abhay deol second film and write by imtiaz ali and maiden directorial effort by shivam nair . soha probably have her first ( . ) meaty role a megha and a girl who have run away from home and be wait at the delhi marriage registrar office for her boyfriend dheeraj ( shayan munshi ) to meet her . she wait and wait and finally be spot a a damsel in distress by ankush ( abhay deol ) . they spend many day together a he extricate her from one distress situation after another and finally fall in love with her . then the boyfriend return . aage pardey par dekhiye . sound familiar . this be yet another adaptation of dostoyevsky white night with a tiny bit of borrow from le notti bianchi ( very tiny though ankush keep the lover apart by tell the boyfriend she be dead . ) . but this be an earthy and more realistic ( duh ) adaptation than the much hyped and overblown saawariya . i wonder why no one bring this little gem up when we be all discuss saawariya like crazy a few month ago . the delhi setting be wonderful there be the obligatory run through old delhi and shot of jama masjid from a roof top and connaught circus and street with rickshaw ( what . how . ) . the colorful light fixture in the hotel be enough to tell you this be a seedy joint with room for hire by the hour . the more i see of abhay the more i like this young man . in this second film he be quite good a the for hire witness who be give a purpose in life by a beautiful woman . soha look beautiful and and when she smile she fit the role and but i find her unconvincing in the more serious moment . i be not quite sure that she have it in her to be a great actress and or maybe she will blossom late like the brother . the music by himesh reshammiya be not that great and in fact the movie falter at the song and they kind of interrupt the narrative and do not sit well with the character try to sing them . the support cast be excellent and i give this white night adaptation a thumb up . btw the fact that i love abhay deol cute dimple have nothing to do with my rating .