section_path: Culture/Music
section_name: Music
paragraph_text: Music
  
  As in other countries, the music in Tanzania is constantly undergoing changes, and varies by location, people, settings and occasion. The five music genres in Tanzania, as defined by BASATA are, ngoma, dansi, kwaya, and taarab, with bongo flava being added in 2001. Singeli has since the mid-2000s been an unofficial music of uswahilini, unplanned communities in Dar es Salaam, and is the newest mainstream genre since 2020.
  
  Ngoma (Bantu, meaning dance, drum and event) is a traditional dance music that has been the most widespread music in Tanzania. Dansi is urban jazz or band music. Taarab is sung Kiswahili poetry accompanied by a band, typically string, in which audience is often, but not always, encouraged to dance and clap. Kwaya was choir music originally limited to church during colonization, but is now a secular part of educational, social, and political events.
  
  Bongo flava is Tanzanian pop music originating in the early 2000s from muziki wa kizazi kipya, meaning "Music of the new generation", which originated in the late 1980s. Kizazi kipya's dominant influences were reggae, RnB, and hip hop, where as the later bongo flava's dominant influences are taarab and dansi. Three recent influence on bongo flava are Afropop in the 2010s, as well as amapiano from South Africa and singeli from Tanzania, both since 2020. Singeli is a ngoma music that originated in Manzese, an uswahilini in north-west Dar es Salaam. A MC performs over fast tempo taarab music, often at between 200 and 300 beats per minute (BPM) while females dance. Styles between MC gender typically differ significantly. Male MCs usually perform in fast-paced rap, while female MCs usually perform kwaya.
  
  From independence until 1993, all recording and distribution of music was strictly managed by BASATA, primarily through Radio Tanzania Dar es Salaam (RTD). Only the four Tanzanian genres were permitted to be recorded or broadcast, which at the time was ngoma, taarab, kwaya and dansi. The Broadcasting Services Act of 1993 allowed private broadcast networks and recording studios. In the few years prior to the 1993 Act hip hop had been getting somewhat established in Dar es Salaam, Arusha and Mwanza. It was transitioning from English performances of hip hop originating in uzunguni, rich areas like Oysterbay and Masaki with international schools, to Kiswahili performances of kizazi kipya, originating in uswahilini. Following the opening of the radio waves, bongo flava spreading throughout the country, and the rest of the Great Lakes.