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Clevelandart 1975.101, One of the finest surviving examples of its kind, this rare six-armed form of Avalokiteshvara has the slender athletic figure and penetrating expression associated with the art of Kashmir, the main source for western Tibetan styles. This Bodhisattva combines the qualities of a prince and an ascetic, with his crown and jewels combined with the yogi's antelope skin over his left shoulder and prayer beads in his middle right hand. Representing the range of Avalokiteshvara's forms and aspects, his eleven heads are remarkably articulated with individualized features. They follow textual descriptions that describe his three placid faces, three fierce faces, three terrifying howling faces, and one laughing face, all surmounted by a head of the Buddha Amitabha, with whom he is closely associated. Tongues and lips have been inlaid with copper to extraordinary effect, and a miniature seated figure of Amitabha Buddha has been placed in the center of every crown.
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Clevelandart 1975.101, Bronze Buddhist statues, Sculptures of Eleven-Faced Avalokiteśvara, 11th-century Buddhist art, Buddhist art from Tibet, Statues of Avalokiteśvara, Bronze sculptures in the Cleveland Museum of Art, Art of Tibet in the Cleveland Museum of Art, Images from Cleveland Museum of Art, Gilt bronze with silver and copper inlay, Eleven-Headed Bodhisattva of Compassion (Avalokiteshvara)
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クリーヴラート1975.101、この種の最も現存する最良の例の1つ、この珍しい6腕のアヴァロキテシュヴァラのフォームには、西チベットスタイルの主な源泉であるカシミールの芸術に関連する細い運動量と浸透表現があります。王子と修行者の資質を兼ね備え、冠と玉を組み合わせ、左肩にヨギの皮、右手中手に祈願珠を配する。アヴァローキテーシュヴァラの形態と側面の範囲を表し、彼の11の頭は個性的な特徴で著しく明確に表現されている。文中に三面の落、三面の、三面の、一面の笑、とあり、いずれも極楽の仏の首に相伴う。舌と唇に銅象を施して驚異的な効果を上げ、各冠の中央に阿弥陀如来坐像を安置する。
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クリーブランドアート 1975.101、ブロンズ像、十一面観音像、チベット仏教美術、観音菩薩像、クリーブランド美術館のブロンズ像、チベット美術館の画像、クリーブランド美術館の画像、金銅、銀、銅象、十一面観世音菩薩像
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eleven-plus individualization individualize individualized skin effect penetratingly crown jewel crown jewels