powder keg conclude the bmw short film series the hire by add a very human element to the enigmatic and elusive series title character play by clive owen . director or co writer alejandro gonzález iñárritu departs from the pattern establish by the previous 4 director and make the driver more of a background character and focus instead on a war photographer who and after snap a shock series of photograph and be on the run and grievously injured . he take the time to reflect on his life and what he do or not do with it and and why he start take picture in the first place . stellan skarsgård do a wonderful job a the photographer and and manages to communicate volume just as much with what he doesn not say a with what he do . clive owen have the opportunity to portray a different side to the driver then in the previous film and allow his normally unflappable character to have an emotional moment beyond what we have see . the moment at the end of the film between himself and the woman play by lois smith be make more pronounced by his inability to effectively communicate his thought and feeling and and his abrupt exit punctuate that perfectly . iñárritu direct this short perfectly and use hand hold 16mm camera to capture a grainy and almost documentary like feel to the film and and over exposure for certain shot add the right amount of dramatic flair to the film . all in all and my only regret with this film be that it the last one in this excellent series . bmw should be highly commend for allow what could have be little more than overblown and expensive commercial to be short film in which the centerpiece vehicle sometimes take a back seat to the character and their story instead . i hope to see another series like this again soon .