Laurea Calloana (BM 1884,0112.74).jpg
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Laurea Calloana (BM 1884,0112.74), Pompa introitus Ferdinandi Austriaci, Hispaniarum Infantis etc. in urbem Antverpiam, Uploads by copyfraud, Flemish prints in the British Museum, paper, Print made by: Theodoor van Thulden : After: Peter Paul Rubens : Published by: Theodoor van Thulden, Laurea Calloana
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Laurea Calloana (BM 1884,0112.74), Plate 43: The Triumphal Car of Calloo: in the foreground is an ornate, four-wheeled chariot in the form of a ship bearing a grand trophy-mast, drawn by four caparisoned horses; taking the reigns and raising a whip is the two-faced personification of Providentia Augusta, one of the Cardinal Virtues, looking to the past and future; behind her kneel the personifications of Antwerp (Antverpia), wearing the mural crown and with hands outstretched, and St Omer (Audomaropolis) gazing up to the medallion of Ferdinand above and offering their gratitude; at the base of the trophy-mast sit two winged Fames blowing trumpets affixed with banners inscribed 'Callinice' and 'Io Triumphe', acclamations for the conqueror; seated and bound at the base of the mast are several abject French and Dutch prisoners of war; on the raised platform at the stern of the chariot-ship stand personifications of Virtus (Valour), carrying a thunderbolt, and Fortune resting her hand on a rudder; at either side of the trophy-mast stand winged Victories holding wreaths and raising a garlanded shield bearing an inscription; above them a mass of armour, military implements, and banners extends from the trophy-mast, explained by the inscriptions 'Cæsis Detracta Batavis' (removed from the slain Hollanders) and 'De Gallis Capta Fugatis' (captured from the French who were put to flight) on the banners; above is a laurel wreath that serves as a base for the elaborate ornament surmounting the trophy-mast, complete with the coats-of-arms of Philip IV and Ferdinand, the Spanish and Austrian flags, a crown, intertwined palm branches and a laurel tree at the top; in the background is a bird's-eye view of the battle of Calloo and the surrounding countryside of Antwerp; after Peter Paul Rubens; illustration for Gaspar Gevaerts' "Pompa Introitus" (Antwerp, 1641) 
Etching from two plates
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ラウレア・カロアナ(BM 1884,0112.74)、ポンパ・イントロイトス・フェルディナンディ・アウスマティ、ヒスパニアラム・インファンティスなどウルベム アントヴェルピアム、コピーフロイトによるアップロード、大英博物館のフラマン語の版画、紙、印刷物:テオドール・ファン・トゥルデン:アフター:ピーター・ポール・ルーベンス:出版者:テオドール・ファン・トゥルデン、ラウレア・カロアナ
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ラウレア・カロアナ。 プレート43:カルーの凱旋車。前景には、四輪のチャリオットが装飾的で、四輪のチャリオットが大柄で、トロフィーマストを4頭のキャパリーの馬によって描かれた船の形をしている。 在位と鞭を上げることは、過去と未来を見ている枢機卿の1人であるプロビデンティア・アウグスタの2面の擬人化である。膝の後ろには、アントワープの擬人化が描かれ、壁画の冠を被り、手が伸びている。聖オメル(
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abjectly abject whip up introitus prisoner's base