section_path: Culture/Art
section_name: Art
paragraph_text: Art
  
  Secular works of art of this period include the equestrian sculpture of Charles IV of Spain, locally known as El Caballito ("The little horse"). This piece, in bronze, was the work of Manuel Tolsá and it has been placed at the Plaza Tolsá, in front of the Palacio de Mineria (Mining Palace). Directly in front of this building is the Museo Nacional de Arte (Munal) (the National Museum of Art).
  
  During the 19th century, an important producer of art was the Academia de San Carlos (San Carlos Art Academy), founded during colonial times, and which later became the Escuela Nacional de Artes Plásticas (the National School of Arts) including painting, sculpture and graphic design, one of UNAM's art schools. Many of the works produced by the students and faculty of that time are now displayed in the Museo Nacional de San Carlos (National Museum of San Carlos). One of the students, José María Velasco, is considered one of the greatest Mexican landscape painters of the 19th century. Porfirio Díaz 's regime sponsored arts, especially those that followed the French school. Popular arts in the form of cartoons and illustrations flourished, e.g. those of José Guadalupe Posada and Manuel Manilla. The permanent collection of the San Carlos Museum also includes paintings by European masters such as Rembrandt, Velázquez, Murillo, and Rubens.
  
  After the Mexican Revolution, an avant-garde artistic movement originated in Mexico City: muralism. Many of the works of muralists José Clemente Orozco, David Alfaro Siqueiros and Diego Rivera are displayed in numerous buildings in the city, most notably at the National Palace and the Palacio de Bellas Artes. Frida Kahlo, wife of Rivera, with a strong nationalist expression, was also one of the most renowned of Mexican painters. Her house has become a museum that displays many of her works.
  
  The former home of Rivera muse Dolores Olmedo houses the namesake museum. The facility is in Xochimilco borough in southern Mexico City and includes several buildings surrounded by sprawling manicured lawns. It houses a large collection of Rivera and Kahlo paintings and drawings, as well as living Xoloizcuintles (Mexican Hairless Dog). It also regularly hosts small but important temporary exhibits of classical and modern art (e.g. Venetian Masters and Contemporary New York artists).
  
  During the 20th century, many artists immigrated to Mexico City from different regions of Mexico, such as Leopoldo Méndez, an engraver from Veracruz, who supported the creation of the socialist Taller de la Gráfica Popular (Popular Graphics Workshop), designed to help blue-collar workers find a venue to express their art. Other painters came from abroad, such as Catalan painter Remedios Varo and other Spanish and Jewish exiles. It was in the second half of the 20th century that the artistic movement began to drift apart from the Revolutionary theme. José Luis Cuevas opted for a modernist style in contrast to the muralist movement associated with social politics.