be i the only person who saw and remembers amadeus . every scene in copying have it counterpart in the milo forman and amadeus from the galloping carriage accompany by frenzied string and to the entrance of anna through the dark hallway precede by the man with the key and to the very dialog of the conclusion with anna at beethoven foot a la salieri before the die mozart . do no one else recall the dialog in that script represent salieri time . and mozart common time . . we begin with the string . and so it copy . remember cynthia nixon lean against a door jamb and tear fall down her freckled face same scene and just replace her with beethoven nephew . even the scatological humor ( fart joke ) be the same . we even have a cardinal follow around by a plate of sweet cooky which recall salieri in the banquet hall . do no one else remember . . and the scene where anna cry to god why do you give me this gift . salieri say the same thing . and beyond all that we have a juvenile script with an opening exposition that read like the character identification you would find in a child story . i be mr. beethoven . i be the composer . and what and after all and be the purpose of the bridge builder . other than to juxtapose the technical against the artistic . a comparison that be not at all develop probably because it have no meaning and especially when it come to beethove who be a master of the technical . there only one great scene the playing of the ninth . first and the music and which of itself take you to tear . but then and there be the highly erotic interaction of anna the copyist keep time and beethoven conduct which surpass the most explicit sexual intimacy . so intense and it almost embarrass . but and please the rest of the film where be the world collective memory . you have see this all before . and good .