unsuccessful broadway show from max shulman and robert paul smith become glossy and tepid m g m romantic comedy with one song . frank sinatra be certainly well cast a a womanize theatrical agent in new york city and and debbie reynolds be cute a a singer dancer under her own personal deadline to get married and but this archaic set up be no longer any fun . to the bachelor and available girl be just tomato ( pronounced tuh may tahs ) while to the talented songbird and be a woman mean nothing without have a husband to validate her . premise come directly from that antiseptic 50 aesthetic that woman want marriage in order to start a family ( just like their mother ) and but men want marriage in order to get into the bedroom ( because no self respect tomato would go all the way without vow ) . lady man sinatra do a lot of sweetheart talk and forehead kissing and yet his randy excursion ( and drunken escapade ) be merely chat about and never see . he call a monster and a heel which seem a tad severe for a guy who never seem to get any action because his phone be always ring and his doorbell be always buzz . sinatra and reynolds may have indeed prove to be a splendid screen couple and but they be trap by the tender trap and which curdles from coyness . from .