section_path: In the arts/Painting and sculpture
section_name: Painting and sculpture
paragraph_text: Painting and sculpture
  
  Paintings on the life of Abraham tend to focus on only a few incidents: the sacrifice of Isaac; meeting Melchizedek; entertaining the three angels; Hagar in the desert; and a few others. Additionally, Martin O'Kane, a professor of Biblical Studies, writes that the parable of Lazarus resting in the " Bosom of Abraham ", as described in the Gospel of Luke, became an iconic image in Christian works. According to O'Kane, artists often chose to divert from the common literary portrayal of Lazarus sitting next to Abraham at a banquet in Heaven and instead focus on the "somewhat incongruous notion of Abraham, the most venerated of patriarchs, holding a naked and vulnerable child in his bosom". Several artists have been inspired by the life of Abraham, including Albrecht Dürer (1471–1528), Caravaggio (1573–1610), Donatello, Raphael, Philip van Dyck (Dutch painter, 1680–1753), and Claude Lorrain (French painter, 1600–1682). Rembrandt (Dutch, 1606–1669) created at least seven works on Abraham, Peter Paul Rubens (1577–1640) did several, Marc Chagall did at least five on Abraham, Gustave Doré (French illustrator, 1832–1883) did six, and James Tissot (French painter and illustrator, 1836–1902) did over twenty works on the subject.
  
  The Sarcophagus of Junius Bassus depicts a set of biblical stories, including Abraham about to sacrifice Isaac. These sculpted scenes are on the outside of a marble Early Christian sarcophagus used for the burial of Junius Bassus. He died in 359. This sarcophagus has been described as "probably the single most famous piece of early Christian relief sculpture." The sarcophagus was originally placed in or under Old St. Peter's Basilica, was rediscovered in 1597, and is now below the modern basilica in the Museo Storico del Tesoro della Basilica di San Pietro (Museum of St. Peter's Basilica) in the Vatican. The base is approximately 4 ft × 8 ft × 4 ft (1.2 m × 2.4 m × 1.2 m). The Old Testament scenes depicted were chosen as precursors of Christ's sacrifice in the New Testament, in an early form of typology. Just to the right of the middle is Daniel in the lion's den and on the left is Abraham about to sacrifice Isaac.
  
  George Segal created figural sculptures by molding plastered gauze strips over live models in his 1987 work Abraham's Farewell to Ishmael. The human condition was central to his concerns, and Segal used the Old Testament as a source for his imagery. This sculpture depicts the dilemma faced by Abraham when Sarah demanded that he expel Hagar and Ishmael. In the sculpture, the father's tenderness, Sarah's rage, and Hagar's resigned acceptance portray a range of human emotions. The sculpture was donated to the Miami Art Museum after the artist's death in 2000.