section_path: Culture/Literature and philosophy
section_name: Literature and philosophy
paragraph_text: Literature and philosophy
  
  The earliest works of Japanese literature include the Kojiki and Nihon Shoki chronicles and the Man'yōshū poetry anthology, all from the 8th century and written in Chinese characters. In the early Heian period, the system of phonograms known as kana (hiragana and katakana) was developed. The Tale of the Bamboo Cutter is considered the oldest extant Japanese narrative. An account of court life is given in The Pillow Book by Sei Shōnagon, while The Tale of Genji by Murasaki Shikibu is often described as the world's first novel.
  
  During the Edo period, the chōnin ("townspeople") overtook the samurai aristocracy as producers and consumers of literature. The popularity of the works of Saikaku, for example, reveals this change in readership and authorship, while Bashō revivified the poetic tradition of the Kokinshū with his haikai (haiku) and wrote the poetic travelogue Oku no Hosomichi. The Meiji era saw the decline of traditional literary forms as Japanese literature integrated Western influences. Natsume Sōseki and Mori Ōgai were significant novelists in the early 20th century, followed by Ryūnosuke Akutagawa, Jun'ichirō Tanizaki, Kafū Nagai and, more recently, Haruki Murakami and Kenji Nakagami. Japan has two Nobel Prize-winning authors – Yasunari Kawabata (1968) and Kenzaburō Ōe (1994).
  
  Japanese philosophy has historically been a fusion of both foreign, particularly Chinese and Western, and uniquely Japanese elements. In its literary forms, Japanese philosophy began about fourteen centuries ago. Confucian ideals remain evident in the Japanese concept of society and the self, and in the organization of the government and the structure of society. Buddhism has profoundly impacted Japanese psychology, metaphysics, and esthetics.