section_path: Culture/Music
section_name: Music
paragraph_text: Music
  
  Cantopop is a genre of Cantonese popular music which emerged in Hong Kong during the 1970s. Evolving from Shanghai-style shidaiqu, it is also influenced by Cantonese opera and Western pop. Local media featured songs by artists such as Sam Hui, Anita Mui, Leslie Cheung, and Alan Tam; during the 1980s, exported films and shows exposed Cantopop to a global audience. The genre's popularity peaked in the 1990s, when the Four Heavenly Kings dominated Asian record charts. Despite a general decline since late in the decade, Cantopop remains dominant in Hong Kong; contemporary artists such as Eason Chan, Joey Yung, and Twins are popular in and beyond the territory.
  
  Western classical music has historically had a strong presence in Hong Kong and remains a large part of local musical education. The publicly funded Hong Kong Philharmonic Orchestra, the territory's oldest professional symphony orchestra, frequently hosts musicians and conductors from overseas. The Hong Kong Chinese Orchestra, composed of classical Chinese instruments, is the leading Chinese ensemble and plays a significant role in promoting traditional music in the community.
  
  Hong Kong has never had a separate national anthem to the country that controlled it; its current official national anthem is therefore that of the People's Republic of China, March of the Volunteers. The song Glory to Hong Kong has been used by protestors as an unofficial anthem of the city.