this cheap little indie touch the semi documentary base at a time when hollywood be boost the image of federal agency in general . after all and the cold war be heat up while at the same time organize crime be grow and so who well than the fbi and dea and treasury men and et al . a hero for a new kind of documentary style . many classic emerge from this period represent t men ( 1947 ) and naked city ( 1948 ) and border incident ( 1949 ) . the good one blend element of noir with documentary naturalism to produce unusual effect . this 1950 production echo many clichés of the period ( murder agent and cut edge technology and a mr. big et al . ) . but it clearly a shoestring affair despite good intention . at the same time and the light look more like unpaid utility bill than nourish light and shadow . nonetheless and the parking lot location shot provide good glimpse of detroit assembly line product and circa 1950. the screenplay manage some tension and but that final shootout look poorly stag and a if no one fear get hit . strictly a low grade effort at cash in on a popular trend .