section_path: Culture/Arts/Music and dance
section_name: Music and dance
paragraph_text: Music and dance
  
  Music has been in evidence in Ireland since prehistoric times. Although in the early Middle Ages the church was "quite unlike its counterpart in continental Europe", there was a considerable interchange between monastic settlements in Ireland and the rest of Europe that contributed to what is known as Gregorian chant. Outside religious establishments, musical genres in early Gaelic Ireland are referred to as a triad of weeping music (goltraige), laughing music (geantraige) and sleeping music (suantraige). Vocal and instrumental music (e.g. for the harp, pipes, and various string instruments) was transmitted orally, but the Irish harp, in particular, was of such significance that it became Ireland's national symbol. Classical music following European models first developed in urban areas, in establishments of Anglo-Irish rule such as Dublin Castle, St Patrick's Cathedral and Christ Church as well as the country houses of the Anglo-Irish ascendancy, with the first performance of Handel 's Messiah (1742) being among the highlights of the baroque era. In the 19th century, public concerts provided access to classical music to all classes of society. Yet, for political and financial reasons Ireland has been too small to provide a living to many musicians, so the names of the better-known Irish composers of this time belong to emigrants.
  
  Irish traditional music and dance have seen a surge in popularity and global coverage since the 1960s. In the middle years of the 20th century, as Irish society was modernising, traditional music had fallen out of favour, especially in urban areas. However during the 1960s, there was a revival of interest in Irish traditional music led by groups such as the Dubliners, the Chieftains, the Wolfe Tones, the Clancy Brothers, Sweeney's Men and individuals like Seán Ó Riada and Christy Moore. Groups and musicians including Horslips, Van Morrison and Thin Lizzy incorporated elements of Irish traditional music into contemporary rock music and, during the 1970s and 1980s, the distinction between traditional and rock musicians became blurred, with many individuals regularly crossing over between these styles of playing. This trend can be seen more recently in the work of artists like Enya, the Saw Doctors, the Corrs, Sinéad O'Connor, Clannad, the Cranberries and the Pogues among others.