section_path: Culture/Architecture
section_name: Architecture
paragraph_text: Architecture
  
  Little medieval architecture is preserved in Madrid, mostly in the Almendra Central, including the San Nicolás and San Pedro el Viejo church towers, the church of San Jerónimo el Real, and the Bishop's Chapel. Nor has Madrid retained much Renaissance architecture, other than the Bridge of Segovia and the Convent of Las Descalzas Reales.
  
  Philip II moved his court to Madrid in 1561 and transformed the town into a capital city. During the Early Habsburg period, the import of European influences took place, underpinned by the monicker of Austrian style. The Austrian style featured not only Austrian influences but also Italian and Dutch (as well as Spanish), reflecting on the international preeminence of the Habsburgs. During the second half of the 16th century, the use of pointy slate spires in order to top structures such as church towers was imported to Spain from Central Europe. Slate spires and roofs consequently became a staple of the Madrilenian architecture at the time.
  
  Stand out architecture in the city dating back to the early 17th century includes several buildings and structures (most of them attributed to Juan Gómez de Mora) such as the Palace of the Duke of Uceda (1610), the Monastery of La Encarnación (1611–1616); the Plaza Mayor (1617–1619) or the Cárcel de Corte (1629–1641), currently known as the Santa Cruz Palace. The century also saw the construction of the former City Hall, the Casa de la Villa.
  
  The Imperial College church model dome was imitated in all of Spain. Pedro de Ribera introduced Churrigueresque architecture to Madrid; the Cuartel del Conde-Duque, the church of Montserrat, and the Bridge of Toledo are among the best examples.
  
  The reign of the Bourbons during the eighteenth century marked a new era in the city. Philip V tried to complete King Philip II's vision of urbanisation of Madrid. Philip V built a palace in line with French taste, as well as other buildings such as St. Michael's Basilica and the Church of Santa Bárbara. King Charles III beautified the city and endeavoured to convert Madrid into one of the great European capitals. He pushed forward the construction of the Prado Museum (originally intended as a Natural Science Museum), the Puerta de Alcalá, the Royal Observatory, the Basilica of San Francisco el Grande, the Casa de Correos in Puerta del Sol, the Real Casa de la Aduana, and the General Hospital (which now houses the Reina Sofia Museum and Royal Conservatory of Music). The Paseo del Prado, surrounded by gardens and decorated with neoclassical statues, is an example of urban planning. The Duke of Berwick ordered the construction of the Liria Palace.
  
  During the early 19th century, the Peninsular War, the loss of viceroyalties in the Americas, and continuing coups limited the city's architectural development (Royal Theatre, the National Library of Spain, the Palace of the Senate, and the Congress). The Segovia Viaduct linked the Royal Alcázar to the southern part of town.
  
  The list of key figures of madrilenian architecture during the 19th and 20th centuries includes authors such as Narciso Pascual y Colomer, Francisco Jareño y Alarcón, Francisco de Cubas, Juan Bautista Lázaro de Diego, Ricardo Velázquez Bosco, Antonio Palacios, Secundino Zuazo, Luis Gutiérrez Soto, Luis Moya Blanco and Alejandro de la Sota.
  
  From the mid-19th century until the Civil War, Madrid modernised and built new neighbourhoods and monuments. The expansion of Madrid developed under the Plan Castro, resulting in the neighbourhoods of Salamanca, Argüelles, and Chamberí. Arturo Soria conceived the linear city and built the first few kilometres of the road that bears his name, which embodies the idea. The Gran Vía was built using different styles that evolved over time: French style, eclectic, art deco, and expressionist. However, Art Nouveau in Madrid, known as Modernismo did also develop at the turn of the century, in concert with its appearance elsewhere in Europe, including Barcelona and Valencia. Antonio Palacios built a series of buildings inspired by the Viennese Secession, such as the Palace of Communication, the Círculo de Bellas Artes, and the Río de La Plata Bank (now Instituto Cervantes). Other notable buildings include the Bank of Spain, the neo-Gothic Almudena Cathedral, Atocha Station, and the Catalan art-nouveau Palace of Longoria. Las Ventas Bullring was built, as the Market of San Miguel (Cast-Iron style).
  
  Following the Francoist takeover that ensued the end of Spanish Civil war, architecture experienced an involution, discarding rationalism and, eclecticism notwithstanding, going back to an overall rather "outmoded" architectural language, with the purpose of turning Madrid into a capital worthy of the "Immortal Spain". Iconic examples of this period include the Ministry of the Air (a case of herrerian revival) and the Edificio España (presented as the tallest building in Europe when it was inaugurated in 1953). Many of these buildings distinctly combine the use of brick and stone in the façades. The Casa Sindical marked a breaking point as it was the first to reassume rationalism, although that relinking to modernity was undertaken through the imitation of the Italian Fascist architecture.
  
  With the advent of Spanish economic development, skyscrapers, such as Torre Picasso, Torres Blancas and Torre BBVA, and the Gate of Europe, appeared in the late 20th century in the city. During the decade of the 2000s, the four tallest skyscrapers in Spain were built and together form the Cuatro Torres Business Area. Terminal 4 at Madrid-Barajas Airport was inaugurated in 2006 and won several architectural awards. Terminal 4 is one of the world's largest terminal areas and features glass panes and domes in the roof, which allow natural light to pass through.