section_path: Acting career/2013–2014: Mixed critical reception and directorial debut
section_name: 2013–2014: Mixed critical reception and directorial debut
paragraph_text: 2013–2014: Mixed critical reception and directorial debut
  
  In 2013's crime thriller Gangster Squad, Gosling portrayed Sgt. Jerry Wooters, a 1940s LAPD officer who attempts to outsmart mob boss Mickey Cohen (played by Sean Penn). He was reunited with Emma Stone as his love interest, after their earlier pairing in Crazy, Stupid, Love. Stone has said she hopes they will find more projects to work together on. A.O. Scott of The New York Times described the film as an excuse for the cast "to earn some money trying out funny voices and suppressing whatever sense of nuance they might possess." Christy Lemire of The Boston Globe criticized Gosling's "weird, whispery voice" and his "barely developed, one-note" character. However, Betsy Sharkey of the Los Angeles Times felt that there was "a seductive power" in the scenes shared by Gosling and Stone: "But like too much else in the film, it's a scenario that is only half played out."
  
  In The Place Beyond the Pines, a generational drama directed by Blue Valentine ' s Derek Cianfrance, Gosling played Luke, a motorcycle stunt rider who robs banks to provide for his family. The shoot was described by Gosling as "the best experience I have ever had making a film." A. O. Scott of The New York Times praised his performance, writing: "Mr. Gosling's cool self-possession — the only thing he was allowed to display in "Drive" — is complicated, made interesting, by hints of childlike innocence and vulnerability." Scott Foundas of The Village Voice was unimpressed: "Gosling's character verges on parody... Gosling uses a soft, wounded half-whisper that tells us this is all some kind of put-on... It's a close variation on the role Gosling played to stronger effect in Nicolas Winding Refn's existential Hollywood thriller, Drive, where it was clear the character was meant to be an abstraction." David Denby of The New Yorker remarked that he "reprises his inexorable-loner routine". The film grossed $35 million worldwide from a production budget of $15 million.
  
  Later in 2013, Gosling starred in the violent revenge drama Only God Forgives, directed by Drive ' s Nicolas Winding Refn. Gosling undertook Muay Thai training in preparation for the role, and has described the script as "the strangest thing I've ever read". Both the film and his performance drew negative reviews. David Edelstein of New York magazine stated, "Gosling looked like a major actor as a skinhead in The Believer and a star in Half Nelson. Then he stopped acting and started posing. His performance in Only God Forgives (would God forgive that title?) is one long, moist stare". Stephen Holden of the New York Times criticized Gosling's inability "to give his automaton any suggestion of an inner life". Peter Travers of Rolling Stone commented that Gosling, while "meant to be a blank page for us to write on, often looks merely blank".
  
  In early 2013, Gosling announced that he was taking a break from acting, stating, "I've lost perspective on what I'm doing. I think it's good for me to take a break and reassess why I'm doing it and how I'm doing it. And I think this is probably a good way to learn about that." Gosling's directorial debut Lost River competed in the Un Certain Regard section at the 2014 Cannes Film Festival. The "fantasy noir", written by Gosling, stars Christina Hendricks, Ben Mendelsohn, and Matt Smith. The film received largely unfavorable reviews. Peter Bradshaw of The Guardian found it "insufferably conceited" and remarked that Gosling had lost "any sense of proportion or humility." Robbie Collin of The Daily Telegraph described Lost River as "mind-bogglingly pleased with itself", while Variety ' s Justin Chang dismissed the "derivative" film as a "train-wreck."
  
  In 2013's crime thriller Gangster Squad, Gosling portrayed Sgt. Jerry Wooters, a 1940s LAPD officer who attempts to outsmart mob boss Mickey Cohen (played by Sean Penn). He was reunited with Emma Stone as his love interest, after their earlier pairing in Crazy, Stupid, Love. Stone has said she hopes they will find more projects to work together on. A.O. Scott of The New York Times described the film as an excuse for the cast "to earn some money trying out funny voices and suppressing whatever sense of nuance they might possess." Christy Lemire of The Boston Globe criticized Gosling's "weird, whispery voice" and his "barely developed, one-note" character. However, Betsy Sharkey of the Los Angeles Times felt that there was "a seductive power" in the scenes shared by Gosling and Stone: "But like too much else in the film, it's a scenario that is only half played out."
  
  In The Place Beyond the Pines, a generational drama directed by Blue Valentine ' s Derek Cianfrance, Gosling played Luke, a motorcycle stunt rider who robs banks to provide for his family. The shoot was described by Gosling as "the best experience I have ever had making a film." A. O. Scott of The New York Times praised his performance, writing: "Mr. Gosling's cool self-possession — the only thing he was allowed to display in "Drive" — is complicated, made interesting, by hints of childlike innocence and vulnerability." Scott Foundas of The Village Voice was unimpressed: "Gosling's character verges on parody... Gosling uses a soft, wounded half-whisper that tells us this is all some kind of put-on... It's a close variation on the role Gosling played to stronger effect in Nicolas Winding Refn's existential Hollywood thriller, Drive, where it was clear the character was meant to be an abstraction." David Denby of The New Yorker remarked that he "reprises his inexorable-loner routine". The film grossed $35 million worldwide from a production budget of $15 million.
  
  Later in 2013, Gosling starred in the violent revenge drama Only God Forgives, directed by Drive ' s Nicolas Winding Refn. Gosling undertook Muay Thai training in preparation for the role, and has described the script as "the strangest thing I've ever read". Both the film and his performance drew negative reviews. David Edelstein of New York magazine stated, "Gosling looked like a major actor as a skinhead in The Believer and a star in Half Nelson. Then he stopped acting and started posing. His performance in Only God Forgives (would God forgive that title?) is one long, moist stare". Stephen Holden of the New York Times criticized Gosling's inability "to give his automaton any suggestion of an inner life". Peter Travers of Rolling Stone commented that Gosling, while "meant to be a blank page for us to write on, often looks merely blank".
  
  In early 2013, Gosling announced that he was taking a break from acting, stating, "I've lost perspective on what I'm doing. I think it's good for me to take a break and reassess why I'm doing it and how I'm doing it. And I think this is probably a good way to learn about that." Gosling's directorial debut Lost River competed in the Un Certain Regard section at the 2014 Cannes Film Festival. The "fantasy noir", written by Gosling, stars Christina Hendricks, Ben Mendelsohn, and Matt Smith. The film received largely unfavorable reviews. Peter Bradshaw of The Guardian found it "insufferably conceited" and remarked that Gosling had lost "any sense of proportion or humility." Robbie Collin of The Daily Telegraph described Lost River as "mind-bogglingly pleased with itself", while Variety ' s Justin Chang dismissed the "derivative" film as a "train-wreck."