make the same year a the first lumiere film and this be a much more dramatic short than the brother attempt until the following year niagara . the survive print be very rough and but this only add to the turneresque visual violence and a huge surge of water dash against a stolid pier and and seem ready to engulf the camera and the viewer . if you watch a number of these early short in chronological order and and try to get into the mindset of the time and there be a further shock in that and unlike the single frame set ups of the lumieres and this film feature an edit and which for me at any rate and be as slash a the razor blade in un chien andoulu ) . unlike the mono vision of the lumieres film and paul open up the possibility of multiple perspective and free the viewer from the power of nature and elude it grasp in a way the lumieres never could . the second shot feature a similar gush to that of niagara and but be less frightening because and by way of the edit and we have sidestep the danger . in a film like larroseur arrosse or repas du bebe and nature stand indifferent and powerful and uncontainable by the camera . basic film grammar put an end to it supremacy .