Tōkyō sainan gashin, 1923-09-25 by Yumeji.jpg
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「東京災難画信」十二、都新聞 大正12年9月25日掲載 夢二によるルポ：仲秋名月青山の原で、薄を引いてゐる女があつた。何げなく見て過ぎたが、けふは仲秋名月の宵であつた。着るものも不自由勝ちなバラツク生活の中でも、望月の供物を忘れない人があるのであつた。
　今宵、トタン屋根の軒近く生きのびた喜びに心ばかりの手向けをして、明月を眺める人もあらう。大空の草の上に我々の祖先がしたやうに、原始人の驚きと喜びをもつて、月を見ける人もあらう。
　この騒ぎに、二日や三日を戸外の土の上で大空をながめながら、夜を送らないものはなかつたであらう。そこで我々は、共同生活の訓練も得たし、創意（オリジナリティー）ある簡易生活の暗示をも得たやうに思ふ。また、自然の中に、大地の母の懐に生活する好い経験も得た。あまりに創意（オリジナリティー）のない、悪い文化の模倣生活の愚かさを醒ましてくれた点でも、この災害は意味があつた。
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Tōkyō sainan gashin, 1923 09 25 by Yumeji, Tōkyō sainan gashin
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Tokyo Disaster Gashin' 12 , Miyako Shinbun , published September 25, 1923 Lupo by Yumeji: A woman who pulls a light pink on the green field of Mt. Aoyama.I looked too much, but I met him at the dawn of the Autumn moon.Even though he was wearing clothes, he was in a slumbering life, because there were people who would not forget Mochizuki's offerings.There are people who look at the moonlight with their hearts and hearts full of joys and joys of living near the roof of the roof.As our ancestors have done on the grass of the sky, there are some who can see the moon, with the surprise and joy of the primitive man.In response to this disturbance, people stumble on the earth outside of the house for two or three days, and there is nothing left to do but spend the night.We have learned to train ourselves in communal life, and we have acquired the allusions of originality and simple life.He also had a fond experience living in the back of his mother.The disaster made sense even when it created the stupidity of the imitation life of bad cultures without originality.
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東京南画心 1923 09 25 夢二画、東京南画心
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