section_path: Culture/Theaters
section_name: Theaters
paragraph_text: Theaters
  
  Many historians believe that the first theatrical performance in Brazil was held in São Paulo. The Portuguese Jesuit missionary José de Anchieta (1534–1597) wrote short plays that were performed and watched by the Tupi–Guarani natives. In the second half of the 19th century a cultural, musical and theatrical life emerged. European ethnic groups began holding performances in some of the state's rural cities. The most important period for the art in São Paulo was the 1940s. São Paulo had had a professional company, Teatro Brasileiro de Comédia, (Brazilian Theater of Comedy), along with others.
  
  During the 1960s, major theater productions in São Paulo and Brazil were presented by two groups. Teatro de Arena began with a group of students from Escola de Arte Dramática (Drama Art School), founded by Alfredo Mesquita, in 1948. In 1958, the group excelled with the play "Eles não usam black tie" by Gianfrancesco Guarnieri which was the first in the history of the Brazilian drama to feature labor workers as protagonists.
  
  After the military coup of 1964, plays started focusing on Brazilian history (Zumbi, Tiradentes). Teatro de Arena and Teatro Oficina supported the democratic resistance during the military dictatorship period, marked by its censorship. The Tropicalist movement began there. A number of plays represented historic moments, notably "O Rei da Vela", "Galileu Galilei" (1968), "Na Selva das Cidades" (1969) and "Gracias Señor" (1972).
  
  The district of Bixiga concentrates the greatest number of theaters, around 40 including the theaters that are closed for refurbishing or for other reasons, and small alternatives companies venues. Some of the most important are Renault, Brigadeiro, Zaccaro, Bibi Ferreira, Maria della Costa, Ruth Escobar, Opera, TBC, Imprensa, Oficina, Àgora, Cacilda Becker, Sérgio Cardoso, do Bixiga, and Bandeirantes.