section_path: Culture/Art and literature
section_name: Art and literature
paragraph_text: Art and literature
  
  The Mughal artistic tradition, mainly expressed in painted miniatures, as well as small luxury objects, was eclectic, borrowing from Iranian, Indian, Chinese and Renaissance European stylistic and thematic elements. Mughal emperors often took in Iranian bookbinders, illustrators, painters and calligraphers from the Safavid court due to the commonalities of their Timurid styles, and due to the Mughal affinity for Iranian art and calligraphy. Miniatures commissioned by the Mughal emperors initially focused on large projects illustrating books with eventful historical scenes and court life, but later included more single images for albums, with portraits and animal paintings displaying a profound appreciation for the serenity and beauty of the natural world. For example, Emperor Jahangir commissioned brilliant artists such as Ustad Mansur to realistically portray unusual flora and fauna throughout the empire.
  
  The literary works Akbar and Jahangir ordered to be illustrated ranged from epics like the Razmnama (a Persian translation of the Hindu epic, the Mahabharata) to historical memoirs or biographies of the dynasty such as the Baburnama and Akbarnama, and Tuzk-e-Jahangiri. Richly finished albums (muraqqa) decorated with calligraphy and artistic scenes were mounted onto pages with decorative borders and then bound with covers of stamped and gilded or painted and lacquered leather. Aurangzeb (1658–1707) was never an enthusiastic patron of painting, largely for religious reasons, and took a turn away from the pomp and ceremonial of the court around 1668, after which he probably commissioned no more paintings.