section_path: Production/Post-production
section_name: Post-production
paragraph_text: Post-production
  
  VFX supervisor Angela Barson said that the goal of the visual effects team was to digitally match the dark gothic aesthetic across 253 shots, or 90 of the 132 minutes of screentime. She worked closely with production designer Craig Lathrop to work out which sets would be locations, or builds and where VFX would take over and with cinematographer Jarin Blaschke to make sure all the plates were framed, lit and captured to give the best possible final result. This is editor Louise Ford 's fourth feature with Eggers.
  
  VFX supervisor Angela Barson said that the goal of the visual effects team was to digitally match the dark gothic aesthetic across 253 shots, or 90 of the 132 minutes of screentime. She worked closely with production designer Craig Lathrop to work out which sets would be locations, or builds and where VFX would take over and with cinematographer Jarin Blaschke to make sure all the plates were framed, lit and captured to give the best possible final result. This is editor Louise Ford 's fourth feature with Eggers.