section_path: Letterforms and type design
section_name: Letterforms and type design
paragraph_text: Letterforms and type design
  
  The development of Cyrillic letter forms passed directly from the medieval stage to the late Baroque, without a Renaissance phase as in Western Europe. Late Medieval Cyrillic letters (categorized as vyaz' and still found on many icon inscriptions today) show a marked tendency to be very tall and narrow, with strokes often shared between adjacent letters.
  
  Peter the Great, Tsar of Russia, mandated the use of westernized letter forms (ru) in the early 18th century. Over time, these were largely adopted in the other languages that use the script. Thus, unlike the majority of modern Greek typefaces that retained their own set of design principles for lower-case letters (such as the placement of serifs, the shapes of stroke ends, and stroke-thickness rules, although Greek capital letters do use Latin design principles), modern Cyrillic types are much the same as modern Latin types of the same typeface family. The development of some Cyrillic computer fonts from Latin ones has also contributed to a visual Latinization of Cyrillic type.