section_path: Arts and culture
section_name: Arts and culture
paragraph_text: Arts and culture
  
  Catherine was a patron of the arts, literature, and education. The Hermitage Museum, which now occupies the whole Winter Palace, began as Catherine's personal collection. The empress was a great lover of art and books, and ordered the construction of the Hermitage in 1770 to house her expanding collection of paintings, sculpture, and books. By 1790, the Hermitage was home to 38,000 books, 10,000 gems and 10,000 drawings. Two wings were devoted to her collections of "curiosities".
  
  She ordered the planting of the first English landscape garden at Tsarskoye Selo in May 1770. In a letter to Voltaire in 1772, she wrote: "Right now I adore English gardens, curves, gentle slopes, ponds in the form of lakes, archipelagos on dry land, and I have a profound scorn for straight lines, symmetric avenues. I hate fountains that torture water in order to make it take a course contrary to its nature: Statues are relegated to galleries, vestibules etc.; in a word, Anglomania is the master of my plantomania".
  
  Catherine shared in the general European craze for all things Chinese, and made a point of collecting Chinese art and buying porcelain in the popular Chinoiserie style. Between 1762 and 1766, she had built the "Chinese Palace" at Oranienbaum which reflected the chinoiserie style of architecture and gardening. The Chinese Palace was designed by the Italian architect Antonio Rinaldi who specialised in the chinoiserie style. In 1779, she hired the Scottish architect Charles Cameron to build the Chinese Village at Tsarskoye Selo. Catherine had at first attempted to hire a Chinese architect to build the Chinese Village, and on finding that was impossible, settled on Cameron, who likewise specialised in the chinoiserie style.
  
  She made a special effort to bring leading intellectuals and scientists to Russia, and she wrote her own comedies, works of fiction, and memoirs. She worked with Voltaire, Diderot, and d'Alembert —all French encyclopedists who later cemented her reputation in their writings. The leading economists of her day, such as Arthur Young and Jacques Necker, became foreign members of the Free Economic Society, established on her suggestion in Saint Petersburg in 1765. She recruited the scientists Leonhard Euler and Peter Simon Pallas from Berlin and Anders Johan Lexell from Sweden to the Russian capital.
  
  Catherine enlisted Voltaire to her cause, and corresponded with him for 15 years, from her accession to his death in 1778. He lauded her accomplishments, calling her "The Star of the North" and the " Semiramis of Russia" (in reference to the legendary Queen of Babylon, a subject on which he published a tragedy in 1768). Although she never met him face to face, she mourned him bitterly when he died. She acquired his collection of books from his heirs, and placed them in the National Library of Russia.
  
  Catherine read three sorts of books, namely those for pleasure, those for information, and those to provide her with a philosophy. In the first category, she read romances and comedies that were popular at the time, many of which were regarded as "inconsequential" by the critics both then and since. She especially liked the work of German comic writers such as Moritz August von Thümmel and Christoph Friedrich Nicolai. In the second category fell the work of Denis Diderot, Jacques Necker, Johann Bernhard Basedow and Georges-Louis Leclerc, Comte de Buffon. Catherine expressed some frustration with the economists she read for what she regarded as their impractical theories, writing in the margin of one of Necker's books that if it was possible to solve all of the state's economic problems in one day, she would have done so a long time ago. For information about particular nations that interested her, she read Jean Baptiste Bourguignon d'Anville 's Memoirs de Chine to learn about the vast and wealthy Chinese empire that bordered her empire; François Baron de Tott 's Memoires de les Turcs et les Tartares for information about the Ottoman Empire and the Crimean khanate; the books of Frederick the Great praising himself to learn about Frederick just as much as to learn about Prussia; and pamphlets written by Benjamin Franklin denouncing the British Crown to understand the reasons behind the American Revolution. In the third category fell the work of Voltaire, Friedrich Melchior, Baron von Grimm, Ferdinando Galiani, Nicolas Baudeau and Sir William Blackstone. For philosophy, she liked books promoting what has been called "enlightened despotism", which she embraced as her ideal of an autocratic but reformist government that operated according to the rule of law, not the whims of the ruler, hence her interest in Blackstone's legal commentaries.
  
  Within a few months of her accession in 1762, having heard the French government threatened to stop the publication of the famous French Encyclopédie on account of its irreligious spirit, Catherine proposed to Diderot that he should complete his great work in Russia under her protection. Four years later, in 1766, she endeavoured to embody in legislation the principles of Enlightenment she learned from studying the French philosophers. She called together at Moscow a Grand Commission—almost a consultative parliament—composed of 652 members of all classes (officials, nobles, burghers, and peasants) and of various nationalities. The commission had to consider the needs of the Russian Empire and the means of satisfying them. The empress prepared the "Instructions for the Guidance of the Assembly", pillaging (as she frankly admitted) the philosophers of Western Europe, especially Montesquieu and Cesare Beccaria.
  
  As many of the democratic principles frightened her more moderate and experienced advisors, she refrained from immediately putting them into practice. After holding more than 200 sittings, the so-called Commission dissolved without getting beyond the realm of theory.
  
  Catherine began issuing codes to address some of the modernisation trends suggested in her Nakaz. In 1775, the empress decreed a Statute for the Administration of the provinces of the Russian Empire. The statute sought to efficiently govern Russia by increasing population and dividing the country into provinces and districts. By the end of her reign, 50 provinces and nearly 500 districts were created, government officials numbering more than double this were appointed, and spending on local government increased sixfold. In 1785, Catherine conferred on the nobility the Charter to the Nobility, increasing the power of the landed oligarchs. Nobles in each district elected a Marshal of the Nobility, who spoke on their behalf to the monarch on issues of concern to them, mainly economic ones. In the same year, Catherine issued the Charter of the Towns, which distributed all people into six groups as a way to limit the power of nobles and create a middle estate. Catherine also issued the Code of Commercial Navigation and Salt Trade Code of 1781, the Police Ordinance of 1782, and the Statute of National Education of 1786. In 1777, the empress described to Voltaire her legal innovations within a backward Russia as progressing "little by little".
  
  During Catherine's reign, Russians imported and studied the classical and European influences that inspired the Russian Enlightenment. Gavrila Derzhavin, Denis Fonvizin and Ippolit Bogdanovich laid the groundwork for the great writers of the 19th century, especially for Alexander Pushkin. Catherine became a great patron of Russian opera. Alexander Radishchev published his Journey from St. Petersburg to Moscow in 1790, shortly after the start of the French Revolution. He warned of uprisings in Russia because of the deplorable social conditions of the serfs. Catherine decided it promoted the dangerous poison of the French Revolution. She had the book burned and the author exiled to Siberia.
  
  Catherine also received Elisabeth Vigée Le Brun at her Tsarskoye Selo residence in St Petersburg, by whom she was painted shortly before her death. Madame Vigée Le Brun vividly describes the empress in her memoirs:
  
  the sight of this famous woman so impressed me that I found it impossible to think of anything: I could only stare at her. Firstly I was very surprised at her small stature; I had imagined her to be very tall, as great as her fame. She was also very fat, but her face was still beautiful, and she wore her white hair up, framing it perfectly. Her genius seemed to rest on her forehead, which was both high and wide. Her eyes were soft and sensitive, her nose quite Greek, her colour high and her features expressive. She addressed me immediately in a voice full of sweetness, if a little throaty: "I am delighted to welcome you here, Madame, your reputation runs before you. I am very fond of the arts, especially painting. I am no connoisseur, but I am a great art lover."
  
  Madame Vigée Le Brun also describes the empress at a gala:
  
  The double doors opened and the Empress appeared. I have said that she was quite small, and yet on the days when she made her public appearances, with her head held high, her eagle-like stare and a countenance accustomed to command, all this gave her such an air of majesty that to me she might have been Queen of the World; she wore the sashes of three orders, and her costume was both simple and regal; it consisted of a muslin tunic embroidered with gold fastened by a diamond belt, and the full sleeves were folded back in the Asiatic style. Over this tunic she wore a red velvet dolman with very short sleeves. The bonnet which held her white hair was not decorated with ribbons, but with the most beautiful diamonds.
  
  Russia's second ballet school, Moscow State Academy of Choreography, commonly known as The Bolshoi Ballet Academy, was founded during Catherine's reign on 23 December 1773. It entered into a contract with the Italian teacher-choreographer Filippo Becari, who must was "the most capable of dancing" children to learn "to dance with all possible precision and to show themselves publicly in all pantomime ballets".