section_path: Culture/Architecture
section_name: Architecture
paragraph_text: Architecture
  
  With expansive forests, Norway has long had a tradition of building in wood. Many of today's most interesting new buildings are made of wood, reflecting the strong appeal that this material continues to hold for Norwegian designers and builders.
  
  With Norway's conversion to Christianity, churches were built. Stonework architecture was introduced from Europe for the most important structures, beginning with the construction of Nidaros Cathedral in Trondheim. In the early Middle Ages, wooden stave churches were constructed throughout Norway. Some of them have survived; they represent Norway's most unusual contribution to architectural history. Urnes Stave Church in inner Sognefjord is on UNESCO 's World Heritage List. Another notable example of wooden architecture is the buildings at Bryggen Wharf in Bergen, also on the list for World Cultural Heritage sites, consisting of a row of tall, narrow wooden structures along the quayside.
  
  In the 17th century, under the Danish monarchy, cities and villages such as Kongsberg and Røros were established. The city Kongsberg had a church built in the Baroque style. Traditional wooden buildings that were constructed in Røros have survived.
  
  After Norway's union with Denmark was dissolved in 1814, Oslo became the capital. The architect Christian H. Grosch designed the earliest parts of the University of Oslo, the Oslo Stock Exchange, and many other buildings and churches constructed in that early national period.
  
  At the beginning of the 20th century, the city of Ålesund was rebuilt in the Art Nouveau style, influenced by styles of France. The 1930s, when functionalism dominated, became a strong period for Norwegian architecture. It is only since the late 20th century that Norwegian architects have achieved international renown. One of the most striking modern buildings in Norway is the Sámi Parliament in Kárášjohka, designed by Stein Halvorson and Christian Sundby. Its debating chamber, in timber, is an abstract version of a lavvo, the traditional tent used by the nomadic Sámi people.