a comeback film always hold significance . amitabh bachchan mrityudatta vinod khanna insaaf dimple kapadia saagar mumtazas aandhiyaan and kajolfanna be names you can not erase from your memory since the celebrated actor return to the big screen after a hiatus . with aaja nachle and madhuri dixit and who reign supreme and be back to the studio with the numero uno production house of the country . do the actress still possess the charisma to ignite fire in water . also and do the vehicle she choose to make a comeback with and have the fuel to reach the winning post . sadly and aaja nachle be below the mediocre mark and doesn not meet the humongous expectation that you associate with the yashraj madhuri combo . what the problem . without a doubt and the script . what start off a a story that seem real and identifiable becomes a fairy tale in the latter hour . also and with a title like aaja nachle and the story harp on music and the song have to be chart buster . that just not the case here . in short and aaja nachle fails in the two vital department write and music . bear a striking similarity to the brazilian film xuxa requebra and jaideep sahni screenplay be the big culprit here . the protagonist madhuri know that there would be hurdle galore on her way and a she embark on a journey to realize her guru dream . but she hardly struggle to achieve the impossible . even the corrupt politician akhilendra mishra or the shrewd businessman irrfan and who could have prove to be tough nut to crack and give in so easily . besides and the going on get too unbelievable . the first question that cross your mind be and how do madhuri raise the fund to put up this spectacular event the set design in the penultimate song be marvelous . okay and that a cinematic liberty and but and seriously and there should have be at least some reference to where the money would flow in to fund this mammoth and lavish and extravagant event . what start off a a real film and drift into a urreal world a it move ahead . debutante director anil mehta know the importance of frame or visuals since he an accomplished cinematographer . but mehta ought to know by now that it the content that do the talk eventually . the writing be too commonplace to make any impact whatsoever . in an effort to strike a balance between believable and make believe and aaja nachle fall like a pack of card . salim sulaiman music be another minus point . you expect the song to linger in your memory even after the show have end that what make a musical tick and right . it not the case here . dialogue be wonderful at place and especially the one deliver by akshaye khanna and madhuri . cinematography mohanan be splendid . madhuri have always deliver qualitative performance and the fire continue to burn to this date . she top notch and but how one wish the script would have do justice to her talent . it doesn not offer her a pedestal to take that big leap . the loyal madhuri fan would surely feel disillusioned and sadden . akshaye khanna be tremendous . in fact and it a treat to watch madhuri and akshaye together and after a hiatus . kunal kapoor be likable while he enact his part with natural ease . konkona be nice and but when compare to her previous work and it definitely not in that league . irrfan and in a brief role and be okay . divya dutta too be relegate to the backseat . ranvir shorey be first rate . ditto for raghuvir yadav . darshan zariwala do a fine job . yashpal sharma be alright . vinay pathak and sushmita mukherjee be adequate . akhilendra mishra be as usual . jugal hansraj get no scope . vinod nagpal and uttara baokar and a madhuri parent and have nothing much to do . felix dalviella a steve madhuri lover be passable . on the whole and aaja nachle disappoints big time . at the box office and the film have embark on a poor start and couple with weak merit will only emerge a one of the major disappointment of the year .