Golenishchev did not agree with this, and keeping to his first contention that unity of impression is indispensable in art, he confuted Mikhaylov. The artist was perturbed, but could find nothing to say in defence of his opinion.
Golenischev se mostró disconforme con esta opinión y, aferrándose a su primera idea sobre la unidad de impresión necesaria en el arte, venció a Mijailov, que, excitado, no supo decir nada en favor de su tesis.