section_path: Culture/Art
section_name: Art
paragraph_text: Art
  
  Painting is one of the oldest arts in Mexico. Cave painting in Mexican territory is about 7500 years old and has been found in the caves of the Baja California Peninsula. Pre-Columbian Mexico is present in buildings and caves, in Aztec codices, in ceramics, in garments, etc.; examples of this are the Maya mural paintings of Bonampak, or those of Teotihuacán, those of Cacaxtla and those of Monte Albán. Mural painting with Christian religious themes had an important flowering during the 16th century, early colonial era in newly constructed churches and monasteries. Examples can be found in Acolman, Actopan, Huejotzingo, Tecamachalco and Zinacantepec.
  
  As with most art during the early modern era in the West, colonial-era Mexican art was religious during the sixteenth and seventeenth centuries. Starting in the late seventeenth century, and, most prominently in the eighteenth century, secular portraits and images of racial types, so-called casta painting appeared. Important painters of the late colonial period were Juan Correa, Cristóbal de Villalpando and Miguel Cabrera. In early post-independence Mexico, nineteenth-century painting had a marked romantic influence; landscapes and portraits were the greatest expressions of this era. Hermenegildo Bustos is one of the most appreciated painters of the historiography of Mexican art. Other painters include Santiago Rebull, Félix Parra, Eugenio Landesio, and his noted pupil, the landscape artist José María Velasco.
  
  In the 20th century artists such as Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco, the so-called "Big Three" of Mexican muralism achieved worldwide recognition. They were commissioned by the Mexican government to paint large-scale historical murals on the walls of public buildings, which helped shape popular perceptions of the Mexican Revolution and Mexican cultural identity. Frida Kahlo 's largely personal portraiture is considered by many as the most important historical work by a female artist.
  
  In the 21st century, Mexico City became home to the highest concentration of art museums in the world. Institutions like the Museo Jumex, the largest collection of its kind, founded by collector Eugenio López Alonso and bolstered by art advisor Esthella Provas, changed the notion of contemporary art in Latin America. The Museo Tamayo Arte Contemporaneous founded by Rufino Tamayo is also considered a preeminent institution and introduced foreign artists to a wider population. The country is also an epicenter for International art galleries including Kurimanzutto and FF Projects, and leading artists including Gabriel Orozco, Bosco Sodi, Stefan Brüggemann, and Mario García Torres.