Vronsky painted her, admired her beauty and her 'mediaevalness,' and Anna dared not confess to herself that she was afraid of being jealous of the nurse; so she treated the woman with special kindness and spoilt her and her little son.
Vronsky, pintándola, admiraba su hermosura y su aire medieval, y Ana había de reconocer que temía tener celos de la italiana, y por ello trataba con especial afecto tanto a la nodriza como a su hijita.