Print, Fujikawa, Approach of a Nobleman, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), ca. 1834 (CH 18608881-2).jpg
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Print, Fujikawa, Approach of a Nobleman, in The Fifty Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi no Uchi), ca. 1834 (CH 18608881 2), Villagers bowing down as head of daimyo procession reaches the entrance of village. On either side of road, walled bank with trees and bamboos. Lower center, rice fields.
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Print, Fujikawa, Approach of a Nobleman, in The Fifty Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi no Uchi), ca. 1834 (CH 18608881 2), Prints of Japan in the Cooper–Hewitt, Smithsonian Design Museum, Fujikawa (The Fifty-three Stations of the Tōkaidō), woodblock, brush and watercolor on paper, by Utagawa Hiroshige, Print, Fujikawa, Approach of a Nobleman, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi), ca. 1834
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版・藤川公家近習図・東海道五十三次(東海道五十三次内)、1834年頃(18608881年2月)、大名行列の先頭としてお辞儀する村人が村の玄関まで。道路の両側には木や竹で囲まれた土手が設けられている。中央下部、田んぼ。
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印刷、藤川透筆、紙本著色、歌川広重筆、筆、水彩画、藤川弘重筆、藤川透筆、藤川透筆、藤川透筆、東海道五十三次図屏風、藤川透筆、藤川透筆、透筆、透筆
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fifty-three fifty-two black bamboo nobleman