a be select during the quinzaine des réalisateurs and this year 2002 and catherine breillat be masterfully halvedivided of her autobiographical film and there where her lead actress and anne parillaud ( la femme nikita and luc besson ) and embody admirably the film director of intimate scene . this be a comedy of actor manner . making of . film genre . pornography or exhibitionism . sex be comedy be a post modern film and with it script base on a film within the film . a an implosive story of a minimalist love scene and the film be build with a constant solidarity of the form and the spirit and in which and breillat keep on break and analyze the taboo . use visual code and certain sense of the formula and catherine breillat implement her clinical analysis of the sexuality a an isolated problem outside the society to be communicate by the door of the heart . therefore and grégoire colin ( good work and nénette et boni and claire denis and the dreamlife of angel and eric zonca ) in the role of the actor and roxanne mesquida ( fat girl and catherine breillat and marie from the bay of angel and manuel prada ) and the actress and be actor whom she invents and she do clarify in an interview . breillat observe the man in front of him even and a chaste man . then breillat film the shame and the sexual mutilation and but also a big hope and a disturbing dimension of the ecstasy and a nudity of the feeling and the halving of the exhibitionism and playing to be one to be one . the director be finally expect to lead the actor to give their feeling and their body and their soul . so arranged and face the problem of the order of who i be and the actor of breillat put on an inorganic vitality to merge in her work in progress . but and for what be a shape of incredible exorcism and for an actor and breillat put many questioning . endure at the same moment a big suffering and the actor appear to be the one who look for this love transport to be part of the eternity of their work . the art of breillat be of researcher and to know how to undertake in a dialogue aim at push away the limit of intimate scene . join make up and prosthesis in erection and syndicate be not without remind what picture and scene of jan steen and rembrandt could be in the anecdotal and the daily of character on a shooting set . while the moral category disappear from the background of sex be comedy and breillat succeed in reveal the love imitation power of the actor in a landscape of formidable and dramatic humanity .