section_path: Post-war jazz/Afro-Cuban jazz (cu-bop)/"Un Poco Loco"
section_name: "Un Poco Loco"
paragraph_text: "Un Poco Loco"
  
  Another jazz composition critical to the development of Afro-Cuban jazz was Bud Powell's " Un Poco Loco," recorded with Curley Russell on bass and Max Roach on drums. Noted for its "frenetic energy" and "clanging cowbell and polyrhythmic accompaniment," the composition combined Afro-Cuban rhythm with polytonality and preceded further use of modality and avant-garde harmony in Latin jazz.