section_path: Career/A jazz ambassador
section_name: A jazz ambassador
paragraph_text: A jazz ambassador
  
  By the 1950s, Armstrong was a widely beloved American icon and cultural ambassador who commanded an international fanbase. However, a growing generation gap became apparent between him and the young jazz musicians who emerged in the postwar era, such as Charlie Parker, Miles Davis, and Sonny Rollins. The postwar generation regarded their music as abstract art and considered Armstrong's vaudevillian style, half-musician and half-stage entertainer, outmoded and Uncle Tomism. "... he seemed a link to minstrelsy that we were ashamed of." Armstrong called bebop "Chinese music". While touring Australia in 1954, he was asked if he could play bebop. "'Bebop?' he husked. 'I just play music. Guys who invent terms like that are walking the streets with their instruments under their arms.'"
  
  After finishing his contract with Decca Records, Armstrong went freelance and recorded for other labels. He continued an intense international touring schedule, but suffered a heart attack in 1959 while in Italy and had to rest.
  
  In 1964, after over two years without setting foot in a studio, Armstrong recorded his biggest-selling record, " Hello, Dolly! ", a song by Jerry Herman, originally sung by Carol Channing. Armstrong's version remained on the Hot 100 for 22 weeks, longer than any other record produced that year, and went to No. 1, making him the oldest person to accomplish that feat at 62 years, nine months, and five days. Armstrong's hit dislodged The Beatles from the No. 1 position they had occupied for 14 consecutive weeks with three different songs.
  
  Armstrong toured well into his 60s, even visiting part of the Communist Bloc in 1965. Armstrong also toured Africa, Europe, and Asia under the sponsorship of the US State Department with great success, earning the nickname "Ambassador Satch" and inspiring Dave Brubeck to compose his jazz musical The Real Ambassadors. His travels included performances in Egypt, Ghana and Nigeria.
  
  By 1968, Armstrong was approaching 70, and his health was failing. Armstrong's heart and kidney ailments forced him to stop touring, though he continued to record, including "What a Wonderful World", which topped the British charts for a month. Armstrong did not perform publicly in 1969 and spent most of the year recuperating at home. Meanwhile, his longtime manager, Joe Glaser, died. By the summer of 1970, Armstrong's doctors pronounced him fit enough to resume live performances. Armstrong embarked on another world tour, but a heart attack forced him to take a break for two months.
  
  Armstrong made his last recorded trumpet performances on his 1968 album Disney Songs the Satchmo Way.