section_path: Reception/Critical response
section_name: Critical response
paragraph_text: Critical response
  
  On the review aggregator website Rotten Tomatoes, 53% of 19 critics' reviews are positive, with an average rating of 5.5/10. The website's critics' consensus reads: " Good American Family ' s ambitious use of perspective has some rewards, but it also makes for a lopsided and questionable dramatization of this sordid true story." Metacritic, which uses a weighted average, assigned the first season a score of 60 out of 100, based on 12 reviews, indicating "mixed or average reviews".
  
  Cristina Escobar of RogerEbert.com stated that Good American Family initially feels like a typical Lifetime movie but praised how the series evolves into a complex exploration of morality and human nature. She found that while the first episode was melodramatic, the show shifted gears in the second episode, embracing horror and feminist themes. Escobar stated that the cast, particularly Imogen Faith Reid, delivered strong performances, and enjoyed how the show shifted perspectives. She also appreciated the series' thoughtful exploration of guilt, justice, and redemption, calling it a more complex show than it initially appears. Kristen Baldwin of Entertainment Weekly appreciated how Good American Family portrays the Natalia Grace case through shifting perspectives, with Ellen Pompeo and Imogen Faith Reid delivering strong performances. She praised the show for its suspenseful narrative, presenting conflicting accounts without fully endorsing one side, which adds to the tension. Baldwin highlighted the portrayal of Kristine Barnett as a controlling, image-obsessed mother, while appreciating Reid's ability to capture Grace's vulnerability and detachment. She stated that Good American Family hooks viewers, but leaves many questions unanswered, making it a gateway for further exploration of the real-life case.
  
  Jazmin Aguilera of The Boston Globe found Pompeo's ability to convincingly play both Kristine Barnett's self-righteousness and her later descent into paranoia impressive, showcasing the character's multifaceted delusions. She also commended the series' Rashomon-style narrative, which effectively shifts perspectives, making each character's version of events feel authentic. While noting the show's occasional reliance on tired thriller tropes, she recognized its power in later episodes, where Reid's portrayal of Natalia Grace added depth to the story, revealing the complexity of her character and the abuse she endured. Benjamin Lee of The Guardian said Good American Family effectively presents the story of Natalia Grace by offering competing perspectives and a shifting timeline. He praised the show's ability to skew the "momfluencer" culture and highlight the rot underneath it, particularly through Pompeo's portrayal of Kristine Barnett. Lee found the series engaging as it moved from thriller to crime drama, with a solid performance by Reid. However, he noted the series struggled with tone, trying to balance sensationalism with moral reflection. Lee appreciated the performances of Christina Hendricks and Mark Duplass but found the show's visual aesthetic too plain for such a wild story. He stated that while those familiar with Natalia Grace's story might find less value in the series, it holds more significance for viewers unfamiliar with the case.
  
  On the review aggregator website Rotten Tomatoes, 53% of 19 critics' reviews are positive, with an average rating of 5.5/10. The website's critics' consensus reads: " Good American Family ' s ambitious use of perspective has some rewards, but it also makes for a lopsided and questionable dramatization of this sordid true story." Metacritic, which uses a weighted average, assigned the first season a score of 60 out of 100, based on 12 reviews, indicating "mixed or average reviews".
  
  Cristina Escobar of RogerEbert.com stated that Good American Family initially feels like a typical Lifetime movie but praised how the series evolves into a complex exploration of morality and human nature. She found that while the first episode was melodramatic, the show shifted gears in the second episode, embracing horror and feminist themes. Escobar stated that the cast, particularly Imogen Faith Reid, delivered strong performances, and enjoyed how the show shifted perspectives. She also appreciated the series' thoughtful exploration of guilt, justice, and redemption, calling it a more complex show than it initially appears. Kristen Baldwin of Entertainment Weekly appreciated how Good American Family portrays the Natalia Grace case through shifting perspectives, with Ellen Pompeo and Imogen Faith Reid delivering strong performances. She praised the show for its suspenseful narrative, presenting conflicting accounts without fully endorsing one side, which adds to the tension. Baldwin highlighted the portrayal of Kristine Barnett as a controlling, image-obsessed mother, while appreciating Reid's ability to capture Grace's vulnerability and detachment. She stated that Good American Family hooks viewers, but leaves many questions unanswered, making it a gateway for further exploration of the real-life case.
  
  Jazmin Aguilera of The Boston Globe found Pompeo's ability to convincingly play both Kristine Barnett's self-righteousness and her later descent into paranoia impressive, showcasing the character's multifaceted delusions. She also commended the series' Rashomon-style narrative, which effectively shifts perspectives, making each character's version of events feel authentic. While noting the show's occasional reliance on tired thriller tropes, she recognized its power in later episodes, where Reid's portrayal of Natalia Grace added depth to the story, revealing the complexity of her character and the abuse she endured. Benjamin Lee of The Guardian said Good American Family effectively presents the story of Natalia Grace by offering competing perspectives and a shifting timeline. He praised the show's ability to skew the "momfluencer" culture and highlight the rot underneath it, particularly through Pompeo's portrayal of Kristine Barnett. Lee found the series engaging as it moved from thriller to crime drama, with a solid performance by Reid. However, he noted the series struggled with tone, trying to balance sensationalism with moral reflection. Lee appreciated the performances of Christina Hendricks and Mark Duplass but found the show's visual aesthetic too plain for such a wild story. He stated that while those familiar with Natalia Grace's story might find less value in the series, it holds more significance for viewers unfamiliar with the case.