section_path: Terminology/Alternation and repetition
section_name: Alternation and repetition
paragraph_text: Alternation and repetition
  
  Rhythm is marked by the regulated succession of opposite elements: the dynamics of the strong and weak beat, the played beat and the inaudible but implied rest beat, or the long and short note. As well as perceiving rhythm humans must be able to anticipate it. This depends on repetition of a pattern that is short enough to memorize.
  
  The alternation of the strong and weak beat is fundamental to the ancient language of poetry, dance and music. The common poetic term "foot" refers, as in dance, to the lifting and tapping of the foot in time. In a similar way musicians speak of an upbeat and a downbeat and of the "on" and "off" beat. These contrasts naturally facilitate a dual hierarchy of rhythm and depend on repeating patterns of duration, accent and rest forming a "pulse-group" that corresponds to the poetic foot. Normally such pulse-groups are defined by taking the most accented beat as the first and counting the pulses until the next accent. Scholes 1977b A rhythm that accents another beat and de-emphasises the downbeat as established or assumed from the melody or from a preceding rhythm is called syncopated rhythm.
  
  Normally, even the most complex of meters may be broken down into a chain of duple and triple pulses either by addition or division. According to Pierre Boulez, beat structures beyond four, in western music, are "simply not natural".