section_path: Life and career/Thriller and Motown 25: Yesterday, Today, Forever (1982–1983)
section_name: Thriller and Motown 25: Yesterday, Today, Forever (1982–1983)
paragraph_text: Thriller and Motown 25: Yesterday, Today, Forever (1982–1983)
  
  Jackson recorded with Queen 's lead singer Freddie Mercury from 1981 to 1983, recording demos of " State of Shock ", "Victory" and " There Must Be More to Life Than This ". The recordings were intended for an album of duets but, according to Queen's manager Jim Beach, the relationship soured when Jackson brought a llama into the recording studio, and Jackson was upset by Mercury's drug use. "There Must Be More to Life Than This" was released in 2014. Jackson went on to record "State of Shock" with Mick Jagger for the Jacksons' album Victory (1984).
  
  In 1982, Jackson contributed "Someone in the Dark" to the audiobook for the film E.T. the Extra-Terrestrial. Jackson's sixth album, Thriller, was released in late 1982. It was the bestselling album worldwide in 1983, and became the bestselling album of all time in the US and the best-selling album of all time worldwide, selling an estimated 70 million copies. It topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to produce seven Billboard Hot 100 top-10 singles, including " Billie Jean ", " Beat It ", and " Wanna Be Startin' Somethin' ".
  
  On March 25, 1983, Jackson reunited with his brothers for Motown 25: Yesterday, Today, Forever, an NBC television special. The show aired on May 16 to an estimated audience of 47 million, and featured the Jacksons and other Motown stars. Jackson's solo performance of "Billie Jean" earned him his first Emmy Award nomination. Wearing a glove decorated with rhinestones, he debuted his moonwalk dance, which Jeffrey Daniel had taught him three years earlier, and it became his signature dance in his repertoire. Jackson had originally turned down the invitation to the show, believing he had been doing too much television. But at the request of Motown founder Berry Gordy, he performed in exchange for an opportunity to do a solo performance. Rolling Stone reporter Mikal Gilmore called the performance "extraordinary". Jackson's performance drew comparisons to Elvis Presley 's and the Beatles ' appearances on The Ed Sullivan Show. Anna Kisselgoff of The New York Times praised the perfect timing and technique involved in the dance. Gordy described being "mesmerized" by the performance.
  
  At the 26th Annual Grammy Awards, Thriller won eight awards, and Jackson won an award for the E.T. the Extra-Terrestrial storybook. Winning eight Grammys in one ceremony is a record he holds with the band Santana. Jackson and Quincy Jones won the award for Producer of the Year (Non-Classical). Thriller won Album of the Year (with Jackson as the album's artist and Jones as its co-producer), and the single won Best Pop Vocal Performance (Male) award for Jackson. "Beat It" won Record of the Year and Best Rock Vocal Performance (Male). "Billie Jean" won two Grammy awards: Best R&B Song and Best R&B Vocal Performance (Male), with Jackson as songwriter and singer respectively.
  
  Thriller won the Grammy for Best Engineered Recording (Non Classical), acknowledging Bruce Swedien for his work on the album. At the 11th Annual American Music Awards, Jackson won another eight awards and became the youngest artist to win the Award of Merit. He also won Favorite Male Artist, Favorite Soul/R&B Artist, and Favorite Pop/Rock Artist. "Beat It" won Favorite Soul/R&B Video, Favorite Pop/Rock Video and Favorite Pop/Rock Single. The album won Favorite Soul/R&B Album and Favorite Pop/Rock Album. Thriller ' s sales doubled after the release of an extended music video, Michael Jackson's Thriller, which sees Jackson dancing with a horde of zombies.
  
  The success transformed Jackson into a dominant force in global pop culture. Jackson had the highest royalty rate in the music industry at that point, with about $2 for every album sold (equivalent to $6 in 2023), and was making record-breaking profits. Dolls modeled after Jackson appeared in stores in May 1984 for $12 each. In the same year, The Making of Michael Jackson's Thriller, a documentary about the music video, won a Grammy for Best Music Video (Longform). Time described Jackson's influence at that point as "star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too." The New York Times wrote "in the world of pop music, there is Michael Jackson and there is everybody else".