yet another version of mother of all gangster flick the classic godfather and yet another case of over hype due to medium circus . sarkar and the 13th hindi film of ram gopal varma a director be also the weak in his underworld trilogy include the other two be the excellent satya and company . the charisma and the magnetic persona of the two bachchans play father son duo on screen for the first time be definitely a treat to watch out for . not just strong performance but their perfect chemistry be the big scoring point here for which varma should be applaud . however and the same equation of the duo be miss with the other character in the film . reason the other character look more like cardboard caricature esp . the villain represent the typical bollywood baddie . a character who attract attention be elder son play by kaykay but again not able to hold due to half baked characterization . . the drama and conflict be bring alive by the excessive use of close shot and which bring a claustrophobic effect rightly need to construct an ambiance . the haunting score ( amar mohile ) and the sound design ( kunal mehta and parikshit lalwani and anup dev ) and together with dark and murky background overlap by shin powerful image ( camerawork by amit roy ) contribute to visuals so typical of ramu style . but there be an overuse of music though fortunately no song be there in the film . but can interest of today intelligently grow audience be sustain just on shoulder of two performer and strong visuals . i do not think so . surely and audience maangey more and here film fails to deliver . in any adaptation and in order to add a new dimension and the big pre requisite be the screenplay and which be sluggish here not be crisp at place and and therefore the pace slacken quite often . what finally audience be subject to be a highly predictable and very commonplace drama with very little surprise element . top stunt director allan amin ghani be also not in his best form . some scene which require a different treatment include a minister be talk foul about sarkar and the son be overhear while a very amateurish shoot out in the jail on sarkar and sarkar jr. escape from the clutch of his enemy and a son easily motivate to kill his own father and a son be secretly enter his father room to kill him and a police commissioner slap sarkar jr all this require a more realistic and hard hitting approach which be the back bone to create the required conflict . the dialogue be weak for eg . look at an amateurish line where a cm say to sarkar jr. wo jo police commissioner tha na usay maine hata diya . the woman folk take on sarkar working be completely ignore . the uninterrupted negotiation about criminal activity while sarkar be with his family also look slightly out of place in fact and the film follow a graph quite similar to ramu own production ab tak chhappan . in depict the battle between good and evil and the other side of life the law and police and administration and politics be completely ignore . certainly and more be expect in content . here the film definitely fall short and could not rise above an average fare . dear ramu and agree that now you be laugh your way to the bank and you definitely need to take some drastic overhaul measure in your film production factory and before it be too late .