The Red Kerchief, by Claude Monet, Cleveland Museum of Art, 1958.39.jpg
ja
タブロー、肖像画、印象主義、油彩絵具、カンヴァス
wikidata
en
The Red Kerchief, by Claude Monet, Cleveland Museum of Art, 1958.39, This painting depicts Monet's first wife, Camille, outside on a snowy day passing by the French doors of their home at Argenteuil. Her face is rendered in a radically bold Impressionist technique of mere daubs of paint quickly applied, just as the snow and trees are defined by broad, broken strokes of pure white and green.

In its early stages, this composition contained two figures seated inside the room on either side of the window. Monet radically altered the composition by painting over the figures. They were replaced by an image of the artist's favorite model---his wife Camille, who passes outside the window in a red cape. Intense light---reflected from the snow-covered landscape---floods the room, obliterating details along the walls and floor. The off-center window frame and the blurriness achieved through sketchy brushstrokes suggest the scanning movement of the artist's eye as he viewed this scene. Contrasted with cold blues and silver whites, Camille's red cape draws the viewer's attention through the glass and into a swift exchange of glances, registering a brief moment in time. This painting evidently held special meaning for Monet, for he kept it with him until his death in 1926., The Red Kerchief, Portrait of Madame Monet
commons
en
The Red Kerchief, painting by Claude Monet  , painting, portrait, Impressionism, oil paint, canvas
wikidata
ja
タブロー、肖像写真、印象主義、油絵の具、カンバス
wikidata
en
The Red Kerchief, painting by Claude Monet  , paintings, portraiture, Impressionism, oil-based paint, canvas
wikidata
ja
絵画作品、肖像、印象派、油絵具、キャンバス
wikidata
en
The Red Kerchief, painting by Claude Monet  , painting, portrait, Impressionism, oil based paint, canvas
wikidata
en
The Red Kerchief, painting by Claude Monet  , painting , portrait art, Impressionism, painting oil, canvas
wikidata
ja
絵画作品、人物画、印象派、樹脂油絵具、キャンヴァス
wikidata
en
The Red Kerchief, by Claude Monet, Cleveland Museum of Art, 1958.39, The Red Kerchief Portrait of Madame Monet (painting), Images from Cleveland Museum of Art, Oil on fabric, by Claude Monet, The Red Kerchief
commons
en
Tabrough, portrait, impressionism, oil paint, canvas
wikidata_translated
en
Tabrough, portrait photography, impressionism, oil paint, canvas
wikidata_translated
en
Paintings, portraits, impressionists, oil paints, and canvasses
wikidata_translated
en
Paintings, portraits, impressionists, resin oil paints, and canvases
wikidata_translated
ja
クリーブランド美術館、クロード・モネによる『赤いカーチフ』、1958.39年、この絵は、アルジャントゥイユのフランスの家のフレンチドアを通過する雪の日にモネの最初の妻カミーユを描いている。雪と木が、純白と緑の広い画線で定義されているように、彼女の顔は、絵具の単なるダウブを迅速に適用するという根本的に大胆な印象派技法で描かれている。初期の段階では、この構図には、窓の両側にある部屋の中に座っている2人の人物が含まれていた。モネは人物像に絵を描き、構図を根本的に変化させた。窓の外を赤いマントで通過する彼の妻カミーユのお気に入りのモデルの画像に置き換えられた。雪に覆われた風景から反射したインテンスな光が部屋を浮かび、壁と床に沿って詳細をつぶす。中央外の窓枠と写実的な筆致によって達成されたぼやけは、画家の目のスキャンの動きを示唆しており、この場面を眺めていた。カミーユの赤いケープは、冷たい青と銀色の白と対照的に、鑑賞者の注意をガラスを通して、そして瞬く間に視線の交換に描き、短時間で記録している。この絵画は、モネにとって明らかに特別な意味を持っていた。モネは1926年に亡くなるまで、モネと一緒にそれを保管していたからである。『赤いカーチフ』、モネ夫人の肖像
commons_translated
ja
レッド・カーチーフ、クロード・モネ、絵画、肖像画、印象派、油絵具、キャンバス
wikidata_translated
ja
赤のカーチフ、クロード・モネによる絵画、絵画、肖像画、印象派、油彩画、キャンバス
wikidata_translated
ja
赤のカーチフ、クロード・モネによる絵画、絵画、肖像画、印象派、油彩画、キャンバス
wikidata_translated
ja
赤のカーチフ、クロード・モネによる絵画、絵画、肖像画、印象派、油彩、キャンバス
wikidata_translated
ja
クロード・モネによるレッド・カーチーフ、クリーブランド美術館、1958.39年、モネ夫人のレッド・カーチーフ像、クリーブランド美術館の画像、布に油彩、クロード・モネ、ザ・レッド・カーチーフ
commons_translated
kerchief red face paint bandanna obliterator obliterate fichu eye without whites bandana art paint quick-freeze commercial art illegibly illegibility graphic art line art red eye red-eye cold frame celerity side-glance obliterable tree swift art model frame of reference tennis stroke red light indefinite article draw the line erythema sketchily appreciator list processing art collection death seat eye movement redly draw off monet cleveland uxor work of art redding intension forgetful caressing forgetfulness daub medium contrast one eye covered bold line academic art medium of exchange load line pass off nominator contrast medium digital art window seat exposure therapy digital paint forgettable many-sided op art helpmate large person parallel interface cerebrovascular assayer impressionism en passant stage door actually chatter artistic sketchiness unframed intense sketchy red line broken home glance dauber by and large nominate dicentra public art pure white european swift legato silver-green article briefly artwork red red guard medium-large glass eye perceivable very light face time red ginger assay wattle and daub time off sureness one-dimensional language language requirement room light off-center forget quicker first cause loiterer art reflect culture medium vx gas silver tree quickly reflectiveness one-dimensionality special assessment deep-eyed submerged cause of death impressionist off-day day off directionality glass door one-off mimic modern art re-entrant impersonator floor cover silver-white traversal one-eyed pass over longer bangs time-release introvert warlock center stage long bangs gesso neem gun trigger obstructively racial scene painter chilly access time special model chill rhetoric chilliness oculism illegible unlabeled life-size favorite reflecting uninteresting motional attentiveness side door surd paris green snow line large white inoperable radically head cold in the public eye white wall face off face-off achiever signora parodist achieve quality of life feasibility pass-through pass through swiftly silver world high time performing arts center modern era face painted broadly