section_path: 1960s: British invasion and broadening sound/Instrumental rock and surf
section_name: Instrumental rock and surf
paragraph_text: Instrumental rock and surf
  
  The instrumental rock and roll of performers such as Duane Eddy, Link Wray and the Ventures was further developed by Dick Dale, who added distinctive "wet" reverb, rapid alternate picking, and Middle Eastern and Mexican influences. He produced the regional hit " Let's Go Trippin ' " in 1961 and launched the surf music craze, following up with songs like " Misirlou " (1962). Like Dale and his Del-Tones, most early surf bands were formed in Southern California, including the Bel-Airs, the Challengers, and Eddie & the Showmen. The Chantays scored a top ten national hit with " Pipeline " in 1963 and probably the best-known surf tune was 1963's " Wipe Out ", by the Surfaris, which hit number 2 and number 10 on the Billboard charts in 1965. Surf rock was also popular in Europe during this time, with the British group the Shadows scoring hits in the early 1960s with instrumentals such as " Apache " and " Kon-Tiki ", while Swedish surf group the Spotnicks saw success in both Sweden and Britain.
  
  Surf music achieved its greatest commercial success as vocal pop music, particularly the work of the Beach Boys, formed in 1961 in Southern California. Their early albums included both instrumental surf rock (among them covers of music by Dick Dale) and vocal songs, drawing on rock and roll and doo wop and the close harmonies of vocal pop acts like the Four Freshmen. The Beach Boys first chart hit, " Surfin ' " in 1961 reached the Billboard top 100 and helped make the surf music craze a national phenomenon. It is often argued that the surf music craze and the careers of almost all surf acts was effectively ended by the arrival of the British Invasion from 1964, because most surf music hits were recorded and released between 1960 and 1965.