section_path: Culture/Cinema
section_name: Cinema
paragraph_text: Cinema
  
  The Brazilian film industry began in the late 19th century, during the early days of the Belle Époque. While there were national film productions during the early 20th century, American films such as Rio the Magnificent were made in Rio de Janeiro to promote tourism in the city. The films Limite (1931) and Ganga Bruta (1933), the latter being produced by Adhemar Gonzaga through the prolific studio Cinédia, were poorly received at release and failed at the box office, but are acclaimed nowadays and placed among the finest Brazilian films of all time. The 1941 unfinished film It's All True was divided into four segments, two of which were filmed in Brazil and directed by Orson Welles; it was originally produced as part of the United States' Good Neighbor Policy during Getúlio Vargas' Estado Novo.
  
  During the 1960s, the Cinema Novo movement rose to prominence with directors such as Glauber Rocha, Nelson Pereira dos Santos, Paulo César Saraceni and Arnaldo Jabor. Glauber Rocha's films Black God, White Devil (1964) and Entranced Earth (1967) are considered to be some of the greatest and most influential in Brazilian film history. Rocha won the Prix de la mise en scène at the 1969 Cannes Film Festival for Antonio das Mortes and the 1977 Special Jury Prize for Best Short Film for Di.
  
  During the 1990s, Brazil saw a surge of critical and commercial success with films such as O Quatrilho (Fábio Barreto, 1995), O Que É Isso, Companheiro? (Bruno Barreto, 1997) and Central do Brasil (Walter Salles, 1998), all of which were nominated for the Academy Award for Best Foreign Language Film, the latter receiving a Best Actress nomination for Fernanda Montenegro. The 2002 crime film City of God, directed by Fernando Meirelles, was critically acclaimed, scoring 90% on Rotten Tomatoes, being placed in Roger Ebert 's Best Films of the Decade list and receiving four Academy Award nominations in 2004, including Best Director. Notable film festivals in Brazil include the São Paulo and Rio de Janeiro International Film Festivals and the Gramado Festival.
  
  The film I'm Still Here, directed by Walter Salles, was nominated for Best Actress (Torres) and Best Picture at the 97th Academy Awards, and won Best International Feature Film, becoming the first-ever Brazilian produced film to win an Academy Award. The film The Secret Agent had its world premiere at the main competition of the 2025 Cannes Film Festival on 18 May 2025, where it won the Best Actor prize for Wagner Moura, the Best Director prize for Mendonça and the FIPRESCI Prize. It received further widespread critical acclaim.