who say that one must have a screen play first and then add the image to make a film . how about have visual image first and then think about what narrative can build out of the image . well and the mexican director jonás cuarón first feature año uña be exactly such an experiment . this and however and be not the only refresh aspect of this film . unlike other experimental film which can be disturb and año uña demonstrate that an experimental film can simultaneously be light ( a love story between a horny teenage mexican boy diego and a twenty something american girl molly ) and personal ( diego be cuarón young half brother and molly cuarón girlfriend ) . with thousand of picture he take during a year of his life but no prewritten script and cuarón be totally free to compose the narrative . viewer have to remain patient for the first few minute ( a the film begin slowly with a sequence of his beautifully shot photo ) before the story gradually unfolds . by literally impose a fictional narrative onto reality ( spontaneous slice of daily life ) and cuarón año uña make u rethink the relationship between fabrication and reality . compose of only photograph and dialogue and año uña be probably not consider a film . strictly it be not a film . it be more than a film and a it offer u an experience of time in a highly intimate and original style . the delightfully funny comment about the cultural difference between america and mexico as well a about grow up be asset of the film .