section_path: Culture/Visual arts
section_name: Visual arts
paragraph_text: Visual arts
  
  Ottoman miniature is linked to the Persian miniature tradition and is likewise influenced by Chinese painting styles and techniques. The words tasvir or nakış were used to define the art of miniature painting in Ottoman Turkish. The studios the artists worked in were called nakkaşhane. The understanding of perspective was different from that of the nearby European Renaissance painting tradition, and the scene depicted often included different time periods and spaces in one picture. They followed closely the context of the book they were included in, more illustrations than standalone works of art. Sixteenth-century artists Nakkaş Osman and Matrakçı Nasuh are among the most prominent artists of this era.
  
  Turkish painting, in the Western sense, developed actively starting from the mid 19th century. The first painting lessons were scheduled at what is now the Istanbul Technical University (then the Imperial Military Engineering School) in 1793, mostly for technical purposes. In the late 19th century, human figure in the Western sense was being established in Turkish painting, especially with Osman Hamdi Bey. Impressionism, among the contemporary trends, appeared later on with Halil Pasha. Other important Turkish painters in the 19th century were Ferik İbrahim Paşa, Osman Nuri Paşa, Şeker Ahmet Paşa, and Hoca Ali Riza.
  
  Carpet (halı) and tapestry (kilim) weaving is a traditional Turkish art form with roots in pre-Islamic times. During its long history, the art and craft of weaving carpets and tapestries in Turkey has integrated numerous cultural traditions. Apart from the Turkic design patterns that are prevalent, traces of Persian and Byzantine patterns can also be detected. There are also similarities with the patterns used in Armenian, Caucasian and Kurdish carpet designs. The arrival of Islam in Central Asia and the development of Islamic art also influenced Turkic patterns in the medieval period. The history of the designs, motifs and ornaments used in Turkish carpets and tapestries thus reflects the political and ethnic history of the Turks and the cultural diversity of Anatolia. However, scientific attempts were unsuccessful, as yet, to attribute a particular design to a specific ethnic, regional, or even nomadic versus village tradition.