The Theory and Practice of Painting in Water Colours, as Connected with the Study of Landscape (BM 1895,0408.43.2).jpg
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The Theory and Practice of Painting in Water Colours, as Connected with the Study of Landscape (BM 1895,0408.43.2), Plate 2: Two perspective design drawings, on the left a study of an avenue, on the right a study of a building; published lettered proof; bound in a 19th-century brown leather binding with tool-gilded title and an oval vignette of a palette framed by Fuchsia sprigs at the centre of the front cover and impressed ornaments in the edges.  1838
Lithograph
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The Theory and Practice of Painting in Water Colours, as Connected with the Study of Landscape (BM 1895,0408.43.2), Uploads by copyfraud, Lithographs in the British Museum, paper, After: Giles Firman Phillips : Printed by: Clarke : Published by: Charles Tilt, The Theory and Practice of Painting in Water Colours, as Connected with the Study of Landscape
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水彩画の理論と実践 風景研究と接続 (BM1895,0408.43.2) Plate 2:2つの透視図面、左側に大道のあり方、右側に建物の研究、レタリング証明、19世紀の茶色の革製装丁とフクシア製スプリグが表装中央に枠取りしたパレットの楕円形のVignetteで囲まれ、端の装飾が印象的。 1838年製製製製製製製製製製製製製製製製製製製製製製製製製製製製製
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水彩画の理論と実践、ランドスケープ研究と結びついている(BM1895,0408.43.2)コピーフロイトによるアップロード、大英博物館のリトグラフ、ペーパー、アフター:ジャイルズ・ファーマン・フィリップス:印刷:クラーク:チャールズ・ティルト、風景学と結びついた水彩画の理論と実践、出版:チャールズ・ティルト、水彩画の理論と実践、水彩画の実践、
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well-connected connected set theory