section_path: Culture/Music
section_name: Music
paragraph_text: Music
  
  In the late 12th century, a school of polyphony was established at Notre-Dame. Among the Trouvères of northern France, a group of Parisian aristocrats became known for their poetry and songs. Troubadours, from the south of France, were also popular. During the reign of François I, in the Renaissance era, the lute became popular in the French court. The French royal family and courtiers "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy", and a national musical printing house was established. In the Baroque-era, noted composers included Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music.
  
  Romantic-era composers (in Paris) include Hector Berlioz, Charles Gounod, Camille Saint-Saëns, Léo Delibes and Jules Massenet, among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon. Among the Impressionist composers who created new works for piano, orchestra, opera, chamber music and other musical forms, stand in particular, Claude Debussy, Erik Satie and Maurice Ravel. Several foreign-born composers, such as Frédéric Chopin, Franz Liszt, Jacques Offenbach, Niccolò Paganini, and Igor Stravinsky, established themselves or made significant contributions both with their works and their influence in Paris.
  
  Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows -blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars, and Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.
  
  Paris is the spiritual home of gypsy jazz in particular, and many of the Parisian jazzmen who developed in the first half of the 20th century began by playing Bal-musette in the city. Django Reinhardt rose to fame in Paris, having moved to the 18th arrondissement in a caravan as a young boy, and performed with violinist Stéphane Grappelli and their Quintette du Hot Club de France in the 1930s and 1940s.
  
  Immediately after the War the Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, including the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet, Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early 1960s, as musical tastes shifted toward rock and roll.
  
  Some of the finest manouche musicians in the world are found here playing the cafés of the city at night. Some of the more notable jazz venues include the New Morning, Le Sunset, La Chope des Puces and Bouquet du Nord. Several yearly festivals take place in Paris, including the Paris Jazz Festival and the rock festival Rock en Seine. The Orchestre de Paris was established in 1967. December 2015 was the 100th anniversary of the birth of Edith Piaf —widely regarded as France's national chanteuse, as well as being one of France's greatest international stars.
  
  Paris has a big hip hop scene. This music became popular during the 1980s. The presence of a large African and Caribbean community helped to its development, giving political and social status for many minorities.