section_path: Reception/Box office
section_name: Box office
paragraph_text: Box office
  
  As of June 11, 2025, Snow White has grossed $87.2 million in the United States and Canada, and $118.4 million in other territories for a worldwide total of $205.6 million. The Hollywood Reporter stated the film may have trouble getting to $300-400 million globally per several studio executives.
  
  In the United States and Canada, Snow White was released alongside The Alto Knights and Ash, and was projected to gross $45–55 million from 4,200 theaters in its opening weekend. It was initially projected to gross $63–70 million, with analysts comparing this projection to the $69.4 million opening of Maleficent (2014) and believing that the film would overcome its controversies and fare well financially, given there being no strong competition against it on opening weekend, but in late February, projections were lowered. The film made $16 million on its first day, including an estimated $3.5 million in Thursday previews. It went on to debut to $42.2 million, slightly below projections but still managing to top the box office due to little competition; the low opening was attributed by The Hollywood Reporter to "so-so audience scores and underwhelming reviews". Business Insider reported that the film's behind-the-scenes controversies likely had little impact on its box-office performance, while Deadline reported that the film's financial performance could primarily be attributed to its marketing, the source material failing to resonate with younger audiences, and negative buzz surrounding the film's visuals. In its second weekend, the film made $14.3 million (dropping 66%), finishing second behind newcomer A Working Man, and then $6.1 million in its third weekend, falling to fourth.
  
  Producer Marc Platt's son Jonah Platt attributed Snow White ' s underperformance in its opening week partly to Zegler's social media post supporting Palestine. Box-office analysts largely disagreed with the view that the film's underperformance could be attributed to political controversies and instead attributed it to the film's failure to resonate with critics and audiences. Some actors and musicians have defended Zegler's comments.
  
  As of June 11, 2025, Snow White has grossed $87.2 million in the United States and Canada, and $118.4 million in other territories for a worldwide total of $205.6 million. The Hollywood Reporter stated the film may have trouble getting to $300-400 million globally per several studio executives.
  
  In the United States and Canada, Snow White was released alongside The Alto Knights and Ash, and was projected to gross $45–55 million from 4,200 theaters in its opening weekend. It was initially projected to gross $63–70 million, with analysts comparing this projection to the $69.4 million opening of Maleficent (2014) and believing that the film would overcome its controversies and fare well financially, given there being no strong competition against it on opening weekend, but in late February, projections were lowered. The film made $16 million on its first day, including an estimated $3.5 million in Thursday previews. It went on to debut to $42.2 million, slightly below projections but still managing to top the box office due to little competition; the low opening was attributed by The Hollywood Reporter to "so-so audience scores and underwhelming reviews". Business Insider reported that the film's behind-the-scenes controversies likely had little impact on its box-office performance, while Deadline reported that the film's financial performance could primarily be attributed to its marketing, the source material failing to resonate with younger audiences, and negative buzz surrounding the film's visuals. In its second weekend, the film made $14.3 million (dropping 66%), finishing second behind newcomer A Working Man, and then $6.1 million in its third weekend, falling to fourth.
  
  Producer Marc Platt's son Jonah Platt attributed Snow White ' s underperformance in its opening week partly to Zegler's social media post supporting Palestine. Box-office analysts largely disagreed with the view that the film's underperformance could be attributed to political controversies and instead attributed it to the film's failure to resonate with critics and audiences. Some actors and musicians have defended Zegler's comments.