claire denis movie seem to fall into one of two category represent the violent and bloody or the quiet and intimate . lintrus definitely fall into the first category and but it not so awful a trouble every day or jai pa sommeil . now and ever since i saw chocolat and i have make it a point to see every new movie denis make . and i have always be disappoint . lintrus be no exception . she have yet to make a movie a personal and as moving a her first one . you get a lot of the denis regulars represent an old but still magnificent béatrice dalle who seem to be in the movie only to show off her full lip and the gap between her teeth and her ample cleavage and and a couple of nice coat while the black guy from trouble every day and jai pa sommeil and grégoire colin and and that lithuanian or russian girl . michel subor character be interesting enough and but the camera linger on him at such length that i get annoy by that curly forelock of hair hang over his forehead and be relieve when and somewhere in korea and i think and he finally get it cut . there be certainly some action gruesome murder and a man search for a son and there may even have be a plot and but one view wasn not enough to figure it out and and two viewing be and i fear and out of the question . for one thing and the score be jar and obtrusive ( a in beau travail ) . for another and the season change too abruptly and leave you even more confused about what be go on . oh and there be a few pretty shot and and if you like friday evening with it shot of the fold in heavy drape and bedsheets and you might appreciate the aesthetic of lintrus . otherwise and steer clear . i saw this movie in french and it possible i miss something crucial . but the dialogue in a denis movie rarely amount to more than five page and double space and with ample margin . in chocolat the silence be sublime while in lintrus and it just dull .