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Mi Fu On Calligraphy, Mi Fu placed the cursive style of the Jin dynasty (265-420) in high regards as the standard, but he was critical about that of the Tang dynasty (618-907). This work is a written discourse about the cursive style, and is done in the cursive style fully similar to that of the Jin dynasty. The content includes hints of criticism for Tang calligraphers, such as the named Zhang Xu (張旭; appearing as 張顛, because of a taboo character due to Emperor Shenzong's name), Huaisu (懷素), Gaoxian (高閑), and Bianguang (辯光)., On Calligraphy by Mi Fu, Song Dynasty, Chinese calligraphy written in a language content format by Song dynasty (A.D. 1051-1108) poet Mi Fu.
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『草聖帖』米芾書（台北・国立故宮博物院蔵）【釈文】草書若不入晋人格，聊徒成下品，張顛俗子，変乱古法，驚諸凡夫，自有識者，懐素少加平淡，稍到天成，而時代圧之，不能高古，高閑而下，但可懸之酒肆，䛒光尤可憎悪也。
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Mi Fu On Calligraphy, Images with 10+ annotations, Images with annotations, Chinese cursive script, Chinese calligraphy, Calligraphy in the National Palace Museum, Mi Fu, Album leaf, ink on paper  冊 紙本墨水, Mi Fu  米芾, ''On Calligraphy''  書論書
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"Soseijo" Rice-wrapped Book of the Year) "Shakubun" "Sosho Wakafunyu Jinjinjinjin, 徒成下品,張俗子, Henrankoho, 驚諸凡夫,自有識者, 懐素少加平淡, 到天成,而時代圧之,不能高古, 高閑而下,但可懸之酒,光可悪也
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米は、金代の草書体を規範として重視したが、唐の書体に批判的であった。筆記体論書であり、晋代によく似た筆記体で書かれている。内容は、張旭、張、素、高閑、光、、宋の書、宋代の書風、詩文体。
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米書蹟、10字余り、注釈付き画像、漢文、墨書、国立故宮博物院書蹟、米、紙本墨水、米、書論書
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cursively cursive fluorouracil rhapsodize censorial censor calligraphic