section_path: Acting career/2000–2003: Independent films
section_name: 2000–2003: Independent films
paragraph_text: 2000–2003: Independent films
  
  Aged 19, Gosling decided to move into "serious acting". He was dropped by his agent and initially found it difficult to secure work because of the "stigma" attached to children's television. After a supporting role in the football drama Remember the Titans, he secured a lead role as a young Jewish neo-Nazi in 2001's The Believer. Director Henry Bean said he cast Gosling because his Mormon upbringing helped him understand the isolation of Judaism. Kevin Thomas of the Los Angeles Times praised an "electrifying and terrifyingly convincing" performance while Todd McCarthy of Variety felt his "dynamite performance" could "scarcely have been better". The film won the Grand Jury Prize at the Sundance Film Festival and Gosling has described it as "the film that kind of gift-wrapped for me the career that I have now." Because of the controversial nature of the film, it was difficult to secure financial backing for a full theatrical release, and the film was instead broadcast on Showtime. The film was a commercial failure, grossing $416,925 worldwide from a production budget of $1.5 million.
  
  In 2002, Gosling co-starred in the psychological thriller Murder by Numbers with Sandra Bullock and Michael Pitt, where Gosling and Pitt portrayed a pair of high school seniors who believe they can commit the perfect murder. Bullock played the detective tasked with investigating the crime. Lisa Schwarzbaum of Entertainment Weekly described him as "a phenomenal talent even in junk like this" while Todd McCarthy felt that the "strong and "charismatic" young actors were "let down by the screenplay". The film was a minor commercial success, grossing $56 million worldwide from a production budget of $50 million. His second screen appearance of 2002 was in The Slaughter Rule with David Morse which explores the relationship between a high school football player and his troubled coach in rural Montana. Gosling has said that the opportunity to work with Morse made him "a better actor". Stephen Holden of The New York Times described Gosling as "major star material" with a "rawness and an intensity that recall the young Matt Dillon " while Manohla Dargis of the Los Angeles Times was won over by his "raw talent". The film was released in just three US theatres and grossed $13,411.
  
  In 2003, Gosling starred in The United States of Leland as a teenager imprisoned for the murder of a disabled boy. He was drawn to the role because it was unusual to find a character that was "emotionally disconnected for the whole film." Critic Roger Ebert felt that the "gifted actor does everything that can be done with Leland, but the character comes from a writer's conceits, not from life." A. O. Scott of The New York Times noted that he "struggles to rescue Leland from the clutches of cliché" while David Rooney of Variety felt that his "one-note, blankly disturbed act has none of the magnetic edge of his breakthrough work in The Believer ". The film grossed $343,847 in the United States and was not released overseas.
  
  Aged 19, Gosling decided to move into "serious acting". He was dropped by his agent and initially found it difficult to secure work because of the "stigma" attached to children's television. After a supporting role in the football drama Remember the Titans, he secured a lead role as a young Jewish neo-Nazi in 2001's The Believer. Director Henry Bean said he cast Gosling because his Mormon upbringing helped him understand the isolation of Judaism. Kevin Thomas of the Los Angeles Times praised an "electrifying and terrifyingly convincing" performance while Todd McCarthy of Variety felt his "dynamite performance" could "scarcely have been better". The film won the Grand Jury Prize at the Sundance Film Festival and Gosling has described it as "the film that kind of gift-wrapped for me the career that I have now." Because of the controversial nature of the film, it was difficult to secure financial backing for a full theatrical release, and the film was instead broadcast on Showtime. The film was a commercial failure, grossing $416,925 worldwide from a production budget of $1.5 million.
  
  In 2002, Gosling co-starred in the psychological thriller Murder by Numbers with Sandra Bullock and Michael Pitt, where Gosling and Pitt portrayed a pair of high school seniors who believe they can commit the perfect murder. Bullock played the detective tasked with investigating the crime. Lisa Schwarzbaum of Entertainment Weekly described him as "a phenomenal talent even in junk like this" while Todd McCarthy felt that the "strong and "charismatic" young actors were "let down by the screenplay". The film was a minor commercial success, grossing $56 million worldwide from a production budget of $50 million. His second screen appearance of 2002 was in The Slaughter Rule with David Morse which explores the relationship between a high school football player and his troubled coach in rural Montana. Gosling has said that the opportunity to work with Morse made him "a better actor". Stephen Holden of The New York Times described Gosling as "major star material" with a "rawness and an intensity that recall the young Matt Dillon " while Manohla Dargis of the Los Angeles Times was won over by his "raw talent". The film was released in just three US theatres and grossed $13,411.
  
  In 2003, Gosling starred in The United States of Leland as a teenager imprisoned for the murder of a disabled boy. He was drawn to the role because it was unusual to find a character that was "emotionally disconnected for the whole film." Critic Roger Ebert felt that the "gifted actor does everything that can be done with Leland, but the character comes from a writer's conceits, not from life." A. O. Scott of The New York Times noted that he "struggles to rescue Leland from the clutches of cliché" while David Rooney of Variety felt that his "one-note, blankly disturbed act has none of the magnetic edge of his breakthrough work in The Believer ". The film grossed $343,847 in the United States and was not released overseas.