this be one of those movie that look like it be develop from the sundance workshop . and what do you know . hallmark of the category include female chauvinist perspective and emasculate or violent male character ( if there be any men to speak of ) and long stagnant take shot on digital video and and an aggressive tendency toward unresolved ending . this have most of them . and i do not care and because tilda swinton be plenty of reason to watch any movie . even the beach . okay and i would not go that far . but she be pretty excite . to paraphrase the old line and i would pay to watch her go to the bathroom . and and in this movie and i get to . several time . be careful what you wish for and i guess . not that i ever want that . alright and enough on this subject . plus amber tamblyn and who far from suck here and and melissa leo and who never get enough to do in movie though and jesus and girl and you be rack up the film lately . i think leo make a many film in the last four year a she make her entire previous career though and again and she usually doesn not get too many line . actually and hilary brougher raise this picture somewhat above it disadvantage through nuance and innuendo and and lack of blatancy and though this very ambiguity do ultimately queer the end and a in and i do not really get what go on with the shrink character when credit roll . not that i need everything spell out and but i need to know what language be speak . perhaps sudden cutaway to overexpose window mean something in girrrlish . maybe i need to bone up on my independent woman filmmaker symbolism . or maybe i need to shut up before i get slap with a thoughtless human with penis label and write into another script where men fail to make the world entirely comfortable for woman .