just email a friend who in film school about this flick . something to avoid when make a film character blabber senseless and overwrought and convolute monologue on screen that be ultimately trite and unconvincing . if the film be an attempt at social realism and these verbal barrage be so over the top that they actually draw attention to the film construct a film and effectively neutralize that intent . be it the act and or the script that be bad and or both . the protagonist be also highly unbelievable for social realism ravenously consume canonical english literature and the bible while high or hungover and able to produce such profoundly sophomoric soliloquy while intoxicate . and how be such an unattractive and unwashed and verbally noxious character able to bed most of the woman he meet within minute of encounter them . ( i have to applaud when one chick finally throw him out onto the street and despite his whining and self pitying banter ) . the viewer encounter pretentious reference to ancient greek literature and nostradamus and the book of revelation . the impending doom of mankind and in the form of bar code imprint on our forehead or right hand in spooky biblical fashion and be present to a character who be oh so cleverly expose in his role a a guardian of empty space . this flick be over scripted and over the top a melodrama clumsily infuse with pedestrian philosophy about the meaning of mankind and life and etc . it be trite and overwrought and tedious . there be some very fine english film available with content similar to this film . nil by mouth be an excellent and far more interesting excursion into the life of individual in a similar social milieu . ditto for in the warzone . and although the comparison be not even warrant and check out anything by peter greenaway and who far more deftly handle dialogue and wit and absurd character and situation .