section_path: Reception/Critical response/Season 1
section_name: Season 1
paragraph_text: Season 1
  
  On Rotten Tomatoes, the first season of Severance has an approval rating of 97% based on 117 reviews, with an average rating of 8.5/10. The website's consensus reads: "Audacious, mysterious, and bringing fresh insight into the perils of corporate drudgery, Severance is the complete package." Metacritic assigned a score of 83 out of 100 based on 36 critics, indicating "universal acclaim".
  
  The series received a rating of five out of five from Lucy Mangan of The Guardian and Rachael Sigee of I, 4 out of 5 stars from Huw Fullerton of Radio Times, John Nugent of Empire, Alan Sepinwall of Rolling Stone and Anita Singh of The Telegraph, and 3.5 out of 4 stars from Patrick Ryan of USA Today. In her review, Mangan praised Stiller's direction, the writing, and the performances of the cast (particularly those of Arquette, Turturro, Walken, and Tillman). Sigee also praised the performances, especially Scott's, Arquette's, Turturro's and Walken's, and wrote, " Severance moves slowly but surely, allowing time to absorb both the impressive world-building and stunning visuals, its breathtaking cinematography and design. With an exceptional cast, this is an original, weird, thought-provoking and beautifully crafted story that asks just how much of ourselves we should give over to our jobs." Fullerton also praised Scott's performance and called the series "an impressive creation". Nugent praised the direction, performances of Scott, Arquette, Turturro and Walken, and chemistry between the latter two. Sepinwall also praised Stiller's direction and the cast's performances (most notably those of Scott, Turturro, Walken, Lower and Tillman), in addition to the production design, tone, and season finale.
  
  Grading the series an "A", Carly Lane of Collider wrote, "the most engrossing element of Severance is the many mysteries it presents, wrapped up in silent overarching questions of philosophy, morality, and free will versus choice, and as the series demonstrates, some of those questions aren't so easily solved, but some issues aren't as black-and-white as initially presented either." Also grading it an "A", Ben Travers of IndieWire wrote, "Whether you invest in the allegory, character arcs, or both, 'Severance' hits its marks. Erickson and his writing staff deserve a ton of credit. The season plays out cleanly and efficiently; episodes range from nearly 60 minutes to a crisp 40; cliffhangers abound, but they're earned. This is serialized storytelling that knows how to make the most of its episodic format." Stephen Robinson of The A.V. Club gave it an "A-" grade and praised Stiller's direction and the cast, with the performances of Lower, Scott, Tillman, Turturro, Walken, Tullock and Cherry singled out. For Entertainment Weekly, Kristen Baldwin graded it a "B+" and highlighted the performances of Scott, Lower and Tillman, writing, "Scott is a superb fit for Severance ' s central everyman, Lower brings an effective vulnerability to the acerbic Helly, and Tramell Tillman is an absolute force of charisma as Milchick."
  
  Giving the series a score of nine out of ten, Samantha Nelson of IGN wrote, " Severance uses a clever premise and excellent cast to set up an intriguing mystery that leaves plenty of room for the characters to evolve." Writing for Paste, Shane Ryan gave it an 8.1 out of 10 and praised the performances of Scott, Arquette and Tillman as well as Stiller and McArdle's direction. Kyle Mullin of Under the Radar gave it eight out of ten and said, " Severance ' s writer/creator Dan Erickson is another newcomer who pens scenes with veteran-level aplomb. Every scene is a Golden Age of TV gem in its own right. But Severance ' s dramatic heart resides at the workplace, where it also becomes a white-knuckle thriller. This is where director Ben Stiller especially shines, training his lens and setting the scenes. He certainly brings the best out of his cast."
  
  The American Film Institute named it one of the ten best television programs of the year.
  
  On Rotten Tomatoes, the first season of Severance has an approval rating of 97% based on 117 reviews, with an average rating of 8.5/10. The website's consensus reads: "Audacious, mysterious, and bringing fresh insight into the perils of corporate drudgery, Severance is the complete package." Metacritic assigned a score of 83 out of 100 based on 36 critics, indicating "universal acclaim".
  
  The series received a rating of five out of five from Lucy Mangan of The Guardian and Rachael Sigee of I, 4 out of 5 stars from Huw Fullerton of Radio Times, John Nugent of Empire, Alan Sepinwall of Rolling Stone and Anita Singh of The Telegraph, and 3.5 out of 4 stars from Patrick Ryan of USA Today. In her review, Mangan praised Stiller's direction, the writing, and the performances of the cast (particularly those of Arquette, Turturro, Walken, and Tillman). Sigee also praised the performances, especially Scott's, Arquette's, Turturro's and Walken's, and wrote, " Severance moves slowly but surely, allowing time to absorb both the impressive world-building and stunning visuals, its breathtaking cinematography and design. With an exceptional cast, this is an original, weird, thought-provoking and beautifully crafted story that asks just how much of ourselves we should give over to our jobs." Fullerton also praised Scott's performance and called the series "an impressive creation". Nugent praised the direction, performances of Scott, Arquette, Turturro and Walken, and chemistry between the latter two. Sepinwall also praised Stiller's direction and the cast's performances (most notably those of Scott, Turturro, Walken, Lower and Tillman), in addition to the production design, tone, and season finale.
  
  Grading the series an "A", Carly Lane of Collider wrote, "the most engrossing element of Severance is the many mysteries it presents, wrapped up in silent overarching questions of philosophy, morality, and free will versus choice, and as the series demonstrates, some of those questions aren't so easily solved, but some issues aren't as black-and-white as initially presented either." Also grading it an "A", Ben Travers of IndieWire wrote, "Whether you invest in the allegory, character arcs, or both, 'Severance' hits its marks. Erickson and his writing staff deserve a ton of credit. The season plays out cleanly and efficiently; episodes range from nearly 60 minutes to a crisp 40; cliffhangers abound, but they're earned. This is serialized storytelling that knows how to make the most of its episodic format." Stephen Robinson of The A.V. Club gave it an "A-" grade and praised Stiller's direction and the cast, with the performances of Lower, Scott, Tillman, Turturro, Walken, Tullock and Cherry singled out. For Entertainment Weekly, Kristen Baldwin graded it a "B+" and highlighted the performances of Scott, Lower and Tillman, writing, "Scott is a superb fit for Severance ' s central everyman, Lower brings an effective vulnerability to the acerbic Helly, and Tramell Tillman is an absolute force of charisma as Milchick."
  
  Giving the series a score of nine out of ten, Samantha Nelson of IGN wrote, " Severance uses a clever premise and excellent cast to set up an intriguing mystery that leaves plenty of room for the characters to evolve." Writing for Paste, Shane Ryan gave it an 8.1 out of 10 and praised the performances of Scott, Arquette and Tillman as well as Stiller and McArdle's direction. Kyle Mullin of Under the Radar gave it eight out of ten and said, " Severance ' s writer/creator Dan Erickson is another newcomer who pens scenes with veteran-level aplomb. Every scene is a Golden Age of TV gem in its own right. But Severance ' s dramatic heart resides at the workplace, where it also becomes a white-knuckle thriller. This is where director Ben Stiller especially shines, training his lens and setting the scenes. He certainly brings the best out of his cast."
  
  The American Film Institute named it one of the ten best television programs of the year.