section_path: Legacy/Cultural depictions/Depictions in ancient art/Native Egyptian art
section_name: Native Egyptian art
paragraph_text: Native Egyptian art
  
  The Bust of Cleopatra in the Royal Ontario Museum represents a bust of Cleopatra in the Egyptian style. Dated to the mid-1st century BC, it is perhaps the earliest depiction of Cleopatra as both a goddess and ruling pharaoh of Egypt. The sculpture also has pronounced eyes that share similarities with Roman copies of Ptolemaic sculpted works of art. The Dendera Temple complex, near Dendera, Egypt, contains Egyptian-style carved relief images along the exterior walls of the Temple of Hathor depicting Cleopatra and her young son Caesarion as a grown adult and ruling pharaoh making offerings to the gods. Augustus had his name inscribed there following the death of Cleopatra.
  
  A large Ptolemaic black basalt statue measuring 104 centimetres (41 in) in height, now in the Hermitage Museum, Saint Petersburg, is thought to represent Arsinoe II, wife of Ptolemy II, but recent analysis has indicated that it could depict her descendant Cleopatra due to the three uraei adorning her headdress, an increase from the two used by Arsinoe II to symbolize her rule over Lower and Upper Egypt. The woman in the basalt statue also holds a divided, double cornucopia (dikeras), which can be seen on coins of both Arsinoe II and Cleopatra. In his Kleopatra und die Caesaren (2006), Bernard Andreae contends that this basalt statue, like other idealized Egyptian portraits of the queen, does not contain realistic facial features and hence adds little to the knowledge of her appearance. Adrian Goldsworthy writes that, despite these representations in the traditional Egyptian style, Cleopatra would have dressed as a native only "perhaps for certain rites" and instead would usually dress as a Greek monarch, which would include the Greek headband seen in her Greco-Roman busts.