section_path: Culture/Cinema, animation and theatre
section_name: Cinema, animation and theatre
paragraph_text: Cinema, animation and theatre
  
  A third-millennium BC earthen goblet discovered at the Burnt City in southeast Iran depicts what could be the world's oldest example of animation. The earliest attested Iranian examples of visual representations, however, are traced back to the bas-reliefs of Persepolis, the ritual centre of the Achaemenid Empire.
  
  The first Iranian filmmaker was probably Mirza Ebrahim (Akkas Bashi), the court photographer of Mozaffar-ed-Din of the Qajar Empire. Mirza Ebrahim obtained a camera and filmed the Qajar ruler's visit to Europe. In 1904, Mirza Ebrahim (Sahhaf Bashi) opened the first public cinema in Tehran. The first Iranian feature film, Abi and Rabi, was a silent comedy directed by Ovanes Ohanian in 1930. The first sound one, Lor Girl, was produced by Ardeshir Irani and Abd-ol-Hosein Sepanta in 1932. Iran's animation industry began by the 1950s and was followed by the establishment of the influential Institute for the Intellectual Development of Children and Young Adults in 1965. With the screening of the films Qeysar and The Cow, directed by Masoud Kimiai and Dariush Mehrjui respectively in 1969, alternative films set out to establish their status in the film industry and Bahram Beyzai 's Downpour and Nasser Taghvai 's Tranquility in the Presence of Others followed. Attempts to organise a film festival, which had begun in 1954 within the Golrizan Festival, resulted in the festival of Sepas in 1969. It also resulted in the formation of Tehran's World Film Festival in 1973.
  
  Following the Cultural Revolution, a new age emerged in Iranian cinema, starting with Long Live! by Khosrow Sinai and followed by other directors, such as Abbas Kiarostami and Jafar Panahi. Kiarostami, an acclaimed director, planted Iran firmly on the map of world cinema when he won the Palme d'Or for Taste of Cherry in 1997. The presence of Iranian films in prestigious international festivals, such as Cannes, Venice and Berlin, attracted attention to Iranian films. In 2006, 6 films represented Iranian cinema at Berlin; critics considered this a remarkable event in Iranian cinema. Asghar Farhadi, an Iranian director, has received a Golden Globe Award and two Academy Awards, representing Iran for Best Foreign Language Film in 2012 and 2017, with A Separation and The Salesman. In 2020, Ashkan Rahgozar's " The Last Fiction " became the first representative of Iranian animated cinema in the competition section, in Best Animated Feature and Best Picture categories at the Academy Awards.
  
  The oldest Iranian initiation of theatre can be traced to ancient epic ceremonial theatres such as Sug-e Siāvuڑ ("mourning of Siāvaڑ "), as well as dances and theatre narrations of Iranian mythological tales reported by Herodotus and Xenophon. Iran's traditional theatrical genres include Baqqāl-bāzi ("grocer play", a form of slapstick comedy), Ruhowzi (or Taxt-howzi, comedy performed over a courtyard pool covered with boards), Siāh-bāzi (the central comedian appears in blackface), Sāye-bāzi (shadow play), Xeyme-ڑab-bāzi (marionette), and Arusak-bāzi (puppetry), and Ta'zie (religious tragedy plays).
  
  The Roudaki Hall is home to the Tehran Symphony Orchestra, the Tehran Opera Orchestra, and the Iranian National Ballet Company, and was officially renamed Vahdat Hall after the Revolution.