section_path: Culture/Visual arts
section_name: Visual arts
paragraph_text: Visual arts
  
  Colombian art has over 3,000 years of history. Colombian artists have captured the country's changing political and cultural backdrop using a range of styles and mediums. There is archeological evidence of ceramics being produced earlier in Colombia than anywhere else in the Americas, dating as early as 3,000 BCE.
  
  The earliest examples of gold craftsmanship have been attributed to the Tumaco people of the Pacific coast and date to around 325 BCE. Roughly between 200 BCE and 800 CE, the San Agustín culture, masters of stonecutting, entered its "classical period". They erected raised ceremonial centers, sarcophagi, and large stone monoliths depicting anthropomorphic and zoomorphic forms out of stone.
  
  Colombian art has followed the trends of the time, so during the 16th to 18th centuries, Spanish Catholicism had a huge influence on Colombian art, and the popular baroque style was replaced with rococo when the Bourbons ascended to the Spanish crown. During this era, in the Spanish colony, the most important Neogranadine (Colombian) painters were Gregorio Vásquez de Arce y Ceballos, Gaspar de Figueroa, Baltasar Vargas de Figueroa, Baltasar de Figueroa (the Elder), Antonio Acero de la Cruz and Joaquín Gutiérrez, of which their works are preserved. Also important was Alonso de Narváez who, although born in the Province of Seville, spent most of his life in colonial Colombia, also the Italian Angelino Medoro, lived in Colombia and Peru, and left works of art preserved in several churches in Tunja city.
  
  During the mid-19th century, one of the most remarkable painters was Ramón Torres Méndez, who produced a series of good quality paintings depicting the people and their customs of different Colombian regions. Also noteworthy in the 19th century were Andrés de Santa María, Pedro José Figueroa, Epifanio Garay, Mercedes Delgado Mallarino, José María Espinosa, Ricardo Acevedo Bernal, between many others.
  
  More recently, Colombian artists Pedro Nel Gómez and Santiago Martínez Delgado started the Colombian Murial Movement in the 1940s, featuring the neoclassical features of Art Deco. Since the 1950s, the Colombian art started to have a distinctive point of view, reinventing traditional elements under the concepts of the 20th century. Examples of this are the Greiff portraits by Ignacio Gómez Jaramillo, showing what the Colombian art could do with the new techniques applied to typical Colombian themes. Carlos Correa, with his paradigmatic "Naturaleza muerta en silencio" (silent dead nature), combines geometrical abstraction and cubism. Alejandro Obregón is often considered as the father of modern Colombian painting, and one of the most influential artist in this period, due to his originality, the painting of Colombian landscapes with symbolic and expressionist use of animals, (specially the Andean condor). Fernando Botero, Omar Rayo, Enrique Grau, Édgar Negret, David Manzur, Rodrigo Arenas Betancourt, Oscar Murillo, Doris Salcedo and Oscar Muñoz are some of the Colombian artists featured at the international level.
  
  The Colombian sculpture from the sixteenth to 18th centuries was mostly devoted to religious depictions of ecclesiastic art, strongly influenced by the Spanish schools of sacred sculpture. During the early period of the Colombian republic, the national artists were focused in the production of sculptural portraits of politicians and public figures, in a plain neoclassicist trend. During the 20th century, the Colombian sculpture began to develop a bold and innovative work with the aim of reaching a better understanding of national sensitivity.
  
  Colombian photography was marked by the arrival of the daguerreotype. Jean-Baptiste Louis Gros was who brought the daguerreotype process to Colombia in 1841. The Piloto public library has Latin America's largest archive of negatives, containing 1.7 million antique photographs covering Colombia 1848 until 2005.
  
  The Colombian press has promoted the work of the cartoonists. In recent decades, fanzines, internet and independent publishers have been fundamental to the growth of the comic in Colombia.