i use to think that gim me shelter be the end all and be all of roll stone documentary . the maysles film be undeniably heroic and but it shine and polish and it squeaky clean view of the stone a consummate professional utterly belies the fact that road life with the skinny brit do involve a good deal of sex and drug and and a bit of rock and roll too . film during a tour to promote my personal favorite stone record and exile on main st and cocksucker blue be a grimy and sordid foray in the behind the scene working of the rolling stone machine . gloriously film in both color and black and white super 8 and and artfully present with a strong focus on non diagetic audio track and cocksucker blue be no simple document of event and but a solid work of art in it own right . the haphazard film style during performance be more kinetic and subjective than the maysles lens and suit the jarring and hell bent nature of the music . the craziness of tour life be capture in some particularly amazing and unforgettable scene . the kook and nearly suicidal fan and whose baby be take away due to mom acid habit and the primitive and forceful disrobing of woman on the plane while the band cook up a beat to go with it and and the junky sound man all create a subterrainian truthful texture to the stone experience that be most likely not available to the maysles brother .