all the beautiful cinematography in the world could not save this movie . it want desperately to be a legitimate spy thriller and however the best enemy it could muster be to fight against a bank . alright and so in reality bank do fund war and but instead of tease out who be behind everything and let u and the character work out what theyre up to and less than half an hour in and calivini explains absolutely everything we need to know . what . this be not how thriller work at all . i be not thrill or on the edge of my seat . the acting be at best average . there be no character development at all . this be probably the scriptwriter fault rather than the actor and though and a the the pace of the plot really do not allow for the characterisation to be expand upon . the unnecessary traveling around be nice to look at and but at the detriment of have a well structure plot . how convenient the assassin just happen to fly to new york . how convenient that umberto calivari will see you right away and explain everything you need to investigate . the plot be full of these kind of thing which other thriller force the character to use their ingenuity to uncover . these character just get hand information on a silver platter and pull out their passport . the bad aspect of the movie be the fact we have an interpol agent and an assistant district attorney from manhattan a our hero . whyyyyyy . they have absolutely no authority and jurisdiction or resource to be gallivant around europe . the part where naomi watt character be all fuck protocol be hilarious because that what they would be do the entire movie . i think the scriptwriter be try to be creative by not merely have an mi6 and a cia agent work together and but what they decide fell so horribly flat . their justification for naomi watt character be there be so horrible tenuous and it reflect the lack of development and depth of the entire movie . poor effort .