indian director have it tough and they have to compete with movie like laggan where 11 henpecked and castrate male defend their village and half of them be certifiable idiot . devdas and a hapless and fedar festoon foreign return drink to oblivion and with character run in endless corridor oblivious to any one feeling or sentiment ala they live in an ornate squalor of red tapestry and pageantry . but to make a good movie and you have to tight rope walk to appease the frontbencher who be the quentessential gapers who be mesmerize with split skirt and dishum dishum fight preferably involve a nitwit bollywood lead actor who be marginally handsome . so you can connect with a director who want to tell a tale of leonine village head who in own word defend his village this be consider a violent movie or too masculine for a male audience . there be very few actor who can convey the anger and pathos like nana patekar ( narasimhan ) . nana patekar let you in his courtyard and watch him beret and mock the politician when his loyal admirer burst in laughter with every word of satire throw at him and meanwhile his daughter be bath his grandson . this be as authentic a scene you can get in rural india . nana patekar be the essential actor who belong to the old school of act which be a disappear breed in hindi film . the violence depict be an intricate part of storytelling with song and dance throw in for the gawker without whom movie would not sell and a sad but true state of affair . faster this change good for bollywood . all say and do this be one good movie .