XI DEFINIZZJONIJIET TA' XEĦTA LINGWISTIKA A abbrevjazzjoni Verżjoni ridotta ta' kelma, frażi, jew sentenza. Insibu diversi tipi ta'... Read more TO LEARN IS TO SEE INTELLIGENCE AT WORK, WHERE OTHERS SEE STRESS AND MISTAKES — TARCISIO ZARB TUITION: Maltese, Psychology, English, Sociology, Systems, Arabic Tel.: 21447402; 79595158 FACEBOOK MISTOQSIJIET Illum se nitkellmu dwar il-kritika tal-poeżija u l-proża. 1. X'nifhmu meta ngħidu poeżija u proża? 2. X'nifhmu meta... Read more SERVIZZ GĦALL-ISTUDENTI — IL-KRITIKA LETTERARJA. PUNTI DWAR IL-PROŻA U L-POEŻIJA. Maltese, Psychology, English, Sociology, Systems, Arabic zarbtarcisio@gmail.com; facebook; tel.: 21447402; 79595158 PHONE 21447402; 79595158; zarbtarcisio@gmail.com; facebook X'INHI L-POEŻIJA FIL-FEHMA TIEGĦEK? DAWN T'HAWN TAĦT HUMA XI DEFINIZJONIJIET TIEGĦI. U INTI? WHAT IS POETRY TO YOUR MIND'S... Read more TOWARDS A DEFINITION OF WHAT A POEM/POETRY COULD BE. TARCISIO ZARB (mhux neċessarjament biex jinqraw.) TUITION: Psychology, Maltese, English, Sociology, Systems, Arabic Tel.: 21447402; 79595158 FACEBOOK Tarcisio Zarb MA, BA Hons, Dip.Tch.Ar., PGCE, E.O Teacher, lecturer, teacher-trainer, European Schools Inspector, syllabus-setter, Curriculum Expert, translator, journalist, broadcaster, text-book author, poet. 80, Bouganville, Tumas Galea Str., Ta' Paris, B'Kara zarbtarcisio@gmail.com facebook Maltese, Psychology, English, Sociology, Systems, Arabic zarbtarcisio@gmail.com; facebook; tel.: 21447402; 79595158 PHONE 21447402; 79595158; zarbtarcisio@gmail.com; facebook HEMM DI DEFINIZZJONIJIET TA' 'LEARNING'/IT-TGĦALLIM LI LAQTITEK? LIEMA? DAWN ID-DEFINIZZJONIJIET HUMA XI WĦUD LI NAĦSEB JIENA DWAR IL-'LEARNING'/ IT-TGĦALLIM U... Read more IT-TGĦALLIM — LEARNING: TOWARDS A DEFINITION — TARCISIO ZARB Tarcisio Zarb MA, BA Hons, Dip.Tch.Ar., PGCE, E.O Teacher, lecturer, teacher-trainer, European Schools Inspector, syllabus-setter, Curriculum Expert, translator, journalist, broadcaster,... Read more IL-PSIKOLOĠIJA. U. IL-.POEŻIJA. — ĊISJU.ZARB.
TO LEARN IS TO SEE INTELLIGENCE AT WORK, WHERE OTHERS SEE STRESS AND MISTAKES — TARCISIO ZARB TUITION: Maltese, Psychology, English, Sociology, Systems, Arabic Tel.: 21447402; 79595158 FACEBOOK MALTESE-ENGLISH-SOCIOLOGY-PSYCHOLGY-SYSTEMS-ARABIC SERVIZZ GĦALL-ISTUDENTI — IL-KRITIKA LETTERARJA. PUNTI DWAR IL-PROŻA U L-POEŻIJA.   Maltese, Psychology, English, Sociology, Systems, Arabic zarbtarcisio@gmail.com; facebook; tel.: 21447402; 79595158 PHONE 21447402; 79595158; zarbtarcisio@gmail.com; facebook TUITION: SEPTEMBER Tarcisio Zarb MA, BA Hons, Dip.Tch.Ar., PGCE, E.O Teacher, lecturer, teacher-trainer, European Schools Inspector, syllabus-setter, Curriculum Expert, translator, journalist, broadcaster, text-book author, poet. 80, Bouganville, Tumas Galea Str., Ta' Paris, B'Kara zarbtarcisio@gmail.com   facebook Maltese, Psychology, English, Sociology, Systems, Arabic zarbtarcisio@gmail.com; facebook; tel.: 21447402; 79595158 PHONE 21447402; 79595158; zarbtarcisio@gmail.com; facebook TO LEARN IS TO SEE INTELLIGENCE AT WORK, WHERE OTHERS SEE STRESS AND MISTAKES — TARCISIO ZARB TUITION:  LEARNING IS A NARRATIVE WAY OF THINKING — Tarcisio Zarb A project partly financed by YOU AND ME. JIENA POETA. JIENA DEJJEM POETA. I AM THE POET. I AM ALWAYS THE POET. THE POETRY PROJECT  — TARCISIO ZARB •	WHAT IS POETRY. X'INHI L-POEŻIJA?   •	GĦANDEK XI IDEA? •	FLIMKIEN NISTGĦU NISKOPRU X'INHI L-POEŻIJA. TOGETHER WE CAN FIND OUT WHAT IS THE POEM — WHAT IS POETRY.  1.	Poetry does not sit easily with capitalist economics. 2.	Poetry is the end of a tangled clew — the ball of thread used by Theseus — King of Athens — to find way out of the labyrinth after he had killed the minotaur. 3.	Poetry takes many hours a day for months on end. 4.	The writing of poetry is like running a tunnel to some other building. 5.	Long hours of burrowing. 6.	Reasoning out beautifully. 7.	Unfeigned admiration. 8.	Poetry — the poetical is such a long, long chain, where every link rings true. 9.	Poetry is ennui – a feeling of being bored and having no interest in anything. 10.	The poetical saves us from ennui.  11.	At times I feel poetry — the poem — is closing in upon me. 12.	Poetry helps us, or better still is a life spent in one long effort to escape from the commonplace of existence. 13.	Shrugging your shoulds. 14.	The poem is everything, the poet is nothing.  15.	Reasoning out beautifully. 16.	Poetry suits us for an escape. 17.	Vanishing into the cellar. 18.	Inquiries. 19.	Visiting the scene of action. 20.	Ascertaining whether the poem stretches out in front or behind.  21.	Setting eyes upon each other. 22.	Hardly looking at one's face. 23.	To-night. 24.	A dark lantern. 25.	Risking the presence of a light. 26.	Poetry is there ready to flash out at a moment's notice. 27.	Sudden gloom. 28.	One retreat. 29.	Now we must be silent and wait. 30.	Poetry takes place when it appears to you that the night must have almost gone and the dawn be breaking above you. 31.	When your nerves are worked up to the highest pitch of tension. 32.	Poetry kept him company towards the end of his long life.  33.	A poem is mild irritation with daily routine. 34.	Poetry takes place when your sun or better still when you feel that your sun begins to set. 35.	A poem is the appreciation of one's past. 36.	Poetry has nothing to do with stupendous achievements. 37.	Poems are a priceless chronicle of lost ages. 38.	Scything a path right through life and being able to tell the tale. 39.	Done and dusted. 40.	Poetry works wonderfully. 41.	Weeping with laughter. 42.	Convulsions of mirth. 43.	A poem is a gas lamp in the streets. 44.	At times hilarious. At times painful.  45.	Getting started. 46.	When stories come tumbling out. 47.	A poem is a 'memoir mode'. 48.	A completely emotional space. 49.	When ships roar and complain. 50.	A will alien to your own 51.	A house of mourning. 52.	As the evening passes. 53.	An increased feeling of unreality. 54.	Poetry takes place when annoyance changes slowly to dark and brooding anger, grief to desperation. 55.	The poem and the poet need not bind one another — they both have all sorts of mutual interests. And satisfied with each other. 56.	A breach of contract. 57.	A impassioned lecture. 58.	When her lip curls. 59.	Turning in.. 60.	Saying tender things. 61.	A long dream broken. 62.	All the sins and omissions of our life. 63.	Going out to get some air. 64.	The street was dark and drenched with wind and rain. 65.	When ships pound through valeys. 66.	Looking out at night. 67.	Making atonement...propitiating the storm. 68.	The freshest, fairest part of your life. 69.	Choice of language. 70.	Aspects of literariness. 71.	When matter come to a head. 72.	Catching the glint of light. 73.	Axxaghar laa dhaka wa laa anthaa  — The poem is neither male nore female. 74.	Poetry follows me — axxaghar jatbaghnii 75.	Poetry is my coat — axxaghar maghtafii 76.	I turned into the side road — istadartu ilaj attariiq algaaniibijja. 77.	My city's sunset — ghuruub madiinatii 78.	Ahmaluhu ghalaj kitfajja — I'll carry it on my shoulders 79.	Poetry could make you complacent — eager to please. 80.	Decrepit — old and no long in good health. 81.	Exasperating — making you feel extremely annoyed and impatient. 82.	Exemplary 83.	Filial 84.	Gaunt, because you would be ill, tired or worried. 85.	Peevish – easily annoyed, especially by things that are unimportant. 86.	Placid — rarely showing or experiencing excitement or anger. 87.	Plump — slightly fat in a pleasant way 88.	Polished — confident and pleased. 89.	Respectful — feeling or showing respect and therefore treating the people you respect kindly and politely. 90.	Poetry conveys anger, sadness, happiness, respect, disrespect, desperation. 91.	At times poetry becomes difficult and sickly. 92.	Poetry should be tread with tenderness. 93.	In poetry nouns turn from physical objects to abstract concepts. 94.	A poem is slapping someone on the back. 95.	The sounds and colours. 96.	Nerves and temper and joy. 97.	Receiving an education. 98.	That is what it has come to. 99.	Murmuring in disbelief. 100.	A theatrical touch 101.	A sense of purpose. 102.	Stretching to include everyone and everything. 103.	A haven. 104.	A small scale society. 105.	The centre of heated debate. 106.	The time of the tribes. TO CONTINUE TOWARDS A DEFINITION OF WHAT A POEM/POETRY COULD BE. TARCISIO ZARB (mhux neċessarjament biex jinqraw.) TUITION: Psychology, Maltese, English, Sociology, Systems, Arabic Tel.: 21447402; 79595158 FACEBOOK Tarcisio Zarb MA, BA Hons, Dip.Tch.Ar., PGCE, E.O Teacher, lecturer, teacher-trainer, European Schools Inspector, syllabus-setter, Curriculum Expert, translator, journalist, broadcaster, text-book author, poet. 80, Bouganville, Tumas Galea Str., Ta' Paris, B'Kara zarbtarcisio@gmail.com   facebook Maltese, Psychology, English, Sociology, Systems, Arabic zarbtarcisio@gmail.com; facebook; tel.: 21447402; 79595158 PHONE 21447402; 79595158; zarbtarcisio@gmail.com; facebook IT-TGĦALLIM —  LEARNING: TOWARDS A DEFINITION — TARCISIO ZARB READ AND TRY TO COME UP WITH YOUR OWN DEFINITIONS OF WHAT IS POETRY. AQRA U OĦLOQ DEFINIZZJONIJIET OĦRA INT WHAT IS POETRY? X'INHI L-POEŻIJA? POETRY STRUGGLING TO DEFINE ITSELF. IL-POEŻIJA LI TIPPROVA TIDDEFINIXXI LILHA NNIFISHA.  POETRY IS PERVASIVE IL-POEŻIJA SSIBHA KULLIMKIEN. 1.	A poem is bondage. Days of inescapable thrall. Enslavement. Slavery. Thraldoms. Morbid fantasies. 2.	Poetry is a dog resting on his paws, watching a baby. 3.	A poem is not necessarily a very beautiful text to look at. 4.	Numerous old wounds. 5.	Poetry is afraid of nothing on the face of the world or under ti. 6.	A poem is a flea. 7.	Poetry sometimes makes friends with strangers. 8.	Now and then the poetess lays down her work and watches and listens, and thinks. 9.	A poem thinks of things in its life, for there is nothing else to think about. 10.	A poem will make the grass grow. 11.	Poetry screams and struggles convulsively, at times. 12.	The sight of a poem greatly amused her. 13.	Poetry trusts more to child's sense than its own instinct. 14.	My poetry is old and slightly deaf. 15.	A poem is a glorious time ...a day to look back to, and talk about for many years. 16.	Fighting a flood. 17.	Standing for hours in the drenching downpour. 18.	There are things that poetry cannot do. 19.	Years of labour swept away. 20.	To weep again. 21.	A poem sometimes comes and nearly scares the life out of you. 22.	A poem is a swagman — a man who travels around looking for casual work, carrying his possession with him. 23.	A poem sometimes comes and nearly scares the life out of you. 24.	A verandah. A lonely walk. 25.	Staying for the night. Sundown. 26.	A poem has few pleasures to think of as she sits alone by the fire. 27.	A Sunday afternoon an old perambulator. Not a soul to meet. 28.	The everlasting, maddening sameness of the stunted trees. 29.	The monotony which makes a woman long to break away and travel as far as trains can go, and sail as far as ships can sail — and further. 30.	A poem is used to its loneliness. 31.	A poem would feel strange away from loneliness. 32.	To be content with your lot. 33.	The rain has cleared off.  34.	No poem is enthusiastically embraced 35.	A reflective way 36.	A form of ritualized practice 37.	A source of social solidarity 38.	Transcendent reality 39.	Constructionist definitions 40.	People's varied self-definitions. 41.	It provides comfort to the poor and relatively powerless. 42.	The sacred. The core values of society itself. 43.	Could it become a collective ritual? 44.	It is a phenomenon. 45.	Poetry fits well with me. 46.	Poetry points part of the picture. 47.	Poetry is reminiscing 48.	Snapping different trains of thought. 49.	Playing mind games with yourself. 50.	A poem. Even it be in you head. You must be telling it to someone. There is always someone else. 51.	To relieve our boredom. 52.	Self-likening. 53.	Harbouring of the past. 54.	The poem eats away at your thoughts. Could it be that slowly it starts detreriorating your mental state? 55.	Ecstatic happiness. 56.	Hours of running your eyes over the print of words. 57.	Stagely enough. 58.	An osicllating state of mind. 59.	Fluffy clouds. 60.	An ongoing commentary. 61.	A whole story being woven. 62.	The very backbone of our inner turmoil. 63.	Fear of fear 64.	The chance of ending up insane 65.	Salvation. 66.	The creation of a new environ. 67.	The inner workings of a mind. 68.	Rebuilding yourself anew. 69.	Sel-invigoration. 70.	An environment where tulips seem to dead. 71.	A creative act. 72.	Giving up hope. 73.	The future that goes on. 74.	A pious wife. 75.	Bewilderment. 76.	Taking her wrests and hold them furiously. 77.	Carrying your destiny with you. 78.	When anger drains out of you.  79.	When you feel hysteria beginning to mount again. 80.	Wanting to get out. 81.	Illogical sequence. 82.	A drowning scene followed by a rescue. 83.	Unambiguous sunlight. 84.	She had privileged access across the years to poetry. 85.	Rites and conventions. 86.	The first weak intimation of the strangeness of the here and now. 87.	What passes between people. 88.	Climbing out of a pond. 89.	Deep shade. 90.	A vase of flowers. 91.	When no words are exchanged. 92.	No glance in her direction. 93.	Staring into the water. 94.	Striding away. 95.	When suddenly the scne is empty. 96.	A wet patch on the ground. 97.	The greyish hue of scarcity. 98.	Hushed presence of danger. 99.	Rubbing oil lotion into your hands. 100.	Unwinding after the day. 101.	Grounding your response in a given text. 102.	Identifying the text's immediate context and relating it to other texts. 103.	An ambiguous relation of suffering to human action and meaning. 104.	What is captured in a poem? 105.	The manipulation of poetic devices to increase the ambiguity. 106.	Subtle beauty. 107.	The revelation of truth. 108.	Old song. 109.	Fellowship. 110.	A pervasive sense of darkness 111.	Soliloquies 112.	Ham and cheese. Alright. Thank you. 113.	Poetry is where the boundaries of exitence are words – huduud alwuguud hija alkalimaat 114.	The soul's image in everything — suura' arruuh fi kull xaj' 115.	A blue void. 116.	Ghinaaq — embrace. 117.	Walking together in Granada's alleys — maxajnaa maghaan fi aziqqa ghranaata IL-PSIKOLOĠIJA. U. IL-.POEŻIJA. — ĊISJU.ZARB.