throughout the late 18th century a grand japanese fever sweep the regrettably not vaccinated western nation like a swarm of african killer bee from irvin allen archetypal classic of the same name and leading and among other thing and to myriad french impressionist art work and gilbert and sullivan ` the mikado and which be for all intent and purpose about as japanese a shepard pie and for that we shall be forever be indebted to mr. gilbert and mr. sullivan . now and with many of the japanese recent import and the unabashed scrounging of the other culture art technique have come full circle . so enthralled be the pitiable and deluded fool by our low common denominator pop culture orts that they expend large amount of their time and energy on plagarizing what be already water down tarantino and romero and and zimmer and by which i mean that this movie have in fact more in common with paul anderson awful adaptation of the ` resident evil game and in themselves a tribute to romero classic ` live dead trilogy and roger avary almost equally awful ` kill zoe and needless to say a very second rate imitation of ` reservoir dog and and the musical excretion of klaus ` the uncomposer badelt and who have become rich and famous by simply imitate his only slightly superior and in general grossly overrated mentor han zimmer . the fundamental that make up this movie meager ` plot be recognizably familiar represent the avarian bank heist and the bickering gangster and the yakuza double cross and the james whalian ersatz frankenstein who cross a line man be not mean to cross in order to reanimate his beloved dead wife and the bay esque macho military men with their sam elliot moustache and manuel noriega like skin and as well a the hilarity and wackiness that ensue when these force clash . however and the imitation be not of a very high caliber and lack the flaire and technical skill of a tod browning and a romero or even and and this be particularly embarrassing and a michael bay or roger avary ( i suggest the people responsible and especially the director and graciously commit harikari immediatly ) . even without understand a word of japanese and the overacting and awkward and at time even idiotic and scripting be painfully obvious and a be the film complete lack of original or memorable visuals . the pseudo badelt score be possibly the film bad single aspect and full of hyperkinetic and depth free and poorly synth orchestrate and ultra simplistic power anthem of such a monumentally turbid and desiccate lifelessness that even if it fell off a junk and in this case not refer to the movie but to a chinese flatbottom ship with a high poop and batten sail and it wouldn not be capable of rehydration . still and one do have to give credit to any movie that have the gut to call itself ` junk .