section_path: Academic discipline history/21st century
section_name: 21st century
paragraph_text: 21st century
  
  Both in 19th-century research, which tended to see existing records of stories and folklore as imperfect fragments of partially lost myths, and in 20th-century structuralist work, which sought to identify underlying patterns and structures in often diverse versions of a given myth, there had been a tendency to synthesise sources to attempt to reconstruct what scholars supposed to be more perfect or underlying forms of myths. From the late 20th century, researchers influenced by postmodernism tended instead to argue that each account of a given myth has its own cultural significance and meaning, and argued that rather than representing degradation from a once more perfect form, myths are inherently plastic and variable. There is, consequently, no such thing as the 'original version' or 'original form' of a myth. One prominent example of this movement was A. K. Ramanujan 's essay " Three Hundred Ramayanas ".
  
  Correspondingly, scholars challenged the precedence that had once been given to texts as a medium for mythology, arguing that other media, such as the visual arts or even landscape and place-naming, could be as or more important. Myths are not texts, but narrative materials (Erzählstoffe) that can be adapted in various media (such as epics, hymns, handbooks, movies, dances, etc.). In contrast to other academic approaches, which primarily focus on the (social) function of myths, hylistic myth research aims to understand myths and their nature out of themselves. As part of the Göttingen myth research, Annette and Christian Zgoll developed the method of hylistics (narrative material research) to extract mythical materials from their media and make possible a transmedial comparison. The content of the medium is broken down into the smallest possible plot components (hylemes), which are listed in standardized form (so-called hyleme analysis). Inconsistencies in content can indicate stratification, i.e. the overlapping of several materials, narrative variants and edition layers within the same medial concretion. To a certain extent, this can also be used to reconstruct earlier and alternative variants of the same material that were in competition and/or were combined with each other. The juxtaposition of hyleme sequences enables the systematic comparison of different variants of the same material or several different materials that are related or structurally similar to each other. In his overall presentation of the hundred-year history of myth research, the classical philologist and myth researcher Udo Reinhardt mentions Christian Zgoll's basic work Tractatus mythologicus as "the latest handbook on myth theory" with "outstanding significance" for modern myth research.