Print, Numazu Evening, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), ca. 1834 (CH 18608827-2).jpg
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Print, Numazu Evening, in The Fifty Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi no Uchi), ca. 1834 (CH 18608827 2), Prints of Japan in the Cooper–Hewitt, Smithsonian Design Museum, Numazu (The Fifty-three Stations of the Tōkaidō), woodblock, brush and watercolor on paper, by Utagawa Hiroshige, Print, Numazu Evening, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), ca. 1834
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Print, Numazu Evening, in The Fifty Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi no Uchi), ca. 1834 (CH 18608827 2), Center, full moon rising in the center over village towards which three pilgrims pass along road bordering river. One with grotesque mask distinctive of pilgrims to the Shinto Shrine of Kompira in Province of Sanuki. Left, thick pine woods.
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pp.495-491、沼津市絵本、東海道五十三次、pp.492-492、pp.491-491、pp.491、pp.491、pp.491、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、pp.49、
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印刷沼津市、東海道五十三次、天保五年)、中央、満月、村上、三山、川辺の道筋を巡り、途中を通りぬる。讃岐国・金平神社参拝者独特のグロテスクな面を持つもの。松の森の奥。
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fifty-three fifty-one fifty-two japanese red pine japanese black pine fifty