section_path: Culture/Music
section_name: Music
paragraph_text: Music
  
  Hungarian music consists mainly of traditional Hungarian folk music and music by prominent composers such as Franz Liszt and Béla Bartók, considered to be among the greatest Hungarian composers. Other renowned composers are Ernst von Dohnányi, Franz Schmidt, Zoltán Kodály, Gabriel von Wayditch, Rudolf Wagner-Régeny, László Lajtha, Franz Lehár, Imre Kálmán, Sándor Veress and Miklós Rózsa. Hungarian traditional music tends to have a strong dactylic rhythm, as the language is invariably stressed on the first syllable of each word.
  
  Hungary has renowned composers of contemporary classical music, György Ligeti, György Kurtág, Péter Eötvös, Zoltán Kodály and Zoltán Jeney among them. Bartók was among the most significant musicians of the 20th century. His music was invigorated by the themes, modes, and rhythmic patterns of the Hungarian and neighbouring folk music traditions he studied, which he synthesised with influences from his contemporaries into his own distinctive style. Folk music is a prominent part of the national identity and has been significant in former country parts that belong—since the 1920 Treaty of Trianon—to neighbouring countries such as Romania, Slovakia, Poland and especially in southern Slovakia and Transylvania. After the establishment of a music academy led by Liszt and Ferenc Erkel,
  
  Broughton claims that Hungary's "infectious sound has been surprisingly influential on neighboring countries (thanks perhaps to the common Austro-Hungarian history) and it's not uncommon to hear Hungarian-sounding tunes in Romania, Slovakia and Poland". It is also strong in the Szabolcs-Szatmár area and in the southwest part of Transdanubia, near the border with Croatia. The Busójárás carnival in Mohács is a major Hungarian folk music event, formerly featuring the long-established and well-regarded Bogyiszló Orchestra.
  
  Hungarian classical music has long been an "experiment, made from Hungarian antecedents and on Hungarian soil, to create a conscious musical culture musical world of the folk song". Although the Hungarian upper class has long had cultural and political connections with the rest of Europe, leading to an influx of European musical ideas, the rural peasants maintained their own traditions such that by the end of the 19th-century Hungarian composers could draw on rural peasant music to (re)create a Hungarian classical style. For example, Bartók collected folk songs from across Central and Eastern Europe, including Romania and Slovakia, while Kodály was more interested in creating a distinctively Hungarian musical style.
  
  During the era of communist rule in Hungary, a Song Committee scoured and censored popular music for traces of subversion and ideological impurity. Since then, however, the Hungarian music industry has begun to recover, producing successful performers in the fields of jazz such as trumpeter Rudolf Tomsits, pianist-composer Károly Binder and, in a modernised form of Hungarian folk, Ferenc Sebő and Márta Sebestyén. The three giants of Hungarian rock, Illés, Metró and Omega, remain very popular, especially Omega, which has followings in Germany and beyond as well as in Hungary. Older veteran underground bands such as Beatrice, from the 1980s, also remain popular.