section_path: Culture/Cinema
section_name: Cinema
paragraph_text: Cinema
  
  The Brazilian film industry began in the late 19th century, during the early days of the Belle Époque. While there were national film productions during the early 20th century, American films such as Rio the Magnificent were made in Rio de Janeiro to promote tourism in the city. The films Limite (1931) and Ganga Bruta (1933), the latter being produced by Adhemar Gonzaga through the prolific studio Cinédia, were poorly received at release and failed at the box office, but are acclaimed nowadays and placed among the finest Brazilian films of all time. The 1941 unfinished film It's All True was divided in four segments, two of which were filmed in Brazil and directed by Orson Welles; it was originally produced as part of the United States' Good Neighbor Policy during Getúlio Vargas' Estado Novo government.
  
  During the 1960s, the Cinema Novo movement rose to prominence with directors such as Glauber Rocha, Nelson Pereira dos Santos, Paulo Cesar Saraceni and Arnaldo Jabor. Rocha's films Deus e o Diabo na Terra do Sol (1964) and Terra em Transe (1967) are considered to be some of the greatest and most influential in Brazilian film history.
  
  During the 1990s, Brazil saw a surge of critical and commercial success with films such as O Quatrilho (Fábio Barreto, 1995), O Que É Isso, Companheiro? (Bruno Barreto, 1997) and Central do Brasil (Walter Salles, 1998), all of which were nominated for the Academy Award for Best Foreign Language Film, the latter receiving a Best Actress nomination for Fernanda Montenegro. The 2002 crime film City of God, directed by Fernando Meirelles, was critically acclaimed, scoring 90% on Rotten Tomatoes, being placed in Roger Ebert 's Best Films of the Decade list and receiving four Academy Award nominations in 2004, including Best Director. Notable film festivals in Brazil include the São Paulo and Rio de Janeiro International Film Festivals and the Gramado Festival.