section_path: Artistry/Musical style and themes
section_name: Musical style and themes
paragraph_text: Musical style and themes
  
  When I am in between records, sometimes I doubt myself. I'll be like "Did I just get lucky, or did I mass-manipulate the world into thinking that seven songs were worth a number-one position?" And then I go back into the studio and I start writing, and the true essential oil of who I am comes bubbling back up and reminds me that it's always been inside of me, that nobody can take this away no matter what comment anyone makes.
  
  Although Perry's music incorporates elements of pop, rock, and disco, Katy Hudson contains gospel. Her subsequent releases, One of the Boys and Teenage Dream, involve themes of sex and love. One of the Boys is a pop rock record, while Teenage Dream features disco influences. Perry's fourth album, Prism, is significantly influenced by dance and pop music. Lyrically, the album addresses relationships, self-reflection, and everyday life. Her fifth studio effort Witness is an electropop album that she described as a "360-degree liberation" record, with themes including political liberation, sexual liberation, and liberation from negativity. Many of her songs, particularly on Teenage Dream, reflect on love between teenagers; W magazine described the album's sexual innuendos as "irresistible hook-laden melodies". Self-empowerment is a common theme in Perry's music.
  
  Perry has described herself as a "singer-songwriter masquerading as a pop star" and maintains that honest songwriting is very important to her. She told Marie Claire: "I feel like my secret magic trick that separates me from a lot of my peers is the bravery to be vulnerable and truthful and honest. I think you become more relatable when you're vulnerable." Actress and comedian Kristen Wiig commented that "as easy, breezy, and infectious as Perry's songs can be, beneath the surface lurks a sea of mixed emotions, jumbled motives, and contradictory impulses complicated enough to fill a Carole King record." According to Greg Kot of the Chicago Tribune, "being taken seriously may be Perry's greatest challenge yet." In 2013, The New York Times labeled her "the most potent pop star of the day – her hits are relatable with just a hint of experimentation". Randall Roberts of the Los Angeles Times criticized her use of idioms and metaphors in her lyrics and for frequent "clichés". Throughout her career, Perry has also co-written songs recorded by other artists, including Lesley Roy, Kelly Clarkson, Jessie James Decker, Selena Gomez & the Scene, Britney Spears, Iggy Azalea, Rita Ora, Nicki Minaj, and Ariana Grande.
  
  When I am in between records, sometimes I doubt myself. I'll be like "Did I just get lucky, or did I mass-manipulate the world into thinking that seven songs were worth a number-one position?" And then I go back into the studio and I start writing, and the true essential oil of who I am comes bubbling back up and reminds me that it's always been inside of me, that nobody can take this away no matter what comment anyone makes.
  
  Although Perry's music incorporates elements of pop, rock, and disco, Katy Hudson contains gospel. Her subsequent releases, One of the Boys and Teenage Dream, involve themes of sex and love. One of the Boys is a pop rock record, while Teenage Dream features disco influences. Perry's fourth album, Prism, is significantly influenced by dance and pop music. Lyrically, the album addresses relationships, self-reflection, and everyday life. Her fifth studio effort Witness is an electropop album that she described as a "360-degree liberation" record, with themes including political liberation, sexual liberation, and liberation from negativity. Many of her songs, particularly on Teenage Dream, reflect on love between teenagers; W magazine described the album's sexual innuendos as "irresistible hook-laden melodies". Self-empowerment is a common theme in Perry's music.
  
  Perry has described herself as a "singer-songwriter masquerading as a pop star" and maintains that honest songwriting is very important to her. She told Marie Claire: "I feel like my secret magic trick that separates me from a lot of my peers is the bravery to be vulnerable and truthful and honest. I think you become more relatable when you're vulnerable." Actress and comedian Kristen Wiig commented that "as easy, breezy, and infectious as Perry's songs can be, beneath the surface lurks a sea of mixed emotions, jumbled motives, and contradictory impulses complicated enough to fill a Carole King record." According to Greg Kot of the Chicago Tribune, "being taken seriously may be Perry's greatest challenge yet." In 2013, The New York Times labeled her "the most potent pop star of the day – her hits are relatable with just a hint of experimentation". Randall Roberts of the Los Angeles Times criticized her use of idioms and metaphors in her lyrics and for frequent "clichés". Throughout her career, Perry has also co-written songs recorded by other artists, including Lesley Roy, Kelly Clarkson, Jessie James Decker, Selena Gomez & the Scene, Britney Spears, Iggy Azalea, Rita Ora, Nicki Minaj, and Ariana Grande.