section_path: Major works/Vindications/Vindication of the Rights of Men (1790)
section_name: Vindication of the Rights of Men (1790)
paragraph_text: Vindication of the Rights of Men (1790)
  
  Published in response to Edmund Burke 's Reflections on the Revolution in France (1790), which was a defence of constitutional monarchy, aristocracy, and the Church of England, and an attack on Wollstonecraft's friend, the Rev. Richard Price at the Newington Green Unitarian Church, Wollstonecraft's A Vindication of the Rights of Men (1790) attacks aristocracy and advocates republicanism. Hers was the first response in a pamphlet war that subsequently became known as the Revolution Controversy, in which Thomas Paine 's Rights of Man (1792) became the rallying cry for reformers and radicals.
  
  Wollstonecraft attacked not only monarchy and hereditary privilege but also the language that Burke used to defend and elevate it. In a famous passage in the Reflections, Burke had lamented: "I had thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult.—But the age of chivalry is gone." Most of Burke's detractors deplored what they viewed as theatrical pity for the French queen—a pity they felt was at the expense of the people. Wollstonecraft was unique in her attack on Burke's gendered language. By redefining the sublime and the beautiful, terms first established by Burke himself in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1756), she undermined his rhetoric as well as his argument. Burke had associated the beautiful with weakness and femininity and the sublime with strength and masculinity; Wollstonecraft turns these definitions against him, arguing that his theatrical tableaux turn Burke's readers—the citizens—into weak women who are swayed by show. In her first unabashedly feminist critique, which Wollstonecraft scholar Claudia L. Johnson argues remains unsurpassed in its argumentative force, Wollstonecraft indicts Burke's defence of an unequal society founded on the passivity of women.
  
  In her arguments for republican virtue, Wollstonecraft invokes an emerging middle-class ethos in opposition to what she views as the vice-ridden aristocratic code of manners. Influenced by Enlightenment thinkers, she believed in progress and derides Burke for relying on tradition and custom. She argues for rationality, pointing out that Burke's system would lead to the continuation of slavery, simply because it had been an ancestral tradition. She describes an idyllic country life in which each family can have a farm that will just suit its needs. Wollstonecraft contrasts her utopian picture of society, drawn with what she says is genuine feeling, to Burke's false feeling.
  
  The Rights of Men was Wollstonecraft's first overtly political work, as well as her first feminist work; as Johnson contends, "it seems that in the act of writing the later portions of Rights of Men she discovered the subject that would preoccupy her for the rest of her career." It was this text that made her a well-known writer.