section_path: 1970–1978: Reprise era/15 Big Ones, Love You, and Adult/Child
section_name: Child
paragraph_text: Child
  
  Early in 1975, Brian signed a production deal with California Music, a Los Angeles collective that included Bruce Johnston and Gary Usher, but was drawn away by the Beach Boys' pressing demands for a new album. In October, Marilyn persuaded Brian to admit himself to the care of psychologist Eugene Landy, who kept him from indulging in substance abuse with constant supervision. Brian was kept in the program until December 1976.
  
  At the end of January 1976, the Beach Boys returned to the studio with Brian producing once again. Brian decided the band should do an album of rock and roll and doo wop standards. Carl and Dennis disagreed, feeling that an album of originals was far more ideal, while Love and Jardine wanted the album out as quickly as possible. To highlight Brian's recovery and his return to writing and producing, Stephen launched a media campaign and paid the Rogers & Cowan publicity agency $3,500 per month to implement it. The band also commissioned an NBC -TV special, later known as The Beach Boys: It's OK!, that was produced by NBC's Saturday Night creator Lorne Michaels.
  
  Released on July 5, 1976, 15 Big Ones was generally disliked by fans and critics, as well as Carl and Dennis, who disparaged the album to the press. The album peaked at number 8 in the US, becoming their first top-ten album of new material since Pet Sounds, and their highest-charting studio album since Summer Days (And Summer Nights!!). Lead single " Rock and Roll Music " peaked at number 5 – their highest chart ranking since "Good Vibrations".
  
  From late-1976 to early-1977, Brian made sporadic public appearances and produced the band's next album, The Beach Boys Love You. He regarded it as a spiritual successor to Pet Sounds, namely because of the autobiographical lyrics. Released on April 11, 1977, Love You peaked at number 53 in the US and number 28 in the UK. Critically, it was widely praised, though it initially met with polarized reactions from the public. Numerous esteemed critics penned favorable reviews, but casual listeners generally found the album's idiosyncratic sound to be a detriment.
  
  Adult/Child, the intended follow-up to Love You, was completed, but the release was vetoed by Love and Jardine. According to Stan Love, when his brother Mike heard the album, Mike turned to Brian and asked: "What the fuck are you doing?" Some of the unreleased songs on Adult/Child later saw individual release on subsequent Beach Boys albums and compilations. Following this period, his concert appearances with the band gradually diminished and their performances were occasionally erratic.
  
  Early in 1975, Brian signed a production deal with California Music, a Los Angeles collective that included Bruce Johnston and Gary Usher, but was drawn away by the Beach Boys' pressing demands for a new album. In October, Marilyn persuaded Brian to admit himself to the care of psychologist Eugene Landy, who kept him from indulging in substance abuse with constant supervision. Brian was kept in the program until December 1976.
  
  At the end of January 1976, the Beach Boys returned to the studio with Brian producing once again. Brian decided the band should do an album of rock and roll and doo wop standards. Carl and Dennis disagreed, feeling that an album of originals was far more ideal, while Love and Jardine wanted the album out as quickly as possible. To highlight Brian's recovery and his return to writing and producing, Stephen launched a media campaign and paid the Rogers & Cowan publicity agency $3,500 per month to implement it. The band also commissioned an NBC -TV special, later known as The Beach Boys: It's OK!, that was produced by NBC's Saturday Night creator Lorne Michaels.
  
  Released on July 5, 1976, 15 Big Ones was generally disliked by fans and critics, as well as Carl and Dennis, who disparaged the album to the press. The album peaked at number 8 in the US, becoming their first top-ten album of new material since Pet Sounds, and their highest-charting studio album since Summer Days (And Summer Nights!!). Lead single " Rock and Roll Music " peaked at number 5 – their highest chart ranking since "Good Vibrations".
  
  From late-1976 to early-1977, Brian made sporadic public appearances and produced the band's next album, The Beach Boys Love You. He regarded it as a spiritual successor to Pet Sounds, namely because of the autobiographical lyrics. Released on April 11, 1977, Love You peaked at number 53 in the US and number 28 in the UK. Critically, it was widely praised, though it initially met with polarized reactions from the public. Numerous esteemed critics penned favorable reviews, but casual listeners generally found the album's idiosyncratic sound to be a detriment.
  
  Adult/Child, the intended follow-up to Love You, was completed, but the release was vetoed by Love and Jardine. According to Stan Love, when his brother Mike heard the album, Mike turned to Brian and asked: "What the fuck are you doing?" Some of the unreleased songs on Adult/Child later saw individual release on subsequent Beach Boys albums and compilations. Following this period, his concert appearances with the band gradually diminished and their performances were occasionally erratic.