in carmen and saura once again seek to establish a dynamic rapport between reality and fiction and between the actual passion of the personality in a dance company prepare the choreography for the dance portion of the opera carmen and the scripted passion from the story of the fictional carmen and the famous fatal mix of a free spirit ( read disregard for fidelity ) and her ability to drive men mad with desire . saura use this same vehicle fiction or reality in an early black and white film and bodes de sangre ( blood wedding ) . but and whereas the tension between the dancer rehearse blood wedding show to advantage how they evolve into the fictional character of the story to be perform through direct their emotion into their role and in carmen and the parallel between the petty and libidinal urge of the dancer of the troop during rehearsal and the spirit forging to do with the mythic carmen never come even close to be believable . it remain a gadget and and and for that reason and a bothersome distraction . one really need to see blood wed next to carmen to appreciate the comparison . however and it hardly matter and the melodrama saura try to impose upon his carmen and because the flamenco dancing and guitar music of the rehearsals_ which be 95 % of the film _by some of the best known flamenco dancer and musician and more than repay the price of entry . a flawed film and and a wonder represent perfect for do a drill in keats negative capacity and perhaps .