section_path: Legacy/Cultural depictions/Depictions in ancient art/Greco-Roman busts and heads
section_name: Greco-Roman busts and heads
paragraph_text: Greco-Roman busts and heads
  
  Of the surviving Greco-Roman-style busts and heads of Cleopatra, the sculpture known as the " Berlin Cleopatra ", located in the Antikensammlung Berlin collection at the Altes Museum, possesses her full nose, whereas the head known as the " Vatican Cleopatra ", located in the Vatican Museums, is damaged with a missing nose. Both the Berlin Cleopatra and Vatican Cleopatra have royal diadems, similar facial features, and perhaps once resembled the face of her bronze statue housed in the Temple of Venus Genetrix.
  
  Both heads are dated to the mid-1st century BC and were found in Roman villas along the Via Appia in Italy, the Vatican Cleopatra having been unearthed in the Villa of the Quintilii. Francisco Pina Polo writes that Cleopatra's coinage present her image with certainty and asserts that the sculpted portrait of the Berlin head is confirmed as having a similar profile with her hair pulled back into a bun, a diadem, and a hooked nose.
  
  A third sculpted portrait of Cleopatra accepted by scholars as being authentic survives at the Archaeological Museum of Cherchell, Algeria. This portrait features the royal diadem and similar facial features as the Berlin and Vatican heads, but has a more unique hairstyle and may actually depict Cleopatra Selene II, daughter of Cleopatra. A possible Parian-marble sculpture of Cleopatra wearing a vulture headdress in Egyptian style is located at the Capitoline Museums. Discovered near a sanctuary of Isis in Rome and dated to the 1st century BC, it is either Roman or Hellenistic-Egyptian in origin.
  
  Other possible sculpted depictions of Cleopatra include one in the British Museum, London, made of limestone, which perhaps only depicts a woman in her entourage during her trip to Rome. The woman in this portrait has facial features similar to others (including the pronounced aquiline nose), but lacks a royal diadem and sports a different hairstyle. However, the British Museum head, once belonging to a full statue, could potentially represent Cleopatra at a different stage in her life and may also betray an effort by Cleopatra to discard the use of royal insignia (i.e. the diadem) to make herself more appealing to the citizens of Republican Rome. Duane W. Roller speculates that the British Museum head, along with those in the Egyptian Museum, Cairo, the Capitoline Museums, and in the private collection of Maurice Nahmen, while having similar facial features and hairstyles as the Berlin portrait but lacking a royal diadem, most likely represent members of the royal court or even Roman women imitating Cleopatra's popular hairstyle.