section_path: Musical style
section_name: Musical style
paragraph_text: Musical style
  
  West's musical career is defined by frequent stylistic shifts and different musical approaches. In the subsequent years since his debut, West has both musically and lyrically taken an increasingly experimental approach to crafting progressive hip-hop music while maintaining accessible pop sensibilities. Ed Ledsham of PopMatters said that "West's melding of multiple genres into the hip-hop fold is a complex act that challenges the dominant white notions of what constitutes true 'art' music." West's rhymes have been described as funny, provocative and articulate, capable of seamlessly segueing from shrewd commentary to comical braggadocio to introspective sensitivity. West imparts that he strives to speak in an inclusive manner so groups from different racial and gender backgrounds can comprehend his lyrics, saying he desired to sound "just as ill as Jadakiss and just as understandable as Will Smith ". Early in his career, West pioneered a style of hip-hop production dubbed "chipmunk-soul", a sampling technique involving the manipulation of tempo in order to chop and stretch pitched-up samples from vintage soul songs.
  
  On his debut studio album, The College Dropout (2004), West formed the constitutive elements of his style, described as intricate hip-hop beats, topical subject matter, and clumsy rapping laced with inventive wordplay. The record saw West diverge from the then-dominant gangster persona in hip-hop in favor of more diverse, topical lyrical subjects, including higher education, materialism, self-consciousness, minimum-wage labor, institutional prejudice, class struggle, family, sexuality, his struggles in the music industry, and middle-class upbringing. Over time, West has explored a variety of music genres, encompassing and taking inspiration from chamber pop on his second studio album, Late Registration (2005), arena rock and europop on his third album, Graduation (2007), synth -driven electropop on his fourth album, 808s & Heartbreak (2008), acid-house, drill, industrial rap and trap on Yeezus (2013), gospel and Christian rap on The Life of Pablo (2016), Jesus is King (2019) and Donda (2021), and psychedelic music on Kids See Ghosts (2018).
  
  West's musical career is defined by frequent stylistic shifts and different musical approaches. In the subsequent years since his debut, West has both musically and lyrically taken an increasingly experimental approach to crafting progressive hip-hop music while maintaining accessible pop sensibilities. Ed Ledsham of PopMatters said that "West's melding of multiple genres into the hip-hop fold is a complex act that challenges the dominant white notions of what constitutes true 'art' music." West's rhymes have been described as funny, provocative and articulate, capable of seamlessly segueing from shrewd commentary to comical braggadocio to introspective sensitivity. West imparts that he strives to speak in an inclusive manner so groups from different racial and gender backgrounds can comprehend his lyrics, saying he desired to sound "just as ill as Jadakiss and just as understandable as Will Smith ". Early in his career, West pioneered a style of hip-hop production dubbed "chipmunk-soul", a sampling technique involving the manipulation of tempo in order to chop and stretch pitched-up samples from vintage soul songs.
  
  On his debut studio album, The College Dropout (2004), West formed the constitutive elements of his style, described as intricate hip-hop beats, topical subject matter, and clumsy rapping laced with inventive wordplay. The record saw West diverge from the then-dominant gangster persona in hip-hop in favor of more diverse, topical lyrical subjects, including higher education, materialism, self-consciousness, minimum-wage labor, institutional prejudice, class struggle, family, sexuality, his struggles in the music industry, and middle-class upbringing. Over time, West has explored a variety of music genres, encompassing and taking inspiration from chamber pop on his second studio album, Late Registration (2005), arena rock and europop on his third album, Graduation (2007), synth -driven electropop on his fourth album, 808s & Heartbreak (2008), acid-house, drill, industrial rap and trap on Yeezus (2013), gospel and Christian rap on The Life of Pablo (2016), Jesus is King (2019) and Donda (2021), and psychedelic music on Kids See Ghosts (2018).