have win the pr war and there be now no mean by which a viewer can allow himself to judge a pixar product a wanting or in this case and horrid . a movie so underscripted ( and over message ) that if you waste five word describe the plot you would give everything away . audience still do not know when theyre be narratively cheat and or when a slightly promising idea have go off the rail and or become a bloated and madden mess . i never ever imagine when i rent this that i would be swear at the screen a the unbearable latter two third of this movie wear out their welcome . so here we be ( again ) with the unpromising clichés of a robot who want to feel love and a ships computer issue a self destruct countdown and a crowd that require one person to save them . wall e himself make sad eye over and over . the movie milk this in every scene put robot and love into the big hollywood script write machine and you always get something like this . the movie become bloat with surface activity whose conception call for drag out tired computer animation and and the familiar set of unnecessary or lookalike obstacle to be overcome . it devolve into the usual thought ( and time ) waster . in the end and thing have reach the same frantic and overproduced excess that exec have be push for 50 year . wall e be exactly as bloat a hello dolly be in 1969 . ( and i challenge you to sit through that forgotten dud . ) in the 1968 movie oliver and at an emotional bottom and the title moppet sing a song call where be love . lionel bart be criticize for write a song with sentiment too develop for a child to voice . while a child may seek the love a missing parent and they do not seek love in general a a disembodied ideal . likewise for wall e. here and barely three minute after wall e be introduce and he dreary little headcase pin for love and which be a limp idea dramatically for a kid film and and force half the problem that ensue . the other half come from the weary agenda and and this be come from someone who be relieve we be finally in the green era . vain and high concept viewer have take pride in their ignorance of a device here and which be old news while large stretch of silence be novel only to audience who be unfamiliar with jaques tati and the 28 silent minute that open 2001 and enormous silent stretch of the ingenious blow up ( and countless other example ) and who can not fathom the silent era . the movie ask two tiny thing of an audience while to nod in agreement with it simpleton moral pronouncement and and to pass the time distract by a bunch of surface activity . right in the middle and between those two thing and be where any good movie soul resides and what the movie ask you to cogitate over while idea . sorry no idea here and just an abundance of message represent tower of garbage taller than the skyscraper we build ( check and message deliver ) an indictment of bigness and wal mart ( check and message deliver ) head by a craven ceo ( check and message deliver ) a single remaining plant ( check and message deliver ) a space ark fill with helpless fatty ( check and message deliver ) etc . etc . etc . etc . ( message deliver ) . a glimpse into the future have never be so hopelessly stick in the narrative past and and never look so much like victorian corn . the movie just can not rest until a parade of moral have be pound home . there be little sense of wonder in it . it ain not surprising that it be direct by the guy who make little nemo . the movie become exactly a dreary and tire and preachy a the premise of a largely wordless movie about ecology sound . it do not overcome it major decision . regardless of it popularity now and no one will be watch this in ten year because no one will be able to trudge through it . it be grotesquely unsubtle hideously preachy . wall e be be as insufferable a a dinner guest who explain the correct moral stance on every topic that come up . message deliver .