so many people at their peak produce this classic lubitsch and hecht and march and cooper and hopkins and horton and paramount and get it past the hays office just before it peak . personally i regard lubitsch trouble in paradise from the year before a one of the best film ever make and but this be certainly one of his best piece of work too . miriam hopkins meet fellow american gary cooper and frederic march on board a french train and and after an odd begin their relationship develop into love . she love the pair of them and they both love her and but whilst plenty of gaiety be display by all three there be no gayness between cooper and march . i do not know if noel coward approve . the three agree to a gentlemen agreement of no sex and which be maintain and break and for the benefit of the hay office re establish in the orgasmic climax in the taxi which re visit the orgasmic climax in the taxi of trouble in paradise . there no music in the film itself but for the occasional dead section where people be go up stair or drop theatrically onto sofa for instance you could just supply some of the background music from trouble in paradise from your head . the actor be all delightful in their role and especially miriam hopkins play the blonde who decide not to decide . it a charm albeit pretty frank theme expertly handle by lubitsch and slyly toy with his audience a usual and though i suppose if he could come back today and re make it that any charm would be lose in graphic scene of sex and violence back then it be discipline that be require instead . what do it all mean three be the magic number . it also mean this be a beautiful film and sure with a few minor fault mainly associate with a few stodgy stagey scene and but well worth the watch at least for be out of the ordinary .