section_path: Scientific legacy/Colour vision
section_name: Colour vision
paragraph_text: Colour vision
  
  Along with most physicists of the time, Maxwell had a strong interest in psychology. Following in the steps of Isaac Newton and Thomas Young, he was particularly interested in the study of colour vision. From 1855 to 1872, Maxwell published at intervals a series of investigations concerning the perception of colour, colour-blindness, and colour theory, and was awarded the Rumford Medal for "On the Theory of Colour Vision".
  
  Isaac Newton had demonstrated, using prisms, that white light, such as sunlight, is composed of a number of monochromatic components which could then be recombined into white light. Newton also showed that an orange paint made of yellow and red could look exactly like a monochromatic orange light, although being composed of two monochromatic yellow and red lights. Hence the paradox that puzzled physicists of the time: two complex lights (composed of more than one monochromatic light) could look alike but be physically different, called metameres. Thomas Young later proposed that this paradox could be explained by colours being perceived through a limited number of channels in the eyes, which he proposed to be threefold, the trichromatic colour theory. Maxwell used the recently developed linear algebra to prove Young's theory. Any monochromatic light stimulating three receptors should be able to be equally stimulated by a set of three different monochromatic lights (in fact, by any set of three different lights). He demonstrated that to be the case, inventing colour matching experiments and Colourimetry.
  
  Maxwell was also interested in applying his theory of colour perception, namely in colour photography. Stemming directly from his psychological work on colour perception: if a sum of any three lights could reproduce any perceivable colour, then colour photographs could be produced with a set of three coloured filters. In the course of his 1855 paper, Maxwell proposed that, if three black-and-white photographs of a scene were taken through red, green, and blue filters, and transparent prints of the images were projected onto a screen using three projectors equipped with similar filters, when superimposed on the screen the result would be perceived by the human eye as a complete reproduction of all the colours in the scene.
  
  During an 1861 Royal Institution lecture on colour theory, Maxwell presented the world's first demonstration of colour photography by this principle of three-colour analysis and synthesis. Thomas Sutton, inventor of the single-lens reflex camera, took the picture. He photographed a tartan ribbon three times, through red, green, and blue filters, also making a fourth photograph through a yellow filter, which, according to Maxwell's account, was not used in the demonstration. Because Sutton's photographic plates were insensitive to red and barely sensitive to green, the results of this pioneering experiment were far from perfect. It was remarked in the published account of the lecture that "if the red and green images had been as fully photographed as the blue", it "would have been a truly-coloured image of the riband. By finding photographic materials more sensitive to the less refrangible rays, the representation of the colours of objects might be greatly improved." Researchers in 1961 concluded that the seemingly impossible partial success of the red-filtered exposure was due to ultraviolet light, which is strongly reflected by some red dyes, not entirely blocked by the red filter used, and within the range of sensitivity of the wet collodion process Sutton employed.