Drawing of a fresco from Pompeii depicting a bare-chested beardless man with laurel wreath and attendants.jpg
Adolphe Bouchet
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Drawing of a fresco from Pompeii depicting a bare chested beardless man with laurel wreath and attendants, Deer in ancient art, Genius, Laurel wreaths, Pompeii by Adolphe Bouchet, Herculanum et Pompéi, recueil général des peintures, bronzes, mosaïques, etc., découverts jusqu'à ce jour, et reproduits d'apreès Le antichita di Ercolano, Il Museo borbonico, et tous les ouvrages
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Drawing of a fresco from Pompeii depicting a bare chested beardless man with laurel wreath and attendants, Drawing of a fresco from Pompeii depicting a bare-chested beardless man with laurel wreath and attendants, Drawing of a fresco from Pompeii depicting a bare-chested beardless man with laurel wreath and attendants. Translated full plate description: PLATE 133. "The first of these two fragments is too poorly preserved for it to be possible to determine its subject. This man, whose chestnut hair is crowned with laurel, and whose brown skin is barely covered with a light down, was undoubtedly holding in his hand an object whose image is destroyed: these tree trunks, these rocks, which are behind him and on which rests his elbow, with its lacquer-colored drapery, were placed there for some purpose; this second figure dressed in red may have had other companions. The ravages of time on this fresco have been such, that they have produced in it the appearance of impossible faults in drawing, like an eye from the front on a figure in profile. In such a case, criticism can only proclaim its impotence.

"In the second fragment, a winged Génie has seized a deer by the horns, and strikes it down by pressing his knee on its rump. The movement of the child and that of the animal are well rendered." - Louis Barré, 1870
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月桂樹の花輪と従者を描いたポンペイの裸の髭のない男性を描いたフレスコ画、古代美術の鹿、天才、ローレルの花輪、アドルフ・ブーシェのポンペイ、ヘラクラヌムとポンペイ、絵画の受胎告知、ブロンズ、モザイクなどを描いたデクベール、Jusqu'à ce jour、およびaprovis d'apreès Le antichita di Ercolano、ボルボニコのイル・ムゼオ、そして外壁の彼方への想い
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月桂樹の花輪と従者を描いたポンペイのフレスコ画、月桂樹の花輪と従者を描いた裸の髭のない男性を描いたポンペイのフレスコ画、月桂樹の花輪と従者を描いた裸の髭のない男性を描いたポンペイのフレスコ画。全文解説:PLATE133。「この2つの断片のうち最初のものは保存状態が悪く、主題を特定できるものではない。栗毛に月桂樹を冠し、茶色の肌がかすかに光で覆われているこの男は、間違いなく手に持っているが、その姿は破壊されている。木の幹、これらの岩、そしてその後ろにあるを、漆塗りの布で休ませている。この2人目の人物には、他の仲間がいたかもしれない。このフレスコ画の時間の荒廃は非常に大きく、横顔の人物の正面からの目のように、絵に不可能な欠陥のように見えるほどに生み出してきた。そのような場合、批判は、その無礼を宣言することしかできない。第二の断片では、翼のあるジェニーが角に鹿を掴み、膝を踏みつけて鹿を蹴り倒す。子どもの運動と動物の動きはよく表現されている。-ルイ・バレ1870年
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laurel crown bare skin laureled bare hands laurel-tree genius wreath chestnut-colored mythologist myth mythology powerlessly powerless beardless laurel powerlessness fresco chest hair helpless helplessness undoubtedly helplessly chest register pompeii light brown hair attendant strike down brown skin theater light light-skinned bronze-red eye movement baric