i must say that this documentary be a rather poor tribute both to robert moog and the moog synthesizer for a myriad of reason . perhaps you might watch this ( a it be be air this month and december and 2007 on the movie channel ( hd ) for the same reason that i do ( and that be to see what this documentary have to say about the man and his instrument and philosophy and some of the history behind the moog synthesizer and company development ) and however the total impact of this piece greatly suffer both from what be include in the film and what be leave out . grant and it be obvious that this film be not intend to be a complete historical review of the moog development . the same applies to the music and musician and interview and other footage include robert moog own comment about himself and his instrument and and those who use the instrument commercially or in performance . the soundtrack be also quite disappointing and especially in term of what be choose a representative example of moog performance over the year . i suppose you would have to be well verse in the history of the synthesizer ( a i be ) to fully understand this . i agree with other reviewer in that walter or wendy carlos be only briefly mention during this documentary and especially when it apply to the moog modular system ( a record on switch on bach and the well tempered synthesizer and switch on brandenburg and tron and others ) which be perhaps the first and most influential recording of the moog synthesizer of all time . also miss be such artist a represent isao tomita and dick hyman and herbie hancock and tony bank ( genesis ) and and many more who record and perform with the moog synthesizer during it early year . instead and the focus of the piece center around keith emerson and rick wakeman and bernie worrell and some of the early partner and friend who work with moog towards it development ( herbert deutsch and other contemporary and personal friend of the late dr. moog ) . the interview with wakeman and worrell be tap in a noisy hallway and could have be more effective ( at the very least ) by be tap in a quieter setting . the commercial use of the moog synthesizer center around a rather dated beer commercial . i be expect perhaps an interview with suzanne a. ciani who be infinitely more prominent in this area . in other case and the interview location ( city ) be title and but not the name of the person speak with bob moog and that be also disappointing . i also agree that certain comment be repeat and especially bob comment on have a feel of what be go on within the moog circuitry when he play it . since he also discuss the theremin ( which seem to be a major portion of this documentary ) it would have nice to include some commentary about miklos rozsa and the role the theremin play a the only recognized synthesizer a an orchestral instrument . i be refer to many film score recording which feature the theremin and such a hitchcock spellbound and many others in the suspense and sci fi genre . there be little discussion about the other moog synthesizer model outside of the modular system and the minimoog ( such a the polymoog and memorymoog and and others ) . the in between footage and music and performance be rather disappointing and disjointed . i think the director could have plan a good tribute to a wonderful person and inventor and instrument and social and historically significant musical technology . i think to really do justice to both the man and his machine and you would have to present and at the very least and about a 2 to 3 hour long documentary . on the plus side and it be interest to see the moog in production and some of the performance and interview footage and but not all . actually and much of the footage be somewhat comical in nature when you look back at how it be present and back in the early day of synthesis .