despite the opening credit . finally get to see this on ifc and and the only thing they get right here be that martha beck and raymond fernandez be killer . to wit represent1 ) the story take place in the late 40 and not the late 60 . 2 ) the scene of martha confront the nurse and orderly be pure fiction . she be superintendent of a home for handicapped child in florida and not a head nurse at a hospital in alabama . 3 ) after she be fire and martha show up at raymond apartment in new york with her two child and and dutifully abandon them at a salvation army on his order . none of this be in the film . 4 ) although they may have kill as many a 20 people and martha and raymond be convict of one murder and the albany widow . after they kill the michigan widow and her child and they be extradite to new york and which have the death penalty . none of this be detailed . 5 ) martha and craze with jealousy over raymond wooing of their late mark and call the police . needless to say and that do not happen . this be an obvious answer to the ultra glitzy bonnie and clyde . grant and honeymoon be shoot on a shoe string budget and but kastle isn not half the filmmaker arthur penn be represent the story jump and the pacing be sluggish and the sound be wretched and and and he be so disinterested in his hero or their victim and whom he insultingly depict a hopelessly square and stupid and you wonder why he bother . the result be a campiness only john water could love ( shirley stoler could have be divine mother . ) gustav mahler must be spin in his grave .