section_path: Art and cultural production/Featherwork
section_name: Featherwork
paragraph_text: Featherwork
  
  An especially prized art form among the Aztecs was featherwork – the creation of intricate and colorful mosaics of feathers, and their use in garments as well as decoration on weaponry, war banners, and warrior suits. The class of highly skilled and honored craftsmen who created feather objects was called the amanteca, named after the Amantla neighborhood in Tenochtitlan where they lived and worked. They did not pay taxes nor were required to perform public service. The Florentine Codex gives information about how feather works were created. The amanteca had two ways of creating their works. One was to secure the feathers in place using agave cords for three-dimensional objects such as fly whisks, fans, bracelets, headgear, and other objects. The second and more difficult was a mosaic-type technique, which the Spanish also called "feather painting". These were done principally on feather shields and cloaks for idols. Feather mosaics were arrangements of minute fragments of feathers from a wide variety of birds, generally worked on a paper base, made from cotton and paste, then itself backed with amate paper, but bases of other types of paper and directly on amate were done as well. These works were done in layers with "common" feathers, dyed feathers, and precious feathers. First, a model was made with lower-quality feathers and the precious feathers were found only on the top layer. The adhesive for the feathers in the Mesoamerican period was made from orchid bulbs. Feathers from local and faraway sources were used, especially in the Aztec Empire. The feathers were obtained from wild birds as well as from domesticated turkeys and ducks, with the finest quetzal feathers coming from Chiapas, Guatemala, and Honduras. These feathers were obtained through trade and taxes. Due to the difficulty of conserving feathers, fewer than ten pieces of original Aztec featherwork exist today.