section_path: Legacy/In ancient and modern culture
section_name: In ancient and modern culture
paragraph_text: In ancient and modern culture
  
  Alexander the Great's accomplishments and legacy have been depicted in many cultures. Alexander has featured in both high and popular culture, beginning from his own era to the present day. The Alexander Romance, in particular, has had a significant impact on portrayals of Alexander in later cultures, from Persian to medieval European, to modern Greek.
  
  Alexander features prominently in modern Greek folklore, more than any other ancient figure. The colloquial form of his name in modern Greek ("O Megalexandros") is a household name, and he is the only ancient hero to appear in the Karagiozis shadow play. One well-known fable among Greek seamen involves a solitary mermaid who would grasp a ship's prow during a storm and ask the captain, "Is King Alexander alive?" The answer should be "He is alive and well and rules the world!" causing the mermaid to vanish and the sea to calm. Any other answer would cause the mermaid to turn into a raging Gorgon who would drag the ship to the bottom of the sea, all hands aboard.
  
  In pre-Islamic Middle Persian (Zoroastrian) literature, Alexander is referred to by the epithet gujastak, meaning "accursed", and is accused of destroying temples and burning the sacred texts of Zoroastrianism. In Islamic Persia, under the influence of the Alexander Romance (in Persian: اسکندرنامه Iskandarnameh), a more positive portrayal of Alexander emerges. Firdausi 's Shahnameh ("The Book of Kings") includes Alexander in a line of legitimate Persian shahs, a mythical figure who explored the far reaches of the world in search of the Fountain of Youth. In the Shahnameh, Alexander's first journey is to Mecca to pray at the Kaaba. Alexander was depicted as performing a Hajj (pilgrimage to Mecca) many times in subsequent Islamic art and literature. Later Persian writers associate him with philosophy, portraying him at a symposium with figures such as Socrates, Plato and Aristotle, in search of immortality.
  
  The figure of Dhu al-Qarnayn (Arabic: ذو القرنين; lit. "The Two-Horned One") is believed by the majority of modern researchers of the Qur'an as well as Islamic commentators to be a reference to Alexander. The figure is also believed by scholars to be based on later legends of Alexander. In this tradition, he was a heroic figure who built a wall to defend against the nations of Gog and Magog. He also travelled the known world in search of the Water of Life and Immortality, eventually becoming a prophet.
  
  The Syriac version of the Alexander Romance portrays him as an ideal Christian world conqueror who prayed to "the one true God". In Egypt, Alexander was portrayed as the son of Nectanebo II, the last pharaoh before the Persian conquest. His defeat of Darius was depicted as Egypt's salvation, "proving" Egypt was still ruled by an Egyptian.
  
  According to Josephus, Alexander was shown the Book of Daniel when he entered Jerusalem, which described a mighty Greek king who would conquer the Persian Empire. This is cited as a reason for sparing Jerusalem.
  
  In Hindi and Urdu, the name " Sikandar ", derived from the Persian name for Alexander, denotes a rising young talent, and the Delhi Sultanate ruler Alauddin Khalji stylized himself as "Sikandar-i-Sani" (the Second Alexander the Great). In medieval India, Turkic and Afghan sovereigns from the Iranian-cultured region of Central Asia brought positive cultural connotations of Alexander to the Indian subcontinent, resulting in the efflorescence of Sikandernameh (Alexander Romances) written by Indo-Persian poets such as Amir Khusrau and the prominence of Alexander the Great as a popular subject in Mughal-era Persian miniatures. In medieval Europe, Alexander the Great was revered as a member of the Nine Worthies; a group of heroes whose lives were believed to encapsulate all the ideal qualities of chivalry. During the first Italian campaign of the French Revolutionary Wars, in a question from Bourrienne, asking whether he gave his preference to Alexander or Caesar, Napoleon said that he places Alexander The Great in the first rank, the main reason being his campaign on Asia.
  
  In the Greek Anthology, there are poems referring to Alexander.
  
  Throughout time, art objects related to Alexander were being created. In addition to speech works, sculptures and paintings, in modern times Alexander is still the subject of musical and cinematic works. The song 'Alexander the Great' by the British heavy metal band Iron Maiden is indicative. Some films that have been shot with the theme of Alexander are:
  
  There are also many references to other movies and TV series.
  
  Newer novels about Alexander are:The trilogy "Alexander the Great" by Valerio Massimo Manfredi consisting of "The son of the dream", "The sand of Amon", and "The ends of the world".The trilogy of Mary Renault consisting of " Fire from Heaven ", " The Persian Boy " and " Funeral Games ".
  
  Irish playwright Aubrey Thomas de Vere wrote Alexander the Great, a Dramatic Poem.