section_path: Mature Harappan/Arts and crafts
section_name: Arts and crafts
paragraph_text: Arts and crafts
  
  Many Indus Valley seals and items in pottery and terracotta have been found, along with a very few stone sculptures and some gold jewellery and bronze vessels. Some anatomically detailed figurines in terracotta, bronze, and steatite have been found at excavation sites, the former probably mostly toys. The Harappans also made various toys and games, among them cubical dice (with one to six holes on the faces), which were found in sites like Mohenjo-daro.
  
  The terracotta figurines included cows, bears, monkeys, and dogs. The animal depicted on a majority of seals at sites of the mature period has not been clearly identified. Part bull, part zebra, with a majestic horn, it has been a source of speculation. As yet, there is insufficient evidence to substantiate claims that the image had religious or cultic significance, but the prevalence of the image raises the question of whether or not the animals in images of the IVC are religious symbols.
  
  Many crafts including, "shell working, ceramics, and agate and glazed steatite bead making" were practised and the pieces were used in the making of necklaces, bangles, and other ornaments from all phases of Harappan culture. Some of these crafts are still practised in the subcontinent today. Some make-up and toiletry items (a special kind of combs (kakai), the use of collyrium and a special three-in-one toiletry gadget) that were found in Harappan contexts still have similar counterparts in modern India. Terracotta female figurines were found (c. 2800 –2600 BCE) which had red colour applied to the "manga" (line of partition of the hair).
  
  Archeological remains from 2000 to 3000 BC have been found from the city of Lothal of pieces on a board that resemble chess.
  
  The finds from Mohenjo-daro were initially deposited in the Lahore Museum, but later moved to the ASI headquarters at New Delhi, where a new "Central Imperial Museum" was being planned for the new capital of the British Raj, in which at least a selection would be displayed. It became apparent that Indian independence was approaching, but the Partition of India was not anticipated until late in the process. The new Pakistani authorities requested the return of the Mohenjo-daro pieces excavated on their territory, but the Indian authorities refused. Eventually an agreement was reached, whereby the finds, totalling some 12,000 objects (most sherds of pottery), were split equally between the countries; in some cases this was taken very literally, with some necklaces and girdles having their beads separated into two piles. In the case of the "two most celebrated sculpted figures", Pakistan asked for and received the so-called Priest-King figure, while India retained the much smaller Dancing Girl.
  
  Though written considerably later, the arts treatise Natya Shastra (c. 200 BCE – 200 CE) classifies musical instruments into four groups based on their means of acoustical production—strings, membranes, solid materials and air—and it is probable that such instruments had existed since the IVC. Archeological evidence indicates the use of simple rattles and vessel flutes, while iconographical evidence suggests early harps and drums were also used. An ideogram in the IVC contains the earliest known depiction of an arched harp, dated sometime before 1800 BCE.