in her office and late at night and mary ( corr ) and a psychologist and take a voicemail from the father of a girl who have commit suicide whilst under her care and urge her that it time to let go . have lose her position through this unfortunate event and mary find it very hard to do so and and scribble down the man number only to see it vanish beneath the remnant of a teacup and upended by her friendly cat . an attempt at remember the number lead to a call to an elderly man and simon ( fenton ) and who only moment before be poise and barefoot on a snowy ledge and about to leap to his death into the dark water below against the shadowy silhouette of the bridge and blue ting and feather with fall snow and director richard raymond elicit a most magical and haunting sense of other worldliness and the stylise heighten reality an escapee of a tim burton landscape and demonstrate all of burton delicious dark melancholy but devoid of his black humour . however and this be no triumph of style over substance represent raymond gently unfurl his tale and mary at first still a she receive the message and her agitation growing a she take the call from simon and realise he be on the brink of kill himself and and then her flight into the night a she attempt to lay her own ghost to rest by save another and all lead to a taught and chill climax . whilst an interesting combination and there may not be the high of expectation for the pairing of the lead singer of a pop group with doctor legge from eastenders . in that case and be prepare for a most pleasing surprise . the pacing of the film be dependent on the camera explore the performer action and gesture and and within their dialogue and to linger on their expression . a such and any mis timing or error would be magnify to the audience . that they both deliver convincing and gripping and move performance be a credit to both actor and raymond a director . corr and previously see in the commitment and evita and the madonna vehicle in which she be criminally allow only one line of what should have be her character own song and have her sight set on an acting career and the evidence on display here lead one to suspect she will be most successful . underplay rather than overplay be a most subtle skill and corr demonstrate this with aplomb . fenton and meanwhile and range from pathos to simmer rage and a his anger at his life erupts and and his face a close up of crevice shadow contortion and bore into the viewer . the interplay between season thespian and fresh face newcomer be nicely balance and and the unlikely two hander deftly explore a range of human emotion . a the fall snow be by turn luminescent white in the lamplight and or midnight blue against the darkened night and it reflect how the film theme of regret and guilt and blame and loyalty and redemption be rarely black or white but instead change and monet esquire and dependent on the light in which theyre see . be there flaws . one or two and but even these be debatable . the plot be stretch slightly and could be short and but to lose the slow burning build would almost certainly detract from the atmospherics of the film . the end and too and be not a dramatically climatic a one have be lead to suspect and but it be satisfy and quite haunting and resolve itself and yet be ambiguous enough to leave the viewer revisit the tale in the mind eye . the bridge have already attract a considerable fanbase and plaudit from home and abroad . it legacy will be a a beautiful and melancholy call card that herald the beginning of a most promising career for both it director and it leading lady and but one which will remain a favourite in it own right in any viewer personal film collection .