section_path: In popular culture
section_name: In popular culture
paragraph_text: In popular culture
  
  The depiction of comets in popular culture is firmly rooted in the long Western tradition of seeing comets as harbingers of doom and as omens of world-altering change. Halley's Comet alone has caused a slew of sensationalist publications of all sorts at each of its reappearances. It was especially noted that the birth and death of some notable persons coincided with separate appearances of the comet, such as with writers Mark Twain (who correctly speculated that he'd "go out with the comet" in 1910) and Eudora Welty, to whose life Mary Chapin Carpenter dedicated the song " Halley Came to Jackson ".
  
  In times past, bright comets often inspired panic and hysteria in the general population, being thought of as bad omens. More recently, during the passage of Halley's Comet in 1910, Earth passed through the comet's tail, and erroneous newspaper reports inspired a fear that cyanogen in the tail might poison millions, whereas the appearance of Comet Hale–Bopp in 1997 triggered the mass suicide of the Heaven's Gate cult.
  
  In science fiction, the impact of comets has been depicted as a threat overcome by technology and heroism (as in the 1998 films Deep Impact and Armageddon), or as a trigger of global apocalypse (Lucifer's Hammer, 1979) or zombies (Night of the Comet, 1984). In Jules Verne 's Off on a Comet a group of people are stranded on a comet orbiting the Sun, while a large crewed space expedition visits Halley's Comet in Sir Arthur C. Clarke 's novel 2061: Odyssey Three.