section_path: Laureates/Interpretations of Nobel's guidelines
section_name: Interpretations of Nobel's guidelines
paragraph_text: Interpretations of Nobel's guidelines
  
  Alfred Nobel's guidelines for the prize, stating that the candidate should have bestowed "the greatest benefit on mankind" and written "in an idealistic direction," have sparked much discussion. In the early history of the prize, Nobel's " idealism " was read as "a lofty and sound idealism." The set of criteria, characterised by its conservative idealism, holding church, state, and family sacred, resulted in prizes for Bjørnstjerne Bjørnson, Rudyard Kipling, and Paul Heyse. During World War I, there was a policy of neutrality, which partly explains the number of awards to Scandinavian writers. In the 1920s, "idealistic direction" was interpreted more generously as "wide-hearted humanity," leading to awards for writers like Anatole France, George Bernard Shaw, and Thomas Mann. In the 1930s, "the greatest benefit on mankind" was interpreted as writers within every person's reach, with authors like Sinclair Lewis and Pearl Buck receiving recognition. In 1946, a renewed Academy changed focus and began to award literary pioneers like Hermann Hesse, André Gide, T. S. Eliot, and William Faulkner. During this era, "the greatest benefit on mankind" was interpreted in a more exclusive and generous way than before. Since the 1970s, the Academy has often given attention to important but internationally unnoticed writers, awarding writers like Elias Canetti and Jaroslav Seifert.
  
  Beginning in 1986, the Academy acknowledged the international aspect in Nobel's will, which rejected any consideration of the nationality of the candidates, and awarded authors from all over the world, such as Wole Soyinka from Nigeria, Naguib Mahfouz from Egypt, Octavio Paz from Mexico, Nadine Gordimer from South Africa, Derek Walcott from St. Lucia, Toni Morrison, the first African-American on the list, Kenzaburo Oe from Japan, and Gao Xingjian, the first laureate to write in Chinese. In the 2000s, V. S. Naipaul, Mario Vargas Llosa, and the Chinese writer Mo Yan have been awarded, but the policy of "a prize for the whole world" has been less noticeable as the Academy has mostly continued to award European and English-language writers from the Western literary tradition. In 2015, a rare prize to a non-fiction writer was awarded to Svetlana Alexievich.