section_path: Arts/Music
section_name: Music
paragraph_text: Music
  
  The ecclesiastical forms of Byzantine music — composed to Greek texts as ceremonial, festival, or church music — are today the most well-known forms. Ecclesiastical chants were a fundamental part of this genre. Greek and foreign historians agree that the ecclesiastical tones and in general the whole system of Byzantine music is closely related to the ancient Greek system. It remains the oldest genre of extant music, of which the manner of performance and (with increasing accuracy from the 5th century onwards) the names of the composers, and sometimes the particulars of each musical work's circumstances, are known.
  
  The 9th-century Persian geographer Ibn Khordadbeh, in his lexicographical discussion of instruments, cited the lyra (lūrā) as the typical instrument of the Byzantines along with the urghun (organ), shilyani (probably a type of harp or lyre) and the salandj (probably a bagpipe). The first of these, the early bowed stringed instrument known as the Byzantine lyra, came to be called the lira da braccio, in Venice, where it is considered by many to have been the predecessor of the contemporary violin, which later flourished there. The bowed "lyra" is still played in former Byzantine regions, where it is known as the Politiki lyra (lit. ' lyra of the City ', i.e. Constantinople) in Greece, the Calabrian lira in southern Italy, and the lijerica in Dalmatia. The water organ originated in the Hellenistic world and was used in the Hippodrome during races. A pipe organ with "great leaden pipes" was sent by Emperor Constantine V to Pepin the Short, King of the Franks in 757. Pepin's son Charlemagne requested a similar organ for his chapel in Aachen in 812, beginning its establishment in Western church music. The aulos was a double-reeded woodwind like the modern oboe or Armenian duduk. Other forms include the plagiaulos (πλαγίαυλος, from πλάγιος "sideways"), which resembled the flute, and the askaulos (ἀσκός askos – wineskin), a bagpipe. The modern descendant of the aulos is the Greek Zourna. Bagpipes, also known as dankiyo (from ancient Greek: angion (Τὸ ἀγγεῖον), "the container"), had been played even in Roman times and continue to be played throughout the empire's former realms till the present day. These are namely the Balkan Gaida, Greek Tsampouna, Pontic Tulum, Cretan Askomandoura, Armenian Parkapzuk, and Romanian Cimpoi. Other instruments used in Byzantine music were the Kanonaki, Tambouras, Semantron, Salpinx, Boukina, Syrinx, Crotala, Tympana and Cheirokymbala.