section_path: Geography/Architecture/Modern (1869–1945)
section_name: Modern (1869–1945)
paragraph_text: Modern (1869–1945)
  
  The Meiji era saw a rapid modernization in architectural styles as well; until the Great Kanto Earthquake in 1923 exposed their weakness to seimic shocks, grand brick buildings were constantly built across the city. Tokyo Station (1914), the Ministry of Justice building (1895) and Mistubishi building one (1894, rebuilt in 2010) are some of the few brick survivors from this period. It was regarded as fashionable by some members of the Japanese aristocracy to build their Tokyo residences in grand and modern styles, and some of these buildings still exist, although most are in private hands and open to the public on limited occasions. Aristocratic residences today open to the public include the Marquess Maeda residence in Komaba, the Baron Iwasaki residence in Ikenohata and the Baron Furukawa residence in Nishigahara.
  
  The Great Kanto Earthquake in 1923 ushered in an era of concrete architecture. Surviving reinforced concrete buildings from this era include the Meiji Insurance Headquarters (completed in 1934), the Mitsui Headquarters (1929), Mitsukoshi Nihonbashi flagship store (1914, refurbished in 1925), Takashimaya Nihonbashi flagship store (1932), Wako in Ginza (1932) and Isetan Shinjuku flagship store (1933). This spread of earthquake and fire-resistant architecture reached council housing too, most notably the Dōjunkai apartments.
  
  The 1930s saw the rise of styles that combined characteristics of both traditional Japanese and modern designs. Chuta Ito was a leading figure in this movement, and his extant works in Tokyo include Tsukiji Hongan-ji (1934). The Imperial Crown Style, which often features Japanese-style roofs on top of elevated concrete structures, was adopted for the Tokyo National Museum in Ueno and the Kudan Hall in Kudanminami.