Everything in that face: the definiteness of the dimples on cheeks and chin, the curve of her lips, the smile that seemed to flutter around her face, the light in her eyes, the grace and swiftness of her movements, the fullness of her voice, even the manner in which she replied – half-crossly, half-kindly – to Veslovsky, who asked permission to ride her cob that he might teach it to lead with the right leg when galloping – everything about her was peculiarly attractive, and she seemed to know it and to be glad of it.
Todo en ella era bello: los hoyuelos de las mejillas y de la barbilla; la forma y el color de los labios; la sonrisa alada; el brillo de los ojos; la rapidez y la gracia de los movimientos; el tono de la voz; hasta la manera en que, medio en serio, medio en broma, contestara a Veselovsky al pedirle éste permiso para montar su caballo y enseñarle a galopar con las cuatro patas estiradas. Todo en ella respiraba un encanto del que Ana parecía consciente y que la colmaba de gozo.