ail k a *~C
a * (um jX 1\m1 ?r SCii-i*a 3tl
ZMt+L r%? 9oani J< Tr*ie Ui -1?
a-^-t ta jxw?v Orw# i*.
??1 SM (Ski U M I?t
ttt>K 3Mkb tm ATkaofcow* *:
IX>?b gr?>a ?
Gou4 iimt uJ w^ttaJky aU
-tirtiM k*^ X tte Bo*nl of Tnin
Noc* b*cur or yonvr an uifcaea
kaa Val SIM BtMT Ori?r?
Sy ?%*?* frwajtly .h** ****?!
TV* MaacoL
SKA NO KEOiXTION O# STOCK
SALE
P*c* Traia to sow *
^ kit ui Good CJooda *t reJucevl
iu- tu?a a* !Ao? ara S?t'--3I tv M
u> ???< i*si at a pcvXtt. Toura.
ti " Haraaa Grtmn
f*aa* N'utt o t a B itada lust r?v?i*
o4 at TO XT DORTMO-A
OoaijM* thMtr. <ir*u*iu or bott:<Ni.
as (A* Boani <a t TrmJa. tf.
Com* ta of '/Aom ?nh? tw Gib*o?
a*T* aad Vat Blata Bmt, J?a*cf*4 fa>
jwitf ^>hm 4j TVs Maacot.
IV? tm is* w ti?
feMt nar? pry^atuAtt's. t*
(The Drtiln .Alaskan I
JOB PRINTING DEPARTMENT
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We are prepared to turn out High Class Work at
Moderate Prices on Short Notice.
Most Modern and Best Equipped Print Shop in
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