section_path: Geography/Architecture
section_name: Architecture
paragraph_text: Architecture
  
  Jakarta has architecturally significant buildings spanning distinct historical and cultural periods. Architectural styles reflect Malay, Sundanese, Javanese, Arabic, Chinese, and Dutch influences. External influences inform the architecture of the Betawi house. The houses were built of nangka wood (Artocarpus integrifolia) and comprised three rooms. The shape of the roof is reminiscent of the traditional Javanese joglo. Additionally, the number of registered cultural heritage buildings has increased.
  
  Colonial buildings and structures include those that were constructed during the colonial period. The dominant colonial styles can be divided into three periods: the Dutch Golden Age (17th to late 18th century), the transitional style period (late 18th century – 19th century), and Dutch modernism (20th century). Colonial architecture is apparent in houses and villas, churches, civic buildings, and offices, mostly concentrated in the Jakarta Old Town and Central Jakarta. Architects such as J.C. Schultze and Eduard Cuypers designed some of the significant buildings. Schultze's works include Jakarta Art Building, the Indonesia Supreme Court Building and Ministry of Finance Building, while Cuypers designed Bank Indonesia Museum and Mandiri Museum. In the early 20th century, most buildings were built in Neo-Renaissance style. By the 1920s, the architectural taste had begun to shift in favour of rationalism and modernism, particularly art deco architecture. The elite suburb Menteng, developed during the 1910s, was the city's first attempt at creating ideal and healthy housing for the middle class. The original houses had a longitudinal organisation, with overhanging eaves, large windows, and open ventilation, all practical features for a tropical climate. These houses were developed by N.V. de Bouwploeg, and established by P.A.J. Moojen.
  
  After independence, the process of nation-building in Indonesia and demolishing the memory of colonialism was as important as the symbolic building of arterial roads, monuments, and government buildings. The National Monument in Jakarta, designed by Sukarno, is Indonesia's beacon of nationalism. In the early 1960s, Jakarta provided highways and super-scale cultural monuments as well as Senayan Sports Stadium. The parliament building features a hyperbolic roof reminiscent of German rationalist and Corbusian design concepts. Built-in 1996, Wisma 46 soars to a height of 262 m (860 ft) and its nib-shaped top celebrates technology and symbolises stereoscopy.
  
  The urban construction boom continued during the 21st century. The Golden Triangle of Jakarta is one of the fastest evolving CBD 's in the Asia-Pacific region. According to CTBUH and Emporis, there are 88 skyscrapers that reach or exceed 150 m (490 ft), which puts the city in the top 10 of world rankings. It has more buildings taller than 150 metres than any other Southeast Asian or Southern Hemisphere cities.