section_path: Culture/Architecture
section_name: Architecture
paragraph_text: Architecture
  
  The architecture of Mesoamerican civilizations evolved in style from simple to complex. Teotihuacan, designated a UNESCO World Heritage Site in 1987, is one of the foremost examples of ancient pyramid construction. The cities of the Maya stand out to modern architects as examples of integration between large urban centers (with elaborate stone construction) and a thick jungle, generally with a complex network of roads. Pre-Columbian Mesoamerica also saw distinctive architectural influences from the Puuc and oasiamerican peoples.
  
  With the arrival of the Spanish, architectural theories of the Greco-Latin order with Arab influences were introduced. In the first few decades of Spanish presence in the continent, the high level of Christian missionary activity, especially by mendicant orders like the Dominicans or Franciscans, meant the construction of many monasteries, often with Romanesque, Gothic or Mudéjar elements. In addition, the interaction between Spaniards and Indigenous people gave rise to artistic styles such as the tequitqui (from the Nahuatl: worker or builder). Years later, Baroque and Mannerist styles prevailed in large cathedrals and civil buildings, while in rural areas, haciendas or stately estates with Mozarabic tendencies were built.
  
  In the 19th century, the neoclassical movement arose as the country gained independence and sought to establish itself as a republic. A famous example is the Hospicio Cabañas, an orphanage and hospital complex completed in 1829. The art nouveau, and the art deco were styles introduced into the design of the Palacio de Bellas Artes to mark the identity of the Mexican nation with Greek-Roman and pre-Columbian symbols.
  
  As a new sense of nationalism developed in the 20th century, a strengthening central government issued formal policies that sought to use architecture to show Mexico's modernity and differentiation from other nations. The development of a Mexican modernist architecture was especially manifested in the mid-1950s construction of the Ciudad Universitaria, Mexico City, the main campus of the National Autonomous University of Mexico. Designed by the most prestigious architects of the era, including Mario Pani, Eugenio Peschard, and Enrique del Moral, the buildings feature murals by artists Diego Rivera, David Alfaro Siqueiros, and José Chávez Morado. It has since been recognized as a UNESCO World Heritage Site.
  
  Juan O'Gorman was one of the first environmental architects in Mexico, developing the "organic" theory, trying to integrate the building with the landscape within the same approaches of Frank Lloyd Wright. In the search for a new architecture that does not resemble the styles of the past, it achieves a joint manifestation with the mural painting and the landscaping. Luis Barragán combined the shape of the space with forms of rural vernacular architecture of Mexico and Mediterranean countries (Spain-Morocco), integrating color that handles light and shade in different tones and opens a look at the international minimalism. He won the 1980 Pritzker Prize, the highest award in architecture.