section_path: Culture/Theatre
section_name: Theatre
paragraph_text: Theatre
  
  The theatre in Brazil has its origins in the period of Jesuit expansion when theater was used for the dissemination of Catholic doctrine in the 16th century. in the 17th and 18th centuries the first dramatists who appeared on the scene of European derivation was for court or private performances. During the 19th century, dramatic theater gained importance and thickness, whose first representative was Luís Carlos Martins Pena (1813–1848), capable of describing contemporary reality. Always in this period the comedy of costume and comic production was imposed. Significant, also in the nineteenth century, was also the playwright Antônio Gonçalves Dias. There were also numerous operas and orchestras. The Brazilian conductor Antônio Carlos Gomes became internationally known with operas such as Il Guarany. At the end of the 19th century orchestrated dramaturgias became very popular and were accompanied with songs of famous artists such as the conductress Chiquinha Gonzaga.
  
  Already in the early 20th century there was the presence of theaters, entrepreneurs and actor companies, but paradoxically the quality of the products staggered, and only in 1940 the Brazilian theater received a boost of renewal thanks to the action of Paschoal Carlos Magno and his student's theater, the comedians group and the Italian actors Adolfo Celi, Ruggero Jacobbi and Aldo Calvo, founders of the Teatro Brasileiro de Comédia. From the 1960s it was attended by a theater dedicated to social and religious issues and to the flourishing of schools of dramatic art. The most prominent authors at this stage were Jorge Andrade and Ariano Suassuna.