section_path: Later years
section_name: Later years
paragraph_text: Later years
  
  The period after the defeat of the Spanish Armada in 1588 brought new difficulties for Elizabeth that lasted until the end of her reign. The conflicts with Spain and in Ireland dragged on, the tax burden grew heavier, and the economy was hit by poor harvests and the cost of war. Prices rose and the standard of living fell. During this time, repression of Catholics intensified, and Elizabeth authorised commissions in 1591 to interrogate and monitor Catholic householders. To maintain the illusion of peace and prosperity, she increasingly relied on internal spies and propaganda. In her last years, mounting criticism reflected a decline in the public's affection for her.
  
  One of the causes for this "second reign" of Elizabeth, as it is sometimes called, was the changed character of Elizabeth's governing body, the privy council in the 1590s. A new generation was in power. With the exception of William Cecil, Baron Burghley, the most important politicians had died around 1590: the Earl of Leicester in 1588; Francis Walsingham in 1590; and Christopher Hatton in 1591. Factional strife in the government, which had not existed in a noteworthy form before the 1590s, now became its hallmark. A bitter rivalry arose between Robert Devereux, the Earl of Essex, and Robert Cecil, son of Lord Burghley, with both being supported by their respective adherents. The struggle for the most powerful positions in the state marred the kingdom's politics. The queen's personal authority was lessening, as is shown in the 1594 affair of Dr. Roderigo Lopes, her trusted physician. When he was wrongly accused by the Earl of Essex of treason out of personal pique, she could not prevent the doctor's execution, although she had been angry about his arrest and seems not to have believed in his guilt.
  
  During the last years of her reign, Elizabeth came to rely on the granting of monopolies as a cost-free system of patronage, rather than asking Parliament for more subsidies in a time of war. The practice soon led to price-fixing, the enrichment of courtiers at the public's expense, and widespread resentment. This culminated in agitation in the House of Commons during the parliament of 1601. In her famous " Golden Speech " of 30 November 1601 at Whitehall Palace to a deputation of 140 members, Elizabeth professed ignorance of the abuses, and won the members over with promises and her usual appeal to the emotions:
  
  Who keeps their sovereign from the lapse of error, in which, by ignorance and not by intent they might have fallen, what thank they deserve, we know, though you may guess. And as nothing is more dear to us than the loving conservation of our subjects' hearts, what an undeserved doubt might we have incurred if the abusers of our liberality, the thrallers of our people, the wringers of the poor, had not been told us!
  
  This same period of economic and political uncertainty, however, produced an unsurpassed literary flowering in England. The first signs of a new literary movement had appeared at the end of the second decade of Elizabeth's reign, with John Lyly 's Euphues and Edmund Spenser 's The Shepheardes Calender in 1578. During the 1590s, some of the great names of English literature entered their maturity, including William Shakespeare and Christopher Marlowe. Continuing into the Jacobean era, the English theatre would reach its peak. The notion of a great Elizabethan era depends largely on the builders, dramatists, poets, and musicians who were active during Elizabeth's reign. They owed little directly to the queen, who was never a major patron of the arts.
  
  As Elizabeth aged, her image gradually changed. She was portrayed as Belphoebe or Astraea, and after the Armada, as Gloriana, the eternally youthful Faerie Queene of Edmund Spenser 's poem. Elizabeth gave Edmund Spenser a pension; as this was unusual for her, it indicates that she liked his work. Her painted portraits became less realistic and more a set of enigmatic icons that made her look much younger than she was. In fact, her skin had been scarred by smallpox in 1562, leaving her half bald and dependent on wigs and cosmetics. Her love of sweets and fear of dentists contributed to severe tooth decay and loss to such an extent that foreign ambassadors had a hard time understanding her speech. André Hurault de Maisse, Ambassador Extraordinary from Henry IV of France, reported an audience with the queen, during which he noticed, "her teeth are very yellow and unequal... and on the left side less than on the right. Many of them are missing, so that one cannot understand her easily when she speaks quickly." Yet he added, "her figure is fair and tall and graceful in whatever she does; so far as may be she keeps her dignity, yet humbly and graciously withal." Walter Raleigh called her "a lady whom time had surprised".
  
  The more Elizabeth's beauty faded, the more her courtiers praised it. Elizabeth was happy to play the part, but it is possible that in the last decade of her life she began to believe her own performance. She became fond and indulgent of the charming but petulant young Earl of Essex, who was Leicester's stepson and took liberties with her for which she forgave him. She repeatedly appointed him to military posts despite his growing record of irresponsibility. After Essex's desertion of his command in Ireland in 1599, Elizabeth had him placed under house arrest and the following year deprived him of his monopolies. In February 1601, Essex tried to raise a rebellion in London. He intended to seize the queen but few rallied to his support, and he was beheaded on 25 February. Elizabeth knew that her own misjudgements were partly to blame for this turn of events. An observer wrote in 1602: "Her delight is to sit in the dark, and sometimes with shedding tears to bewail Essex."