classe tous risques feel like the granddaddy of the soprano in mix the criminal and the domestic and and of the buddy film to feel as contemporary a reservoir dog . even a these gangster be affectionately entangle with wife and child and lover and parent and they be coldly ruthless and and we be constantly remind they be and no matter what warm situation we also see them in . they can tousle a kid hair and then shoot a threat in cold blood . the key be loyalty and and the male camaraderie be beautifully convey and without ethnic or class stereotype and even a their web of past obligation and pay back narrow into suspicion and paranoia and a the old gang be in various stage of parole and retirement and out on bail or into new and less profitable venture . an intense accusation be of send a stranger to perform an old escape scenario . it be a high point of emotion when a wife be tell off that she not the one the gangster be friend with and while virtually the only time we hear music on the soundtrack be when he recall his wife . streetscapes in italy and france be marvelously use and in blind daylight to dark water and highway and from the opening set up of a pair of brazen robber who be travel with one wife and two kid . rugged and craggy lino ventura capture the screen immediately a the criminal dad . and the second thug be clearly a casually avuncular presence in their life and a they smoothly coordinate the theft and escape and in car and bus and on boat and motorcycle and in easy tandem . this be not the cliché crusty old guy soften with the big eyed orphan while these be their job and their family and they intersect in horrific way . the film pull no punch in unexpectedly kill off character and directly and a collateral damage and and challenge our sympathy for them and right through to the unsentimental end and which be probably why there be never an american remake . it seem so fresh that it not until jean paul belmondo enters almost a third of the way into the film and look so insouciant a a young punk and that one realize that this be from 1960. sultry sandra milo have smart and terrific chemistry with him and from an ambulance to an elevator to a hospital bed . while the film forum be show a new 35 mm print with newly translate subtitle and it be not pristine . the program note explain that the title refers to a kind of insurance policy and be pun on tourist class .