right there . good and entertaining and accurate era feel to most scene . enough personality variation to cover the real people around those day without story distraction from the exception . the credit show peralta from mar vista and california . up the hill from venice and south of malibu . i live there in the heartbreak hotel day and pre beachboys and next to that surfer kid bob cooper up on wasatch avenue and where the alley be use to burn surfboard that do not work . old skatekey skatewheels be use on plywood cutout to roll down sidewalk wave . thing be different in each succeed decade a the cool innocence of the fifty break into the warmth of the sun whitewater freedom and exhilaration of the electric sixty and then into the assertively innovative playtime and inventive evolutionary madness of the weird seventy . the movie give you a piece of that kind of magic moment in time while in a place where the imaginary wave be real . the source of culturally significant influence . and btw and there another movie that have a similarly american street edginess to it and and have the same genuinely unique goodness with lay back realness that help refine that elusively eternal sense of cool . two lane blacktop ( with one of the best example of freesouldoit attitude in west coast california history . dennis wilson ) . like monte hellman do with that one and thanks and sp and for be right there with this one . gwr .