section_path: Career/Journalism, early writings, and literary influences
section_name: Journalism, early writings, and literary influences
paragraph_text: Journalism, early writings, and literary influences
  
  Gaiman has mentioned several writers who have influenced his work, including Mary Shelley, Rudyard Kipling, Edgar Allan Poe, Michael Moorcock, Dave Sim, Alan Moore, Steve Ditko, Will Eisner, Ursula K. Le Guin, Harlan Ellison, John Crowley, Lord Dunsany, G. K. Chesterton and Gene Wolfe. A lifetime fan of the Monty Python comedy troupe, he owned a copy of Monty Python's Big Red Book as a teenager. During a trip to France when he was 13, Gaiman became fascinated with the visually fantastic world in the stories of Metal Hurlant, even though he could not understand the words. When he was 19 or 20 years old, he contacted his favourite science fiction writer, R. A. Lafferty, requesting advice on becoming an author and including a Lafferty pastiche he had written. Lafferty sent Gaiman an encouraging and informative letter back, along with literary advice.
  
  Gaiman has named Roger Zelazny as the author who influenced him the most. Gaiman claims that other authors such as Samuel R. Delany and Angela Carter "furnished the inside of my mind and set me to writing". Gaiman takes inspiration from the folk tales tradition, citing Otta F Swire 's book on the legends of the Isle of Skye as his inspiration for The Truth Is a Cave in the Black Mountains.
  
  In the early 1980s, Gaiman pursued journalism, conducting interviews and writing book reviews, as a means to learn about the world and to make connections that he hoped would later assist him in getting published. He wrote and reviewed extensively for the British Fantasy Society. His first professional short story publication was "Featherquest", a fantasy story, in Imagine magazine in May 1984.
  
  While waiting for a train at London's Victoria Station in 1984, Gaiman noticed a copy of Swamp Thing by Alan Moore, and read it. Moore's approach to comics had such an impact on Gaiman that he later wrote "that was the final straw, what was left of my resistance crumbled. I proceeded to make regular and frequent visits to London's Forbidden Planet shop to buy comics".
  
  In 1984, he wrote his first book, a biography of the band Duran Duran, and co-edited Ghastly Beyond Belief, a book of quotations, with Kim Newman. Although Gaiman thought he had done a terrible job, the book's first edition sold out very quickly. When he went to relinquish his rights to the book, he discovered the publisher had gone bankrupt. After this, he was offered a job by Penthouse. He refused the offer.
  
  He also wrote interviews and articles for many British magazines, including Knave. During this, he sometimes wrote under pseudonyms, including Gerry Musgrave, Richard Grey, and "a couple of house names". Gaiman has said he ended his journalism career in 1987 because British newspapers regularly publish untruths as fact. In the late 1980s, he wrote Don't Panic: The Official Hitchhiker's Guide to the Galaxy Companion in what he calls a "classic English humour" style.
  
  Following this, he wrote the opening of what became his collaboration with Terry Pratchett on the comic novel Good Omens, about the impending apocalypse.
  
  Gaiman has mentioned several writers who have influenced his work, including Mary Shelley, Rudyard Kipling, Edgar Allan Poe, Michael Moorcock, Dave Sim, Alan Moore, Steve Ditko, Will Eisner, Ursula K. Le Guin, Harlan Ellison, John Crowley, Lord Dunsany, G. K. Chesterton and Gene Wolfe. A lifetime fan of the Monty Python comedy troupe, he owned a copy of Monty Python's Big Red Book as a teenager. During a trip to France when he was 13, Gaiman became fascinated with the visually fantastic world in the stories of Metal Hurlant, even though he could not understand the words. When he was 19 or 20 years old, he contacted his favourite science fiction writer, R. A. Lafferty, requesting advice on becoming an author and including a Lafferty pastiche he had written. Lafferty sent Gaiman an encouraging and informative letter back, along with literary advice.
  
  Gaiman has named Roger Zelazny as the author who influenced him the most. Gaiman claims that other authors such as Samuel R. Delany and Angela Carter "furnished the inside of my mind and set me to writing". Gaiman takes inspiration from the folk tales tradition, citing Otta F Swire 's book on the legends of the Isle of Skye as his inspiration for The Truth Is a Cave in the Black Mountains.
  
  In the early 1980s, Gaiman pursued journalism, conducting interviews and writing book reviews, as a means to learn about the world and to make connections that he hoped would later assist him in getting published. He wrote and reviewed extensively for the British Fantasy Society. His first professional short story publication was "Featherquest", a fantasy story, in Imagine magazine in May 1984.
  
  While waiting for a train at London's Victoria Station in 1984, Gaiman noticed a copy of Swamp Thing by Alan Moore, and read it. Moore's approach to comics had such an impact on Gaiman that he later wrote "that was the final straw, what was left of my resistance crumbled. I proceeded to make regular and frequent visits to London's Forbidden Planet shop to buy comics".
  
  In 1984, he wrote his first book, a biography of the band Duran Duran, and co-edited Ghastly Beyond Belief, a book of quotations, with Kim Newman. Although Gaiman thought he had done a terrible job, the book's first edition sold out very quickly. When he went to relinquish his rights to the book, he discovered the publisher had gone bankrupt. After this, he was offered a job by Penthouse. He refused the offer.
  
  He also wrote interviews and articles for many British magazines, including Knave. During this, he sometimes wrote under pseudonyms, including Gerry Musgrave, Richard Grey, and "a couple of house names". Gaiman has said he ended his journalism career in 1987 because British newspapers regularly publish untruths as fact. In the late 1980s, he wrote Don't Panic: The Official Hitchhiker's Guide to the Galaxy Companion in what he calls a "classic English humour" style.
  
  Following this, he wrote the opening of what became his collaboration with Terry Pratchett on the comic novel Good Omens, about the impending apocalypse.