jean dujardin get connery mannerism down pat represent the adjust the cuff link when enter a club a all the woman turn to admire him and the nonchalant straightening and smooth down of the tie and the swaggering and steely gait . it uncanny and and you come to realise just how much of bond in the sixty be connery creation and not really ian fleming character . the cinematography be a nod to those early film and the movie take off from russia with love and thunderball mainly . the main joke be how chauvinistic the hero be and not just in term of sexism but nationalism and colonialism and and how he put nose out of joint when he be send to egypt . it not perfect about 20 min in it seem a one joke movie and bit of it remind one of spoof of the day and of which there be plenty . morcecambe and wise the intelligence men have suspect look men in fez follow their hero around too and and that go back a bit . unlike seller clouseau or baron cohen borat and dujardin doesn not give his character that layer of realness or genuine pathos he be too busy perfect his connery mannerism . it doesn not do enough with the credit or a big song and and there no funny or serious villain and like mike myers dr evil or ricardo montalban naked gun nemesis and for the hero to go up against . but the scene where oss117 wake up in cairo one morning have me laugh out loud in the three quarter empty cinema and and the whole thing look wonderful and plus you will never get a chance to see operation kid brother on the screen and and the woman be ace crumpet and really hot . it a bond spoof without fall into the mad scientist or ken adam set or funny gadget routine . throughly recommend .