section_path: Career/1999–2000: Forever
section_name: 1999–2000: Forever
paragraph_text: 1999–2000: Forever
  
  In April 1999, Combs was charged with assaulting Steve Stoute of Interscope Records. Stoute was the manager for Nas, with whom Combs had filmed a video earlier that year for the song " Hate Me Now ". Combs was concerned that the video, which featured a shot of Nas and Combs being crucified, was blasphemous. He asked for his scenes on the cross to be pulled, but after the video aired unedited on MTV on April 15, Combs visited Stoute's offices and injured Stoute.
  
  Forever, Combs's second solo studio album, was released by Bad Boy Records on August 24, 1999, in North America, and in the UK on the following day. It reached number two on the Billboard 200 and number one on the Top R&B/Hip-Hop Albums chart, before being ousted the following week by Mary J. Blige's fourth album, Mary. The album received positive to mixed reviews from music critics and spawned three singles that have charted on the Billboard charts. It peaked at number four on the Canadian Albums Chart, Combs's highest-charting album in that country.
  
  In April 1999, Combs was charged with assaulting Steve Stoute of Interscope Records. Stoute was the manager for Nas, with whom Combs had filmed a video earlier that year for the song " Hate Me Now ". Combs was concerned that the video, which featured a shot of Nas and Combs being crucified, was blasphemous. He asked for his scenes on the cross to be pulled, but after the video aired unedited on MTV on April 15, Combs visited Stoute's offices and injured Stoute.
  
  Forever, Combs's second solo studio album, was released by Bad Boy Records on August 24, 1999, in North America, and in the UK on the following day. It reached number two on the Billboard 200 and number one on the Top R&B/Hip-Hop Albums chart, before being ousted the following week by Mary J. Blige's fourth album, Mary. The album received positive to mixed reviews from music critics and spawned three singles that have charted on the Billboard charts. It peaked at number four on the Canadian Albums Chart, Combs's highest-charting album in that country.