Kobayashi Kiyochika (1881) Before Tarō Inari Shrine at the Asakusa Ricefields.jpg
{{Creator:Kobayashi Kiyochika}}
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Kobayashi Kiyochika (1881) Before Tarō Inari Shrine at the Asakusa Ricefields, Full-colour print by Japanese artist Kobayashi Kiyochika
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Kobayashi Kiyochika (1881) Before Tarō Inari Shrine at the Asakusa Ricefields, Tarō Inari Shrine, Asakusa, Kobayashi Kiyochika
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小林清親が明治初期に描いた太郎稲荷大明神（現・入谷2-19-2）周辺。当時は見渡す限り水田が広がっていた（吉原田圃）永井荷風、青空文庫。太郎稲荷は柳川藩立花家下屋敷の屋敷神で、当家の子供の病が祈願で治ったと聞いた人々が参詣を望み、流行神になった。1803年(享和3)に流行しだしたが、半年ほどですたれた世界大百科事典。落語「ぞろぞろ」の舞台にもなり、樋口一葉の「たけくらべ」にも登場する『のっぺらぼう: おばけのお話・ふしぎなお話』土門トキオ、学研教育出版, 2010、p111
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The area around Taro Inari Daimyojin (present Iriya 2-19-2) painted by Kiyochika KOBAYASHI in the early Meiji period.At that time, paddy fields were spreading as far as the eye could see (Kafu NAGAI, YOSHIHARADA, SEOKU bunko.Taro Inari is a yashikigami of the Tachibana family's suburban residence in the Yanagawa Domain, and people who heard that the family's child's illness cured him wished to visit the shrine and became a buzzword god.It became popular in 1803, but it was over six months old.Nopperabo: The Story of Obake, Fushiginao, which is also the setting of rakugo 'zorozoro' and also appears in 'Takekurabe' by Ichiyo HIGUCHI, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo, Tokyo
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小林清親(明治14年) 浅草田畑太郎稲荷前 小林清親『フルカラー版画』
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小林清親(明治14年) 浅草田畑太郎稲荷神社前 太郎稲荷神社前 小林清親
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