act 10 and script 1. hurlyburly be from that unfortunate postmodern school of theatre that have declare anything resemble a story or plot be forbidden . while people may get away with this on stage and on film it become deadly or at least deadly dull . be leave with a bunch of great actor spout dialogue that and while brilliantly write and add up to nothing . even bad and every character speak with the same voice despite their background . the only attempt to differentiate be to have teen waif anna paquin use the word ain not . never mind that the character be unsympathetic loser to the extreme and the camera work be plain sloppy and ( for la resident ) the attention to geography be laughable . ( hint represent the view out sean penn front window be about eight mile away from the view out his back window and and you can not drive south through hollywood and wind up in glendale pretending to be burbank . ) okay and suspension of disbelief and all that and normally i wouldn not pay attention to little thing like that and because they be just vagary of production . but and the fact that they do stick out so much despite the thespian pyrotechnic on screen say a lot about the weak element of this enterprise the script . in short and skip this one and even on video . rabe pick the wrong quote from the scottish play for his title while hurlyburly would have be well name a tale tell by an idiot and full of sound and fury and signify nothing . a bit long for the marquee and perhaps but at least it would be honest advertising .