section_path: Legacy/Recognition
section_name: Recognition
paragraph_text: Recognition
  
  In 1998, the film critic Andrew Sarris called Chaplin "arguably the single most important artist produced by the cinema, certainly its most extraordinary performer and probably still its most universal icon". He is described by the British Film Institute as "a towering figure in world culture", and was included in Time magazine's list of the " 100 Most Important People of the 20th Century " for the "laughter to millions" and because he "more or less invented global recognizability and helped turn an industry into an art". In 1999, the American Film Institute ranked Chaplin as the 10th greatest male star of Classic Hollywood Cinema.
  
  The image of the Tramp has become a part of cultural history; according to Simon Louvish, the character is recognisable to people who have never seen a Chaplin film, and in places where his films are never shown. The critic Leonard Maltin has written of the "unique" and "indelible" nature of the Tramp, and argued that no other comedian matched his "worldwide impact". Praising the character, Richard Schickel suggests that Chaplin's films with the Tramp contain the most "eloquent, richly comedic expressions of the human spirit" in movie history. Memorabilia connected to the character still fetches large sums in auctions: in 2006 a bowler hat and a bamboo cane that were part of the Tramp's costume were bought for $140,000 in a Los Angeles auction.
  
  As a filmmaker, Chaplin is considered a pioneer and one of the most influential figures of the early twentieth century. He is often credited as one of the medium's first artists. Film historian Mark Cousins has written that Chaplin "changed not only the imagery of cinema, but also its sociology and grammar" and claims that Chaplin was as important to the development of comedy as a genre as D.W. Griffith was to drama. He was the first to popularise feature-length comedy and to slow down the pace of action, adding pathos and subtlety to it. Although his work is mostly classified as slapstick, Chaplin's drama A Woman of Paris (1923) was a major influence on Ernst Lubitsch 's film The Marriage Circle (1924) and thus played a part in the development of "sophisticated comedy". According to David Robinson, Chaplin's innovations were "rapidly assimilated to become part of the common practice of film craft". Filmmakers who cited Chaplin as an influence include Federico Fellini (who called Chaplin "a sort of Adam, from whom we are all descended"), Jacques Tati ("Without him I would never have made a film"), René Clair ("He inspired practically every filmmaker"), François Truffaut ("My religion is cinema. I believe in Charlie Chaplin…"), Michael Powell, Billy Wilder, Vittorio De Sica, and Richard Attenborough. Russian filmmaker Andrei Tarkovsky praised Chaplin as "the only person to have gone down into cinematic history without any shadow of a doubt. The films he left behind can never grow old." Indian filmmaker Satyajit Ray said about Chaplin "If there is any name which can be said to symbolize cinema – it is Charlie Chaplin… I am sure Chaplin's name will survive even if the cinema ceases to exist as a medium of artistic expression. Chaplin is truly immortal." French auteur Jean Renoir 's favourite filmmaker was Chaplin.
  
  Chaplin also strongly influenced the work of later comedians. Marcel Marceau said he was inspired to become a mime artist after watching Chaplin, while the actor Raj Kapoor based his screen persona on the Tramp. Mark Cousins has also detected Chaplin's comedic style in the French character Monsieur Hulot and the Italian character Totò. In other fields, Chaplin helped inspire the cartoon characters Felix the Cat and Mickey Mouse, and was an influence on the Dada art movement. As one of the founding members of United Artists, Chaplin also had a role in the development of the film industry. Gerald Mast has written that although UA never became a major company like MGM or Paramount Pictures, the idea that directors could produce their own films was "years ahead of its time".
  
  In 1992, the Sight & Sound Critics' Top Ten Poll ranked Chaplin at No. 5 in its list of "Top 10 Directors" of all time. In the 21st century, several of Chaplin's films are still regarded as classics and among the greatest ever made. The 2012 Sight & Sound poll, which compiles "top ten" ballots from film critics and directors to determine each group's most acclaimed films,saw City Lights rank among the critics' top 50, Modern Times inside the top 100, and The Great Dictator and The Gold Rush placed in the top 250. The top 100 films as voted on by directors included Modern Times at number 22, City Lights at number 30, and The Gold Rush at number 91. Every one of Chaplin's features received a vote. Chaplin was ranked at No. 35 on Empire magazine's "Top 40 Greatest Directors of All-Time" list in 2005. In 2007, the American Film Institute named City Lights the 11th greatest American film of all time, while The Gold Rush and Modern Times again ranked in the top 100. Books about Chaplin continue to be published regularly, and he is a popular subject for media scholars and film archivists. Many of Chaplin's films have had a DVD and Blu-ray release.
  
  Chaplin's legacy is managed on behalf of his children by the Chaplin office, located in Paris. The office represents Association Chaplin, founded by some of his children "to protect the name, image and moral rights" to his body of work, Roy Export SAS, which owns the copyright to most of his films made after 1918, and Bubbles Incorporated S.A., which owns the copyrights to his image and name. Their central archive is held at the archives of Montreux, Switzerland and scanned versions of its contents, including 83,630 images, 118 scripts, 976 manuscripts, 7,756 letters, and thousands of other documents, are available for research purposes at the Chaplin Research Centre at the Cineteca di Bologna. The photographic archive, which includes approximately 10,000 photographs from Chaplin's life and career, is kept at the Musée de l'Elysée in Lausanne, Switzerland. The British Film Institute has also established the Charles Chaplin Research Foundation, and the first international Charles Chaplin Conference was held in London in July 2005. Elements for many of Chaplin's films are held by the Academy Film Archive as part of the Roy Export Chaplin Collection.