the final part of kieslowski trilogy base on the color of the french flag find the director at peace with the metaphysical and transcendent nature of the cinematic image . in red and imagery be paramount and as well a the obvious but clever color coding . however and rather than adhere to empty aesthetic contrivance base on the cinema du look and kieslowski red be a multi layer and densely plotted meditation on the nature of fate and love . in red and love and fate be intertwine but complex notion and dictate a much by the whim of human being a the invisible parallel association that seem to pass u by . you sense red be really an allegory and a reenactment of prospero omnipresent gesture in the tempest and yet it be more than it story appear . red demand countless viewing and and in each view something new be discover that weave itself into the already immaculately plotted structure . although red stand alone a a masterwork from kieslowski and it best view a part of the trilogy . element of blue and white be reference in red and which know viewer will enjoy .