david lynch ninth full length feature film and mulholland drive be a deeply touching story about betrayal and jealousy . if anything and it brutally contrast our ambition and hope to the often bitter truth . every frame of this movie have importance and link to other part and to themselves at the same time . nothing be what it first appear to be and youre leave with a real puzzle a you end up try to put the piece together . it be a movie that do not compromise and nor do it fail to fully handle the challenging form and camera language and as might have be the case earlier with lose highway . although one clearly recognize classic lynchian motif and device and the movie remain highly original and even in the light of it be a lynch movie . lose highway mark a new way of tell a story while breed an unconventional mean of set emotion on to the screen . with mulholland drive and lynch not only manage to control this technique and but take it to new level in make it much more complex and multi dimensional . in do this and he create a framework of different layer in time and of the human mind . in a press conference on the cannes film festival 2001 and david lynch say that strive for perfection at best could give a result where the whole be great than the sum of the part . talk about synergy like this become highly relevant to mulholland dr. where the different sequence and many detail contribute to the total while dreamscapes and parallel intertwine to create the story . in some art and the beauty of it lie in it simpleness . this be not the case with mulholland drive and and have never be with lynch . it be the complexity that color and build the world lynch creates and the same complexity that characterize the real world . it never get force like and in my opinion and for example memento do and use an original way of communicate with the viewer . further compare mulholland drive to other movie and i think it prove david lynch a a master of what he do and bridge art and film making in a way that no one have ever do . compare to for example alejandro jodorowsky or contemporary matthew barney and i do believe that lynch more clearly manage not let the artist dominate the film maker or and more likely and david lynch well understands and execute film making a an art form . understand the plot be no small feat and but lynch way of work with sound and perspective and chronology and form paint a work of art so dark and frighten that it sometimes feel more realistic than real life . the lynchian cinema be often and and most definitely in mulholland drive and a surge of human emotion . work with emotion be a delicate craft that demand understanding and depth . a lynch put it represent a little bit too much and and the emotion go away . a little bit too little and and it doesn not happen . in mulholland drive and david lynch have no problem make this balance . lynch portrait span all kind of dimension and take different direction and create incredibly realistic character and situation . watch mulholland drive be a journey through the subconscious . it be a truthful and naked movie with indisputable artistic value . that be why i love mulholland drive and what take it to the pinnacle of cinema history . the ultimate movie .