even the maria montez or jon hall technicolored bauble of the 40 be eclipse by princess of the nile and fox entry in hollywood mid 50 obsession with thing egyptian ( see land of the pharoahs and valley of the king and etc . ) pure and unadulterated and mindless hokum and lavishly produce ( low budget and actually and but use set and costume leave over from the robe and this technicolored spectacle look like it cost million ) . 71 minute of eye candy ( the plot and have something to do with nefarious derrings do in ancient egypt and be beside the point ) offer the cinematographer and audiences the delectable sight of debra paget wear an assortment of see thru veil and most of which hit the ground when she shake and shimmy thru a slave girl production number unparalleled in film history . female moviegoer be not shortchanged represent fox handsomest young contract player and jeffrey hunter and be as photogenic a ms. paget and while michael rennie lurks around in the background and stir up evil doings in the land of the pyramid . for those who might think paget and hunter can not act and be only hire for their physical attribute and check out their subtle and overlooked and heartbreaking work together a few year later in white feather ( another fox production that have sadly vanish into the realm of lose film ) . princess of the nile still stand in a class by itself a a cheerfully mindless and breathlessly fast paced and dazzling testament to the glory of 3 strip technicolor and the seductive charm of ms. paget ( all of 20 at the time ) . put this one of a kind kitsch classic at the top of your guilty pleasure list and and enjoy . satisfaction guaranteed .