section_path: Uses/Art
section_name: Art
paragraph_text: Art
  
  Glass as art dates to least 1300 BC shown as an example of natural glass found in Tutankhamun's pectoral, which also contained vitreous enamel, that is to say, melted coloured glass used on a metal backing. Enamelled glass, the decoration of glass vessels with coloured glass paints, has existed since 1300 BC, and was prominent in the early 20th century with Art Nouveau glass and that of the House of Fabergé in St. Petersburg, Russia. Both techniques were used in stained glass, which reached its height roughly from 1000 to 1550, before a revival in the 19th century.
  
  The 19th century saw a revival in ancient glassmaking techniques including cameo glass, achieved for the first time since the Roman Empire, initially mostly for pieces in a neo-classical style. The Art Nouveau movement made great use of glass, with René Lalique, Émile Gallé, and Daum of Nancy in the first French wave of the movement, producing coloured vases and similar pieces, often in cameo glass or lustre glass techniques.
  
  Louis Comfort Tiffany in America specialised in stained glass, both secular and religious, in panels and his famous lamps. The early 20th century saw the large-scale factory production of glass art by firms such as Waterford and Lalique. Small studios may hand-produce glass artworks. Techniques for producing glass art include blowing, kiln-casting, fusing, slumping, pâte de verre, flame-working, hot-sculpting and cold-working. Cold work includes traditional stained glass work and other methods of shaping glass at room temperature. Objects made out of glass include vessels, paperweights, marbles, beads, sculptures and installation art.