section_path: Cultural views/Indian
section_name: Indian
paragraph_text: Indian
  
  In ancient India, there was a understanding of erotics and the art of love. References in the Rigveda suggest the presence of romantic narratives in ancient Indo-Aryan society, evident in dialogues between deities like Yama and Yami, and Pururavas and Urvashi. The Sanskrit language, offered various terms to convey the concept of love, such as kama, sneha, priya, vatsalya, bhakti, priti and prema.
  
  In Indian literature, there are seven stages of love. The first is preska, characterized by the desire to see something pleasant. Next is abhilasa, involving constant thoughts about the beloved. Then comes raga, signifying the mental inclination to be united with the beloved. Following that is shena, which involves favorable activities directed towards the beloved. Prema is the stage where one cannot live without the beloved. Then there is rati, which involves living together with the beloved. Finally, srngara represents the playful interaction with the beloved.
  
  Kama initially representing desire and longing. Later, Vātsyāyana, the author of the Kama Sutra, explored the concept of kama, defining it as the enjoyment of sensory pleasures with conscious awareness. However, there were also teachings cautioning against becoming overly attached to desire, advocating for the pursuit of genuine happiness through transcending desires. The Atharvaveda, presents kama as the tender affection between partners.
  
  Nevertheless, kama is also often associated with insatiable sexual desire intertwined with intense emotions like anger and greed, portraying it as potentially harmful. Over time, kama took on anthropomorphic qualities, evolving into the figure of the Indian Cupid.
  
  Sneha, considered the emotional facet of love, stands in contrast to the intense passion of kama with its calm demeanor. Characterized by moisture and viscosity, the term originally denoted oiliness. It is often compounded with words for family members, reflecting attachment to individuals like mothers, fathers, and sons. Those experiencing sneha tend to exhibit great concern for one another. While traditionally attributed to sensing, the Harshacharita presents a spontaneous perspective, suggesting it lacks a definitive cause. Due to its emotional nature, sneha is transient, emerging without reason and disappearing likewise.
  
  Preman represents a heightened stage in the development of love, characterized by the unbearable feeling of separation from the beloved. Etymologically, it denotes the sense of endearment akin to one's own. Priti, similar to preman, denotes fondness for anything delightful and familiar. It encompasses a general liking for arts, sports, and objects, while also encompassing a human instinct. Priti is built on foundations of trust and fidelity. Friendly relations (priti) may persist between individuals but are not necessarily bound by affection (sneha).
  
  Vatsalya originally signifies the tender affection exhibited by a cow towards her calf, extending to denote the love nurtured by elders or superiors towards the younger or inferior. This love is exemplified in the affection of parents towards their children, a husband's care for his wife, or a ruler's concern for their subjects. Conversely, bhakti denotes the love expressed by the younger towards the seniors, exemplified in a child's devotion to their parents.