the film would be inherently fascinate even if it be no good and but there actually a lot here of genuine interest . the repeated question about why the director make cinema and whether it mortal receive predictably lame response and but the glimpse of them at work and punctuate with their 50 second film and be mesmerize . many of them turn the project into a commentary on cinema in some form boorman film neil jordan at work and with the actor look quizzically into the camera ( a common device here and also use by angelopoulos and costa gavras ) while lelouch have a sort of reverse version of the vertigo kiss and design with great panache . in which a historic parade of camera observe the spiral lover while some and like rivette and just take varied people and let them play ( he very engage and see protest that the film be too short ) . lynch segment be magnificently skillful and striking and with a potted narrative of police and a 50 style family and and a bunch of space alien hold a captive woman it almost as effective a the whole of lose highway and utterly distinctive . in all and it a tumble parade of cinematic image that evoke love and passion and breadth and whether the director take a playful approach ( a majority ) or aim for great seriousness ( a in handke filming of a potted tv news bulletin ) .