section_path: Culture
section_name: Culture
paragraph_text: Culture
  
  Under Socialism, solidarity will be the basis of society. Literature and art will be tuned to a different key.
  
  —Trotsky, Literature and Revolution, 1924
  
  In the Leninist conception, the role of the vanguard party was to politically educate the workers and peasants to dispel the societal false consciousness of institutional religion and nationalism that constitute the cultural status quo taught by the bourgeoisie to the proletariat to facilitate their economic exploitation of peasants and workers. Influenced by Lenin, the Central Committee of the Bolshevik Party stated that the development of the socialist workers' culture should not be "hamstrung from above" and opposed the Proletkult (1917–1925) organisational control of the national culture. Similarly, Trotsky viewed the party as transmitters of culture to the masses for raising the standards of education, as well as entry into the cultural sphere, but that the process of artistic creation in terms of language and presentation should be the domain of the practitioner. According to political scientist Baruch Knei-Paz in his book The Social and Political Thought of Leon Trotsky, this represented one of several distinctions between Trotsky's approach on cultural matters and Stalin's policy in the 1930s.
  
  In Literature and Revolution, Trotsky examined aesthetic issues in relation to class and the Russian revolution. Soviet scholar Robert Bird considered his work as the "first systematic treatment of art by a Communist leader" and a catalyst for later, Marxist cultural and critical theories. He would later co-author the 1938 Manifesto for an Independent Revolutionary Art with the endorsement of prominent artists Andre Breton and Diego Rivera. Trotsky's writings on literature such as his 1923 survey which advocated tolerance, limited censorship and respect for literary tradition had strong appeal to the New York Intellectuals.
  
  Prior to Stalin's rule, literary, religious and national representatives had some level of autonomy in Soviet Russia throughout the 1920s but these groups were later rigorously repressed during the Stalinist era. Socialist realism was imposed under Stalin in artistic production and other creative industries such as music, film along with sports were subject to extreme levels of political control.
  
  The counter-cultural phenomenon which emerged in the 1960s shaped the intellectual and radical outlook of the New Left; this movement placed a heavy emphasis on anti-racism, anti-imperialism and direct democracy in opposition to the dominant culture of advanced industrial capitalism. Socialist groups have also been closely involved with a number of counter-cultural movements such as Vietnam Solidarity Campaign, Stop the War Coalition, Love Music Hate Racism, Anti-Nazi League and Unite Against Fascism.