section_path: Biography/1939–1952: controversies and fading popularity/Limelight and banning from the United States
section_name: Limelight and banning from the United States
paragraph_text: Limelight and banning from the United States
  
  Although Chaplin remained politically active in the years following the failure of Monsieur Verdoux, his next film, about a forgotten music hall comedian and a young ballerina in Edwardian London, was devoid of political themes. Limelight was heavily autobiographical, alluding not only to Chaplin's childhood and the lives of his parents, but also to his loss of popularity in the United States. The cast included various members of his family, including his five oldest children and his half-brother, Wheeler Dryden.
  
  Filming began in November 1951, by which time Chaplin had spent three years working on the story. He aimed for a more serious tone than any of his previous films, regularly using the word "melancholy" when explaining his plans to his co-star Claire Bloom. Limelight featured a cameo appearance from Buster Keaton, whom Chaplin cast as his stage partner in a pantomime scene. This marked the only time the comedians worked together in a feature film.
  
  Chaplin decided to hold the world premiere of Limelight in London, since it was the setting of the film. As he left Los Angeles, he expressed a premonition that he would not be returning. At New York, he boarded the RMS Queen Elizabeth with his family on 18 September 1952. The next day, United States Attorney General James P. McGranery revoked Chaplin's re-entry permit and stated that he would have to submit to an interview concerning his political views and moral behaviour to re-enter the US. Although McGranery told the press that he had "a pretty good case against Chaplin", Maland has concluded, on the basis of the FBI files that were released in the 1980s, that the US government had no real evidence to prevent Chaplin's re-entry. It is likely that he would have gained entry if he had applied for it. However, when Chaplin received a cablegram informing him of the news, he privately decided to cut his ties with the United States:
  
  Whether I re-entered that unhappy country or not was of little consequence to me. I would like to have told them that the sooner I was rid of that hate-beleaguered atmosphere the better, that I was fed up of America's insults and moral pomposity...
  
  Because all of his property remained in America, Chaplin refrained from saying anything negative about the incident to the press. The scandal attracted vast attention, but Chaplin and his film were warmly received in Europe. In America, the hostility towards him continued, and, although it received some positive reviews, Limelight was subjected to a wide-scale boycott. Reflecting on this, Maland writes that Chaplin's fall, from an "unprecedented" level of popularity, "may be the most dramatic in the history of stardom in America".