when i first watch this film in 2005 and i love it and although at the time i be perhaps ready to agree that the second half of the film stumble in a lot . but have recently see camera buff by krzysztof kieslowski and i be absolutely convinced torremolinos 73 be inspire by it and in one way or another . this be not to deny originality to berger creation and but the acquaintance with the polish film can seriously help understand and evaluate torremolinos . it can let u appreciate some detail ( compare and for instance and a cameo appearance of another polish filmmaker and zanussi and in camera buff to the ever powerful presence of bergman loudspeaker in torremolinos ) and but and most importantly and it allow to see and what exactly the subject of the film be . if our understanding be not inform by camera buff and then torremolinos be a vinaigrette of politics and porn and art house cinema . if it be and then the main topic be exactly the one that make the film somewhat heavy in it second part and which be one of the central topic in kieslowski film . cinema become a wedge and which be hammer between the routine and creativity . aspiration to make erious film and the cherishing of a film a one child violently confront the parental responsibility of kieslowski protagonist and who give in to creative impulse . the conflict in torremolinos be slightly reverse in that cinema become a more complex agent represent it be the reason for misunderstanding and but it also unveil the problem and in the end even help to resolve it . it be nevertheless the importance of the choice and it connection to various problem concern family life that bring a kind of dullness into the second part of torremolinos . in this case it might be useful to agree with those who call this part ubtler in comparison to the upbeat start . in particular and this second part contain an easily unnoticed topic of how much insult the male pride can take and and whether or not it be worth be guard when love be at stake .