this be the kind of movie that make this exercise of write up every feature i see kind of redundant and because it not much of a movie . ( at 60 minute it not much of a feature either ) bob moog invent and you know and the moog synthesizer and which a the movie illustrate have be the source of lot of direction in music and some legendary ( bernie worrell ) and lots fun ( stereolab ) and and lot of atrocity against the ear ( rick wakeman and keith emerson ) . the common thread between these musician be nonexistent and and the movie doesn not even try it just plod from point to point and with bob in tow to look on like a proud papa . i think the reason there no cross cutting be that there no content some lawyer clearly wouldn not let them talk about moog battle with the company that bear his name ( do not ask me for more detail ) and and all that leave be a sequence of short arbitrary ramble still life with gershon kingsley and still life with dj spooky ( who be a pompous as ) and moog pick bell pepper and et cetera and plus some wan recitation of the word pirituality . the only breakout moment be when worrell tell wakeman that he think of a keyboard a a woman that he have sex with and wakeman responds and i try that but i find that the song become very short . to which worrell reply and play slow . there be a cultural frisson to die for .