section_path: Acting career/2010–2012: Widespread recognition
section_name: 2010–2012: Widespread recognition
paragraph_text: 2010–2012: Widespread recognition
  
  Following a three-year absence from the screen, Gosling starred in five films in 2010 and 2011. "I've never had more energy," Gosling said. "I'm more excited to make films than I used to be. I used to kind of dread it. It was so emotional and taxing. But I've found a way to have fun while doing it. And I think that translates into the films." He has also spoken of feeling depressed when not working. In 2010, he starred opposite Michelle Williams in Derek Cianfrance 's directorial debut, the marital drama Blue Valentine. The low-budget film was mainly improvised and Gosling has said "you had to remind yourself you were making a film". Mick LaSalle of the San Francisco Chronicle felt he "brings a preternatural understanding of people to his performance" while A.O. Scott of The New York Times found him to be "convincing as the run-down, desperate, older Dean, and maybe a bit less so as the younger version". Owen Gleiberman of Entertainment Weekly wrote that he "plays Dean as a snarky working-class hipster, but when his anger is unleashed, the performance turns powerful." However, Wesley Morris of The Boston Globe felt the performance was an example of "hipsterism misdirected". He was nominated for a Golden Globe Award for Best Actor – Motion Picture Drama. The film was a box office success, grossing over $12 million worldwide from a production budget of $1 million.
  
  Gosling's second on-screen appearance of 2010 was in the mystery film All Good Things with Kirsten Dunst, based on a true story. He played the role of New York real-estate heir David Marks, who was investigated for the disappearance of his wife (played by Dunst). Gosling found the filming process to be a "dark experience" and did not undertake any promotional duties for the film. When asked if he was proud of the film, he said, "I'm proud of what Kirsten does in the movie." Peter Travers of Rolling Stone wrote that he "gets so deep into character you can feel his nerve endings." Mick LaSalle of the San Francisco Chronicle found the "chameleonic Gosling is completely convincing as this empty shell of a man". Betsy Sharkey of the Los Angeles Times felt that the film belonged to Dunst, but praised Gosling's performance. The film grossed $644,535 worldwide. Also in 2010, Gosling narrated and produced ReGeneration, a documentary that explores the cynicism in today's youth towards social and political causes.
  
  2011 saw Gosling expand his horizons by appearing in three diverse, high-profile roles. He co-starred in his first comedic role in the romantic comedy-drama Crazy, Stupid, Love, with Steve Carell and Emma Stone. Gosling took cocktail-making classes at a Los Angeles bar in preparation for his role as a smooth-talking ladies' man. Ann Hornaday of The Washington Post said his "seductive command presence suggests we may have found our next George Clooney ". Peter Travers declared him "a comic knockout" while Claudia Puig of USA Today felt he reveals a "surprising" "knack for comedy." He was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. The film was a box office success, grossing over $142 million worldwide. With adjustments for inflation, it is the fourth most successful of Gosling's career.
  
  Gosling's first action role was in Drive, based on a novel by James Sallis. Gosling played a Hollywood stunt performer who moonlights as a getaway driver, and he has described the film as a "violent John Hughes movie": "I always thought if Pretty in Pink had head-smashing it would be perfect". Roger Ebert compared Gosling to Steve McQueen and stated that he "embodies presence and sincerity... he has shown a gift for finding arresting, powerful characters can achieve just about anything. Joe Morgenstern of The Wall Street Journal pondered "the ongoing mystery of how he manages to have so much impact with so little apparent effort. It's irresistible to liken his economical style to that of Marlon Brando." The film was a box office success, grossing $81 million worldwide from a production budget of $15 million.
  
  In his final appearance of 2011, Gosling co-starred with Philip Seymour Hoffman in the political drama The Ides of March directed by George Clooney, in which he played an ambitious press secretary. Gosling partly decided to do the film to become more politically aware: "I'm Canadian and so American politics aren't really in my wheelhouse." Joe Morganstern stated that Gosling and Hoffman "are eminently well equipped to play variations on their characters' main themes. Yet neither actor has great material to conjure with in the script." In a generally tepid review, Kenneth Turan of the Los Angeles Times asserted that it was "certainly involving to see the charismatic Gosling verbally spar with superb character actors like Hoffman and Giamatti." Mick LaSalle of the San Francisco Chronicle felt there was "one aspect to the character that Gosling can't quite nail down, that might simply be outside his sphere, which is idealism." He was nominated for a Golden Globe Award for Best Actor – Motion Picture Drama. The film grossed $66 million worldwide.
  
  In 2012, Gosling filmed Terrence Malick 's Song to Song, but the film would not be released until 2017.
  
  Following a three-year absence from the screen, Gosling starred in five films in 2010 and 2011. "I've never had more energy," Gosling said. "I'm more excited to make films than I used to be. I used to kind of dread it. It was so emotional and taxing. But I've found a way to have fun while doing it. And I think that translates into the films." He has also spoken of feeling depressed when not working. In 2010, he starred opposite Michelle Williams in Derek Cianfrance 's directorial debut, the marital drama Blue Valentine. The low-budget film was mainly improvised and Gosling has said "you had to remind yourself you were making a film". Mick LaSalle of the San Francisco Chronicle felt he "brings a preternatural understanding of people to his performance" while A.O. Scott of The New York Times found him to be "convincing as the run-down, desperate, older Dean, and maybe a bit less so as the younger version". Owen Gleiberman of Entertainment Weekly wrote that he "plays Dean as a snarky working-class hipster, but when his anger is unleashed, the performance turns powerful." However, Wesley Morris of The Boston Globe felt the performance was an example of "hipsterism misdirected". He was nominated for a Golden Globe Award for Best Actor – Motion Picture Drama. The film was a box office success, grossing over $12 million worldwide from a production budget of $1 million.
  
  Gosling's second on-screen appearance of 2010 was in the mystery film All Good Things with Kirsten Dunst, based on a true story. He played the role of New York real-estate heir David Marks, who was investigated for the disappearance of his wife (played by Dunst). Gosling found the filming process to be a "dark experience" and did not undertake any promotional duties for the film. When asked if he was proud of the film, he said, "I'm proud of what Kirsten does in the movie." Peter Travers of Rolling Stone wrote that he "gets so deep into character you can feel his nerve endings." Mick LaSalle of the San Francisco Chronicle found the "chameleonic Gosling is completely convincing as this empty shell of a man". Betsy Sharkey of the Los Angeles Times felt that the film belonged to Dunst, but praised Gosling's performance. The film grossed $644,535 worldwide. Also in 2010, Gosling narrated and produced ReGeneration, a documentary that explores the cynicism in today's youth towards social and political causes.
  
  2011 saw Gosling expand his horizons by appearing in three diverse, high-profile roles. He co-starred in his first comedic role in the romantic comedy-drama Crazy, Stupid, Love, with Steve Carell and Emma Stone. Gosling took cocktail-making classes at a Los Angeles bar in preparation for his role as a smooth-talking ladies' man. Ann Hornaday of The Washington Post said his "seductive command presence suggests we may have found our next George Clooney ". Peter Travers declared him "a comic knockout" while Claudia Puig of USA Today felt he reveals a "surprising" "knack for comedy." He was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. The film was a box office success, grossing over $142 million worldwide. With adjustments for inflation, it is the fourth most successful of Gosling's career.
  
  Gosling's first action role was in Drive, based on a novel by James Sallis. Gosling played a Hollywood stunt performer who moonlights as a getaway driver, and he has described the film as a "violent John Hughes movie": "I always thought if Pretty in Pink had head-smashing it would be perfect". Roger Ebert compared Gosling to Steve McQueen and stated that he "embodies presence and sincerity... he has shown a gift for finding arresting, powerful characters can achieve just about anything. Joe Morgenstern of The Wall Street Journal pondered "the ongoing mystery of how he manages to have so much impact with so little apparent effort. It's irresistible to liken his economical style to that of Marlon Brando." The film was a box office success, grossing $81 million worldwide from a production budget of $15 million.
  
  In his final appearance of 2011, Gosling co-starred with Philip Seymour Hoffman in the political drama The Ides of March directed by George Clooney, in which he played an ambitious press secretary. Gosling partly decided to do the film to become more politically aware: "I'm Canadian and so American politics aren't really in my wheelhouse." Joe Morganstern stated that Gosling and Hoffman "are eminently well equipped to play variations on their characters' main themes. Yet neither actor has great material to conjure with in the script." In a generally tepid review, Kenneth Turan of the Los Angeles Times asserted that it was "certainly involving to see the charismatic Gosling verbally spar with superb character actors like Hoffman and Giamatti." Mick LaSalle of the San Francisco Chronicle felt there was "one aspect to the character that Gosling can't quite nail down, that might simply be outside his sphere, which is idealism." He was nominated for a Golden Globe Award for Best Actor – Motion Picture Drama. The film grossed $66 million worldwide.
  
  In 2012, Gosling filmed Terrence Malick 's Song to Song, but the film would not be released until 2017.