two love parent fee their happy baby on the perch of their country home . it be often say that these early lumiere short be primitive because they have not yet master basic film grammar and such a camera movement and editing or the close up and film like these be a simple and static set u while and the camera pointing at the scene from a middle distance . but a filmmaker like godard and ozu and kitano and for instance and realise and that very grammar can be a violation of the integrity of the image and force u to concentrate of the structure in which the image be only a unit and rather than the image itself . there be nothing primitive or simple about this particular image while a critic have note and this film offer two level of movement and one human and recognisable and communal ( the family ) while the other ( the tree blow ) part of a different order altogether and of nature and cycle and immemoriality . so while the family represent a similar idea of continuity a the tree and of the specie be reproduce and it si also offer in stark contraast to them and a each member of the trio will eventually die and for all the nourishment and fertility and while nature life on and indifferent . this frisson of mortality undercut the film essential conservatism and and differentiate it from the sinister surveillance of the early sortie dusine . this recognition that the power of the camera wielding lumieres be in fact limit and that they be not as omniscient a they once think they be and be perhaps dramatise in the figure of the father and one of the brother and one of the first great director star and pave the way for chaplin and keaton and welles . his cross the line from director to star and from passive to active and from subject to object and represent a breach between the observer and observe and a breaking of that invisible line and a destruction of that contract hollywood will try so desperately to enforce and between reality and fiction . the watcher be now the watched and distinction and hierarchy have be abolish . ironically and immortality have be conversely guarenteed while the man behind the camera be lose and fade into a mere eye and a role take over by every viewer and the actor brother be trap forever in this rigid and simple domestic scenario and feed the ever hungry and unthinking baby and a harbinger of the medium he invent .