section_path: Artistic depictions
section_name: Artistic depictions
paragraph_text: Artistic depictions
  
  The earliest artistic depictions of the Buddha found at Bharhut and Sanchi are aniconic and symbolic. During this early aniconic period, the Buddha is depicted by other objects or symbols, such as an empty throne, a riderless horse, footprints, a Dharma wheel or a Bodhi tree. Since aniconism precludes single devotional figures, most representations are of narrative scenes from his life. These continued to be very important after the Buddha's person could be shown, alongside larger statues. The art at Sanchi also depicts Jataka tales, narratives of the Buddha in his past lives.
  
  Other styles of Indian Buddhist art depict the Buddha in human form, either standing, sitting crossed legged (often in the Lotus Pose) or lying down on one side. Iconic representations of the Buddha became particularly popular and widespread after the first century CE. Some of these depictions, particularly those of Gandharan Buddhism and Central Asian Buddhism, were influenced by Hellenistic art, a style known as Greco-Buddhist art. The subsequently influenced the art of East Asian Buddhist images, as well as those of Southeast Asian Theravada Buddhism.