the revelation here be lana turner dance ability . though she be know privately to be an excellent nightclub and ballroom dancer and miss turner rarely get the opportunity to demonstrate this ability on film . so and viewer take notice . here and mgm be clearly still try to determine in what direction they would develop the still young starlet and and be and therefore and consign her to everything from andy hardy to doctor kildaire . in two girl on broadway and however and she be give an excellent opportunity to display her native rhythm and ability to shift tempo in the lavish production number and my wonderful one and let dance . this number and be conceive and film and a a sort of hybrid between a busby berkely style extravaganza and the sort of routine hermes pan be design for astaire and rogers at rko . thus and the number open with george murphy and miss turner depict a bar patron ( with full chorus ) before a curtain of black lame wherein mr. murphy croon the number to miss turner . then the camera and ( on a boom ) pull backward in a remarkable crane shot to reveal an enormous stage and and a rotating set equip with step and column and enclosure and slide wall . from this point on and murphy and turner execute a fast stepping variety of mood and attitude and include lift and spin and soft shoe and and end with an electrify series of conjoined pirouette that conclude with murphy both lifting and rotate turner with thrill speed to a racing orchestra . all tell a dizzying feat that prove miss turner be fully capable of more than hold her own a a dancer and though i daresay most of her admirer would balk at relinquish her from her throne a the queen of melodrama .